SMPTE15 Official Conference & Exhibition Directory

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01 ORGANISER’S WELCOME . . . . . . . . . . . . . . . . . . . . . . . 0202 EXECUTIVE DIRECTOR'S WELCOME . . . . . . . . . . . . . . . 0403 BOARD MEMBERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0604 CONFERENCE PROGRAM . . . . . . . . . . . . . . . . . . . . . . . 0805 EXHIBITION LISTING . . . . . . . . . . . . . . . . . . . . . . . . . . . 1806 EXHIBITION FLOORPLAN. . . . . . . . . . . . . . . . . . . . . . . . 3207 BRAND/DISTRIBUTOR INDEX . . . . . . . . . . . . . . . . . . . . 5608 PRODUCTS/SERVICE INDEX . . . . . . . . . . . . . . . . . . . . . 6009 FOX PRECINCT MAP . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

OFFICIAL CONFERENCE & EXHIBITION DIRECTORY MOORE PARK SYDNEYJULY 14-17 2015 TUESDAY - THURSDAY 10AM – 6PM FRIDAY 10AM – 3PM

Visit SMPTE next to the Conference Entrance Download this Directory in pdf from www.smptedirectory.com

SMPTE 2015 OFFICIAL CONFERENCE & EXHIBITION DIRECTORY

Introducing URSA Mini, a handheld Super 35 digital fi lm camera with an incredible 4.6K image sensor, global shutter and a massive 15 stops of dynamic range! The super compact and lightweight design is perfectly balanced, making it comfortable enough for all day shooting. URSA Mini lets you shoot at up to 60fps, features a 5" foldout viewfi nder, dual RAW and ProRes recorders, and more!

Incredible 4.6K SensorURSA Mini can capture images at a resolution and dynamic range that goes well beyond that of traditional motion picture fi lm so you can shoot your own epic, cinematic masterpiece! You can capture images up to 4608 x 2592, which is larger than 4K DCI, with 15 stops of dynamic range so you get incredibly clean pictures with amazing detail in everything from the darkest shadows to the brightest highlights! URSA Mini can record 4.6K at up to 60fps, or 1080 HD at up to 120fps.

Lightweight and PortableURSA Mini’s perfectly balanced body is made out of space aged magnesium alloys so it’s rugged, yet lightweight and comfortable enough to be used all day. You get a super bright 5" fold out touch screen for on-set monitoring, that can also display overlays for timecode, histograms, audio meters, focus peaking and more! URSA Mini features full size, professional connectors, even 12G-SDI, so you don’t need custom cables, plus high quality stereo microphones and a side grip mounted on a standard rosette.

Completely CustomizableBlackmagic URSA Mini is completely customizable so you can create a rig that’s built specifi cally for your production! Add accessories like the Blackmagic URSA Viewfi nder and Blackmagic URSA Mini Shoulder Kit, or choose from hundreds of third party accessories. URSA Mini has 9 standard ¼" threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod as well as add accessories such as rails, matte boxes and more.

Non-Stop RecordingYou never have to stop recording because URSA Mini features two CFast 2.0 recorders! When one card is full, recording automatically continues onto the next. URSA Mini uses the latest, incredibly fast CFast 2.0 technology for recording speeds up to 350 MB/s. Wide dynamic range images are saved as 12-bit RAW fi les, which are perfect for high end grading and e� ects work, or as broadcast quality ProRes, for easy post production workfl ows with minimum storage requirements!

Blackmagic URSA Mini 4K EF $4,235 Blackmagic URSA Mini 4K PL $4,925 Blackmagic URSA Mini 4.6K EF $7,035 Blackmagic URSA Mini 4.6K PL $7,755All models include DaVinci Resolve 12

Electronic Viewfi nder, lens and accessories sold separately.

www.blackmagicdesign.com

Introducing Blackmagic URSA Mini, the lightweight Super 35 4.6K digital fi lm camera with 15 stops of dynamic range!

02 WELCOME

01 CHAIRMAN’S + ORGANISER’S WELCOMEPAUL BRODERICK SMPTE AUSTRALIA SECTION CHAIR

THE THEME FOR THE EXHIBITION IS “PERSISTENCE OF VISION – 100 YEARS OF SMPTE” in recognition of the continuance of SMPTE and its contribution to the motion picture industry over the past 100 years. SMPTE’s upcoming centenary presented an opportunity for the exhibition to return back to the Moore Park precinct and the Horden Pavilion where it began many years ago.

The theme has been extended for the Conference to be forward looking in consideration of the challenges ahead. The conference theme, “Persistence of Vision — Defining the Future,” acknowledges the optical illusion, that makes motion pictures possible, as well as SMPTE’s on-going devotion to the critical tasks of providing industry standards and education.

SMPTE15 promises to offer our best SMPTE conference program in recent years, with a wide array of sessions and presenters that will provide educational, thought-provoking, and sometimes controversial perspectives on the topics and technology trends propelling our industry forward. A truly international conference, which will provide the opportunity to hear from global thought leaders while gaining insight into the future of media creation, delivery, display, and consumption.

We are excited to have Chris Fetner, director of global content partners operations at Netflix, to deliver the keynote address. Titled, “The Next 100 Years of SMPTE: How It Will Shape the Future of Motion Pictures,” Chris promises to challenge the industry to embrace, and facilitate the evolution of a media landscape in which IP delivery of moving images has become a dominant mechanism.

A strong focus on education gives SMPTE15 attendees the opportunity to participate in a half-day seminar on theory and principles of ultra-high definition (UHD). The seminar will touch on the potential impact of new and emerging UHD standards, from SMPTE and other organisations. Led by SMPTE Fellow, Bruce Devlin from the UK, the seminar is an interactive experience designed to provide participants an overview of today’s vision of the UHD

ecosystem, how these technologies will affect both the broadcasting and cinema industries, and potential impact on viewer engagement.

The Conference will also include an IEEE Broadcast Technical Society distinguished lecture by Pablo Angueira from Spain, who will explain a flexible multi-layer system that uses spectrum overlay technology to deliver multiple services simultaneously in one radio frequency (RF) channel.

During SMPTE15, the Australian Cinematographer’s Society (ACS) will present three sessions that look at diverse topics such as underwater 3D cinematography, and cinematography drones. The conference’s “Controversy Corner” will feature an eclectic group of papers sure to challenge the current orthodoxy as their authors attempt to peak around corners, into to the uncertain future.

The rest of the programme is packed with technical papers covering the gamut from image structure and capture to transmission and display. There will be presentations on top-of-mind topics including internet protocol (IP), cloud, high dynamic range (HDR), UHD, and on a wide range of mechanisms, such as high efficiency video coding (HEVC), enhanced transmission and delivery mechanisms, and improved workflows, audio over IP, and captioning for web video.

The SMPTE15 conference will once again be held on the exhibition floor allowing attendees easy access to the latest technology as well as the outside areas where the drones can be viewed in action. This year’s Gala Dinner will be held at the stunning new facilities at Royal Randwick Racecourse. Tickets traditionally sell out early, so purchase them early to avoid disappointment.

Complete details on pricing for conference pass options and the Gala Dinner are available at http://smpte.com.au/conference/ or on site at the Exhibition Services Desk and Registration Counter.

More information about the SMPTE Australia Section is available www.smpte.org.au. Further information about SMPTE is available at www.smpte.org.

Paul Broderick Chair, Australia Section

WELCOME TO YOUR INDUSTRY’S PEAK EVENT.And what a milestone it is – celebrating

the Society’s 100 year anniversary.

Again the SMPTE board, all made up of volunteers, have worked conscientiously behind the scenes to deliver another exciting event. It’s been our pleasure to work with them and I acknowledge the long hours they have contributed.

With the closure of Darling Harbour, it’s fitting that SMPTE returns to its original home at Fox Studios. This has given some advantages to

this year’s show with a new outdoor area connecting the two halls.

An added attraction this year is the launch of the Drone Expo with interactive demonstrations in the marquee area.

With a top line-up in the conference area, SMPTE again sets the standard and continues to showcase the largest cross section of exhibitors possible, with the latest releases and experts, all on hand.

From the Expertise Events team, enjoy, find new innovative products and leave with more knowledge of what’s new and what’s possible.

Gary Fitz-Roy Managing Director, Expertise Events

WELCOME FROM THE SMPTE 2015 ORGANISER

Introducing URSA Mini, a handheld Super 35 digital fi lm camera with an incredible 4.6K image sensor, global shutter and a massive 15 stops of dynamic range! The super compact and lightweight design is perfectly balanced, making it comfortable enough for all day shooting. URSA Mini lets you shoot at up to 60fps, features a 5" foldout viewfi nder, dual RAW and ProRes recorders, and more!

Incredible 4.6K SensorURSA Mini can capture images at a resolution and dynamic range that goes well beyond that of traditional motion picture fi lm so you can shoot your own epic, cinematic masterpiece! You can capture images up to 4608 x 2592, which is larger than 4K DCI, with 15 stops of dynamic range so you get incredibly clean pictures with amazing detail in everything from the darkest shadows to the brightest highlights! URSA Mini can record 4.6K at up to 60fps, or 1080 HD at up to 120fps.

Lightweight and PortableURSA Mini’s perfectly balanced body is made out of space aged magnesium alloys so it’s rugged, yet lightweight and comfortable enough to be used all day. You get a super bright 5" fold out touch screen for on-set monitoring, that can also display overlays for timecode, histograms, audio meters, focus peaking and more! URSA Mini features full size, professional connectors, even 12G-SDI, so you don’t need custom cables, plus high quality stereo microphones and a side grip mounted on a standard rosette.

Completely CustomizableBlackmagic URSA Mini is completely customizable so you can create a rig that’s built specifi cally for your production! Add accessories like the Blackmagic URSA Viewfi nder and Blackmagic URSA Mini Shoulder Kit, or choose from hundreds of third party accessories. URSA Mini has 9 standard ¼" threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod as well as add accessories such as rails, matte boxes and more.

Non-Stop RecordingYou never have to stop recording because URSA Mini features two CFast 2.0 recorders! When one card is full, recording automatically continues onto the next. URSA Mini uses the latest, incredibly fast CFast 2.0 technology for recording speeds up to 350 MB/s. Wide dynamic range images are saved as 12-bit RAW fi les, which are perfect for high end grading and e� ects work, or as broadcast quality ProRes, for easy post production workfl ows with minimum storage requirements!

Blackmagic URSA Mini 4K EF $4,235 Blackmagic URSA Mini 4K PL $4,925 Blackmagic URSA Mini 4.6K EF $7,035 Blackmagic URSA Mini 4.6K PL $7,755All models include DaVinci Resolve 12

Electronic Viewfi nder, lens and accessories sold separately.

www.blackmagicdesign.com

Introducing Blackmagic URSA Mini, the lightweight Super 35 4.6K digital fi lm camera with 15 stops of dynamic range!


04 WELCOME

IN LESS THAN SIX MONTHS, WE WILL CELEBRATE ANOTHER NEW YEAR. WHILE IT MAY SEEM EARLY TO BE PAYING ATTENTION TO THE CALENDAR CHANGE, 2016 IS SUCH AN IMPORTANT MILESTONE YEAR FOR SMPTE THAT IT'S NOT TOO SOON TO BEGIN THE PLANNING AND CELEBRATING. IN FACT, IN JULY 2015, WE ARE KICKING OFF THE SMPTE CENTENNIAL CELEBRATION AT THE BIENNIAL SMPTE15 CONFERENCE & EXHIBITION IN SYDNEY.

SMPTE was founded in 1916, when the world was just discovering the power of the motion picture industry as both an economic engine and a means with which to document history. Charles Francis Jenkins, the Society’s founder, and other pioneers of early cinema and television came together at the behest of the U.S. government to help organize the chaos of the nascent motion picture industry. Over the years, the organization they formed — the Society of Motion Picture Engineers (SMPE) — grew to incorporate television and, in 1950, became SMPTE. Through the decades, the work of technical legends within the Society led to interoperability and efficiencies that enabled the industry to grow and prosper. It is no exaggeration to say that without this critical foundational work, we would not be where we are today, with over-the-top (OTT) television delivered via the Internet.

As we look ahead to SMPTE's new century, it is good also to look back at the Society’s technical heritage. The first standards came into being in 1917 (check them in the SMPTE Motion Imaging Journal available from the digital library at journal.smpte.org), and they covered such things as focal lengths, lens openings, as well as the keystone effect in theatres. Over the years, critical SMPTE standards addressing time code, colour bars, closed captioning, digital cinema, and so many other elements of moving pictures and sound have helped to define the foundation for current media technology. SMPTE continues to be the place where this work is discussed and standards are created.

Although the media landscape has evolved dramatically since 1916, I would argue that more change has occurred in the past five years than in the previous 20. The Internet's impact on media distribution and consumption, as well as the development of smart devices, has contributed to an increased pace of change. SMPTE has dealt with these changes by incorporating more work in information technology (IT) and Internet protocol (IP) into our standards research, discussion, and development. In fact, addressing IT- and IP-based solutions and techniques for working with media is

so critical that we risk industry irrelevance if we fail to embrace these technologies.

Marking the SMPTE centennial allows us to look both backward and forward. And, that is why I often refer to this organization as “the 100-year-old start-up.” Why do I say this? Well, it is a fact that we're reaching our century mark, and there are many things from our past that we honour and still enjoy today. Our growing membership around the world looks to SMPTE for its high-quality journal, conferences, and standards work.

It is also true that everything is different now. Within all three of the Society’s pillars, we see new developments. In membership, we see new members from the OTT and telecom industries. In education, we see a demand for more online courses. And in standards, we concentrate on new Internet-based and digital media challenges. As an organization entering a new century, SMPTE must operate with greater flexibility and agility — just as a new start-up does. Meeting this challenge is both thrilling and scary at the very same time.

It is a great honour to be leading this organization as we reach the 100-year milestone. I am excited about our next century and am eager to begin the celebration at SMPTE15 in Sydney. The celebration of SMPTE’s centennial will continue through many activities, including a commemorative book, documentary movie, and gala banquet at the SMPTE 2016 Annual Technical Conference & Exhibition in Hollywood, CA. And, as we turn to 2016, I look forward to increasing the work we do in shaping the media landscape, just as we have done for the past century. It’s exciting to consider how, over the coming century, SMPTE will continue to make an impact on the media industry.

02 SMPTE PREPARES FOR 2016 BARBARA LANGE SMPTE EXECUTIVE DIRECTOR


06 SMPTE BOARD MEMBERS

03 SMPTE BOARD MEMBERS

MICHAEL DAYSecretary/Treasurer 2015-2016Michael Day joined the television industry in 1986, focusing on design and implementation of technical facilities for TV production and broadcast. He has held technology positions

at Seven Network and Premier Media Group (Fox Sports). While at Network Ten, Michael managed the Network Projects Group and contributed to the national rollout of a centralised file-based MAM and workflow system. He is now Regional Sales Manager – Strategic Accounts, APAC at Imagine Communications.

In 2012 Michael received the SMPTE Outstanding Service Award for his service to the Australia Section and the Society.

Email: [email protected]

PETER STAVRIANOS2015-2017Peter has been in the broadcast industry for 15 years after starting in the post production. In No-vember 2006, Peter joined the SBS Corporation in the role of Manager Broadcast Engineering. Peter

is now part of the management team rebuilding and modernising the SBS production and presentation technology and core infrastructure and focuses on integrating new technologies into the traditional broadcasting model. He is co-Chair of the SMPTE15 Conference.


KATHY-ANNE MCMANUS2015-2017Kathy-Anne McManus (KAM) returns to the SMPTE Australia Section Board after an extended series of postings overseas. From 2007 Kathy-Anne spent two years in Singapore

as Avid’s Director of all Services for Asia Pacific. Moving to Boston in 2009, she then held the position of Vice President of Worldwide Professional Services for Avid Technology. She returned to Sydney to lead Global Media Industry Solutions for Telstra.

Kathy-Anne was the first woman to be elected to the SMPTE Board in the Asia Pacific region and was Conference Chair for the SMPTE 2003 Australia and New Zealand Conference and Exhibition.


DAVID WHEELER2014-2016David has been a member of SMPTE since 1984 and has been associated with the broadcast industry since 1976. He was appointed to the Australia Section Board in 2012. Currently he is

developing business for Cisco in ANZ with broadcasters and service providers. David has a solid background in television engineering, satellite, cable and IP networks both in ANZ and abroad, having spent four years each in Singapore and Atlanta working with major international operators. He is co-Chair of the SMPTE15 Conference.


JOHN WALSH2015-2017A Qualified BOCP Broadcast Engineer, John Walsh has 45 years experience within the Australian and International Broadcasting industry; including design and installation of Studios, Post Production

and RF Transmission systems. He is currently Business Development for AVW Broadcast Pty Ltd.

As a SMPTE Board member and Manager, John is responsible for Section Meetings and advancing the society membership.


IAN FELLOWSImmediate Past ChairIan Joined the SMPTE Board of Managers in 2011. His career in Television Broadcasting spanning 3 decades began as a member of the Engineering team at Network Ten in Sydney in

the early 80’s as a Supervising Technician. He has held leadership roles with NDS, Sony, and Tandberg. Ian is Director of Marketing at Magna Systems and Engineering in Sydney.

As well as being an active member of SMPTE he is also a member of TV Pioneers and The Historical Radio Society of Australia.


PAUL MARONI2014-2016Paul is a 30+ year veteran in the Australian Broad-casting industry, starting at Channel 7 in Sydney in the early 80s and with a career in Engineering spanning 15 years. He left to expand his personal

development and pursued a career in Sales and Marketing.

Paul was with Sony for 16 years and headed up production marketing for Sony Broadcast Asia Pacific. Paul has now decided to harness the skills acquired throughout his 30+ years and contribute by providing Project Management services to the industry.


PAUL BRODERICKAustralia Section Chair 2015-2016 Paul joined the Broadcasting industry in 1981 as a Broadcast Engineering Trainee with the ABC. He has also worked at Molinair in London, TCN Nine, VTS/Edit Point and Seven

Network. In 2004 Paul joined SBS Sydney as Chief Engineer TV and was subsequently promoted to Director Technology and Distribution.

Paul is IPTV Design and Integration Manager with Telstra Australia. He joined the SMPTE Australia Section Board in 2013.


ANDREW KING2015-2017Andrew has 40 years’ experience working in the telecommunications and broadcasting industries in various roles, from manufacturing, engineering design, operations, sales, planning and working with

governments and regulators. Andrew is a Director of BroadSpectrum Consultants Pty Ltd.


PETER COLLIS2014-2016Peter Collis worked in educational TV and as a studio TD, before starting his own business, with facilities including a digital OB van. In 2013 Peter was recipient of a SMPTE Outstanding Service

Award for his service to the Australia Section and the Society.


JOHN MAIZELS John entered the Broadcast Industry in 1970, and has worked professionally in radio and television in a variety of creative, production and engineering roles. John

joined SMPTE in 1988 and has sat on the Australia Section Board of Managers since 1990. He was Australia Section Chair from 2001-2008. In 2006, John was promoted to the grade of Fellow of the SMPTE.


KL LAM KL has over 30 years experience as a television RF Engineer, News Engineer, Production Engineer, Broadcasting Engineer, Television Project Manager

at HK-TVB (Television Broadcasts Limited) and the Controller – Broadcasting and Engineering Operations at CABLE TV (Hong Kong Cable Television Limited).

KL has been the elected SMPTE (HK) Section Chair, (1996 – 2002) and SMPTE Asia Region Governor (2002-2003 Present)KL was awarded “Outstanding Service to the SMPTE Society” in 2001.

JOHN LOCK2014-2016John Lock is Capital Development Manager for SBS. He developed DSP systems for one of the first multi user digital audio editing systems, wrote software for sports graphics systems, trained

technical staff in broadcast concepts, managed data and timing for Sydney 2000, managed the rollout of HD systems, trialled live free-to-air 3D broadcasting, managed procurement of major systems, and participates in Free TV committees.


REGIONAL GOVERNORS


04 THECONFERENCEPROGRAM

08 CONFERENCE PROGRAM

TIME STREAM 1 - ROOM 1 STREAM 2 - ROOM 2

TUESDAY, JULY 14

9:30 A:1:1: HEVC: An in-depth review A:2:1: Working the Cloud

11:10 A:1:2: Conference Opening and Keynote Presentation

14:00 A:1:3: Multi-platform delivery A:2:3: Controversy Corner: where will we be 100 years from now?

15:45 A:1:4: Bringing Broadcast Expertise to Internet Delivery

A:2:4: Evolving operating models

WEDNESDAY, JULY 15

9:30 B:1:1: Ultra HD has its challenges B:2:1: ACS: Underwater 3D Cinematography

11:10 B:1:2: The Transmittable Spectrum B:2:2: Seeing is Believing

14:00 B:1:3: IEEE BTS Lecture B:2:3: ACS: Cinematography Drones

15:45 B:1:4: IP Delivered Contribution B:2:4: ACS Panel: TV Drama

THURSDAY, JULY 16

9:30 C:1:1: Archiving - It’s not an after thought. C:2:1: Lights, Camera, Action - Image Capture in 2015

11:10 C:1:2: IP based Production Workflows C:2:2: For your ears only - an audio focus

14:00 C:1:3: Video over IP and your plant C:2:3: UHD Essentials Seminar

15:45 C:1:4: The Evolving Service C:2:4: UHD Essentials Seminar



DAY 1 TUESDAY 14 JULY

DAY 1 STREAM 1 - ROOM 1 STREAM 2 - ROOM 2

A:1:1: HEVC: AN IN-DEPTH REVIEWThis topic will focus on the HEVC codec and the practical integration into your workflows and facilities.

A:2:1: WORKING THE CLOUDIt’s overcast and the broadcast world is full of clouds, but where is the silver lining?

9:30 Performance Analysis of De-blocking Filter (DBF) in Emerging High Efficient Video Coding (HEVC) StandardHammad Khan (Islamia University Bahawalpur, Pakistan); Awais Khan (University of Engineering and Technology, Taxila, Pakistan)The need of high definition video (HDV) is growing day by day. Keeping in need of HDV, the Joint Collaborative Team on Video Coding (JCTVC) developed a new video coding project known as High Efficiency Video Coding (HEVC). The upcoming HEVC is designed to serve wide range of applications. However, it suffers from visually disturbing discontinuities known as blocking artifacts to achieve high compression ratio. HEVC employs in-loop filter to suppress these blocking artifacts. This paper describes the performance analysis of HEVC in-loop filter which comprises of deblocking and sample adaptive offset (SAO) filter. Various high definition video sequences of 1080p, 720p and 480p are used for evaluation. Simulation results that in-loop filter can suppress blocking artifacts effectively without losing objective and subjective quality of video.

My Boss Told Me to Transcode in the CloudJean-PIerre (JP) Bousquet (Telestream, Singapore)Conceptually, using cloud infrastructure for media production operations is appealing to many organizations for many reasons. Cloud deployments can provide new capabilities, however there are many different implementation options. This discussion will review the benefits and challenges of various deployment options that should be considered when evaluating whether a cloud implementation is right for your application. Topics to be covered will include: cloud service model comparison; cloud cost model comparison; security considerations; example applications and workflows; and some successful deployment strategies.

9:55 Changing the Game: A Guide to Cost-efficient Software-based HEVC Video Processing DeploymentMark Cousins (Elemental Technologies, Hong Kong)The new HEVC/H.265 codec offers many advantages vital to new revenue-generation opportunities and service game changers across the industry. The transition to HEVC video processing infrastructures– particularly for large installed MPEG-2 and H.264 installed bases – must also make economic sense. Software-upgradable solutions can incorporate these new compression approaches much more quickly and cost-efficiently than fixed-hardware encoding platforms, such as ASICs and DSPs. This presentation will provide a practical guide to software-based HEVC deployment through the evolving video ecosystem.

Moving high to cloudFabio Gattari (Etere pte ltd, Singapore)Broadcast technology is constantly evolving, first from tape to file and now from file to cloud. Nowadays, the need of adopting a cloud-based model is rapidly growing among broadcast and media organisations due to the inherit advantages of scalability, accessibility, speed and availability. Moving high to cloud means extending significantly the IT landscape and boundaries of your broadcast workflow, replacing most of the traditional physical elements of your facility (e.g. video recorders, converters and servers) with virtual IT resources interconnected under a cloud environment. Upgrading to a cloud solution must be easy to prevent that any hardware change impact on user operations

10:20 An Analysis of the Impact of HEVC on Existing Media BusinessesDavid Marshall (IBB Consulting Group, Australia)While a new, more efficient codec is unlikely to change everything we know about media, it is likely to have a substantial impact on the viability of existing media businesses. This paper will examine the likely adoption curves and timelines for viable HEVC service delivery in the mobile, STB and TV domains. It will analyse not only consumer devices but also the hardware, software and cloud-based infrastructure required to “end-to-end enable” commercial service delivery with a new codec. The paper will conclude by illustrating a series of HEVC adoption possibilities and timelines for service providers.

Pivot Around Your ContentBill Roberts (Adobe Systems, Inc, USA)The network is quickly becoming the platform, displacing bespoke hardware and desktop workstations - this happens when all the attributes of your creative endeavor automatically migrate to a secure cloud location. Users should be able to create at the full fidelity of the interface they choose - from phone to tablet to browser to full desktop software products that are deeply integrated. When overlaid with business logic it enables new business processes to be created - ones that can span your organisation no matter how geographically dispersed and integrate the reality of temporary freelancers. This paper focuses on the workflow impact of mobile and cloud and will extend to the potential for IaaS (Infrastructure as a Service).




10:45 TEA BREAK

A:1:2 CONFERENCE OPENING AND KEYNOTE PRESENTATION

11:10 SMPTE 15 Official Opening: Persistence of Vision - Defining the FuturePaul Broderick (SMPTE Board, Australia); Barbara Lange (SMPTE, USA)As we enter the centenary year of SMPTE, it is appropriate to honour that Persistence of Vision (pun intended) while gathering to celebrate how we are Defining the Future of the industry through standards development, encouraging membership and providing education resources for the global industry.

11:35 The Next 100 years of SMPTE: How it will shape the future of motion picturesChris Fetner (Netflix, USA)SMPTE’s influence has largely been focused on traditional distribution technologies: film, digital cinema, tape, and broadcast signal paths. SMPTE needs to build the next generation of engineers to support the rapid path of innovation that lies ahead, while still supporting the technology that brought us here. Streaming entertainment does not mark the end of SMPTE, but rather the beginning of its next chapter.

12:50 LUNCH BREAK

A:1:3 MULTI-PLATFORM DELIVERYThis session takes a deep dive into the issues and opportunities across the whole industry that multi-platform delivery brings.

A:2:3 CONTROVERSY CORNER: WHERE WILL WE BE 100 YEARS FROM NOW?This topic will take a playful look at the future and offer several views on what may come.

14:00 HbbTV — Pushing the Traditional Boundaries OutMark Blair (Brightcove, Australia)As we move deeper into 2015, Australian broadcasters see a slow uptake on FreeviewPlus, a HbbTV collaboration between all the commercial and government backed networks. Challenges, such as DRM implementation and devices with low processor power can now be easily overcome, meaning the potential for HbbTV is only going to increase, as are the audience numbers and therefore advertising revenue that can come from it. This session will breakdown the HbbTV technology, discuss the HbbTV partnership, the multiple challenges that were overcome and how it will open up new opportunities in the future as the evolution of free-to-air television.

What can we learn from the last 100 SMPTE Years? What will tell us about the next 10?Gerard Hosier (EyeExplore Films, Australia)SMPTE celebrates its 100th Anniversary and a lot has changed in those years. B&W Film, colour film, television with its evolving quality, computing, internet, handheld computing, 3D, Smart TV’s and the emerging technologies of data-mining with Deep Data Analysis Does the history of these ideas give us a clue as to what the next big thrust is. Perhaps we should not only look through the front door but also the back door. Be surprised.

14:25 Challenges of Multi-Platform and Multi-Business Model Content DeliveryScott R. Favelle (Foxtel Management Pty. Ltd., Australia)What are the technological challenges and opportunities when new parts of a business need to be at the cutting edge taking big risks while others need stability and efficiency in order to pay the bills and keep the lights on? How do we handle broadcast, stream-ing (linear and vod) coupled with subscription, ppv, advertising and wholesale business models across multiple different multi-screen products? New technologies such as cloud, XaaS, “big data” etc. etc. that while perfect for the new world can be confronting to the old. This paper seeks to shed light on these issues by drawing on my experienc-es at Foxtel where change is ever constant, such as the analogue to digital transition, the introduction of class leading PVRs, the development of OTT products and hybrid STB’s not to mention the merging and acquisition of several different businesses.

Into Thin Air: The Cloud ConflictDanny Wilson (Torque Video Systems, Singapore)Continued advances in compression techniques have resulted in higher quality content over ever declining links. Furthermore, the internet services continue to speed up. This critical combination is putting additional pressure on the traditional TV players as consumers have more consumption avenues, added distraction, and increased sources of content (for example, user-generated content). This paper presents a non-vendor, plain language introduction and review of key cloud technologies, presents the political and economic changes now underway, and presents the growth opportunities (or risks of extinction) of the broadcast industry.




14:50 Hybrid Square: OTT delivery model for Australia and New ZealandEugene Razbash (CombiTel, Australia)The adoption of HbbTV standards by Australia and New Zealand represents not only a survival strategy for Freeview members in both countries, but also a unique market entry opportunity for niche OTT service operators and telcos alike. The author takes the liberty to introduce a new term: Hybrid Square (Hybrid Broadcast Broadband TV to the power of 2, similar to FM Square), which means integration of HbbTV and independent IPTV/OTT services on a single operator platform. This paper discusses an end-to-end architecture for such a service and covers all delivery ecosystem components: contribution, headend, ABR encoders, set-top boxes, DRM, middleware, etc. A case study of a commercially deployed Hybrid Square service will be provided too.

