SPISUMMER PUBLISHING INSTITUTEBOOK, MAGAZINE, AND DIGITAL PUBLISHING

CENTER FOR PUBLISHING

JUNE 4–JULY 13, 2012

CAN SIX WEEKSCHANGEYOUR LIFE?

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At the Summer Publishing Institute (SPI), students are im-mersed in book, magazine, and digital publishing in the media capital of the world—New York City. Now in its 34th

year, this intensive program offered by the NYU School of Continu-ing and Professional Studies (NYU-SCPS) is developed, designed, and taught by a faculty of top professionals in the industry, including CEOs, publishers, editors, online editors, literary agents, designers, marketers, and publicists. These industry experts come directly from their offices to our classrooms. Through visits to major media com-panies, publishing houses, and bookstores, SPI students experience publishing firsthand.

NYU-SCPS offers three pathways to professional publishing educa-tion: the Summer Publishing Institute, the Master of Science in Pub-lishing: Digital and Print Media, and executive education program-ming on campus and abroad. (If you are interested in pursuing the M.S. in Publishing after completing the Summer Publishing Institute, please see page 12 for more details.)

THE PROGRAMAt the Summer Publishing Institute, you study both publishing basics and the latest online

applications and strategies. The six-week intensive program provides a thorough introduc-

tion to every aspect of magazine and book publishing. Students attend lectures and presen-

tations given by leading executives about key industry issues and participate in workshops

and hands-on strategy sessions. Our computer workshops cover the latest publishing tech-

nologies, including Photoshop, InCopy, and InDesign. In addition, students receive extensive

professional guidance in the form of résumé reviews, job-search assistance, and other crucial

career resources. Networking is an integral part of the program—many SPI graduates who

now work in publishing return to share their experiences with current students during panels

and informal social gatherings. The Summer Publishing Institute culminates in a career fair,

which includes many of the top publishing companies in New York City. When students

complete SPI, they receive six graduate credits which may be counted toward the M.S. in

Publishing: Digital and Print Media, or an advanced degree elsewhere, if deemed appropriate

by the degree-granting institution. For a closer look at last year’s program, please visit the

summer postings on our blog, nyupubposts.wordpress.com.

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The first three weeks of the Institute focus on magazines

and their digital extensions, including exciting new Web,

e-reader, and mobile platforms. Students examine the

wide variety of magazines and see how publishers are

increasingly treating magazines as brands. They will create

a launch plan for a new media brand, including iPad and

other digital versions, and explore online-only content and

distribution models. In-depth exploration of the industry

includes a thorough introduction to the many functions re-

quired to produce a magazine brand successfully—includ-

ing editorial and design, business planning, social media

marketing, advertising and circulation, and managing the

integration of print and digital strategies. During these

three weeks, students visit the offices of some of the lead-

ing media companies in New York City to learn how they

compete in this dynamic and creative environment.

MAGAZINEPUBLISHING

SAMPLE MAGAZINE COURSES AND WORKSHOPS

New Faces, New Formats: Magazines as Global, Multi-Platform Brands Digital Innovation: E-Readers, Apps and More Print Editorial Launch Strategy Workshop High Impact Covers: The Visual/Verbal Mix Manuscript Evaluation and Editing Workshops How to Work a Room and Secrets of the Smartest Networkers Writ-ing and Editing for the Web Grabbing the Readers’ Attention: What Makes a Good Cov-erline? The Art of Blogging & Podcast-ing Through the Eyes of a Photo Editor: Photo Shoots and After Getting It Right: Research and Fact-Checking The Freelance Life Web Traffic, Blogging, and Social Media Publicity and Promotion: Getting Attention for Your Brand The Magazine Industry Through the Lens of Esquire

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The second three weeks of SPI focus on the book industry. Students examine the tasks

required to publish a successful list of titles. As e-book sales continue to dominate some

sectors of the market, we explore all aspects of both the print and e-book production

processes—from manuscript submission and editing to marketing, sales, and distribution.

Students learn about a variety of book categories, including trade and academic books,

children’s books, and special-interest publications. Leaders from the industry address the

class, and we visit the headquarters of leading book publishing companies.

