ShowProductionFinalProject_121003_v15
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Transcript of ShowProductionFinalProject_121003_v15
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 1 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 2 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Project Task List - Outline
Sound System Description ..........................................................................................................................................................................................................6 dB SPL Calculation Sheet ...........................................................................................................................................................................................................7 FOH Crossover/Processor Block Diagram..................................................................................................................................................................................8 Power Distribution Text/Block Diagram.......................................................................................................................................................................................9 Power Distribution Diagram (w/feeder cables) ..........................................................................................................................................................................10 System Gain Structure Chart.....................................................................................................................................................................................................11 Front of House - Speaker Cabinets ...........................................................................................................................................................................................12 Front of House Transducer Details.........................................................................................................................................................................................13 Front of House Amplifier details .............................................................................................................................................................................................14 Front of House Control System ..............................................................................................................................................................................................15 Front of House House Left / House Right Speaker Diagram (Front View)............................................................................................................................16 Front of House House Left / House Right Speaker Diagram (Top View)..............................................................................................................................17 Front of House House Left / House Right Speaker Diagram (Side View).............................................................................................................................18 Front of House House Left / House Right Speaker Diagram (Rear View) ............................................................................................................................19 Front of House Amp Rack detail.............................................................................................................................................................................................20 Front of House Wiring Diagram ..............................................................................................................................................................................................21 Front of House Self Powered Cabinets ..................................................................................................................................................................................22 Powered versus Component Style Speaker Systems...............................................................................................................................................................23 Front of House Rigging Description........................................................................................................................................................................................24 Front of House Rigging Diagram (Block view) .......................................................................................................................................................................25 Front of House Rigging Diagram (Side View) ........................................................................................................................................................................26 Front of House Rigging Diagram (Top View) .........................................................................................................................................................................27 Front of House Road Cases (Main PA) ..................................................................................................................................................................................28 Front of House Mix Position ...................................................................................................................................................................................................29 Front of House Riser Diagram................................................................................................................................................................................................30 Front of House Console Description.......................................................................................................................................................................................31 Front of House Outboard Equipment Description ..................................................................................................................................................................32 Front of House Outboard Equipment Rack Detail ..................................................................................................................................................................33 Front of House Power Supply Unit Rack Detail......................................................................................................................................................................34 Front of House Signal Flow Block Diagram............................................................................................................................................................................35 Front of House Road Cases (Mix Position) ............................................................................................................................................................................36 Main Snake System - Description .............................................................................................................................................................................................37 Main Snake System - Diagram..................................................................................................................................................................................................38 Main Snake System Road Cases...........................................................................................................................................................................................39
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 3 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System - Description ....................................................................................................................................................................................................40 Monitor System Riser Details .................................................................................................................................................................................................41 Monitor System Floor Wedges ...............................................................................................................................................................................................42 Monitor System Mix Position Diagram....................................................................................................................................................................................43 Monitor System Wireless In Ear System ................................................................................................................................................................................44 Monitor System - Amplifiers.......................................................................................................................................................................................................45 Monitor System Signal Flow Diagram ....................................................................................................................................................................................46 Monitor System Wedge Diagram (Front View).......................................................................................................................................................................47 Monitor System Wedge Diagram (Side View) ........................................................................................................................................................................48 Monitor System Amp Rack Diagram ......................................................................................................................................................................................49 Monitor System Monitor Mix Block Diagram ..........................................................................................................................................................................50 Monitor System Wireless In Ear System Block Diagram........................................................................................................................................................51 Monitor System A.C. Power on Stage (Edison) .....................................................................................................................................................................52 Monitor System Rigging .........................................................................................................................................................................................................53 Monitor System Road Cases..................................................................................................................................................................................................54 Microphone Inventory List .........................................................................................................................................................................................................55 Microphone Cable Inventory List ...............................................................................................................................................................................................56 Microphone (Direct Input) Inventory List....................................................................................................................................................................................57 Microphone Stand Inventory List ...............................................................................................................................................................................................58 Microphone Inventory Road Cases ........................................................................................................................................................................................59 Audio Intercom Equipment - Description ...................................................................................................................................................................................60 Audio Intercom Equipment - Diagram .......................................................................................................................................................................................61 Audio Intercom Equipment Road Cases ................................................................................................................................................................................62 