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SPECIAL ADVERTISING SECTION TO ADWEEK, BRANDWEEK AND MEDIAWEEK
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When direct marketing godfather
Lester Wunderman visited Africa
in the early 1970s, little did he
know that he would return with a
firmer philosophical foundation for the glob-
al advertising company that bears his name.
Wunderman is an innovator of direct mar-
keting firsts, including the 800 number, loyal-
ty awards and blow-in magazine subscription
cards. The now legendary figure, who cele-
brated his 90th birthday in June but dutiful-
ly and joyfully comes to work every day, is
chairman emeritus and spiritual leader of
Wunderman, which is committed to cus-
tomer-focused relationship marketing.
During that African trip, which included a
stop in Abidjan in Côte d’Ivoire and an
extended stay with the Dogon ethnic group in
Mali, Wunderman’s experiences proved to be
seminal to his advertising vision.
The story goes like this: In Abidjan, he went
to dinner with several other foreigners at a
nightclub where the entertainment included
dancers and drummers. After the featured
performance, Wunderman wanted to dance to
the West African beat but found no takers at
his table. Against the advice of his shocked
host, he decided to invite, in a very metaphor-
ic way, one of the artists, a young woman with
red shoes, to dance with him.
Wunderman gently approached the
woman and gave her his own shoes. She
showed them to the entire house, including a
circle of derisive men on the perimeter of the
space, who he says “were just waiting for me
to do something stupid.”
She asked why he wanted to join her on
the floor, and he replied, “My shoes want to
dance, but since you are not permitted to
dance with me, I would like you to dance with
my shoes.” She announced the request to the
crowd, who laughed. Tensions eased.
Then the dancer, playing along with the
game, ceremoniously presented him with her
tiny red shoes. In his autobiography, Being
Direct: Making Advertising Pay, Wunderman
wrote: “It was as if everyone now understood
the will of the shoes.” His feet could not fit
into her slippers, so he suggested that they
each dance in their own shoes. The crowd
agreed with humorous approval.
RISK AND REWARDThis month, sitting in his midtown Manhattan
office adorned with colorful, framed comput-
erized art, Wunderman smiles and reveals
the secret behind his success as an advertis-
ing maverick: “It was a risk, which is the way
DrivingresponseLester Wunderman, the guru of directmarketing, reflects on risk, advertisingand making relationships count
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Aug. 30 - Sept. 6, 2010
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American Express extends its deepest thanks
to Lester Wunderman for his many years of partnership,
pioneering spirit and unending drive for innovation.
“If there is a lesson to be learned, I believe it is to
not do anything half-heartedly. If you’re going to do it at all,
give it all that you have to give.” — L ester Wu nder ma n
© 2
010
Amer
ican
Exp
ress
Com
pany
.
it’s happened all my life. I take chances when
the opportunity arises, hoping for something
wonderful to happen.”
He adds, “Doing this game with the shoes
and being able to dance with that girl helped
me to pass into the culture.”
On the same African trip, Wunderman vis-
ited the Dogon people, whose wood sculp-
tures he had begun to collect (his 61-piece
collection is now housed at New York’s
Metropolitan Museum of Art). He became
close friends with Chief Ogorbara Dolo.
“We became pals,” Wunderman says. “We
would take walks, sit on rocks on this cave-
like hillside and talk philosophically to each
other as men. I was trying to understand his
culture, and he was trying to understand
mine. We found some kind of connection,
and he made me his brother—the only white
brother he ever had. Being a brother, I was
able to eat dinner in his hut.”
A few years later, Wunderman
had remarried and returned to
Mali with his new wife. The
group honored him with a
three-day celebration, with
Ogorbara serving as best man.
According to custom, they sacri-
ficed a lamb and 14 chickens on
a rooftop, which Wunderman
was required to witness sans his
wife.
