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C-inese

Ma $uan Landsca!e in -ain

=ao C->i(+>ei

Landsca!e

Mu C-i Six Persimmons Landsca!e

9i Sun' Em!eror %ing&'uang Watching a Coc/fight

Nu+in"reeting the S!ring

$uan $ao $raveling in the %ountains in Autumn

9an $in' Fuch0un %ountain

Tan' Ti Picnic at the -iver an/

?a+anese

Ando Hiros-i'e ?a+anese% %oonlight, aga/ubo

=atsus-i2a Ho2usai ?a+anese% @ 7 +rints of Mt. 0ui rea/ing Wave 1ff 2anaga3a 2a4i/a5a3a in 2ai Province %t6 Fu4i in Clear Weather

;tamari# =ita'a,a Lovers

Sesson S-u2ei Fishing oat in the Storm# Album Leaf

=ano Hide*ori

%a!le Vie3ers at $a/ao (detail)

Anon*mous lac/ ull# From the 'and Scroll of the $en Famous ulls

C. India ( Ban'es 4 Indus Ri&ers

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rahma, Shiva and Vishnu ('indu 'oly $rinity)

7escent of the "anges %other and Child Shiva Vinadara Shiva, Lord of the 7ance

$a4 %ahal $he $hree 8a/shi

D. E'*+t ( Nile Ri&er 7#""" *rs.% ( to ensure t-e eistence of t-e soul or =A# t-e )od* ,-ere it d,elt must )e +reser&ed t-ru M;MMI0ICATION. If not# +reser&e

t-e =A t-rou'- +aintin' and scul+ture of t-e ima'e.

Arts Funerary %as/ of $utan/hamun (Egy!tian) "old Coffin of $utan/hamun $omb of $utan/hamun Pyramids of "i5a "reat S!hinx Anubis, "od of the +nder3orld efertiti From A/hetaten (Egy!tian) -elief of %en/auhor (Egy!tian) Seated Scribe from Sa99ara (Egy!tian)

III. C9ASSICISM 4 THE BRECO(ROMAN TRADITION1#""" $RS.%

A. Bree2 Art 1. Beometric and Arc-aic """("" /C% ( still influenced )* earlier

ci&ili


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!

Parthenon "ree/ Columns

7oric .onic Corinthian

Praiteles 'ermes and the aby 7ionysus A!hrodite

M*ron 7iscuss $hro3er;7iscobolus

7. Hellenistic !""(1"" /C%( Bree2 culture intermin'led ,it- oriental culture ( Pelo+onnesian 3ar

Artsi/e at Samothrace

1ld %ar/et Woman $he Laocoon "rou! Prometheus

/. Roman Art 1. Dome ( 'reatest contri)ution to ,orld arc-itecture 6. Preference to circular arc-itectures

7. P-iloso+-ies a. Stoicism ). E+icureanism

Arts

Colosseum 7iana the 'untress

Em!eror ConstantineLe Pont 7u "ard e!tune, "od of the Sea Pantheon Pantheon 3ith 1culus

-oman Version of %yron


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C. RomanesGue !F AD% ( Dar2 A'es( fall of t-e Roman Em+ire and t-e trium+- of t-e/ar)arians.

( ascendanc* of ,omens +osition in societ* e.'.8ir'in Mar*# 4 t-e 'lorification of romantic lo&e.

( arc-itecture( -ori


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6. Rationalism 7. Idealism

/. Renaissance Man &s. Classical Man

Arts and Artists

/otticelli# Sandro

$he irth of Venus Primavera;S!ring Virgin and Child Virgin and Child 3ith Saints

Donatello 7avid "attamelata 'ead of "attamelata detail%

9eonardo da 8inci %adonna of the -oc/s %ona Lisa (la "ioconda)

Self&Portrait St =ohn the a!tist $he Last Su!!er $he Last Su!!er, 7etail of the Woman $he Virgin and Child 3ith St6 Anne

$he Virgin and Child 3ith St6 Anne and =ohn the a!tist Vitruvian %an

7a Vinci in the hands of Francis ?

