SASKATCHEWAN PATTERN DANCE ASSOCIATION · 2018-02-08 · saskatchewan pattern dance association...

SASKATCHEWAN PATTERN DANCE ASSOCIATION

WORKSHOP DANCE INSTRUCTIONS – 1989 to 2017(click on title to go to instructions

AKERLOW TWO-STEP ’96 ’97 ’08 ‘16 ........................................................................................................ 9

ALABAMA JUBILEE MIXER ’97 ’98 ’01 ’03---------AS A NON-MIXER in ‘11 ................................................ 9

ALEX & MAUREEN TWO-STEP ‘91 ’96 ‘14 ................................................................................................ 9

ALL AMERICAN PROMENADE MIXER ‘10 ............................................................................................... 10

ALLEY CAT ’94 ‘09 .................................................................................................................................... 10

ALLEY CAT MIXER '07 .............................................................................................................................. 10

ALLIGATOR SHUFFLE ‘13 ........................................................................................................................ 11

ALPINE WALTZ ‘99 ’00 ‘08 ........................................................................................................................ 11

AMANDA ’91 ’95 ‘10 .................................................................................................................................. 12

AUNT MAY’S TWO-STEP ’01 ‘03 .............................................................................................................. 12

AURORA WALTZ ‘91 ‘95 ‘96 ‘13 ................................................................................................................ 12

BARN DANCE ........................................................................................................................................... 12

BARN DANCE MIXER ‘08 ......................................................................................................................... 13

BARNYARD POLKA ’93 ’94 ....................................................................................................................... 13

BEAUTIFUL B.C. WALTZ ‘97 ..................................................................................................................... 13

BEAUTIFUL TIME MIXER ’90 ’99 ’00 ’10 ‘14 ............................................................................................. 13

BELFIELD ‘04 ............................................................................................................................................ 14

BINGO WALTZ MIXER '07 ......................................................................................................................... 14

BLACK AND WHITE RAG ‘92 '07 .............................................................................................................. 14

BLACK VELVET WALTZ ‘01 '05 ‘12 ........................................................................................................... 15

BLUE BELL POLKA ’93 ‘94 ........................................................................................................................ 15

BLUE BONNET SCHOTTISCHE ‘98 ......................................................................................................... 15

BLUE BONNET SCHOTTISCHE ............................................................................................................... 15

BLUE ROSE IS ‘11 .................................................................................................................................... 16

BLUE SKIRT WALTZ ’97 ’98 ’00 ’03 ‘13 ..................................................................................................... 16

BODIE SCHOOL HOUSE ‘99 .................................................................................................................... 16

BON TON ‘95 ............................................................................................................................................. 16

BONNIE DUNDEE ’92 ‘09 ......................................................................................................................... 17

BOSTON TWO-STEP #2 ‘14 ..................................................................................................................... 17

BOSTON TWO-STEP #4 ‘94 '07 ................................................................................................................ 17

BOSTON TWO-STEP #5 ‘11 ...................................................................................................................... 17

BRITANNIA TWO-STEP ‘99 '06 ................................................................................................................. 18

BUCKHORN TWO-STEP '05 ‘11 ............................................................................................................... 18

BUFFALO GLIDE #2 ’94 ............................................................................................................................ 18

BUFFALO GLIDE #2 ‘10 ............................................................................................................................ 19

BUFFALO GLIDE ‘97 ................................................................................................................................. 19

BUFFALO GLIDE '06 ‘16 ........................................................................................................................... 19

CAB DRIVER '07 ....................................................................................................................................... 19

CAJUN FIDDLE TWO-STEP ’93 ’94 ’01 ’02 ’04 ’11 ‘13 ............................................................................. 20

CALICO POLKA ’92 ’03 ’09 ‘14 .................................................................................................................. 20

1

SASKATCHEWAN PATTERN DANCE ASSOCIATIONCALIFORNIA SCHOTTISCHE ‘91 '06 ....................................................................................................... 20

CALL OF THE PIPES ‘03 '06 ..................................................................................................................... 20

CALL TO THE PIPER ‘02 ........................................................................................................................... 21

CANADIAN BARN DANCE ‘09 .................................................................................................................. 21

CANADIAN BARN DANCE (SCOTTISH) (MIXER) ‘98 .............................................................................. 21

CANADIAN FOUR STEP (Mixer) '05 '06 ‘17 .............................................................................................. 22

CANADIAN WALTZ MIXER ‘17 ................................................................................................................. 22

CARLYSLE ’92 ’94 ‘10 ............................................................................................................................... 22

CARMAN WALTZ ‘98 '04 ‘15 ..................................................................................................................... 22

CAROLINA MOON ’10 ‘14 ......................................................................................................................... 23

CARRIBEAN CHA ‘13 ................................................................................................................................ 23