Remote Recording Mix Position - Description...........................................................................................................................................................................63 Remote Recording Mix Position Console Description............................................................................................................................................................64 Artist Stage Chart and Input List................................................................................................................................................................................................65 Audio Measurement System Block Diagram..........................................................................................................................................................................66 Video Production (Capture) - Description..................................................................................................................................................................................67 Video Production (Capture) Detail Diagram ...........................................................................................................................................................................68 Video Production (Capture) Cost............................................................................................................................................................................................69 Video Projection System (Image Magnification)........................................................................................................................................................................70 Video Production System Cost...............................................................................................................................................................................................71 Venue Plot - Stage.....................................................................................................................................................................................................................72 Venue Advance Sheet ...............................................................................................................................................................................................................73 Venue Plot Topographical Site View ......................................................................................................................................................................................74 Venue Plot Top View (w/ Production Items)...........................................................................................................................................................................75 Staging - Indoor Stage Description............................................................................................................................................................................................76 Staging - Indoor Stage Diagram ................................................................................................................................................................................................77
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 4 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Set Design - Description............................................................................................................................................................................................................78 Set Design Materials List ........................................................................................................................................................................................................79 Set Design Construction Diagram ..........................................................................................................................................................................................80 Set Design - Estimate Setup Time and Labor ...........................................................................................................................................................................81 Set Design Road Cases .........................................................................................................................................................................................................82 Special Effects - Description......................................................................................................................................................................................................83 Special Effects Detail Diagram ...............................................................................................................................................................................................84 Special Effects Power Requirements .....................................................................................................................................................................................85 Special Effects Special Instructions (Permits / Fire Codes) ...................................................................................................................................................86 Special Effects Road Cases ...................................................................................................................................................................................................87 Promoters and Promoters Staff .................................................................................................................................................................................................88 Box Office Description and Location .........................................................................................................................................................................................89 Catering Crew Rider ..................................................................................................................................................................................................................90 Technical Show Rider................................................................................................................................................................................................................91 Dressing Room Assignments ....................................................................................................................................................................................................92 Site Advance Sheet ...................................................................................................................................................................................................................93 Security Staff Description ..........................................................................................................................................................................................................94 Touring Production Crew Description........................................................................................................................................................................................95 Touring Production Crew Description Contd .........................................................................................................................................................................96 Touring Production Crew Description Contd .........................................................................................................................................................................97 Touring Production Crew Description Contd .........................................................................................................................................................................98 Production Crew - Salaries........................................................................................................................................................................................................99 Local Labor Description...........................................................................................................................................................................................................100 Cargo Loading Chart ...............................................................................................................................................................................................................101 Cargo Loading Diagram ..........................................................................................................................................................................................................102 Communication Templates......................................................................................................................................................................................................103 Communications Plan..............................................................................................................................................................................................................104 Lighting System - Description..................................................................................................................................................................................................105 Lighting System Plot .............................................................................................................................................................................................................106 Lighting System Plot (Front View) ........................................................................................................................................................................................107 Lighting System Plot (Side View) .........................................................................................................................................................................................108 Lighting System Plot (Isometric)...........................................................................................................................................................................................109 Lighting System Preliminary Cue List...................................................................................................................................................................................110 Lighting System Instrument Schedule ..................................................................................................................................................................................111 Lighting System Instrument Schedule - Contd .....................................................................................................................................................................112 Lighting System Instrument Schedule ..................................................................................................................................................................................113 Lighting System Instrument Schedule ..................................................................................................................................................................................114 Lighting System Instrument Schedule ..................................................................................................................................................................................115 Lighting System Instrument Schedule ..................................................................................................................................................................................116