He laughs when recounting
the event: “What I didn’t know
was that as part of their tradi-
tion, they cut the throat of a
chicken and threw it at you—as
guest of honor. It was my
(Malian) wedding day, so I came
dressed in a white shirt, white
trousers and a pair of white
Gucci shoes. Suddenly I was cov-
ered in blood as all 14 chickens
were thrown at me. My wife was
down below hearing all these
sounds, so I wanted to reassure
her that I was OK. I leaned over
the roof. She saw me and
screamed. But I told her that
everything was all right, that I was being cele-
brated.”
When asked how these African experi-
ences were incorporated into his work,
Wunderman says, “I got a true sense of rela-
tionship and how that is different from hav-
ing an encounter. A relationship between
two people or a person and a group includes
acceptance—if not love, then certainly a kind
of affection and respect.
“What I found was that dialogues that
ensue from such a relationship are different.
Here, we meet someone and ask them what
they do. Oh, I’m in advertising. What about
you? I’m on Wall Street. You get the facts,
but you don’t enter the person. You just
bounce off the shell of a person because we
protect ourselves with our shells. Not many
of us are open to relationships. What we’re
trying to do with this agency is create rela-
tionships between our clients and their
customers.”
Advertisers, Wunderman says, may have
encounters—consumers seeing a product on
a shelf, paying attention to an advertise-
ment, maybe even making a purchase—but
deeper relationships make for real cus-
tomers. At other agencies, he says, “adver-
tising is about making the product known
and somewhat desired by the prospective
customer. But the focus is on the product
itself and not the consumer.”
It’s that fundamental shift in perspective
that factors in today’s social-networking
world, especially with the plethora of infor-
mation available, which “we try to use to cre-
ate some kind of deeper knowledge between
each other. That’s what I learned in Africa. A
relationship is not an encounter. It’s about
being humanly exposed.”
FEAR OF RUTSWunderman has never shied away from cre-
atively seeking answers to problems. “I’ve
always had the audacity to try new things,”
he says. “As a matter of fact, what I’m most
afraid of is convention. If anything, I’m afraid
of being stuck in the ruts of the old vehicles
that have passed over the road.”
At the age of 19, Wunderman started out
in the ad world (“We were kids; we were
innocent; we were naive”), forming his own
mail-order agency with his older brother,
Irving.
It wasn’t his original vision. He had wanted
to be a creative writer. After his father died
when he was 9, his uncle took him under his
wing. “He was a storyteller and a story
writer,” says Wunderman, recalling how his
uncle would take him to lunch with his
friends, who were also writers.
His first job? Delivering chickens for a
kosher butcher. “There was no romance at
SPECIAL ADVERTISING SECTION TO ADWEEK, BRANDWEEK AND MEDIAWEEK
Wunderman’s highly successful Columbia House record clubcampaign was ubiquitous in the 1970s.
Wordsfrom WundermanYou can’t assault a consumer, which is what a lot ofadvertisers do. The fact is advertising speaks in aloud voice. We in advertising know that we have tobe heard. But persuasion sometimes is betterexpressed in a whisper than it is with a shout.
Wordsfrom WundermanWe’re not trying to scare the consumer.We’re trying to make friends.
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the beginning of my working career, but
there was plenty of romance in my head. So
I tried to figure out what I could do to satis-
fy those creative impulses.”
Even though the first Wunderman agency
(Coronet Advertising Service) failed, he
gained valuable insight: “We learned how to
innovate, to learn the mastery of the tools of
communication. That’s what we still do at
the agency today. We’re better masters of
communication than most other agencies,
and for that reason, we serve our clients
with more dimension than others can. It’s
part of our vision.”
The Wunderman brothers, along with Ed
Ricotta and Harry Kline, left the mail-order
agency Maxwell Sackheim & Co., Inc., in
1958. They formed Wunderman, Ricotta &
Kline, which explored a wider range of direct
marketing endeavors, attracting more than
$2 million in billings during its first year. It
grew to 17 clients in the second year. Ten
years later, it expanded internationally, first
to Canada, then to London and Paris.
Wunderman’s agency merged with Young
& Rubicam in 1973 and since 2000 has been
a part of the WPP Group. High-profile clients
include Kraft, Ford, Microsoft, Citibank and
American Express, among many others, past
and present. Today, the Wunderman network
employs more than 6,000 people in more
than 40 countries and billings are nearing $1
billion.