BOOKPUBLISHING

SAMPLE BOOK COURSES AND WORKSHOPS

What’s Next for Book Publishing: E-Books and After The Making of a Bestseller Launching an Imprint The Book: Devices and Formats It All Starts with the Agent From Passion to Page: The Editor’s Job The Author-Publisher Relation-ship Building Your Marketing Campaign The Changing Face of Book Sales Everybody Needs Copyediting Publicity: Grabbing Attention in a Crowded Landscape Author Platforms and Other Online Tools The Art Director’s Art: Great Covers The New World of Interactive Children’s Books Major Digital Players: Google and Amazon Graphic Novels and Comic Art for All Ages

“ Thank you for all of your help. I owe so much to SPI for provid-ing me with the opportunity to begin my career in New York with the publisher I’ve always admired most.” EVAN OARE Special Markets Assistant, Penguin Group (USA), Inc. SPI 2011

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CAREER GUIDANCE AND FAIRCareer guidance is an integral part of the

Summer Publishing Institute. Panels and dis-

cussions focus on the different types of pub-

lishing companies, entry-level positions, and

career paths, and on solving the challenges

and taking advantage of the opportunities of

living and working in New York City. Résumé

reviews and practical training sessions on cov-

er-letter writing and interview strategies help

to prepare students for careers in publishing.

A highlight of SPI is the career fair (pictured

above), which provides students with the

chance to meet and to interview with book,

magazine, and digital media companies. While

students are not guaranteed jobs, our faculty members, career guidance, and career fair

help them to begin the process of finding openings, job leads, and networking opportunities

in the industry.

WORKSHOPS AND REAL-WORLD ASSIGNMENTS

Résumé Reviews

Mock Interview Workshop

“How to Get Hired” Workshop

Alumni Job Panel: Life Inside the Publishing House

Alumni Networking Party

Freelance Careers Workshop

Career Survival Tips

Creating Your Job-Hunting Roadmap

Networking for Success

CAREER SESSIONS AND EVENTS

Learning and practicing key entry-level skills is an important element of SPI. Through work-

shops, students gain hands-on experience in book and magazine editing, web and print

layout and design principles, production, digital marketing strategies, publicity tactics, bud-

get basics, and more.

During each session, students team up to launch a publishing business. In the magazine ses-

sion, students are assigned a specific job (e.g., editor-in-chief, print or web publisher, art

director, advertising sales director, online editor, general manager, or consumer marketing

director) and work with their team and industry advisors (such as Louis Cona, chief market-

ing officer of Condé Nast Media Group, in the top photo, below) to form a plan for a suc-

cessful magazine brand launch. In the book session, students work together in groups to

create a small publishing company or imprint with its own distinct personality. Each student

performs a specific publishing function and is guided through the process by experts in

the field (such as Calvert Morgan, senior vice president and publisher, ItBooks, and editorial

director, HarperPerennial Originals, HarperCollins, who is seen meeting with students in the

photo at the bottom right). Students present their final work to a panel of industry judges

who evaluate their editorial, business, marketing, and Web strategies, and who provide valu-

able advice. In both sessions, students experience how publishers create a business that

succeeds in print and in digital formats.

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JIM BAKER, Executive Editor, Condé Nast Traveler

BRONWYN BARNES, Entertainment Editor, InStyle.com

LAURA BEGLEY, Deputy Editor, Travel & Leisure

JOHN BENDITT, Editor-in-Chief, Nomad Editions

JAMES BENNET, Editor, The Atlantic

BEN BERENTSON, Digital Managing Director, Glamour.com

LARRY BURSTEIN, Publisher, New York Media

PHILAVONG CHANDA, Director of Audience Development, Rodale

JESSICA COEN, Editor-in-Chief, Jezebel.com

DARHIL CROOKS, Creative Director, Ebony

DAVID CURCURITO, Design Director, Esquire

RUDY DEDOMINICIS, Associate Director of Search Marketing, SEO, and SEM, Time Inc.

PAULA DERROW, Articles Director, Self

MEG D’INCECCO, Executive P.R. Director, Condé Nast Media Group

REBECCA DOLGIN, Vice President and Executive Editor, XO Group, Inc.

JERRY FAUST, Vice President of Print, Time Inc.

EDWARD FELSENTHAL, Executive Editor, Newsweek/The Daily Beast

ARIEL FOXMAN, Managing Editor, InStyle

JANET FROELICH, Creative Director, Real Simple

CHRISTINE GUILFOYLE, Publisher, More

LARRY HACKETT, Managing Editor, People

GREGG HANO, Vice President and Group Publisher, Technology Group, Bonnier Corp.

SAUL HANSELL, Big News Editor, AOL/Huffing-ton Post

AMY HELMUS, Manager of Human Resources, Hearst Corp.

