Shred Music

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    2 GUITAR DVD

    1. Introduction2. Ultimte Wrm-Up3. Rinforest HarmonicMinor/Phrygian-Dominant

    inOddMeter

    MoreonOddMeter

    IncorporatingSweepsintoMelodicIdeas

    4. Prog Part1:SoloinginFsPhrygian Part2:MoreSoloinginFsPhrygian

    5. Sclr Riffs DividingScalarRunsintoThree-NoteGroups

    6. Sweep Picking UsingSweepsinConjunctionwith

    ArpeggiatedMelodicIdeas TheFinishLine

    7. Using Wide Stretcheswith Unusul Scles nd

    String Skipping TheWhole-ToneScale

    DiminishedArpeggios

    8. Tpped RiffsIncorporting String

    Skipping9. Tpped Riffs Executed

    s Sweeps AlternatingMinorandMajor

    SweepArpeggios

    TheRandyRhoadsInfuence10. How to Brek

    out of Rut11. Symmetricl Riffs

    with Wide Stretches12. How to Crete

    Hrmonized Lines StackingThirds

    HandsWithoutShadows

    CONTENTS

    LernSHRED GUITaR

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    GUITAR DVD 5

    FIGURE 10

    12 13 16 13 1215 13

    (repeat many times)

    12 13 1512 13 16

    5 5

    FIGURE 11

    13:2

    12 13 16 13 1215 13 12 13 15

    12 13 16

    13:2

    13 16 17 16 1317 15 13 15 17

    13 16 17

    13:2

    16 17 19 17 1618 17 15 17 18

    16 17 19 19

    FIGURE 9 main theme w/connecting riff

    N.C.(E)

    7 67 5

    7 6 67 5

    7 67 7

    F5

    0 133

    G#5

    133

    466

    N.C.

    0 2 30 2 3

    1 2 4 2 13 2 0

    3 2 04 1 0 1 4

    verse

    Am

    3 2 04

    0

    etc.

    3 3

    FIGURE 10

    12 13 16 13 1215 13

    (repeat many times)

    12 13 1512 13 16

    5 5

    FIGURE 11

    13:2

    12 13 16 13 1215 13 12 13 15

    12 13 16

    13:2

    13 16 17 16 1317 15 13 15 17

    13 16 17

    13:2

    16 17 19 17 1618 17 15 17 18

    16 17 19 19

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    8 GUITAR DVD

    FIGURE 20 A Dorian mode, three notes per string

    Tune down one half step (low to high: E A D G B E ).

    5 Scalar Riffs

    = downstroke

    4 5 74

    = upstroke

    5 75 7 8

    5 7 8

    FIGURE 21a

    4 5 74 7 5 4

    7 5 4 5 74 5 7

    Moderately Slow = 88

    FIGURE 19 second solo

    F 5

    9 10 129 12 10 9

    12 10

    = downstroke

    10

    = upstroke

    9 10 129 10 12

    9 12 11 9

    10

    12 10 9 10 129 11 12

    9 11

    9

    FIGURE 17 melody

    N.C.(F 5)

    14 15 16

    14 ( )14( )14 16 16 ( )

    ( )16 14

    17 16 16 17 16 1417 16 14

    17 15

    14 ( )14 15 14 12 14 12 10 12 10 9 10 9 7 9 7 5 7 5 3 5 3 2 3 2 3 2 0 2 3 52 5 4 4

    10

    129 11 12 9 11 12 14 12 11

    14 12 11 12 1411 12 14

    1215

    14 1512 14 15

    9

    FIGURE 18 fast picking run

    N.C.(F 5)

    P.M. throughout

    sim.