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 5 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Lighting System Channel Hook-Up ......................................................................................................................................................................................117 Lighting System Channel Hook-Up ......................................................................................................................................................................................118 Lighting System Channel Hook-Up ......................................................................................................................................................................................119 Lighting System Channel Hook-Up ......................................................................................................................................................................................120 Lighting System Channel Hook-Up ......................................................................................................................................................................................121 Lighting System Patch Sheet ...............................................................................................................................................................................................122 Lighting System Patch Sheet ...............................................................................................................................................................................................123 Lighting System Patch Sheet ...............................................................................................................................................................................................124 Lighting System Patch Sheet ...............................................................................................................................................................................................125 Lighting System Patch Sheet ...............................................................................................................................................................................................126 Lighting System Patch Sheet ...............................................................................................................................................................................................127 Lighting System Patch Sheet ...............................................................................................................................................................................................128 Lighting System Power Requirements .................................................................................................................................................................................129 Lighting System Circuit Counts ............................................................................................................................................................................................130 Lighting System Weight By Position.....................................................................................................................................................................................131 Lighting System Spare Lamp Count.....................................................................................................................................................................................132 Lighting System Color Count................................................................................................................................................................................................133 Lighting System Gobo Count................................................................................................................................................................................................134 Lighting System Spare Fixture Count...................................................................................................................................................................................135 Lighting System Console Description...................................................................................................................................................................................136 Lighting System - Dimmers .....................................................................................................................................................................................................137 Lighting System Cable Package...........................................................................................................................................................................................138 Lighting System Intercom System........................................................................................................................................................................................139 Lighting System Power and Distribution System..................................................................................................................................................................140 Lighting System Feeder Cable Requirements......................................................................................................................................................................141 Lighting Rigging System - Description.....................................................................................................................................................................................142 Lighting Rigging System Block Diagram ..............................................................................................................................................................................143 Lighting Rigging System Diagram (Side View).....................................................................................................................................................................144 Lighting Rigging System Diagram (Top View)......................................................................................................................................................................145 Lighting Power/Rigging Road Cases....................................................................................................................................................................................146 Cost Summary Spreadsheet ...................................................................................................................................................................................................147
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 6 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Sound System Description
The house sound system will consist of a three way Stereo Left/Right Mains and Center Cluster with downfills able to provide coverage for an auditorium 3000-5000 people. Main PA will be driven by TurboSound Loudspeakers with a combination of the (6) 760Ht Floodlight series cabinets, the (12) TQ440 cabinets and the (4)TCS40 series for sides, center and downfill, respectively. To provide a solid low end foundation, (6) Turbosound TSW-718 dual 18 low frequency cabinets will be used. The general sound parameters include: Front Of House System SoundCraft MH4 Console (56Ch.) Tascam Playback / Record Equipment Ashly Equalization Drawmer Signal Processing Lexicon Effects Units DBX Loudspeaker Management QSC Amps TurboSound Loudspeaker System Monitor System SoundCraft MH4 Console (56Ch.) Drawmer Signal Processing Ashly Equalization DBX In Ear Monitor System DBX Speaker Management QSC Amps TurboSound Monitors to support 10 stage mixes Microphone Package General Components 3-way Snake Splitter System / Cable Harness Package Intercom Package Audio System Measurement Racks and Flight Cases
A1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 7 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
dB SPL Calculation Sheet
TFL-760Ht ( Frequency Response 180Hz 20kHz) Sensitivity HF: 107 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 107dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 76.89dB SPL 96.89dB = 76.89dB + (10 x log (100watts / 1 watt) Sensitivity HMF: 108 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 108dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 77.89dB SPL 100.90dB = 77.89dB + (10 x log (200watts / 1 watt) Sensitivity LMF: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 101.88dB = 74.89dB + (10 x log (500watts / 1 watt) TQ-440 QLight (Frequency Response 75Hz 20kHz) Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt)
A2
TSW-718 (Frequency Response 50Hz 250Hz) Sensitivity: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 106.93dB = 74.89dB + (10 x log (1600watts / 1 watt) TCS40 (Frequency Response 75Hz 20kHz) Sensitivity: 96dB 1 watt @ 1 meter dB SPL @ 32 Meters = 96dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 65.89dB SPL 92.70dB = 65.89dB + (10 x log (480watts / 1 watt) TQ-440SP QLight (Frequency Response 75Hz 20kHz) *note self powered, so sensitivity may vary from TQ-440 Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt)
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 8 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
DBXDriveRack480Speaker Mgt
System
QSC218AMP
QSC218AMP
QSC236AMP
QSC224AMP
QSC236AMP
QSC236AAMP
QSC236AAMP
TurboSoundTFL-760Ht 3-way medium dispersion
TurboSoundTQ-440 3-way bi-amp Full Range
TurboSoundTSW-718 Low Frequency Subs
Crossover 8kHz High Pass24dB/octave Linkwitz-Riley
Crossover 1k3Hz High Pass24dB/octave Linkwitz-Riley
Crossover 180Hz High Pass24dB/octave Linkwitz-Riley
System Frequency Response180Hz - 20kHz +-4dB
Crossover 1k3Hz High Pass24dB/octave Linkwitz-Riley
Crossover 75Hz High Pass24dB/octave Linkwitz-Riley
Crossover 180Hz Low Pass24dB/octave Linkwitz-Riley
Crossover 75Hz High Pass24dB/octave Linkwitz-Riley
System Frequency Response75Hz - 20kHz +- 4dB
QSC218AMP
TurboSoundTCS-40Front/Center Fill
System Frequency Response50Hz - 250Hz +- 4dB
System Frequency Response75Hz - 20kHz +- 4dB
1
2
3
4
5
6
7
8
FOH Crossover/Processor Block Diagram
A3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 9 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Power Distribution Text/Block Diagram
A4
DrumRiser
HousePA
MotorControl
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
Quad Box forPowered
Center Fill
QuadBoxDistro
Power Distribution(Audio)
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 10 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House Lighting
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
Power Distribution Diagram (w/feeder cables)
.
A5
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 11 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
-90
21
-92
22
-82
20
-90
22
-103
22
-120
-100
-80
-60
-40
-20
0
20
40
dBU
Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236
FOH System Components
Output dBU 21 22 20 22 22
System Noise -90 -92 -82 -90 -103
Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236
Syste
m D
yn
am
ic R
an
ge
62
dB
System Max Output
System Noise Floor
System Gain Structure Chart
A6
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 12 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSoundTFL-760HtLong Throw 3- way Cabinet
TurboSoundTQ-440Medium Throw 3-way Full Range
TurboSoundTSW-718Low Fequency SubWoofers
TurboSoundTQ-440SP Center Cluster
TurboSoundTCS-40Front Fil / Down Fill
The Main PA will consist of (6) 760Ht Floodlight series,(6) TQ-440 Qlights for sides and (6) TQ-440SP forcenter fill all flown to trim height 28'. For primary lowfrequency support, (8) TSW-718 Subwoofers will befloor stacked.
(2) TCS-40s have been selected for front and down fill.
* As an upgrade option for the TQ-440, substitute
(6) more 760Ht Floodlight series.
Front of House - Speaker Cabinets
F1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 13 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSoundTFL-760HtLong Throw 3- way Cabinet
TurboSoundTQ-440Medium Throw 3-way Full Range
TurboSoundTSW-718Low Fequency SubWoofers
TurboSoundTQ-440SP Center Cluster
TurboSoundTCS-40Front Fil / Down Fill
The Main PA will consist of (6) 760Ht Floodlight series,(6) TQ-440 Qlights for sides and (6) TQ-440SP forcenter fill all flown to trim height 28'. For primary lowfrequency support, (8) TSW-718 Subwoofers will befloor stacked.
(2) TCS-40s have been selected for front and down fill.
* As an upgrade option for the TQ-440, substitute(6) more 760Ht Floodlight series.
The TFL-760Ht is a tri-amped, three wayactive trapezodial type consisting of one305mm (12") low-mid frequencyloudspeaker loaded with an Axehead device,one 6.5" (165mm) high-mid frequencyloudspeaker loaded with an Axehead device,and one 1" (25mm) high frequencycompression driver.
The TQ-440 is bi-amped, three way type,consisting of one reflex loaded 12" (305mm)low frequency loudspeaker, one 6.5(165mm) mid frequency loudspeaker loadedwith TurboMid device, and a 1" (25) highfrequency compression driver mounted co-axially to the low frequncy loudspeaker.
The TSW-718 is a low frequency consistingof two 18" low frequency loudspeakersloaded with patented TurboBass devices.