MATT BEANAssociate Vice President of Mobile, Social and Emerging Media, Rodale

LOUIS CONAChief Marketing Officer,Condé Nast Media Group

KRISTIN VAN OGTROPEditor, Real Simple

ADAM FULRATHDesign Director,Time Out New York

DAVID GRANGEREditor-in-Chief, Esquire

SUSAN KAUFMANEditor, People Stylewatch

CINDI LEIVEEditor-in-Chief, Glamour

Andrea Chambers, Executive Director, Summer Publishing Institute

JIM HOPKINSON, Associate Director of Marketing, Condé Nast Digital

JOE HUTCHINSON, Art Director, Rolling Stone

KAREN JACOB, Research Director, Prevention

JIM JACOVIDES, Vice President of International Licensing and Development, Time Inc.

DAVID KANG, Creative Director of Content Extensions, Hearst Magazines

STEVE KATZ, Publisher, Mother Jones

SEBASTIAN KAUPERT, Partner, theoandsebastian

KIM KLEMAN, Editor-in-Chief, Consumer Reports

KIMBERLY LAU, Vice President of Business Devel-opment & Partner Relations, Hearst Magazines

JIM MEIGS, Editorial Director of the Men’s Enthusiast Group, Hearst Magazines

JEANNIEY MULLEN, Global Executive Vice Presi-dent and Chief Marketing Officer, Zinio and Viv

MARY MURCKO, Executive Vice President and Group Publisher, Rodale

DAN PERES, Editor-in-Chief, Details

JOSH QUITTNER, Editorial Director, Flipboard

PAUL RITTER, Design Director, Elle

BO SACKS, Owner, The Precision Media Group

CHRIS SANBORN, President, Sanborn Media Factory

LAVINEL SAVU, Editorial Operations Director, InStyle and Time Inc. Digital Studio

SARAH SPAGNOLO, Digital Projects Editor, Travel + Leisure

LORIN STEIN, Editor-in-Chief, The Paris Review

MATT SULLIVAN, Web Editor, Esquire.com

JULIA TURNER, Deputy Editor, Slate

BILL WACKERMANN, Executive Vice President and Publishing Director, Condé Nast Media Group

SUSAN WHITE, Executive Director of Licensing, Trunk Archive

MEMBERS OF THE 2011 MAGAZINE FACULTY

BOB COHNEditorial Director, Atlantic Digital

ADAM RAPOPORTEditor-in-Chief, Bon Appétit

“ I actually made my connections for my current position at the job fair. I met [the HR rep] at the HarperCollins table and he immediately scheduled me for an interview the following week. In no more than two weeks, I received a job offer. Things are going great! The knowledge I gained in the six short weeks in the SPI program has proved to be indispensable.” MARYROSE MESA Contracts Assistant, HarperCollins Publishers SPI 2011

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LISA AMOROSO, Executive Art Director, Penguin Group (USA), Inc.

RICHARD AQUAN, Senior Art Director, HarperCollins

CHARLES ARDAI, Co-Founder and Editor, Hard Case Crime

STEVEN AXELROD, President, The Axelrod Agency

CHRISTINE BALL, Director of Publicity and Marketing, Dutton, Penguin Group (USA), Inc.

ANDREA BARZVI, Agent, International Creative Management

AMY BERKOWER, President, Writer’s House

PAUL BOGAARDS, Executive Vice President and Executive Director of Publicity, Promotion and Media Relations, Knopf Doubleday Group, Random House

LAURA BONILLA, Human Resources Manager, Random House

JULIE BOSMAN, Publishing Industry Reporter, The New York Times

BRENDAN CAHILL, Vice President and Publisher, Open Road Integrated Media

JANET COOKE, Vice President and Group Sales Director, Knopf Doubleday Group, Random House

ANDREA DANESE, Senior Editor, Abrams Books

RACHEL DEAHL, News Editor, Publishers Weekly

TERRY DEAL, Senior Production Editor, Crown Publishing Group, Random House

PABLO DEFENDINI, Interactive Producer, Open Road Integrated Media

BETH DE GUZMAN, Vice President and Editor-In-Chief of Paperbacks, Grand Central Publishing, Hachette Book Group USA

JAIME DE PABLOS, Director, Vintage Español, Random House

ALLISON DOBSON, Vice President and Director of Business Development and Strategic Partner-ships, Random House

DEB DORFMAN, Vice President and Publisher of Paperbacks, Cartwheel, and Licensed Publish-ing, Scholastic

CARRIE FERON, Vice President and Executive Editor, William Morrow/Avon, HarperCollins

LANCE FITZGERALD, Director of Subsidiary Rights, Penguin Group (USA), Inc.

