s Highlights Fall 2010

iPads make beautiful book-ends

Cover and frontispiece by Koto Bolofo

It is a little misleading to refer to the books contained in this small catalogue as season highlights.

We do not mean to suggest that all the other books this season are somehow, well, less... good. Every

book we make, we make as well as we possibly can but this catalogue brings together a few projects

which we are incredibly proud of and which we feel represent a particular moment in our history.

Every one has been a huge challenge to produce, stretching our creative skills and resources and

involving the work of a group of highly skilled people and the highest levels of craftmanship. Every

book has allowed us the pleasure to explore something unique in the process of collaborating with

extraordinary artists in making books. Most are limited editions which will be rare before the year is

out (or at least they will be traded on the secondary market for ridiculous sums). So please have a

look and enjoy our little round up of the highest of the highlights in our Fall season.

Steidl

Göttingen, London, Paris

5

This much anticipated edition is one of the publishing phenomena of the year, encompassing the oeuvre of one of

the most significant artists working with photography in the twentieth century.

Limited to 1,100 copies each signed and numbered by Lewis Baltz, this edition contains ten hardback, linen bound

volumes, housed in an embossed slipcase.

WORKS celebrates Lewis Baltz’s indelible influence on the development of contemporary photography and

contains reissues of Baltz’s most significant books, many of which are now collectible rarities, as well as four as

yet unpublished projects. Each of the books has been crafted in close collaboration with Baltz, who oversaw each

stage of production with Gerhard Steidl. From scanning of the vintage prints, to book design, selection of paper

and binding materials, pre-press and printing, Baltz has shaped the form and aesthetic of these publications.

Printed in luminous quadratone, WORKS is a testament to the importance of the book as a primary medium in

Baltz’s practice.

“Baltz’s work exemplifies the ways in which photography, beginning some four decades ago, started to loose the

bonds of its isolation within its own segregated history and aesthetics and began to take its place as an equal

among other media.” Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art.

Lewis Baltz’s works have been the subject of over fi fty one person exhibitions. Seventeen monographs have been pub-

lished on his work. He came to prominence as a part of the ‘New Topography’ movement of the 1970s. Baltz studied at

the San Francisco Art Institute and received a Master of Fine Arts from Claremont Graduate School in 1971. He is cur-

rently based in Paris and Venice

Lewis Baltz

WORKS

A limited Edition of 1,100 copies,

including a numbered certifi cate, signed by Lewis Baltz

The Prototype Works 1967–76. Text by Matthew S. Witkovsky. 188 pages

The Tract Houses 1971. Foreword by Adam D. Weinberg. Text by Sheryl Conkelton. 60 pages

The new Industrial Parks near Irvine, California 1974. 108 pages

Maryland 1976. Text by Jane Livingston. 56 pages

Nevada 1977. Text by Robert Sobieszek. 44 pages

Park City 1980. Text by Hubertus von Amelunxen. 216 pages

San Quentin Point 1986. 120 pages

Near Reno 1986. 32 pages

Continuous Fire Polar Circle 1986. 20 pages

Sites of Technology 1989–91. Text by Antonello Frongia. 120 pages

10 volumes

27.9 cm x 26.8 cm

Quadratone

Sites of Technology printed quadratone and four colour process

Ten clothbound hardcover books

housed in a clothbound slipcase

€ 500.00 / £ 400.00 / US$ 600.00

ISBN: 978-3-86930-114-3

Lewis Baltz

WORKS

Lewis Baltz, Nevada, 1977; From The Prototype Works

9

John Cohen is a photographer, musician and filmmaker who has cultivated a fifty-year long fascination with the

people, cultures and landscape of Peru. Cohen took his first photographs in Peru in 1956 and has returned many

times since to continue documenting, adding musical and film recordings to his still images. Cohen’s photographs,

stored for years in boxes in a barn near his home, and the music, today archived at the Smithsonian Institute, have

not been published in their entirety until now.

Past Present Peru combines photographs, textiles, music and film in an ambitious book object. The photographs

are for Cohen a “fragmented collection of visual insights, a record of deepening awareness” that depicts the diver-

sity of Peruvian life including religious festivals, potato farming, and the recent introduction of hydroelectricity. The

textiles, reproduced in luscious colour, embody pre-Columbian craft traditions more than 5,000 years old. Cohen

began recording music in Peru in 1964, using a portable tape recorder to capture performances wherever he

could: at festivals, in villagers’ homes, even waiting at a bus stop. Cohen’s films are about “a sense of things that

weren’t expressed in words”, and are themselves a unique historical record.