The TQ-440 is bi-amped, three way type,consisting of one reflex loaded 12" (305mm)low frequency loudspeaker, one 6.5(165mm) mid frequency loudspeaker loadedwith TurboMid device, and a 1" (25) highfrequency compression driver mounted co-axially to the low frequncy loudspeaker.
The TCS-40 is a two-way passive typeconsisting of two 8" (203mm) low frequencyloudspeakers and one 1" (25mm) highfrquency driver.
Front of House Transducer Details
F2
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 14 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
QSC AudioPoweLight 2 Series Amplifier The FOH Amplifiers used are based on the QSC Audio Powerlight
Series Amplifiers.
(6) QSC 218 Base(2) QSC 224 Base(4) QSC 236 Base(4) QSC 236A
The PowerLight 2 Series is a high performance line of amplifiersdesigned exclusively for the touring and live sound professional.
Front of House Amplifier details
F3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 15 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Control System
ACTR1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 16 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSoundTFL-760Ht FloodLight Series(3-wide)
TurboSoundTQ-440 QLight Series(3-wide)
TurboSoundTQ-440SP QLight Series(Self-Powered)
TurboSoundTSW-718 Subs(floor-stacked 2-high/2wide)
TurboSoundTCS-40 Series(Front Fill)
Front of House House Left / House Right Speaker Diagram (Front View)
F4
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 17 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
House Right House Left
Split to FOH
Split to Recording
Split to Monitors
Drive Lines to Amps
Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Key:Blue - PowerOrange - Drive LinesRed - signal to speakersBurgandy - Snake Splitter Lines
Front of House House Left / House Right Speaker Diagram (Top View)
F5
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 18 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSoundTFL-760Ht FloodLight Series(3-wide)
TurboSoundTQ-440 QLight Series(3-wide)
1-ton Chain Motor
TurboSoundTSW-718 Subs(floor-stacked 2-high/2wide)
TurboSoundTCS-40 Series(Front Fill)
Amp to Speaker Cable
Amp Rack
Front of House House Left / House Right Speaker Diagram (Side View)
F6
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 19 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSoundTFL-760Ht FloodLight Series(3-wide)
TurboSoundTQ-440 QLight Series(3-wide)
1-ton Chain Motor
TurboSoundTSW-718 Subs(floor-stacked 2-high/2wide)
TurboSoundTCS-40 Series(Front Fill)
Amp to Speaker Cable
Amp Rack
TurboSoundTQ-440SP QLight SeriesSelf Powered(3-wide / 2 high)
Front of House House Left / House Right Speaker Diagram (Rear View)
F7
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 20 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
House Left PA Amp Rack House Right PA Amp Rack
Front of House Amp Rack detail
F8
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 21 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
DBXDriveRack480Speaker Mgt
System
QSC218AMP
QSC218AMP
QSC236AMP
QSC224AMP
QSC236AMP
QSC236AAMP
QSC236AAMP
TurboSoundTFL-760Ht 3-way medium dispersion
TurboSoundTQ-440 3-way bi-amp Full Range
TurboSoundTSW-718 Low Frequency SubsBridged Out (3700W)
QSC218AMP
TurboSoundTCS-40Front/Center Fill
1
2
3
4
5
6
7
8
Bridged Out (3700W)
Bridged Out (650W)
Bridged Out (1500W)
Bridged Out (900W)
Bridged Out (1500W)
Bridged Out (650W)
Mono Out (310W) +
+
+
+
+
+
+
+
+
++
+
++
+
+ +
+
+
+
+
+
+
+
+
+
+
+
+
+
+
Front of House Wiring Diagram
F9
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 22 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Boxfor PoweredCenter Fill
House Right
Split to FOH
Split to Recording
Split to Monitors
Drive Lines to Amps
Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Matrix 1 Out fromFOH Console
Matrix 1 Return to splitter from FOHconsole for powered Center Fill
Input from FOH Matrix 1(via return lines)
TurboSoundTQ-440SP Center Cluster
The Main PA will consist of (6) 760Ht Floodlight series,(6) TQ-440 Qlights for sides and (6) TQ-440SP forcenter fill all flown to trim height 28'. For primary lowfrequency support, (8) TSW-718 Subwoofers will befloor stacked.
(2) TCS-40s have been selected for front and down fill.
Front of House Self Powered Cabinets
F10
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 23 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Powered versus Component Style Speaker Systems
F11
The active l
oudspeaker
system has a
practical pe
rformance a
dvantage tha
t one should
point out to
those
who could c
onsider mult
iple dedicate
d amplifiers
an extravag
ance or even
hindrance
when one w
ould do,
particularly if
that one cou
ld be more ex
pensive pe
r channel. Th
is point is the
relationship
of the loudsp
eaker
to the amplif
ier, and it's g
ot nothing
to do with pas
sive crossov
er componen
ts. When a m
anufacturer b
uilds a
high perform
ance outbo
ard amplifie
r, the amplif
ier MUST ac
commodate
a wide ran
ge of loud
speaker
impedances
, some of wh
ich may be v
ery unusual.
In order to d
o this, the m
anufacturer n
eeds not only
good
big, heavy,
and expens
ive. Unfort
effort.
For example
, my own big
, outboard,
muscled
continuously
into each ch
annel, or in
other words
, cruise into
2 ohms at 8
00 watts, tw
ice, for 1600
watts of
continuous o
utput, assum
ing my wall
socket can
hang in ther
e. If we tie t
hat kind of o
utput with p
remium
sound qualit
y, that ability
costs much
o dollars.
