Semester 1, 2015 · 12 4 PageBlitzBooksT2Supplement6 21. Name each scale and mark the semitones in...
Transcript of Semester 1, 2015 · 12 4 PageBlitzBooksT2Supplement6 21. Name each scale and mark the semitones in...
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Time Signatures and Rhythmic Grouping
1. What do these time signatures mean? What information do they provide
the musician?
2. Add missing bar lines and a time signature to this melody.
3. Add the correct time signatures to these rhythms.
4. Add one note at each place marked with an arrow:
Semester 1, 2015
• Rhythm values: crotchet, semibreve, minim, quaver, semiquavers, triplets and their respective rests
• Time Signatures:
• Scale degree numbers and names
• Keys and scales: C, F, G, D, A Major & a, e, d minor
• Symbols: accidentals, slur, bar line, double bar line, tie, pause, accents, repeats
• Intervals: number and quality
• Transposition
• Triads: Tonic, I, IV, V
• 40 Italian terms
• Rhythmic invention
• Major, minor, augmented and diminished chords
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
f mp p pp mf ff
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
f mp p pp mf ff
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
Semester 1, 2015
• Rhythm values: crotchet, semibreve, minim, quaver, semiquavers, triplets and their respective rests
• Time Signatures:
• Scale degree numbers and names
• Keys and scales: C, F, G, D, A Major & a, e, d minor
• Symbols: accidentals, slur, bar line, double bar line, tie, pause, accents, repeats
• Intervals: number and quality
• Transposition
• Triads: Tonic, I, IV, V
• 40 Italian terms
• Rhythmic invention
• Major, minor, augmented and diminished chords
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
f mp p pp mf ff
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
f mp p pp mf ff
44 34 68 24
22 128 916 98 98
64 38
38
& ∑ ∑ ∑ ∑
& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
x e w q h
.&
nn∫# b‹ U≈ √
∑ ∑ ∑
B
î™™∑
&
∑î‘
∑í ™™
∑
?
∑
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰
‰™ ≈‰ Œ ™ Œ ™w ™
Œ Ó™ Œ ™ ‰ Œ Œ ≈ ™ ®‰ Ó™Œ ® ™Ù≈ ‰ Œ
Some graphics have been sourced from: http://blitzbooks.com.au/ 1
Page BlitzBooks T2 Supplement2 www.blitzbooks.com.au
1. Name the following scales:
2. Write these intervals above the given tonic notes
3rd 4th Unison 6th 8ve
3. Write in the scale degrees for the following melody
............................................................................................................................................
Now transpose it up to E minor here!
4. Add the missing bar lines and a time signature to this melody
(Extra question: What key is it in? _______________)
5. Give the English meaning of ‘mezzo piano’‛ _____________________________
Scale: _____________
Scale: _____________
2
5
9
10
4
1
Page BlitzBooks T2 Supplement2 www.blitzbooks.com.au
1. Name the following scales:
2. Write these intervals above the given tonic notes
3rd 4th Unison 6th 8ve
3. Write in the scale degrees for the following melody
............................................................................................................................................
Now transpose it up to E minor here!
4. Add the missing bar lines and a time signature to this melody
(Extra question: What key is it in? _______________)
5. Give the English meaning of ‘mezzo piano’‛ _____________________________
Scale: _____________
Scale: _____________
2
5
9
10
4
1
Page BlitzBooks T2 Supplement3 www.blitzbooks.com.au
6. Place an upright line in front of the accented words or syllables in this line of poetry.
I went to the market to buy a fat pig.
7. Write the following tonic triads with their key signatures
D major E minor D minor F major A minor
8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line
9. Write the following notes as crotchets
E flat A B sharp D natural Middle C
10. Add the correct time signatures to these rhythms:
4
10
6
11
4
Some graphics have been sourced from: http://blitzbooks.com.au/ 2
Page BlitzBooks T2 Supplement3 www.blitzbooks.com.au
6. Place an upright line in front of the accented words or syllables in this line of poetry.
I went to the market to buy a fat pig.