Mic-elan'elo

Adam @ Eve @ the Ex!ulsion from Paradise Creation of Adam Creation of Adam, 7etail Creation of Adam, Study Creation of Eve 7avid Frescoes at Sistine Cha!el La Pieta Libyan Sibyl Libyan Sibyl, Study

Self&Portrait $he 7ying Slave $he Final =udgment

$he 'oly Family $he -ebellious Slave

Ra+-ael Alba %adonna Entombment "alatea 'oly Family 'oly Family 3ith the Lamb


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Calvary

Massacio

$he $ribute %oney

Piero dela 0rancesca Vie3 of the .deal City

Pieter /rue'el t-e Elder 'unters in the Sno3 $he $o3er of abel $he Peasant Wedding

Juentin Mass*s $he %oney Lender and 'is Wife

8an Der 3e*den# Ro'ier 7escent from the Cross

$he Annunciation

Tintoretto acchus and Adriane $he %iracle of St6 %ar/

8I. 1t- CENT;R$ Mannerism ( +eriod of deca* of Classicism ( +er&ersion of Classic Ideals

Arts and Artists

El Breco St =erome as Cardinal St6 =erome Vie3 of $oledo

/ron


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Arts and Artists

2D Cara&a''io 7avid 3ith the 'ead of "oliath 7avid 3ith the 'ead of "oliath

Su!!er at Emmaus $he Calling of St6 %atthe3

$he Conversion of St6 Paul $he Crucifixion of St6 Peter $he 7eath of the Virgin $he 7e!osition $he 7oubting $homas $he Fortune $eller

$he Fortune $eller

Rem)randt 8an Rin athsheba 7reaming of 2ing 7avid

7anae Self&Portrait $he ight Watch $he Syndics; the oard of the Cloth %a/ers0 "uild

Ru)ens# Peter Paul 'elena Fourment @ 'er Children 'enry .V Little Fur %arie de %edici %assacre of the .nnocents (B6D% to! ? %ost Ex!ensive Painting) $he 7escent from the Cross

$he Education of %arie de %edici $he 7oubting $homas $he -a!e of the 7aughters of Leuci!!us $he Presentation of the Portrait of %arie de %edici to 'enry .V

/atista# Bio&anni $rium!h in the ame of =esus

de la Tour# Beor'e =ose!h the Car!enter

Hals# 0rans

$he Laughing Cavalier $he ohemian "irl

Ho))ema# Meindert $he Avenue of %iddelharnis

?an 8ermeer 8an Delf 8oung Woman 3ith the Water =ug %aid Pouring %il/

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$he Lace ma/er

Nicolas Poussin Arcadian She!herd

Ri)era# Die'o

oy 3ith the Clubfoot

Ri'aud# H*acint-e Louis .V

Ro)ert# Hu)ert Le Pont du "ard

8an D*c2# Ant-on* Charles . at the 'unt

8ela


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$he -eader

Bains)orou'-# T-omas -obert Andre3s and 'is Wife $he lue oy

?o-ann Ne,mann 2aisersaal (.m!erial 'all)

Ot-er Arts%Palace of Versailles, 'all of %irror

8III. 9ATE 1t- 4 1Kt- CENT;RIES

A. Neo(Classicism ( art of t-e )our'eoisie under Na+oleon /ona+arte

Arts and ArtistsDa&id# ?acGues 9ouis

%adame =ulie -ecamier a!oleon As First Consul a!oleon on 'orsebac/

1ath of the 'oratii $he Coronation of a!oleon ona!arte

In'res# ?ean DominiGue Comtesse d0'aussonville

Comtesse d0'aussonville, 7etail "rand 1dalis9ue a!oleon on his .m!erial $hrone $he A!otheosis of 'omer $he $ur/ish ath

/. Romanticism ( emotion too2 +recedence o&er reason ( t-e -eart -as its reasons t-at reason can not understand ( Pascal

Arts and Artists Delacroi# Eu'ene Self&Portrait

$he >Hth of =uly# Liberty Leading the Peo!le $he 7eath of Sardana!alus

Bericault# T-eodore $he -aft of the %edusa An 1fficer of a!oleon0s -oyal

Bros Antoine(?ean a!oleon ona!arte on the ridge (at Arcole) a!oleon on the attlefield (at Eylau)

Turner# ?ose+- $he Slave Shi!