    2 3 52 4 5

    2 4 5 4 2

    5 4 2 4 5 4 5 7

    4 5 74 6 7 6 4

    7 5 4 5 74 6 7

    5 7 96 7 9

    7 9 1 17 9 11

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    GUITAR DVD 9

    7 95 7 9 7 5

    9 7 5 7 95 7 9

    7 9 107 9 11 9 7

    10 9 7 9 107 9 11

    9

    10 129 11 1 2 11 9

    12 10 9 10 129 1 1 12

    10 12 1411 12 14 12 11

    14 12 10 12 1 411 12 14

    12

    14 1612 14 16 14 12

    16 14 12 14 1612 14 16

    14 16 1714 16 17 16 14

    17 16 14 16 1714 16 17

    16

    17 1916 17 19 17 16

    19 17 16 17 1916 17 19

    17 19 2117 19 21 19 17

    21 19 17 19 2117 19 21

    FIGURE 21b

    5 7 95 7 9 7 5

    9 7 5 7

    FIGURE 21c

    97 5 9

    4 5 74 7 5 4

    7 5 4 5 74 5 7

    5

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    12 GUITAR DVD

    FIGURE 29 B whole-tone scale riff

    7 Using Wide Stretches with Unusual Scales and String Skipping

    sim.

    13:2

    = downstroke

    7 9 118 10 12

    9 11 13 11 912 10

    = upstroke

    11:2

    8 10 129 11 13

    10 12 1412 14 16

    13 15 17 19

    FIGURE 30a B whole-tone scale in two octaves

    1

    7

    2

    9

    4

    11

    1

    8

    2

    10

    4

    12

    1

    9

    2

    11

    4

    13

    1

    10

    2

    12

    4

    14

    2

    12

    FIGURE 30b B augmented chord and arpeggio

    chord tone:

    0654

    root

    7

    3

    6

    5

    10

    root

    9

    3

    8

    5

    12

    FIGURE 31

    6 8 107 9 11 9 7

    10 8 6 8 107 9 11 9 7

    10 8 6 8 107

    89

    1011

    12

    3 5 5 5 5

    FIGURE 32

    3 5 74 6 8 6 4

    7 5 3 5 74 6 8 6 4

    7 5 3 5 74

    56

    78

    9

    3 5 5 5 5

    FIGURE 33 wide stretches and string skipping

    14 16 2014 16

    20 14 16 2014 20 16 14

    20 16 14 16 2014 16 20

    14 20 16 14

    20 16 1420 16

    6

    14

    20 16 14 16 2014 16

    !20

    14 16 2014 16 20 20

    FIGURE 34

    C dim7

    1 2 4 2 1

    9 12 15 12

    4 2 1 2

    9

    15 12 9

    4 1 2 4

    12 15

    9 12

    2 1 4 2

    15 12 9

    15

    1 4 2 1

    12 9

    16 13

    2 4 1 2

    10 13 16

    9

    4 1 2 4

    12 15

    9 12 15

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    = 132

    FIGURE 43

    Gtr. 1

    1 2 1

    F 5

    4

    67

    5

    1 2 1 2 1

    9 57

    67

    5

    4 1 2 2 2 1

    D5sim.

    4

    9 57

    77

    5

    1 2 2 2 1

    10 57

    77

    5

    4 1 2 2 2 1

    10 57

    99

    7

    3 3 3 3 3 3 3 3 3

    Gtr. 2 Rhy. Fig. 1

    244

    553

    FIGURE 42c

    1 1 1 4

    Em

    1212

    12

    1 1 1 1 1

    15 1212

    1212

    12

    4 1 1 1 2 1 4

    C

    15 1212

    1213

    12

    1 2 1 2 1

    15 1213

    1213

    12

    4

    15

    3 3 3 3 3 3 3

    FIGURE 42d

    w/Rhy. Fig. 1

    1

    sim.

