Stile Antico Program Basic
1
[email protected] +44 (0)20 7870 7636 www.stileantico.co.uk They say that the Devil has all the best tunes, and it's hard to disagree on hearing this enthralling programme. As Stile Antico traces the blurred boundary between sacred and secular music in the Renaissance, we encounter risqué, racy chansons transformed by Lassus, Morales and Victoria into devout Masses and Magnificats, and ribald folksongs worked into prayerful polyphony by Dufay and Taverner. Most shockingly of all, and in spite of the Church's disapproval, it was none other than the Cardinal of Milan who commissioned sacred texts to be fitted to some of Monteverdi's most frankly erotic madrigals, crowning this survey of three centuries of superb music Please request the most uptodate version of this programme before going to print. Stile Antico’s programmes are introduced by members of the ensemble. STILE ANTICO is a British ensemble now established as one of the most original and exciting new voices in its field and has an extensive and awardwinning discography on the Harmonia Mundi label. ‘The singing is staggeringly beautiful’ Sunday Times Anon L’homme armé Dufay Kyrie from Missa l’homme armé Monteverdi/Coppini O Jesu mea vita Clemens non Papa Entre vous filles de quinze ans Lassus Gloria from Missa Entre vous filles Janequin La guerre Victoria Credo from Missa pro victoria Monteverdi/Coppini Plorat amare INTERVAL Anon Westron Wynde Taverner Sanctus & Benedictus from Western Wynde Mass Monteverdi/Coppini Rutilante in nocte Josquin Milles regretz Morales Agnus dei from Missa milles regretz Monteverdi/Coppini O mi fili, mea vita Jesu Gombert Mort et fortune Lassus Magnificat tertii toni super Mort et fortune SACRED OR PROFANE? THE SENSUAL MADE SPIRITUAL IN THE RENAISSANCE
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For our April 16 concert
Transcript of Stile Antico Program Basic
[email protected] +44 (0)20 7870 7636 www.stileantico.co.uk
They say that the Devil has all the best tunes, and it's hard to disagree on hearing
this enthralling programme.
As Stile Antico traces the blurred boundary between sacred and secular music in
the Renaissance, we encounter risqué, racy chansons transformed by Lassus,
Morales and Victoria into devout Masses and Magnificats, and ribald folksongs
worked into prayerful polyphony by Dufay and Taverner.
Most shockingly of all, and in spite of the Church's disapproval, it was none other
than the Cardinal of Milan who commissioned sacred texts to be fitted to some of
Monteverdi's most frankly erotic madrigals, crowning this survey of three centuries
of superb music
Please request the most up(to(date version of this programme before going to print.
Stile Antico’s programmes are introduced by members of the ensemble.
( ( (
STILE ANTICO is a British ensemble now established as one of the most original
and exciting new voices in its field and has an extensive and award(winning
discography on the Harmonia Mundi label.
‘The singing is staggeringly beautiful’ Sunday Times
Anon L’homme armé
Dufay Kyrie from Missa l’homme
armé
Monteverdi/Coppini O Jesu mea
vita
Clemens non Papa
Entre vous filles de quinze ans
Lassus Gloria from Missa Entre
vous filles
Janequin La guerre
Victoria Credo from Missa pro
victoria
Monteverdi/Coppini Plorat amare
INTERVAL
Anon Westron Wynde
Taverner Sanctus & Benedictus from
Western Wynde Mass
Monteverdi/Coppini Rutilante in
nocte
Josquin Milles regretz
Morales Agnus dei from Missa
milles regretz
Monteverdi/Coppini
O mi fili, mea vita Jesu
Gombert Mort et fortune
Lassus Magnificat tertii toni super
Mort et fortune
SACRED OR PROFANE? THE SENSUAL MADE SPIRITUAL IN THE RENAISSANCE