Bo*a

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$he $hird of %ay, ?HH

C. Realism ( 6nd -alf of 1Kt- cent. ( SM ,as deri&ed from t-e ,or2in' class a reaction more on SM.

Arts and Artists

Aleander Ca)anel irth of Venus

Cour)et $he Artist0s Studio

$he 1rigin of the World Woman 3ith the Parrot 8oung Women at the an/ of Seine

?ean 0rancois Millet $he "leaners

Manet# Edouard ar at the Folies ergere Emile *ola Luncheon on the "rass $he Fifer $he 1lym!ia

D. Art Nou&eau ( a reaction to industriali $he 2iss $he Virgin $hree Stages of Woman

Adele loch&auer ? (?ID% to! ? most ex!ensive !ainting) Adele loch&auer > (HB6J%)

A+-onse Muc-a La $ra!!istia -everie

*odiac

E. Art Deco (

IL. 6"t- CENT;R$ ( Modern Art

A. Im+ressionism

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Arts And Artists

Monet# Claude Camille %onet 3ith Child .m!ression# Sunrise

Photo!ortrait

-ouen Cathedral# Facade in Sunlight Waterlillies

Pissarro# Camile First February -ays at asin Court

'ayma/ers at -est

De'as# Ed'ar $he Absinthe 7rin/er

$he ath $he allet 7ancers $he allerina $he 7ancers $he 7ancing Class

$he -ehearsal$he $ub

After the ath (8oung Woman 7rying 'er Feet) After the ath

Renoir La %oulin de la "alette (BH% to! ? most ex!ensive !ainting) Luncheon of the oating Party %adame -enoir

Cassatt# Mar*

$he ath Woman in lac/ at the 1!era

/. Pointillism

Suerat# Beor'e $he Circus $he 7ance Sunday Afternoon at the .sland of la "rande =atte

C. E+ressionism

8an Bo'-# 8incent Cy!resses 3ith $3o Figures 7r6 "achet (Louvre %useum) 7r6 "achet (H>6D% to! ? %ost Ex!ensive Painting) ight Cafe Self&Portrait Self&Portrait 3ith %utilated Ear Self&Portrait 3ithout eard (B?6D% to! ? most ex!ensive !ainting) Siesta

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State Lottery 1ffice $he 7ra3bridge at Arles $he .rises (DI6J% $o! ? %ost Ex!ensive Painting) $he Potato Eaters $he -ed Vineyard $he -oad 3ith Cy!resses and a Star

$he Starry ight $he Sun Flo3ers (K% $o! > %ost Ex!ensive Painting) Wheatfield and Cro3s

E'on Sc-iele Standing Female ude 3ith Crossed Arms Seated Woman 3ith ent 2nee

Munc-# Ed&ard 1bsession

PubertySelf&Portrait

$he 7ance of Life $he %adonna $he Scream; $he Cry

D. Cu)ism

Ce Still life 3ith "inger =ar and Egg!lants Still life 3ith A!!les and a Pot of Promeroses

Picasso# Pa)lo lue ude Circus Acrobat and A!e 7ora %ar 3ith Cat (JD6>% to! ? most ex!ensive !ainting) Landsca!e 3ith ridge %other and Child on the Seashore Portrait of =- 3ith -oses

$he oy 3ith the Pi!e (?K% $o! ? %ost Ex!ensive Painting) $he "irl 3ith Fan $he "uernica $he La Vie $he Lovers $he %arriage of Pierrette (D?6B% $o! > %ost Ex!ensive Painting) $he 1ld "uitarist $he Woman 3ith the %andolin $hree Figures on the Shore