The unifying thread between the different media of Past Present Peru is Cohen’s own writing – anecdotal, precise,

historically informed – words that capture the past and present of Peru, and anticipate its future.

John Cohen, born in 1932 in New York, is a photographer, filmmaker, and founding member of the New Lost City

Ramblers. A masters graduate from Yale University, Cohen participated in the artistic circles of late 1950s and

early 1960s New York, and worked with Robert Frank on his film Pull My Daisy (1959). He has made numerous

books and films, and produced recordings of traditional American musicians, including Dillard Chandler and Ros-

coe Holcomb.

This project would not have been possible without the support of François-Marie Banier and Martin d’Orgeval.

John Cohen

Past Present Peru

Book design by Gerhard Steidl,

Katharina Staal, and Sarah Winter

Vol. 1: 200 pages (Photos)

Vol. 2: 84 pages (Weaving)

10.8 x 11 in. / 27.5 x 28 cm

Tritone and four colour process

Two clothbound hardcover books,

one album with 3 music CDs and a text booklet,

and another album with 5 fi lm DVDs (PAL /NTC)

housed in a slipcase

€ 125.00 / £ 110.00 / US$ 175.00

ISBN 978-3-86930-103-7

Album 1

Album 2

Book 2Book 1

John Cohen

Past Present Peru

John Cohen, Past Present Peru, Book 2

13

François-Marie Banier

Autocar Volumes 1-5

Boîte de dessins — Volume 1

“Laughter lies within a line or form – every drawing is a trap. It defi es convention and the hardship of life. Every drawing

plays with the obstacles of graveness, fi ghts the hypocrisy of reality, and refl ects far-away impressions. These drawings

possess their own reality.” François-Marie Banier

Brioche Lait Pot Poire — Volume 2

“For the first time in twenty years, these painted photographs have finally been published. These pictures of

creatures, overwhelmed by colours and forms, seem to be printed from a negative stored in my mind. You can see

the fear of their disappearance, the desire to fix their spirit. Spilled colours? How often have I cleaned them of a

prejudice with one single shot? Every work of art is about fixing something.” François-Marie Banier

To have fun at home — Volume 3

“Two birthday parties: one on each side of this accordion-style booklet, on which a boy, nine years old, is drawing

himself as a piano, as a chimera and as a whale. He walks with birds, with his teachers and parents. He has invited

his sister Capucine, who, on the back of these pages, is drawing her so-called friends, observing them with merci-

less eyes. She opens the wardrobes where her brother is hiding – until a lamp transforms into human form under

the gaze of the grumpy parents. These hallucinations took place in the times of General de Gaulle, contemporary

of Edith Piaf.” François-Marie Banier

On n’est jamais tranquile — Volume 4

“‘The most important thing is to find a beginning and an end’, says Martin d’Orgeval, who is gathering all these

crimes. ‘Not really alone on this planet, but all of them are losers’, is written on one of these paintings, no wiser

than another one, where a star is drawing my heart, two zeros my wife, a single one my toy. Everything becomes

complicated, when a canary falls in love with a caged woman. When I start painting, just as when I am writing a

novel, I do not know where it will lead me.” François-Marie Banier

I am fascinated — Volume 5

“Women, dogs, men, children – they all like to play up. This accordion-style booklet shows how a line takes on a

personality. What if – after having looked at these pages – everybody took some paper, folded it like an accordion

and started drawing the figures as they emerge from his or her unconscious self, the unconscious always being

able to draw better than the conscious the ease and graveness of being and not being.” François-Marie Banier

François-Marie Banier

Boîte de dessins

96 pages

15.5 cm x 29.3 cm

Four colour process

Clothbound hardcover

€ 75.00 / £ 65.00 / US$ 85.00

ISBN 978-3-86930-066-5

François-Marie Banier

Brioche Lait Pot Poire

48 pages

30 cm x 40 cm

Four colour process

Clothbound hardcover

€ 75.00 / £ 65.00 / US$ 85.00

ISBN 978-3-86930-067-2

François-Marie Banier

To have fun at home

48 pages

7.5 cm x 14 cm

Printed with two blacks

Accordion fold attached to a cardboard cover

€ 24.00 / £ 20.00 / US$ 32.00

ISBN: 978-3-86930-068-9

François-Marie Banier

On n’est jamais tranquile

64 pages

33 cm x 19 cm

Four colour process

Clothbound hardcover

€ 58.00 / £ 48.00 / US$ 68.00

ISBN: 978-3-86930-073-3

François-Marie Banier

I am fascinated

24 pages

15.5 cm x 29.3 cm

Printed with two blacks

Accordion fold attached to a cardboard cover

€ 48.00 / £ 38.00 / US$ 58.00

ISBN: 978-3-86930-074-0

AUTOCAR is the French word denoting a bus or coach collecting and transporting people from place to place on

