Ericsson Broadcastand Media Services

Access services

“What your team does has transformed my life.”Audience member, NCIUA AGM ‘15

All content, live or recorded, made searchable,

more valuable and accessible

to audiences everywhere

> ACCESS SERVICES OPERATIONS:10 offices IN 7 countries

uk

COST EFFECTIVE

• Communications Act, 2003• Captions: 80% by year 10 • AD & SLT: 10% by year 10• BBC: 100% / 20% / 20%• Broadcasters exceeding requirements• Data provided by service providers• OFCOM Review / measurement of quality

OFCOM

Code of Guidance for subtitling

Hybrid scroll / blockMainly speechDelay: 4-6s

uk

spain

COST EFFECTIVE

• Ley General de Comunicación Audiovisual• Commercial Broadcasters: 75% captions,

2h/week AD and signing• Public Broadcasters: 90% captions,

10h/week AD and signing• Monitoring by CNMC (National Comission

for Markets and Competition and CESyA

Hybrid – all blockMainly speechDelay: 6-8s

CNMCCESyANorma UNE

spain

germany

COST EFFECTIVE

• No German legislation covering access services• German film board mandates access for cinema

production • Volumes increasing, especially public

broadcasters (ARD, 90%, ZDF, 70%)

No regulationLicence feeVoluntary standardisation

Block modeSpeechDelay: 8sCommentators caption sports

germany

netherlands

COST EFFECTIVE

• Mediawet (Media Law, 2008)• Public broadcasters: 95%• Commercial broadcasters: 50% • RTL - Luxembourg based operator: 50%• Some velotype remains in use• NPO: delayed broadcast for chat shows• Media Commission monitors quantity

Block modeMainly speechDelay: 6-8s

Commissariaat Voor De MediaMediawet, 2008

netherlands

france

COST EFFECTIVE

• FTA audience >2,5%: 100%• FTA other : variable (around 40%)• News : 3 captioned, 1 signed news / day• Pay TV 40% - except for Canal+ (100%)• AD : Variable obligation• Signing : No obligation to sign programs

CSA CharterQuality & quantity monitoring

Hybrid scroll / block SpeechCorrector modeDelay: 8-10s

france

Conversation between

regulators, broadcasters, audiences & providers

A conversation about live captioning quality

Access to materials

More cued

Only live once

Reuse of captions on

multiple platforms, searchable metadata

Audience awareness

Speed

Accuracy

Latency