Broadcast in the Age of DisruptionDavid Marshall and Aude Vignelles (IBB Consulting Group, Australia)Technology evolution is disrupting traditional television consumption and resulting in varying levels of broadcast audience decline across the globe. Although the TV screen remains the centrepiece of the living room, the way we consume content has gone through a radical change, and similarly change in the organizational and business models underpinning content delivery are required. This paper will examine the dynamics of audience shift, and how the evolution of technology has introduced: (1) A new channel to deliver content - broadband vs. broadcast; (2) New service types to offer this content; and (3) New devices with which to access this content.

15:15 TEA BREAK

A:1:4 BRINGING BROADCAST EXPERTISE TO INTERNET DELIVERYThis topic will look at what the broadcast industry is doing to provide expertise into online content delivery

A:2:4 EVOLVING OPERATING MODELSLooking to help build a business case for further integration, then this topic is for you

15:45 Retrospective video description and dubbing for Web VideoJohn Boulton and John Birch (Screen Subtitling Systems, UK)An innovative solution for audio mixing in the browser for video description and dubbing for both recorded and live internet video. All web delivered video is opti-mised for a generic presentation, with a single pre-mixed sound track. However this means that the needs of a significant proportion of the potential audience may not be met. Screen have developed an audio overlay technique to mix additional audio segments with the delivered video sound track – independently in the player. A Java plug-in allows viewers to select additional audio sub tracks that will be mixed with the main video, in perfect synchronisation with the video playback. This technology allows the additional audio services to be *retrospectively* added to the web delivered video as the audio mixing is performed at the browser.

More for Less — Working Smarter Digitally with your Current ContentMark Stanton (Brightcove, Australia)There is an untapped opportunity for broadcasters to leverage their existing digital video content to capture additional advertising revenues, be it pre-roll, mid-roll or post-roll, during live streams. With the fragmentation of audiences across TV, desktop, tablet and mobile, broadcasters have the opportunity to attract more eyeballs to their content across multiple screens, serving targeted adverts to each screen for effective monetisation and ultimately, boosting ad revenues. This session will share key insights into how broadcasters can implement these solutions and explain how to overcome the technological challenges in doing so.

16:10 DASH 2015: where are we at and what nextAndrew Sinclair (Brightcove, USA)MPEG-DASH has promise as a multi bitrate format supporting a wide range of features including live, on demand, DRM, captions and more that would supersede existing standards such as Smooth Streaming, HDS and HLS. It now has wide ranging support from major software and device manufacturers with the notable exception being Apple. This paper covers an overview on where we are at in regard to existing variations on the DASH standard, what is available in the content generation tool chain, what players we have supporting what elements of the standard and what is developing in the coming year in regard to DRM.

Can’t keep up? A virtual approachMert Karma (Cisco Systems, Australia)This paper contemplates whether we are now at the point where the television transmission process can be fully virtualised, and how to manage this transition. We will look at the technology evolution that has brought us to this point, as well as the benefits of virtualisation, which include reductions in both cost and time to market as well as the possibility of sharing hardware between functions and cost effectively coping with peaks in demand for processing.

16:35 Broadcast Manufacturers Rising to the Challenges of the TV Anywhere EraRay Sanders (IABM, New Zealand)Television broadcasting technology has evolved dramatically over the past 50 years in an effort to keep pace with the demands of higher quality and a broader offering for viewers. Until around 10 years ago, the Internet had little influence on how Broadcasting technology evolved, but in recent times it has opened up a plethora of opportunities for new players in the media space as well as for existing Broadcast-ers. This presentation discusses how the changes in the industry impact on Vendors and Broadcasters alike, as they both struggle to adapt to unproven business models.

SCAsat Audio Distribution: Best of Satellite, Best of WANMatt Steadman and Steve Adler (Southern Cross Austereo, Australia)When a new broadcasting corporation was formed from the merging of several existing broadcaster groups, challenges arose in terms of cost, compatibility, and consolidated operations. The mergers had resulted in the continent-wide contribution/distribution audio network being a patchwork quilt of incompatible networks and systems.This paper and presentation describe the parameters, challenges, and technological solutions such that other engineers and broadcasters may integrate or even duplicate the process and results.





DAY 2 WEDNESDAY 15 JULY


B:1:1 ULTRA HD HAS ITS CHALLENGESThis session will discuss the problem at hand from the production chain to the personal display.

B:2:1 ACS: UNDERWATER 3D CINEMATOGRAPHY

9:30 Marrying High Dynamic Range with HD and Ultra-HD Content: Analysis of Impacts on the Broadcast ChainMatthew S. Goldman (Ericsson, USA)High Dynamic Range (HDR) video has won favour with both industry experts and consumers for the immersive television viewing experience it offers. The profound level of realism it enables through higher peak luminance (display brightness) and colour detail is set to transform television in a similar fashion as colour did to black&white and HD did to SD, and the industry is progressing quickly towards HDR-enabled screens and devices. This paper will present research on the effects of these systems on video compression efficiency, and explore bitrate requirements for providing HDR services using existing video compression technology.

ACS Workshop: Underwater Optics & 3DPawel Achtel (Achtel Pty Ltd, Australia); Ron Johanson, ACS (Australian Cinematographers Society, Australia)There is more to filming underwater than keeping the camera dry. Traditionally, we placed perfectly good terrestrial lenses behind flat and dome ports hoping for good results underwater. However, how does it affect image quality? We are going to explore and compare various options when it comes to underwater ports and optics exploring some of the challenges we face when trying to match the quality of underwater images with those we can achieve on land. Expect the unexpected...

9:55 4K/UHD Viewing: The Whole Truth and Nothing But the TruthJosef Marc (Archimedia Technology Inc., USA)When watching video, we assume we’re seeing everything - “the whole truth”. But really we’re seeing a version of the truth; adjustments have been made based on whatever the display interface can accommodate. But it is possible to see the whole truth on any screen, even in 4K and UHD. You simply need the right display interfaces. This paper will explain how choosing the right cables can make all the difference in getting the video from the player to the screen. Using video from several historical eras playing in 4K 60p, the presentation will demonstrate how to determine the best connections for any situation.

10:20 Why is High Dynamic Range Critical to Live Ultra HD and How Might it be Implemented?Ian Trow (Harmonic, United Kingdom)Improved resolution has been the principle justification for the adoption of 4K / Ultra HD to date, leading many to question the benefit of UHD when compared to existing HD 1080p services at typical access bandwidths available to viewers. Since resolution alone isn’t enough to give UHD the fidelity expected, there has been renewed interest in implementing High Dynamic Range (HDR) along with the related issue of Wider Color Gamut. To date HDR has been demonstrated on content prepared offline, leaving the question of how HDR can be implemented on live content? This paper will explain why HDR is needed, outline the likely implementations, discuss the impact on existing workflows and implications for existing and future screen requirements.



10:45 TEA BREAK

B:1:2 THE TRANSMITTABLE SPECTRUMThis session will address spectrum and transmission issues

B:2:2 SEEING IS BELIEVINGThis session will focus on deep technical understanding of what you see.

11:10 Extending Radio Broadcast Transmitter LifeJohn Abdnour (Nautel Ltd, Canada)The paper will discuss methods of extending radio broadcaster transmitter life with proper installation, environment and maintenance. Discussed will be proper grounding and installation as well as cooling of the transmitter room. Methods to keep the room and equipment clean will also be included. Noted will be that transmitter life if dependent on proper installation, environment and maintenance.

11:10 Understanding SMPTE PQPatrick D. Griffis (Dolby Laboratories, USA)With the growing interest in higher dynamic range on the order of 100 -1000X over what conventional systems deliver, the existing gamma curve based on the legacy Cathode Ray Tube was found to be inefficient. SMPTE have published a new standard (ST-2084) which is based on how the human eye actually sees and not a convenient artifact of physics. This new Electro Optic Transfer Function (EOTF) called a Perceptual Quantizer or”PQ” provides a dynamic range of 0 to 10,000 candelas/square metre euphemistically known as “nits” using just 12 bits and each step change in code value is below the human threshold of visibility. In this session, we will provide a tutorial on what it is, how it works, and how it is being deployed in premium OTT services this year.

11:35 UHDTV (4k) Transmission over DVB-T2Nils Ahrens (Rohde & Schwarz Australia Pty Ltd, Australia)UHDTV (4k)technology is evolving quickly - standards are set. Consumer devices and professional Broadcast equipment are available to set up “End to End” broadcast networks which allow the transmission of UHDTV content. The paper will provide an overview of the standards and requirements to send 4k content via a terrestrial Broadcast network using DVB-T2 and HEVC Compression.

11:40 Better Colour Conversions for HDR and UHD TV ProductionsLars Borg (Adobe, USA)The introduction of high-dynamic-range (HDR) colour spaces and Ultra-HD’s wide-colour-gamut (WCG) colour space in television creates a need to match colours on HDR and WCG displays with colours on conventional HDTV displays. Many contemporary colour conversion methods that apply to conversion from HD to SD, and colour conversion methods mandated by current television standards, fail to produce a good colour match when converting colours from the HDTV colour space to HDR or WCG colour spaces. This paper illustrates the color errors caused by the application of several of these conversion methods, and recommends one method, using display-referred colourimetry, for better colour matching between narrow-gamut, wide-gamut and high-dynamic-range displays.

12:00 DVB-T2 Standards - the Devil is in the DetailDavid Mitchinson (AppearTV, Norway)Standardisation is, with good reason, at the heart of nearly every system in Broadcasting where ensuring equipment interoperability is key. Digital Terrestrial platforms have uniquely not been able to enjoy the level of standardisation required to achieve this basic goal when anything more than the simplest real-world solution is required. This means that many customers who have built systems using deterministic PLP replacement, or who have satellite DTH compatible distribution feeds, may not be aware of the extent to which their systems are proprietary, non-interoperable, and in many cases subject to debilitating patents from manufacturer providing solutions. This presentation examines the key problem areas that currently exist and identifies where further standardisation is required. It also discusses the recent activities that have started within the DVB to extend the DVB-T2 standard. and which could close some or all of these gaps.

12:10 Colour Grading with Colour ManagementPeter Postma (FilmLight, USA); Bob Chorley (FilmLight, Australia)Many productions today shoot with more than one model of camera which create images in different colour spaces. Content also often need to be remastered for delivery to different displays (Rec709, P3, Rec2020 HDR). This is a problem that calls out for a comprehensive colour management solution, yet there is an overwhelming trend in the industry for colourists to simply take images as they come out of the camera, look at it on their display, and twist the knobs until it looks good. This paper will recap the fundamental colour science principals needed to understand colour spaces as they apply to cameras, displays and grading tools and a brief history on colour grading workflows and how we got to current practice. The Academy Colour Encoding System (ACES) will be presented as a framework for solutions to this problem, including recent case studies.

12:25 Effect of UHD High Frame Rates (HFR) on DVB-S2 Bit Error Rate (BER)Urvashi Pal (Victoria University, Australia); Horace King (VIctoria University, Australia)Rec.2020 for UHD specification was released in 2012 and HEVC’s specifications were finalised in 2013. HDMI 2.0 was also released in 2013. 6G-SDI cable is still being developed and new features are still being added in Rec.2020, HEVC and HDMI 2.0. DVB-UHD-1 initial specification was also recently finalised in 2014. Cinema producers, editors, manufacturers and distributors, with the help of these standards are working towards making the UHDTV broadcasting practically possible by 2017 to 2020. Therefore, everything is in its initial stage and any kind of information could be helpful in anticipating the areas to be focused in the future. In this paper, signal performance of HFRs of UHD and HD video transmission has been analysed using the future broadcast scenario of multiple resolutions (1080p, 2160p), frame rates (25fps, 50fps) and video compression methods (MPEG-4 and HEVC).





12:50 LUNCH BREAK

B:1:3 IEEE BTS LECTURE B:2:3 ACS: CINEMATOGRAPHY DRONES

14:00 Layered Division Multiplexing: Basics Concepts, Application Scenarios and PerformancePablo Angueira (Bilbao Engineering Faculty. University of the Basque Country (UPV/EHU), Spain)This talk is one in a series of Distinguished Lectures prepared by the IEEE Broadcast Technology Society. Cloud Transmission System is a flexible multi-layer system that uses spectrum overlay technology to simultaneously deliver multiple program streams with different characteristics and robustness for different services (mobile TV, HDTV and UHDTV) in one RF channel. In this system, the transmitted signal is formed by superimposing a number of independent signals at desired power levels, to form a multi-layered signal. The signals of different layers can have different characteristics, i.e., different coding, bit rate, and robustness. This conference will describe the basics of the system, the building blocks and design basics as well as the performance of LDM under different conditions.

The Very latest Drone ApplicationsTom Waugh and Chris Fox (Ignite Digi, Australia); Ron Johanson, ACS (Australian Cinematographers Society, Australia)Tasmanian based Ignite Digi - Co owners Tom Waugh (Operator) and Chris Fox (Pilot) will present a look at the changes in drone technology, specifically for cinematography. How the stabilisers have advanced and are now capable of carrying Red Epics and Alexa Mini kits. Flying from 8mm to 85mm lenses for full creative freedom. What sort of story telling and shot possibilities has this technology opened up, that were previously very difficult or expensive to achieve? The crossover of technologies, MoVI and similar stabilisers originally designed for drones now used handheld, on a jib, on a car mount, anywhere you want a remote head. We will also discuss the teamwork involved for the two person operation (Pilot and camera operator) and how best to work with the Director and Cinematographer on a film set to achieve the shots efficiently. After the Q&A session Ignite Digi will fly their Alexa Mini setup in the Drone zone outside the SMPTE pavilion.

15:15 TEA BREAK

B:1:4 IP DELIVERED CONTRIBUTIONThis session will take a detailed look at IP delivery of contribution video across cloud and 4G systems.

B:2:4 ACS PANEL: TV DRAMA

15:45 Looking to the Cloud for Multiscreen Video Contribution ManagementBogdan Frusina (Dejero, USA)Today’s broadcasters are constantly challenged to reliably deliver low-latency, high-quality video to multiscreen audiences on-air and online. One powerful solution is a centralised cloud management system for the routing of contribution content and online publishing services including live feeds, remote transmissions from bonded wireless transmitters, and network feeds. Acting as a type of virtual sub-router, this solution integrates into a wide range of broadcast IP-based workflows and gives the operator a single dashboard for managing contribution assets —thereby offering a powerful toolset for distributing low-latency, high-quality live content across multiple delivery platforms.

ACS Panel Session: Television Drama Q&ARenee Brack (Moderator, Australia); Ron Johanson, ACS (Australian Cinematographers Society, Australia)An expert panel led by Moderator, Renee Brack and including cinematographers, Simon Chapman ACS (Glitch, Nowhere Boys, The Little Death), Martin McGrath ACS (Rake, Jack Irish, The Fatal Shore), Louis Irving ACS ( Tangle, Packed to the Rafters, Dr Blake Mysteries) and renowned Directors, Adrian Wills(Redfern Now) and Ian Watson ( Anzac Girls, Janet KIng, Packed to the Rafters) will explore and discuss the collaborative spirit, development, popularity and technical achievements that continue to drive Television Drama here at home and internationally.

16:10 Video contribution from anywhere, at low costGrant Simonds and Peter Jones (Telstra, Australia)Live streaming over 4G provides a way to create live video streams of events that are happening now at low cost. A practical guide to experiences creating live streams from sporting and other events and streaming live to the internet to multiple playback devices (OTT). Broadcasting over mobile networks is a bit of a “Wild West” in terms of bandwidth, radio links and reliability, we aim to discuss some of the problems and some solutions to enable anyone to go live from any location. We will discuss careful placement of antennas, the latest 4G modems, new 4G network features and cloud transcoding everything can be made to work on a budget small enough for just about anyone to broadcast anything.

16:35 From traditional baseband to video over IP: Do we dare to change? The paradigm shiftGeert Heirbaut (Lawo International GmbH, Switzerland)After many years of traditional broadcasting, facility and production companies are facing the transition from baseband to video over IP. This giant leap of innovation and regeneration has serious consequences on the traditional broadcast infrastructure & crusted knowledge from broadcast engineers. This paradigm shift (similar to the shift from the analog to the digital era) involves changes regarding bandwidth & transport, standards & protocols, reliability & stability. Let’s evaluate the real impact from this shift on today’s classic broadcast methods and see whether the existing infrastructure and the engineering habits are for or against one of the biggest changes in broadcast history.




DAY 3 THURSDAY 16 JULY


C:1:1 ARCHIVING - IT’S NOT AN AFTER THOUGHTThis session will discuss standards and metadata required on capture to ensure quality archiving.

C:2:1 LIGHTS, CAMERA, ACTION - IMAGE CAPTURE IN 2015This session will look at lighting technology, camera raw formats, and using drones.

9:30 SMPTE AXF: A Comprehensive Solution for Digital ArchivingPeter Symes (SMPTE, USA); S. Merrill Weiss (Merrill Weiss Group LLC, USA); William T Hayes (Iowa Public Television, USA)Robust archives are vital to the protection of assets for future generations and to leveraging their value. Digital archiving is the obvious direction for the future, but a good solution is not easy to find; the size of moving image archives presents a cost concern, and there are many other challenges. The Archive Exchange Format (AXF) standard developed by SMPTE meets all of the requirements advanced by a wide range of users. The presentation will summarise the main characteristics of the AXF standard, and describe the continuing work underway in the SMPTE engineering committees.

The Quality of Light and its Effect on HDR Cinematography and PhotographyStuart Pointon (Lemac Film and Digital, Australia)This paper examines solid state lighting technology, analysing the Spectral Power Distribution of a number of current LED lights, including focusing lights and panel lights. Real world testing of the lights carried out on various materials covering the visual spectrum and these are also compared to standard reference tungsten and daylight lights that have been used for many years in cinematography and photography. The ramifications of using LED lights with a poor spectral response is studied with respect to colour inaccuracy, colour over angle and CCT errors and the associated visual effect and the implications for post production.

9:55 Maximising the Potential of Legacy Content in New Media Asset Management DeploymentsSavva Mueller (Masstech Group, Canada)Media asset management systems provide excellent tools for managing new content that you ingest and create, but are often limited in their ability to manage legacy content that existed before the asset management system was commissioned. Tape access standards such as LTFS and advanced file wrappers enhance asset portability and interchange going forward, but additional technology is required to address legacy archives and leverage valuable metadata in their associated databases. Meanwhile, the ability to leverage unstructured metadata including related documents and closed captions can provide the asset management system with rich, otherwise-unavailable metadata for legacy content without significant manual effort.

Camera Raw for High Dynamic Range WorkflowsEd Reuss (Unafilliated, USA); Lars Borg (Adobe, USA)This paper presents how all camera raw formats work in common, and also the different approaches used by several vendors to preserve the highest fidelity image information, while managing the large amounts of data required to represent those images. Camera raw workflows provide a variety of techniques to convert from the sensor data into RGB image formats suitable for mastering, along with methods for generating a specific “look” to the images. The tremendous dynamic range afforded by a camera raw format permits a wide range of exposure during acquisition, which can be mapped into either the limited standard dynamic range of conventional output image formats or leveraged for use in the new HDR image formats. However, looks and camera specifications can be deceiving and one must know what is happening within the workflow to obtain the best image quality. This paper was presented to the October 2014 SMPTE Technical Conference in Hollywood. It is offered for this audience with some updated information.

10:20 Ensuring A Persistence Of Vision - Preserving Archival Footage For Future GenerationsDominic Hundleby (National Archives of Australia, Australia)The Audiovisual Preservation Section of the National Archives of Australia (NAA) is one of the major collections of Australia’s national audio-visual heritage. The wider NAA is responsible for the preservation of Commonwealth of Australia federal government records. The NAA Audiovisual Section is responsible for the preservation of audiovisual items the NAA has acquired in accordance with its statutory obligations - mostly works produced by Australian government departments and agencies, commissioned by them, or acquired as part of their activities. This presentation is intended to provide an overview of the National Archives of Australia’s digitisation process for non-theatrical motion picture film. Discussion will focus on the differing requirements of archival preservation as opposed to restoration activities, as well as the importance of experience and skills in this area.

The Safe and Legal Operation of Commercial Drones in AustraliaJohn Fleming (FPV Australia and Mongrel Gear, Australia)The use of drones and drone technology is on a rapid increase due to advances in modern technology. This poses considerable safety concerns as inexperienced operators scramble to utilize these technologies to get the edge in their chosen industries. The Motion Picture and Television industries will be heavily influenced by the use of drones and drone technology, and therefore it is vitally important that the industry as a whole has an understanding of the rules, regulations and safety concerns whilst operating these machines commercially. Where once seen as toys, these are now tools of the trade, and as such their use and the safety aspect of such use is something to be respected and taken seriously.

10:45 TEA BREAK

C:1:2 IP BASED PRODUCTION WORKFLOWSThis session will review how to handle the large amounts of data associated with 4K, quality control workflows, and the IMF MXF file format.

C:2:2 FOR YOUR EARS ONLY - AN AUDIO FOCUSThis session takes a detailed look at audio issues of today.

11:10 Enhancing Efficiencies in Your Data-Intensive 4K WorkflowsJon Tinberg (Quantum Corporate, Australia)The advent of smartphones, tablets and 4K television sets, continue to shift viewer behaviours and drive the demand for high resolution digital content. This workshop will identify the common challenges when handling 4K content, and provide practical steps to help you navigate the road to successful 4K production and broadcast.

Ungluing Audio and Video - How Audio over IP Enables the Future|Ken Tankel (Linear Acoustic & Telos Alliance, USA)After decades of work to successfully carry audio and video over the same serial digital interface (SDI), arguably the time has come to split them apart again. Audio embedding and de-embedding was never perfect and remains limited, carriage of metadata which will become more essential with new services is inaccurate and complex, and unbelievably, lip sync issues are worse than ever before. AES and SMPTE are working together, and the results will enable the sub-sample accurate linking of Audio over IP (which has existed in radio for over a decade and is growing in TV) and video, all without requiring it to be glued together until the very end.




11:35 Using IMF for international distribution - what does that mean?Bruce Devlin (Dalet, United Kingdom)IMF is nothing to do with the International Monetary Fund. It is an Application Specification of MXF being developed within the SMPTE. The goal is to create a delivery format that meets the business needs of shipping versioned content around a country and around the world. This presentation will be in 3 parts - (1) a review of IMF technology and how it works (2) a review of IMF workflows that could exist when an IMF ecosystem exists (3) Some of the savings that might be realised by using IMF.

Managing Heterogeneous Networks in Broadcast Audio Production SystemsRoger Heiniger and Peter Glaettli (Studer Professional Audio GmbH, Switzerland)Broadcast audio production systems are typically centred around sound mixing consoles. Modern consoles often consist of several components including the mixing control surface, processing ‘core’, and input/output (i/o) frames providing connectivity to audio devices such as microphones, playout systems and routers. Many installations require the sharing of sources between multiple consoles serving multiple studio spaces, and the interconnections between audio devices, i/o frames and cores can range from traditional analogue to Audio over IP. This paper considers the challenges posed by such heterogeneous audio networks, and looks at possible solutions offering ease of use and reliability to the end user.

12:00 IP Base Signal Flows in the Broadcast Facility: The Architecture of Software Defined NetworkingJohn Mailhot (Imagine Communications, USA)Traditionally, the signal distribution infrastructure in a broadcast facility centers on SDI distribution, routing and processing. SDI was introduced commercial in 1986 and it remains a professional television industry format making its economics and innovation relatively constrained. By comparison, the IT/IP industry has evolved Ethernet technology almost exponentially driven by a much larger, and highly competitive, IT economic ecosystem. So how do we leverage the scalability, flexibility and economics of IP signal flows in the broadcast facility?

How AES-67, the new audio-over-IP standard, will bring the convergence of telecommunications, radio and television broadcast studio audio, and intercomGreg Shay (Telos Alliance, USA)This paper presentation will share the vision of the future impact of the new standard AES-67 for vendor interoperable audio over IP extends well beyond broadcast studio audio. Built into AES67 is also the capability to quickly and easily make connections and carry high quality audio over long distances. As high speed wide area networks are coming on line, the reality of erasing the difference of local vs remote audio presents itself. AES67 is designed to take advantage of this capability. Using AES67, the audio quality of telecommunications and intercom can be the same as in-studio audio, and furthermore, the systems directly interconnected by using the single interoperability protocol.

12:25 IP: Opening up New Perspectives for Live Broadcast ProductionWill Munkara-Kerr (EVS, Hong Kong)IP’s march to ubiquity is well on its way. IP is here to stay and is being adopted by all parts of the broadcast workflow, opening up new challenges as well as a wider pallet of possibilities for live broadcasters to produce and deliver better stories faster to viewers. How can traditional and emerging IP systems co-exist? How best to make the transition? This session will give context to the current landscape and show how IP must be seen as an enabler to bring more power, scalability, flexibility and economies of scale/profitability to live production.

Radio Microphones in the Digital AgeJames Waldron (Sennheiser Australia, Australia)As a result of governments around the world selling off sections of the UHF spectrum for cellular telephony, radio microphones have needed to evolve. Digital transmission technology offers audio performance benefits, but there are tradeoffs need to be made. This paper looks at the spectrum available for radio microphones, and the analog and digital modulation techniques that can be used to exploit that spectrum. The benefits and shortcomings of both analog and digital are examined, against the practical environment of a major live production - the Eurovision Song Contest.

12:50 LUNCH BREAK

C:1:3 VIDEO OVER IP AND YOUR PLANTThis session will look at the emerging IP technologies.

C:2:3 UHD ESSENTIALS SEMINAR

14:00 Video InternetworkingPeter Jones (Telstra, Australia)This presentation discusses how emerging technologies such as SDN, NFV, Cloud and OTN will integrate to support current and future video business requirements. We will explore the potential and the possibilities whilst also investigating the substantial technical challenges that need to be overcome. The presentation will centre on contribution video networks and expand into the adjacent platforms and technologies through to distribution to develop an end to end appreciation of the landscape.

UHD Essentials Seminar - Part 1Bruce Devlin (Dalet, United Kingdom)In the first part of the seminar, we explore what will make a compelling UHDTV experience and what technology we have to deliver that experience. We will then dive into some of the physiological and technical aspects including how we resolve detail, how we see color and how blur is created and controlled within the chain. The first part of the seminar covers more theory and principals than the second part. We will cover the capture and display of light and the basics of OETF and EOTF (Opto-electrical transfer functions and Electro-Optical transfer functions). Finally we will look at advanced audio systems and what they need to deliver in a UHDTV world.

14:25 The All IP-FacilityMo Goyal (Evertz Microsystems, Canada)This paper covers the reality of an all IP facility. Today we have seen the transition to IP occur in multiple places. First, it was signals entering the facility moved from ASI to IP. Next, it was a change from a tape workflow to a tapeless one where files moved over IP from ingest to playout. And finally, the entire core including production has moved from SDI to IP. This transition to IP is necessary in order to meet the new challenges broadcasters face including Ultra HD and distribution to multiple platforms.




14:50 How to ‘time’ signals in a hybrid IP-SDI Station - is precision time protocol (PTP) the answer?Leigh Whitcomb (Imagine Communications, USA)Traditionally, SDI broadcast facilities have use timecode and colour black to provide a common timing reference to the broadcast infrastructure. But what is that common reference in a hybrid IP-SDI plant, or a future fully IP infrastructure? Precision Time Protocol (PTP) was designed to synchronize different nodes on an Ethernet network for factory automation, test and measurement and telecommunications. Situations that require very close time synchronization. Will PTP be the broadcast reference of the future?

15:15 TEA BREAK

C:1:4 THE EVOLVING SERVICEAs our services evolve, we are learning to deal with new issues.

C:2:4 UHD ESSENTIALS SEMINAR

15:45 Subtitles on the web - ensuring consistency across broadcast and IP platformsJohn Boulton (Screen Subtitling Systems, United Kingdom)Ever more content is being delivered over IP connections and viewed on non-broadcast devices such as computers, tablets and mobiles. Yet the position of standards for subtitling on such platforms is confusing to say the least. Proprietary implementations are commonplace leading to inconsistencies that can mar the viewing experience. This paper assesses the challenges involved in presenting broadcast quality subtitles on web video players, proposes a workable solution for current implementation and looks to the evolution of standardisation in the near-future.

UHD Essentials Seminar - Part 2Bruce Devlin (Dalet, United Kingdom)The second part of the seminar looks at some of the practical aspects of implementing the theory in the real world. We look at data transfer, storage, computing, compression, frame rates and color management in a mature SD, HD, UHD value chain. We explore some of the issues and look at where more standards might be needed to create a global system. We will look at some individual proposals for EOTF and compression as well as looking at details of HEVC video and MPEG-H audio encoding. We will present some information from 2014 UHDTV broadcasts to highlight the practicality of today’s productions and will finish with details of the SMPTE UHDTV online training course where you can learn in more detail the technology overviewed in this seminar.

16:10 An Analysis of WAN Transport in an End-to-End Live Streaming Platform for Second Screen Combining Multi-Camera Capture, High Speed Transport, and Cloud Video ProcessingMichelle Munson (Aspera, USA)The 2014 World Cup introduced the first large scale system for high-resolution end-to-end live streaming to second screens. The system (by EVS) delivered premium live coverage online and on mobile devices. “Second screen” is not new to global sport but this architecture was a first: the live video feeds captured from multiple camera angles were transferred in real-time using high-performance WAN transport (Aspera) from Brazil to the cloud in Europe (AWS) for real time processing into multiple protocols through a scale-out cloud video platform (Elemental). This session will describe the architecture and APIs of the WAN transport to ensure timely and reliable delivery of the live video feeds, the auto scaling software supporting the availability requirements for the transport load, and the challenges posed by cloud storage delays in this real-time environment.

