Story a meditation

55
Dominique Gerald M Cimafranca This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Philippines License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ph/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. | blog: villageidiotsavant.com | email: [email protected] Story: A Meditation

description

 

Transcript of Story a meditation

Page 1: Story a meditation

Dominique Gerald M Cimafranca

This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Philippines License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ph/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

| blog: villageidiotsavant.com| email: [email protected]

Story: A Meditation

Page 2: Story a meditation

What is story?

Page 3: Story a meditation

“Story is what happens

to someone.”

Page 4: Story a meditation

Two essentials of story

Character

Events

Page 5: Story a meditation

Is this a story?

Sonny is a tall, handsome, fair-skinned young man, with bright eyes and a quick wit. He is well-liked because he is kind, charming, and generous. However, he parties a bit too much and gambles at cards and dice more often than is good for him.

Page 6: Story a meditation

Is this a story?

Mera thinks she's a normal teenager but she's actually the daughter of the sea god Maguayan and a mortal maiden. Mera was banished to earth to live life as the child of a fisherman. When she turned sixteen, Mera learned that she could talk to fish.

Page 7: Story a meditation

No. So far those are just character concepts.

Nothing has happened to them yet.

Page 8: Story a meditation

Is this a story?

Down to his last P5,000, Sonny decides to act on a horse-racing tip. He puts P4,000 on O Happy Fault, keeping P1,000 in his wallet just in case. O Happy Fault looks like she's about to win but stumbles at the last moment! Sonny is dejected, but thankful he had the foresight to save some money. He feels for his pocket and discovers, to his horror, that his wallet is gone!

Page 9: Story a meditation

Is this a story?

While gathering seashells at a beach, Mera sees a drowning boy out at sea. She swims to the rescue, but it turns out to be a trap! Three siokoy attack her. She is about to be overwhelmed, but instinctively she calls out to dolphins for help and they save her. The dolphins lead her back to shore. Before departing, they seem to bow and say: "Princess Mera, daughter of Maguayan."

Page 10: Story a meditation

Character? Yes.

Event? Yes.

So? Story?

Page 11: Story a meditation

No. Rather, our characters are in a situation.

Something has happened, but it is only a single event.

Page 12: Story a meditation

In a story, we expect a sequence of interrelated

events.

Page 13: Story a meditation

“Story is a sequence of events that happens to someone.”

Refining our definition further...

Page 14: Story a meditation

Is this a story?Down to his last P5,000, Sonny decides to act on a horse-racing tip. He puts P4,000 on O Happy Fault, keeping P1,000 in his wallet just in case. O Happy Fault looks like she's about to win but stumbles at the last moment! Sonny is dejected, but thankful he had the foresight to save some money. He feels for his pocket and discovers, to his horror, that his wallet is gone!

He feels a tap on his shoulder. It's an old woman. “Excuse me, is this yours?” She holds up a wallet. It's his.

“Oh, thank you!” Sonny exclaims, hugging the woman.

Page 15: Story a meditation

Is this a story?While gathering seashells at a beach, Mera sees a drowning boy out at sea. She swims to the rescue, but it turns out to be a trap! Three siokoy attack her. She is about to be overwhelmed, but instinctively she calls out to dolphins for help and they save her. The dolphins lead her back to shore. Before departing, they seem to bow and say: "Princess Mera, daughter of Maguayan."

The next day, a sea carriage driven by mermaids lands on the shore of their village. They dress Mera in fine clothes and bring her to their kingdom where she was reunited with her true father.

Page 16: Story a meditation

What's wrong here?

We already have a sequence of events, right?

Page 17: Story a meditation

Our characters have no agency.

Things just happen to them.

Page 18: Story a meditation

Unfortunately, this is far too common, viz. popular fairy tales.

In other words, “Mary Sue.”

Page 19: Story a meditation

Refining our definition further...

“Story is a sequence of events that happens to someone as a consequence of their actions.”

Page 20: Story a meditation

What if we continued our two stories like so...?

Fortunately, Sonny still has his cellphone. He dials his Dad and tearfully explains what happened. His Dad sends a limousine to pick him up.

* * *

Mera relates the strange events to her mother. Her mother reveals her true parentage to Mera. “You were born of Maguayan, but we love you as your true daughter.” They embrace.

Page 21: Story a meditation

Aaargh.

Page 22: Story a meditation

Character? CheckSituation? Check.

Action? Check.Consequence? Check.

What's wrong?

