Stephanie Ete Portfolio and CV (full).compressed

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Stephanie Ete Part 1 Architect Designer Artist [email protected] ¤ 07960098034

Transcript of Stephanie Ete Portfolio and CV (full).compressed

Page 1: Stephanie Ete Portfolio and CV (full).compressed

Stephanie EtePart 1 Architect

DesignerArtist

s t e p h a n i e e t e @ g m a i l . c o m ¤ 0 7 9 6 0 0 9 8 0 3 4

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Personal profile

Over the past few years, whilst being a student at University, I have come to decide where I envision myself within the profession of architecture and design. What I have

learnt in this time, the person I have become and the experiences encountered thus far are what prepare me to work professionally as an architectural assistant; and then go on to be an architect and advocate for the architecture and other design

industries to meet the needs of social advocacy, humanitarianism and sustainable development to design and plan for our quickly evolving local and worldwide

communities.

In my second year at the University of Nottingham, I chose to be in Unit S(A)3, a unit headed by John Ramsay (formerly of RJMJ and Hurd Rolland) and Allison Davies

(Groundworks Architects), in which 36 students designed and built a school in Limpopo South Africa where a focus on the vernacular as well as the social legacy

that architecture can contribute to, were themes that highlighted the integrity of the unit. Furthermore the experience of physically building a school, gave me an invaluable

insight and understanding of how a building comes together structurally to form a full building envelope. This understanding of feasibility, construction and assemblage,

as well as the human and social impact of architecture has dictated my continued approach to designing and it is what I hope to explore further in practice.

My third year design thesis project, as part of Unit 3A headed by Rosamund Diamond (Diamond Architects) and Joseph Halligan (Assemble Studio), focused on city

resilience and giving back to a city that in the last century has seen huge economic and social decline but is now at a turning point with jobs and industry returning

to the area. The ambition was to offer an alternative to a piecemeal solution using architecture as key to a new narrative. In the past year, developing my own brief whilst learning closely from Rosamund Diamond, I have really honed my stylistic

approach to architectural design and have become fully confident in my ability to offer my skills both in teamwork and independent work done within and architectural

practice.

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EDUCATION

2012 - 2015 University of Nottingham2:1 Classification in BArch - Architecture and the Built Environment (Hons)- Modules: Architectural Design Studio Architectural Language and Spatial Narratives Architectural Humanities: Theories in Contemporary Architecture Integrated Design in Architecture Practice and Management Tectonics Environmental Science for Architects

2010 - 2012 The Coopers’ Company and Coborn SchoolA levels in Art - A, Maths - B, English Literature - B

2005 - 2010 St. Angela’s Ursuline School12 GCSE Qualifications A*-B in Art, Biology, Chemistry, English, English Literature, French, Graphics, Maths, Physics, RE, Sociology, Statistics (GCSEs)

Relevant Work Experience

Work Shadower (2014)Shadowing a Designer- Learning first hand about the design profession with particular focus on lighting design, understanding the needs of particular clientele and projects- Given one to one skills tutoring for the software, Rhino

Work Experience with Holder Mathias Architects (2011)-Shadowing a Part 2 Architect within the firm learning first hand about the profession.-Meeting deadlines and developing and completing a personal project with an introduction to using Sketchup

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ACHIEVEMENTS

-Designed and built a school in Limpopo, South Africa, in a team of 20, as part of an Ar-chitectural Voluntary project and also assisted in playtime work with the local children. (2014)-Selected as part of an enterprise initiative in Tema, Ghana in association with Elevation Networks and The University of Nottingham to teach and start up a profit making business with local orphans and school children aged 14-16. (2014)-Secretary of the Catholic Society at the University of Nottingham(2013 - 2014)-Choir Coordinator of Our Lady of Compassion Choir (2012)-Communications Officer and Youth Leader of Our Lady of Compassion Youth -Committee (2010-2012)-Runner up to Academy Excellence Award for Art (2012)

SKILLS

-High proficiency in Adobe Illustrator, InDesign, Premiere Pro and Photoshop.-Skilled user of AutoCAD, Revit, Rhino, Google Sketchup, Ecotect-Freelance Craft Jewellery Designer-Freelance Events Photographer-Designer for The Mic Magazine (University of Nottingham) -Leadership and Motivational skills from managing and coordinating a diverse range of people. .-Believer and practitioner of exceeding customer and client care.-Experienced Team worker-Advocate of the eight fundamental working habits and practices.-Well adapt in all situations, be they challenging, new or chaotic.

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University Work(Most recent to least)

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InsertIng the ManufacturIng InstItute on to the spode sIte

the dense spode factory sItepartIal Map of stoke town

19th century renderIng of spode sIte BIrd’s eye VIew of spode sIte

1:500 Block Model of the spode sIte and the InsertIon of the InstItute

This project is situated on the former Spode Factory and was developed

around a brief that explored the revitalising of the Stoke on Trent

manufacturing legacy, an industry which in the last century saw massive

decline but is gradually returning to the area. The purpose of the Manufacturing

institute is to help local young people gain the necessary skills needed for

the influx of industrial jobs being reintroduced in and around Stoke on

Trent and Staffordshire area.

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

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The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

50m25m0m

The intervention of the institute brings the local community right into

the heart of the Spode factory, The institute includes a manufacturing

hall and teaching suites where young apprentice gain valuable training for

newly created industrial jobs. The institute also offers a jobs bureau, an

exhibition centre and an arcaded cafe open to the whole community, all of

which sit entwined amongst the relics of the former Spode factory to be used as heritage and memorial buildings for

all visitors.

