Section 3- Final Paper
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Transcript of Section 3- Final Paper
Running Head: KANAKA1
Kanaka Maoli Culture
(True, Genuine and Real Human Being Culture)
Kumiko Sasa
Colorado Mesa University
KANAKA 2
The global makeup of the world consists of culture and diversity. Together, they establish
the patterns and structure of society. In this context, social workers encounter autonomy every
day as each individual carries their own culture. Hawaiians are one of the many groups that
exemplify this. Within their groups there are multiple ethnicities, important historical moments
of oppression, established norms, beliefs and attitudes. As a social worker, it is important to
understand these cultural identities in order to best address the client.
Ethnicities
Due to factors of immigration and modernization, people have come from a variety of
countries, therefore making Hawaii extremely diverse. Some of the main ethnicities found in the
state of Hawaii are Asians and Pacific Islanders. According to the U.S. Census Bureau, “Asian
Americans constitute 4.2 percent of the nations’ population and comprise diverse subgroups,
including Asian Indian, Chinese, Filipino, Japanese, and Vietnamese” (Mokuau, Garlock-
Tuiali’i, & Lee, 2008, p. 117). There are also different groups of indigenous Native Hawaiians
such as the Tongans, Fijians, Micronesians, Maori, Samoans, and Chamorros. Under this
umbrella culture, each specific identity may comprise of similar yet unique values.
However, one of the major controversies is identifying and classifying who are the real
Hawaiians. During the 1960’s, both the increase in tourism and colonization complicated this
situation further.
An account of this comes from Kekuni Blaisdell, a medical doctor who grew up in
Hawaii. “Kanaka maoli was a term people used to identify themselves as opposed to the
foreigners who came. Foreigners asked: Who are you? And the answer was ‘We’re
kanaka maol’. Kanaka means human being. Maoli means true, real, and genuine. What
KANAKA 3
colonizers call us -Hawaiians, Native Hawaiians, Native Americans, and Americans-
we’re not. We’re kanaka maoli” (Harden, 1999, p.104).
In comparison, Kame‘eleihiwa believes that, “it is not enough to wear a flower lei
(garland) and kiss people hello to be a Hawaiian. They must experience the pain of our
continual degradation, perpetuated upon us by foreigners for the past two hundred years,
before they can begin to know who we are” (Kana’ iaupuni & Liebler, 2005, p. 693).
Overall, in order to understand the Hawaiian identity it is crucial to acknowledge their
connection to the land itself and the ancestry.
Both of these quotes represent some of the difficulties that social workers may face. By
implying that the client is Hawaiian may be inappropriate. As indicated by Sue (2006, p. 149),
“although it is critical for caseworkers to have a basic understanding of general characteristics of
counseling, therapy and the culture specific life values of different groups, overgeneralizing and
stereotyping are ever present dangers.” Also stating a trip to Hawaii or the mention of wearing
flower lei, as part of embracing the Hawaiian culture, may create conflict and a barrier to helping
the client.
History of Oppressions and Findings
In order to be culturally competent, the historical aspect of this culture helps to explain
the formation of their values and lifestyle. New ideas, diseases, and religions are introduced
creating a new way of living. Beginning in the latter half of the eighteenth century, Captain Cook
and his crew came upon Hawaii bringing a variety of diseases; venereal disease, smallpox,
cholera and measles. As a result, 80-90% of Hawaiians died within the next few decades
(Harden, 1999). When westerners came over, around the 1820’s, colonization occurred. One of
KANAKA 4
the huge impacts they had was the agriculture of sugar. This attracted many immigrants as an
opportunity for work. In 1852 to 1855 Chinese began to migrate over and approximately 28,000
arrived (Miyares, 2008). Miyares (2008) states that “Japanese men (approximately 159,000 in
several waves between 1868 and 1907) and later Koreans (approximately 7,900 between 1903
and 1905), Filipinos (approximately 123,600 between 1907 and 1946), and smaller numbers of
Okinawans (usually counted as Japanese) signed labor contracts” (p.518).