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Wee!ing Woman Woman Seated in the "arden (KJ6D% to! > most ex!ensive !ainting) Woman 3ith a Strand of 'air Woman 3ith Crossed Arms (DD% $o! ? %ost Ex!ensive Painting) Women of Avignon

/raGue# Beor'e Still life 3ith Fruit o3l $he %usician0s table $he $hree irds $he Violin $he Violin and the "uitar

9e'er# 0erdnand %echanical Elements $he uilders

Bris# ?uan o3l of Fruit and Carafe

E. 0au&ism

Matisse# Henri .llustration of the Poem A!!aritionM %adame %atisse 3ith the "reen Line %agnolias $he 7ance $he 1dalis9ue in -ed Pants $he 1dalis9ue 3ith -aised Arms $he Painter and 'is %odel $he -ed -oom

Derain# Andre Portrait of %atisse Still life $he athers

Bau'uin# Paul 'ail %ary .n -e!ose La elle Angele La 1rana %aria Loss of Virginity evermore

Self&Portrait Self&Portrait 3ith 'aloSelf&Portrait 3ith .dol

$ehemata Watched by the S!irit of the 7ead $he 8ello3 Christ Van "ogh Painting Sunflo3ers Where 7o We Come FromN What Are WeN Where

Are We "oingN

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0. Neo(Primiti&ism

Rousseau# Henri $he 7ream

$he Slee!ing "y!sy $he Sna/e Charmer

$he War

B. Dadaism

Duc-am+ L'11G (She0s 'ot in 'er Ass) Salvador 7ali as %ona Lisa

Pica)ia Amorous Parade L'11G

H. Surrealism

De C-irico# Beor'io $he 7is9uieting %uses $he %ystery and %elancholy of the Street $he Portrait of "uillaume A!!olinaire +ncertainty

C-a'all# Marc Above the $o3n . and %y Village Love Love, a 'at and a Song

Promenade $he 7ance

Rene Ma'ritte Collective .nvention $he -a!e

Dali# Sal&ador 'oney is S3eeter than lood

%etamor!hosis of arcissus Landsca!e 3ith utterflies Self&Portrait $he Crucifixion

$he Crucifixion (Self&Portrait) $he Eye 7esign $he 'allucinogenic $oreador $he Last Su!!er $he Persistence of %emory $he Slee! $he $em!tation of St6 Anthony $he Stringed eans and the Premonition of

Civil War

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Woman uggered by 'er 13n Virginity

Ernst# Ma 1edi!us -ex

Istler# ?ose+-

Ecstasy

?en2ins# Paul Phenomena Astral Signal

Miro# ?oan ? Abstract Com!osition %an and Woman Personage -ythmi9ues $he ird of =une

$he Painting $he Personage $he Port $he eautiful ird -evealing the +n/no3n to the Pair of Lovers Women, ird by %oonlight

3illi /aumeister %ortaruru 3ith -ed 1verhead

/la2e# 3illiam $he Whirl3ind of Lovers NNNNN

I. 0uturism

Duc-am+# Marcel ude 7escending on a Staircase OK

?. A)stract Art

=andins2*# 3assil* Com!osition

Com!osition K Com!osition D Com!osition Com!osition B

Fragment > for Com!osition B Painting O > Painting O >? Panel OI S/etch ? for Com!osition B S/etch > for Com!osition B S9uare 3ith Concentric -ings Study for a Panel

1F


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Mondrian# Piet road3ay oogie Woogie Com!osition 3ith -ed, lue and 8ello3 Painting O?

%ondrian .ns!ired 7ress%ondrian .ns!ired =ee!

%ondrian .ns!ired .!od%ondrian .ns!ired -oom ?

%ondrian .ns!ired -oom >

=. A)stract E+ressionism

Polloc2# ?ac2son O?

