Spotlight Anthologies
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Transcript of Spotlight Anthologies
“THE SPOTLIGHT ANTHOLOGIES: KIERAN HART”
By
Daniel Alan Holstead
OPENING: TITLE cards explain setting and nature of the film with interspersed footage of JOHN LOCKE’s morning commute. WONDERWALL by OASIS plays. Sequence ends with title card BOKEN HART with music cutting out. SCENE ONE begins…
FADE IN:
SCENE ONE
EXT. KIERAN HART’S FRONT DOOR -- MORNING
JOHN LOCKE
Another cold morning.
KIERAN opens the door in a bath robe-
KIERAN
Come in, you’re late
JOHN
You’re not even dressed yet
KIERAN sighs loudly and turns to walk into his living room. JOHN follows and shuts the door.
INT. KIERAN’S LIVING ROOM
KIERAN
So, what we doing today?
JOHN
First, we should get you dressed-
KIERAN looks at John bewildered.
First, YOU should get dressed.
KIERAN
Yeh. I’ll get dressed
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JOHN
Then we have to record a video for you Hindi fans. Its Diwali tomorrow and it’s wise to be good to your expanding Hindi fan base. We’ll get you in some ethnic clothing and you can read out a message.
KIERAN
Are we going to try to do a meet and greet again?
JOHN
I’ll look into that.
INT. JOHN’S OFFICE TALKING HEAD
JOHN
We recently posted to social media, advertising a meet and greet with Kieran so all of his fans could get autographs, pictures and get to meet him. It turns out his fans are… Well his fans… What’s the PC term for freaks? To hell with it… They’re freaks. I mean look at this…
JOHN shows an image on Facebook of KIERAN looking very uncomfortable with a fan.
INT. KIERAN’S LIVING ROOM
KIERAN
There’ll be no coming back if it’s anything like the last one. It was degrading. I’m not just a sex object.
JOHN
It won’t happen again. So what do you say, you get ready and we make a start?
3
KIERAN gets up out of his chair and heads upstairs. The camera turns to John who looks anxious.
FADE OUT:
FADE IN:
SCENE ONE (CONTINUED)
INT: KIERAN’S KITCHEN
JOHN is making tea.
JOHN
I’ve scheduled a recording session with an amateur music producer
KIERAN (FROM UPSTAIRS)
WHERE IS MY HAIR DRYER! (raised voice)
JOHN
(to camera) Hair drier?
KEIRAN storms through the kitchen and out the door with the temperament of a spoilt brat.
KIERAN
We’ll have to wait until it dries then.
JOHN
You could just towel dry it?
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KIERAN returns to the kitchen frazzled
KIERAN
A TOWEL? What am I? A caveman? Would you ask Madonna to towel dry her hair? Kylie? Or erm, Harry Styles? What do I pay you for anyway? –
INT. JOHN’S OFFICE TALKING HEAD inc. B Roll of abusive Kieran
JOHN
I’ve been working for him for 9 months now. A lot can happen in 9 months (beat.) You could get some qualifications… Find a real job.
INT. KIERAN’S KITCHEN. KIERAN is doing vocal excercises.
JOHN
Done?
KIERAN
Let’s do this
5
END OF SCENE
SCENE TWO
EXT. BOJO’S FRONT DOOR
JOHN knocks on BOJO’S door and we see that KIERAN is a combination of anxious and impatient.
JOHN
Don’t worry, this guy is a professional
KIERAN
I fear nothing. (beat) What’s his name?
JOHN
His ‘street’ name is Bojo.
KIERAN
Bojo?
JOHN
Yeh. Like Bono. Without the need of being liked.
KIERAN
Bojo? BO-JO!?!
JOHN
Woah woah woah! Sweet child ‘o’ mine! Be quiet he might hear ya’
6
JOHN knocks again
JOHN (TO CAMERA)
This guy we’re waiting on is a genius. He’s the hottest music producer in the PDM universe. That’s Pop Dance Music.
KIERAN is interrupted by BOJO answering the door with a cigarette in his hand.
BOJO
What do you dickheads want?
JOHN
Hi, I’m John. We spoke on the phone?
BOJO
Save me the fucking pleasantries
BOJO notices the camera
So you must be the ‘artist’… And the artist’s bitch
KIERAN (TO JOHN)
What did he say?
JOHN
(laughs nervously) So… What you gonna let us in?
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BOJO
Sure. My home and I are one… So I welcome you inside of me.
JOHN glances at camera as they enter BOJO’s house
KIERAN
It smells like genital moisture and hemp in here.
BOJO (SINCERELY)
Thank you
KIERAN
So do you write songs?
BOJO
Maybe…
KIERAN
What instruments do you play?
BOJO
I don’t know
KIERAN exhales and shows signs of boredom. JOHN is smiling whilst acting out of place.
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KIERAN
Your tap is running, you know?
BOJO
STOP ASKING ME QUESTIONS!
EXT. BOJO’S GARDEN. TALKING HEAD
BOJO
It’s probably the Prozac I take.