their travels. Francois Marie-Banier’s AUTOCAR collects books, volumes he creates as visual diaries of an artist’s

life as he travels the world. Using and combining a variety of languages and media, including drawing, writing and

photography, AUTOCAR is an ongoing series of highly individual books, each with its own distinctive format, paper,

finish and binding.

Hop on the Steidl AUTOCAR to explore the labyrinthine modes of expression of this extraordinary artist.

François-Marie Banier, Boîte de dessins François-Marie Banier, Brioche Lait Pot Poire

17

Yul Brynner: A Photographic Journey

Yul Brynner’s reputation as one of the twentieth century’s most charismatic and versatile actors is irrefutable. But his

talent as a photographer has been relatively unknown and unacknowledged. YUL will change that, presenting Brynner’s

photographic oeuvre for the fi rst time in a comprehensive and lavish way in book form.

Brynner’s subjects are some of the pivotal fi gures of cinematic and stage history, and his talent lies in capturing these

people and particularly actors (those best at disguising their true selves) at ease, both on and off set: Charlton Heston as

Moses in The Ten Commandments, Audrey Hepburn in a gondola in Venice, Elizabeth Taylor relaxing poolside. YUL also

contains candid shots of Brynner’s family.

Comprising a selection made from 8,000 images and press cuttings edited by Brynner’s daughter Victoria Brynner, YUL

is divided into four volumes: “Lifestyle”, “Life on Set”, “1956” (the pivotal year of The King and I, The Ten Commandments

and Anastasia), and “Man of Style” which contains portraits of Brynner by photographers such as Richard Avedon, Henri

Cartier-Bresson and Inge Morath. Published on the twenty-fi fth anniversary of Brynner’s death, YUL is a celebration of

Brynner’s photographic legacy and a complex portrait of the man himself.

Yul Brynner (1920–1985) was an actor, director, musician and photographer. One of Hollywood’s most respected

performers, Brynner is best known for his depiction on stage and screen of King Mongkut in The King and I, for which

he won both Academy and Tony Awards. Brynner’s other fi lms include The Buccaneer (1958), The Magnifi cent Seven

(1960) and Westworld (1973).

Yul Brynner

A Photographic Journey

Four volumes

Vol. 1: Life Style, 200 pages

Vol. 2: Life on Set, 184 pages

Vol. 3: 1956, 152 pages

Vol. 4: Man on Style, 248 pages

Four colour plates throughout

21.6 cm x 28.2 cm

Four OTAbind softcover books

housed in a slipcase

€ 98.00 / £ 88.00 / US$ 150.00

ISBN: 978-3-86930-131-0

Yul Brynner: A Photographic Jounrey

21

William Eggleston

Before Color

A few years ago in the archives of the William Eggleston Artistic Trust in Memphis, a box was found containing Egg-

leston’s earliest photography – remarkably in black and white. The photos were subsequently exhibited at Cheim & Read

gallery in New York and sold. This book reunites these photographs in their entirety, and shows the artistic beginnings of

a pioneer of contemporary photography.

In the late 1950s Eggleston began photographing suburban Memphis using high-speed 35 mm black and white fi lm,

developing the style and motifs that would come to shape his pivotal colour work including diners, supermarkets, domes-

tic interiors and people engaged in seemingly trivial and banal situations. Now, fi fty years later, all the plates in Before

Color have been scanned from vintage prints developed by Eggleston in his own darkroom. In the mid 1960s Eggleston

discovered colour fi lm and was quickly satisfi ed with the results: “And by God, it worked. Just overnight.” Eggleston then

abandoned black and white photography, but its fundamental infl uence on his practice is undeniable.

Bound in a Kodak-yellow leather-plastic cover this is a seminal volume of the work of the great American photographic

master.

William Eggleston, born in 1939 in Memphis, is one of the most important contemporary American photographers.

From the 1970s onwards, his work has signifi cantly contributed to the recognition of colour photography as an artistic

medium. Eggleston has published his work extensively, and it has been shown in many major exhibitions around the

world. He continues to live and work in Memphis, and travels considerably for photographic projects.