OD (%ost Ex!ensive Painting, ?IB%) OD 7etail OH OI? OI> Autumn -hythm OI Full Fathom Five Lavender %ist Polloc/ Painting

=line# 0ran< %onitor

de =oonin' lac/ @ White Excavation $3o Women in the Country

Woman ... :o# 9arr* Scissors

0rancis# Sam Shining lac/

Buston# P-ili+ 7uo

9. O+t Art

Anus2ie,ic< Entranceto "reen

8assarel*# 8ictor Vega log -ouge et lea (-ed and lue) Cube Pal&2et

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*ebras *ebras >

/rid'et Rile* Cataract I

?osef Al)ers 'omage to the S9uare ? 'omage to the S9uare >

M. Po+ Art

Hamilton# Ric-ard =ust What .s .t $hat %a/es $oday0s 'ome so

7ifferent, So A!!ealingN

3ar-ol# And*

Cam!bell0s Sou! Che "uevara "reen Coca Cola ottles Li5 $aylor %arilyn %onroe %ic/ =agger Pin/ %ao

N. Minimal Art

=ell*# Ells,ort- 1range Curve

1range&lue $ablet 8ello3&lue

O. =inetic Scul+ture

Calder# Aleanderlue Feather

Lobster $ra! @ Fish $ail %any Pierced 7iscs -ed Petals

Southern Cross Stabile

+ntitled %obile

P. Constructi&ism

Naum Ba)o Linear Construction in S!ace O?

Linear Construction in S!ace O> S!iral $heme

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J. Ot-er Modern Scul+turesscul+tors

Rodin $he 2iss $he $hin/er Female ude

Adam# Beor'e $he -eclining ude

/rancusi $he 2iss

$he 2iss $he 2iss

Slee!ing %use Scul!ture for the lind

Moore# Henr* -eclining Figure -eclining Figure > -eclining %other @ Child

BiacomittiCage

City S9uare Four Figures on a Pedestal Large 'ead %an Pointing $hree %en Wal/ing Woman

MaillolVenus 3ith ec/lace

Su+er Realism ( De Andrea Seated Woman $he Artist and the %odel ude

R. Arc-itecture

3ri'-t# 0ran2 9lo*d Falling WaterHaufmans House% Vandam0s 'ouse

Busta&e EiffelEiffel $o3er

S. Ne, 3a&eNau+ 3au+

+ntitled %ulti&%edia Collage

6"


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Badd# 8enatius +ntitled Collage 'uman Forms Surrounding the Abstract

+n/no3n

T. Street Artists

Tr*on# Rod lac/ erry Escher0s 7ra3ing 'ands

Ot-ers otticelli0s Virgin 2ert Wenner0s 7ali0s La %uchacha en la Ventana, etc. -enoir0s la %oulin de la "alette

;. Bra+-ics

Esc-er# M.C. 7ra3ing 'ands Fishes and Scales Penrose -elativity -e!tiles S/y and Water St6 Peter $he and $he 2nots $he S3ans

$o3er of abel Verbum

8. Ot-ers

Modi'liani ude O? ude O> ude OI -eclining ude

3. Ot-er American Arts

MesoAmerican Art1lmec 'ead

Arts and Artists

Andre, 3*et- Cristina0s World

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0rederic Au'uster /art-oldi Statue of Liberty

Beor'e /in'-am Fur $raders 7escending the %issouri

?ames 3-istler Artist0s %other

Brant 3oodAmerican "othic

Beor'ia O>2eefe

%usic, Pin/ and lue-oc/.ris

Art-ur Do&eSilver SunFields of "rain Seen from the $rain

L. P-oto'ra+-*

/ea


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2at&2at 'ibo/&'ibo/ %t6 'alcon %t6 'ibo/&'ibo/ Pea/