My particula
r amp is from
a nofrills m
anufacturer,
so it's still r
elatively cos
t effective fo
r what it is, b
ut not so
cheap as I'd
like so that
I could buy a
few more. T
he extreme
low impedan
ce output ca
pability is ni
ce to talk
about, and h
andy when in
use as a re
ference amp
so that it's
ready to driv
e any review
sample t
hat comes
in the door,
but until I ac
tually use a
loudspeaker
that gets to 2
ohms over
any substant
ial part of the
higher
energy portio
n of the aud
io spectrum,
i.e., mid
into clipping
distortion b
y exceeding
it's substant
ial voltage s
wing capacit
y. It was 'op
timized' for
the most
strenuous cu
rrent delivery
scenarios po
ssible.
If the design
er of my parti
cular beast o
f an amp ha
d a specific
loudspeaker
in mind, he
could have d
esigned
the amplifier
to deliver th
at full 800 w
att capabilit
y for real, w
ithout worryi
ng whether
something s
tranger
might happe
n along. How
ever, what I
'm actually
getting with
most spea
kers is an am
plifier capab
le of an
easy and sta
ble 400 500
watts/chann
el, because t
hat's what the
impedance o
f most louds
peakers allo
ws the
r delivery of
400 500 wa
tts into that lo
ad since the
power supp
ly remains m
ore stable wh
en it never g
oes beyond 6
0% of
its real capa
city, but that
's only becau
se it can't.
While I cons
ider it better
to err on the
side of clip
ping the volta
ge rail a little
sooner (o
nly a problem
for the
duration of c
lipping) by u
nder
vs. exhausti
ng the powe
r reserves (a
problem un
til the transfo
rmer can ref
ill the capac
itors) by over
winding
the seconda
ry of the tra
nsformer for
excessive v
oltage capa
bility and im
pressive "pe
ak" output le
vels, a
"perfect" ma
tch is more i
deal than eith
er situation.
ring
an under pow
ered receive
r, but by usi
ng massively
overbuilt pro
ducts, we of
ten use and
pay for more
than
et less from
what we put
in than if the
same ampli
fier were des
igned
ers found in
typical
receivers. In
many cases
, particularly
at higher ou
tput levels, t
he extra juic
e pays off bi
g time, not o
nly in
sheer volum
e, but clarity
.
What I'm try
ing to say is
that even if
the active sy
stem uses sm
aller power s
upplies and
less outp
ut devices,
system are
truly part of
a known who
le, they can
offer the sam
e raw
performance
as big, hug
e outboard a
mplifiers whe
n used in t
hat speci
fic scenario
for which t
hey were
intended, or
for that ma
tter, even po
ssibly perfor
m better tha
n the 'bigge
r' outboard c
ounterpart. D
oes that
its own chas
sis? Of cours
e not. If ther
e ever were
a universal t
ruth in audi
o, it would b
e, "It depend
s."
Comments from - Colin Miller -
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 24 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Rigging Description
The Front of House PA Rigging will consist of (1) CM Loadstar 1 ton (1000lbs) motors per cluster. For the sides, TurboSound will provide the compliment flying system for the TFL-760Ht which will includes the use of steel bars (or swords) which slide through slots machined in the enclosure, and are held captive with 7.5mm safety linch-pins through holes in the swords. The flying system eliminates the needs for flying hardware as integral parts on the enclosure. This allows various configurations while not allowing the cabinet to play no structural part in the flying. The TQ-440 will use suspension bar and chains to ensure we have the appropriate splay angle for front and center seating. (See diagram below) The Left and Right Cluster will require the following: TurboSound Standard Triple Bar (TB-760) TurboSound D ring (DR-760) TurboSound Chain Bridle (CB-760/2) TurboSound Double Clevis Coupler (DC-760) TurboSound Safety Tube Clip (ST-760) The Center Cluster will require the following: TurboSound Suspension Bar (FB-58) TurboSound Suspension Chains (FC-77) TurboSound Tilt Straps TurboSound Eyebolt for TCS-40 (EB 1035)
R1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 25 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Rigging Diagram (Block view)
R2
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 26 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Rigging Diagram (Side View)
R3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 27 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
House Right House Left
Split to FOH
Split to Recording
Split to Monitors
Drive Lines to Amps
Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Front of House Rigging Diagram (Top View)
R4
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 28 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Standard Multicore Cases FOH Console Case
Standard Multicore Cases
Effects and Amp Racks
Motor Box Cases
Front of House Road Cases (Main PA)
CS1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 29 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Mix Position
The Front of House Mix position is located in the rear of the seating audience (about 2/3 back from the center). The FOH engineer will have access to the main desk (SoundCraft MH4) as well as two (21U) racks of effects and FOH playback components. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 36 inputs from the stage via snake splitter system and 56 total channels available for mix into to main stereo outs and the matrix for left, right and center clusters via return lines. The Mix position will be contained on (3) 4 x 8 risers 16 high to allow for line of sight above the heads of the audience. Power to the FOH mix position will be supplied via 300 feeder cable from the audio distribution box.
F12
FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 30 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
(3) 4' x 8' Risers
FOH Effects Racks
FOH Console
(Side View)
Front of House Riser Diagram
The Mix position will be contained on (3) 4 x 8 risers 16 high to allow for line of sight above the heads of the audience.