William Eggleston

Before Color

Edited by Chris Burnside, John Cheim, Howard Read,

Thomas Weski together with the Eggleston Artistic Trust

With an Essay by Dave Hickey

Book design by Thomas Weski and Gerhard Steidl

216 pages

8.9 x 10.1 in. / 22.5 x 25.5 cm

152 Quadratone plates

Hardcover, with a kodakyellow imitation leather,

with a tipped-in photo

€ 48.00 / £ 40.00 / US$ 65.00

ISBN 978-3-86930-122-8

William Eggleston, Before Color

25

Cynthia Young (ed.)

The Mexican Suitcase

The Legendary Spanish Civil War Negatives of

Robert Capa, Gerda Taro, and David Seymour

In late December 2007, three small cardboard boxes arrived at the International Center of Photography from Mexico City

after a long and mysterious journey. These tattered boxes – the so-called Mexican Suitcase – contained the legendary

Spanish Civil War negatives of Robert Capa, Gerda Taro, and David Seymour (known as “Chim”). Rumors had circulated

for years of the survival of the negatives, which had disappeared from Capa’s Paris studio at the beginning of World War II.

Together, these roles of fi lm constitute an inestimable record of photographic innovation and war photography, but also of

the great political struggle to determine the course of Spanish history and to turn back the expansion of global fascism.

The two-volume publication The Mexican Suitcase accompanies a major exhibition at the International Center of Pho-

tography opening in September 2010. The catalogue features essays by Paul Preston, Simon Dell, David Balsells i Solé,

Michel Lefebvre, Bernard Lebrun, Brian Wallis, Cynthia Young, and Kristen Lubben, as well as a complete reproduction of

the 4,500 negatives in the suitcase.

Cynthia Young (ed.)

The Mexican Suitcase

Two volumes

With essays by David Balsells, Simon Dell, Kristen Lubben, Mi-

chel Lefebvre and Bernard Lebrun, Paul Preston, Brian Wallis,

and Cynthia Young

Vol 1: History 192 pages

Vol 2: The Films 400 pages

592 pages

25.4 cm x 30.9 cm

Two OTAbind softcover books

housed in a sleeve

€ 85.00 / £70.00 / US$ 98.00

ISBN: 978-3-86930-141-9

Volume 1: History

Volume 2: The Films

Gerda Taro

[Crowd at the gate of the morgue after the air raid, Valencia], May 1937

Fred Stein

Gerda Taro and Robert Capa on the terrace of Café du Dôme in Montparnasse, Paris], early 1936

Robert Capa

[Exiled Republicans being marched down the beach to an internment camp, Le Barcarès, France], March 1939

29

Ernest Cole (1940–1990) believed passionately in his mission to tell the world in photographs what it was like

and what it meant to be black under Apartheid. He identified intimately with his own people in photographs of

unsurpassed strength, gravitas, courage and compassion, and he portrayed the full range of experience of black

people as they negotiated their lives through the insanity of apartheid and its racist laws and oppression. In order

to publish his book, House of Bondage, Cole went into exile. Immediately after it came out in 1967, it was banned

in South Africa and this major critique of apartheid has hardly been seen in his own country since.

Cole died in New York after more than 23 years of painful exile, never having returned to South Africa and leaving

no known negatives and few prints of his monumental work. Tio fotografer, an agency which worked with him from

1969 to 1975 when his place of residence was Stockholm, received a collection of his prints and these were later

donated to the Hasselblad Foundation. These extremely rare prints, most of them made by Cole himself and most

never previously exhibited, form the core of this exhibition and book. This book tells the story of Ernest Cole’s life,

both in his own words and through the reminiscences and writings of those people who knew him personally and

professionally.

Co-published with Hasselblad Foundation, Gothenburg.

Ernest Cole

The Photographer

With texts written by Ernest Cole, Gunilla Knape,

Struan Robertson, Keorapetse Kgositsile, and Ivor Powell

Book design by Gunilla Knape, Gerhard Steidl, Duncan Whyte

256 pages

10.6 x 11.4 in. / 27 x 29 cm

120 tritone plates

Clothbound hardcover with a dustjacket

€ 45.00 / £ 38.00 / US$ 56.00

ISBN 978-3-86930-137-2

Ernest Cole

The Photographer

Ernest Cole, Photographer

33

Bruce Davidson

Outside Inside

Three volumes

Book design by Bruce Davidson and Gerhard Steidl

Volume I, 1954 - 1961, 300 pages, 264 photographs

Volume II, 1961 - 1966, 272 pages, 228 photographs

Volume III, 1966 - 2009, 372 pages, 342 photographs

23 cm x 30 cm

834 tritone plates

Three clothbound hardcover books

housed in a clothbound slipcase

€ 185.00 / £ 158.00 / US$ 195.00

ISBN: 978-3-86521-908-4

Over the course of his long career Bruce Davidson has travelled the world making reportage stories both on as-