$ri!le Ex!osure

PHI9IPPINES

A. Pre(Historic Arts ( ?ars%anunggul urial =ar

/. Indi'enous Artsamboo Containers, ata/rass ells, $0bolirass Wor/s, $0boliu0lung, $agbanua (rice and seed container)ulol, series O?&K, %t6 ProvinceCarvings, $agbanua

2alasag, $agbanua (ceremonial shield)2araban, $agbaua (9uiver)%arama/an, ata/Sarimano/, %aranaoSasara/an, $agbaua (coconut strainer)Sinauluban, ata/$in/o!, $agbanua (harvest bas/et)

C. Colonial +eriod

0lores# Simone La Virgen %aria Guia5on Family

Domin'o# Damian +na %esti5a %ercadera de %anila uestra SeQora 7el -osario

Asuncion# ?ustiniano -omana Carillo

Antonio Malantic

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.nocencia Francia

9una# ?uan lood Com!act uildings at Sunset Commander of the S!anish Flagshi!

Ecole St6 %arthe "irl ursing 'er 7oll 'ead of a $ur/ 'ousehold Shrine 3ith $3o Wall Paintings Poeta .ns!irado -oman Lady %a/ing An 1ffering Self Portrait S!oliarium $hree %en on a Par/ $3o %en in a oat +na ula9ueQa Volcano de $aal Windo3

Hidal'o# 0eli $he Assassination of "ov6 ustamante 8oung Christian Women Ex!osed to the

Po!ulace

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Women 3ith the angga

Pineda# ?or'e 'aystac/s

Castaeda# Dominador

Fluvial Procession

D. Modernism

Edades# 8ictorio $he uilders $he S/etch

Al&arado# Nunelucio Pin/ Freedom

Antonio# An'elito -ural Fol/s

/aldemor# Manuel Pista sa ayon

/elle


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Bernale# Elmer Vigan,J am,?JBJ

Imao# A)dul Mari Sarimano/

?o*a# ?ose Abstraction DH S!ace $ransfiguration

=iu2o2# An' =un/ Landsca!e 7og Fighting %an and Woman

9ion'oren# Alfredo Cathedral, ?JB>

9ee A'uinaldo Linear OBH Ex!losion O?K?

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%adonna of the Slums %ag&.na Sabongero Still life $he 7e!osition; 7escent from the Cross $he =ee!neys

Mendi'o# Nic2

Ang Landas na Walang 7aan S!ring of Life 2ata!at ng .ba .to oon a/it gayon

OlaB

Ola


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onifacio %onument -i5al %onument

$he Slave +P 7iliman 1blation Venus -ising

Na+oleon A)ue&a

+PL 1blation +P %indanao 1blation ridge of Love Allegorical 'ar!oon

Solomon Sa+rid

Flagellant %angingisda $i/balang

8ir'inia T*(Na&arro ose Flute

Eduardo Castrillo

Pieta S!irit of Pinaglabanan

Im+* Pila+il 1cean S!ar/le +ntitled

Ramon Orlina "reat Ex!ectation

0. Arc-itecture ata/ 'ouses O?& .glesia ni Cristo +PL Library +PL Auditorium Vigan Ancestral 'ouse

9ocsin# 9eandro

Cha!el of the 'oly Sacrifice Cha!el of the $ransfiguratio, %alaybalay u/idnon Cultural Center of the Phili!!ines ational Art Center of the Phili!!ines, +P Los aQos P.CC

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Style, Anatomy of

I. T*+es A. Beneral St*les /. S+ecific St*les

II. As+ects A. 0orm 1. Com+onents a. Elements ). Princi+les 6. Stud*

a. 0ormalism

/. Su)ect Matter 1. T*+es a. Reli'ious ). M*t-olo'ical c. 0i'ures 1% +ortraiture 6% nudes d. Still life e. Animals f. 9and(sea(cit*sca+es '. Scenes of E&er*da* 9ife -. Historical

i. Dreams and 0antasies

6. Studies a. Icono'ra+-* ). Iconolo'*

7. As+ects of Su)ect Mattera. Primar*). Con&entional

!. Arts accrd'. to SM a. Re+resentational0i'urati&eO)ecti&e ). Non(re+resentatio)nalnon(fi'.non(o).