COINING THE PHRASEIn 1961, Wunderman spoke to the Hundred
Million Club of New York, an organization
of direct-mail business leaders, about how
direct marketing represented a new fron-
tier. More famously, in 1967, he made a
speech to the American Advertising
Association at MIT in Boston. It was titled
“Direct Marketing—The New Revolution in
Selling,” and his concept of direct marketing
immediately supplanted the second-class
mail-order advertising model. It also cata-
pulted Wunderman into the position of
spokesperson, purveyor and innovator in
direct marketing.
“I changed the language,” he says proudly.
“I invented the term direct marketing.”
In his best-seller The Tipping Point,
Malcolm Gladwell applauds Wunderman for
his innovation in hanging on to the Columbia
Record Club account—the world’s largest.
Writing in The New Yorker in 1998, he sin-
gles Wunderman out as the father of con-
temporary persuasion and the pioneer of
modern-day marketing, complete with com-
puter databases and psychographic profiles.
Harold Burson, co-founder of the largest
PR agency in the world, Burson-Marsteller,
heralds Wunderman for “popularizing a very
significant form of advertising that produces
results… He not only has been the greatest
practitioner in the field of direct marketing,
but he is also the greatest student of direct
marketing.”
Former Y&R CEO Ed Ney introduced the
pair to each other, and the three have
remained close. (Burson jokingly calls the
trio of pals “the wizards that was.”)
Noting that Wunderman’s advantage has
been coming up with highly creative solu-
tions to meet his client’s objectives, Burson
says, “Targeting an audience is a very com-
plicated field, even now with the Internet.
But Lester has that ability to know the soft
spots of direct marketing. And he’s global-
ized it. His agency has been able to walk the
fine line of delivering the central mes-
sage of a client, tweaking it and adapting
it depending on the language. They take
the core idea and mold it to different
cultures.”
That global perspective has factored
highly with Microsoft, which uses
Wunderman as its AOR for direct market-
ing worldwide. “Wunderman has been a ter-
rific partner for us, bringing us a global van-
tage point to problem solving,” says Gayle
Troberman, chief creative officer, Microsoft.
“They’re good throughout the world for cre-
ating individual partnerships at a local level
SPECIAL ADVERTISING SECTION TO ADWEEK, BRANDWEEK AND MEDIAWEEK
Contemporary technology and future technologyare erasing the things that used to happen whenpeople huddled in their houses and no one knewwhat they were doing except when they went out toshop. The world is so much more open. With theInternet today, it’s so easy to find out what peopledo and what they want.
‘Wunderman has been a terrific partnerfor us, bringing us aglobal vantage pointto problem solving.’— Gayle Troberman,
chief creative officer, Microsoft
Wunderman at his 90th birthday party.
Wordsfrom Wunderman
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SPECIAL ADVERTISING SECTION TO ADWEEK, BRANDWEEK AND MEDIAWEEK
with business-to-business. They help us
localize and translate, driving relevance to
our core message.”
She cites as an example Microsoft’s “It’s
everybody’s business” campaign about the
power of the company’s software for busi-
nesses. “Wunderman’s field marketers have
done tremendous work, pushing and pulling
our core content into all the spaces to
extend the campaign through direct
response and scaling into events.”
Troberman adds that the Wunderman
brand has been true to its founder’s vision.
“The team there is passionate about our
product, proactively coming up with ideas
when they see opportunities to conduct a
marketing initiative. That’s important for us
because they bring a worldwide perspective
that’s much greater than Redmond.”
LLEEAADDEERRSSHHIIPP AANNDD RREESSPPEECCTTAs chairman emeritus, Wunderman no
longer monitors the day-to-day pulse of his
agency’s clientele. He leaves that to CEO,
chairman Daniel Morel and COO, vice chair-
man David Sable, who have both served the
agency in their positions since 2000.
“They’re both extraordinary,” says
Wunderman. “Daniel is brilliant. He’s a
genius. He’s opened up the world to us and
more than doubled the size of the agency.