INT. BOJO’S “STUDIO”. EVENING
A mic is set up and KIERAN is attempting to lay down a vocal track with BOJO sat at a computer. JOHN is taking pictures with his phone. KIERAN keeps thumbling the lyrics as he is clearly distracted by JOHN’S flash. BOJO seems irritated. The song finishes.
BOJO
Okay… That’s definitely enough of that.
KIERAN appears happy with the recording.
JOHN
So are we going to listen back?
BOJO
No… I think we’ll leave it there. I’ll send you the finished track when I finish
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the production shizz.
KIERAN
When will that be?
BOJO
SOON!
END OF SCENE
10
SCENE TWO
INT. KIERAN’S KITCHEN.
KIERAN and JOHN are sat at the dining room table.
JOHNWhere are your parents?
KIERAN (WITH ATTITUDE)
I don’t know. Out? Aren’t we supposed to be heading off to see some promoters?
JOHN
Even better (beat). Managers. But even better again
KIERAN
Christ sake…
JOHN
Club managers!
KIERAN
Oh, I like that. So I’ll be a resident DJ.
JOHN
Even better again! You’ll be playing… The Neon!
11
KIERAN
Sounds amazing!
JOHN
It is pretty amazing.
CUT TO: EXTERIOR of THE NEON WORKMAN’S CLUB
KIERAN
Is that it?
JOHN
It might not look like much-
KIERAN (INTERRUPTING)
No, it doesn’t
JOHN
But it gets quite the crowd. You can do some crowd pleasers. A bit of Olly Murs,
KIERAN
Olly Murs is out. (to camera) Sam Smith is the new Olly Murs.
JOHN
Right. (beat) But everyone starts somewhere.
12
KIERAN
No! It’ll be like a pop concert in God’s waiting room!
JOHN
It’s just to get you started. Soon we’ll have your demo sent to record labels and the offers will come flooding in.
KIERAN
Still! Come on! We’re going back. I’m not playing to a graveyard.
JOHN looks disappointed and exhausted. Tension is clearly building between KIERAN and JOHN and their working relationship is about to reach boiling point.
INT. JOHN’S OFFICE TALKING HEAD inc. B Roll of JOHN and KIERAN waiting for a bus. Quietly
JOHN
Well… Madonna is worth a billion dollars… (beat) And she’s the biggest BITCH on the planet.
END OF SCENE.
13
SCENE THREE:
INT. KIERAN’S KITCHEN. JOHN and KIERAN are listening to KIERAN’S demo. KIERAN is visibly angry. JOHN seems indifferent. KIERAN prematurely stops the demo playing and slams the laptop shut.
KIERAN
You know what this is?
JOHN
…
KIERAN
This is the low point! Right now I’m here! (gestures hand to close to floor). When really, after recording my first demo I should be…
CUT TO: KIERAN at top of stairs.
KIERAN
Here!
CUT TO: Back to KITCHEN
JOHN
It’s not that bad
KIERAN
It wouldn’t be if you hadn’t insisted on
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taking pictures with that flash, on your phone!
JOHN
You said instagram was the singles most important-
KIERAN
I was being ironic. Of course. (beat) GOD!
JOHN
We can try and re-record it. I can call Bojo
KIERAN
Can we come up with a different name for him? I hate saying that.
JOHN
BJ?
KIERAN
Yeh. Call BJ. Also… I want a REAL gig at a REAL venue.
JOHN
The Robin Hood has an open mic night.
KIERAN
NO! I want to headline an arena.
15
JOHN
Which one?
KIERAN
The Sunshine FM Arena.
INT. JOHN’S OFFICE TALKING HEAD
JOHN
So… Just… For all of you that don’t know, the Dan FM Arena is the biggest music venue in Tyneside. Just so everyone knows.
INT. KIERAN’S KITCHEN
JOHN
Consider it done.
KIERAN
Actually start taking notes
JOHN pulls out a notepad
KIERAN
So. I want to headline the arena.
16
JOHN
Uh huh
KIERAN
Get me a good support. Not too good though. I want to organize a new meet and greet. Can we be choosey on who we let in?
JOHN (IN DISBELIEF)
Sure
KIERAN
Get down that I want a new demo recorded. Put down ‘auto tune if necessary’
JOHN
Got it
INT. KIERAN’S BEDROOM. TALKING HEAD
KIERAN
Watch this space. You’re doing a documentary on the next (beat). Will.I.Am
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END OF SCENE
FADE IN:
SCENE FOUR
INT. JOHN’S LIVING ROOM
TIME JUMP to a week later. John is in his office on the phone and appears stressed. The word we can use to describe John’s state is ‘frazzled’. He is very close to being beyond frazzled.
JOHN
I have a quote from South Tyneside Council’s Newsletter saying he’s the next Peter Andre.
PHONE VOICE
I’m sorry. We’re just not interested.
JOHN (PLEADING)
Come on! Just have him play one song on the B-stage. It won’t cost you anything!
INT. JOHN’S OFFICE TALKING HEAD
JOHN
I’m trying to get Kieran booked onto the hottest festival in all of Northern England… The problem is… The bitch I have the number for doesn’t want him.