FELICIA FRAZIER, Senior Vice President and Director of Sales, Penguin Young Readers

KEITH GARTON, President and Publisher, Red Chair Press

ROB GOODMAN, Product Marketing Manager, eBooks, Google Inc.

SUSAN GORDON, President and CEO, Lynne Palmer Executive Recruitment

JULIE GRAU, Senior Vice President and Publisher, Spiegel & Grau, Random House

AL GRECO, Senior Vice President of Sales, Carson-Dellosa Publishers

JENNIFER HART, Vice President and Associate Publisher, HarperPerennial and HarperPaper-backs, HarperCollins and Blogger, Book Club Girl

KURT HASSLER, Publisher, Yen Press, Hachette Book Group USA

MITCH HOFFMAN, Executive Editor, Grand Central Publishing, Hachette Book Group USA

LISA HOLTON, CEO, Fourth Story Media

THERESA HORNER, Vice President of Digital Content, barnesandnoble.com

TIMOTHY HSU, Founder, Hsu And Associates

WILLIAM KELLEY, Director of Talent Acquisition, Scholastic

JONATHAN KIRSCH, Esq., Law Offices of Jonathan Kirsch

ROLAND LANGE, Strategic Partnership Development Manager, Google

CARL LENNERTZ, Chief Executive (U.S.), World Book Night

JIM LEVINE, Principal, Levine Greenberg Literary Agency

JACOB LEWIS, CEO, Figment

NATALIE LOUCAS, Human Resources Manager, Penguin Group (USA), Inc.

BARBARA MARCUS, Strategic Consultant, Penguin Group (USA), Inc. and Open Road Integrated Media

KATE MCKEAN, Agent, Howard Morhaim Literary Agency

CALVERT MORGAN, Senior Vice President and Publisher, ItBooks, and Editorial Director, HarperPerennial Originals, HarperCollins

GEORGIA MORRISSEY, Creative Director, Peach Pie Design Studios

MIRIAM PARKER, Marketing Director, Mulholland Books, Hachette Book Group USA

DOMINIQUE RACCAH, Publisher and CEO, Sourcebooks

BEATRICE REHL, Editorial Director for Aca-demic and Professional Publishing, Cambridge University Press (Americas)

RICHARD RHORER, Vice President and Associ-ate Publisher, Simon & Schuster

JENNIFER ROMANELLO, Vice President and Executive Director of Publicity, Grand Central Publishing, Hachette Book Group USA

BRETT SANDUSKY, Director of Product Innovation, Kaplan Publishing

LAUREN SHAKELY, Senior Vice President and Publisher, Clarkson Potter, Random House

KATE STARK, Associate Publisher, Penguin Group (USA), Inc.

LIATE STEHLIK, Senior Vice President and Publisher, William Morrow/Avon/Voyager, HarperCollins

DAVID VOZAR, Senior Vice President of Marketing and Creative, Scholastic

SARAH WEINMANN, News Editor, Publishers Marketplace

SARAH WENDELL, Author and Blogger, Smart Bitches, Trashy Books

JONATHAN YAGED, President, Macmillan Books for Young Readers, Macmillan

MEMBERS OF THE 2011 BOOK FACULTY

TOM ALLENPresident and CEO,Association of AmericanPublishers

SEALE BALLENGERVice President and Group Publicity Director, HarperCollins

AMY EINHORNVice President and Publisher, Amy Einhorn Books, Penguin Group (USA), Inc.

SONNY MEHTAPresident and Editor-in-Chief, Knopf Doubleday Group, Random House

BOB MILLERGroup Publisher, Workman Publishing

DAN SLATERSenior Manager for Author/Vendor Relations, KindleContent, Amazon

DAVID STEINBERGERCEO, Perseus Books Group

BRENDA COPELANDExecutive Editor, St. Martin’s Press, Macmillan

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When students successfully complete the full,

six-week SPI program, they will have earned

six graduate credits which may be applied

toward an advanced degree if deemed ap-

propriate by the degree-granting institution.

By earning six graduate credits, students also

are entitled to apply for federal financial aid.

(Please see page 15)

SPI participants also may apply to the M.S.

in Publishing: Digital and Print Media pro-

gram. If accepted, they will receive six credits

toward the completion of this degree.