16:35 The Objects of ArchivingHossein ZiaShakeri (Spectra Logic, USA); Mike Grayson (Spectra Logic, Australia)As the amount of stored content increases at an accelerating rate, protecting and preserving this content requires effective, fail resistant and enormously scalable storage. Object based storage has emerged as a way to build endurable storage systems that can scale to billions of objects and vast storage capacities while maintaining acceptable latencies for data access. We will review the extension of object storage into magnetic tape archives that will enable 100 year archive solutions while providing long-tail content access support.



18 DIRECTORY OF EXHIBITORS

05 DIRECTORYOFEXHIBITORS

www.ambertech.com.auSource • Supply • Support

Three great reasons to visit stand C-04 at SMPTE 2015

Live TV – state of the art solutions from Snell and EVS supported by Vinten Radamek.

Acquisition and distribution – from camera to viewer; IP video from Silvus, Haivision and AVIWest.

Storage, management, production and workflow automation – putting it all together with Snell, EVS,Avid,Telestream, Blue Lucy and Amber’s expert team.

PLUS … Brainstorm Live Virtual set demonstrations throughout the show

During the week there will be live demonstrations across our full range of content creation and acquisition,delivery, processing and asset management solutions throughout the show. Come and discuss your next project, and see how we can help maximise your ROI and deliver on your promises.

Feature Brands include

AADEPTTURNKEYEXTREMESLOWMOTIONC-14Level 1, 15 Drake Street, Osborne Park, 6017, WA +61 (0)8 9242 5411 [email protected] www.adept.net.au

COMPANYREPRESENTATIVES:

Marc Fimeri, Mark Goulding

Adept Turnkey will demonstrate the latest updates for Phantom Flex4K Digital High Speed camera for Film and TV from Vision Research. These include the new ProRes compression feature. The Flex4K is unique in the market and its remarkable innovation offers levels of flexibility never before available on a high-Speed camera. The Phantom Flex4K offers exceptional image quality at 4K resolution at more than 1000fps, new workflow options, a user-friendly camera control interface and improved performance at standard frame rates.

The iMovix X10 UHD will also feature at SMPTE. Fully integrated and designed for broadcast the X10+ UHD offers both HD ultra slow motion with continuous recording at 300fps and extreme slow motion in HD resolution at 2600fps for simultaneous capture and playback. Now available with wireless.

The IO Industries 2K and brand new 4K Point Of View cameras with Adept Turnkey’s new Canon Zoom lens controller will also be on display. It offers full remote control of Zoom, Focus and Aperture.

Adept Turnkey will have slow motion imaging engineers on hand to discuss your needs and technical queries.

AERIALFILMAUSTRALIAC-42PO Box 706, Lindfield, NSW 2070 (02) 9880 9040 [email protected] www.aerialfilmaustralia.com.au


Peter Beeh, Gregory Read, Sean Bergesen, Daniel Clapson, Sam Collins, Dale Henderson

Aerial Cinematography Solutions Shot Over K1 and F1, UAV’s, TYLER Mounts and Cineflex.

frame synchronizers and scalers, a full range of powerful Mini-Converters and the stunning CION 4K production camera.

Through AJA Developer Program leading manufac-turers and developer partners across the profes-sional video industry gain access to AJA’s unique technology for integration into their product line-ups. High-profile media companies around the globe, along with broadcasters, networks, post-production houses, mobile truck operators, cinematographers, film editors and more, rely on the reliability, flex-ibility and performance of AJA technologies. AJA products are designed and manufactured at our facilities in Grass Valley, California, and sold through an extensive sales channel of resellers and systems integrators around the world.

Representatives from AJA Video Systems will be in attendance at SMPTE15 to provide product demonstrations and to showcase our latest product innovations and workflow solutions.

AMBERTECHNOLOGYC-04Unit 1/2 Daydream Street, Warriewood NSW 2102 02 9998 7600

[email protected] www.ambertech.com.auCOMPANYREPRESENTATIVES:Peter Amos, Ross Caston, Leon Hart, Dylan CameronAmber Technology is one of Australia’s leading distributors of high technology equipment solutions for the professional broadcast, film, recording, live production and home entertainment markets.

This year, Amber continue to expand and diversify their range of Professional Broadcast solutions.

Premiering at SMPTE15:

�� EVS – “cockpit” live production control environment

�� Brainstorm - Virtual sets that make sense. Unsurpassed flexibility and ease of use, with unparalleled performance

�� Snell Maverik - fully customisable work surface for the Kahuna vision mixer series

�� Haivision Cloud - all in one Private Internet TV channel solution. Delivering an easy-to-deploy cloud-based Video delivery system powered by Akamai but deliverable on the CDN of your choice

�� Silvus Streamcaster HD - integrated cameraback HD encoder for the Silvus Mesh Radio System

�� Anton Bauer V-Mount Batteries - the power of Anton Bauer on a compatible base

�� Vinten Radamec - FE Series Height Drive

AGILEBROADCASTC-16Unit 2, 3 Dunlop Court, Bayswater VIC 3153 1300 656958 [email protected] www.agilebroadcast.com.auCOMPANYREPRESENTATIVES:

Adrian Harper, Ian Thomson, Chris Penny, Emma Donegan, Jay Tyler – Wheatstone, Kelly Parker – Wheatstone, Joffrey Heyraud – Digigram, Donald Tenhundfeld - Suitelife Systems, Trevor Harwood - TJH Systems

Agile Broadcast provides equipment distribution and leading technical solutions to the Australian broadcast industry. SMPTE 2015 will see Agile Broadcast showcasing Digital Audio Mixing and Routing solutions for Radio and Television from Wheatstone Corporation; Broadcast Transmission equipment from Elenos; Telemetry and Monitoring solutions from Davicom; Network Monitoring and Reporting from Suitelife Systems; Audio over IP Solutions for Distribution and Contribution plus Hardware Video Encoding systems from Digigram; An extensive range of Broadcast Tools from Deva Broadcast including monitoring, streaming and RDS encoder products; High Quality Audio Transmission Processors for AM and FM from Wheatstone Broadcast; Portable Video Codec and Audio Codec Systems from Comrex.

Manufacturer representatives will be on the stand to discuss new product developments and Agile Broadcast Staff will be available to discuss Integration, Project Management and Professional Services.

AJAVIDEOSYSTEMSC-605-7 Cleg Street, Artarmon, NSW 2064 +61 2 9431 6060 [email protected] www.aja.com

Since 1993, AJA Video has been a leading manufacturer of video interface technologies, converters, digital video recording solutions and professional cameras, bringing high-quality, cost-effective products to the professional, broadcast and post-production markets.

AJA simplifies professional digital video workflows with award-winning products that include the industry-leading KONA and Io video I/O devices, the revolutionary Ki Pro family of portable and rack-mountable file-based recording devices, KUMO compact video routers, the FS family of

www.ambertech.com.auSource • Supply • Support

Three great reasons to visit stand C-04 at SMPTE 2015

Live TV – state of the art solutions from Snell and EVS supported by Vinten Radamek.

Acquisition and distribution – from camera to viewer; IP video from Silvus, Haivision and AVIWest.

Storage, management, production and workflow automation – putting it all together with Snell, EVS, Avid, Telestream, Blue Lucy and Amber’s expert team.

PLUS … Brainstorm Live Virtual set demonstrations throughout the show

During the week there will be live demonstrations across our full range of content creation and acquisition, delivery, processing and asset management solutions throughout the show. Come and discuss your next project, and see how we can help maximise your ROI and deliver on your promises.

Feature Brands include



05DIRECTORYOFEXHIBITORS

�� Litepanels Astra - 1x1 next generation LED panel and Caliber mobile LED lighting kit

�� DPA Microphones - 4017B Shotgun Microphone plus new additions to the d:screet range of body and headworn microphones.

�� SSL Network - I/O range of interface options for MADI, IP audio Network and SDI conversion

�� Aviwest - DMNG multi-network bonding ENG system

�� Telestream - Lightspeed server and Vantage workflow manager

International representatives will be present on the stand, including key personnel from: EVS, Brain-storm, Snell, Telestream and Interra Systems (Baton)

There will be live demonstrations across our full range of content creation and acquisition, delivery, processing and asset management solutions throughout the show - come and discuss your next project, and see how we can help maximise your ROI and deliver on your promises.

ASPERA,ANIBMCOMPANYA-06

Level 1, IBM Centre, 601 Pacific Highway, St Leonards, NSW 2065 +61 (0)413520025 [email protected] www.asperasoft.com


Michelle Munson, CEO and Co-founder, Cary Capece, SVP Worldwide Sales and Business Development, John Wastcoat, VP Business Development, Francois Quereuil, Senior Director Worldwide Marketing, Mark Jones, APJ Sales Director, Sean Curran, A/NZ Sales Director, Ryan Hay, A/NZ Sales Engineer, Eric Ma, Sales Engineer, Renee Shephard, APJ Marketing

Aspera, an IBM company, is the creator of next-generation transport technologies that move the world’s data at maximum speed regardless of file size, transfer distance and network conditions. Based on its patented,

Emmy® award-winning FASP™ protocol, Aspera software fully utilizes existing infrastructures to deliver the fastest, most predictable file-transfer experience. Aspera’s core technology delivers unprecedented control over bandwidth, complete security and uncompromising reliability. Organizations across a variety of industries on six continents rely on Aspera software for the business-critical transport of their digital assets. Please visit:

http://www.asperasoft.com and follow us on Twitter @asperasoft for more information.

ASTRALINKSOS-24 PO Box 802, Hornsby, NSW, 2077, Australia +61 2 9457 6822 Email: [email protected]

www.astralinks.com.au

Astralinks is a provider of quality, personalised satellite transmission services to the Australian and international market.

ATOMOSC-3229 Nott Street, Port Melbourne, VIC 3207 +61(0)410334992 Email: [email protected] www.atomos.com


Jeromy Young – CEO, Tony Trent – CMO, Eamon Drew - Global BDM

Atomos exists to help creative professionals cut through technology barriers by creating easy to use, cutting edge products including 4K & HD

Visit Booth #A-06 at SMPTE 2015 where Aspera will showcase Aspera Files, a new SaaS offering for global media sharing built on the next generation of its FASP software platform. With Aspera Files, any organisation, small to large, can establish a branded web-based presence for fast, easy and secure exchange and delivery of any size file-based media between end users across separate organisations, combining multiple storage platforms. Content can be stored and easily accessed in multiple cloud and on-premise storage systems, and sharing between users and trusted organisations is as easy as drag-and-drop regardless of where the content is located.

Built on Aspera FASP for distance-neutral transfer of large data over the

Internet, Aspera Files will break all the enterprise barriers of conventional file sharing, enabling high-speed access, delivery and exchange of any size data, at distance, regardless of network conditions.

The need to conveniently ingest, exchange, and distribute file-based digital media content quickly, securely, and with the scale-up capacity of cloud platforms is greater than ever. Media companies throughout Asia are creating more high-resolution content and data sets than ever, with increasingly shorter turnaround times in highly competitive markets that also depend upon secure inter-company collaboration. Aspera Files solves all of the major barriers of the file exchange problem in this environment.

Register your interest in Aspera Files today:

http://asperasoft.com/AsperaFiles/ and visit Aspera at SMPTE on booth #A-06.

ASPERA, AN IBM COMPANY A-06



www.magnasys.tv | +61 2 9417 1111

Visit Magna Systems and Engineering at SMPTE 2015 on stands O-03,

P-01 and P-03

For the latest in acquisition, management and delivery solutions from these market leaders

T UV

Mediaware

Monitor-recorders, a pocket size ProRes recorder, signal converters & power management solutions. Each product serves a different need but all share the common benefit of enabling a faster, higher quality and more affordable production schedule for video professionals.

At SMPTE15, attendees will see live demonstrations of our award winning 4K/HD Shogun, the recently announced Shogun Studio for ProAV & Events, the highly anticipated Power Station for fast charging and power to the rig along with the entire Atomos range.

We will have the world’s leading cameras on display with our products and presentations from leading cinematographers as they explain how Atomos helps them in their workflow.

AUSTRALIANCINEMATOGRAPHERSSOCIETYN-27Level 2, 26 Ridge Street, North Sydney, NSW 2060 0418 263 893 [email protected] www.cinematographer.org.auCOMPANYREPRESENTATIVES:

Ron Johanson OAM ACS - National President, David Lewis ACS - National VP - NSW Branch President, David Burr ACS - National Asst Sec - NSW VP, David Wakeley ACS - National Secretary - NSW VP, NSW Branch Committee Members

Supplying Australian Cinematographers Society merchandise; Information; Member application forms; Screening demonstration reel; Administering Panel Discussion Wednesday 15th July

AUSTRALIANFILMTELEVISIONANDRADIOSCHOOLE-50Building 130 Lang Road, Moore Park NSW 2021 (02) 98056611 [email protected] aftrs.edu.auCOMPANYREPRESENTATIVES:

Carolina Totterman, Justin Corbett, Nicole Patterson, Sam Lopez-Perera

Committed to producing dynamic, flexible daring and creative practitioners AFTRS is famous for its ‘hands-on’ practical courses and stellar alumni.

AFTRS is Australia’s national screen arts and broadcast school and is rated as one of the top Film School’s in the world - by The Hollywood Reporter and is the only Australian institution of any kind to make the list!

Educating for creativity specifically for the screen arts and broadcast industry AFTRS is the only institution of its kind in Australia AFTRS students work together under the one roof with industry

standard facilities and gear that includes: dedicated production studios for film, recording studios for screen music & sound, equipment stores & technical staff, professional electricians, a set construction workshop, props & staging department, production staff & post production facilities, the biggest and most comprehensive screen arts & broadcast library in Australia.

Taught by the best in the business AFTRS students and their projects and alumni alike consistently draw national and international accolades and a quick review of the AFTRS news items over the years is evidence of this success.

AUSTRALIANTEL-TECE-24Unit 2, 14 Leighton Place, Hornsby NSW 2077 02 94824533 Email: [email protected] www.teltec.com.auCOMPANYREPRESENTATIVES:

Hiren Shah, Graeme Archer

Australian Tel-Tec is an Australian owned company, which opened its doors for business in 1984 as a telecommunications test equipment, hardware and broadcast products reseller located in Sydney.

Our products include Audio & Video patching solutions for the broadcast industry, copper & fibre testers, Layer one connectivity solutions for copper and fibre.

AUSTRALIANVIDEOPRODUCERSASSOCIATIONN-28Suite 2/9 Chuch Street, Hawthorn, VIC 3122 1300 002872 [email protected] www.avpa.com.auCOMPANYREPRESENTATIVES:

William Spry – Treasurer, Ron Dorre - Vice President

The AVPA (Australian Video Producers Association) Awards are in December and we are inviting anyone to enter these prestigious awards. The Australian Video Producers Association (A.V.P.A.) is promoting the National Awards for Excellence with a special offer. Join at SMPTE or online in the next month and receive 4 free entries into the awards

AVCGROUPOS-33P.O. Box 1005, Mooney Ponds, VIC 3039, Australia 1800 631 728 3 Ceres Ct, Mairangi Bay, Auckland, New Zealand 0800 282 477 [email protected] www.avc-group.co.nz




AVGROUPTECHNOLOGIESPTYLTDD-06Unit 39, 378 Parramatta Road Homebush, NSW 2140 +61 2 9764 5911 [email protected] www.avgroup.com.au


Adrian Chespy

AVID TECHNOLOGY (AUSTRALIA) PTY LTD B-22

AVIDEVERYWHERE–FOREVERYONE

Avid Everywhere is about so much more than products—it’s about everyone from the student just getting started to the largest media organisations participating together in the same global ecosystem. Avid will showcase the latest wave of Avid solutions that will transform the way artists, creative teams, and media enterprises work together.

The Avid Everywhere vision is about helping content creators and media organisations connect with consumers more powerfully, efficiently, collaboratively, and profitably. It is guiding our development of the most fluid end-to-end, distributed media production environment in the industry. The Avid MediaCentral Platform, in conjunction with the corresponding Artist Suite, Media Suite, Storage Suite, and upcoming private and public marketplaces, will together form a comprehensive ecosystem that encompasses

everything from media creation to distribution and monetisation, addressing every aspect of the new digital media value chain.

Avid At Your Service: Ren Middleton, Australia & New Zealand Country Manager; Graeme Whineray, Enterprise Account Manager; Dave Thompson, Partner Account Manager; Evan Boyd, Manager Solutions Specialists; John Sandoval , Applications Specialist; Pip Warren, Senior Workflow Consultant; Karen Eastmure, Marketing Manager

Shared Storage - ISIS|1000, ISIS|5500, ISIS|7500

Media Management - Interplay|MAM, Interplay|Production, MediaCentral|UX, Media|Index

News Workflow - iNEWS, Media Composer, Interplay|Production, MediaCentral|UX Media|Director, Media|Distribute

Post Workflow - Media Composer, Interplay|Production, MediaCentral|UX Media|Director, Media|Distribute, ISIS Shared Storage

Ingest & Playback Workflow - AirSpeed|5500, Interplay|Capture, iNEWS|Command, Media|Director, Media|Distribute

One of the local Premium Broadcast Providers AV Group Technologies will be showcasing various products and solutions from our trusted Partners, showcasing the latest emerging technologies to ensure any facility is at the forefront of the Broadcast arena.

Products will include the new UHD 12G QX Platform from Phabrix, Mira Instant replay server from Abekas, the latest Audio Monitoring from TSL and Wohler, RF Links Cobham and the Newest Products from Decimator Design to mention only a few.

AVIDTECHNOLOGY(AUSTRALIA)PTYLTDB-22

Level 40, 100 Miller Street, North Sydney NSW 2060 +61 (0)417321824 [email protected] www.avid.com


Evan Boyd, Karen Eastmure, Gil Gowing, Nick Head, Daniel Lovell, Kah Keong Ong, John Sandoval, David Sullivan, Ozzie Sutherland, Dave Thompson, Pip Warren, Graeme Whineray

Through Avid Everywhere™, Avid delivers the industry’s most open, innovative and comprehensive media platform connecting content creation with collaboration, asset protection, distribution and consumption for the most listened to, most watched and most loved media in the world—from the most prestigious and award-winning feature films, music recordings, and television shows, to live concerts and news broadcasts. Industry leading solutions include Pro Tools®, Media Composer®, ISIS®, Interplay®, and Sibelius®. For more information about Avid solutions and services, visit www.avid.com

AVWBROADCASTPTYLTDD-5238 / 8 Herbert Street

St-Leonards, NSW 2065 02 8213 0200 [email protected] www.avwbroadcast.com.auCOMPANYREPRESENTATIVES:

John Walsh , Stefan Hunt , Chris Russell , Rob Paris

AVW (Australia and New Zealand) are a multi-disciplined engineering solutions provider and distributor with facilities in Sydney, Melbourne, Auckland and Wellington, servicing the Broadcast, transmission and IP/Telecommunications industries.

AVW will be displaying a range of new solutions including the TeleDelta IP/IPTV eco-system solutions, Mividi Multiviewers, Linear Acoustic/DK Technology Audio Monitoring and the new Mozart series of FM exciters and amplifiers from DB Broadcast.

AVW will also be displaying our extensive range of transmission solutions from Commscope/Andrews, FIMO and Antenna solutions from DB/TeleDelta.




The OraclePRESENTS

www.sennheiser.com/avx

DIGITAL LINK PROTECTION for flawless audio performance

OPTIMISED DYNAMIC RANGE for perfect recording levels

PLUG and RECORD Auto switch on - ready in seconds

VISIT US AT SMPTE - Stand m14

BBARBIZONAUSTRALIAPTYLTDB-48 +612 9700 9590 [email protected] www.barbizon.com

BIOSIT&MELLANOXC-43Level 12, 1 Pacific Highway, North Sydney NSW 2060 02 9959 1010 [email protected] www.bios-it.com.auCOMPANYREPRESENTATIVES:

Tom Fry, Luke Napoli, Ryan Docherty, Suda Ramachandran

BIOS IT and Mellanox are partnered to bring you the very latest in server, storage and interconnect

technology. BIOS IT has over 20 years experience bringing HPC techniques and technologies to major players in Media and Broadcast around the globe. Mellanox is the industry’s foremost provider of high speed interconnect and has a range of 10/40/56/100GbE and Infiniband NICs, switches and cabling.

At the booth you will see the industry’s highest-performing top-of-rack (ToR) switch in a half-width 1U form factor, delivering up to 1.3Tb/s of non-blocking throughput with 10GbE or 40/56GbE form factor.

We’ll also be exhibiting Australia’s first Nexenta-based Software Defined Storage appliance, bringing all the performance and features you’d expect from a tier-1 storage array, but with the price tag of commodity hardware.

BLACKBISHOPFILMSP/LOS-20323 McCarrs Creek Rd, Terrey Hills, NSW 2084 0418418363 [email protected] blackbishopfilms.com.au

COMPANYREPRESENTATIVE:

Lester Bishop, Robert Agganis, Nian Li

ORBITAL car mounted Jib and 3 axis DINGO stabilised head

PALADIN car mounted Jib and 3 axis stabilised head.

BLACKMAGICDESIGNC-22

Unit 4, 16-18 Croydon Road, Croydon, VIC 3136 (03) 9722 9700 [email protected] www.blackmagicdesign.com/au


Darrell Van Der Wolf, Mark Harwood, Joe D’Onghia, Warrick Morris

Blackmagic Design makes it possible to build whole post production and live production systems

BLACKMAGIC DESIGN C-22

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, colour correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post-production, while the company’s Emmy award winning DaVinci colour correction products have dominated the television and film industry since 1984.

Blackmagic Design makes it possible to build whole post production and live production systems in full Ultra HD. Come and see our range of cameras, routers, disk recorders, production switchers, capture and playback solutions and more that support 6G-SDI and 12G-SDI for SD, HD and Ultra HD work.

BLACKMAGICURSAMINI

The new Blackmagic URSA Mini is a compact, lightweight and portable digital film camera with 4.6K Super 35 sensor and 15 stops of dynamic

range. Features 12G-SDI, bright 5” fold out touchscreen monitor, dual CFast recorders and more! Other camera models include Blackmagic URSA, Micro Cinema Camera, Micro Studio Camera 4K and more!

ATEMLIVEPRODUCTIONSWITCHERS

ATEM switches between SD, HD or Ultra HD video standards and includes powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The more advanced models include features such as SuperSource, DVE and stinger transitions!

DAVINCIRESOLVE12

DaVinci Resolve 12 combines professional non-linear editing with the world’s most advanced colourcorrector so now you can edit, colourcorrect, finish and deliver all from one system.

TERANEXMINI

Next generation mini converters featuring 12G-SDI technology with optional front panel control and LCD. Supports all SD, HD and Ultra HD formats up to 2160p60.

Built in AC power, XLR audio and ethernet remote management!

BLACKMAGICVIDEOASSIST

Adds professional monitoring and broadcast

quality HD recording for any camera.

Bright 5” high resolution monitor for focus and framing, and 10 bit 4:2:2 ProRes or DNxHD recording to SD cards. Includes histogram, audio meters, timecode and more.

For more information, please go to www.blackmagicdesign.com/au

The OraclePRESENTS

www.sennheiser.com/avx

DIGITAL LINK PROTECTION for flawless audio performance

OPTIMISED DYNAMIC RANGE for perfect recording levels

PLUG and RECORD Auto switch on - ready in seconds

VISIT US AT SMPTE - Stand m14




in full Ultra HD. Come and see our range of cameras, routers, disk recorders, production switchers, PCIe cards and more that support 6G-SDI and 12G-SDI for SD, HD and Ultra HD work. Drop by the Blackmagic Design booth #C-22 for a product demonstration!

DIGITALFILMCAMERAS:

BLACKMAGIC URSA MINI

Compact, lightweight and portable digital film camera with 4.6K Super 35 sensor and 15 stops of dynamic range. Features 12G-SDI, bright 5” fold out touchscreen monitor, dual CFast recorders and more! Other camera models include Blackmagic URSA, Micro Cinema Camera, Micro Studio Camera and more!

DAVINCI RESOLVE 12

DaVinci Resolve combines professional non-linear editing with the world’s most advanced colourcorrector so now you can edit, colourcorrect, finish and deliver all from one system.

SMART VIDEOHUB ROUTERS

The world’s first Ultra HD mixed format routers with built in video monitoring and spin knob router control. Simultaneously connect and route any combination of SD, HD and Ultra HD video, all the way up to high frame rate 2160p60, all on the same router at the same time!

TERANEX MINI

Next generation mini converters featuring 12G-SDI technology with optional front panel control and LCD. Supports all SD, HD and Ultra HD formats up to 2160p60. Built in AC power, XLR audio and ethernet remote management!

BLACKMAGIC VIDEO ASSIST

Adds professional monitoring and broadcast quality HD recording for any camera. Bright 5” high resolution monitor for focus and framing, and 10 bit 4:2:2 ProRes or DNxHD recording to SD cards. Includes histogram, audio meters, timecode and more.

ATEM LIVE PRODUCTION SWITCHERS

ATEM switches between SD, HD or Ultra HD video standards and includes powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more! The more advanced models include features such as SuperSource, DVE and stinger transitions!

BLINKTECHNOLOGYM-08PO Box 103, Menai NSW 2234 1300 694 011 [email protected] www.blinktech.com.au


Rod Aggett, Jim Sanfilippo, Aaron Taplin

Blink Technology specialises in high-speed imaging and LED Lighting. On display is the full range of LED lights from Nila used for a variety of purposes.

Nila is the industry leader in high-brightness LED light fixtures durable enough to meet the needs of the harshest production situations. Nila fixtures are versatile and user friendly, producing tremendous flicker-free light output, excellent color-rendering, and cradle-to-cradle sustainability. Our product line sets a new standard for the industry.

Joining Blink Technology for SMPTE is Jim Sanfilippo who is the designer and creator of NILA. Come and join us to find out why this light should be your next light.

BLONDEROBOTPTYLTDC-40

Unit 1, 8 Theobald Street, Thornbury VIC, 3071 +61 (0)390239777 [email protected] www.blonde-robot.com.au

Company Representative: Dan Fletcher

Blonde Robot is a professional product distributor covering Australia, New Zealand and South East Asia. Blonde Robot specialise in distribution of professional content creation products from the worlds most innovative manufacturers.

Blonde Robot will be displaying the following brands at our SMPTE Booth:

AJA, Atomos, BlueFish444, CatDV, Cineroid, Facilis, Genus, ID-X, K-Tek, Lupo, Magma, Metabones, NewTek, Promise, Storage DNA, Teradek.

BLUESKYAERIALFILMINGE-28462 Ross Smith Avenue, Sydney Airport NSW 2020 02 9700 7888 [email protected] www.blueskyaf.com


Mark Fitzsimmons, Evan Smith, Andrew Hungerford, Kali Doublet, Grant Frazer, Melina Hornbacher

Stand C-40 at SMPTE 2015 exhibition Bluefish444 will be demonstrating 4K SDI/HDMI video I/O solutions with the Epoch | 4K Neutron, Epoch | 4K Supernova and the Synapse range of signal converters . Bluefish444 will demonstrate with popular industry standard content creation tools for workflows including Post-Production, Streaming, Live Production, Colour Correction, Finishing and Audio Post.

POST-PRODUCTION

Bluefish444 have long been involved in Post-Production workflows providing an ingest for compressed and uncompressed media in offline and online video editing, and a high quality SDI/HDMI output for video preview and playout.

STREAMINGANDLIVEPRODUCTION

With a long history in live content production and broadcast graphics Bluefish444 have an enviable reputation for quality and reliability that is unsurpassed in the industry today. At SMPTE 2015 Bluefish444 will demonstrate integration with leading production tools from

vMix and Telestream Wirecast providing multiple simultaneous HD SDI feeds and a 4K SDI video input.

COLOURCORRECTION&FINISHING

Supporting the finest finishing and colour correction tools in the industry, Bluefish444 have the most complete SDI and HDMI monitoring solutions providing 12/10/8-bit SDI and HDMI Deep Colourpreview in a single product. Bluefish444 support SDI live view within Assimilate SCRATCH, allowing SDI inputs to be processed within SCRATCH and the results previewed on an SDI/HDMI display, for live grading?

AUDIOPOST

Bluefish444 have added video and audio preview support to AVID Pro Tools allowing customers to seamlessly integrate both AVID Media Composer and AVID Pro Tools systems into facilities with a common high quality SDI and HDMI interface.

BLUEFISH444 C-40




We offer a complete turn-key filming solution from a low cost KS8X2 Gyro-stabilised side mount option utilising our R44 helicopter to our state of the art GSS C516 5-axis gyro-stabilised gimbal complete with Red Epic Dragon & the Angenieux Optimo Style 25-250 lens.

We have mounting options for our own Bell 206 Longranger helicopter or a third party supplied Eurocopter AS350 Squirrel. Our equipment is also available for hire on a case by case basis to third party helicopter operators.

BLUEFISH444C-40

17b Market Street, South Melbourne VIC 3205 +61(0)3 96829477 [email protected] www.bluefish444.com


Craige Mott, Tom Lithgow

Bluefish444 is a manufacturer, developer and mar-keter of the industry’s highest quality uncompressed 4K/2K/HD/SD SDI video cards for the Windows, Mac OS X and Linux operating systems. With an exten-sively developed SDK the Epoch | 4K Supernova, 4K Supernova S+, and the Epoch | 4K Neutron have become a staple in 4K workflows globally.

Bluefish444 bundle Fluid IngeSTore software with every model of video card allowing the ingest of multiple HD/SD SDI channels to uncompressed media or to Avid DNxHD media.

Bluefish444 video cards support industry standard applications from Adobe, Avid, Assimilate and many others creating award-winning feature films, com-mercials, music videos and live events worldwide. Bluefish444 video cards are incorporated into other manufacturers video servers, encoders, decoders and character generators via our extensive SDK.

Bluefish444 has developed a range of Synapse mini converters to allow conversions between HDMI, SDI and Analog video and audio signals to compliment the extensive range of high quality and cost effective video cards.