INT. JOHN’S LIVING ROOM
KATE enters. She’s JOHN’s girlfriend. She doesn’t understand JOHN’S work for KIERAN but she tries to be loving and supportive. JOHN is seen on the phone beggin an event
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organizer.
KATE (ENTERING)
John! It’s just me.
JOHN hangs up.
JOHN
I’m in here
KATE enters the room
Some bitch working for the organizers for the Evolution Festival refuses to have Kieran play even one song.
KATE
I think that festival is only for signed artists John.
JOHN
How is he supposed to get signed if he doesn’t get enough exposure?
KATE
Don’t you think his cover of Climax getting 8 million views exposure enough?
JOHN gives a look of doubt.
CUT TO: few seconds of bespoke of youtube video.
19
BACK TO JOHN’S LIVING ROOM
JOHN’S phone starts ringing.
JOHN
(sighs) It’s Kieran
KATE
Don’t answer it!
JOHN
He’ll be wanting to know if he got the gig…
KATE
Just leave it!
JOHN
He’s already pretty angry at me
KATE
Whatever…
KATE notices a note pad with a list on.
What’s this.
JOHN
It’s a list of excuses for me to give to
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Kieran for not being able to answer the phone to him.
KATE
How many times have you not answered him?
JOHN checks his phone.
JOHN
Erm… 16 times… today.
KATE
Oh…
She examines the list.
Tooth ache… Updating instagram? You can’t answer the phone because you were updating instagram?
JOHN
You don’t know how seriously he takes social networking.
KATE
Calling the mayor?
JOHN
Oh yeh. He wants me to organize police escorts to all the shows he’s going to be playing.
21
KATE
Come on… There’s no way he’s that deluded
JOHN
Oh Kate…
EXT. JOHN’S HOUSE TALKING HEAD – DAY
KATE
I made a list of excuses for John to use. He’s having open heart surgery, he’s returning some video tapes, he’s not drunk enough, he’s microwaving paper work.
INT. JOHN’S LIVING ROOM – CONTINUED
KATE
Maybe… Just maybe… You should stop getting stressed over that brat and quit bending over for him. He’s had his peak, it’s time to move on.
JOHN
But where should I go from here? I have laughable qualifications, I have no connections. If I leave him, I burn any bridges I may have made.
KATE
Well then I don’t know… Give it another week or something then quit.
JOHN
I have to make this work.
22
KATE
My god… Does he still not pay you?
JOHN
I wish I could tell you that he does… I really wish I could.
KATE
You’re an idiot. (Affectionately)
INT. JOHN’S OFFICE TALKING HEAD - DAY
JOHN
I suppose at least when Kate calls me an idiot it’s like a pet name. Here in the north people get ‘pet’, ‘love’… even the new age ‘bae’. But me… I get ‘idiot’.
INT. JOHN’S OFFICE TALKING HEAD – DAY
KATE
John has a lot of drive. He’s determined to make this Kieran thing work. I suppose he dreams of smoking big Cuban cigars, Italian suits and being the brains behind an international superstar. While I on the other hand… I’m doing an apprenticeship in business admin for £2.65 an hour. I don’t have a passion for administrative work but it’s something to pass the time.
FADE OUT:
END OF SCENE
23
INT. KIERAN’S KITCHEN – DAY
JOHN is sat down at the kitchen table. He stands up and goes to lean on the bench.
JOHN
I better stand… I can defend myself if I’m standing.
VOICE OFF CAMERA
Why would he-
INT. JOHN’S OFFICE TALKING HEAD
JOHN
I’m quitting. No more running around playing his delusion game. This is the end… You people are about to witness the hissy fit of an age. This is the beginning of the end times.
INT. KIERAN’S KITCHEN – CONTINUED
KIERAN enters the kitchen wearing a robe… again.
JOHN
Do you ever get dressed without being told to?
KIERAN
To not get dressed every morning is to live the dream.
JOHN
About living the dream…
24
KIERAN
Oh yeh! Have you done your little to-do list?
JOHN
Nope.
KIERAN
Well I can’t say I’m surprised. You messed up the recording session good and proper so it makes sense that you can’t carry out a few simple tasks any other manager could quite easily do.
JOHN
You know what? I’m getting a little sick of your shit! You know why that demo really sounded terrible?
KIERAN
Why?
JOHN (FURIOUS)
COS YOU CAN’T FUCKING SING! YOU’RE ALL STYLE AND NO SUBSTANCE! YOU’RE HAPPY TO WEAR THE CLOTHES, HAVE THE FACEBOOK PAGE, HAVE A MANAGER SLASH PA RUNNING AROUND AND BENDING OVER FOR YOU BUT WHERE, OH WHERE ARE THE SONGS?
KIERAN
Maybe if my manager wasn’t a load of bollocks
JOHN
Well… You won’t have that problem anymore! I quit! I’m done!
KIERAN
Oh come on!
25
JOHN storms out and a very audible slamming of the door is heard. The camera moves back to a shocked KIERAN who is clearly looking for the right words.
KIERAN
I AM VERY UNHAPPY ABOUT THIS! (beat) He’ll be back.
FADE OUT:
END OF SCENE
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