He knows what to acquire and when to
acquire. And he knows the direct marketing
business. Daniel does a lot of things I didn’t
do, though I did start to spread the agency
internationally. But he’s so much better at
this than I ever was. He’s a great leader. I was
a practitioner. When a business gets to be
this size, it needs a CEO who’s not necessar-
ily a practitioner.”
Morel credits the agency’s success to its
founder. “It’s Lester’s heritage at work here,”
he says. “We’ve grown by following his lead.
Our market expansion has followed the
clients. We’ve acquired companies all around
the world to better serve our clients.”
Acquisitions include digital companies
such as Boston analytics company
Fortelligent in 2005, Seattle-based data
interactive company ZAAZ in 2006, and
Seoul-based marketing services companies
ComHAUS Korea Ltd. and SRP Corporation
Ltd. in the same year. In 2007, Wunderman
acquired digital shops These Days (Belgium),
Aqua Online (South Africa) and Blast Radius
(Canada); Paris-based Kassius in 2008; and
Moscow-based Actis Systems in 2009,
among others.
Morel’s philosophy: Since the future is dig-
ital, Wunderman acquires companies with
digital expertise. “With the roster of our net-
work, we have an army of specialists,” he
says. “We’re not a homogenized company.
We have much more depth.” He notes that
65 percent of Wunderman revenue today is
purely digital, with less than 5 percent
derived from its original direct-mail base.
Morel sees the next step in the rapidly
changing digital landscape to be the enter-
tainment value and content development on
Web platforms. As this develops, Morel says,
“We want to be present. When entertain-
ment is in such demand there, advertising
dollars will follow. This is a very exciting time
for us.”
As for David Sable, Wunderman says,
“David is me, reincarnate. He does all the
things I did. He’s creative and a marketer.”
Sable in turn holds up Wunderman as a
man who foresaw the changes in direct mar-
keting. “With all due respect to Al Gore,
Lester predicted the Internet when he gave
his MIT speech in 1967,” he says. “People
read it, and they assume it’s his latest
speech.”
He says that because of Wunderman’s
personal charisma and wisdom, the agency
will continue to lead in digital and data.
“Lester is very much the living icon of the
business,” Sable says. “He’s the driver of our
culture. He’s revered. We owe so much to
Lester, which is why we carry his name into
the future.”
Morel and Sable agree that Wunderman’s
presence in the office every day is a
reminder of his values and goals. “Lester is
at the center,” says Morel. “His name is on
the door. He may not be involved in the
minutiae of the day to day, but he’s a great
resource when we’re trying to get a perspec-
tive on a client. He gives us meaty and sub-
stantial advice. We follow his principles; we
work in the spirit of Lester. His name is the
summary of our purpose and morality when
it comes to advertising.”
In his office, Wunderman still feels quite at
home. “I still use my imagination and cre-
ativity, and I feel good about it,” he says. “I
think the agency feels good about me. I’ve
become the face of the agency in a way,
which is good because I have a broader view
of advertising than most people.”
Pausing, he searches for the right word to
describe his role. “I’m the ambassador,” he
says, then overrules himself: “No, I’m the
guru.” ■
From left: David Sable, vice chairman and COO, Wunderman Worldwide; Harold Burson, founding chair-man, Burson-Marsteller; Lester Wunderman, chairman emeritus and founder, Wunderman; Ed Ney, chair-man emeritus, Young & Rubicam; and Daniel Morel, chairman and CEO, Wunderman.
Wordsfrom WundermanIf we know what people want, we can try to give itto them. The other thing is that we don’t have towaste messages on people who are ineligible orincapable of buying our client’s products. So rele-vance is a key word for tomorrow.
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Only an advertising legend receives a “happy birthday”full-page ad.
Citi wishes Lester Wunderman, the “father of direct marketing,” a very happy 90th.
And a sincere thank you for all your years of creating great, award–winning Citi work.
© 2010 Citigroup Inc. Citibank N.A. Member FDIC. Citi, Citibank and Citibank with Arc Design are registered service marks of Citigroup Inc.