F13
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 31 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Console Description
F14
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 32 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front of House Outboard Equipment Description
The Front of House outboard equipment will consist of components from Tascam, Drawmer, Ashly, Lexicon, TC Electronics and DBX product manufacturers. The FOH Rack 1 will consist of the following components:
Furman Power Conditioner (PL-PRO)
Ashly Dual 31 Band Equalizer (GQX-3102)
Ashly Mono 31 Band Equalizer (GQX-3101)
Tascam Production Cassette Desk (112mkII)
Tascam Professional CD Player (CD-450)
Tascam Professional Mini-Disc Player (MD-301mkII)
Tascam DAT Recorder / Player (DA-40)
DBX DriveRack 240
Middle Atlantic 3-RU Drawer
The FOH Rack 2 will consist of the following components:
Furman Power Conditioner (PL-PRO)
Lexicon Dual Reverb Processor (PCM91)
Lexicon 24-bit Dual Channel Effects (MPX550)
TC Electronics Digital Delay (D-Two)
TC Electronics M-One XL Effects (M-1XL)
(7) Drawmer Two Channel Compressor/Limiter/Gate (DL241)
(5) Drawmer Quad Auto Compressor/Limiter (DL441)
Middle Atlantic 4-RU Drawer
F15
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 33 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing
Front of House Outboard Equipment Rack Detail
F16
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 34 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
PSU Rack for FOH Console
Redundant Power Supplyfor MH4 Console
Front of House Power Supply Unit Rack Detail
F17
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 35 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
House Right
Split to FOH
Split to Recording
Split to Monitor
Drive Lines to Amps
Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Key:Blue - PowerOrange - Drive LinesRed - Insert SnakesBurgandy - Snake Splitter Lines
FOHRack 1
FOHRack 2
FOH ConsoleSoundCraft MH4
ConsolePSU
10' Twist Lock
Send/Return Insert Snake(Effects)
Drive / Playback SnakeReturn Snake to Splitter
(Drive Line)
Power Connector(*SoundCraft proprietary cable)
40 Channel FOH Splitfrom Splitter
Front of House Signal Flow Block Diagram
F18
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 36 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Standard Multicore Cases FOH Console Case
Standard Multicore Cases
Effects and Amp Racks
Motor Box Cases
Front of House Road Cases (Mix Position)
CS2
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 37 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
The main part of the snake system is the stage box where the mic lines are connected into the system and where microphone splitting may take place - either parallel or with transformer isolation. Provisions can be made for ground lift switches, multipin subsnake inputs and return lines sent back to the stage from the mix position. The Rack panel will be mounted in a standard EIA 19 rack. The rack panels are .090" thick aluminum and available with or without backbox enclosure and boxes are 14-gauge cold rolled steel with black powder coat finish.
Multiplin to multipin cables will be used to connect and distribute the signal to the various split locations (FOH, Monitor and Remote Recording). These cables use the Whirlwinds inline W-Series multipin connector (W3 up to 40 channels). The mating configuration of these cables is a male multipin MASS connector wired as an INPUT on one end and a MASS connector wired as an OUTPUT on the other.
The fanouts interconnects the channels from a multipin input to individual connectors. The are required on the ends of each multipin to multipin to connect each input to the console input channels including FOH, Monitor and Recording.
Main Snake System - Description
The Main Snake System will be comprised of touring standard components from Whirlwind. The system will consist of the following: - 3-way split mass connecter stage box (40 inputs / 16 returns) - (3) Multiline to Multiline Interconnects - (3) FM Series Multipin to Fanout XLRs - (2) 16 Input / 6 Return Medusa Standard Sub Snakes - (1) 12 Input Medusa Standard Sub Snake
S1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 38 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
House Right
Split to FOH
Split to Recording
Split to Monitor
Drive Lines to Amps
Return / Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Key:Blue - PowerOrange - Return / Drive LinesRed - Insert / Sub Snakes / InputsBurgandy - Snake Multiline Interconnects
FOHRack 1
FOHRack 2
FOH ConsoleSoundCraft MH4
ConsolePSU
10' Twist Lock
Send/Return Insert Snake(Effects)
Drive / Playback SnakeReturn Snake to Splitter
(Drive Line)
Power Connector(*SoundCraft proprietary cable)
40 Channel FOH Splitfrom Splitter
SubSnake
A
SubSnake
B
3-way splitMultiChannel
Rack Box
40 Channelsend /
16 Channelreturn
FOH Split (300ft)
Monitor Split (100ft)
Remote Recording Split (300ft)
otherStageInputs
(Homeruns)
to House Left PA Amp
to House Right PA Amp
to Center Cluster PA
other outputs forcoms and controls
SubSnake A
SubSnake B
Main Snake System - Diagram
S2
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 39 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Standard Multicore Cases FOH Console Case
Standard Multicore Cases
Effects and Amp Racks
Motor Box Cases
Main Snake System Road Cases
CS3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 40 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System - Description
The Monitor System will typically be located upstage Left where possible and relatively close to the main audio power distro. The Monitor engineer will have access to the main desk (48 channel SoundCraft MH4) as well as four (21U) racks for amps, processing and components to support 10 mixes of bi-amped wedges and 1 stereo mix of wireless in-ear equipment. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 40 inputs from the stage via snake splitter system and 16 return line channels which can be used to send signals from other split locations.
M1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 41 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Riser Details
NO Monitor Risers required for this tour.
This page left intentionally blank.