CECELIA ’89 ‘93 ........................................................................................................................................ 23

CECELIA ‘06 .............................................................................................................................................. 23

CENTENNIAL WALTZ '05 .......................................................................................................................... 24

CHARLESTON BUMP ‘11 .......................................................................................................................... 24

CHEATERS WALTZ ‘09 ............................................................................................................................. 24

CHICKEN REEL ‘03 ................................................................................................................................... 25

CIRCASSIAN CIRCLE ‘94 '05 ................................................................................................................... 25

CIRCLE SCHOTTISCHE MIXER ’93 ’97 ’98 ‘02 ........................................................................................ 25

CLARINET POLKA ’93 ’97 ‘12 ................................................................................................................... 25

COTTON EYED JOE ‘00 ........................................................................................................................... 26

COTTON EYED JOE Two Couple ‘15 ....................................................................................................... 26

COTTON EYED JOE (mixer) ..................................................................................................................... 26

COUNTRY MIXER SCHOTTISCHE ’95 ’98 ‘00 ......................................................................................... 26

COUNTRY MIXER SCHOTTISCHE 2 nd version '05 '06 ............................................................................ 27

COYOTE CHA CHA ’01 ‘03 ....................................................................................................................... 27

CRAZY DAISY MIXER ‘94 ......................................................................................................................... 27

CRESCENT MOON WALTZ ’12 ‘16 ........................................................................................................... 28

CROSS BORDERS MIXER ‘99 ................................................................................................................. 28

CROSS COUNTRY WALTZ ’12 ‘14 ........................................................................................................... 28

CROSS COUNTRY WALTZ SQUARE ’94 '07 ........................................................................................... 28

CRUISING DOWN THE RIVER ‘02 ........................................................................................................... 29

CRYSTAL CHANDELIER ’93 ’00 ‘01 '04 ‘12 .............................................................................................. 29

CUCKOO WALTZ ’97 ’98 ‘00 '05 ‘09 .......................................................................................................... 29

DANCING IN THE STREETS Mixer ’90 ‘98 ............................................................................................... 30

DANISH SCHOTTISCHE ‘99 ..................................................................................................................... 30

DANISH SCHOTTISCHE #2 ‘10 ................................................................................................................ 30

DAVEY CROCKETT SCHOTTISCHE '05 .................................................................................................. 30

DAWN WALTZ '06 ...................................................................................................................................... 31

DAYDREAMING ‘11 ................................................................................................................................... 31

DESPERADO WRAP ’07 ........................................................................................................................... 31

DEWEY - DEWEY – DAY ‘95 ..................................................................................................................... 32

DIAL 306 MIXER ‘13 .................................................................................................................................. 32

DINKEY ONE-STEP ’89 ‘90 ‘04 ................................................................................................................. 32

2

SASKATCHEWAN PATTERN DANCE ASSOCIATIONDIP KICK SCHOTTISCHE ‘93 ................................................................................................................... 32

DOODLE DE DAY ‘92 ................................................................................................................................ 33

DOUBLE SHUFFLE '07 ............................................................................................................................. 33

DOUBLE WEAVE WALTZ Mixer ’92 ’98 ‘14 ............................................................................................... 33

DREAM OF YESTERDAY WALTZ '07 ‘08 .................................................................................................. 34

DREAM WALTZ ‘98 ................................................................................................................................... 34

DRIFTING ALONG ‘09 ............................................................................................................................... 34

EDELWEISS ’93 ’94 ’00 ‘11 ....................................................................................................................... 35

EL PASO ‘08 .............................................................................................................................................. 35

ELNORA WALTZ ........................................................................................................................................ 36

EMMERSON GLIDE .................................................................................................................................. 36

ENTERTAINER, THE ‘10 ........................................................................................................................... 37

EVA THREE STEP ‘94 ............................................................................................................................... 37

EVERY SECOND , EVERY MINUTE ’99 ’00 ‘01 '05 .................................................................................. 37

FAMILY WALTZ ‘00 ‘17 .............................................................................................................................. 38

FARAWAY PLACES ‘10 ............................................................................................................................. 38

FENCE LINE ‘12 ........................................................................................................................................ 38

FIDDLE CAMP TWO-STEP ’97 ‘14 ............................................................................................................ 38

FIDDLE STEPPER POLKA ‘02 .................................................................................................................. 39

FIDDLE STEPPER POLKA #2 ’10 ‘14 ....................................................................................................... 39

FIDDLERS LAST WALTZ ‘10 ..................................................................................................................... 39

FIFTY YEAR AGO WALTZ ’00 ‘10 ............................................................................................................. 39

FINGER POLKA ’89 ‘01 ‘17 ....................................................................................................................... 40

FIVE FOOT TWO ’95 ‘08 ........................................................................................................................... 40