    2 1 4

    Em

    1617

    15

    1 2 1 2 1

    19 1517

    1617

    15

    4 1 2 2 2 1 4

    C

    19 1517

    1717

    15

    1 2 2 2 1

    19 1517

    1717

    15

    4

    19

    3 3 3 3 3 3 3

    FIGURE 42e

    w/Rhy. Fig. 1

    3 2 1 4

    Em

    2120

    19

    1 2 3 2 1

    24 1920

    2120

    19

    4 1 1 2 1 1 4

    C

    24 1920

    2120

    20

    1 1 2 1 1

    24 2020

    2120

    20 24

    3 3 3 3 3 3 3

    FIGURE 42f 22-fret version of previous phrase

    w/Rhy. Fig. 1

    3 2 1 4

    Em7

    2120

    19

    1 2 3 2 1

    22 1920

    2120

    22

    4 1 1 2 1 1 4

    Cadd922 19

    2021

    2020

    1 1 2 1 1

    22 2020

    2120

    20 22 20

    3 3 3 3 3 3 3

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    16 GUITAR DVD

    = 104

    FIGURE 45a

    10 How to Break out of a Rut

    Cm7

    8 10

    )1

    8 10

    )1

    811

    811 8

    108

    811 8

    11 10 810 8

    )1

    10 8

    3

    FIGURE 45b

    Cm7

    8 1 0 118 11 10 9 8

    118

    11 10 9 810

    10 810 8

    )1

    10 8

    3

    E5

    4 1 2 2 2 1 4

    12 79

    99

    7

    1 2 1 2 1

    A5

    4

    12 79

    910

    9

    1 2 1 2 1 4

    12 910

    910

    9

    1 2 3 2 1 4

    12 910

    1110

    9

    1 2 3 3 4 1

    14 910

    1111

    12

    4 3 3 2 1

    !

    4

    9 1211

    1110

    9 14

    3 3 3 3 3 3 3 3 3 3 3 3

    end Rhy. Fig. 1

    7799

    577

    244

    0244

    = 132

    FIGURE 44

    Gtr. 1

    Gtr. 2 plays Rhy. Fig. 1

    1 1 1

    Fm

    4

    1414 14

    1 1 1

    17 14 14

    1 1

    1414 14

    sim.

    4 1 1 1

    17 14 14

    2 1

    D5

    4

    1415 14

    1 2 1

    17 14 15

    2 1

    1415 14

    4 1 2 1

    17 14 15

    2 1

    1617 16

    3 3 3 3 3 3 3 3 3

    E5

    4 1 2 2 2 1 4

    19 1617

    1617

    16

    1 2 1 2 1

    A

    4

    19 1617

    1817

    17

    1 2 1 2 1 4

    21 1717

    1817

    17

    1 2 3 2 1

    F m

    4

    21 1717

    1819

    17

    1 2 1 2 4

    21 1719

    1819

    2 1 2 1

    !

    4

    2119

    1819

    17 21

    3 3 3 3 3 3 3 3 5 5

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    GUITAR DVD 17

    Tune down one half step (low to high: E A D G B E ).All notes and chords sound one half step lower than written.

    Fast = 184FIGURE 48

    11 Symmetrical Riffs with Wide Stretches

    Gtr. 1

    E5

    1112

    = downstroke

    151211

    15

    sim.

    12111512

    = upstroke

    11

    15121112151 1 12 1 5

    111215( )111215 15

    F 5

    1214 171412

    171412171412

    17141214171214

    171 2 1 4 1 7

    ( )1 2 1 4 17 17

    *1st time only

    *

    FIGURE 49

    Gtr. 111 12

    E516 17 19 17 16

    1 9 1 7 1 61 9 1 7 1 6

    1 9 1 7 1 6 17 1 916 17

    1916 17 19

    ( )16 17 19 19F 5

    17 19 21 19 17

    21 19 1721 19 17

    21 19 17 19 2117 19 21

    17 19 21( )

    *1st time only

    17 19 21 21

    *16 17

    FIGURE 50

    Gtr. 1 E519 16 14

    19 16 14

    18 15 13

    18 15 13

    17 14 12

    17 14 12

    16 13 11

    16 13 11

    15 12 10

    15 12 10

    1 4 1 1

    F 59

    14 11 9

    15 12 10

    15 12 10

    16 13 11

    16 13 11

    17 14 12

    17 14 12

    18 15 13

    18 15 13

    19 16 14

    19

    FIGURE 46

    Cm7

    10 11 1210 11 10

    1210

    12 11 10 810

    1010

    8 10 810 8

    )1

    10 8

    3 3

    FIGURE 47

    Cm7

    8 10 118

    11 10 811

    811 10 8

    1010

    108 10

    88

    1

    )11 11

    3

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    18 GUITAR DVD

    = 100

    1

    Tune down one half step (low to high, E A D G B E ).