M2
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 42 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
TurboSound THL-2 HiLight
TurboSound TFM Series 450
Monitor System Floor Wedges
M3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 43 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Mix Position Diagram
M4
Front Of House Lighting
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
Mix 8
Mix 1
Mix 2Mix 3
Mix 9
Mix 4Mix 6
Mix 7
Mix 5
KeyWedge
Mix 10
Raised Stage
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 44 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Wireless In Ear System
The in-ear monitors system will be a combination of the Shure PSM 700 IEM System and the DBX IEM Processor.
M5
IEM Signal Flow Diagram
Stereo Mix Out
MH4 Monitor Console
IEM Transmitter Input
Shure PSM700
Transmit to Receiver
Input fromTransmitter
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 45 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System - Amplifiers
M6
QSC AudioPowerLight Series Amplifier
The Monitor Amplifiers used are based on theQSC Audio Powerlight Series Amplifiers.
(4) QSC PL 1.0(2) QSC PL 1.4(2) QSC PL 2.0(4) QSC PL 3.4
The PowerLight Series is a high performance line of amplifiersdesigned exclusively for the touring and live sound professionals.
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 46 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Signal Flow Diagram
M7
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL2.0
HV
QSCPL1.4
QSCPL2.0
HV
QSCPL1.4
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
Mix 1TFM450
Mix 2TFM450
Mix 3TFM450
Mix 4TFM450
Mix 5 (Drums)THL-2
Mix 6TFM450
Mix 7TFM450
Mix 10TFM450
Mix 8TFL-760Ht(SideFill)
Mix 9TFL-760t(SideFill)
Key WedgeTFM450
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 47 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Wedge Diagram (Front View)
TurboSound TFM-450
M8
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 48 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Wedge Diagram (Side View)
TurboSound THL-2
M9
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 49 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Amp Rack Diagram
M10
Monitor Amp Rack 1Mix 1 - 4
Monitor Amp Rack 2Mix 6, 7, 10 & Key Wedge
Monitor Amp Rack 3Mix 5, 8 & 9
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 50 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL1.0
QSCPL3.4
QSCPL2.0
HV
QSCPL1.4
QSCPL2.0
HV
QSCPL1.4
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
Mix 1TFM450
Mix 2TFM450
Mix 3TFM450
Mix 4TFM450
Mix 5 (Drums)THL-2
Mix 6TFM450
Mix 7TFM450
Mix 10TFM450
Mix 8TFL-760Ht(SideFill)
Mix 9TFL-760t(SideFill)
Key WedgeTFM450
SoundCraftMH4
MonitorConsole
Monitor AmpRack 1
Monitor AmpRack 2
Monitor AmpRack 3
Aux Outputfrom console
Aux Outputfrom console
Monitor System Monitor Mix Block Diagram
M11
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 51 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Wireless In Ear System Block Diagram
M12
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 52 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Front Of House Lighting
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
Monitor System A.C. Power on Stage (Edison)
M13
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 53 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Rigging
NO Rigging Required for monitors.
This page left intentionally blank.
M14
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 54 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Monitor System Road Cases
CS4
Monitor Console Case
Standard Trunk CaseEffects and Amp Racks
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 55 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Microphone Inventory List
Standard Package
Whirlwind Direct Box IMP2 15
Shure Cardioid Condenser Kick Drum Microphone BETA91 2
Shure KickDrum Microphone BETA52A 2
Shure Instrument Microphone BETA57A 6
Shure Instrument Microphone SM57 6
Shure Cardioid Condensor w/10 dB Attenuator SM81-LC 6
Shure Clip-On Condenser Drum Microphone (Toms) BETA98D/S 5
Shure Drum Microphone (Floor Tom) BETA56A 4
Shure Vocal Microphone (Wired) BETA58A 6
Shure ULX Professional Handheld System w/BETA58 Microphone ULXP24/BETA58 1
Microphone Package
M I C 1
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 56 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Microphone Cable Inventory List
Standard Package
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Microphone CablesRapco 100' Microphone Cable NQP100 4
Rapco 30' Microphone Cable NQP30 4
Rapco 25' Microphone Cable NQP25 30
Rapco 15' Microphone Cable NQP15 20
Rapco 15' Instrument Cable NG15 20
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 57 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Microphone (Direct Input) Inventory List
M I C 3
Whirlwind Direct Box IMP2 15
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 58 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Microphone Stand Inventory List
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Microphone Stands
Ultimate K&M Tripod Stand Package - Tall Boom (Combines 20130B Stand with
21100B Boom) 21020B 10
Ultimate K&M Short Weighted Base Stand 23200B-Black 1
Ultimate K&M Short Tripod Base Stand 25910B-Black 6
Shure Mic Stand adapter for SM58, SM57, SM87A, Beta 87A A25D 12
Shure Mic Stand adapter for SM81-LC A57F 8
Shure Drum Microphone Stand Adapter A98D 5
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 59 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Microphone Inventory Road Cases
Grundorf Microphone Cases
CS5
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 60 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Audio Intercom Equipment - Description
Audio Intercom will be integrated into Lighting Intercom (to be described later in this documents. The system will include components from Clearcom, to include the following:
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Clearcom 2 Channel Intercom Station MS-232 1
Clearcom 4 Channel Remote Station RM-440 1
Clearcom 18" Gooseneck Microphone (for MS-222,MS-440) GM-18 2
Clearcom Headset (Single Muff) CC-95 2
Clearcom Beltpack (Two-Channel Listen / Dual Out) RS-522 2
Intercom Package
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 61 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Audio Intercom Equipment - Diagram
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Front Of House
Monitor
KeyboardRiser
GuitarRiser
DrumRiser
Center Cluster(Trim 28 feet)
House LeftCluster
(Trim 28 feet)
House RightCluster
(Trim 28 feet)
House LeftFloor Stack
House RightFloor Stack
Stage LeftSide Fill
Stage RightSide Fill
3-waySplitter
Box
HousePA
MotorControl
AudioPowerDistro
StageRisers
400 AMPDisconnect (x3)
200 AMPDisconnect
(ISO)
200 AMPDisconnect
MonitorRack 1
MonitorRack 1
FOHRack1
FOHRack2Console
PSU
Console
PSU
House R
AmpRack
Motor1
Motor2
Motor3
Motor4
Motor5
Motor6
House L
AmpRack
BandQuad Box
100' Twist Lock
50'Twist Lock
10'Twist Lock
50'Twist Lock
50'Twist Lock
300'Twist Lock
10'Twist Lock
100'CamLock
Feeder Cables
Quad Box forPowered
Center Fill
House Right House Left
Split to FOH
Split to Recording
Split to Monitors
Drive Lines to Amps
Drive Linefrom FOH
Amp to SpeakerCables
Amp to SpeakerCables
Key:Blue - PowerOrange - Drive LinesBurgandy - Snake Splitter Lines
Clearcom Intercom Stationsfor Audio
MS-232 Master Station*Power provided via audio distro**Com signal routed through return/drive lines
RM-220 Remote Station*Power provided via audio distro**Com signal routed through return/drive lines
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 62 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Audio Intercom Equipment Road Cases
All major Intercom Equipment will be rack-mounted in the FOH and Monitor Cases.. All minor components will be stored in the rack drawer units or other cases.