Please note that graduate degrees at the NYU

School of Continuing and Professional Studies

must be completed within a five-year period.

In the case of the M.S. in Publishing: Digital

and Print Media, this commences with the

start of participation in SPI.

It is highly recommended that students apply

to the M.S. in Publishing: Digital and Print

Media program for the fall semester following completion of SPI. All applicable deadlines for

the M.S. in Publishing: Digital and Print Media application apply to SPI students.

The Master of Science in Publishing: Digital and Print Media, offered through the NYU School

of Continuing and Professional Studies, is designed to educate a new generation of publish-

ing professionals. It teaches students how to excel in all aspects of publishing, including

books, magazines, and digital media. Classes are taught by leading professionals in the pub-

lishing field. They provide students with an in-depth overview of editing, finance, marketing

and branding, new business development, sales and distribution, advertising, law, leadership

and management, as well as the latest digital practices. Students can select a part-time or

full-time program of evening study. They network with industry leaders in the classroom and

at workshops, panels, and events, while learning the latest media strategies. They also par-

ticipate in an internship program and receive career guidance through individual counseling

sessions and workshops on résumé and cover letter preparation. Job and internship postings

are regularly distrubuted to students in the program.

Students who are accepted into the Master of Science in Publishing: Digital and Print Media,

and who successfully complete the Summer Publishing Institute, earn six credits toward

the graduate degree. For more information, visit www.scps.nyu.edu/mspub or contact the

Center for Publishing by phone at (212) 992-3232 or by e-mail at pub.center@nyu.edu.

M.S. students on an industry visit to Time Out New York.

THE NYU SCHOOL OF CONTINUING AND PROFESSIONAL STUDIES (NYU-SCPS)

The NYU School of Continuing and Professional Studies (NYU-SCPS) draws its academic char-acter from a deeply rooted connection to the industries and the creative forces that drive the economic engines and shape the cultural environment of New York City and beyond. Programs are professionally oriented and are taught by faculty members who are leaders in their fields.

Whether you are an adult student interested in returning to school to pursue an undergraduate degree, an established professional who seeks to enhance your credentials by earning a mas-ter’s degree, or a career changer who is exploring your options, the NYU School of Continuing and Professional Studies (NYU-SCPS) will provide a supportive and stimulating environment in which to increase your knowledge, hone your skills, develop your critical thinking, broaden your horizons, and build your network of professional contacts.

For more information visit www.scps.nyu.edu/admissions

“ The Summer Publishing Institute laid the foundation on which I have continued to build a comprehensive understanding of the pub-lishing industry through the M.S. in Publishing: Digital and Print Media program. The intensive summer program also trained me in time management skills that have been instrumental in my pursuit of a mas-ter’s degree while working a full-time job in academic book publishing. I’d highly recom-mend partaking in both programs if you are interested in delving as deeply as possible into an engaging industry that continues to change and astound...and from which I continue to learn new things daily.”

JULIE GANZ SPI 2010 Alumna M.S. in Publishing: Digital and Print Media Student

GRADUATE CREDIT FOR SPI

THE MASTER OF SCIENCE IN PUBLISHING: DIGITAL AND PRINT MEDIA

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WHO SHOULD APPLY

Students who are dedicated to words, ideas, and communication are most likely to benefit

from the Summer Publishing Institute. It is helpful to have publishing experience through

internships, in libraries and bookstores, or on school publications. Skills or interest in writing

and editing, digital media, photography, graphic arts, or marketing should be highlighted in

your personal statement when applying. Proficiency in writing is crucial because publishing

professionals must be able to express themselves in a variety of written forms.

The Summer Publishing Institute is designed for recent college graduates and young profes-

sionals. Applicants must have completed an undergraduate degree before the start of the

program although no specific major is required. The Summer Publishing Institute welcomes

international students.

HOW TO APPLY

To apply for admission to the Summer Publishing Institute, submit the online application

form accompanied by your résumé, a personal statement, and a nonrefundable application

fee of $30. Official transcripts from all colleges attended and two letters of recommendation

from professors, internship advisors, or an employer should also be submitted when you ap-

ply. International students also are required to submit TOEFL scores. Complete instructions

can be found on the application form, which is available at www.scps.nyu.edu/spi.