7. Write the following tonic triads with their key signatures
D major E minor D minor F major A minor
8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line
9. Write the following notes as crotchets
E flat A B sharp D natural Middle C
10. Add the correct time signatures to these rhythms:
4
10
6
11
4
Page BlitzBooks T2 Supplement4 www.blitzbooks.com.au
12. Add one note at each place marked with an arrow
13. Name these notes
________ ________ ________ ________ ________
14. Write the scale with the key signature of two sharps for one octave going up use accidentals - not the key signature use minims mark the tones complete the scale with a double bar line
15. Write the English equivalent for the following terms:
legato ______________________ andante ____________________
crescendo _____________________ a tempo ____________________
16. Write the following notes as directed
G flat on a line in the treble clef
F in a space in the treble clef
C sharp above the stave in the bass clef
4
5
8
4
9
Some graphics have been sourced from: http://blitzbooks.com.au/ 2
Page BlitzBooks T2 Supplement3 www.blitzbooks.com.au
6. Place an upright line in front of the accented words or syllables in this line of poetry.
I went to the market to buy a fat pig.
7. Write the following tonic triads with their key signatures
D major E minor D minor F major A minor
8. Write the scale of E harmonic minor write the key signature for one octave going down in crotchets mark each semitone with a slur complete the scale with a double bar line
9. Write the following notes as crotchets
E flat A B sharp D natural Middle C
10. Add the correct time signatures to these rhythms:
4
10
6
11
4
Page BlitzBooks T2 Supplement4 www.blitzbooks.com.au
12. Add one note at each place marked with an arrow
13. Name these notes
________ ________ ________ ________ ________
14. Write the scale with the key signature of two sharps for one octave going up use accidentals - not the key signature use minims mark the tones complete the scale with a double bar line
15. Write the English equivalent for the following terms:
legato ______________________ andante ____________________
crescendo _____________________ a tempo ____________________
16. Write the following notes as directed
G flat on a line in the treble clef
F in a space in the treble clef
C sharp above the stave in the bass clef
4
5
8
4
9
-
5. Add a time signature to these bars
6. Complete these bars with correctly grouped rests, and finish each
exercise with a double bar line.
a)
b)
c)
d)
e)
Some graphics have been sourced from: http://blitzbooks.com.au/ 4
Page BlitzBooks T2 Supplement5 www.blitzbooks.com.au
BlitzBooks Supplement Theory Grade 1
17. Name these intervals by number and quality.
________ ________ ________ ________ ________
18. Complete the following bars with quavers correctly grouped
19. Name the key of the melody below: __________
Now transpose it down to A minor!
20. Write one of your folk songs here: (Did you really think there wouldn’t be a question on this???)
5
4
1
10
8
Page BlitzBooks T2 Supplement5 www.blitzbooks.com.au
BlitzBooks Supplement Theory Grade 1
17. Name these intervals by number and quality.
________ ________ ________ ________ ________
18. Complete the following bars with quavers correctly grouped
19. Name the key of the melody below: __________
Now transpose it down to A minor!
20. Write one of your folk songs here: (Did you really think there wouldn’t be a question on this???)
5
4
1
10
8
Page BlitzBooks T2 Supplement6 www.blitzbooks.com.au
21. Name each scale and mark the semitones in the following:
22. What is the capital of Brazil? (hee hee just kidding)
23. Add a time signature to these bars
24. Write the scale degree numbers under the notes of this melody.
.........................................................................................................................................
25. Name these tonic triads
_____________ _____________
Scale: ____________
Scale: ____________
2
4
12
4
Page BlitzBooks T2 Supplement6 www.blitzbooks.com.au
21. Name each scale and mark the semitones in the following:
22. What is the capital of Brazil? (hee hee just kidding)
23. Add a time signature to these bars
24. Write the scale degree numbers under the notes of this melody.
.........................................................................................................................................
