Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which...

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Transcript of Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which...

Page 1: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

Shading Techniques

Page 2: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

- The lightness or darkness of a color.

- Value becomes critical in a work which has no colors other than black, white, and a gray scale.

- Value helps to make drawings of objects look more realistic or “3-D.”

WHAT IS VALUE?

Page 3: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

VALUE CHARTS

Page 4: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

GRAPHITE GRADING SYSTEM

B = BlackH = Hard F = Fine HB = No. 2

Page 5: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

WHY ADD VALUE?

Value turns Shapes….

…into Forms!

Page 6: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

SHADING TECHNIQUES

Hatching Cross Hatching BlendingStippling

Page 7: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

HATCHING /CROSS HATCHING

Page 8: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

BLENDING

Page 9: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

STIPPLING

Page 10: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

Shading Techniques:

http://www.youtube.com/watch?v=GXeIf-fpawo&feature=endscreen&NR=1

Stippling Video:

http://vimeo.com/33091687

VIDEOS

Page 11: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

PARTS OF A FORM

A = High Light

B = Middle Tones

C = Core Shadow

D = Reflected Light

E = Cast Shadow

Page 12: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

- Cropping is when you zoom into or cut out a piece of information from your artwork.

WHAT IS CROPPING?

Page 13: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

CROPPING

Page 14: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

CROPPING

Page 15: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

POSITIVE AND NEGATIVE SPACE

Page 16: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

- Composition is how things are arranged in an image. Where are they? Are they touching? Are they cropped? Are they overlapping?

COMPOSITION

Page 17: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

RULE OF THIRDS

Page 18: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

STUDENT EXAMPLES

Page 19: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

STUDENT EXAMPLES

Page 20: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

STUDENT EXAMPLES

Page 21: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

STUDENT EXAMPLES

Page 22: Shading Techniques. -The lightness or darkness of a color. -Value becomes critical in a work which has no colors other than black, white, and a gray scale.

--Sketch first!

-Enlarge, Crop and Rule of Thirds!

-If your shapes and lines are not correct, your shading will never look right.

-Go S L O W L Y - rushing value will make your objects look unrealistic.

--Use your eraser as a tool, not just for fixing mistakes!

--Pay attention to details- that’s what will make your work look more real!

Things to remember…


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