Building 1 - Ground Floor - Job Bureau open to both public and apprentices to offer information on opportunities within the City of Stoke on Trent and the Staffordshire region - Seating Lounge - First Floor - Teaching /Seminar/ Meeting Rooms for addi-tional formal learning and job training

Building 2 (listed building)- Ground Floor - Arcaded cafe seating open both to public and apprentices - Services - Reception-First Floor - Staff offices-Second Floor - Mezzanine/ Circulation-Third Floor - Offices-Basement - Restored cellar housing select Spode Antiques

Building 3 - Ground Floor - Exhibition Pavilion where business can exhibit there achievements - Work lab open for Public experience

Building 4- Ground Floor - Work lab main floor with all machinery-First Floor - Mezzanine level mainly for circulation, will also have space for a small number of computers.

Building 5

- Ground Floor - Technical labs for specific job related skills including 3D fabrication lab.

ground floor planroof plan

VIews around spode

spode InstItute fIgure ground proposal

spode sIte fIgure ground plan

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axonoMetrIc VIew of the InstItute froM MaIn entrance

Ultimately this project was approached as a masterplan for the possibility

of what the former factory could potentially become - a city intervention

that celebrates the local history but provides a solution to current socio-

economic issues in the region.

eleVatIon of MaIn courtyard and arcaded entrance

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

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perspectIVe lookIng Into courtyard froM the Bureau

dIagraMs showIng the new and exIstIng BuIldIngs and access through and around the sIte and BuIldIngs

surface exploratIon of courtyard 1:200

The main entrance into the institute is through the arcaded courtyard.

The courtyard creates a hierarchy through the site and dictates

movement around the community use buildings, the heritage buildings and the

buildings for the apprentices to work with in

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

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sectIon through ManufacturIng hall and teachIng suIte

The main building on site is the Manufacturing hall where the

apprentices learn trade skills. This building is a steel framed, blue

Staffordshire brick stack clad building with vertically profiled metal cladding

above.

InItIal photo Montaged IMagInatIon of apprentIce work laB

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

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Internal IMagInatIon of arcade cafe

Entwining itself around the existing Spode buildings, this project explores

gesture such as the arcaded cafe that gently transform the two lower floors

of the listed building to more easily adjoin the insertion of the exhibition

centre and the jobs bureau.

perspectIVe of the exhIBItIon centre

sectIon through exhIBItIon centre, lIsted BuIldIng and the ManufacturIng hall

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

perspectIVe of the arcaded lIsted BuIldIng

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perspectIVe of the JoBs Bureau1:1 test of BrIck faced concrete

sectIon through ManufacturIng hall and JoBs Bureau

The materiality of the Jobs Bureau sets itself apart from the Manufacturing Hall. The idea is that the building is

would be pre-cast brick faced concrete to give pay homage to the surrounding

brick buildings but to be different materially.

The Spode Manufacturing Institute

Stoke Town, Stoke -On-trent

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Bournes Bank Paint ManufactoryBurslem, Stoke -On-trent

The following is a selection of images from a short project based in the

town of Burslem in Stoke on Trent. The project was for a small manufactory

in the local area with a strong artistic influence. This manufactory produces

artist paints from raw pigment and the floor plan not only follows the

process of paint making but also draws inspiration from works by certain

notable artists such as Richard Serra and Wassilly Kandisky. The ultimate floor plan was decided through an

individual artistic exploration

rIchard serra

wassIly kandInsky

1:500 Internal space and forM ModellIng

ground floor plan

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Creative Hub Forum + Urban Forest school

Sneinton, Nottingham

The following images come from two interconnected projects based in

Sneinton Market focused on putting creativity at the centre of the

community.

1:200 creatIVe huB foruM

sectIonal Model through creatIVe huB foruM

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Creative Hub Forum + Urban Forest school

Sneinton, Nottingham

The brief was for a community forum and a primary school that

aimed to form a dialogue within that local community around creativity,

learning and education

perspectIVes froM the urBan forest school

axonoMetrIc of the urBan forest school and creatIVe huB foruM

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Limpopo NurseryLimpopo, South Africa

The following is a selection of imag-es from a group project set in South

Africa and was a cross unit com-petition to design a nursery school where the winning design would be

physically built by all students in the unit. Though this was not the winning design, the final building incorporat-

ed design and structural elements from the other proposals including

this one. The brief was to design two final

classrooms to finish the Limpopo school that had been designed and

built over the previous 2 years

lIMpopo nursery proposal floor plan

lIMpopo nursery proposal sectIons

desIgn strategy

Model photographs

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Limpopo NurseryLimpopo, South Africa

The live build took 4 weeks and is a combination of concrete brick walls and straw bale walls to provide dif-

ferent thermal conditions in specific areas of the building. The building

has a fully enclosed classroom and a semi enclosed multi use learning

space.

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Art Works(and other pieces)

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(left to rIght)

BIonIc woMan 2011- lIfe-sIzed huMan forM Made froM plastIcIne and electrIcal

and MechanIcal scrap

the london trIptych 2010

- dIsplayed In the pall Mall gallery 2012

coMMIssIoned dIptych portraIt (2011-2012)

coMMIssIoned chrIstMas card coVer 2011

self portraIt 2010

fine art

These are a collection of art piece I have made some of which have

been selected for public display or privately commissioned

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Craft Jewellery Designed and Crafted

Aside from architecture I have designed, made and sold numerous

jewellery pieces as a hobby and side business

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Contact

Email: [email protected]

Linkedin: Stephanie Ete

Number: 07960098034

REFERENCES

Rosamund [email protected]

John [email protected]

Alison [email protected]