Applications must be submitted online (transcripts must be submitted to our offices) no later than March 26, 2012. Early application is encouraged and early acceptance is pos-

sible for exceptional students. Late applications are reviewed on a case-by-case basis. The

Summer Publishing Institute is selective and applicants may be put on a wait list. We begin

notifying applicants of acceptance by April 13, 2012, if not earlier.

If you are accepted, you must submit a $500 nonrefundable deposit no later than April 30,

2012 to secure your place in the program. Students admitted from the waitlist will have two

weeks from the date they receive their admissions letter by e-mail to send in their deposit.

Space in the program will not be guaranteed until receipt of the tuition deposit. Once you

enroll, the nonrefundable deposit is applied to your tuition.

For more information about the program, e-mail pub.center@nyu.edu or visit

www.scps.nyu.edu/spi. For application-related questions, please contact the Admissions

Office at (212) 998-7100, or at scps.gradadmissions@nyu.edu.

TUITION, FEES, AND HOUSING

Tuition: $5,200. Housing Fee: $200 (approximate fee) per week, depending upon location. Note: NYU housing is optional and no meal plan is required. The tuition includes the

nonrefundable $500 deposit and all applicable registration fees. It covers all lectures, work-shops, mock book and magazine launches, skills development training, site visits, career fair, and most materials. (Students may be required to pay for color printing and other fees for the production of their final book and magazine projects.) For more information about credit tuition and fees, visit www.nyu.edu/bursar.

Tuition does not include the cost of housing and meals, which must be arranged separately (see below). The $500 tuition deposit must be sent no later than April 30, 2012 (or 2 weeks after receipt of the e-mail acceptance letter for students on the waitlist). Final tuition balance is due by May 25, 2012.

HOUSING AND MEALS

Securing housing in NYU dorms is recommended but is not mandatory. The NYU Housing Office requires a separate application and $500 housing deposit by credit card at the time of housing application, or by check within 7 days of application. Final housing balance is due June 8, 2012. For more information about summer housing, visit www.nyu.edu/summer/housing. Note: Most students prefer to arrange for their own meals, though a meal plan is available.

FINANCIAL ASSISTANCE

Attending the Summer Publishing Institute allows students to earn six graduate credits, thereby entitling them to apply for federal aid. If you are interested in applying for aid, you will need to file the FAFSA (Free Application for Federal Student Aid). Please visit the following website for more information about the FAFSA: http://www.fafsa.ed.gov/. We strongly urge all students to file the FAFSA as early as possible, and no later than the March 26 application deadline. Private loans also may apply. Please note that status of your financial aid package may not be available by the time of your acceptance to the program. Kindly keep this in mind in planning for SPI.

WITHDRAWALS AND REFUNDS

Notice of withdrawal must be made in writing: by mail to NYU-SCPS Graduate Admissions, 7 East 12th Street, Suite 921, New York, NY 10003; or by e-mail to scps.gradadmissions@nyu.edu. The $500 deposit, submitted before registration, is not refundable, nor is the $30 application fee or registration fees. Students also must officially drop the SPI coursework in the Albert system. Information about how to do so can be found online at http://www.nyu.edu/registrar/registration/albert-registration.html. The refund schedule is based on the day on which the courses are dropped in Albert. Tuition is reimbursed as follows: 100%, less deposit, registra-tion and application fees, for withdrawal before or during the first week of class. Withdrawal must be made on Albert by the end of the business day on June 8, 2012 in order to qualify for the 100% refund. As of the second week of class, no refund is granted. NYU does not permit variation in these policies.

APPLICATION AND ADMISSION

“ After immersing myself in this six-week program, I got a real taste of what it takes to excel in the magazine and book publishing worlds. I can say with confidence that with the help and guidance I re-ceived from the excellent staff and renowned speakers at NYU-SCPS, I have a clear and exciting path to channel all of my enthusiasm and passion for this field.”

SARAH PASSICK Editorial Assistant, Stonesong Press SPI 2011

“ I am very excited and extremely grateful to SPI for giving me an edge and for introducing me to [Disney Publishing’s] amazing HR rep at the career fair. I have been tirelessly searching for a job in publishing for two years, and less than a month after SPI ended, I finally secured one.” CAROLYN GILL Assistant Editor, Disney Publishing SPI 2011

“ I learned so much in the NYU-SCPS program. I know that this experience greatly helped me during my interview. I am sure that it also will aid me as I progress in my career. Thanks for all your hard work in the program. I learned more about publishing than I ever thought I could in six weeks!” MARY HELEN TURNAGE Marketing Assistant, Oxford University Press SPI 2011

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