Shutter island analysis

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Dicaprio’s character was in WWII and he is haunted by the concentration camps, the warden of shutter island is German and Dicaprio dislikes him because of this. Flashbacks when Dicaprio sees the image of the woman to concentration camps.1 SHUTTER ISLAND NOTES Take notes under the following headings during the film. EDITING Match on action, reaching for the syringe. CAMERA SHOTS/ANGLES/MOVEMENT When DiCaprio climbs up there is a crane shot and zoom out showing his isolation. High angle on DiCaprio when he confront his partner who turns out to be his doctor. Low angle when he sees his wife, he has the power to change. Birds eye view shot with crane when he holds his dead kids, shows his insignifance and how he has no power over it and can’t do anything. Canted angle on him waking up in bed. SOUND Silence when the wife and child are looking at him. Building score builds tension when he walks up to the lighthouse, what could be hiding behind the lighthouse. When he opens the door the music stops. Diagetic, ambient sound of the birds chirping in the flashback. THEMES & MOTIFS There are recurring themes of mental health and the treatment of the mentally ill. The film is unclear of what things are real and not real showing how a person with the protagonist’s mental illness would feel. SYMBOLIC CODES (including enigma and binary opposites) Binary opposites of the clothes. The workers wear quite plain boring clothes. Smoke hides things, when Kingsley talks about dicaprio not having a partner he is behind smoke. DiCaprio says he’s given up on smoking showing he isn’t hiding behind it anymore and sees whats really happening. Twisted staircase in the lighthouse, twisted mind.

Transcript of Shutter island analysis

Page 1: Shutter island analysis

Dicaprio’s character was in WWII and he is haunted by the concentration camps, the warden of shutter island is German and Dicaprio dislikes him because of this. Flashbacks when Dicaprio sees the image of the woman to concentration camps.1

SHUTTER ISLAND NOTES

Take notes under the following headings during the film.

EDITINGMatch on action, reaching for the syringe.

CAMERA SHOTS/ANGLES/MOVEMENTWhen DiCaprio climbs up there is a crane shot and zoom out showing his isolation. High angle on DiCaprio when he confront his partner who turns out to be his doctor. Low angle when he sees his wife, he has the power to change. Birds eye view shot with crane when he holds his dead kids, shows his insignifance and how he has no power over it and can’t do anything. Canted angle on him waking up in bed.

SOUNDSilence when the wife and child are looking at him. Building score builds tension when he walks up to the lighthouse, what could be hiding behind the lighthouse. When he opens the door the music stops. Diagetic, ambient sound of the birds chirping in the flashback.

THEMES & MOTIFSThere are recurring themes of mental health and the treatment of the mentally ill. The film is unclear of what things are real and not real showing how a person with the protagonist’s mental illness would feel.

SYMBOLIC CODES (including enigma and binary opposites)Binary opposites of the clothes. The workers wear quite plain boring clothes. Smoke hides things, when Kingsley talks about dicaprio not having a partner he is behind smoke. DiCaprio says he’s given up on smoking showing he isn’t hiding behind it anymore and sees whats really happening. Twisted staircase in the lighthouse, twisted mind. Repetition climbing up the stairs. Affectation of seeing the wife and child.

IDEOLOGYReligion and spirituality, talks of moral order, humanity. When she sees his wife she is very brightly coloured showing the good memories of her or possibly the good side of him. Contrasted to his daughter who is darkly coloured.

LIGHTINGChiaroscuro to show the contrast in good and bad.

NARRATIVE

Page 2: Shutter island analysis

The film contains non-linear narrative. Flashbacks of the protagonist’s family are used frequently throughout the film. In the film, the audience doesn’t know what is real and what isn’t so the film isn’t clear about the order of the narrative.

CHARACTERSREPRESENTATIONBlur between reality and his mind. When the truth is revealed DiCaprio’s clothes is changed from white to grey to present that he has converted to the ‘dark side’.

SETTING & MISE-EN-SCENEIsolation, abandoned question what is hidden. Much walls in the hospital to hide what is really there. After the reveal, order is restored and things are bright and clean.

MOOD & TONEThe feel has an unsettling, mysterious tone.

Foreshadowing:Dicaprio’s character asks for a lighter on the boat foreshadowing that he is a mental patient because he has to ask for a lighter. When DiCaprio is interviewing a patient he finishes her sentence. When the patient takes a drink from water there is a short shot of her without the glass showing that it is all in DiCaprio’s head.