BRIGHTCOVEB-42Level 17, 1 Margaret Street, Sydney NSW 2000+61 2 8310 [email protected]


Mark Blair, Vice President, Asia-Pacific, Damian Naughton, Sales Director - Media, ANZ, Jason Rau, Account Director, ANZ, Mark Stanton, Technical Director, ANZ

Brightcove is a leading global provider of powerful cloud solutions for delivering and monetising video across connected devices. The company offers a full suite of products and services that reduce the cost and complexity associated with publishing, distributing, measuring and monetizing video across devices. Brightcove has more than 5,500 customers in over 70 countries that rely on the company’s cloud solutions to successfully publish high-quality video experiences to audiences everywhere.

CCAMZILLAL-06

288 Pacific Highway, Lindfield, NSW 2070, Australia 02 9880 9883 [email protected] www.camzilla.com.au

CONTENT+TECHNOLOGYMAGAZINE(ANZ+ASIA)B-03

PO Box 259, Darlinghurst, NSW 2010, Australia Email: [email protected] www.content-technology.com www.broadcastpapers.com


Phil Sandberg, Lucy Salmon, Keith Ford, Amanda Lee

For 12 years Content+Technology magazine has been serving content production and delivery professionals throughout Australia, New Zealand, Southeast Asia and beyond.

In 2012, to better serve those readers, we established two separate editions - Asia and Australia/New Zealand.

C+T has always had a broad regional focus because we acknowledged the interconnected nature of the Asia Pacific not only in terms of technology dissemination, but also in project collaboration and, above all, in the flow of knowledge and people.

C+T Asia is printed and distributed from Singapore, while C+T ANZ is produced and mailed from Sydney. Both are distributed free of charge to qualified industry professionals throughout the region.

Next-generation technologies – like 4K or extreme-speed 6X – can deliver unprecedented creative freedom that dazzles viewers. But who can afford to resource the specialty positions required to make these things happen? You can.

Our new LDX 86/K2 Dyno Universe switchable camera and replay system was designed with your workflow in mind. Now you can enable any camera or replay position to be set up for regular HD, 4K, or extreme-speed with a convenient eLicense, with no additional positions or equipment required.

Triple your options with the same rack space, same number of operators, same number of positions. It’s live production your way, and it’s how we’ll help you maximize creativity while responding to dynamic business demands.

HD, Extreme Speed or 4K? The answer is YES.

Marcel Koutstaal Vice President and General Manager, Camera Product Group

Copyright © 2015 Grass Valley. All rights reserved. Belden is a registered trademark of Belden Inc. or its affiliated companies in the United States and other jurisdictions. Grass Valley, K2 Dyno, and LDX are trademarks or registered trademarks of Grass Valley. Tell better stories with Grass Valley live production solutions. Visit www.grassvalley.com/live.

Grass Valley’s LDX/K2 Dyno Universe

C.R.KENNEDY&COMPANYPTYLTDB-58300 Lorimer Street, Port Melbourne VIC 3207 03 98231555 [email protected] www.crkennedy.com.auCOMPANYREPRESENTATIVES:

Damon Rulach - C.R. Kennedy, John Wallace - C.R. Kennedy, Michael Schiehlen - Carl Zeiss, Victor Cheung - Carl Zeiss, Chris Itoh – Tokina, Tim Haskell – Bowens, Barry Grubb – Rotalight

C.R. Kennedy is Australia’s foremost importer and distributor of photographic and video equipment. Our head office and main warehouse is located in Melbourne with branch offices and warehouses in Adelaide, Brisbane, Cairns, Perth and Sydney.

Our brands represented at SMPTE this year include Zeiss, Tokina, Daiwa, Limelite, Movcam,and Rotalight.

See the full range of Zeiss CP.2 and CZ.2 cine lenses including the latest 15-30mm cine zoom. The entire range of Zeiss camera lenses will be on display including the ZE and ZF.2 and Otus SLR lenses, Touit for Sony & Fuji mirrorless, as well as the new Loxia and Batis lenses for Sony E mount cameras.

Tokina Cine Zoom lenses including the latest 50-135/T3 cine zoom and new range of Tokina cine filters with Hydrophilic coating will be demonstrated. Daiwa professional fluid heads and tripods. Movcam manufacture high quality bespoke rigs and cages for popular video and cine cameras, including Sony A7s and FS-7, Blackmagic, and Canon.

From Bowens the Limelite range of LED, Fluro and Tungsten lighting will be on display. Their Studiolite SLED 4 DMX is a cutting edge light that projects a soft, wide, and flattering beam via 24”” compact LED tubes, specifically designed for broadcast, video, and photographic applications.

UK manufacturer Rotolight will show their latest and highly anticipated Neo LED on-camera light with industry first exclusive features, as well as the award winning Anova range of professional LED lighting.

CANONAUSTRALIAN-03

Building A, The Park Estate, 5 Talavera Road Macquarie Park, NSW, 2113 02 98052504 [email protected] www.canon.com.au




Paul Stewart, Paul Byrant, Gordon Barry, Neil Dandy, Jamie Shaw, Daniel Han, Rick Slowgrove, Tony Steele

Canon Australia will exhibit an extensive range of professional imaging products and solutions at SMPTE 2015.

CDAPROFESSIONALAUDIOPTYLTDA-47Unit 5, 79 Bourke Road Alexandria NSW 2015, Australia + 61 2 9330 1750 5E, 14 Waikumete Rd Glen Eden, 0602, New Zealand + 64 9 813 0871 Email: [email protected] www.cda-proaudio.com

CMIMUSIC&AUDIOM-0636-38 Export Drive, Brooklyn VIC 3012, Australia 03 93152244 [email protected] www.cmi.com.auCOMPANYREPRESENTATIVES:

Mark Wayte, Nathan Brady

Tascam. Universal Audio, Ableton, Mackie & other recording products

COMBITELO-01Unit 12, 347 Bay Road, Cheltenham, VIC 3192 03 86765300 [email protected] www.combitel.com.au


Eugene Razbash, Mark Papo

CombiTel mission is to design, deploy and support complete IPTV systems, bespoke software and best-of-breed components for service providers and enterprises in Asia-Pacific region and worldwide.

In 2005, we saw an unsatisfied need for a systems integrator capable of designing and delivering turnkey IPTV systems, which could be combined with voice and data infrastructure solutions to service providers and enterprises. CombiTel was born and we continued to offer unmatched value to our customers based on our unique mix of skills and experience in Telecommunications and Broadcasting.

A new member of CombiTel Group, Omniscreen, was founded in 2011 as a spin-off from the CombiTel software development team. In 2014, Omniscreen became a registered trademark in three countries: Australia, New Zealand and the United States.

The same year we have established an office presence in Auckland so we could be better positioned for the developing opportunities in New Zealand.

COOKEOPTICSL-09Cooke Close, Thurmaston, Leicester Leicestershire, LE4 8PT, Great Britain. +44 (0)1162640700 [email protected] www.cookeoptics.comCOMPANYREPRESENTATIVES:

Thomas Greiser, Les Zellan

Cooke Optics with New Anamorphic/i Prime lenses, New Cooke Metrology Lens Projector & New /i Squared Technology metadata system with inertial data.

The Cooke Look is about the science of creating beautiful images for the motion picture

Next-generation technologies – like 4K or extreme-speed 6X – can deliver unprecedented creative freedom that dazzles viewers. But who can afford to resource the specialty positions required to make these things happen? You can.

Our new LDX 86/K2 Dyno Universe switchable camera and replay system was designed with your workflow in mind. Now you can enable any camera or replay position to be set up for regular HD, 4K, or extreme-speed with a convenient eLicense, with no additional positions or equipment required.

Triple your options with the same rack space, same number of operators, same number of positions. It’s live production your way, and it’s how we’ll help you maximize creativity while responding to dynamic business demands.

HD, Extreme Speed or 4K? The answer is YES.

Marcel Koutstaal Vice President and General Manager, Camera Product Group

Copyright © 2015 Grass Valley. All rights reserved. Belden is a registered trademark of Belden Inc. or its affiliated companies in the United States and other jurisdictions. Grass Valley, K2 Dyno, and LDX are trademarks or registered trademarks of Grass Valley. Tell better stories with Grass Valley live production solutions. Visit www.grassvalley.com/live.

Grass Valley’s LDX/K2 Dyno Universe

Making its debut at the show is the newly announced EOS C300 Mark II, an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma producing a dynamic range of 15 stops.

Other featured products include the new DP-V2410 lightweight 4K reference display and the XC10 4K Camcorder featuring a compact, lightweight and versatile design for convenient 4K/Full HD video shooting and 12 Megapixel digital still photography.

Our shooting gallery will provide visitors with the opportunity to get ‘hands on’ with Canon’s Cinema EOS system of cinematography cameras and lenses.

Canon HDTV Broadcast lenses on display will include the new HJ24ex7.5B portable HD zoom lens for ENG and EFP.

CANON AUSTRALIA N-03




industry. Since the beginning of filmmaking, cinematographers have chosen Cooke lenses for an image that flatters: sharp but smooth with dimensionality & velvety skin tones. Cooke 5/i T1.4 Primes; award-winning Cooke S4i T2.0 Primes & miniS4/i T2.8 Prime Lenses.

CORSAIRSOLUTIONSC-41Level 1, 108 Johnston St, Collingwood, VIC 3066 (03) 90059861 [email protected] www.corsairsolutions.com.auCOMPANYREPRESENTATIVES:

Mark Lampard - Managing Director, Brad Morton - Sales Director, Mark Hall - Business Development Manager, Donovan Radbourne-Pugh - Technical Support, Matthew Scott - Freelance EDIUS Demonstrator, Busra Ipekci - Metus Technology Representative, Gabriel Benitez - Video Devices Representative

Corsair Solutions will be demonstrating products from multiple vendors.

Livestream - the Studio HD51 will be demonstrated with the Surface Core in a full production setup with various live inputs and full multiviewer. The brand new portable Studio HD550 will be shown with the Surface Go. There will also be multiple Broadcaster Mini and Broadcaster Pro units available for demonstration.

Video Devices - the PIX-E5, which is shipping in August, will be the big focus on the Corsair Solutions stand. We will also be showing the PIX270i Rackmount Video Recorder in a grouped recording configuration.

Grass Valley - the recently shipped EDIUS Workgroup 8 will be on demonstration in conjunction with the centralised rendering engine, EDIUS XRE 8. Cinematographer, Matthew Scott, well known for his Grass Valley tutorials and demonstrations will be on hand to show all of latest EDIUS features.

Metus - recently added to Corsair Solutions’ product portfolio, will be featuring their Metus Ingest and Metus MAM products alongside the EDIUS demonstrations.

CUEWORDPTYLTD&SUZYCUEAUSTRALIAE-3669 Hansens Road, Minto Heights, NSW 2566 +61 2 9603 9318 [email protected] www.cueword.com.auCOMPANYREPRESENTATIVES:

Frank Bird, Richard Formby, Greg Kay (Suzy Cue Australia)

Cueword and our affiliate Suzy Cue Australia

showcase various autocue solutions for all aspects of studio and field teleprompter requirements.

From standard 15’ on camera rigs to SteadiCam iPad solutions Cueword and Suzy Cue Australia offer a multitude of solutions based on the Cueword Broadcast Software suite that can be utilised as stand alone unit or integrated with News Room automation systems.

DDBAUDIOVISUALPTYLTDM-208 Guest Street, Hawthorn, Victoria 3122, Australia +61-3-9819-3630 Email: [email protected] www.dbav.com.au

DESISTILIGHTINGE-4865-67 Discovery Road, Dandenong South VIC 3175 03 9702 8000 [email protected] www.lsclighting.comCOMPANYREPRESENTATIVES:

Richie Mickan, Greg Hughes

Founded in February of 1982 by the internationally acclaimed designer Mario De Sisti, De Sisti Lighting has emerged as a world leader in the manufacture and distribution of top quality lighting equipment in the motion picture, television, theatre and professional photography industries.

With a strong emphasis on craftsmanship and performance, the company has been responsible for numerous major technological advances both in the electromechanical and photometric areas of luminaire development.

Based in Rome, Italy, De Sisti has grown to more than 110 people with an emphasis on its R&D team of 30 people. As trend setters in the entertainment industry, De Sisti has guided such important innovations as high CRI LED sources, flicker-free electronic ballasts, single-end high efficiency HMI lamps, motorised self-climbing hoists, telescopes and most recently, robotic controlled lighting. De Sisti products are designed and manufactured up to the most severe safety standards available internationally and is the only company worldwide to have all of its rigging devices Certified by the independent German Institute to the DIN 15560 part 46 standards and UL certified.

See the range of De Sisti LED products including: Magis SuperLED Fresnel (Daylight and Tungsten), Model 6 SuperLED Fresnel (Daylight and

Tungsten), Model 10 SuperLED Fresnel (Daylight and Tungsten), SoftLED 2, SoftLED 4, De Sisti Motorised Hoist, DeSisti D-rail rigging and trolley system, DeSisti Mini Spider pantograph.

DIGISTORPTYLTDD-125-7 Cleg Street, Artarmon, NSW 2065 02 9431 6000 [email protected] www.digistor.com.au


Andrew Mooney, MD, Digistor, Mark Richards, Marketing Manager, Digistor, Matt Wood, Snr Sales Consultant, Digistor, Johann Pretorius, Snr Sales Consultant, Digistor, Darren Godwin, Account Manager, Digistor, Jordan Tiburcio, Service Delivery Manager, Digistor, Bill Baker, Product Specialist, Root6 Technology, James Yeom, Wacom

DIGISTOR-MEETTHEEXPERTS,FINDTHESOLUTION.

At Digistor, you’ll meet with supplier experts plus Digistor’s own specialists to get the information you need to implement an effective content solutions strategy. Experts are on hand to discuss VXF and post-production, file-based workflows, shared storage, asset management and IP media delivery. See the latest breakthroughs from Dejero, Adobe, Autodesk, Avid, DynamicDrivePool, Root6, Wacom, Aspera and others.

Meet key vendors in our Consulting Area or private Consulting Room to discuss your specific application needs and develop/whiteboard strategies and solutions. Discussing application needs with Digistor is an ideal starting point for SMPTE to get the “lay of the land” and let us guide you towards technologies or suppliers that would be of most interest. Pre-book a meeting, consultation or demonstration via our website at www.digistor.com.au/smpte15 to maximise your visit to the show and ensure you can meet with the key personnel.

Key new releases include Adobe’s Anywhere platform and new pro video tools; Avid’s Everywhere collaborative environment, ISIS, Interplay and MAM solutions; Autodesk’s 2016 releases and newly-acquired Shotgun production management software; Dejero’s EnGo compact modular transmitter plus cloud solutions for mobile news gathering; DDP’s shared storage/MAM/PAM platform; Root6’s ContentAgent file-based workflow, encoding, transcoding solution; Wacom’s new Cintiq 27QHD creative pen & touch display.

In 2015, Digistor is celebrating 25 years of providing outstanding services and solutions to the broadcast, post-production and digital media markets.



DRAGONIMAGEPTYLTDN-0822 Herbert Street, Artarmon NSW 2066 02 94158848 [email protected] www.dragonimage.com.au


Dominic Yin, Suzzanah Yin, Michael Marsellos, Mark Naidoo, Angelo Boutsalis, Vince Clarke

Film Lighting and Grip Equipment, Professional Cinema Cameras & Accessories, Camera Stabilisers & Gimbals, Professional Audio Equipment & Accessories, Drone UAV’s, Studio Cyclorama Construction, Broadcast Studio Integration, Large Format LED Display Walls.

DYNACORETECHNOLOGYCO.,LTD&MICK’SGRIPPINGA-60RM 409,Chuangli Business Mansion #58 Mochou Lake East Rd, Nanjing, 210029 Jiangsu, China +86-25-86603989 [email protected] www.dynacore-china.com


Belinda Zhao

Dynacore DS-260S/A, High Load V mount/Gold mount battery pack, 260Wh. Great for high draw power application like Alexa. EL-500D/T Kit, cost effective 1*1 LED panel flight case kit, features good quality and competitive price, including 3pcs lamphead & accessories.

EEAVTECHNOLOGYPTYLTDE-34284 Wingrove Street, Fairfield VIC 3078 03 9489 0010 [email protected] www.eavtech.com.au


David O’Brien, Clive O’Brien, Michael Foreman

EAV Technology will display the latest product releases from their representative overseas equipment manufacturers.

360 Systems: Tesera multichannel video server,

Digicart E and Instant Replay audio players.

Alcorn McBride: HD 4K flash card video Binloop playback systems and program controllers.

Audio Implements: On camera wired and wireless audio ifb clarifiers and ear kits.

Census Digital: SDI audio reference monitors, source selectors,audio converters, In camera cable ifb comms systems.

ESE: GPS master clocks, time code generators, precision time and signal distribution.

Glensound: Dante network audio and Commentary systems,ISDN codecs and mixers, 4 wire ifb systems, Digital commentary and fibre audio snakes,3G/4G mobile phone ifb and program OB units.

JK Audio: Telephone hybrids for dial up, handset, bluetooth, wireless, USB, phone taps, field mixers, remote amplifier beltpacks, cell phone interview packs.


06EXHIBITIONFLOORPLAN

32 EXHIBITION FLOOR PLAN

COMPANY STAND NO.

AdeptTurnkeyExtremeSlowMotion

C14

AerialFilmAustralia C42

AgileBroadcast C16

AJAVideoSystems C60

AmberTechnology C04

Aspera,anIBMcompany A06

Astralinks OS24

Atomos C32

AustralianCinematographersSociety

N27

AustralianFilmTelevisionandRadioSchool

E50

AustralianTelTec E24

AustralianVideoProducersAssociation

N28

COMPANY STAND NO.

AVCGroup OS33

AVGroupTechnologies D06

AvidTechnology(Australia)P/L B22

AVWBroadcast D52

BarbizonAustralia B48

BIOSIT&Mellanox C43

BlackBishopFilms OS20

BlackmagicDesign C22&OS30

BlinkTechnology M08

BlondeRobotPtyLtd C40

BlueSkyAerialFilming E28

Bluefish444 C40

Brightcove B42

Camzilla L06

Content+TechnologyMagazine(ANZ+Asia)

B03

COMPANY STAND NO.

C.R.Kennedy&Company B58

CanonAustralia N03

CDAProfessionalAudio A47

CMIMusic&Audio M06

Combitel O01

CookeOptics L09

CorsairSolutions C41

CuewordP/L&SuzyCueAustralia E36

DBAudioVisualPtyLtd M20

DeSistiLighting E48

DigistorPtyLtd D12

DragonImagePtyLtd N08

DynacoreTechnologyCo.,Ltd&Mick’sGripping

A60

EAVTechnologyPtyLtd E34

EditShare B59

COMPANY STAND NO.

EMC N30

Ericsson O11

EurekaPacificPtyLtd C44

FilmHelicoptersPtyLtd A09

FlandersScientificInc A02

FlyingDragonCinematographyPtyLtd

L36

FlyingFeatures C62

FPVAustralia&MongrelGear L04

FUJIFILM N01

GatesAir A69

GBLabs C44

G.KayPtyLtd E36

GoPro C12

GrassValley,aBeldenBrand B41

Hills A01

SpotlightLearningExchange

HORDERNPAVILLION


33EXHIBITION FLOOR PLAN

COMPANY STAND NO.

HWTechnologies B65

I.R.T.Communications D02

ICPGlobal L30

IEEEBroadcastTechnologySociety N25

IFMagazine M03

ImagineCommunications A05

InterfaceTechnologiesAustralia C56

InterraSystems C59

IntrawareAustralia P04

JandsPtyLtd C28

JohnBarrySales D38

KayellAustralia B26

KISSEngineeringP/LtradingasKERemoteSystems

L31

KlotzCommunications L22

KVMAustralia N02

COMPANY STAND NO.

LemacFilm&Digital D28

LSCLightingSystems(Aust)P/L E48

LuminaBroadcastSystems M04

MadisonTechnologies C45

MagnaSystemsandEngineering

O03,P01,P03

MediaLinks(MLAUPtyLtd) A03

MediaproxyPtyLtd E12

MediatecAsiaPacific OS18&OS25

MillerCameraSupportEquipment L20

MojoMediaSolutions D4

NexsanbyImation E18

OnAirSolutions E04

PacificLiveMedia L01

PanasonicAustralia L03

Pond5 L11

COMPANY STAND NO.

ProfessionalAudio&Television B11

PromptitTeleprompters B43

PROtog E45

QuantumCorporation O80

QuintoCommunications A68

RastOrderP/L A80

Redwood’sTechnologySolutions B80

RiedelCommunicationsAustralia D42

Rohde&Schwarz(Australia)PtyLtd

C29

RossVideoAsiaPacificPteLtd B10

RPSLighting L14

Sennheiser M14

SilverTrakDigital E16

SonifexPtyLtd B21

SonyAustraliaLimited D22

COMPANY STAND NO.

SouthernBroadcast A74

SpectraLogic A45

StagetecMediagroupAustralia A50

StudiotechAustralia D48

SuzyCueAustralia E36

SwitchMedia B54

SyncrotechSystemsPtyLtd C26

Techtel B04

TekInsiteVideoTechnologiesP/L M02

VideocraftAustralia OS21

VizrtAustraliaPtyLtd B08

WirelessComponents B19

WomeninFilmandTelevisionNSW N24

YamahaCommercialAudio D50

ZhengzhouKema(Comer) E54

SpotlightLearningExchange

ROYALHALLOFINDUSTRIES




EDITSHAREB-59

6 Garden City Office Park, Unit 22 & 23 2404 Logan Road, Eight Mile Plains, QLD 4113 + 61 7 3171 2950 [email protected] www.editshare.com


Paul Hayes - Asia Sales & Marketing Executive, Bayon Shahidi - Asia PreSales Specialist

For over a decade EditShare has delivered highly scalable shared storage systems that enable media professionals to collaborate and create outstanding content. With our companion asset management and archiving solutions, EditShare’s media storage and management tools have increased productivity across broadcast and media enterprises around the globe.

The XStream shared storage range enables the worlds leading creative facilities to collaborate and deliver content on time and within budget. From capturing media in the remotest locations to managing petabytes of data for the largest media organizations, there is an XStream storage system for every scenario. And XStream storage is different because every model is shipped with our integrated Flow media asset management (MAM) platform.

EditShares Flow media asset management platform provides a powerful toolset for the creative control of all files during the production process. From ingest to delivery, Flow will tag, organise and manage your media with the ability to automate workflow tasks including transcoding. With the recent addition of AirFlow it’s now possible to remotely access media on your shared storage system for editorial/review, increasing the opportunities for creative development outside the boundaries of your facility.

EMCN-30207 Pacific Highway, St. Leonards, NSW 2065 +61(0)404895176 [email protected] www.emc.com/isilonCOMPANYREPRESENTATIVES:

Dave Illman, Andrew Hood, Leyla Sohi, Rob Beswick, David Rea

Media and entertainment firms seek to increase the value of their media assets by merging creativity with technological breakthroughs. EMC Isilon storage infrastructure helps manage, store, and provide access to rapidly growing libraries of media content for post production, media

broadcasting, OTT content delivery distribution and disk-based active archives.

EMC Corporation is a global leader in enabling businesses and service providers to transform their operations and deliver IT as a service. Fundamental to this is Cloud Computing.

Meet with our industry specialists to discuss your needs for efficient, high-performance, cost-effective storage based on scale-out software-defined storage principles.

EMC Isilon is used today by over 6,000 customers worldwide and is the #1 choice for the media industry.

ERICSSONO-11Level 8, 11C Talavera Road, North Ryde 2113 +61 2 9111 4999 [email protected] www.ericsson.com/tv-media


Adam Cleary, Regional Sales Manager, ANZA

Join Ericsson team of TV experts at SMPTE 2015 and learn the hottest trends and technologies including 4K experience, DVB-S2X integrated solution & DVB-T2 demo.

Ericsson will demonstrate the latest technologies enabling the future of TV services, and show how Ericsson can help you tackle all challenges and leverage the opportunities to improve customer’s experience.

EUREKAPACIFICPTYLTDC-4476/23 Narabang Way, Belrose NSW 2085 02 9450 1128 [email protected] www.eurekapacific.comCOMPANYREPRESENTATIVES:

Alexei Mazin, Jacob Barker, Dominic Harland

EDITSHARE B-59

For over a decade EditShare has delivered highly scalable shared storage systems that enable media professionals to collaborate and create outstanding content. With our companion asset management and archiving solutions, EditShare’s media storage and management tools have increased productivity across broadcast and media enterprises around the globe.

The XStream shared storage range enables the worlds leading creative facilities to collaborate and deliver content on time and within budget. From capturing media in the remotest locations to managing petabytes of data for the largest media organizations, there is an XStream storage system for every scenario. And XStream storage is different because every model is shipped with our integrated Flow media asset management (MAM) platform. XStream EFS is the latest addition to EditShare’s shared storage product line, offering unmatched performance and resiliency for real-time workflows. XStream EFS gives mission-critical media workgroups an open storage platform with smart collaboration features, such as project sharing, combined with blazing-fast performance, multiple levels of redundancy and tremendous scalability.

EditShares Flow media asset management platform provides a powerful toolset for the creative control of all files during the production

process. From ingest to delivery, Flow will tag, organise and manage your media with the ability to automate workflow tasks including transcoding. With the recent addition of AirFlow it’s now possible to remotely access media on your shared storage system for editorial/review, increasing the opportunities for creative development outside the boundaries of your facility.



Eureka Pacific and GB Labs will be demonstrating Space, a range of lightning fast network storage devices, on stand C-44. With the arrival of HyperSpace, an HDD-based Tier 1 shared storage that can be accelerated for 4K workgroups and support for DPX workflows.

A single HyperSpace SSD accelerator unit adds up to 400% more performance to Space tier 1 configurations. Any new Space configuration can be enhanced with HyperSpace, including enhanced and expanded multi controller multi-Petabyte systems. The unit is the ideal solution for customers needing to support the largest HD workgroups and 4K workflows.

GB Labs will also demonstrate a complete range of online, nearline and offline storage systems optimised for the most demanding media environments. Whether making the transition to UltraHD or investing in massive archive storage, come and speak with the team.

FFILMHELICOPTERSPTYLTDA-09 0418 381 327 [email protected]:

Nathan Tomlinson

FLANDERSSCIENTIFICINCA-02 6215 Shiloh Crossing Suite G Alpharetta, GA, USA +1 678 835 4934 Email: [email protected] www.flandersscientific.com COMPANYREPRESENTATIVE:

Bram Desmet

Flanders Scientific is an Alpharetta, GA, USA (Atlanta Metro Area) based company offering high quality professional equipment to the broadcast and post production industries. In addition to our Atlanta area headquarters FSI also operates a sales and service center in Lier, Belgium providing direct service to customers throughout Europe. For support from either location please contact us at [email protected] ShopFSI.com is the online storefront for FSI’s US office. We invite you to purchase from this website directly or contact us at +1.678.835.4934 if you prefer to order by phone. Flanders Scientific sells directly to end users worldwide and ships to over 140 different

countries (see below for European Orders). Our Alpharetta, GA office is open from 9am-5pm ET Monday through Friday.

FLYINGDRAGONCINEMATOGRAPHYPTYLTDL-3661 Alma Road, St Kilda VIC 3182 1300 733 226 [email protected] www.flyingdragon.com.auCOMPANYREPRESENTATIVES:

Christopher Lansell, Sean Kane, Josh Gay, Forest Toime

Flying Dragon is a world leading aerial drone cinematography and photography company based in Melbourne Australia. We deliver only the highest quality in aerial cinematography to both local and global clients.

Flying Dragon flies bold new lines in aerial

drone cinematography. We have introduced new techniques and technology designed to achieve the unachievable shot. We fly with precision and we fly faster than anyone else in this emerging field of film.

Our background first and foremost is in cinematography with an emphasis both on the aesthetics of the frames captured and of dynamic motion. This deep cinematography knowledge is complimented by state of the art expertise in remote control flight. It is this combination that allows a true artistry in producing stunning images that are exactly what film professionals are looking for.

Audited by our professional aerial cinematography team you can ensure you are getting the very best selection of products from professionals and certified CASA pilots. We know and use these products to achieve the highest standard of filming quality for a wide variety of global clients.




FLYINGFEATURESC-6247 Barkly Street, Brunswick East, VIC 3057 0416061713 [email protected] flyingfeatures.comCOMPANYREPRESENTATIVES:

Adam Huddlestone, Peter Davis

Flying Features will be displaying the very latest in gyrostabilised filming technology: our GSS C516 gimbal. Capable of being mounted on cranes, boats, cars, railcameras, wirecameras together with its traditional home mounted on a variety of helicopters, this exciting new technology has opened up new avenues of creative options for directors and producers alike. On our stand will be the physical unit and control panel, together with showreel footage from the C516.

We will be demonstrating the ease with which cameras and lenses are interchangeable with this unit, minimising rig time and downtime on set when lens and/or camera changes are needed.

FPVAUSTRALIA&MONGRELGEARL-04PO Box 612, Yass, NSW 2582 02 6112 8551 [email protected] fpvaustralia.com.auCOMPANYREPRESENTATIVES:

John Fleming, Dean Casciato, Chantal Fleming

FPV Australia & Mongrel Gear were established in 2007 to deliver quality RPAS/UAV related products and services to Australia and the world. FPV Australia’s RPAS Certification courses are considered to be the best in the country, and were the first of their kind to be certified by CASA. These courses are delivered Australia wide by the most experienced and respected instructors in the country, and have put FPV Australia at the forefront of the RPAS/UAV industry.

FUJIFILMN-01114 Old Pittwater Rd, Brookvale NSW 2100 02 94662963 [email protected] www.fujifilm.com.auCOMPANYREPRESENTATIVES:

Marc Van Agten, Simon Murphy, Chris Royal, Simon Becker, Philip Cannon

Fujifilm Lenses offer a wide product line-up ranging from cine lenses to TV lenses for high-definition broadcasting, including sports broadcasting and studio production.