    12 How to Create Harmonized Lines

    FIGURE 51

    Am

    2 3 1

    7 9 10

    2 4

    = downstroke

    1

    7 9 11

    2 4 1

    = upstroke

    8 10 12

    2 4

    (repeat prev. bar)8 10 12

    3 3 3 3

    1 2 3 1 2 4 1

    7 9 10

    7 9 11

    2 4 1 2 4 1

    8 10 1 28 10 12

    2 3 1 2 4 1

    7 9 10

    7 9 11

    2 4 1 2 4 2

    !8 10 1 28 10 12

    10

    3 3 3 3 3 3 3 3

    1

    FIGURE 52

    2 4 1

    10 12 14

    2 4 1

    sim.

    11 12 14

    2 4 1

    12 13 15

    3 4

    12 14 15

    3 3 3 3

    1 2 4 1 2 4 1

    10 12 1411 12 14

    2 4 1 3 4 1

    12 13 1512 14 15

    2 4 1 2 4 1

    10 12 1411 12 14

    2 4 1 3 4 2

    !12 13 1512 14 15

    13

    3 3 3 3 3 3 3 3

    E5

    16 14

    20 17 15

    20 17 15

    21 18 16

    21 18 16

    22 19 17

    22 19 17

    23 20 18

    23 20 18

    24 21 19

    24 21 19

    F 5

    2 3 2 0 1 8

    2 3 2 0 1 8

    2 2 1 9 1 7

    22 19 17

    21 18 16

    21 18 16

    2 0 1 7 1 5

    2 0 1 7 1 5

    19 16 14

    19!

    E5

    15 1 7 1 9

    15 17 19

    3

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    ascending descending

    scaledegree: 1

    (root)

    FIGURE 54 A harmonic minor

    7

    2

    9

    3

    10

    4

    7

    5

    9

    6

    10

    7

    9

    8(octave)

    10

    7

    9

    6

    10

    5

    9

    4

    7

    3

    10

    2

    9

    1(root)

    7

    fingering: 1

    FIGURE 55a melody

    = 190

    *Am

    3 4 1 3

    12 14 1512

    4 1 2 4

    14 1513 14

    2 1 4 3

    16 14 1315

    1 4 3 1

    14 1215 14

    3 2 3 2

    12

    14 13 14

    3 1 3

    13 14 12 14

    fingering: 1

    FIGURE 55b first harmony (a third higher than the melody)

    2 4 1 3

    sim.

    15 17 1915

    4 1 2 4

    18 1916 17

    2 1 4 3

    19 17 1619

    1 4 2 1

    18 1519 17

    2 1 2 2

    15

    17 16 17

    2 4 2

    1717 19 17

    fingering: 1

    FIGURE 55c second harmony (a fifth higher than the melody; a third higher than the first harmony)

    * = downstroke; = upstroke

    2 4 1 3

    sim.

    14 15 1814

    4 1 3 4

    16 1715 17

    3 1 4 3

    18 17 1517

    1 4 2 1

    16 1418 15

    3 1 3 3

    14

    17 15 17

    3 4 3

    1717 18 17

    1

    FIGURE 53

    2 3 1

    14 16 17

    2 3 1

    sim.

    14 16 17

    2 4 1

    15 17 19

    2 4

    15 17 19

    3 3 3 3

    1 2 3 1 2 3 1

    14 16 1714 16 17

    2 4 1 2 4 1

    15 17 1915 17 19

    2 3 1 2 4 1

    14 16 1714 16 17

    2 4 1 2 4 2

    !15 17 1915 17 19

    17

    3 3 3 3 3 3 3 3