As colonization had taken over it oppressed the Hawaiian culture. It made the people of
Hawaii feel ashamed and that they were of a “lesser breed”. One particular instance of
oppression was about the Hawaiian appearance. A missionary by the name of Hiram Bingham,
as he encountered Hawai’i’s king Liholiho, was appalled by the way he dressed. The king was
wearing the normal attire of a “malo” or loincloth. Apparently to Bingham it was “the
appearance of destitution, degradation, and barbarism, among the chattering and almost naked
savages” (Harden, 1999, p.72). In similarity, the western missionaries had no idea about the
culture of Hawaiian’s thought process or values. Kekuni Blaisdell, a freedom activist for the
people of Hawaii, explains that there were a great amount of differences between the values of
the Westerners and Hawaiians during this time. American culture values individualism,
materialism and exploitation; whereas, Hawaiian culture shares everything and values personal
relationships rather than money. When the Westerners came, the people of Hawaii were pushed
to abide by the American culture; this included the Western idea of time in getting a job, paying
taxes on time and binding themselves to their mortgage. “If we don’t and we live like our
ancestors did by fishing and sharing, we go to jail” (Harden, 1999, p. 106). Many Hawaiians did
not understand the Western value systems, especially the value of property, and eventually had
their land taken away because they couldn’t pay. “For Hawaiian’s, the loss of power and rights in
KANAKA 5
their homeland was analogous to losing their sense of purpose and identity” (Mokuau &
Matsuoka, 1995, p.468). In the end, American’s had owned approximately 95% of Hawaiian
property and taken away the Hawaiian people’s identity.
Understanding the historical context of cultural oppression is one of the most important
things in social work. Sue (2006,p.65) indicates that “social workers need to become culturally
aware—to act on the basis of a critical analysis and understanding of their own conditioning, the
conditioning of their clients, and the sociopolitical system of which they and their clients are
both a part.” This awareness provides some basic information and implications for social
workers as they work with their clients. In accordance with Hawaiian culture, an important
element for social workers to comprehend is their collectivistic values. Western tradition tends
to focus on the individual and as mentioned above, Hawaiian’s faced this form of oppression.
Pederson notes that some cultures view individualism as a limit on achieving enlightenment, a
block in the way of achieving spiritual goals (Sue, 2006, p. 139). It is important for social
workers to focus their counseling on the family (group) unit rather than the individual in this
scenario.
Spirituality
Then another form of oppression occurred with the Hawaiian’s values of spirituality.
Before missionaries came, Hawaiian’s believed primarily in the power of gods and goddesses.
They would pray to these gods who were similar in nature with humans as they could express
anger, jealousy, and passion. These beliefs coincide with their ideas of healing. There weren’t
viruses or bacterial infections that made them sick, but there were such things as displeasing the
gods or doing something wrong. In contrast with American ideals of sickness, Hawaiians would
search the soul for the problem rather than the systems of the body. The healing process would
KANAKA 6
consist of a meditation ceremony (ho’oponopono), usually performed by one of the elders who
would lead the group. This would hopefully rid the body of sickness or pilikia (troubles). If it
didn’t then a kahuna (herbalist/ healers of the spirit) would be called in (Harden, 1999).
According to Pukui et. al., this particular process was primarily used by extended families “to
discuss and settle arguments, assuage hurt feelings, mediate angry words, and deal with other
types of interpersonal problems” to re-establish the Hawaiian values of “aloha (good will)” and
“harmonious relationships” (Hurdle, 2002, p.188).
Then during the mid-nineteenth century, life had begun to transform again as
missionaries came over from England. Hawaiians had just overthrown their monarchy which was
tied to their religious beliefs. So when the missionaries came in, their religion and ideas
transpired onto the Hawaiian people. Hawaiian’s were fascinated with the Bible; however, this
religion restricted them from doing a lot of the things they did before. Overall, they never
understood the idea of sin, but many eventually converted to Christianity (Harden, 1999). The
influences of missionaries and Christianity continued into the 20th century and so forth.
In relation to these spiritual beliefs, one of the major things social workers need to pay
attention to is the ho’oponopono healing ceremony. This treatment is different than Western
medicine, as the Hawaiian culture looks for spiritual and disharmony as reasons for illness rather
than viral or bacterial. In order to be culturally competent the social worker needs to be aware of
this indigenous healing method. According to Sue (2006), other implications for the social
worker are that they need to avoid overpathologizing or underpatholgizing the client’s issues,
and if necessary they may need to work with a traditional healer such as a kahuna. By working
together with the culture’s methods of healing the client’s culture will be respected and
oppression will be avoided.
