stokowski - Amazon S3...BRAHMS Symphony No. 3 in F major, Op. 90 [iJ 1 st mvt. -Allegro con brio -Un...

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[ill§~ DI GITAL AUDIO PASC S40 Stokowski - Conducts Brahms and Dvorak Producer's Note It is difficult to believe that it was not until 1921 that the first recording of any portion of a Brahms symphony appeared on disc: the third movement of the Brahms Third Symphony, abridged to one 78 rpm side, and played by Leopold Stokowski and the Philadelphia Orchestra. When electrical recordi ng appeared, the co nductor went on to pioneer the earliest Brahms symphony cycle, beginning with the Fir st in 1927 (Pristi ne PASC 500). The Third was the next in the series to be recorded. Like th e First, it was the symphony's premiere electrical recording; but it was also the work's first complete recordi ng. It was hampered in two re spects: by a finale which begins with an unusua l (for Stokowski) lack of energy, and only really catches fi re toward the end; and by the abrupt and frequent volume level changes imposed by the original engineer. "Gain rid ing" was something of a necessary evil at the time in order to avoid loud passages causi ng a record to fa il the "wear test"; but the recordings Victor made in la te 1928 (including Mengelberg's Ein He/denleben as wel l as the present set) took knob twiddling to an irrational extreme, with volume levels suddenly goi ng up and down seemingly at random throughout the set. Modern technology and painstaking, sometimes note-by-note work in this transfer have finally removed at least the most objectionable of these fluctuations, allowing listeners to hear it in an untampered form for the first time. Despite its drawbacks, the set remained in the Victor catalogue through the end of the 78 rpm era, even making an appearance on RCA's Camden LP label in the 1950s. The re ason for both was probably the lack of a Stokowski remake until his Houston Symphony stereo LP appeared in 1959. While the conductor made seve ral studio recordings of the First and Fourth Symphonies, the Second and Third only have two apiece; but unlike any of the other symphonies, li ve recordings of Stokowski in th is work have not been forthcoming on CD, save for a private release of a 1941 NBC Symphony broadcast. The Dvorak "New World", on the other hand, was frequently recorded by Stokowski throughout his career. The version heard here was already his second electrical recording with the Phi ladel ph ians, superseding a 1925 effort with reduced personnel and acoustic-style re-orchestration . Like some other sets made by Stokowski and the Philadelphians in 1927 (the Beethoven Seventh, Brahms First and Franck Symphonies), it was accompanied in its American release by a separate disc with a discussion of the work spoken by the co nductor. Unli ke the Beethoven and Brahms discs in which Stokowski assumed both the speaking and piano-playi ng roles, the pian ist here, uncredited on the original discs, was his Philadelphia ass ista nt, Artur Rodzinski, in his first recording sess ion . The sources for the present transfers were Victor "Z" pressings for the Brahms (its quietest form of issue) and vinyl test pressings for the Dvora k. On its original release, the "New World" contained two dubbed sides - Side 2, the second half of the first movement, and Side 3, the first si de of the second movement. I have used an un iss ued alternate take for the first movement side, but only the dubbed take still exists for the second movement. Mark Obert-Thorn stokowski PR ISTI NE AUDI O ! PASC 540 / \'h er t-Th o rn brah111s symphony no. 3 dvorak symphony no. 9 "from the new world " the philadelphia orchestra leopold stokowski, conductor studio recordings, 1927-28

Transcript of stokowski - Amazon S3...BRAHMS Symphony No. 3 in F major, Op. 90 [iJ 1 st mvt. -Allegro con brio -Un...

[ill•§~ DIGITAL AUDIO

PASC S40 Stokowski - • Conducts Brahms and Dvorak

Producer's Note

It is difficult to believe that it was not until 1921 that the first recording of any portion of a Brahms symphony appeared on disc: the third movement of the Brahms Third Symphony, abridged to one 78 rpm side, and played by Leopold Stokowski and the Philadelphia Orchestra. When electrical record ing appeared, the conductor went on to pioneer the earliest Brahms symphony cycle, beginning with the First in 1927 (Pristine PASC 500).

The Third was the next in the series to be recorded. Like th e First, it was the symphony's premiere electrica l recording; but it was also the work's first complete recordi ng. It was hampered in two respects: by a finale which begins with an unusual (for Stokowski) lack of energy, and only really catches fi re toward th e end; and by the abrupt and frequent volume level changes imposed by the original engineer.