GGATESAIRA-695300 Kings Island Drive Suite 101Mason, 45040, Ohio USA +1 513-459-3400 [email protected] www.gatesair.comCOMPANYREPRESENTATIVES:

Yvette Payne, Darren Frearson, Alex Ng

GatesAir provides complete solutions for over-the-air radio and television broadcasting, leveraging wireless spectrum to maximise performance for multichannel, mission-critical services. Powering OTA networks worldwide with unparalleled reliability for nearly 100 years, GatesAir’s turnkey solutions enable broadcasters to create, transport and transmit radio and TV content.

In broadcasting, GatesAir powers OTA analogue and digital radio/TV stations and networks worldwide with the industry’s most operationally efficient transmitters. The company continues to innovate new design efficiencies with each product generation that reduce size, energy use and more to establish the industry’s lowest total cost of ownership.

GatesAir’s innovations extend to the radio studio, where we help our customers create and manage content across on-air and production facilities in alignment with today’s rapidly evolving requirements. This forward-looking philosophy extends to innovations in media transport, where both broadcasters and public safety/emergency response teams utilise our solutions to reliably move voice, data, audio and video between locations using traditional and emerging connections, from RF to IP.

GatesAir is investing in the future and staying on the cutting edge as new technologies emerge, helping customers monetise new opportunities while serving the audiences that depend on their content.

GBLABSC-4476/23 Narabang Way, Belrose NSW 2085 02 9450 1128 [email protected] www.gblabs.comCOMPANYREPRESENTATIVES:

Alexei Mazin, Dominic Harland, Jacob Barker

GB Labs, the manufacturer of the Space range of super fast network storage devices, will introduce HyperSpace at SMPTE15. This HDD-based Tier 1

Shared Storage Solution, can be accelerated for 4K workgroups and support for DPX workflows.

A single HyperSpace SSD accelerator unit adds up to 400% more performance to Space Tier 1 configurations. Any new Space configuration can be enhanced with HyperSpace, including enhanced and expanded multi controller multi-Petabyte systems. The unit is the ideal solution for customers needing to support the largest HD workgroups and 4K workflows.

GB Labs will also demonstrate some of the range of online, nearline and offline storage systems optimized for the most demanding media environments. Whether you are making the transition to UltraHD or investing in massive archive storage, come and speak with us on stand C-44.

G.KAYPTYLTDE-36 [email protected] 02 9899 7714

COMPANYREPRESENTATIVE:

Greg Kay

G. Kay Productions Pty Ltd is a Sydney based broadcast and corporate video camera Crew Company. With more than 30 years’ experience in the Australian and New Zealand television industries. We can provide top quality services for your next production in Australia.

GOPROC-123000 Clearview Way, San Mateo 94402 CA USA +61 1 300137021 [email protected] gopro.com

GRASSVALLEYABELDENBRANDB-41

Unit 8, 372 Eastern Valley Way Chatswood, NSW 2067, Australia +61(0)2 84671670 www.grassvalley.com

For more than 55 years, Grass Valley, a Belden Brand, has worked closely with broadcast and media companies to produce and deliver compelling content. Grass Valley uses the industry’s widest array of broadcasting solutions and unparalleled depth of experience to provide




leadership and guidance to broadcasters, helping them set a course for a strong, enduring and profitable future.

Grass Valley has the largest solutions delivery and support team of any broadcast solutions provider in Australia and NZ, so broadcasters in the region can confidently partner with Grass Valley.

HHILLSA-01Level 7, 130 Pitt Street, Sydney NSW 2000 +61(0)292165558 [email protected] www.hills.com.auCOMPANYREPRESENTATIVES:

Ashleigh Sheehan, Blake Kirby, Richard Neale,

Hills is Australia’s leading distributor of audio visual technology. We provide premium AV products for industries including broadcast media and entertainment. Hills is the proud distributor of AKG, one of the leading pro audio solutions relied upon by recording studios, radio and TV stations, opera

houses and famous stages worldwide.

Visit Hills at SMPTE to discover AKG’s high-quality microphones, headsets and wireless-equipment including the brand new C314 Microphone - the latest sibling from one of the industry’s most widely used and iconic studio and stage microphone the C414 and the new DMM Digital Auto Mixers.

DMM Digital Auto Mixers, made in Germany, are ideal for large meetings, conferences and broadcast. Extensive DSP function ensures precise mixing of up to 140 channels by cascading multiple units together. The ULD version incorporates a highly sophisticated DANTE chip, making it an outstanding tool for broadcast applications. In addition to AKG, speak to the Hills team about Samsung’s digital signage, Exterity’s IPTV and broadcast video products and a range of antenna and communications solutions.

HWTECHNOLOGIESB-65

Unit 2, 33 Daking Street North Parramatta NSW 2151 02 9683 4008 [email protected] www.hwtechnologies.com.au


Hugo Waibel, Adrian Pinto

HW Technologies provides the latest technical solutions for Australian industry. With our global contacts we source and advise on customised solutions in production, acoustics, energy and ergonomic workplaces.

Our partners are industry leaders with the very highest reputations for innovation, quality and reliability. In Australia and New Zealand, we provide an extended service that includes customisation, consultancy, trouble shooting as well as extensive after sales support and service.

gfai Tech - Acoustic cameras for the visualisation, precise location and analysis of sound. The acoustic camera is a light-weight, modular and therefore flex-ible system which is rapidly set up and ready to use. After a few minutes, you get the first acoustic images on your computer screen. The software allows a clear, exact and fast analysis of noise sources.

II.R.T.COMMUNICATIONSPTYLTDD-02Unit C1, 15 Narabang Way, Belrose NSW 2085 02 9986 2199 [email protected] www.irtcommunications.comCOMPANYREPRESENTATIVES:

Andrew Larkin, John Dinnie, Nigel Davies, Nenad Radoman (SBC)

I.R.T. Communications (formerly trading as IRT Electronics) will be showing our current range of Eurocard and openGear cards for signal distribution, switching, network adaptation and fibre links.

This year we are introducing a 16 x 3G/HD/SD/ASI + Ethernet fibre link in a compact 1RU chassis. A built in embedded web server allows monitoring via a standard web browser. Options allow for 16 forward; 12 forward + 4 reverse;and 8 forward + 8 reverse operation with or without bi-directional ethernet capability.

We have also teamed up with Sydney Broadcasting Company (SBC) to provide complete project solutions and will be showing some of the latest signal conversion and multimedia routing equipment currently available.

ICPGLOBALPTYLTDL-30603/152 Bunnerong Road, Pagewood NSW 2035 02-93142092 [email protected] www.icpglobal.com.au

GRASS VALLEY, A BELDEN BRAND B-41

At SMPTE15, we will showcase a wide range of our cutting-edge technologies that help broadcasters improve efficiency and tell better stories. It starts with content acquisition and our wide range of high quality broadcast cameras, including the new LDX 86 Universe. This single camera meets all of your operational needs from single-speed HD up to crisp 4K and everything in between – and is uniquely switchable between formats using Grass Valley’s software e-licenses. The new, highly affordable HD system camera, the Focus 70 Live will also be featured, as will the RS-LDX integrated robotic camera solution.

Live production truly comes alive with dynamic slo-mo and instant replay that keep viewers closer to the action. Grass Valley solutions including the K2 Dyno Universe replay system packages will be on-hand with dazzling 6X super slo-mo and 4K replay options; the Karrera K-Frame video production centre delivering more creativity to create compelling and

engaging content with multi-format support including 1080p and 4K; the Kaleido Multiviewer for unmatched picture quality and layout flexibility; and GV STRATUS video production and content management platform with EDIUS is a convenient and powerful tool to keep your workflow optimized.

For playout, we will demonstrate our iTX inte-grated playout platform with Vertigo XG for rich graphics—the industry-leading solution for broad-cast customers with an all-new processing engine built specifically to handle the rigors of automated playout while integrating dynamic, live action.

Grass Valley will also be discussing its detailed roadmap of Glass-to-Glass IP solutions— including steps customers can take immediately to begin taking advantage of the flexibility and agility that IP has to offer. This comprehensive approach to a broadcast IP migration is built on open standards and focused on supporting the specific challenges of live production





David Littlejohn and Patrick Chong

Authorised distributor of IHSE GMBH. Enterprise KVM

IEEEBROADCASTTECHNOLOGYSOCIETYN25445 Hoes Lane, Piscataway, New Jersey, 8854, USA +1 732-562-5407 [email protected] bts.ieee.org

IEEE BTS president William Hayes will be at the booth as well as IEEE BTS staff, Amanda Temple. We will be there to answer any questions with regards to BTS membership, events, benefits, etc. Broadcasting is a one-to-many communication service in which the transmissions are intended for direct reception by the general public or a target audience, which may include audio, video and/or data services. The field of interest of the IEEE Broadcast Technology Society (BTS) shall encompass devices, equipment, techniques, and systems related to broadcast technology, including the production, distribution, wired and wireless transmission, propagation aspects and reception.

IFMAGAZINEM-0341 Bridge Road, Glebe, NSW 2037 02 85866177 [email protected] www.if.com.auCOMPANYREPRESENTATIVES:

Mark Kuban, Emily Blatchford, Ash Ravi

IMAGINECOMMUNICATIONSA-05Suite 2, Level 1, 13 Narabang Way Belrose, NSW Sydney 2085 61-2- 94794900 [email protected] www.imaginecommunications.comCOMPANYREPRESENTATIVES:

Richard Hewitt, Craig Stokes

Imagine Communications hosts daily Solutions Workshops focused on ways to assist customers considering migration paths to a future defined by IP, software-defined networks and workflows, virtualization and multiscreen. Imagine’s next-generation video infrastructure and workflow management solutions provide practical solutions to help media companies transition from legacy, proprietary hardware to IP-enabled, software-defined and cloud-virtualised environments that provide the freedom to grow, change and adapt as and when they are ready.

The daily Solutions Workshops, hosted by Imagine, focus on ways to simplify the creation and management of a new channel with the use of VersioCloud, the industry’s premier IP-enabled, software-based, integrated cloud playout platform running on commercial off-the-shelf (COTS) IT platforms.

Also featured is CloudXtream, a comprehensive cloud video platform for multiscreen video distribution and monetisation. The industry’s first cloud-enabled platform, CloudXtream is designed to meet the growing and complex array of video distribution requirements, including live video, video on demand (VOD), cloud DVR (cDVR), dynamic ad insertion (DAI), packaging, encoding, transcoding, storage management and cloud orchestration.

Imagine Communications also highlights the use of IT/IP technologies to build out flexible television infrastructures, using software defined networking. Featuring the Magellan SDN Orchestrator software control system, SDN can manage hybrid facilities to protect customers’ existing baseband investments, while providing a clear path to an open, interoperable and IP-based future.

Join the Solutions Workshops for more information on planning the transition to a future defined by IP, software-defined networks and workflows, virtualisation and multiscreen.

INTERFACETECHNOLOGIESAUSTRALIAPTYLTDC-56Unit 3, 20 Barcoo Street, Roseville NSW 2069 02 9029 7144 [email protected] www.interfacetech.com.au

ADTEC Digital, Barnfind Technologies AS DekTec Digital Video B.V.

On display will be: ADTEC DSNG Encoders and Decoders, DekTec stream analysis software, Barnfind Fibre Transport hardware.

INTERRASYSTEMSC-591601 S. De Anza Blvd, Ste 212, Cupertino California 95014, USA +408-579-2000 [email protected] interrasystems.comCOMPANYREPRESENTATIVES:

Kanishka Tongya, Sr. Manager, Business Development

Interra Systems will demonstrate the latest version of its products for video analysis and quality control at SMPTE15 in Australia.

Interra Systems’ Baton is the leading enterprise-class QC solution delivering productivity gains to

global telcos, broadcasters, postproduction houses, IPTV and archiving companies working with file-based content.

We have recently released the new Baton 6.0 product, packed with powerful new features to support multi-language support, support for wide range of media formats, enhanced audio and video quality checks, extensive verification, robust error reporting and debugging, an intuitive web-based interface, and enterprise scalability. Baton 6.0 also features multi-severity quality checks, a feature that is unique to only Baton. The latest version of Baton comes with the Baton Media Player (BMP) included as a browser-based plugin.

Our new product, Baton+ offering extends the value proposition embodied in Baton. Baton+ is designed to work across multiple Baton installations and provides functionalities like workflow QC, data analytics, and centralised management console.

Orion is a leading edge real-time enterprise-class content monitoring solution that offers a simple, yet powerful approach to content monitoring in a single, integrated platform and enables service providers to deliver error-free, superior quality video. We will also showcase the Orion 1.7 product at the show, which now monitors all aspects of transport streams: content structure, composition, programs, audio-video quality checks, and advanced functions such as digital program insertion (DPI).

INTRAWAREAUSTRALIAP-04Level 4, 97 Pacific Highway North Sydney, NSW 2060 +61 2 9439 0244 [email protected] www.intraware.com.auCOMPANYREPRESENTATIVES:

Intraware - Wayne Morphew, Steve Baird, Norah Boyle, Maria Jean; The Foundry - Michael Kain, Mariana Acuna; ScaleLogic - HJ Rorke, Bob Herzan; QStar - Dave Thomson; FlavourSys - Derek Barrilleaux; Promax - Robert Stacy

The Intraware booth will be showcasing industry leading technology solutions from a variety of our valued suppliers covering Media and Project Asset Management, Archiving Solutions, Storage Workflow Servers, Expansion Technology, Virtual Reality and High End Visual Effects Software. With international guests from The Foundry (Visual Effects and Virtual Reality Technology), Empress (Media Asset Management), Promax (Workflow Servers and Archive Appliances), Sonnet Technologies (Thunderbolt Expansion Devices), ScaleLogic (High Performance SAN and NAS File Systems), FlavourSys (Project Asset Management) and QStar (Network Data Migration and Archive Management) it will be a great opportunity for visitors to see and




discuss their business challenges and receive expert advice and information. A small theatre will showcase showreels from our wonderful Australian and New Zealand end users as well as serving as a venue for demonstrations on The Foundry products.

Other technologies from Marquis Broadcast (Avid Project Parking), JLCooper (Control Surfaces), ASG (Digital Archiving Software) will also be on display.

JJANDSPTYLTDC-2840 Kent Road, Mascot NSW 2020 02 95820909 [email protected] www.jands.com.auCOMPANYREPRESENTATIVES:

Mitchell Lockyer-Lane - Audio Systems Specialist, TRG, Eddie Welsh - Lighting Applications Engineer, Jands, Simon Tye - Lighting & Staging Application Specialist, TRG, Jeff MacKenzie - Technical Resource Group Manager, TRG

The Jands booth will consist of new and exciting product and technology from the following manufactures; Shure, Studer, BSS, JBL, Crown, Soundcraft, Clear-Com, JANDS, ETC, Chroma-Q.

JOHNBARRYSALESD-381, 706 Mowbray Rd, Lane Cove NSW 2066 +61412540960 [email protected] www.johnbarry.com.auCOMPANYREPRESENTATIVES:

Andrew Neilson, Georgina Gelai, Josh Papp, Richard Curtis, Akiko Usui, Gabriel Benitez

Products on display: From Freefly, the new ALTA Aerial Platform, configured with the Movi M15 gimbal mounted with an ARRI Alexa Mini and controlled via the Freefly Mimic, the most intuitive gimbal controller yet.

There will also be exhibition flights of the Freefly ALTA in the Drone Zone:

11:15-12pm and 3pm-3:45 Tuesday & Wednesday 11:15-12pm on the Friday 1:30-2:15pm.

�� Ignite Films will be on hand to demonstrate and talk about the Freefly ALTA

�� IDX Wireless HD video transmitters, professional Batteries, Chargers & V Mount accessory plates. Akiko Usui from IDX will be available to meet

customers & answer questions.

�� Sound Devices - Recorders/mixers. Gabriel Benitez from Sound Devices will be available to meet customers & answer questions

�� Orca Bags - new range of audio, camera & production bags

�� Lectrosonics - New L Series wireless microphone products. Features include wide tuning bandwidth, Digital Hybrid Wireless technology

�� Connex by Amimon - Connex is the ultimate wireless HD video link for UAV professionals

�� SHAPE Camera supports - New products include the Atomos Shogun cage

�� Zylight LED lighting - IS3c Cyc & F8 Fresnel series

�� Cineo Lighting - LED Phosphor panel lighting, including Maverick, Matchstix & Matchbox lights

�� Kino Flo - CELEB series LED lighting

�� Sanken Microphones

�� Manfrotto - Video tripod supports & Cine Lighting stands

�� Ambient - Microphone Boompoles & Timecode solutions

�� Film Gear Lighting - Tungsten & HMI & LED

�� Litepanels - LED lighting

KKAYELLAUSTRALIAB-2630 Whiting Street, Artarmon NSW 2064 02 8423 7700 [email protected] www.kayellaustralia.com.au


Josh Harvey, Nicki Vinnicombe, Luke McCormac, Paul Reid

Kayell Australia represents some of the biggest names in the industry with leading brands such as SmallHD, Redrock Micro, Kinotehnik, Westcott, Cinetics, Lastolite, Datacolor, CamRanger, Tether Tools, Aputure and more represented exclusively in Australia.

Kayell Australia is also a retailer for Blackmagic Design, GoPro, Rode Mics, Zoom, Canon, Nikon, Eizo, DJI, Zeiss, Rosco, Pocket Wizard, Sekonic, Epson and many more.

With showrooms in Sydney and Melbourne and representation in Brisbane Kayell Australia also provides hire services and support for the products we sell.

KISSENGINEERINGP/LTRADINGASKEREMOTESYSTEMSL-311/28 De Burgh Street, Lyneham ACT 2602 0416171559 [email protected] www.keremote.com.auCOMPANYREPRESENTATIVES:

Peter Daniell

KE Remote systems will be displaying the new StudioMaster 4m Carbon Fibre Studio Crane. This lightweight small footprint crane is perfect for the small to medium studio. The StudioMaster comes complete with the Eagle Remote Head and the New KE Rear control system.

The Eagle Remote Head has been with us for a while now, but this latest version has super smooth control deliver with the new user-friendly touch screen control system. The KE Rear Control System comprises of, rear control handles, Touch Screen Control Unit and a 7” HD Monitor. The monitor and control unit are slaved to the control handles, so as the crane moves up and down the operator always has a clear view of monitor and control unit.

KE Remote Systems also manufactures the KE EMU 10m Carbon Fibre Location Crane. Fully Modular 2m to 10m. If you need lightweight and versatile, this is the crane for you.

KLOTZCOMMUNICATIONSL-222 Ang Mo Kio Street 64 #03-06 Econ Industrial Building, Singapore 569084 +6564841418 [email protected] www.klotzcommunications.comCOMPANYREPRESENTATIVES:

Thomas Klotz, Ian Duddridge

Klotz Communications develops and markets the most innovative, reliable and cost efficient control devices and audio engines for the audio and video industry.

The company strives to fulfil and exceed the requirements of these highly sophisticated markets and works in close partnership with professional users in the international broadcast and public address industries.

Klotz Communications has established close relationships with highly-skilled local partners to guarantee the best possible support for its customers and end-users. Klotz Communications is the inventor of audio and control networking solutions for the audio and media industry. For over twenty years we have been successfully designing, manufacturing, and supplying a broad spectrum of high-quality audio solutions for the Broadcast and Public Address markets.



Our products range from stand-alone On-Air Mixing Consoles for Radio and TV Stations to complete solution packages from simple to highly complex audio and control networking systems. A strong orientation towards innovation, extensive technical knowledge and customer focus form the basis of Klotz Communications high technological standards and have contributed to our excellent reputation. Our customer list reads like a Who’s Who’s of the media industry.

KVMAUSTRALIAN-023/3 LaFayette Blvd, Bibra Lake WA 6163 1800 222898 [email protected] www.kvm.com.auCOMPANYREPRESENTATIVES:

Leigh Campbell, Kurk Brandstater

Specialist importers and distributors of KVM (Keyboard Video Mouse) Technology, including but not limited to KVM switches, KVM Extension Technology, and Digital Signage solutions, which is now converging with the Audio Visual market, KVM Australia is the partner of choice when it comes to KVM or AV technology products.

KVM Australia is the Exclusive Australian and New Zealand Importers and Distributors for Adder technology (UK) and Guntermann and Drunck (Germany), and distributors for Icron Technology (Canada).

As commercial brand importers for leading world class manufacturers such as Adder, Guntermann and Drunck and Icron, to Australia and New Zealand our expertise about KVM technologies combined with high level access to these world class manufacturers enables us to provide Australian integrators and installers with sound technical advice from industry innovators and leaders regarding possible solutions which require KVM Technology or Extension Technology.

We currently supply product to all segments of the market through resellers and integrators, from small integrators to large multinational companies.

LLEMACFILM&DIGITALD-2814-16 Punch Street, Artarmon NSW 2064 02 9438 4488 [email protected] www.lemac.com.auCOMPANYREPRESENTATIVES:

Sue Greenshields, Scott Backhouse, Stuart Pointon, Ross Boyer, Lynn Simpson, Mike Vlack, Matthias Pittner, Danielle Payne, Mandy Williams, Craig Whittle, Tim Schumann, Brett Dwyer

Help us celebrate 40 years at the forefront of the Australian motion picture industry at SMPTE’15. Experts in end-to-end solutions, we will have a vast array of cameras, lenses, monitors, recorders and support equipment on display.

As part of the celebrations we will have a swag of prizes to give away as well as showing all the latest products from our suppliers including cameras from Sony, Panasonic and Canon, the new range of LED lights from Dedolight, Aladdin’s bendy new Flex Light, the new ‘big rig’ from Steadicam the M-1, the Flowcine 2-axis Puppeteer rig, Easyrig Vario 5, and Cintel 4K film scanner as well as the latest in optics, camera support and accessories.

Our Knowledgebank Production Solutions area will have end-to-end displays on live production, streaming and telecine. In the sound department Ross Boyer will be showing all the latest from Zaxcom, Aaton and Sennheiser. Zeiss’s new VR-one goggles will also give you a glimpse into the future of Virtual Reality.

LSCLIGHTINGSYSTEMS(AUST)PTYLTDE-4865-67 Discovery Road, Dandenong South VIC 3175 03 9702 8000 [email protected] www.lsclighting.com


Richie Mickan, Greg Hughes

With a 35 year heritage of designing, manufacturing and distributing leading edge Lighting Control Products for the film and entertainment market worldwide, LSC Lighting Systems has developed a highly regarded reputation for innovation, quality and reliability. LSC will be showcasing a number of new items, as well as displaying many existing products that are well accepted by the film and television fraternity.

LSC’s new products include a range of Film Pro dimmers from 10 to 63 amps per channel, the newly released iGen and iTeko dimmers (which are our new wall mount dimmer/switch rack for both Film and Stage use), and we will also have samples of our DNA range - The smarter way to design and implement your Ethernet & DMX backbone. Our tried and true existing products will also be on show at SMPTE15 and will include our APS and Powerpoint mains power distribution systems, as well as LSC’s Nexus & MDR products (Ethernet and DMX distribution devices).

The Clarity lighting control system, including an LX600 console will also be featured.

LUMINABROADCASTSYSTEMSPTYLTDM-04PO Box 1693, Lane Cove NSW 1595 +61416043532 [email protected] www.luminabsa.com.auCOMPANYREPRESENTATIVES:

Peter Warren – Lumina, Lillian Warren –Lumina, Brian Pocock – Lumina, Lindsay Fietz – Lumina, Arnaud Barthelemy – Advantech, Richard Walshe – Newtec, Dave Melville – Vislink, Chris Tay - Vislink, KK Lim – Xicomtech, Bob Demuth – BE, Patty Perry – BE, Felix Wu - Will-Burt, Hiro Niwa - NTT

Newtec - DVB-S/2X Satellite Modulation, Demodulation, Frequency Converters and RF & L Band Switches for Satellite Teleports, DSNG and Trunking applications over satellite.

Vislink - Portable DSNG MSAT Systems, Wireless COFDM Camera Systems, Hero Go Pro Wireless COFDM System and the new Hybrid 3/4G and 2.5GHz System.

Willburt - New Low Profile Pneumatic Mast, D-TECH11 Safety Detection System and Options

Xicom - New High Efficient TWTA Amplifiers for operators of Teleports and DSNG Systems, high performance at lower power consumption.

ETL - IF & L- band Matrix for small and large applications, IF & L Band Fibre solutions for Satellite/Broadcast apps. Also large range of Component RF/Fibre modules to suit most RF applications.

Mier Communications - Digital MC2 High Efficient Transmitters low to medium powered DVB-T/T2 & DAB+ transmitters with ASI and EDI/ETI Inputs.

Newtec - DVB-S/2X Satellite Modulation, Demodulation, Frequency Converters and RF & L Band Switches for Satellite Teleports, DSNG &Trunking applications over satellite.

Vislink - Portable DSNG MSAT Systems, Wireless COFDM Camera Systems, Hero Go Pro Wireless COFDM System and the new Hybrid 3/4G and 2.5GHz System.

Willburt - New Low Profile Pneumatic Mast, D-TECH11 Safety Detection System.

Xicom - New High Efficient TWTA Amps for Teleports and DSNG Systems, high performance at lower power consumption.




MMADISONTECHNOLOGIESC-45149 Beaconsfield Street, Silverwater NSW 2128 1800 00 77 80 [email protected] www.madisontech.com.au/SMPTE


Ken Kyle, Spencer Preece, Cameron Lucas, David Bet,

Madison Technologies is an Australian supplier and distributor of professional Broadcast and Audio Visual technology products and solutions.

Professional Audio & Broadcast Products:

End to end cabling and connectivity solutions for the broadcast environment, Pre-made cable assemblies, Fibre optic transport systems for broadcast applications, IPTV solutions, DANTE products, announcer and producer consoles, loudspeaker monitor control systems, USB and KVM distribution and extension, digital audio snakes, Digital signage solutions, mobile broadcast streaming solution, video over IP, CatX and optical fibre.

Key Brands: Antik, Belden, Bittree, Icron Technologies, Kings Electronics, Moxa, Opticomm-EMCORE, R&M, SpinetiX, Streambox, Studio Technologies, and more.

Whether it’s setting up an office, upgrading a broadcast facility or stepping into the exciting world of digital signage; Madison’s professional Broadcast and Audio Visual specialists provide an unbeatable combination of technical expertise and quality products.

AV Signal Distribution:

Converters, processors, scalers, distribution amplifiers, hubs, mutiviewers, splitters, video matrix and switchers, video extension, and transport solutions.

Conferencing Products:

microphones, mixers, speakerphones, USB & KVM extension and PTZ HD Cameras.

Digital Signage:

Media players, software, digital signage distribution, commercial displays, cloud monitoring solutions, video walls.

Microphones & Accessories:

Boundary layer, ceiling mount, dynamic, gooseneck, halo, handheld, head-worn, lavaliere, modular, paging, studio, twin-mount, wireless microphones, cough drops, mixers and accessories.

MAGNASYSTEMSANDENGINEERINGO-03,P-01,P-032/28 Smith Street, Chatswood NSW 206702 9417 [email protected]:

Robert Clemesha, Matthew Clemesha, David Clemesha, Barry Pegg, Ian Fellows, Kurt Hauselberger, Lucas Bohm, Dave Demmocks, Tim Banner, Jac Clark, Henry Leung, Val Scharvi

Magna Systems and Engineering will be focusing and demonstrating solutions in the three key areas of: content acquisition, management, and delivery for both traditional broadcasting and new media workflows.

Magna Systems offers the only true and realistic independent alternative for bespoke solutions. This is something we will be promoting in a big way at SMPTE. Our philosophy is to give our clients the best product for the task, not simply the one that’s owned by the same manufacturer.

Highlights on Magna’s stand include solutions from:

�� Appear TV - the company that boasts anything over IP

�� AXON - the conversion, processing, routing and compliance specialists

�� BridgeTech - a demonstration of efficient monitoring

�� ChyronHego - the graphics and branding specialists

�� Crystal Solutions - the network management specialists

�� Enensys - Digital TV transmission systems and broadcast network equipment

�� FileCatalyst - the accelerated file transfer specialists

�� General Dynamics Mediaware - compressed domain digital video processing and digital video technology

�� Ikegami - with their latest 1/3 HC-HD300 camera solution and affordable LCD monitors

�� Klotz Communications - demonstrating their Graphite 3 audio console and their award-winning, fully configurable, tactile, multi-touchscreen TouchStone controller

�� Nevion - and their compact Flashlink transport system family

�� Oracle - the technology giant demonstrating its Front Porch Digital DIVArchive, tape library and ZFS3 flash drive server

�� Pebble Beach Systems - a demonstration of their powerful Marina automation and Dolphin systems

�� RTS Telex - the giants of intercom and talkback

�� TAG Video Systems - and their clever VM9000 IP multi-viewer

�� domain digital video processing products and digital video technology

�� Tedial - the highly acclaimed MAM specialists

�� TVU Networks - the mobile broadcasting specialists

MEDIALINKS(MLAUPTYLTD)A-032-12 Rokeby Street, Collingwood, VIC 3066(03) 94161513jim.maniatis@medialinksaustralia.com.auwww.medialinks.comCOMPANYREPRESENTATIVES:

Jim Maniatis

Media Links Australia, 2014 Technology and Engineering Emmy Award winner, and the market leader in media and data transport over IP solutions will demonstrate an innovative Live Remote Production IP Delivery concept. The new products will compliment existing MD8000 networks and will drive the next generation of media delivery via innovative IP technology.

Media Links will be showing live, uncompressed 4k through the MDX-2040 core switch. In addition, a ‘Live-to-File’ delivery workflow and the H.264 compression codec will be unveiled in Sydney. The innovations enable leading edge 4k media transport and allows for efficiency gains in broadcast production workflows.

