soap bubbles - Haiku€¦ · The haiku collected in Soap Bubbles clearly reveal that K Ramesh is a...
Transcript of soap bubbles - Haiku€¦ · The haiku collected in Soap Bubbles clearly reveal that K Ramesh is a...
soap bubbles
© ��� K� RameshISBN �����������������
Red Moon PressPO Box &��Winchester VA��&����� USAwww�redmoonpress�com
I would like to thank the editors of the following journals andanthologies in which these poems have appeared: Still5 Pres�ence5 Frogpond5 The Heron's Nest5 Mainichi Daily News5Mayfly5 Acorn5 Snapshots5 Asahi Haikuist Network5 HaikuMoments5 Haiku Novine5 Modern Haiku5 Paper Wasp5 Haijinx5Bottle Rockets5 Tinywords�com5 Road Runner5 Wisteria andother magazines that publish haiku and short poetry� Alsothese anthologies : Pegging The Wind5 edited by Jim Kacian5Red Moon Press� Wild Flowers5 New Leaves—A collection ofWorld Haiku5 edited by Susumu Takiguchi5 World Haiku Club�
I am grateful to Dr Angelee Deodhar for her art work�
I wish to thank S� Rajiv5 E� R� Vinayan5 B� Saravanan5 GeetaRamanujam5 and all my colleagues at The School5 KFI fortheir encouragment and support�
A Soffietto Book
to Nimmi and Anita
Introduction
The haiku collected in Soap Bubbles clearlyreveal that K� Ramesh is a man fully andsensitively engaged in the world� He isconnected yet not attached� His insightsare profound yet he does not proselytize�In fact5 what appears most plentifully inRamesh’s work is pure joy� Everywhere heturns5 it seems5 he finds wonder� He seesgreat wealth in what far too many peoplewould dismiss as inconsequential� Howheartening then5 to know that Ramesh isa school teacher in Chennai5 India� Hishaiku give evidence that he must be out�standing in his profession for he does whatonly the best teachers and haiku poets do5he uses skillful means to guide our atten�tion away from himself and towards thosethings which inspired him—epiphanies heknows we will best grasp when allowed todo so for ourselves� Ramesh accomplishesthis through deft use of juxtaposition andsubtle implication� His haiku are multi�
layered; the images on the surface natu�rally draw us deeper5 eliciting emotionsand often bringing to light truths acces�sible solely by intuition� Ramesh managesall of this without losing his sense of hu�mor� I tell you truly5 I have a nearlyirresistable urge to ask Ramesh if he willaccept me as one of his students� Un�doubtedly5 I am too old and set in myways5 but maybe he’ll accept the child stillwithin me5 the one he conjures forth ev�ery time I read his haiku�
Christopher HeroldFebruary �5 ���
owner's tree � � �for the tenant upstairs5a view of blossoms
power failure—closing the bookI listen to rain
on the eavesof the old temple � � �the morning sun
summer evening—the red fire extinguishergets wet in the rain
evening sunboys play cricketon the riverbed
summer afternoona pail with rope restson the rim of the well
soft rain � � �river with a bendin the distance
cloudcast afternoon—corn poppingon the stove
soap bubblesfrom a children's park � � �break a traffic rule
rainy night—a tortoise eatsfrom the dog's plate
summer morning—a snail crossesthe hopscotch lines
vendor on the beach—from hand to handthe spinning pinwheel
sunrise � � �a tiny crab quicklyavoids the waves
leafless trees� � � the sea visible again
rainy night—gazing at the ceiling5jerk of a spider
dawn breaking—between the callsof two cuckoos
a yellow leaftouching the green oneson its way down
back from my hometown � � �scent of ripe mangoesin the empty bag
fading evening light—small glow of a lampup in the mountain
morning breezea butterfly swayswith the blossom
passing by the market—eye of the fishfacing the blue sky
breezy afternoon—making a kite againafter many years
first summer rain—my hand outsidethe train's window
april evening—a blossom leanson the pillar
tossing the ballto serve � � �birds in the sky
dawn � � �the neighbour's newbornstops crying
a dead end—white blossomsover the wall
twilight � � �a boy brings downhis kite
cloudy afternoon—a chrysanthemum bloomsin the paper�folder's hand
dawn � � �amid bird calls5sound of a broom
a surprise—the little girlopens her hand � � � a shell
abandoned dog � � �looking at the face ofevery pedestrian
stars appear � � �the flower vendorstrings jasmine
sunrise � � �I let the fishbite my toes
railway station � � �a banyan tree's rootsyet to reach the ground
yellow leaves � � �I search fora tennis ball
alone tonightlight on my bedroom wallfrom the neighbour’s house
dawn � � �a truck driver washeshis face by the highway
New Year’s Eve—a man digging a pitstrikes his shadow
no breeze—children on branchessway their legs
a village asleep—moonlit lanesbetween the houses
cloudcast sky—the camera withouta shadow on the table
cloudy sky—a little boy imitatesthe cuckoo
dark clouds gather � � �prayer flags flutteron the terrace
long afternoon—the peanut vendor's belljingles in another street
scent of blossomsher house at the endof the avenue
small railway station � � �a gypsy boy runs afterhis puppy on the platform
redwood tree���I walk backwardholding the camera
chirping of sparrows � � �sunrays on the buddhain the temple
projector switched off � � �on the white screenshadows of bamboo
starlit sky � � �I touch a turtlebefore it enters the sea
cobwebs—the smile onBuddha's face
friend's house—I make tea forboth of us
summer dawn � � �cuckoo after cuckooafter cuckoo
turning the page5I turn it back again—a little ant
conversation overI touch a petal � � �real blossoms
empty cowshed � � �a little bird drinkswater from the pail
sunny morning—his basket fullof spinning pinwheels
dusk—chatter of frogs outsidethe teacher's house
winter eveningthe newborn calfeyes everybody
drifting clouds—the exam hallbright sometimes
summer evening—the water I drink tastesof the earthen pot
full moon—everything in its placein the kitchen
monday morning—a bird escapes fromthe cat's grip
twilit river—lamps glow in the templeon the other bank
dawn � � �a cuckoo's call deepensthe silence
meditation over � � �the cricketsstill chirping
watching the waves � � �a stray dog settlesbeside me
rainy morning—the old beggar not thereoutside the tea shop
afternoon breeze—sound of the loomfrom the weaver’s house
first summer rain—the flower vendorlingers on the porch
dinnertime—a grain of ricefor the praying mantis
sunny morning—the rooster challengesthe bull again
evening breeze—hundreds of lamp flamessway in the temple
leaves falling � � �some on the boulder5some in the stream
moonlit bridge—an ant moveson the railing
purple dawn � � �a flock of sheepgives way to the bus
row of faces � � �a school bus passingby the sea
she sayslife is � � �as I pass by the couple
rainy afternoon—egrets walkin the football field
fading lightkicking a cracked ballthe hollow sound
misty dawn—shutters openin the tea shop
blue sky � � �she tunesmy guitar
spring morning—the faded capof the gardener
summer evening—I join her watching rainfrom the window
fierce bull � � �a little birdon the hump
summer evening—the scent of fresh loavesas I pass the bakery
soap bubblesfrom a children’s park � � �break a traffic rule
poem: K� Rameshartwork: Angelee Deodhar
ISBN ����������������� Haiku/Poetry �
“These are poems about the edges of things—dawns anddusks5 the curve of a water jug5 the ocean shore� That thesepoems from India are so immediately available to readersaround the world speaks movingly of the power of the tinyhaiku in the hands of a true communicator�”
John Stevenson (Editor5 Frogpond)