Page 23: Story a meditation

It's too easy for our characters.

We go in a line from point A to point B.

It's not interesting.It's boring.

Page 24: Story a meditation

Story is about the character's struggle to solve a

complication.

Page 25: Story a meditation

Refining our definition further...

Story is about a character's struggle to solve a complication and the sequence of events that happens to them as a consequence of their actions.

Page 26: Story a meditation

Whose story complication provides more promise? Sonny's

or Mera's?

Why?

Side question

Page 27: Story a meditation

Sonny's complication is external: he needs money.

Mera's complication is internal: it goes to the core

of her identity.

Page 28: Story a meditation

It's a question of what's at stake.

What does the character stand to lose or gain from resolving

the complication.

Page 29: Story a meditation

The higher the stakes, the more interesting the

complication.

Page 30: Story a meditation

However, don't overdo it.

Page 31: Story a meditation

Overused complications

● Death● Illness● Parental

Separation● Eros● Chosen One

Page 32: Story a meditation

Overused complications

● Death● Illness● Parental

Separation● Eros● Chosen One

Simplistic understanding ofdramatic situations as aresult of years of pre- conditioning through telenovelas and badanime.

Page 33: Story a meditation

Going from beginning to end:

from complication to action to resolution.

Page 34: Story a meditation

Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___. --Pixar's Rules of Storytelling

Page 35: Story a meditation

Story has a beginning, middle, and end.

Page 36: Story a meditation

Beginning Middle End→ →

Ratio of the three parts

Page 37: Story a meditation

A template

(character) is a (age, occupation, etc.)he is in trouble because of (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

:

Until finally (ultimate action and consequence)

Page 38: Story a meditation

Character responses: The Four D's

● Does● Discovers● Decides● Deals with

From “Novelist's Boot Camp” by Todd Stone

Page 39: Story a meditation

Structure of a story

(character) is a (age, occupation, etc.)he is in trouble because of (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

:

Until finally (ultimate action and consequence)

Page 40: Story a meditation

Structure of a story

(character) is a (age, occupation, etc.)he is in trouble because of (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

:

Until finally (ultimate action and consequence)

beginning

end

movement

movement

movement

middle

Page 41: Story a meditation

Structure of a story

(character) is a (age, occupation, etc.)he is in trouble because of (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

However (problem)he (decision/action in response to problem)and so (consequence of action)

:

Until finally (ultimate action and consequence)

beginning

end

movement

movement

movement

PLOT

Page 42: Story a meditation

By the end of the story, where is the character in relation to the situation?

Page 43: Story a meditation

The ending doesn't necessarily resolve the complication for

the character.

However, it must relate to the complication in an integral way.

Page 44: Story a meditation

It must complete the story satisfactorily.

Page 45: Story a meditation

Cheat Ending

“...it was all a dream...”

The whole struggle was meaningless.

Page 46: Story a meditation

Other cheat endings

Deus Ex Machina – someone arrives at the last moment to solve all the problems

“And they all died...” - gratuitous death meant to incite sympathy

Page 47: Story a meditation

What would be possibe endings for Sonny's and Mera's stories?

Page 48: Story a meditation

Thinking of good endings can be hard.

Page 49: Story a meditation

So far...

Story is about a character's struggle to solve a complication and the sequence of events that happens to them as a consequence of their actions.

Page 50: Story a meditation

“Story is the essential progression of incidents that occur to the hero in pursuit of his one goal.”

--David Mamet

Page 51: Story a meditation

How did we get to the story-less “stories” that seem

so popular today?

Question

Page 52: Story a meditation

Possibly: influences

● Manga, anime, and series – longer story arcs but young writers emulating might not have the stamina

● Videos – can get away with no story based on characters, unique situations, imagery

● Social media – short but ongoing conversations; translated to story, context removed

● Flash fiction – rising in popularity, but tends to establish situations without proper endings

Page 53: Story a meditation

Questions?

Page 54: Story a meditation

Acknowledgments

Thanks to the fellows of Ateneo de Davao Writers Workshop 2014 for helping refine the presentation with their input and

criticism.

The font used in this presentation is Traveling Typewriter by Carl Krull

(www.carlkrull.dk)Download from http://www.dafont.com/traveling-typewriter.font

Page 55: Story a meditation

Dominique Gerald M Cimafranca

This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 Philippines License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ph/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

| blog: villageidiotsavant.com| email: [email protected]

Story: A Meditation