Media Links is actively involved with interop committees for the standardization and advancement of broadcast technologies. Media Links participates in a number of events, giving broadcasters and network service providers the opportunity to speak directly with representatives.

MEDIAPROXYPTYLTDE-1210 Westall Road, Clayton South, VIC 3169+61 3 9549 [email protected]:

Erik Otto, Richard Tooley, Max Quenette

Mediaproxy provides complete solutions for the monitoring and logging of multi-channel media content and meta data to broadcasters, IPTV, cable, OTT and satellite providers around the world.

The versatile LogServer software provides news monitoring, content matching and analysis across SDI, ASI and IP, OTT streaming sources.

The unique LogPlayer user interface allows for extensive search, export and transcoding including verification of closed captions and Loudness,



multiple across distributed servers.

Mediaproxy will also demonstrate the latest version of Catapult, a high-speed network transfer software solution. Catapult delivers an easy to use, high-speed point-to-point data transfer application available for Windows, Mac OS X and Linux platforms. Addressing the shortcomings of common network protocols such as FTP, NFS and SMB, Catapult enables you to efficiently utilise internet and VPN connections, irrespective of network latency and packet loss.

MEDIATECASIAPACIFICOS-18&OS-2584-86 Micro Circuit, Dandenong VIC 317503 8768 6400sales@mediatecgroup.com.auwww.mediatecgroup.com.auCOMPANYREPRESENTATIVES:

Ben Claydon & Steve Letch

Mediatec provides video production solutions for the Broadcast, Sports, Event and Festival markets throughout Australia and the Asia-Pacific region. Mediatec has an expansive inventory of HD cameras, LED screens, specialised projection equipment, and a growing fleet of OB trucks fitted with the latest in video, audio and communications equipment. The team at Mediatec is a group of highly skilled professionals who over the past 20 years have delivered video production of unsurpassed quality to Australia’s major television networks, sporting events, concerts and festivals.

MILLERCAMERASUPPORTEQUIPMENTL-2030 Hotham Parade, Artarmon NSW 2064029439 6377sales@miller.com.auwww.millertripods.comCOMPANYREPRESENTATIVES:

Neil Perry - Sales Manager Australia & New Zealand, Daniel Sissons - Customer Service Sales Representative, Charles Montesin - Global Sales & Marketing Manager

Miller Camera Support Equipment will be located at the Hall of Industries adjacent to Conference Area 1. We will be showcasing our extensive range of Fluid Heads and Tripod Systems. Drop in and say hello.

MOJOMEDIASOLUTIONSD-49 Foley Place, Castle Hill NSW 215402 8850 [email protected]


Stuart Monksfield, Graham Bennett, Colorfront Staff, SGO Staff

POSTPRODUCTION

Working natively with high-resolution raw camera files, we will showcase an end-to-end fast & efficient workflow from COLORFRONT ON-SET-DAILIES > Editorial > SGO MISTIKA Advanced AAF Conform > SGO MISTIKA On-Line/Grading/Finishing > COLORFRONT TRANSKODER Mastering/Versioning including DCP & IMF package creation.

REDEPIC&DRAGON

If you shoot with RED cameras you will be familiar

with the magenta contamination of the blue hues, creating muddy looking skies and water. You must come and see what ACHTEL’s TrueBlue custom optical filter can do to fix this problem.

MONITORS&CALIBRATION

We specialise in and supply monitors from Dolby, Canon, Sony, Panasonic & Eizo. Including reference quality grading monitors for UHD/4K and HDR. We offer a complete service including on-site calibration.

TECHNICALSERVICES

It’s what we do and how we do it that makes us so successful. Solutions, not excuses. Support, not attitude. What can we do to help you?

ONAIR SOLUTIONS E-04

Visit OnAir Solutions at SMPTE2015 stand E04 to see our complete range of video and audio solutions for broadcast and live-to-web.

ATEME is the leader in high quality video compression for broadcast and broadband. At SMPTE we will be showing ATEME’S file based encoding technology, with 4K/UHD H265 content on display.

LIVEU is the industry standard in cellular video links. See your camera’s new best friend, the miniature LU200. Or for High Definition live broadcast, the LU500 is the industry standard in mobile uplinks. LiveU representatives will be on hand to answer any technical questions and offer advice on how other international customers are using their solutions.

The LOGITEK ELECTRONIC SYSTEMS range of networked consoles will be on display at SMPTE. See the flagship Mosaic2, mid-line ROC and the value Pilot consoles, fully networked on Logitek’s JetStream Plus & Mini audio engines. Logitek Australia pre-wired racks will also be on show, so you can see how we can build you an entire radio station in just a few easy to deploy racks. Logitek US President Tag Borland will be joined by Logitek Australia staff to give detailed hands-on demos of the complete Logitek range and discuss how to rebuild your radio station in record time.

GNURAL NET LiveToAir is a remote guest and web call-in management system, featuring 4

HD-SDI outputs, IFB and return vision. Its web-based call-in technology allows shows and networks to control the end-to-end branding, and doesn’t require licensing or logo insertion in your content. See the LiveToAir system running with a NewTek Tricaster 8000.

WORLDCAST SYSTEMS range of APT audio codecs, AUDEMAT monitoring equipment and ECRESO transmitters is also available from OnAir. Kevin Campbell from WorldCast will be on hand to show you through the entire range of products.

In addition, OnAir Solutions can discuss the range of SENCORE video delivery solutions, and VOLI-CON professional broadcast monitoring systems. We also have a range of equipment available for event hire, including LiveU units, NewTek TriCast-ers and BlackMagic Design accessories.




NNEXSANBYIMATIONE-18Level 3, 21 Solent Circuit, Baulkham Hills NSW 215302 8858 [email protected]:

Sean Byrne - Regional Sales Manager, Kai Huang - Regional Sales Manager, Gabriel Dubic - PreSales Systems Engineer

Nexsan by Imation has storage solutions for every Media and Entertainment need.

M&E users will appreciate the unified hybrid flexibility of our NST family, which combines remarkable SSD-rivalling performance with the efficiency of deploying NAS and SAN storage in a single array.

The E-Series blends high-density capacity and energy-saving efficiency, while Assureon offers an active archive solution that makes it easy to maintain superior file security and integrity while still keeping video content readily accessible.

An ideal choice for video production and storage, the easy-to-add modular capacity of the E-Series lets you expand your media storage as your needs grow.

Combining superior performance and scalability with support for both NAS and SAN storage in a single array, NST excels in M&E environments.

More than just a security solution, Assureon can reduce storage costs and boost production efficiency all while protecting your high-value video content. File fingerprinting ensures unrivalled file security and integrity Serial numbers are used to ensure no media files are missing or inappropriately added.

OONAIRSOLUTIONSE-04

Unit 2, 16 Lexington Drive, Bella Vista NSW [email protected]


Paul Dengate, Craig Wilson, Elizabeth Reilly, Ned Jeffery, Phil Hertenberger.

OnAir Solutions and Logitek Australia are suppliers and system integrators of leading products for television, radio and live-to-web. At SMPTE2015 representatives from LiveU, Logitek and WorldCast Systems will be available to demo their latest products and answer any questions. In addition we will be showing solutions from APT, ATEME, Audemat, Ecreso, Gnural Net, NewTek TriCaster, Sencore and Volicon.

PPACIFICLIVEMEDIAPTYLTDL-01Level 5, Nexus Norwest, 4 Columbia Court, Baulkham Hills NSW 215302 8458 [email protected]

LiveU, Sencore, GnuralNet, NewTek, WorldCast Systems, and Radio+Video. Pacific Live Media will showcase specialist technologies for the transmission and monitoring of Live Media transmission.

From the flagship LiveU Cellular Bonding solution, through to the unique Multi-Channel remote guest solution Gnural Live-To-Air with Call In Manager, Pacific Live Media can get your pictures in or our of your production.

Once you have worked so hard to make that pro-duction a success, how do you know your pictures are staying great all the way through the chain?

PANASONIC AUSTRALIA L-03

At SMPTE2015 Panasonic will be showing its extensive range of professional and broadcast products featuring the new AG-DVX200G 4K 4/3-sensor camera and AW-HEA10 control assist camera, Ver4.0 firmware for the Varicam cameras and IT workflows for the AJ-PX series of P2HD cameras .

The new AG-DVX200G is the world’s first 4/3-sensor large format camcorder with integrated zoom lens. Capturing stunning imagery by virtue of an advanced large format 4K imager combined with a cutting-edge 4K video processing engine and a LEICA DICOMAR 4K 13x zoom lens the AG-DVX200G seamlessly blends the aesthetics of shallow focus, attractive Bokeh with an amazing 12 stop dynamic range and VariCam style V-Log L processing. To make the whole package easy-to-use a newly designed lens-integrated body provides excellent mobility and extra flexibility.

http://pro-av.panasonic.net/en/dvx4k/index.html

The AW-HEA10 Control Assist Camera system makes controlling Panasonic integrated pan/tilt/zoom cameras an easy “tap-n-go” process. When connected commonly used gesturing/

hand movement on an IPad will control the connected remote camera

http://pro-av.panasonic.net/en/sales_o/camera/aw-hea10/index.html

The Varicam35 and VaricamHS camcorders will be on display equipped with new Ver4 firmware which enhances an already extensive list of functions. Ver. 4 firmware introduces anamorphic lenses support, ProRes 4444 (HD) on the main recorder, PreRec in ProRes and flexible ISO settings below ISO800/ISO5000 as well as other exciting functions.

http://pro-av.panasonic.net/en/varicam/index.html

Revolutionary new IT based broadcast media workflows are built into the new AJ-PX270EN, AJ-PX380G, AJ-PX800G and AJ-PX5000G P2HD camcorders. By utilising IT networks the new functions revolutionises workflow through increases content delivery and flexibility.

http://pro-av.panasonic.net/en/p2cast/index.html



Pacific Live Media will also showcase a range of monitoring and verification tools for live transmission in RF, ASI and IP Distribution Networks, OTT delivery even down to file verification. All solutions include the emerging HEVC standard.

PANASONICAUSTRALIAL-03

1 Innovation Road, Macquarie Park NSW 2113broadcastsales@panasonic.com.auwww.panasonic-broadcast.com.au


Mathew Alexander, Rob Myers, Sandro Ricci

The Panasonic booth will be showcasing new camcorders for ENG, EFP and digital cinematography, revolutionary new IT based broadcast media workflows, a wide range of HD integrated pan/tilt/zoom cameras and AV technologies for broadcast and beyond.

For the first time in Australia the new and ground-breaking AG-DVX200G 4K camcorder will be on display. The AG-DVX200G is the world’s first 4/3-sen-sor large format camcorder with integrated zoom lens. Capturing stunning imagery by virtue of an advanced large format 4K imager combined with a

cutting-edge 4K video processing engine and a LEICA DICOMAR 4K 13x zoom lens the AG-DVX200G seam-lessly blends the aesthetics of shallow focus, attrac-tive Bokeh with an amazing 12 stop dynamic range and VariCam style V-Log L processing. To make the whole package easy-to-use a newly designed lens-integrated body provides excellent mobility and extra flexibility. Within a custom built mini-set the Varicam35 and VaricamHS camcorders will be on display showcasing Ver. 4 firmware, which enhances an already extensive list of functions. Ver. 4 firmware introduces anamorphic lenses support, ProRes 4444 (HD) on the main recorder, PreRec in ProRes and flexible ISO settings below ISO800/ISO5000 as well as others. For details come visit the booth.

Revolutionary new IT based broadcast media work-flows are built into the new AJ-PX270EN, AJ-PX800G and AJ-PX5000G P2HD camcorders. The function means that users can use live streaming, FTP upload and/or cloud based workflows such as P2-Cast or LiveU without a total re-investment in cameras.

Also on display will be a wide range of HD integrated camera systems including the new AW-HEA10 Control Assist Camera system.

POND5L-11155 Wooster St, 8th floor, New York, 11012 USA+1 [email protected]


James Wright, Steve Pefiel, John Fallon

Pond5 will be exhibiting their collection with visual reels and guided tours through their vast trove of creative media assets.

PROFESSIONALAUDIO&TELEVISIONPTYLTDB-11

Unit 5, 8 Leighton Place, Hornsby NSW [email protected]


Patrick Salloch, Adam Langham, Glenn Beaumont, Nicholas Brown, Meredith Buckton

Professional Audio & Television Pty Ltd (PAT), a leading broadcast supplier and integrator in Australia, has become one of the most progressive and skilled solution providers in Australia in its brief company history. This is based on its outstanding engineering know-how and customer service philosophy. PAT is an authorised reseller of prominent and dependable industry manufacturers including Lawo, L-S-B, DirectOut, RTW, ENCO, Bel Digital, Wisycom, Pearl Microphones, Boland, Ross Video, Genelec, MICROSENS, Allen & Heath, Comrex and Audio Technica.

PROMPT-ITTELEPROMPTERSB-4302 8959 3024www.prompt-it.com.au/en/

PROTOGE-4517 McKeon Rd, Mitcham VIC 3132+61 (0418) [email protected]


Jeff Servaas, Brian Mckinnon, Tony Holden

LEDGO offer the widest range of LED panels in Australia, from a 3024 LED folding panel with DMX controls, down to on camera models. Come and see the new LEDGO fresnel lights.

Kupo offers a range of innovative gripping products, including the patented quick fold C-Stand.

PROFESSIONAL AUDIO & TELEVISION PTY LTD B-11

At SMPTE15 PAT concentrates on showcasing both video and audio over IP solutions including SMPTE 2022-6, J2K, H.264, Ravenna, AES 67 and will demonstrate source time switching via Virtual Studio Manager’s VSM upcoming SDN Orchestration module. VSM will also focus on the overall integration of various manufacturers under the one control umbrella, showcasing the power that VSM offers within its toolbox to create customised workflows tailor to meet your requirements.

During this years SMPTE show, PAT will announce the co-operation with two additional manufacturers DIMETIS and ARISTA. This co-operation will provide further possibilities

to PAT’s already exceptional IP offerings, with DIMETIS providing WAN management via its BOSS Link Manager, which will be controllable via VSM along with IP based transport stream monitoring / logging capabilities. ARISTA will bring the world’s fastest switches optimised for software driven applications.

PAT will also showcase Lawo’s latest addition to the highly successful mc2 product family, the mc2 36 will be on display with RAVENNA (AES67) and MADI I/O capability along with the newly announced A_Mic8. The power and flexibility of LAWO’s Radio products will also be on display and will include Lawo Crystal and Sapphire consoles interconnected via a Nova73 high-density router, in conjunction with the most powerful audio playout system - DAD from ENCO.

PAT will also be showcasing Wisycom’s new slot-in receiver the MCR-42S, which features multivendor support along with a vast collection of transmitters and receivers. New product releases from DirectOut Technologies, Bel Digital and RTW will also showcase.




Jinbei offers a versatile single chip 200W LED light, which is proving popular for on-location TV shoots across Australia. This light is also versatile, with a wide range of modifiers available to shape and soften the light.

Powerex provide commercial grade battery chargers and rechargeable AA and 9V batteries for sound desks worldwide.

CasePro offer a range of durable bags for DV cameras and gear.

Cinematics offer a great range of affordable DSLR rigs and follow focus.

Nest offer Camera roller cases, and fluid tripods for DSLRs.

QQUANTUMCORPORATIONO-80Level 8, 111 Gawler Place, Adelaide SA 50001800 999 [email protected]:

Adrian Sharkey, Anne Collins, Jon Tinberg, Berny Pereira, Bruce Coulthard, Christopher Jenkins, Rod Cortez, David Cochrane, Malcolm Black and Tim Benson and Thomas Bauer from Factorial and Dean Nurscher, David Wood, Everett Ward from Autodesk

Quantum’s StorNext Pro Solutions provide high-performance storage to support demanding 4K media workflows. With flash-based metadata performance and highly scalable, high-performance disk storage, StorNext solutions enable efficient 4K workflows including ingest, production, and delivery. In today’s Media and Entertainment environment StorNext enables our customers to meet the growing demands of higher resolution content, and to monetise that content across devices and across time. The combination of high performance and lowest total cost of ownership makes Quantum StorNext 5 the storage platform of choice for the leading players in the media and entertainment industry.

Quantum is also the preferred storage platform for a range of partners in the media & entertainment industry. At our stand we’ll have practical demonstrations from Autodesk, and insightful real world applications from Factorial.

Autodesk will talk about how their creative finishing customers benefit from Autodesk SAN shared storage solutions for commercial VFX and broadcast workflows. Presentations daily at 10am and 1pm. Autodesk will also be demonstrating

Autodesk Flame Premium and Autodesk SAN on Quantum’s stand during SMPTE.

Hear from Tim Benson from Factorial about how high performance storage has transformed workflows in New Zealand, including Park Road and Maori TV at 11am and 2pm each day (In he Green Room up-stairs Wednesday 2:15pm, Friday at Noon).

Come by to learn more about exclusive sales promo’s launched at SMPTE. Ask us about the Unleashed Contest - where you could win a trip to NAB2016 in Las Vegas!

QUINTOCOMMUNICATIONSPTYLTDA-68Unit 4, 7 Salisbury Road, Castle Hill NSW 2154(02) 9894 [email protected]:

Tom Pavicic- CEO, Alan McIlwaine- Executive Chairman, Mike Ellis- Technical Sales Manager, Will Robertson- Customer Support Manager, Nick Critelli- Technical Sales, Pete Fullerton- National Sales Manager (NZ), Nicky Incekara- Executive Assistant

Quinto Communications is a leading integrator of high technology products and services designed for the television industry.

At SMPTE15 Quinto Communications will feature a range of new products covering the latest technology in video production and transmission technology.

Highlights will include:

AbonAir - wireless video link systems, Autocue- prompting systems, Blackmagic - low cost video and audio products, Dalet - Amberfin transcoding,Brio video servers, Galaxy MAM solutions, Evertz - Routing, Multiview, IP solutions, Sports replay system, Elemental Technologies - live and file-based streaming solutions, Hitech - Avita Production system, JVC - HDTV cameras and monitors, Marshall - wide range of monitors and small cameras, Nucomm- Microwave links, Omnitek - Test & measurement SD/HD/4K, PAG - camera batteries, lights and chargers, Screen-captioning and subtitling solutions, Snell - Standards Conversion & HDTV Solutions, VITEC - Miniature Encoding & IPTV Solutions.

RRASTORDERP/LA-8033 Old Berowra Rd, Hornsby NSW 207702-94775531rstalder@tpg.com.auwww.rastorder.com.auCOMPANYREPRESENTATIVES:

Rob Stalder, Kathryn Stalder

RastOrder builds production carts, here in Australia for the Film/Television/Video industry. Our designs are F/T/V industry originated to facilitate equipment used in the field and in the studio. They are designed & built from ground up, not from a converted materials handling trolley. They are also built to a standard, not just a price.

REDWOOD’STECHNOLOGYSOLUTIONSB-8015 Lachlan Place, Berowra NSW 208102-94560026brad@redwoodstech.comwww.redwoodstech.comCOMPANYREPRESENTATIVES:

Brad Redwood, Genelyn Redwood

Redwood’s Technology Solutions is your agent and guide through the technology landscape. Please stop by to learn how PlayBox integrated playout delivers efficient CIAB (channel-in-a-box) solutions that ensure the workflow is seamless and easy to use. PlayBox is focused on delivering the best integrated playout for the most demanding Channels and start-up Channels. Enhancements in processing contribute to a faster, rock solid platform for captivating television and flexible operations.

Additionally, we’ll explain how file-based workflows can be streamlined using Object-Matrix MatrixStore for secure Nearline storage, Masstech for media management & transcoding, and Venera Technology Pulsar for file-based QC. Established in 2003, Object-Matrix is a software company based in Cardiff (Wales, UK). Its acclaimed product MatrixStore has been used by Broadcast, Production, VFX, and Telco customers since 2006.

Using high performance ‘Object Storage’ technology, MatrixStore has a self-healing clustered architecture consisting of two or more MatrixStore nodes providing the highest levels of data protection. It is highly scalable to multiple Petabytes with completely plug and play architecture. Object Matrix provides integrated support for multiple business continuity workflows



including Avid Interplay environments. MatrixStore is both BSI-BIP-0008 authenticity compliant and AS-11 Metadata compliant providing a searchable digital preservation repository for AS-11 content. MatrixStore integrates tightly with Masstech MassStore Asset Management and Deep Archive HSM.

For fast, easy-to-use file based QC Venera Technology’s Pulsar is the fastest, most comprehensive QC system in the market. Only Pulsar is available as Pay-Per-Use. Come along and learn more!

RIEDELCOMMUNICATIONSAUSTRALIAPTYLTDD-42Unit 2, 38 Morley Avenue, Rosebery NSW 201802 9669 [email protected]:

Ian Hamilton, Cameron O’Neill, Erik Miehs, Julian Hewitt, Espen Brynildsen

Real-Time Networks for Video, Audio & Communications

With almost 30 years of experience Riedel has grown to become the leading provider of high-profile solutions for broadcast, event productions, international games, motorsports and theatre as well as for industrial and governmental applications. Whether it is real-time signal transport, communications or complex rental solutions.

As a manufacturer and provider of cutting edge products for signal distribution, communications and data transport we offer the knowledge, the confidence and the technology to make your demands become a production reality.

ROHDE&SCHWARZ(AUSTRALIA)PTYLTDC-29Unit 2, 75 Epping Road North Ryde NSW 2113 Australia+61 2 [email protected] www.rohde-schwarz.com.au

We would like to invite you to come and visit our stand at SMPTE and explore our range of Media Production, Transmission, Installation, Commissioning and Monitoring solutions for both current and future Broadcast requirements:

�� Video Production Server VENICE

�� Online and NLE Storage Solutions with SPYCERBOX CELL and SPYCERBOX TL

�� CLIPSTER IMF Mastering

�� MPEG4 & HEVC Headend

�� Content Monitoring and Multiviewer solution BMM810 & PRISMON

�� Broadcast Test Center for DVB-T2 and DVB-S2x signal generation

�� ETL DVB-T2 measurements

�� Network Management System BC NETSTATE

Join Nils Ahrens for his presentation on “The Transmittable Spectrum” UHDTV (4k) Transmission over DVB-T2, Wednesday 15th July, Room 1 - 11.35am

UHDTV (4k)technology is evolving quickly - standards are set. Consumer devices and professional Broadcast equipment are available to set up “End to End” broadcast networks which allow the transmission of UHDTV content. The paper will provide an overview of the standards and requirements to send 4k content via a terrestrial Broadcast network using DVB-T2 and HEVC Compression. The topics that are still on the table will be touched such as: Limitation for a terrestrial Broadcast Network using DVB-T2 on Data-rate, Coverage and number of 4k channels , when applying HEVC Compression, High Frame Rate (HFR) and extended Colour Gamut BT.2020. The impact of using maximum possible Bitrates in our spectrum in relation to the Transmission Power will be part of the discussion. 4k is on its way in some countries already - an overview of the 4k trial in Korea.

ROSSVIDEOASIAPACIFICPTELTDB-1022 Sin Ming Lane #05-83 Midview City Singapore 573969+61(0)412 866 700ross-APAC.Sales@rossvideo.comwww.rossvideo.comCOMPANYREPRESENTATIVES:

Amanda Leighton: Sales Manager, Australia & NZ

A virtual and augmented reality demonstration shows how VS/AR can enhance productions while reducing cost. The core of this solution is based around Ross Robotics, XPression Graphics and Ross Virtual Solutions components.

Furio is a high quality offering of track-based robotic camera solutions for broadcast (Furio ROBO) and live performance (Furio RC) applications. Furio systems provide cinema-quality on-air movements that produce dramatic, signature shots that capture and hold viewer attention. SmartShell 4 is a single, unified control system for both CamBot and Furio pedestals, lifts, and heads. USB-based joystick panels provide significant increases in control functionality.

A live event demonstration features the Acuity production switcher with enhanced processing power features. These include: full UHD (4K) production with 8 keys/16 channels of DVE per ME, MultiFeed configurable program outputs with

2 preview and 6 program outputs for every ME, 36 channels of system wide Media Stores, and expanded dual head, 20 source window multi-viewers.

Inception Live is a planning, scheduling and live management tool for stadium game day and live event productions. Inception Live facilitates communications and simplifies game day productions, while providing the curation of social media elements from a unified dashboard.

Inception Live offers a browser-based environment in order to produce a game day line-up with complete flexibility of the layout, columns, and validation in the production grid.

RPSLIGHTINGL-140419 40779403 9013 [email protected] Representative: Ritchie Wayne

SSENNHEISERM-14Unit 3, 31 Gibbes St, Chatswood NSW 2067+61299106700sales@sennheiser.com.ausennheiser.com.auCOMPANYREPRESENTATIVES:

James Waldron, Chris Smith

Sennheiser will be showcasing a number of exciting new products at SMPTE that further push the boundaries of excellence in sound.

One highlight will be the AVX wireless Audio-For-Video system. Designed from the ground up for videographers and filmmakers, the compact camera receiver switches on and off automatically when the camera is switched on. AVX also features completely automatic frequency allocation, with link protection that seamlessly switches frequency before any interference becomes audible. Operating in the license-free 1.9GHz band, AVX has already won a slew of awards from influential groups such as the Professional Videographers Association.

Also on the booth will be the new ClipMic Digital and MKE2 Digital ground-breaking products that allow professional-grade recording direct to an iPhone. Jointly developed by Sennheiser and Apogee, it delivers unmatched technology offering 96 kHz sampling frequency and 24 bit resolution - surpassing all expectations of mobile recording.




Another highlight will be the Neumann range of monitor loudspeakers, including the new KH 420 midfield/main monitor. In a short space of time, the Neumann monitors speaker range has established an enviable reputation for accuracy and flexibility.

We will also feature a range of innovative windshield solutions from Rycote.

Finally, Sennheiser will also be showcasing its extensive range of wired and wireless microphone solutions, including the exceptional D9000 digital wireless microphone and the latest studio condenser, the MK8

SILVERTRAKDIGITALE-1610 Addison Road, Marrickville NSW 220402 90075600christian@silvertrak.com.auwww.silvertrak.com.auCOMPANYREPRESENTATIVES:

Christian Christiansen, Tim Creswell, Matt Christie

Silver Trak Digital will demonstrate the Media Room smart media management system as used by some of Australia’s leading broadcasters, distribution companies and production/post production companies.

Media room addresses the specific needs of any organisation that has media assets they want to store, manage and deliver from the convenience of any web connected device.

In simple terms, Media Room gives the user 100% control over their assets and the ability to use Silver Trak Digital’s services such as QC, file storage or Aspera fasp high speed data transfers without paying any license fees and without leaving the comfort of their seat.

A brand new feature that will be demonstrated at SMPTE15 is Media Room’s per-campaign per-delivery watermarking solution, which enables users to upload their own watermarks and apply them in campaigns and deliveries. This new level of security sits alongside the already successful HLS encrypted screeners and passcode protection offered by Media Room.

SONIFEXPTYLTDB2112/6 Leighton Place, Hornsby NSW 2077+61299870499sales@sonifex.com.auwww.sonifex.com.auCOMPANYREPRESENTATIVES:

Karen Olliver, Kylie Shears, Don Coyle, Jeff Pages

Sonifex Pty Ltd is a leading distributor of audio, video and transmission equipment for radio and TV broadcasters. Formerly trading as Innes Corporation, the company has a 30-year history of

serving the broadcast industry and prides itself on outstanding customer service and support.

Sonifex Pty Ltd will be showcasing a range of studio to transmitter site solutions from world-class manufacturers Nautel, Orban, Tieline, Davicom, Sonifex, Kintronic Labs, Altronic Research, Potomac Instruments, Inovonics and Belar.

Visit us to see the latest in Nautel innovation with the GV and NX series transmitters or road test the full range of Orban’s audio processing and streaming solutions. Sonifex products on display will include the Redbox audio and video interfaces, Reference Monitor audio bridges and the SignalLED studio signs.

SONYAUSTRALIALIMITEDD-22Level 3, 165 Walker St, North Sydney NSW 206002 9887 [email protected]:

Warwick Lang, Randall Titus, Scott Webster, Dale Fitzgerald

Sony will be showcasing the latest 4K and HD production tools embodying its ‘beyond definition’ vision and demonstrating innovation in the areas of shooting, working with and viewing content for diverse applications including motion picture, broadcast, event videography, corporate, house of worship, education and online production.

Featured products include Sony’s F55, F5 and FS7 Super 35mm digital cinematography cameras, the latest XDCAM shoulder and handheld camcorders, the new BVM-X300 4K OLED reference monitor supporting High Dynamic Range display, and Hawk-Eye’s SMART system for automated live production.

The stand will also feature regular presentations on working with Sony cameras by several local cinematographers, along with overviews of product groups such as Optical Disc Archive storage solutions and wireless microphone systems.

SOUTHERNBROADCASTA-74Unit 4, 4 Civil Place, Rosedale Auckland 632, New Zealand+6499255055info@southernbroadcast.comwww.southernbroadcast.comCOMPANYREPRESENTATIVES:

Marcus Bekker, Dave Gowenlock, Scott Incz from BW Broadcast

Southern Broadcast exhibits at SMPTE for the first time and brings some of the broadcast’s most innovate products. Combining the latest tech with many years experience allows Southern Broadcast

to deliver effective solutions to TV and radio broadcasters.

In the spotlight at SMPTE is BW Broadcast’s latest range of high-performance transmission site equipment. In a similar vein to Google’s ‘project Ara’ modular smartphone, BW Broadcast has developed a modular platform for broadcast equipment. The result means highly flexible products, and the ability to deliver new features to all products in the diverse ‘Encore’ product range. Come and see the modular hardware platform yourself and how a multi-band audio processor and STL transmitter can be built up from a collection of shared modules.