"Gain rid ing" was something of a necessary evil at the time in order to avoid loud passages causing a record to fa il the "wear test"; but the recordings Victor made in late 1928 (including Mengelberg's Ein He/denleben as wel l as the present set) took knob twiddling to an irrationa l extreme, with volume levels sudden ly going up and down seemingly at random throughout the set. Modern technology and painstaking, sometimes note-by-note work in this transfer have finally removed at least the most objectionable of these fluctuations, allowing listeners to hear it in an untampered form for the first time.

Despite its drawbacks, the set rema ined in the Victor catalogue through the end of the 78 rpm era, even making an appearance on RCA's Camden LP label in the 1950s. The reason for both was probably the lack of a Stokowski remake unti l his Houston Symphony stereo LP appeared in 1959. While the conductor made several studio recordings of the First and Fourth Symphonies, the Second and Third only have two apiece; but unlike any of the other symphonies, live recordings of Stokowski in th is work have not been forthcoming on CD, save for a private release of a 1941 NBC Symphony broadcast.

The Dvorak "New World", on the other hand, was frequently recorded by Stokowski throughout his career. The version heard here was already his second electrical recording with the Phi ladelph ians, superseding a 1925 effo rt with reduced personnel and acoustic-style re-orchestrat ion . Like some oth er sets made by Stokowski and the Philadelphians in 1927 (the Beethoven Seventh, Brahms First and Franck Symphonies), it was accompanied in its American release by a separate disc with a discussion of the work spoken by th e conductor. Unl ike the Beethoven and Brahms discs in which Stokowski assumed both the speaking and piano-playing ro les, the pian ist here, uncredited on the origina l discs, was his Philadelphia assistant, Artur Rodzinski, in his first recording session .

The sources for the present transfers were Victor "Z" pressings for the Brahms (its quietest form of issue) and vinyl test pressings for the Dvora k. On its origina l release, the "New World" contained two dubbed sides - Side 2, the second half of the first movement, and Side 3, the first side of the second movement. I have used an un issued alternate take for the first movement side, but only t he dubbed take sti ll exists for the second movement.

Mark Obert-Thorn

stokowski PRISTI NE

AUDIO ! PASC 540

/ \'hert-Thorn

brah111s symphony no. 3

dvorak symphony no. 9

"from the new world"

the philadelphia orchestra leopold stokowski, conductor

studio recordings, 1927-28

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BRAHMS Symphony No. 3 in F major, Op. 90

[iJ 1 st mvt. -Allegro con brio - Un poco sostenuto - Tempo I l9A81

[I] 2nd mvt. - Andante 110311

D 3rd mvt. - Poco allegretto 1ss11

[iJ 4th mvt. - Allegro - Un poco sostenuto 19201

Recorded 25/26 September 1928 in the Academy of Music. Philadelph ia Matrix nos.: CVE 46463-1 A, 46464-1 A. 46465-1 A, 46466-1, 46467-2, 46468-1 A, 46469-2A, 46470-2A, 4647 1-2A & 46472-2 First issued on Victor 6962 through 6966 in album M-42

• Outline of Themes from Dvorak's Symphony No. 9 14 031

Leopold Stokowski sprnkc,-Artur Rodzinski_pia11isr Recorded 6 Octobe r 1927 in t he Victor Stud ios, Camden, New .J ersey Matrix no. : CVE 40401-2 Fi rst issued as Victor 6743 in album M- 1

DVORAK Symphony No. 9 in E minor, Op. 95 'From the New World'

[J 1 st mvt. - Adagio - Allegro molto 18'461

[J 2nd mvt. - Largo 112os1

• 3 rd mvt. - Scherzo (Mo Ito vivace) 11 2,1

G 4th mvt. - Allegro con fuoco 110:441

Recorded 5 & 8 October 1927 in the Academy of Music, Philadelphia Matrix nos .: CVE 32802 -4, 32803-4, 33290-6, 33291-6, 33292-5 , 332 93 -4, 33 294- 3, 33297-4, 33 296-3 & 33295-3 First issued as Victo r 6565 through 6569 in album M -1

The Philadelphia Orchestra conditcted by Le'?}JoM StoKowski

[Q]m~i© DIGITAL AUDIO

PASC540

Producer and Audio Restora t ion Eng ineer:

Mark Obert-Thorn

Cover artwork based on a photor,raph of Stokowski

Total durat ion 78:34

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