Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters &...

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Social Media & Subcultures

Transcript of Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters &...

Page 1: Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters & Instagram •“Under the guise of “irony,” hipsterism fetishizes the authentic and

Social Media &

Subcultures

Page 2: Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters & Instagram •“Under the guise of “irony,” hipsterism fetishizes the authentic and

Subcultural Theory

• Counter-hegemonic

• Individual and collective identity

• Youth driven

• ‘Authentic’

• Impact upon mainstream

• Abandoned when appropriated by mainstream

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What social media based

Subcultures can you

think of?

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Emos/Scene Kids & Myspace

• Myspace was a music centric

social media site

• Hugely popular from around

2005

• Overtaken by Facebook in 2008

• Myspace allowed the creation of

the profile, a multimedia

representation of individual’s

identity

• Strongly linked to traditional

modes of expressing subculture

Page 5: Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters & Instagram •“Under the guise of “irony,” hipsterism fetishizes the authentic and

Hipsters & Instagram

• “Under the guise of “irony,”

hipsterism fetishizes the authentic

and regurgitates it with a winking

inauthenticity.”• (Lorentzen cited by Technology Uninhibited, 2012)

• Nostalgic, vintage

• Consumerist

• Unusual in that few admit to being a

‘hipster’

• Instagram’s filters reflected the

aesthetic and the vintage image

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Cosplay & YouTube

• Cosplay: dressing up in costumes to reflect characters from literature, TV & film

• Sometimes involves interacting in roleplays

• Cosplayers make use of YouTube to network and self promote

• Ideal platform for tutorials and convention vlogs

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Impact of Social Media

• Class & Location Boundaries

• Proliferation

• Division & Specificity

• Visibility

• Commitment & Public Image

• Intersection & diversity

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Impact of Social Media

“Kahn & Kellner argue that

identities on the internet are

often hybridic and complex with

post-subcultures regarded as

dissolving classical cultural

and political boundaries that

appear too rigid and

ideological for internet life”

(Robards & Bennett, 2011)

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Subcultures or Post-

Subcultures?

• Post-subcultures more closely resemble ‘neo-tribes’

• Neo-tribes are “without the rigidity of the forms of

organisation with which we are familiar, [tribe] refers

more to a certain ambiance, a state of mind, and is

preferably to be expressed through lifestyles that favour

appearance and form”

(Maffesoli, 1996 cited by Robards & Bennett, 2011:3)

Page 10: Social Media & Subcultures - Media and Culture Course ... of expressing subculture Hipsters & Instagram •“Under the guise of “irony,” hipsterism fetishizes the authentic and

Subcultures or Post-

Subcultures?

• Post-subcultures more closely resemble ‘neo-tribes’

• Neo-tribes are “without the rigidity of the forms of

organisation with which we are familiar, [tribe] refers

more to a certain ambiance, a state of mind, and is

preferably to be expressed through lifestyles that favour

appearance and form”

(Maffesoli, 1996 cited by Robards & Bennett, 2011:3)

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Subcultures or Post-

Subcultures?

• Concept of neo-tribes and post-subcultures more

reflective of fluidity of identity recognised by

postmodernity

• This may better represent how people self

identify and engage on social media

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Can current

subcultures have the

impact of historical

subcultures?

https://www.youtube.com/watch?v=Est3UNs-

LIk#action=share

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References

• Technology Uninhibited, (2012) Hipsters, [online]

available from:

https://technologyuninhibited.wordpress.com/tag/hipsters/

Accessed on 27/11/16

• Robarts, B. & Bennett, A, (2011) My Tribe:

Postsubcultural Manifestations of belonging on social

networking sites [online] availble from:

http://soc.sagepub.com/content/45/2/303.short Accessed

on 27/11/16