In addition Southern Broadcast will present compact, high efficiency broadband-doherty DVB-T/T2 transmitters.

SPECTRALOGICA-45Level 28, 303 Collins Street, Melbourne VIC 3000+61 3 9614 [email protected]


Mark Weis, Vice President, Sales-APJ, Justin Hildebrandt, Representative, Enterprise Sales, Mike Grayson, Senior Engineer, Nick Westcott, Representative, Enterprise Sales, Hossein ZiaShakeri, Senior Vice President, Bus Dev & Alliance

To meet the demands of extreme data growth and long-term retention, the Spectra BlackPearl Deep Storage Gateway enables users to easily store massive data forever at virtually no cost. Designed for organisations where data is a significant part of their operations, BlackPearl allows data to move seamlessly into mass tape storage in a way not previously possible. BlackPearl enables users to deploy a tier of deep storage that is cost effective, easy to manage and scalable to Exabytes of data. With BlackPearl’s simple RESTful DS3 interface and embedded tape management software, organisations will confidently store all of their data forever at costs as low as pennies per Gigabyte.

Designed to meet the demands of today’s exponential data growth and long term retention requirements, Spectra BlackPearl enables users to archive assets on affordable, scalable deep storage. BlackPearl writes data to deep storage tape using the open standard LTFS, assuring content’s integrity and availability. Desired content is directly recalled through intelligent, self-describing objects. BlackPearl seamlessly integrates archives into workflows and is fully integrated into existing MAM’s, PAM’s, allowing for direct search and recall of assets.



STAGETECMEDIAGROUPAUSTRALIAA-50Unit 9, 34 - 36 Ralph Street, Alexandria NSW 2015(02) 8011 0500info@stagetec.com.auwww.stagetec.com.auCOMPANYREPRESENTATIVES:

Treva Head, Mark Lownds, Boey Song

The exhibit will have products on show from a number of the STAGETEC MEDIAGROUP Australia brands, including STAGETEC, DELEC and SALZBRENNER.

The exhibit will also showcase products that are enabled with DANTE and DATAMINER capabilities.

As the “must see” exhibition for anyone involved in the video, audio and broadcast industries, SMPTE15 is expected to draw large numbers of visitors and STAGETEC MEDIAGROUP Australia are prepared with a great array of products on show. STAGETEC MEDIAGROUP Australia is a dynamic organisation with a focus on audio, video, and intercom technology.

The company offers a broad range of dovetailed products and services that perfectly complement one another‚ from a cost-effective intercom systems, all the way to the design, construction, and project management of extensive multi-disciplinary solutions for broadcasters, theatres, stadiums, and multi-purpose venues.

STUDIOTECHAUSTRALIAD-4818/7 Sefton Road, Thornleigh NSW 212002 8911 5020info@studiotechau.comwww.studiotechau.comCOMPANYREPRESENTATIVES:

Michael Bentsen, Gareth Dyer, Gerard Dalton, Hannah Grummett, Carolyn Peterson, Mark Moore, Mo Goyal, Peter Strzechowski

Studiotech Australia is an established provider of Equipment and Services to the Broadcast, Information Technology and Audio Visual industries in Oceania.

We Distribute, Sell, Support Equipment and Material from manufacturers such as Evertz, TBC consoles, Yamaha, Riedel, Guntermann & Drunck, Masterclock, Mediaproxy, Percon, AVP and Prysmian.

Studiotech Australia Systems Integration can be anything from providing Project management, Design, Installation and Commissioning services to large-scale turn-key projects, down to producing a simple cable to fit the requirement.

We take pride in our factory-trained engineers strongly supporting the products, systems and

materials that we sell.

At SMPTE15 we will be showing new technologies from Evertz Microsystems, TBC consoles Technical Furniture, Studiotech Mobile Solutions, Masterclock Equipment, Percon Cable & Connectors and AVP patching solutions.

Come and meet the Studiotech Australia and Evertz team on our stand at SMPTE15.

SUZYCUEAUSTRALIAE-36PO Box 274, Wahroonga NSW 20761800 7899 [email protected]:

Greg Kay

Suzy Cue Australia and our affiliate Cueword Pty Ltd showcase the Cueword suite of autocue equipment. From the standard 15” on camera teleprompter units through to the Cueword qpad kit aimed at SteadiCam operations Suzy Cue Australia and Cueword can cover all your autocue requirements. From stand alone units through to studio and News Room automation installations Cueword can satisfy all aspects of your teleprompt needs.

SWITCHMEDIAB-54117 Harris Street, Pyrmont NSW 200902 8096 [email protected]:

Christopher Stenhouse, Luke Durham, Chris Moore, Bruce Hume, Johnny Tran

As multi-platform video specialists, Switch Media design, develop and deliver tailored IP video solutions for a diverse range of industries including Broadcast Media, Government & Enterprise, Education & Training and Retail Security.

Our industrial strength cloud based Media Manager and in-house expertise enable us to develop cutting edge solutions that meet the unique and specific needs of each client.

With an in-house professional services team of strategists, architects, programmers and technical staff we are able to provide clients with a complete service including a full assessment, industry and technology insights, strategic planning and tailored solutions to gain an advantage in their market.

We develop fully customised solutions that incorporate end-to-end solutions or specific modules that can be integrated with existing systems or hardware.

Alternatively we have a suite of innovative and fully

established products that can be utilised to fulfil more clear-cut needs.

The following Switch Media products and services will all be demonstrated on the Switch Media stand: Demonstrations of live examples of Foxtel GO and Play (phone, tablet, gaming console, tv), Live Ad Insertion (AdEase), demo of the Switch Media Manager, live sportscasting capabilities, Switch Media’s Universal Player and MasterApp, and more.

Switch Media will be unveiling some major product launches at SMPTE15.

The Switch Media Manager: Capture, Manage, Monetise, and Deliver Video online anywhere anytime. From ingestion to publishing the Switch Media Manager delivers the most advanced multiscreen video experiences.

AdEase: Increase profitability and generate greater monetisation opportunities with AdEase. This easy to use solution enables video ad placement throughout your media content post broadcast or on-the-fly during live streaming broadcast.

SYNCROTECHSYSTEMSPTYLTDC-26Unit 26, 43-51 College Street, Gladesville NSW02 9879 [email protected]:

Paul Heaton - Syncrotech Systems Pty Ltd, Robert Law - Syncrotech Systems Pty Ltd, Lee Box - Syncrotech Systems Pty Ltd, Dave Letson - Calrec Audio, Peter Fong – Netia, Benjamin Schvent – Netia, Mariano Monteverde – VSN, Mario Dario – VSN

Syncrotech Systems will be showcasing the following;

Calrec Audio will be demonstrating the latest software release for the ARTEMIS & APOLLO on production mixers, providing even more flexible features.

NETIA Radio Acquisition & Automation Solutions (Radio Assist), and Media Assist Broadcast MAM Solutions.

VSN - Thanks to VSN’s software tools, audiovisual companies can manage their activity, increase the productivity, avoid bottle-necks, automate processes & improve the integration between systems & departments. In a nutshell, optimise the business processes to reduce costs & increase productivity.

Cube-Tec Audio Archiving & Restoration - the preferred choice of Archivist worldwide.

D&R Radio Consoles Solutions for Podcasting, Community & Commercial Radios.

WASP3D is a networked workflow based real-time, interactive 3D graphics solution




developed specifically for television stations and post-production houses for speedy creation of spectacular 3D graphics and content management

WASP3D is based on futuristic Microsoft DirectX technology offering real-time graphics rendering that reduces cycle time from design to on-air playout. It is an all-in-one, comprehensive 3D graphics solution that can address complex graphics requirements in various application areas including business, elections, news, sports, weather, virtual sets, simulations and interactive presentations.

TTECHTELB-04

26 Whiting Street, Artarmon NSW 2064+61 (0)2 9906 [email protected]


David Elsmore, Managing Director, Mal Chandler, Head of Sales, Prow Tovaranonte, Regional Manager, David Colthorpe, Regional Manager, NZ, Jo Bickerton, Business Development Manager.

Techtel is a leading independent broadcast technology systems specialist, providing dedicated hardware and software to the Asia Pacific broadcast and telecommunications industries. Techtel’s expertise extends from consulting and systems integration through to the supply, installation and support of solutions from an elite class of worldwide partners. The Techtel Group has regional offices in Sydney and Singapore with branches in Auckland and Melbourne.

Visit www.techtel.tv

TEKINSITEVIDEOTECHNOLOGIESPTYLTDM-0230 Flora Street, Narwee NSW 2209+61 2 9533 [email protected]://tekinsite.com.au/COMPANYREPRESENTATIVES:

Domenic Pupo – TekInsite, Pamela Pupo – TekInsite, Michael O’Connell - Pixel Power, Inc, Leonard Teo - Tektronix, Inc

TekInsite Video Technologies is a new company

specialising in supply and distribution of premium equipment and technology for video and television from leading suppliers that include:

�� Tektronix - Video Test & Monitoring Solutions, Waveform Monitors, SPG’s, File-Based QC Systems, MPEG Test Instruments, Network Delivery Monitoring Systems

�� Pixel Power - On-Air Graphics and Playout Workflow Solutions including File-Based Graphics Rendering Systems, Channel-in-a-box

Systems, Automation Systems, News Graphics Solutions

�� Ensemble Designs - Purveyors of Fine Video Gear Loved by Engineers Worldwide - signal processing and infrastructure gear including routers, multiviewers, up/down converters, audio embedders, video converters, protection switches, SPGs and more

�� Plura Broadcast - high-performance multi-function LCD video monitors and equipment

TECHTELB-04

AP ENPS – Australia and New Zealand’s market-leading newsroom software provider will show how to connect your news team with tools that span social and mobile platforms.

Apantac – New generation T Sharp multiviewers for baseband and compressed IP video monitoring with a new range of openGear terminal equipment.

Appear TV – The universal IPTV head end for satellite, DVB-T/T2 and cable television.

Archimedia – Communication and management tools to keep the production team synchronised.

CueScript – Latest generation teleprompting hardware designs blend style with practicality.

Etere – Pure software Media Enterprise Resource Planning (MERP) solution for MAM, Playout, Automation, Sales and Traffic

Harmonic – Live UHD Encoding, powered by the Harmonic PURE Compression Engine.

Lynx Technik – yellobrik and Series 5000; quality German-built terminal equipment.

Masstech – Media Asset Management and file-based workflow software for broadcast, news and post.

Net Insight – Intelligent video transport solution for fibre, DWDM, IP and SDH networks.

Panasonic – AV-HS6000, the new broadcast vision mixer for news, sport, education and enterprise.

Screen Systems – File-based subtitle insertion and extraction using the MediaMate software suite.

SiliconCore – See their latest LED video screen technology; the Lavender 1.2mm pixel pitch screen offers the highest available resolution.

Spectra Logic – The leading developer of tape library technology for LTO and TS1150 will show theirBlackPearl platform library gateway.

Telemetrics – Robotic integrated solutions for broadcast, legislature and defence with a modular architecture that expands as you grow.

Telestream – Vantage Media Processing Platform, the ultimate tool for automating video workflows.

Torque Video – DVMon provides efficient monitoring for broadcast quality-of-service for IP or ASI compressed video.

TVLogic – Broadcast quality LCD and OLED monitors that can be controlled using the Observer software for Windows.

Ultimatte – SightDeck, the revolutionary presentation tool for education, corporate and theatre presentation spaces.

VidiGo – Integrated software-based production technology with their new automated news and studio production platform, VidiGo Studio Automation.

Violin Memory – All-flash storage platforms based on the Violin Intelligent Memory Module which uses no solid state drives (SSD).

7th Sense – Uncompressed 10 bit video server for large format LED and projection screens with customisable resolution to fit any screen ratio or dimensions including 4K and 8K.



engineered specially for digital broadcast and professional video production;” “Quantum Data - Test Systems for HDMI, DVI & MHL including Generators and Analysers

�� BON Electronics - Wireless HD Transmission Systems, High-Bright Field & Studio Monitors, Converters & Routers

�� Lumantek - Test & Measurement Solutions for Digital Terrestrial and Satellite TV, IPTV and Radio

�� Z Technology - RF Test Systems for Digital Television Broadcasting.

New products at SMPTE15:

�� Tektronix - 4K/UHD-TV Monitoring; Aurora, Hydra, and AutoFix‚ Tek’s New File Validation Suite; A/V Delay & Propagation Delay Measurements, EYE Pattern Testing for ASI Signals

�� Pixel Power - Pixel Factory for file-based workflows; Buzz for social media integration

�� Ensemble Designs - NXT Action Control Panel; NXT-450 Streaming Router with H.264 Encoder/Decoder and Up/Down/Cross Conversion; MV82 and MV164 Multiviewers

�� Plura - New Dual 7” and 9” Preview Monitors

�� Lumantek - USB DTV Analysers for DVB, ASI and IP Systems

VVIDEOCRAFTAUSTRALIAOS-21148 Highbury Road, Burwood VIC 312503 98888511sales@videocraft.com.auwww.videocraft.com.auCOMPANYREPRESENTATIVES:

James Taylor, George Pana, Andy Liell, Jeanette Taylor

Videocraft will demonstrate how flexible mobile broadcasting, editing and production can be with their powerful mobile production solutions. Alongside the Mobile Production Centre (MPC) truck, will be the latest in their live production arsenal, the new 4K ready FlyPak demonstrating its flexibility and power for the most demanding projects with expanded digital workflow capabilities synonymous with all Videocraft production systems.

Also on display, Videocraft’s new 4K live production camera systems, based around the Sony PMW-F55 digital cinematography camera. The Sony CA4000 fibre camera adapter and BPU4000 Baseband Video Processor allow the F55 to be used as a full facility studio/OB camera, in both 4K and HD production. New lenses accompany the cameras; including the new Canon CN50x20 IASH PL 50-1000mm super telephoto PL zoom. The new F55 4K systems complement the new fleet of HDC-2400 cameras, which will also be on display.

The MPC truck will be showing its powerful live production capability, with the latest EVS and Avid workflows. Its compact footprint, comfortable production space and high quality equipment make it a compelling solution for any production needing big truck performance on a small truck budget.

Videocraft will demonstrate its expertise in integrating Avid systems in live television, with the latest Media Composer, Interplay and ISIS systems all tightly integrated into the broadcast workflow. Videocraft will be presenting a comprehensive hybrid broadcasting and production solution with external control facilities and the MPC truck at its core, creating total production workflows that tie all facets of production together to create a better result.

The Videocraft MPC has a proven track record in combining all of the elements of production with smart, IT-centric connectivity that allows easy expansion and connectivity for external equipment and providers ensuring a high quality, lightweight and fast setup.

VIZRTAUSTRALIAPTYLTDB-08Suite 2, Level 7, 56 Clarence StreetSydney NSW 200002 9299 [email protected]:

Nigel Streatfield, Jonathan Watson

At SMPTE15 Vizrt will be highlighting the following products:

VIZOPUS:

Part of the Viz Mosart family, Viz Opus is a complete, compact control room in one system: it provides a newscast automation system, real-time graphics, and video playout. It was recognized at NAB 2015, with Viz Opus being named as Product of the Year for Content Management at the Broadcast Beat Awards.

VIZWEATHERALERTS:

A one-of-a-kind in the market, Viz Weather Alerts al-lows broadcasters to manage the display of watches and warnings, overlay satellite/radar, and to com-municate with viewers by integrating social media.

VIZLIBERO&VIZARENA:

Vizrt’s sports analysis and replay system gives you a powerful tool set to seamlessly combine 3D replays with sophisticated telestration and interactivity. Virtual graphics can be applied to every sport event and under any condition. The result: Stunning game insights for your viewers.

VIZONE:

Modern media asset management systems are capable of simplifying the production environment and adapting workflows to optimise production. Viz One is top of the range in this respect, managing all your content in a central repository.

SOCIALTVSOLUTION:

Vizrt’s Social TV Solution bridges the gap between social media and TV by offering tools for all departments in the production chain. A one-box solution, giving you new tools to engage and communicate with your audience.

VIZMULTIPLAY:

Viz Multiplay gives broadcasters a simple way to control studio screen and video wall content from a single interface. Platform independent, and with an intuitive interface designed for easy control on a touch screen or tablet.




WWIRELESSCOMPONENTSB-194 Fairmount Cct, Glenwood NSW 276802 88834670sean@wirelesscomponents.com.auwww.wirelesscomponents.com.auCOMPANYREPRESENTATIVES:

Sean Pritchard, Shane Pritchard

Wireless Components offers technological leadership at affordable prices in FM Broadcast equipment.

Come and see us for advice and information on broadcast equipment for your station. Wireless Components offers choice, with value on our full equipment range- microphone through to transmitter.

At SMPTE15, we will exhibi:

�� analogue and digital mixing console

�� outside broadcast equipment

�� digital processors

�� FM transmitters

�� telephone hybrids

�� automation software

�� microphones

WOMENINFILMANDTELEVISIONNSWN-24 PO Box 12, Potts Point NSW 133502 9357 [email protected]

YZYAMAHACOMMERCIALAUDIOD50Level 1, 99 Queensbridge Street Southbank VIC 30060488326009mick.hughes@music.yamaha.comwww.yamahaproaudio.com.auCOMPANYREPRESENTATIVES:

Mick Hughes, Mark Condon, Mark Amory, Matt Livingstone

Yamaha Commercial Audio products are deployed the world over in live-sound, theatre, broadcast and post-production environments.

The Yamaha Commercial Audio display area will this year feature product offerings from the digital mixing console lineup including CL and QL V3 and the recently unveiled TF-series.

The post-production sector is represented by a full Nuage post production solution running the very latest version of Steinberg’s Nuendo DAW

With many Yamaha Commercial Audio products offering on-board Dante connectivity, SMPTE15 is a valuable opportunity to see how various products - such as amplifiers and matrix processors - can communicate to build a truly intelligent solution.

Also on display will be new product releases including the RMio64-D and RSio64-D Dante interfaces.

ZHENGZHOUKEMA(COMER)RoyalHall,BoothNo.E-54No.168, 5th Floor,No.1 Building Henderson Optoelectronics Industrial Park, the 17th Ave,National Economic and Technology, ZHENGZHOU, 450000, HENAN, CHINA+86 132 [email protected]:

Angelina Zhengzhou

KEMA(Comer) is a professional manufacturer of LED broadcast equipment. We have developed and provided high performance LED lighting named CM-PL series flood light and CM-JL series spot light, which leads to a significant effect in broadcast industry. “Comer” qualified products are completely fitted for the needs of studio, interview, advertisements, photography and films. We have 15 years rich experience team, to provide you with a full range of lighting system solutions. Always make your work more comfortable and high-efficiency is our aim.

¡Current China Market News Translated from Original Government & Private Sources

¡Original Articles & Interviews with Chinese Technology Decision Makers

¡Summaries of Editorial & Advertising Coverage in Chinese-language publications

¡Market Snapshots ¡Tradeshow and Dealer Advice from China Veterans

¡Regulatory Moves ¡Dealer/Manufacturer Directory and more

SIGN UP TO THE CHINA MEITI* WEB SITE & ENEWSLETTER*Putonhua for Media, pronounced ‘Matey’

For Your Trial Subscription, Visit www.chinameiti.biz

Are You a Media Technology Vendor/Developer with Existing or Planned Business Interests in China?

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Want to Tap Into the World’s Biggest Media Market?

Keep Up on the Background to Technology Trends Across Greater China

NANCY YAN WANGNancy is a graduate of the Communication University of China and holds a Bachelor Degree in Audio Engineering. Her technical thesis was published in Chinese national broadcast magazine, CATV Technology.

Following social practice with China Central TV Network (CCTV) and Zhejiang Satellite TV Network, Nancy worked with Fujian Satellite TV Network for five years as an Audio Engineer.

In 2005, Nancy took on the role of Marketing Coordinator in the International Marketing Department of manufacturer Miller Camera Support where she built strong relationships with dealers and broadcast professionals alike and travelled extensively to visit Chinese customers and help extend Miller’s business in the China market.

In 2010, she completed a Business Marketing course with TAFE NSW and graduated with Distinction. She has also undertaken online marketing for the SMPTE Australia Section.

She currently divides her time between Australia and China.

Nancy can be reached via [email protected]

PHIL SANDBERG

Phil Sandberg has spent over 25 years reporting on technology and policy issues affecting the TV, radio and recording industries throughout Australia, New Zealand and Southeast Asia.

He is the founder of Content+Technology magazine and Broadcastpapers.com

His other credits include TV Technology & Production magazine, Broadcast Engineering News, Internet World Australia, the IBC Daily News, Radio World, Production Solutions, Pro Sound News Asia, Personal Investor magazine and The Australian newspaper.

You can reach him via [email protected]

THE TEAM

GNURAL NET


56 BRAND/DISTRIBUTOR INDEX

07BRAND/DISTRIBUTER INDEX

1BeyondDigistorPtyLtdD122wcom–Lumina Broadcast Systems M043DR–FPV Australia & Mongrel Gear L044t2–Lumina Broadcast Systems M04

AAatonDigital–Lemac Film & Digital D28Aavara–Madison Technologies C45Abekas–AV Group Technologies D06ABLETON–CMI Music & Audio M06ABonAir–Quinto Communications A68–Techtel B04–Videocraft Australia OS21Achtel–Mojo Media Solutions D04 Actus–Combitel O01–Lumina Broadcast Systems M04ADC/TEConnectivity–Australian Tel-Tec E24Adder–KVM Australia N02Adobe–Digistor Pty Ltd D12–Pond5 L11ADTEC–Interface Technologies C56AdvantechWireless–Lumina Broadcast Systems M04AECSoftware–Intraware Australia P04AEQKROMA–Wireless Components B19AFL–Australian Tel-Tec E24Airpul–Digistor Pty Ltd D12AJA–Blonde Robot C40–Mojo Media Solutions D04 –Pacific Live Media L01–Quinto Communications A68–Digistor Pty Ltd D12–Videocraft Australia OS21AKG–Hills A01Aladdin–Lemac Film & Digital D28Alexmos–FPV Australia & Mongrel Gear L04Allen&Heath–Professional Audio & Television B11AltronicResearch–Sonifex Pty Ltd B21Ambient–John Barry Sales D38Amino–Combitel O01Amphenol–Madison Technologies C45AnalogWay–Quinto Communications A68Antik–Madison Technologies C45AntonBauerV-MountBatteries–Amber Technology C04APENPS–Techtel B04Apace–Techtel B04Apantac–Techtel B04AppearTV–Magna O03, P01, P03–Techtel B04

Apple–Digistor Pty Ltd D12–Mojo Media Solutions D04 Aputure–Kayell Australia B26AQBroadcast–Quinto Communications A68Archimedia–Techtel B04Areca–Mojo Media Solutions D04 Argent–Madison Technologies C45Arista–Professional Audio & Television B11ArkTape&DiskArchiveSolutions–EditShare B59ArmstrongAMTransmitters–AVW Broadcast Pty LtdArrakisRadioConsoles–AVW Broadcast Pty LtdARRILighting–Videocraft Australia OS21Arris–Combitel O01Artel–AV Group Technologies D06Artel(SBC)–I.R.T. Communications D02ASG–Intraware Australia P04Aspera–Digistor Pty Ltd D12-AsperaA06Astro–Lemac Film & Digital D28Ateme–OnAir Solutions E04–Pacific Live Media L01Atlantis–BIOS IT & Mellanox C43Atomos–Atomos C32–Blonde Robot C40–Mojo Media Solutions D04 –Videocraft Australia OS21ATTO–Eureka Pacific C44–Digistor Pty Ltd D12–GB Labs C44AudioTechnica–Professional Audio & Television B11AudioScience–Techtel B04AustinInsulators–Sonifex Pty Ltd B21AustralianCinematographersSociety–Australian Cinematographers Society N27Autocue–Quinto Communications A68Autodesk–Digistor Pty Ltd D12Avatech(SBC)–I.R.T. Communications D02Avcom–Lumina Broadcast Systems M04AVCOMofVirginia–Wireless Components B19Aveco–Lumina Broadcast Systems M04AvengerCine–John Barry Sales D38Avenview–Madison Technologies C45Avid–Avid Technology B22–Videocraft Australia OS21–Digistor Pty Ltd D12Aviwest–Amber Technology C04AvocentKVM–ICP Global L30AVP–Studiotech Australia D48Axing–Combitel O01

AXON–Magna O03, P01, P03Barnfind–Interface Technologies C56

BBaton–Interra Systems C59BDI–Transmission MonitoringBEL–Professional Audio & Television B11Belar–Sonifex Pty Ltd B21–AVW Broadcast Pty LtdBelden–Madison Technologies C45–GrassValleyB41BigDog–FPV Australia & Mongrel Gear L04Bittree–Madison Technologies C45BlackmagicDesign–Quinto Communications A68-PacificLiveMediaL01-DigistorPtyLtdD12-MojoMediaSolutionsD04-VideocraftAustraliaOS21-BlackmagicDesignOS30Blankom–Combitel O01Bluenoise–HW Technologies B65BlueFish444–Blonde Robot C40–Bluefish444 C40Boland–Professional Audio & Television B11BONElectronics–TekInsite Video Technologies M02BorisFX–Digistor Pty Ltd D12Bowens–C.R. Kennedy & Company B58Boxx–Lemac Film & Digital D28Brainstorm–Amber Technology C04BridgeTech–Magna O03, P01, P03BrightTangerine–Lemac Film & Digital D28BroadcastElectronics(BE)–Lumina Broadcast Systems M04BroadcastTools–AVW Broadcast Pty LtdBrocade–Quantum Corporation O80BWBroadcast–Southern Broadcast A74–Wireless Components B19

CC-Comsat–Lumina Broadcast Systems M04CalDigit–Eureka Pacific C44–GB Labs C44CalrecAudio–Syncrotech Systems C26CamRanger–Kayell Australia B26Canon–Canon Australia N03–Lemac Film & Digital D28–Mojo Media Solutions D04 –Videocraft Australia OS21Casepro–PROtog E45CatDV–Blonde Robot C40

Cavena–SubtitlingCentury–Lemac Film & Digital D28ChaosV-Ray–Digistor Pty Ltd D12Chrosziel–Videocraft Australia OS21ChyronHego–Magna O03, P01, P03CinemaEOS–Canon Australia N03Cinematics–PROtog E45CineoLighting–John Barry Sales D38Cineroid–Blonde Robot C40Cinetics–Kayell Australia B26CircularWireless–FPV Australia & Mongrel Gear L04Cisco–Techtel B04Civolution–Mojo Media Solutions D04 Clarity&LXLightingConsolesandlightingcontrol–LSC Lighting Systems E48Clear-Com–Videocraft Australia OS21ClockAudio–Madison Technologies C45CobaltDigital–AV Group Technologies D06Cobham–AV Group Technologies D06–Videocraft Australia OS21Cobracrane–PROtog E45Colorfront–Mojo Media Solutions D04 Commscope/Andrews–AVW Broadcast Pty LtdComrex–Agile Broadcast C16–Professional Audio & Television B11Connex–Flying Dragon Cinematography L36–John Barry Sales D38ConvergentDesign–Videocraft Australia OS21Cooke–Lemac Film & Digital D28–Cooke Optics L09Corning–Studiotech Australia D48Craltech–Quinto Communications A68CrownMicrophones–Hills A01CRU–Mojo Media Solutions D04 CrystalSolutions–Magna O03, P01, P03CUBE-TEC–Syncrotech Systems C26CueScript–Techtel B04Cueword–Suzy Cue Australia E36–Cueword E36

DD&R–Syncrotech Systems C26Daiwa–C.R. Kennedy & Company B58Dalet–Quinto Communications A68Dante–Stagetec Mediagroup Australia A50DataDomain–EMC N30

A-C

57BRAND/DISTRIBUTOR INDEX


Datacolor–Kayell Australia B26Dataminer–Stagetec Mediagroup Australia A50Davicom–Agile Broadcast C16–Sonifex Pty Ltd B21DBBroadcast–AVW Broadcast Pty Ltd–Quinto Communications A68DDPSharedStorage–Digistor Pty Ltd D12DeSiste–De Sisti Lighting E48–LSC Lighting Systems E48Decimator–AV Group Technologies D06–Videocraft Australia OS21Dedolight–Lemac Film & Digital D28Dejero–Digistor Pty Ltd D12DekTec–Interface Technologies C56Delec–Stagetec Mediagroup Australia A50DeltaElectronics–Sonifex Pty Ltd B21DevaBroadcast–Agile Broadcast C16Digigram–Agile Broadcast C16Dimetis–Professional Audio & Television B11DINGOHEAD–Black Bishop Films OS20DirectOut–Professional Audio & Television B11DJI–C.R. Kennedy & Company B58–Flying Dragon Cinematography L36–FPV Australia & Mongrel Gear L04DKTechnologies–AVW Broadcast Pty LtdDNFControls–AV Group Technologies D06Dolby–Mojo Media Solutions D04 DotHill–Eureka Pacific C44–GB Labs C44–Quantum Corporation O80DPA–Lemac Film & Digital D28DPAMicrophones–Amber Technology C04Drobo–Kayell Australia B26DroneArmour–FPV Australia & Mongrel Gear L04

Ee-motionsystems–Interface Technologies C56Easyrig–Lemac Film & Digital D28Eaton–Wireless Components B19ECS–EMC N30Eddystone–Wireless Components B19Eyeheight–AV Group Technologies D06Egatel–Techtel B04Eizo–Kayell Australia B26–Mojo Media Solutions D04