KANAKA 7
Cultural Beliefs
Harden (1999) expressed that there wasn’t a single word to describe religion, because
according to the Hawaiian’s it was their entire life. One account of this comes from Lanakila
Brandt who states that “to greet the sun as it rises- this was the tradition of the ancestors.
Everyone would turn to the sun with prayers of love and gratitude because native practitioners
believe that with the coming of the sun the man [life force] returns to Earth each day. With mana
comes healing, growth, life itself, for all creatures and the Earth” (Harden, 1999, p.54). In
addition to these beliefs, some individuals trace their ancestry back to spirits in the form of
animals. Some villagers believe they have a relationship with the shark who is the ‘aumakua
(guardian spirit). As they are out in the ocean fishing this spirit protects them. In return to this
spirit the fishermen are supposed to give back part of their catch (Linnekin, 1985). The other
spirit mentioned is the turtle. If a family could trace their ancestry back to the turtle they also had
a spirit of protection. They believed that if they were stranded or in trouble out in the ocean, a
big enough turtle would come to rescue them (McGregor, 2007). Earth and nature are seen as an
intimate bond between the Hawaiians. Kame’eleihiwa expresses that as a result of taking care of
the land it will in turn take care of the Hawaiian people (Kana’ iaupuni & Liebler, 2005). These
beliefs were very much in contrast with Christianity in a variety of ways; however, one in
particular was Hawaiians beliefs in multiple gods rather than one. As missionaries came over
these beliefs by the Hawaiians conformed and most of the old Hawaiian names were replaced by
Christian names. Ancient gods were no longer allowed.
This aspect of spirituality is very important to the Hawaiian culture. Social workers must
be aware of their values and the beliefs of their clients so that they may know where they stand
and their client stands. If they feel uncomfortable working with this client spiritually, then the
KANAKA 8
help towards the client may be unproductive. In suggestion to this scenario, Sue (2006, p. 223)
implies that “social workers be open to exploring this aspect of the human condition and actively
seek to integrate it into their practice.” By expanding the amount of knowledge understood, this
will give social workers the opportunity to reach a wider variety of individuals.
Communication
Looking directly at the Hawaiian style of communication one of the interesting things is
that it leans more towards non-verbal. There was no true form of a written dialect in the past. The
Kahuna and elders would pass on information and history to the younger ones through story
telling. Other forms of communication would come from chants and hula (“sacred dance”).
Chants were memorized words that were also passed down to younger generations. The most
important one was the genealogy chant. “A person’s lineage gave him his rank and often his
profession in society, so remembering the ancestral line was an absolute. Everyone was expected
to remember ten generations back” (Harden, 1999, p.126). This chant was also said to identify
lines of trust and to honor past ancestors (Kana’ iaupuni and Liebler, 2005).
The second most important form of communication is hula, otherwise known as the
“story in motion”. At an early age children are selected to perform this sacred dance.
George Na’ope, a child who was taught the hula by his grandmother, states that “the hula
is Hawai’i. The hula is the history of our country. The hula is a story itself if it’s done
right. And the hula, to me is the foundation of life. It teaches us how to live, how to
respect, how to share. The hula, to me, is the ability to create one’s inner feelings and no
one else’s” (Harden, 1999, p.137).
KANAKA 9
However, in the eyes of the missionaries this was a waste of time and a heathen dance. It made
the Hawaiian people so conscious that it actually drove this art underground and not until the
60’s and 70’s did it resurface (Harden, 1999). From the 1970’s to today the hula has become a
symbol of ethnic pride and is promoted at the annual Merrie Monarch Festival in Hilo, Hawaii
(Hale, 2002).
These forms of communication are valued in Hawaii; however other cultures embrace
different forms of expression. One of the major conflicts that may hinder the resolution process,
between the client and social worker, are these diverse forms of communication. Understanding
and attending to the client’s needs is an important aspect of social work, but using a more verbal
method may not work for this case. The social worker needs to recognize how this particular
culture uses intergenerational transmission of history through hula and chants to communicate.
When a client comes in with a particular situation, from a Hawaiian background, it will be
inappropriate to disregard these values. Particularly if the elderly are excluded from the family
situation, this may put a strain on the family values and compromise the effectiveness of
assistance.
Family Values
Beginning with marriage, in the 19th century, commoners had no formal ceremony that
symbolized a lasting bond between the couple. Husband and wife were non-existent in the
Hawaiian language and instead it was kane (man) and wahine (female). One of the other ways
this custom was described as is “moe aku, moe mai” (sleep here, sleep there) (Linnekin, 1985).
