Single-Source Stereo & Microstereoscopic 3D 2010 June 24 Welcome PLEASE VIEW IN SLIDE SHOW MODE TO...
-
Upload
erick-jordan -
Category
Documents
-
view
216 -
download
0
Transcript of Single-Source Stereo & Microstereoscopic 3D 2010 June 24 Welcome PLEASE VIEW IN SLIDE SHOW MODE TO...
Single-Source Stereo &Microstereoscopic 3D
2010 June 24Welcome
PLEASE VIEW IN SLIDE SHOW MODETO ACTIVATE AUDIO
22
3D Challenges Pre-Viewer• 2X equipment & signals +• Additional personnel
– convergence per pair– stereographer
• Additional processing– correct, match, format
• Graphics z-axis depth• Distribution resolution• Monitoring challenges
Sony
Pace
33
3D Viewer Challenges• Limited 3DTV penetration
– need for separate coverage?
• Glasses– cost, batteries, maintenance
• Compatibility w/2D viewing– need for 2D glasses
• Perceptual conflicts– stereovisual-vestibular– distance-based
Pace-Fujinon Shadow
Sony 3DTVat CES 2009
“simulatorsickness”
5
Stereoscopic 3D Theory
acquisition presentation
3D =height,width,depth
screen
actually orthostereoscopy
6
Other Three Dimensions
pupillary distance40-80 mm
(down to 5-year-olds)
screen size ~ 1 inch to 100 feet
viewing distance
vast range of vergence-based distance for same 3D master
7
Vergence-Accommodation Conflictfrom Prof. Martin Banks,Visual Space Perception LabUniversity of California – Berkeley
3.2 meters (10.5 feet) ok to +∞
10
Miniaturization
Elan Valley Miniature (tilt-shift technique based on blur)http://www.flickr.com/photos/frosted_peppercorn/481102393
2D
left-eyeview
right-eyeview
Image position relatively easy to change; imagecontent much harder to change
11
Ghosting (Crosstalk)
• Glasses• Display• Synchronization• Viewing Angle• Orientation• Inability to fuse
shot through active-shutter glasses for 3DTV reviewhttp://gizmodo.com/5501900/the-best-3dtv-samsung-un55c7000-vs-panasonic-tc+p50vt20
13
Anaglyph Challenges• Inexpensive glasses• Any TV • Any color TV distribution• Full resolution
But• Strong ghosting• Poor color rendition• Eye rivalry• Light loss• Display adjustment
TrioScopics
ColorCode 3-D
14
Anaglyph Glasses
Ghosting in Anaglyphic Stereoscopic ImagesAndrew J. Woods & Tegan Rourke
Centre for Marine Science & Technology, Curtin University of Technologyhttp://cmst.curtin.edu.au/local/docs/pubs/2004-08.pdf
16
The Elusive GrailCan there be a 3D system with• no ghosting• no V-A conflict or shrinking• 2D-viewer compatibility• no extra personnel• one lens & camera/position• one signal path/recording• full resolution• inexpensive glasses• for all TVs & distribution?
17
3D History
• 1833 Wheatstone– adjustable distance
• 1849 Brewster– lenticular
• 1851 Holmes– adjustable prismatic lenticular
20
A-B Stereo (Spaced Omnis)
• BIG sensation difference
• Unnatural
• Poor mono compatibility distance >>human head width
21
“Ping-Pong” Stereo
• HUGE sensationdifference
TV setAM radio FM radio
early stereo simulcasts
• Completelyunnatural
22
“Single-Source” Stereo
• X-Y, M-S, othercoincidentmic techniques
• stereo microphones– professional &
consumer
ShureNotesIssue #25
24
Visual Stereoacuity
“Stereoacuity at Distance and Near,” Wong, Woods, & Pelihttp://www.eri.harvard.edu/faculty/peli/posters/optometry/AAO2000_poster.pdf
BinocularVision andStereopsis,Howard & Rogers, 1996
10 arcsecondstereoacuity ~1/6 of a pixelat “optimum” (20/20)viewing angle
25
Limited Stereopsis
reference: Canon XJ22x7.3compact studio lens165 mm wide box
Canon 3D lens, shown on XL1
DXG-321much narrower thanpupillary distance
Sharp 3D module
Hammacher-Schlemmer
27
Microstereopsis• Term coined by Mel Siegel, Robotics Institute,
Carnegie Mellon University, and co-authors of papers “Kinder Gentler Stereo,” and “Just Enough Reality: Comfortable 3D Viewing via Microstereopsis” (Proc. SPIE, 1999)
• Intended as a solution to “simulator sickness”• Concept much older (as will be seen)• Not likely to be confused with
microstereoscopy, term used for 3D microscopy
31
Sony Single-Lens System• No V-A conflict or miniaturization• No ghosting• Full 2D compatibility with 3D display• One lens per camera position• No additional personnelBUT• Two cameras per position• 3DTVs required for 3D
(currently costly active glasses)• HDMI 1.4a spatial-resolution loss
35
D.O.T.S. Implementation
• Digital OpticalTechnology Systems(Netherlands)
• Shown in NY 1979• Broadcast by
Nine TV Sydney
36
Anaglyph vs. MS Anaglyph
• Saturated (forcrosstalk reduction)– light loss– eye rivalry– poor color– display adjustment– residual ghosting
• Unsaturated (because no crosstalk)
(simulated)
37
Microstereoscopic Anaglyph• No V-A conflict or miniaturization• No ghosting• Full 2D compatibility with 3D display• One lens per camera position• No additional personnelAND• One camera per position• Works on any color TV and distribution system• No resolution loss
38
Why Isn’t It Everywhere?• Formerly patent protected• Doesn’t sell new TVs (and other equipment)• Perhaps not as flawless as presented here• Less WOW! than other stereoscopic systems
– Does microstereopsis bear a similar relationship to common stereoscopy as single-source stereo sound bears to ping-pong stereo?
?