Elber–Lumina Broadcast Systems M04Electrolink–Wireless Components B19ElectroVoice–Wireless Components B19ElementalTechnologies–Quinto Communications A68Elenos–Agile Broadcast C16Elinchrom–Kayell Australia B26EMC–EMC N30Empress–Intraware Australia P04EMR(SBC)–I.R.T. Communications D02ENCO–Professional Audio & Television B11Enensys–Magna O03, P01, P03EnsembleDesigns–Lumina Broadcast Systems M04–TekInsite Video Technologies M02EOS–Canon Australia N03Epoch–Bluefish444 C40Epson–Kayell Australia B26Ericsson–Ericsson O11Espial–Combitel O01Etere–Techtel B04ETL–Lumina Broadcast Systems M04ETS–Madison Technologies C45Evertz–Quinto Communications A68–Studiotech Australia D48EVS–Amber Technology C04–Videocraft Australia OS21Exterity–Hills A01

FFacilis–Blonde Robot C40-VideocraftAustraliaOS21FASPstream–Aspera A06FatShark–FPV Australia & Mongrel Gear L04FileCatalyst–Magna O03, P01, P03FilmGear–John Barry Sales D38FilmProDimmers–LSC Lighting Systems E48FIMO–AVW Broadcast Pty LtdFlavourSys–Intraware Australia P04FLIR–FPV Australia & Mongrel Gear L04FlowProductionMAM–EditShare B59Flowcine–Lemac Film & Digital D28FluidingeSTore–Bluefish444 C40Fostex–Wireless Components B19Foxcom–Lumina Broadcast Systems M04Freefly–John Barry Sales D38–Flying Dragon Cinematography L36FSfamily–AJA Video Systems C60Fujifilm–Fujifilm N01–Mojo Media Solutions D04 Fujinon–Lemac Film & Digital D28–Videocraft Australia OS21

GG-Technology–Digistor Pty Ltd D12G2Engine–Klotz Communications L22Garland–Madison Technologies C45GatesAir–GatesAirA69GBLabs–Eureka Pacific C44–GB Labs C44GeevsVideoServers–EditShare B59Genelec–Professional Audio & Television B11GeneralDynamicsMediaware–Magna O03, P01, P03Genexis–Combitel O01Gensace–Flying Dragon Cinematography L36–FPV Australia & Mongrel Gear L04Genus–Blonde Robot C40gfaiTech–HW Technologies B65GFM–Lemac Film & Digital D28Gnural–Pacific Live Media L01–OnAir Solutions E04GoPro–FPV Australia & Mongrel Gear L04–GoPro C12–Pond5 L11GoProfessionalCases–Flying Dragon Cinematography L36–FPV Australia & Mongrel Gear L04Gra-Vue–Interface Technologies C56GraphiteOne–Klotz Communications L22GraphiteThree–Klotz Communications L22GraphiteTwo–Klotz Communications L22GrassValley–Corsair Solutions C41GREENLEE–Australian Tel-Tec E24GSS–Flying Features C62GTI–Kayell Australia B26GuntermannandDrunck–KVM Australia N02

HHaivision–Techtel B04–Amber Technology C04Hamlet–AV Group Technologies D06Harmonic–Techtel B04Hawk-Eye–Sony Australia Limited D22HewlettPackard(HP)–Digistor Pty Ltd D12-CombitelO01–Mojo Media Solutions D04 Hi-Tech–Quinto Communications A68Hoya–C.R. Kennedy & Company B58HPRC–C.R. Kennedy & Company B58Huddlecam–Madison Technologies C45

IIcareus(SBC)–I.R.T. Communications D02Icron–KVM Australia N02–Madison Technologies C45ID-X–Blonde Robot C40IFMagazine–IF Magazine M03IHSEKVM–ICP Global L30Ikan–Digistor Pty Ltd D12Ikegami–Magna O03, P01, P03ImagineCommunications–Imagine Communications A05ImmersionRC–FPV Australia & Mongrel Gear L04iMovixExtreme–Adept Turnkey Extreme Slow Motion C14Infortrend–Digistor Pty Ltd D12Inovonics–AVW Broadcast Pty Ltd–Sonifex Pty Ltd B21Integra–Klotz Communications L22IovideoI/Odevices–AJA Video Systems C60IRTElectronics–AVW Broadcast Pty LtdIsilon–EMC N30

JJinbei–PROtog E45JKAudio–AVW Broadcast Pty LtdJLCooper–Intraware Australia P04JMR–Digistor Pty Ltd D12Junger–AV Group Technologies D06JVC–Quinto Communications A68–AV Group Technologies D06

KK-Tek–Blonde Robot C40KantarMedia–Mojo Media Solutions D04 Kaon–Combitel O01Kenko–C.R. Kennedy & Company B58KiProfamily–AJA Video Systems C60Kings–Madison Technologies C45KingsElectronics–Madison Technologies C45KinoFlo–John Barry Sales D38Kinotehnik–Kayell Australia B26KintronicLabs–Sonifex Pty Ltd B21KlotzCommunications–Magna O03, P01, P03KLZInnovations–Techtel B04KONA–AJA Video Systems C60Kramer–Madison Technologies C45KUMO–AJA Video Systems C60Kupo–PROtog E45

D-K

07BRAND/DISTRIBUTORINDEX


58 BRAND/DISTRIBUTOR INDEX

LLARags–John Barry Sales D38Lastolite–Kayell Australia B26LAWO–Professional Audio & Television B11Lectosonics–John Barry Sales D38LEDGO–PROtog E45LEEFilter–John Barry Sales D38LightIllusion–Mojo Media Solutions D04 LilliputMonitors–AVW Broadcast Pty LtdLimelite–C.R. Kennedy & Company B58LinearAcoustic–AVW Broadcast Pty LtdLitepanels–John Barry Sales D38–Videocraft Australia OS21–Amber Technology C04Livestream–Corsair Solutions C41LiveU–OnAir Solutions E04–Pacific Live Media L01Logickeyboard–Corsair Solutions C41Logitek–OnAir Solutions E04Lowel–Videocraft Australia OS21LSB–Professional Audio & Television B11Lumantek–TekInsite Video Technologies M02Lumens–Corsair Solutions C41Lupo–Blonde Robot C40LYNXTechnik–Techtel B04

MMACKIE–CMI Music & Audio M06MagellanSDNOrchestrator–Imagine Communications A05Magenta–Corsair Solutions C41MagicSoft–Interface Technologies C56MagisSuperLEDFresnel–De Sisti Lighting E48Magliner–Lemac Film & Digital D28Magma–Blonde Robot C40–Mojo Media Solutions D04 Manfrotto–Videocraft Australia OS21–John Barry Sales D38MarshallElectronics–Quinto Communications A68Masstech–Techtel B04–Redwood’s Technology Solutions B80Masterclock–Studiotech Australia D48Matrox–Mojo Media Solutions D04 –Pacific Live Media L01MaulTheet–HW Technologies B65MaxivaandFlexivatransmitters–GatesAir A69MediaExcel–Combitel O01

MediaLinks–ML AU Pty Ltd A03MediaRoom–Silver Trak Digital E16Mellanox–BIOS IT & Mellanox C43Metabones–Blonde Robot C40Metus–Corsair Solutions C41Metz–C.R. Kennedy & Company B58Microsens–Professional Audio & Television B11MierAudionVoxpro–Lumina Broadcast Systems M04Miller–Lemac Film & Digital D28–Miller Camera Support Equipment L20–Videocraft Australia OS21Miranda–GrassValleyB41MOGTechnologies–AV Group Technologies D06Moog–Lumina Broadcast Systems M04Moseley–Sonifex Pty Ltd B21Movcam–C.R. Kennedy & Company B58Moxa–Madison Technologies C45MVP–Lumina Broadcast Systems M04Myricom–Eureka Pacific C44–GB Labs C44

NNautel–Sonifex Pty Ltd B21Nest–PROtog E45NetInsight–Techtel B04Netia–Syncrotech Systems C26Netwave–GatesAir A69Neumann–Lemac Film & Digital D28Neutrik–Madison Technologies C45Nevion–Magna O03, P01, P03Newtec–AVW Broadcast Pty Ltd–Lumina Broadcast Systems M04NewTek–Blonde Robot C40–OnAir Solutions E04–Pacific Live Media L01Nexenta–BIOS IT & Mellanox C43NexsanbyImation–Nexsan by Imation E18Nexus&MDREthernetandDMXdistribution–LSC Lighting Systems E48NILA–Blink Technology M08Noga–Lemac Film & Digital D28Norsat–Lumina Broadcast Systems M04Norwia–Quinto Communications A68NTT–Lumina Broadcast Systems M04Nucomm–Quinto Communications A68

OObject-Matrix–Redwood’s Technology Solutions B80

OConnor–Videocraft Australia OS21-LemacFilm&DigitalD28Omniscreen–Combitel O01ONEtastic–Southern Broadcast A74OpticommEmcore–Madison Technologies C45Oracle–Magna O03, P01, P03Orad–Avid Technology B22Orban–Sonifex Pty Ltd B21ORBITALARM–Black Bishop Films OS20Orca–Lemac Film & Digital D28–John Barry Sales D38Orchestrator–Aspera A06OriginServersoftware–Imagine Communications A05Orion–Interra Systems C59OspreyVideo–Corsair Solutions C41

PPag–Quinto Communications A68Paiste–Yamaha Commercial Audio D50Paladin–Black Bishop Films OS20–Madison Technologies C45Panasas–Intraware Australia P04Panasonic–Lemac Film & Digital D28–Mojo Media Solutions D04 –Techtel B04–Videocraft Australia OS21–Panasonic Australia L03Pearl–Professional Audio & Television B11PebbleBeachSystems–Magna O03, P01, P03PennElcom–Madison Technologies C45Percon–Studiotech Australia D48Phoenix–Madison Technologies C45PixelPower–TekInsite Video Technologies M02PlatinumRouters–Imagine Communications A05PlatinumTools–Madison Technologies C45PlayBoxTechnology–Redwood’s Technology Solutions B80PluraBroadcast–TekInsite Video Technologies M02PortaBrace–Videocraft Australia OS21PotomacInstruments–Sonifex Pty Ltd B21Powerex–PROtog E45Promax–Intraware Australia P04–Mojo Media Solutions D04 Promise–Blonde Robot C40ProTech–Videocraft Australia OS21Prysmian–Studiotech Australia D48PSIBER–Australian Tel-Tec E24

QQStar–Intraware Australia P04Qtake–Digistor Pty Ltd D12Qualstar–Digistor Pty Ltd D12Quantum–Digistor Pty Ltd D12–Quinto Communications A68–Quantum Corporation 080–TekInsite Video Technologies M02

RR&M–Madison Technologies C45R3DRed–Pond5 L11RastOrder–RastOrder Pty Ltd A80RDL–Radio Design LabsRedGiant–Digistor Pty Ltd D12RedrockMicro–Kayell Australia B26RFDesign–AVW Broadcast Pty LtdRiedel–Riedel Communications D42–Studiotech Australia D48RMXdigital–GatesAir A69Roadworx–Madison Technologies C45Rode–Lemac Film & Digital D28–Videocraft Australia OS21–Wireless Components B19Root6ContentAgent–Digistor Pty Ltd D12RossVideo–Professional Audio & Television B11-VideocraftAustraliaOS21Rossco–Lemac Film & Digital D28Rotalight–C.R. Kennedy & Company B58RTSTelex–Magna O03, P01, P03RTW–Professional Audio & Television B11RuslynCordwheel–Madison Technologies C45RVR–Wireless Components B19Rycote–Sennheiser M14

SSachtler–Lemac Film & Digital D28–Videocraft Australia OS21Salzbrenner–Stagetec Mediagroup Australia A50Samsung–Hills A01Sandisk–C.R. Kennedy & Company B58SankenMicrophones–John Barry Sales D38Saramonic–C.R. Kennedy & Company B58SarasTechnology–Lumina Broadcast Systems M04SATCorp–Lumina Broadcast Systems M04ScaleIO–EMC N30ScaleLogic–Intraware Australia P04

L-R

59BRAND/DISTRIBUTOR INDEX


R-Z

Schneider–Lemac Film & Digital D28ScienceDVisions–Intraware Australia P04Screen–Quinto Communications A68ScreenSystems–Techtel B04Sencore–OnAir Solutions E04–Pacific Live Media L01Sennheiser–Sennheiser M14–Videocraft Australia OS21–Wireless Components B19SGI–Intraware Australia P04SGO–Mojo Media Solutions D04 SHAPE–John Barry Sales D38ShivelyLabs–Sonifex Pty Ltd B21ShotOver–Aerial Film Australia C42SIDSA–Combitel O01Sigma–C.R. Kennedy & Company B58SiliconCore–Techtel B04Silicondust–Corsair Solutions C41SilvusStreamcasterHD–Amber Technology C04Skyline–Lumina Broadcast Systems M04Slik–C.R. Kennedy & Company B58Slomo.tv–Techtel B04SmallTree–Digistor Pty Ltd D12SmallHD–Kayell Australia B26SmartAVI–Madison Technologies C45SMW–Lumina Broadcast Systems M04SnapTV–Quinto Communications A68SnapStream–Digistor Pty Ltd D12Snell–Quinto Communications A68SnellMaverik–Amber Technology C04SNS–Mojo Media Solutions D04 SoftLED2&4–De Sisti Lighting E48Softel–GrassValleyB41SolarFlare–Intraware Australia P04SolidStateLogic–Amber Technology C04SolidynePRO–Wireless Components B19Somita–PROtog E45Sonifex–OnAir Solutions E04–Sonifex Pty Ltd B21SonnetTechnologies–Intraware Australia P04Sony–Lemac Film & Digital D28–Mojo Media Solutions D04 –Sony Australia Limited D22–Videocraft Australia OS21SoundDevices–Corsair Solutions C41–John Barry Sales D38SpectraLogic–Redwood’s Technology Solutions B80–Techtel B04–Intraware Australia P04Spinetix–Madison Technologies C45

Stagetec–Stagetec Mediagroup Australia A50Steadicam–Lemac Film & Digital D28Steadytracker–PROtog E45Steinberg–Yamaha Commercial Audio D50StorageDNA–Blonde Robot C40–Videocraft Australia OS21StorNext5–Quantum Corporation 080Streambox–Madison Technologies C45Streamstar–Digistor Pty Ltd D12StudioTechnologies–Madison Technologies C45StudioHub–Agile Broadcast C16StudiotechSolutions–Studiotech Australia D48SuitelifeSystems–AxessSupermicro–BIOS IT & Mellanox C43SV–HW Technologies B65Swit–Lemac Film & Digital D28SwitchMedia–Switch Media B54SynapseConverters–Bluefish444 C40Synology–Mojo Media Solutions D04

TTAGVideoSystems–Magna O03, P01, P03Tangent–Digistor Pty Ltd D12TangentWave–Mojo Media Solutions D04 TASCAM–CMI Music & Audio M06Tattu–FPV Australia & Mongrel Gear L04TBCconsoles–Studiotech Australia D48TCElectronics–Amber Technology C04TeamBlackShep–FPV Australia & Mongrel Gear L04Tedial–Magna O03, P01, P03Tektronix–TekInsite Video Technologies M02Telecast–GrassValleyB41TELECT–Australian Tel-Tec E24TeleDelta(Australia)–AVW Broadcast Pty LtdTelemetrics–Techtel B04–GrassValleyB41Teleste–Combitel O01Telestream–Amber Technology C04–Digistor Pty Ltd D12–Techtel B04TelurioEdge–Imagine Communications A05Teracue–Combitel O01Teradek–Blonde Robot C40–Videocraft Australia OS21Testsystems–Techtel B04TetherTools–Kayell Australia B26

TFT–Lumina Broadcast Systems M04TheFoundry–Intraware Australia P04TheProductionBook–IF Magazine M03Tieline–Sonifex Pty Ltd B21Tiffen–Lemac Film & Digital D28Tilta–Lemac Film & Digital D28Tokina–C.R. Kennedy & Company B58TorqueSystems–Techtel B04Touchstone–Klotz Communications L22Transporter–Kayell Australia B26Transvideo–Lemac Film & Digital D28TSL–AV Group Technologies D06TVLogic–Techtel B04tvONE–Corsair Solutions C41TVUNetworks–Magna O03, P01, P03TylerCameraSystems–Aerial Film Australia C42

UUAV’s–Aerial Film Australia C42Ultimatte–Techtel B04UNIVERSALAUDIO–CMI Music & Audio M06

VVbox–Combitel O01Vega–Interra Systems C59VeneraTechnologies–Redwood’s Technology Solutions B80Verimatrix–Combitel O01VideoDevices–Corsair Solutions C41VideoFlow–Combitel O01Videosys–AV Group Technologies D06VidiGo–Techtel B04Vinten–Videocraft Australia OS21VintenRadamec–Amber Technology C04ViolinMemory–Techtel B04VisionResearchPhantomHi-SpeedCameras–Adept Turnkey Extreme Slow Motion C14Vislink–Lumina Broadcast Systems M04Vitec–AV Group Technologies D06–Combitel O01–Quinto Communications A68Vizrt–Vizrt Australia Pty Ltd B08VMConnectedNetwork–GatesAir A69VNX–EMC N30Volicon–OnAir Solutions E04Voscom–Madison Technologies C45Vox–Yamaha Commercial Audio D50VSN–Syncrotech Systems C26

VUEAudiotechnik–Amber Technology C04

WWACOM–Digistor Pty Ltd D12WardBeck–Quinto Communications A68WASP3D–Syncrotech Systems C26Westcott–Kayell Australia B26Wheatstone–Agile Broadcast C16Whirlwhind–Madison Technologies C45Will-Burt–Lumina Broadcast Systems M04Wisycom–Professional Audio & Television B11Wohler–AV Group Technologies D06WoodenCamera–Lemac Film & Digital D28WorldCastSystems–OnAir Solutions E04-PacificLiveMediaL01

XYZX-Rite–C.R. Kennedy & Company B58Xendata–Digistor Pty Ltd D12Xicomtech–Lumina Broadcast Systems M04XRackPro–Eureka Pacific C44–GB Labs C44XStreamSharedStorage–EditShare B59XtremIO–EMC N30Yamaha–Studiotech Australia D48–Yamaha Commercial Audio D50ZTechnology–TekInsite Video Technologies M02Zacuto–Lemac Film & Digital D28Zaxcom–Lemac Film & Digital D28ZCG–Wireless Components B19Zeiss–C.R. Kennedy & Company B58–Lemac Film & Digital D28–Videocraft Australia OS21Zixi–Quinto Communications A68Zylight–John Barry Sales D38


60 PRODUCT/SERVICES INDEX


3D


AvidTechnology B22

Bluefish444 C40


DigistorPtyLtd D12

FUJIFILM N01

GoPro C12

IEEEBroadcastTechnologySociety

N25





O03,P01,P03



Pond5 L11



Techtel B04

TekInsiteVideoTechnologies

M02


4K


C14


AJAVideoSystems C60

AmberTechnology C04

Atomos C32


AvidTechnology B22

BlondeRobot C40


Bluefish444 C40

CanonAustralia N03

Combitel O01


DigistorPtyLtd D12


EditShare B59

EMC N30

Ericsson O11


FlyingFeatures C62

Fujifilm N01

GatesAir A69

GBLabs C44

GoPro C12

Hills A01


InterraSystems C59


KayellAustralia B26

KVMAustralia N02


LuminaBroadcastSystemsPtyLtd

M04



O03,P01,P03

MLAUPtyLtd A03


OnAirSolutions E04



Pond5 L11



RossVideo B10



SwitchMedia B54

Techtel B04


M02




ANTENNAS,TRANSMITTERS,TOWERS

AmberTechnology C04

AVWBroadcast D52

BlondeRobot C40

GatesAir A69

GoPro C12

Hills A01


N25


M04


O03,P01,P03

SonifexPtyLtd B21



Techtel B04


AUDIOPRODUCTIONEQUIPMENT

AgileBroadcast C16

AJAVideoSystems C60

AmberTechnology C04


AvidTechnology B22

BlondeRobot C40

Bluefish444 C40

CMIMusic&Audio M06

CuewordPtyLtd&SuzyCueAustralia

E36


EditShare B59

GatesAir A69

Hills A01

JandsPtyLtd C28

JohnBarrySales D38



O03,P01,P03

OnAirSolutions E04

ProfessionalAudio&Television

B11

RiedelCommunications D42

Sennheiser M14

SonifexPtyLtd B21


StagetecMediagroupAustralia

A50


SyncrotechSystems C26

Techtel B04


YamahaCommercialAudio

D50

CAMERAS,LENSES&ACCESSORIES


C14


AgileBroadcast C16

AJAVideoSystems C60

Atomos C32


BlondeRobot C40


CanonAustralia N03

CookeOptics L09

DynacoreTechnologyCo.,Ltd

A60

FlyingDragonCinematography

L36

FlyingFeatures C62

Fujifilm N01

GoPro C12

HWTechnologies B65

JohnBarrySales D38

KayellAustralia B26



O03,P01,P03







Techtel B04


CAPTION/SUBTITLINGSYSTEMS


AVWBroadcast D52

Bluefish444 C40


E36


InterraSystems C59


O03,P01,P03



B11


Redwood’sTechnologySolutions

B80

SwitchMedia B54

Techtel B04


CLOUDSOLUTIONS

Aspera A06

AvidTechnology B22

AVWBroadcast D52

BIOSIT&Mellanox C43

COMPUTERGRAPHICS&ANIMATION

AJAVideoSystems C60

AmberTechnology C04

AvidTechnology B22

BIOSIT&Mellanox C43

BlondeRobot C40

Bluefish444 C40

DIGITALSIGNAGE

Atomos C32

Combitel O01



Hills A01

ICPGlobal L30


KVMAustralia N02

61PRODUCT/SERVICES INDEX





Pond5 L11



Techtel B04


EQUIPMENT&CREWHIRE





E36

FlyingDragonCinematography

L36

FlyingFeatures C62

KayellAustralia B26

KERemoteSystems L31



MillerCameraSupportEquipment

L20



FIBRE

AmberTechnology C04

AustralianTEL-TEC E24


Combitel O01




ICPGlobal L30


InterfaceTechnologies C56

KVMAustralia N02



O03,P01,P03





Techtel B04

FORMATCONVERSION

AgileBroadcast C16

AJAVideoSystems C60

AmberTechnology C04


BlondeRobot C40

Combitel O01


DigistorPtyLtd D12

EditShare B59




InterraSystems C59



O03,P01,P03



B11



B80


A50


SwitchMedia B54

Techtel B04


M02


D50

IPTV/OTT/BROADCASTBANDVIDEO

AgileBroadcast C16

AmberTechnology C04


AVWBroadcast D52

Brightcove B42

Combitel O01


DigistorPtyLtd D12

EMC N30

Ericsson O11

Hills A01



N25


InterraSystems C59



O03,P01,P03


OnAirSolutions E04



B11



B80


SwitchMedia B54

Techtel B04


M02


LIGHTINGEQUIPMENT,RIGGING&ACCESSORIES


C14

AmberTechnology C04

BlinkTechnology M08

BlondeRobot C40


DeSistiLighting E48

DigistorPtyLtd D12


A60

JandsPtyLtd C28

JohnBarrySales D38

KayellAustralia B26


LSCLightingSystems E48

PROtog E45


SonifexPtyLtd B21

Techtel B04


MASTERING&DUPLICATION


Bluefish444 C40




Techtel B04

MICROWAVE

AmberTechnology C04



M04


O03,P01,P03



Techtel B04

OUTSIDEBROADCAST

AgileBroadcast C16

AmberTechnology C04


BlondeRobot C40


CanonAustralia N03


E36


A60


FlyingFeatures C62

ICPGlobal L30


N25


JandsPtyLtd C28

KERemoteSystems L31

KVMAustralia N02


M04



O03,P01,P03




L20




B11


SonifexPtyLtd B21



A50



Techtel B04




D50

POSTPRODUCTION

AJAVideoSystems C60

AmberTechnology C04

Aspera A06

Atomos C32


AvidTechnology B22

BlondeRobot C40

Bluefish444 C40

CanonAustralia N03

DigistorPtyLtd D12

08PRODUCTS/SERVICESINDEX




A60

EditShare B59

EMC N30


GBLabs C44

GoPro C12

ICPGlobal L30


InterraSystems C59


JandsPtyLtd C28

KVMAustralia N02



O03,P01,P03



Pond5 L11


B11



B80


A50



Techtel B04




D50

PROFESSIONALBODIES&EDUCATION

AustralianCinematographersSociety

N27

AustralianVideoProducersAssociation

N28

AvidTechnology B22

DigistorPtyLtd D12


A60

FPVAustralia&MongrelGear

L04



A50


RADIOBROADCASTTECHNOLOGY

AgileBroadcast C16


AVWBroadcast D52

Combitel O01


E36


GatesAir A69


ICPGlobal L30


N25

KlotzCommunications L22

KVMAustralia N02


M04


O03,P01,P03


OnAirSolutions E04



B11


SonifexPtyLtd B21



A50



Techtel B04


RIGGING&STAGING

DeSistiLighting E48


A60

JandsPtyLtd C28

PROtog E45

ROADCASES,BAGS&ACCESSORIES

AmberTechnology C04


JandsPtyLtd C28

JohnBarrySales D38

PROtog E45

Techtel B04


SATELLITE

AmberTechnology C04

AVWBroadcast D52

Combitel O01

Hills A01


M04


O03,P01,P03




Techtel B04

SECONDSCREEN

AgileBroadcast C16

Combitel O01


DigistorPtyLtd D12

KayellAustralia B26

KVMAustralia N02


O03,P01,P03




SwitchMedia B54

Techtel B04


SETDESIGN/PROPS/FURNITURE/FIXTURES

DigistorPtyLtd D12

GatesAir A69


SOCIALMEDIA


O03,P01,P03


B80

RossVideo B10

Techtel B04


STILLCAMERAS&LENSES

BlondeRobot C40


CanonAustralia N03

GoPro C12

JohnBarrySales D38

KayellAustralia B26




STORAGE&MEDIAASSETMANAGEMENT

AJAVideoSystems C60

AmberTechnology C04

Aspera A06

Atomos C32

AvidTechnology B22

BIOSIT&Mellanox C43

BlondeRobot C40

Combitel O01


DigistorPtyLtd D12

EditShare B59

EMC N30


GBLabs C44


InterraSystems C59


KayellAustralia B26



O03,P01,P03



NexsanbyImation E18


B11




B80

RossVideo B10



SpectraLogic A45


SwitchMedia B54


Techtel B04



STREAMING/ENCODING/WEBCASTING

AgileBroadcast C16

AmberTechnology C04

Aspera A06

Atomos C32


BlondeRobot C40

Bluefish444 C40

Brightcove B42

Combitel O01


DigistorPtyLtd D12


GBLabs C44

Hills A01


KVMAustralia N02


63PRODUCT/SERVICES INDEX



M04



O03,P01,P03


OnAirSolutions E04



B11



B80

RossVideo B10



SwitchMedia B54

Techtel B04


M02




TEST,MEASUREMENT&MONITORING

AgileBroadcast C16

AmberTechnology C04

Atomos C32

AustralianTEL-TEC E24


BlondeRobot C40

Bluefish444 C40

Combitel O01

HWTechnologies B65



InterraSystems C59



M04


O03,P01,P03



OnAirSolutions E04


SonifexPtyLtd B21


Techtel B04


M02



TRADEPUBLICATIONS&WEBSITES

Broadcastpapers B03

Content+TechnologyMagazine

B03

IFMagazine M03

TRIPODS&CAMERASUPPORT


C14

AmberTechnology C04



A60

JohnBarrySales D38

KayellAustralia B26

KERemoteSystems L31



O03,P01,P03


L20

PROtog E45



Techtel B04


VEHICLE/AIRCRAFT-MOUNTEDPRODUCTION





DigistorPtyLtd D12

FlyingFeatures C62

KVMAustralia N02



O03,P01,P03

PROtog E45

VIDEOPRODUCTION

AJAVideoSystems C60

Aspera A06

Atomos C32


AvidTechnology B22

BlondeRobot C40


Bluefish444 C40



E36

DigistorPtyLtd D12


A60

EditShare B59


FlyingFeatures C62

ICPGlobal L30



JohnBarrySales D38


LSCLightingSystems E48


O03,P01,P03



Pond5 L11


B11






Techtel B04



VIDEOPOSTPRODUCTION

AJAVideoSystems C60

Aspera A06

Atomos C32


AvidTechnology B22

BlondeRobot C40

Bluefish444 C40


DigistorPtyLtd D12

EditShare B59


GBLabs C44

InterraSystems C59


KVMAustralia N02



O03,P01,P03


Pond5 L11


B11



B80

Techtel B04




D50

OTHER

AudioandVideoPatching-AustralianTEL-TEC

E24

AwardsforVideo&TV-AustralianVideoProducersAssociation

N28

BroadcastCablingInfrastructure-MadisonTechnologies

C45

DisplayCalibration-MojoMediaSolutions

D4

DroneCinematography-FlyingDragonCinematography

L36

DronesandAssociatedEquipment,andTraining-FPVAustralia&MongrelGear

L04

Film/Television/Videoequipmentsupport-RastOrderPtyLtd

A80

LEDbroadcastequipmentZHENGZHOUKEMA(COMER)

E54

LivetoWebContribution-PacificLiveMedia

L01

ProfessionalAudioProduction,ProfessionalAudioPostProduction-AvidTechnology

B22

QualityControl(QC),MediaAnalyzer,Real-timeContentMonitoring-InterraSystems

C59

RECHARGEABLEBATTERIESANDBATTERYCHARGERS

StudioAutomation-VizrtAustraliaPtyLtd

B08

SystemsIntegration-StudiotechAustralia

D48

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PAG

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PAG

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PAG

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THE BRILLIANCE OF CINEMA EOS

This is the Canon Cinema EOS system. No matter what you’re shooting - Hollywood

movies, indie documentaries, episodic TV series, commercials, music videos – the Cinema EOS

system will raise your game without compromising your productivity. The Cinema EOS camera line-up

is complemented by Cinema EOS lenses, designed to fulfill contemporary 4K production standards, and

now portrayed by Canon 4K Reference Displays.

SMPTE15 Official Conference & Exhibition Directory

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