Men could take many wives and women could have many husbands. Unions for high ranked
Hawaiians, on the other hand, were called ho’ao pa’a marriages. This marriage bound the couple
together until death do them part. “Although not marked by ceremony, marriage was more stable
KANAKA 10
among landed commoners” (Linnekin, 1985, p.62). If the couple divorced it brought on personal
shame to the families involved. It also broke apart the couple’s property.
In addition, Hawaiians primarily value men as the head of the household and leaders in
the community; however, women are also powerful in certain aspects. There is a symbolic focus
on women because they are usually the leaders in spiritual activities. They are “sacred beings
who have the power to halt conflicts between men” they are the “genealogical authorities and
experts in Hawaiiana…practitioners of the traditional healing arts” (Linnekin, 1985, p. 100).
Even though property is normally transferred by the male of the household, the female is often
the result of that property being earned. They are the bond between two families.
In regards to children and their roles in the family, the older sibling will eventually inherit
the father’s property. The land is usually passed down to the oldest male. Other obligations are to
care for their younger siblings and work for the elders if necessary. The youngest sibling, since
they are usually the last to leave, is usually pushed to stay home and take care of their aging
parents. They are usually the “kept” child because their older siblings leave and begin their own
life. As a result, they may receive a smaller portion of land from an adopted parent, “either out of
aloha or in appreciation for services rendered. Jural norms provide for elder brothers; younger
brothers are provided for in sentiment: as poki’i, hunona, and the adopted children of other
families” (Linnekin, 1985, p. 132). Due to their inability to leave and limitations on receiving
property, conflict can arise among the family. The female of the household will work to keep
harmony within the family. Each of these roles is still prevalent in Hawaiian families today.
Western concepts of family values differ from the values of Hawaiian culture. Given the
majority value of patriarchal importance, if the social worker were to assume this with their
Hawaiian client the ability to effectively work may be hindered. Depending on the situation it is
KANAKA 11
necessary to understand the importance of Hawaiian matriarchal values and its position in
resolving conflict. The other thing to note is the younger sibling’s kin responsibilities. The
Western ideal about young individuals is to pursue independence and self-sufficiency. With this
particular culture, pushing the younger siblings may disrupt the values of kin and family support.
Conclusion
In summary, Hawaiian culture contains a variety of characteristics; it holds strong family
values, the expression and history through hula, and spiritual healing practices. It also includes a
history of oppression due to colonization and a shift in beliefs as well as identity. Given the
world’s diverse nature, there is the possibility a client may come from Hawaiian background.
Social workers must understand the implications of this client’s history and the culture they
embrace. In order to effectively help, they may need to incorporate these Hawaiian values and
traditions. Overall, when working with any client social workers need to incorporate these
principles. They should provide assistance with cultural competency and be aware of both their
own values and their clients’.
KANAKA 12
References
Hale, C. (2002). The hula movement. Atlantic Monthly, 290(1), 166-168.
Harden, M.J. (1999). Voices of wisdom: Hawaiian elders speak. Kula, HI: Aka Press.
Hurdle, D. E. (2002). Native Hawaiian traditional healing: Based interventions for social work
practices. Social Work, 47(2), 183-192.
Kana’iaupuni, S. M. & Liebler C.A. (2005). Pondering Poi Dog: Place and racial identification
of multiracial Native Hawaiians. Ethnic and Racial Studies, 280(4), 687-721.
Linnekin, J. (1985). Children of the land: Exchange and status in a Hawaiian community New
Brunswick, NJ: Rutgers University Press.
McGregor, D.P (2007). Na Kua’aina: Living Hawaiian culture. U.S.A.: Sheridan Press.
Miyares, I. M. (2008). Expressing "local culture" in Hawai’i. The Geographic Review, 98(4),
513-531.
Mokuau, N., & Matsuoka, J. (1995). Turbulence among a native people: Social work practice
with Hawaiians. National Association of Social Workers, 40(4), 465-471.
Mokuau, N., Garlock-Tuiali'i, J., & Lee, P. (2008). Has social work met its commitment to
native Hawaiians and other pacific islanders? A review of the periodical
literature. National Association of Social Workers, 53(2), 115-120.
Sue, D. W. (2006). Multicultural social work practice. Hoboken, New Jersey: John Wiley &Sons Inc.