Music accrd'. To SMa. Pro'ram). A)solute

5. 3a*s of Re+resentation a. Beneral 3a*s 1% realism 6% distortion

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7"

7% a)straction

). Minor 3a*s 1% classicism 6% romanticism

7% naturalism !% im+ressionism 5% e+ressionism % s*m)olism

. Sources of SM a. Nature ). /oo2s 4 9iterature c. Histor* 4 9e'ends d. Ot-er Arts# etc.....

C. Content 1. As+ects a. Internal ). Eternal

Fn!tion

I. Arts accrd'. to 0unction A. 0unctional /. Non(functional

II. 0unctions of t-e Arts A. Personal /. Social

C. P-*sical

"e#im $ Te!hni%e

I. Arts accrd'. to Medium A. 8isual Arts /. Auditor* Arts C. Com)inedPerformin' Arts

II. Arts accrd'. to DimensionE+ression A. 6d Arts

1. T*+esa. Paintin'

1% Parts of Painta% 8e-icle )% Pi'ment

6% T*+es of Paintin' accrd'. to Medium a% 3ater Color Paintin' )% Oil Paintin' c% Acr*lic Paintin' d% Tem+era Paintin'

7"


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e% Encaustic f% 0resco

7% T*+es of Paintin' accrd'. to Si


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). Arc-itecture 1% Met-ods a% 9as-ed )% Post 4 9intel c% Truss d% Cantile&er

e% S2eletonf% Sus+ension

'% Arc- 4 8ault 1% /arrel 6% Broin 7% Dome

c. Potter* 1% T*+es accrd'. to Medium a% Eart-en,are )% Stone,are c% Porcelain

6% T*+es accrd' to 0unction a% /urial )% Ritual c% ;tilitarian

&lements of the 'isal Arts

I. 9ine A. T*+es 1. Strai'-t a. 8ertical ). Hori


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6. Secondar* 7. Intermediate !. Com+lementar* 5. S+lit Com+lementar* . Analo'ous F. Cool

. 3arm K. Neutrals a. /lac2 ). Bra* c. 3-ite

C. Arts accrd'. to Color 1. Monoc-romatic 6. /ic-romatic 7. Pol*c-romatic !. Ac-romatic

D. Color S*m)olism

III. 8alue A. St*les 1. C-iaroscuro 6. Tene)rism

I8. Teture A. As+ects 1. Actual 6. Simulated

8. S-a+e

A. T*+es 1. /iomor+-ic 6. Beometric

a. cur&ilinear). rectilinear

7. 0ree S-a+es

/. Pro+erties 1. Closure 6. Non(closure

C. Dimension of S-a+e 1. Planar

6. 8olumetric

8I. S+ace A. T*+es 1. Decorati&e 6. Plastic

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Prin!iples of the 'isal Arts()omposition(Or*ani+ation

I. /alance A. T*+es 1. 0ormalS*mmetrical 6. InformalAs*mmetrical

II. Harmon*

III. Pro+ortion

I8. R-*t-m8. 8ariet*

8I. Em+-asis 4 Su)ordination

8II. Com+ositional Plans A. T*+es 1. P*ramidal 6. Circular 7. Radial !. 3-eel 5. S*mmetrical . 8ertical

8III. Mo&ements A. T*+es 1. Actual 6. Im+lied

IL. Pers+ecti&es A. T*+es 1. 9inear 6. Aerial 7. Diminution of Si


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c. Artistic Si'nificance

"si!

I. Pro+erties of Sounds A. Tim)re

/. Intensit* C. Duration D. Pitc-

II. Elements of Music A. R-*t-m /. Harmon* C. Melod* D. Tone Color E. Teture 0. 0orm

III. MediumA. Human 8oice

1. So+rano 6. Me


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5. Electric Musical Instruments t2i)

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