Seventeenth Century England. from the Harmonia Macrocosmica of Andreas Cellarius, Ptolemaic...
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Transcript of Seventeenth Century England. from the Harmonia Macrocosmica of Andreas Cellarius, Ptolemaic...
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Seventeenth Century England
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from the Harmonia Macrocosmica of Andreas Cellarius, Ptolemaic Orbits
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Metaphysics A branch of philosophy that studies “being and
reality”.
Asks questions like:
“What is the nature of reality?”
“Does God Exist?”
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Metaphysical PoetsSeventeenth Century poets who focused on metaphysics
Wit a form of intellectual humor, often displayed through the clever comparison of disparate objects or ideas; ironic and often humorous.
Metaphysical ConceitA far-fetched extended comparison between objects which are apparently dissimilar. A type of extended metaphor that typically attempts to ground abstract concepts in concrete objects.
Carpe DiemLatin phrase for “Seize the Day”An idea that means to live for today and enjoy the pleasures of the moment
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The World Outside the Cave = The Intelligible WorldThe Sun = Symbol of the Form of the Good or the world of ideas
The World Inside the Cave = The Visible WorldThe Fire = Appearance of the SunPrisoners= Us as we see the world
Puppets on the Road= the forms we try to explainThe Shadows on the Wall = Our attempt to interpret the form
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Sonnet
a 14 line lyrical poem, usually about some aspect of love.
The poem is written in iambic pentameter, a special kind of rhythm in poetry.
There are three kinds of sonnets: Petrarchan (Italian), Spenserian, Shakespearean.
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1 Whoso list to hunt ? I know where is an hind !But as for me, alas ! I may no more,
The vain travail hath wearied me so sore ;I am of them that furthest come behind.
5 Yet may I by no means my wearied mindDraw from the deer ; but as she fleeth aforeFainting I follow ; I leave off therefore,Since in a net I seek to hold the wind.Who list her hunt, I put him out of doubtAs well as I, may spend his time in vain !And graven with diamonds in letters plain,There is written her fair neck round about ;
' Noli me tangere ; for Cæsar's I am,14 And wild for to hold, though I seem tame.'
ABBAABBACDDCEE
Rhyme Scheme
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Petrarchan
ABBA ABBA CDE CDE or CDC DCD
Spenserian
ABAB BCBC CDCD EE
Shakespearean
ABAB CDCD EFEF GG
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Scansion
Breaking poetry down into the syllables that are
stressed in a line and the ones that aren’t
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One, two,Buckle my shoe.
Three, four,Open the door.
Five, six,Pick up sticks.Seven, eight,
Lay them straight.Nine, ten,
A big fat hen.
One, two,Dum, Dum
Buckle my shoe.Dum, Da, Da, Dum
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One TwoDum Dum
/
Buckle My Shoe
Dum Da Da Dum
/ / /U U
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One day I wrote her name upon the strand,
But came the waves and washed it away:
Again I write it with a second hand,
But came the tide, and made my pains his prey.
Our love shall live, and later life renew.
Iambic Pentameter
A line with 10 syllables, written in a series of 5 iambic feetU = Unstressed word
/ = Stressed Word
/ / / / /U U U U U
up·on (e-pòn´) prepositiona·way (e-wâ´) adverba·gain (e-gèn´) adverb
sec·ond (sèk´end) nounre·new (rî-n¡´, -ny¡) verb
U / U / U / U / U /
U / U / U / U / U /
U / U / U / U / U /
U / U / U / U / U /