25. Name these tonic triads
_____________ _____________
Scale: ____________
Scale: ____________
2
4
12
4
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
&
&
&
&
&
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&
&
&
&
œJ
œ
˙
œJ
œ
˙
œJ
œ
œ œJ
œ œ œ œ œJ
2
68&
& ∑ ∑ ∑ ∑
œ ™ œJŒ ™ Œ ™ Œ ™ Œ ™
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
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&
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&
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œ œJ
œ œ œ œ œJ
2
128&
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œR
Œ ™ Œ ™ Œ ™ Œ ™
44 44
44 44
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34 34
34 34
34 24
24 24
24 24
24
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&
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˙
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œ
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œ
œ œJ
œ œ œ œ œJ
-
f)
g)
h)
i)
j)
k)
l)
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
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&
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˙
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œ œ œ œ œJ
2
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œ
Œ ™ Œ ™
44 44
44 44
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34 34
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24 24
24 24
24
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œ œ œ œ œJ
2
98&
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œ ™RŒ ™ Œ ™
2
128&
& ∑ ∑ ∑ ∑
˙ ™Œ ™ Œ ™ Œ ™ Œ ™
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
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&
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&
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œ
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34 24
24 24
24 24
24
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-
m)
n)
o)
p)
q)
r)
2
68&
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œJ
Œ ™ Œ ™ Œ ™ Œ ™
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
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œ
˙
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œ œJ
œ œ œ œ œJ
44 44
44 44
44 34
34 34
34 34
34 24
24 24
24 24
24
44
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œ œ œ œ œJ
11
44 34
34 34
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24 24
24
&
&
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&
&
œ œ œ œ
œ œ œJ
œJ ‰ œJ
‰ œJ
‰ œJ œJ
2
11
44 34
34 34
34 24
24 24
24
&
&
&
&
&
œ œ œ œ
œ œ œJ
œJ ‰ œJ
‰ œJ
‰ œJ œJ
2
11
44 34
34 34
34 24
24 24
24
&
&
&
&
&
œ œ œ œ
œ œ œJ
œJ ‰ œJ
‰ œJ
‰ œJ œJ
2
-
44 34 68 24
22 128 916 98 98
64
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& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
U
∑
√ ≈
∑
#‹
∑
.‘& ∑
n wb
∑
î™™q
∑
í ™™h
î&
∑
n
?
∑
∫
x B
∑
e
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰w ™
7. Are these bars beamed correctly? Answer yes (Y) or no (N). If no, rewrite
the bar with correct beaming.
_______________________________________________________
______________________________________________________
____________________________________________________________
_______________________________________________________________
____________________________________________________
_______________________________________________________________
_____________________________________________________________
8. What does the time signature of indicate? (Circle the correct answer).
a) That the value of the beat is a semibreve, and there are two of them in a
bar
b) That the value of the beat is a minim, and there are four of them in a
bar
c) That the value of the beat is a crotchet, and there are two of them in a
bar
44&a)
‰ œ œ œ ™ œ
44&b)
œ œ œ œ œ œ
68&c)
œ ™ œ ‰
24&e)
œ œ œ
34&f)
œ œ œ œ œ œ ‰ œj
68&g)
˙ œ
38&k)
œ œ œ
-
44 34 68 24
22 128 916 98 98
64
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& ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
& ∑
U
∑
√ ≈
∑
#‹
∑
.‘& ∑
n wb
∑
î™™q
∑
í ™™h
î&
∑
n
?
∑
∫
x B
∑
e
Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
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Œ Œ ‰ ‰ ≈ ≈ ® ® ≈ Ó Œ
Œ ™ Œ ™ œ ™Kr Ù≈‰ ‰ ‰ ‰ œ ™r ®Œ ™ œ ™j ≈‰ ˙ ™ œKr ®≈‰ ‰ Œ ™ ‰ œ ™ ‰ ‰w ™
d) That the value of the beat is a crotchet, and there are four of them in a
bar
9. What does the bottom number in the time signature indicate?
a) That there are eight main beats in a bar
b) The simple division of the beat
c) That the value of the subdivision of the main beat is a quaver
d) That the value of the beat is a crotchet
10. What does the top number in the time signature indicate?
a) That there are twelve main beats in a bar
b) The value of the beat is a twelfth note
c) The simple division of the beat
d) That the subdivision of the beat in a bar is split into twelve equal parts