This space left intentionally blank.
CS6
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 63 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Remote Recording Mix Position - Description
Remote Recording is NOT currently included in the scope for this tour. HOWEVER, the following details should be considered as an upgrade option.
SIM1
Apple MAC G5 Computer System
Apple 23" Cinema HD Display Monitor
ProTools HD3 Core System PTCoreHD3
192 Ditial IO Audio Interface for PT/HD 192ioAudio
Sync IO for PT/HD SyncIO
Digi PRE Mic PreAamp DigiPre
ProTools Mixer Control | 24
ProTools Custom Keyboard
Genelec 1030ASin Near Field Monitor 1030ASin
Genelec 12" Subwoofer 7070A
TDM Platinum Plug-in-Bundle TDMPlatinum
DUY Global TDM Bundle DUYTDMGlob
Sony Oxford Plugin for TDM OXFR3TDM
Altiverb Audio Ease Reverb Plug-in Bundle AltiverbTDM
Bias Peak TDM 2-Track Editing Software PeakTDM
Antares TDM Tuning Plug-in AutoTuneTDM
Glyph Trip 2 w/VXA Drive
Glyph 120 Gig Trip 2 Drive
DigiSnake 25' (DB25 - DB25) MH085
ProControl DigiSnake 25' (DB25-DB25R) MH086
DigiSnake 12' (DB25-XLR M) MH081
DigiLink 12' Cable DigiLink12
ADC to VGA Cable
Ethernet 8-port Hub
CAT 5 10' Cable
Remote Recording / Simulcast
Audio Record
Tascam Production Cassette Deck 112mkII
Sony Compact Disc Player CDPD11
Sony Compact-Disc Recorder CDRW66
Sony Mini Disc Recorder MDSE10
Tascam 24-bit DAT Recorder DA-45HR
Studio MicrophonesAudio Technica Condenser Tube Mic AT4060
AKG Condenser Microphone C414BULS
Electro Voice Dynamic Vocal Mic RE20
Neumann Condenser Mic - Black KM184
Blue Condenser Mic BabyBottle
Sennheiser Cardiod Professional Mic MD421
AKG Kick Drum/Bass Microphone D112
Neumann Stuido Large Diaphram Microphone TLM103
Effects Machines
Lexicon Dual Reverb Processor PCM91
Eventide Harmonizer Effects Processor H3000-D/SE
Lexicon 24-bit Dual Channel Effects MPX550
TC Electronics M-One XL Effects M-1XL
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 64 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Remote Recording Mix Position Console Description
SIM3
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On Purpose Productions, Inc. Atlanta, Georgia
Theatre Tour Scenario# 5.0 Page 65 of 152
By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
Artist Stage Chart and Input List
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S.Box FOH MON INSTRUMENT MIC / DI / GEAR STAND Cable 1 Cable 2 FOH MON FOH MON
1 1 1 B1 Kick Drum (S.R.) Shure Beta91 N/A XLR25' 241 Gate 1&8 1
2 2 2 B2 Kick Drum (S.R. - D.I) IMP2 N/A XLR15' TRS10' 2 Gate 1&8 1
3 3 3 B3 Kick Drum (S.L.) Shure Beta 52A Short Base XLR25' 241
4 4 4 B4 Kick Drum (S.L. - D.I) IMP2 N/A XLR15' TRS15' 2
5 5 5 B5 Snare (Top) Shure Beta 57A Short Boom XLR25' 241 Gate 1&8 1
6 6 6 B6 Snare (D.I.) IMP2 N/A XLR15' TRS15' 2 Gate 1&8 1
7 7 7 B7 Hi-Hat Shure SM81-LC Short Boom XLR25' 241 1&8 1
8 8 8 B8 Rack Tom 1 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1
9 9 9 B9 Rack Tom 2 Shure Beta 98D/S N/A XLR25' 241 Gate 1&8 1
10 10 10 B10 Rack Tom 3 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1
11 11 11 B11 Floor Tom 1 Shure 56A Short Boom X