signment as a member of the Magnum agency and on subjects of personal interest. A few years ago he returned

to his archive of negatives housed in a room in his Manhattan apartment and began a ritual of revisiting each and

every one of the stories he had made, from his work as a student in 1954 to his urban landscapes in Los Angeles

in 2009. Printing in his darkroom alongside the archive, he began to elaborate a very personal selection, discover-

ing forgotten images and throwing new light onto some of his most famous series. Outside Inside is the result of

this work, a sumptuous three volume box set with fifty-three chapters over 800 pages. Each chapter is introduced

by a short text written by Davidson himself. The result is a celebration of the development of a master of the me-

dium and an autobiography, a photographer’s life seen through his work.

This is the second edition of this momentous publication, the first having sold out within 3 months. Gerhard Steidl

archived the original plates and has used these to reprint on the same paper and to the same standards of the

first, celebrated, edition.

Bruce Davidson

Outside Inside

Bruce Davidson, Outside Inside

37

Koto Bolofo

Grande Complication

Three volumes

Book design by Gerhard Steidl, Sarah Winter

and Katharina Staal

Volume 1: Bookbinding Leipzig / Zwenkau 114 pages

Volume 2: Bookbinding Leipzig / Baalsdorf 74 pages

Volume 3: Bookbinding Sahline / Tunesien 86 pages

29 cm x 37 cm

Tritone

Three hardcover books housed in a slipcase

98.00 / £ 80.00 / US$ 118.00

ISBN: 978-3-86930-055-9

Koto Bolofo loves to look behind the curtain, to unravel the mysteries of seemingly complex processes and uses

his photography to lay bare the details of some of the most intricate production houses working today. He photo-

graphed at the Dutton workshops in England where they have reclaimed the history of making the refined Bugatti

racing cars (Vroom! Vroom!) and he spent seven years visiting and re-visiting all the workshops of the Maison

Hermès in order to build an extraordinary eleven volume collection about the French fashion house (La Maison).

During this time his ongoing relationship with Gerhard Steidl has given him the opportunity to build a picture of the

Steidl publishing house, its processes and partners. In the face of the digital onslaught this trilogy of books marks

a moment in the history of publishing at the beginning of the twenty-first century. These objects epitomise the very

antithesis of the current focus for most publishers and celebrate real books.

The first book, I Spy With My Little Eye Something Beginning With S, was an insight into the people and working

procedures at Steidl’s premises in Göttingen.

more details...

The second element of the story is now available, Grande Complication, a gorgeous three volume set in a slip-

case which explore the bindery processes at the three factories of the Offizin Andersen Nexö complex in Leipzig,

Gerhard Steidl’s preferred bindery partners. Each bindery has a different area of specialty and together they offer

unique possibilities for producing books. Koto Bolofo’s photographs tell the story of paper as it becomes a book,

and thereby give insight into each branch of the company in Leipzig, Zwenkau and Tunisia.

more details...

The final volume of the trilogy, to be published in 2011, will focus on the substance of Steidl books, the paper.

Koto Bolofo will be photographing the factories of Gerhard Steidl’s favourite paper manufacturer, Hahnemühle

Fine Art in Dassel, not far from Göttingen, in 2011.

Koto Bolofo

Grande Complication

Volume 1: Bookbinding Leipzig / Zwenkau

Umschlaganleger KlebebinderCover feeder of per fec t b inder

Volume 2: Bookbinding Leipzig / Baalsdorf

Handhef tung mi t Hef t ladeHand sewing wi th sewing f rame

Volume 3: Bookbinding Sahline / Tunesien

Ausführung e iner Schni t tz ise l ierungChise l engrav ing

Monte Packham

Concentric Circles

A chronicle of Steidl Publishers

Cover art by Jim Dine

Book design by Sarah Winter and Monte Packham

156 pages

6.7 x 9.5 in. / 17 x 24 cm

Flexible clothbound hardcover

with a red bookmark

€ 22.00 / £ 17.00 / US$ 29.50

ISBN 978-3-86930-024-5

“Gerhard’s like a Communist. You have to go into the salt mines with him. If you’re willing to go there then you’re

like brothers in arms and he’ll do what needs be.” Robert Polidori

Concentric Circles chronicles the time between 26 August 2008 and 27 January 2009 at Steidl Publishers. The

book is the first to document the printing and publishing house, and is a window into the processes, experiences

and bustle of Düstere Strasse 4, Göttingen.

