Sidewalks of St Paul Zhe Stckings of Qeorge S....

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George Resler in 1948 Sidewalks of St Paul Zhe Stckings of Qeorge S. Kesler ALTHOUGH he was not actually a native son of St. Paul, George Resler (1882-1954) came close to being one. Born in Waseca, he moved with his family to St. Paul at the age of seven and grew up on the West Side in the shadow of the city's downtown sky- line. Its presence, looming up across the Mississippi, is reflected in many of his etchings. He received his first art instruction at Humboldt High School and later studied under Julius G. Segall at the St. Paul School of Fine Arts. At the age of seventeen he went to Chicago, where be worked as a commercial artist and studied nights at the Art Institute of Chicago. Two years later he returned to St. Paul and soon afterward be- came interested in etching. Since no instruc- tion was available, he taught himself the technique through experimentation and through reading at the public library. He built his first press with the aid of his father. For many years he conducted a commer- Spring 1967 cial art firm in partnership with Frederick W. Bock, producing etchings and dry points in his spare time. These gradually achieved a national reputation and were widely ex- hibited. In 1926 a group of the city's art patrons made possible a trip abroad, and Resler studied in France and Italy for sev- eral months. During his later years be was employed by G. Somer and Company. The ten etchings reproduced on the fol- lowing pages capture a number of city sights visible now only to the eye of memory; the junk wagon, the streetcar, and the street sweeper have given way to the world of mechanization. The pictures here shown mirror Resler's love for the city that was his lifelong home and his awareness of its pic- turesque corners and nostalgic charm. Most of the views were done in the 1920s, al- though some apparently date from earlier years. They are among twenty-one etchings presented to the Minnesota Historical Soci- ety by Dorothy B. Resler, the artist's wife. 249

Transcript of Sidewalks of St Paul Zhe Stckings of Qeorge S....

Page 1: Sidewalks of St Paul Zhe Stckings of Qeorge S. Keslercollections.mnhs.org/mnhistorymagazine/articles/40/v40i... · 2014-09-10 · "Swede Hollow." The picturesque shantytown, located

George Resler in 1948

Sidewalks of St Paul

Zhe Stckings of Qeorge S. Kesler

ALTHOUGH he was not actually a native son of St. Paul, George Resler (1882-1954) came close to being one. Born in Waseca, he moved with his family to St. Paul at the age of seven and grew up on the West Side in the shadow of the city's downtown sky­line. Its presence, looming up across the Mississippi, is reflected in many of his etchings.

He received his first art instruction at Humboldt High School and later studied under Julius G. Segall at the St. Paul School of Fine Arts. At the age of seventeen he went to Chicago, where be worked as a commercial artist and studied nights at the Art Institute of Chicago. Two years later he returned to St. Paul and soon afterward be­came interested in etching. Since no instruc­tion was available, he taught himself the technique through experimentation and through reading at the public library. He built his first press with the aid of his father.

For many years he conducted a commer-

Spring 1967

cial art firm in partnership with Frederick W. Bock, producing etchings and dry points in his spare time. These gradually achieved a national reputation and were widely ex­hibited. In 1926 a group of the city's art patrons made possible a trip abroad, and Resler studied in France and Italy for sev­eral months. During his later years be was employed by G. Somer and Company.

The ten etchings reproduced on the fol­lowing pages capture a number of city sights visible now only to the eye of memory; the junk wagon, the streetcar, and the street sweeper have given way to the world of mechanization. The pictures here shown mirror Resler's love for the city that was his lifelong home and his awareness of its pic­turesque corners and nostalgic charm. Most of the views were done in the 1920s, al­though some apparently date from earlier years. They are among twenty-one etchings presented to the Minnesota Historical Soci­ety by Dorothy B. Resler, the artist's wife.

249

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Above are two views of the St. Paul skyline as seen from tfie Mississippi; at left is a shop on Third Street, which is now known as Kellogg Roulevard

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T/?e scene at top left is entitled "Old Third Street." Above is a view of Fifth Street, probably about 1910; the first store front houses the office of the St. Paul Water Department. At left is a once-familiar sight— the funk wagon.

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At left is a view of "Swede Hollow." The picturesque shantytown, located off Payne Avenue on St. Paul's east side, was razed in 1956. Below is the entrance to one of the mushroom caves beneath the Mississippi bluffs.

252 MINNESOTA History

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In the scene at right St. Paulites enjoy spring sunshine in Rice Park. The graceful

arches in the background belong to the Federal Courts Building. Below, the same

structure, which served for many years as the city's post office,

broods above tfie river hank at twilight.

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