Comprising a log of hundreds of entries, Concentric Circles retells and records events as they unfolded in their un-

predictability and urgency – Günter Grass tapping tobacco into his pipe while refining the typography of his book

Die Box, Gerhard Steidl deciphering the arabesque faxes of Karl Lagerfeld, the sudden breakdown of the printing

press. These daily entries are enriched by interviews with, and original texts by, some of Steidl’s most important

collaborators including Lewis Baltz, Jim Dine, David Bailey, Roni Horn, Karl Lagerfeld, Juergen Teller, Tacita Dean,

and Joel Sternfeld.

A circle owes its symmetry to its centre, from which every point on the circumference is equidistant. What, then,

is the centre of Steidl’s concentric circles, in all their different guises? Perhaps the initial idea from which a book

grows; Göttingen, where every Steidl book is crafted; or Gerhard Steidl himself, who founded the company 41

years ago and continues to determine the substance of its creations – the nature of its circles?

Steidl’s concentric circles are in flux: new circles of progress and difficulty constantly emerge, while others dis-

solve. Look closely and the seemingly empty rings of space between circles are actually imbued with traces of

past activities – the memory of circles that once were.

Monte Packham was born in 1981 in Sydney. He has bachelor degrees with honours in art history and law from

the University of Sydney, and has worked as an editor at Steidl since 2007.

Monte Packham

Concentric Circles

SAVE THE DATE

Vernisage 8 November, 2010. Paris

Steidl . Quand la photo devient l ivreDe Robert Frank à Karl Lagerfeld

Exposit ion: Monnaie de Par is11, Quai de Cont i

9 novembre au 19 décembre 2010Dans la cadre de Mois de la photo á Paris novembre 2010

DistributionGermany, Austria and Switzerland

Publisher:

Gerhard Steidl

Druckerei und Verlag

GmbH & Co. OHG

Düstere Straße 4

37073 Göttingen

Tel. +49 551 49 60 60

Fax +49 551 49 60 649

mail@steidl.de

www.steidl.de

Sales Management:

Matthias Wegener

Tel. +49 551 49 60 616

Fax +49 551 49 60 649

m.wegener@steidl.de

DistributionUSA and Canada

Innovative Logistics, LLC575 Prospect Street, Suite 301 • Lakewood, NJ 08701

Phone (U.S.): 866-289-2088

Toll Free (U.S.): 877-318-6990

Phone (Outside U.S.): 732-534-4366

Fax orders (U.S.): 877-372-8892

Fax orders (Outside U.S.): 732-363-0338

E-Mail orders: orders@innlog.net

DistributionFrance

For Publications in English:

INTERART SARL1, rue de l’Est

75020 Paris

Tel. +33 1 43 49 36 60

Fax +33 1 43 49 41 22

info@interart.fr

DistributionAll other territories

Head Office / Export Sales Department: Thames & Hudson Ltd 181a High Holborn

London WC1V 7QX

Tel. +44 20 7845 5000

Fax +44 20 7845 5050

Sales and Marketing Department

Fax +44 20 7845 5055

sales@thameshudson.co.uk

export@thameshudson.co.uk

Trade:Thames & Hudson (Distributors) Ltd(distribution and accounts)Littlehampton Book Services

Faraday Close

Durrington, Worthing

West Sussex

BN13 3RB

United Kingdom

Tel. +44 1903 828501

This catalogue is not for sale / Scans: Steidl’s digital darkroom / Production and printing: Steidl, Göttingen / © 2011 the artists for the images / © 2011

the authors for the texts / © 2011 Steidl Publishers for this edition / All rights reserved. No part of this publication may be reproduced or transmitted in

any form or by any means electronic or mechanical, including photocopy, recording or any other storage and retrieval system, without prior permission

in writing from the publisher. / Steidl / Düstere Str. 4 37073 Göttingen / Germany / Phone +49 551-49 60 60 / Fax +49 551-49 60 649 / mail@

steidl.de / www.steidlville.com / www.steidl.de / ISBN 978-3-86930-216-4 / Printed in Germany

For Publications in French:

SODIS128, avenue du Maréchal-de-Lattre-de-

Tassigny

BP 142

77400 Lagny

Tel. 01 60 07 95 54