FLEA MARKET MIXER .............................................................................................................................. 40

FLOWER DANCE (Icelandic) .................................................................................................................... 41

FLORA DORA ’98 ‘00 ................................................................................................................................ 41

FOUR STEP .............................................................................................................................................. 41

FOUR STEP #2 ......................................................................................................................................... 41

FOUR STEP SCHOTTISCHE ‘95 .............................................................................................................. 42

FRAULEIN ’89 ’00 ’01 ‘11 .......................................................................................................................... 42

FRAULEIN ‘09 ........................................................................................................................................... 42

FRENCH MINUET ‘03 ............................................................................................................................... 43

FUN TIME POLKA ‘08 ............................................................................................................................... 43

G. K. W. MIXER ’94 ‘98 .............................................................................................................................. 43

GAY GORDONS ’03 ‘04 ............................................................................................................................. 44

GLEN’S TWO-STEP ’07 ‘09 ....................................................................................................................... 44

GLOWORM GAVOTTE ’91 ’95 .................................................................................................................. 44

GOLDEN SLIPPERS ’91 ’95 ’96 ’09 ‘16 .................................................................................................... 44

GOLDIES WALTZ ’91 ’93 ‘96 ..................................................................................................................... 45

GOODNIGHT WALTZ MIXER ‘90 .............................................................................................................. 45

HALL ROAD SWING ‘11 ............................................................................................................................ 45

HAPPY DANCERS SCHOTTISCHE MIXER ‘08 ........................................................................................ 46

HAPPY DAY POLKA ’00 ‘01 ...................................................................................................................... 46

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONHAPPY POLKA .......................................................................................................................................... 46

HAPPY ROVER’S WALTZ ‘94 ................................................................................................................... 47

HAROLD’S WALTZ '06 .............................................................................................................................. 47

HEEL AND TOE MIXER '06 ....................................................................................................................... 47

HEEL AND TOE TWO-STEP ’91 ‘94 .......................................................................................................... 48

HESITATION WALTZ ‘91 ........................................................................................................................... 48

HESITATION WALTZ easy ’94 ‘13 ............................................................................................................. 48

HI YO TWO-STEP ’91 ’94 ’95 ’96 ‘12 ......................................................................................................... 48

HILLBILLY CALIPSO ’92 ‘02 ‘17 ................................................................................................................ 49

HOT FOOT TWO-STEP '06 ....................................................................................................................... 49

HUMMINGBIRD WALTZ '07 ...................................................................................................................... 49

HUNTER’S POLKA ’93 ‘11 ......................................................................................................................... 50

I MISS MY SWISS (Mixer) ‘90 '07 .............................................................................................................. 50

ICELANDIC FLOWER DANCE ’91 ’95 ‘97 '07 ........................................................................................... 50

IDA RED ROCK ‘15 ................................................................................................................................... 51

IRISH WALTZ ‘10 ....................................................................................................................................... 51

ISLE OF CAPRI MIXER ’02 ‘03 ................................................................................................................. 51

J. J. WALTZ ’11 ‘15 .................................................................................................................................... 52

JAMAICAN FAREWELL ’97 ’98 ‘99 ........................................................................................................... 52

JAMBALAYA ’99 ‘00 ‘17 ............................................................................................................................. 52

JAY WALK ................................................................................................................................................. 52

JEAN’S WALTZ '06 ‘14 .............................................................................................................................. 53

JENNY LIND (Jenny Lynn) POLKA MIXER ’01 .......................................................................................... 53

JERICA’S WALTZ ‘09 ................................................................................................................................. 53

JERSEY ‘90 ............................................................................................................................................... 54

JESSE POLKA ‘90 ..................................................................................................................................... 54

JOLLY IS THE MILLER ‘98 ........................................................................................................................ 54

JUBILEE SCHOTTISCHE '05 .................................................................................................................... 54

KATY’S TWO-STEP ’00 ‘11 ....................................................................................................................... 55

K-K-KATY TWO-STEP ’94 ‘16 ................................................................................................................... 55

LADEN WALTZ 92 ..................................................................................................................................... 55

LAMBETH WALK ‘02 ................................................................................................................................. 55

LARA’S THEME ‘09 ................................................................................................................................... 56

LAZY MAISIE TWIRL '07 ........................................................................................................................... 56

LEFT FOOTERS CHA CHA ‘16 ................................................................................................................. 56

LEFT FOOTER’S ONE-STEP ’94 ’98 ’99 ‘08 ............................................................................................. 57

LILAC WALTZ ’97 ’98 ‘02 ........................................................................................................................... 57

LILI MARLENE (Mixer) ‘08 ......................................................................................................................... 57

LIMBO ROCK MIXER (Caribbean Mixer) ’98 ’02 ’08 ‘13 ........................................................................... 58

LOG CABIN TWO-STEP ’90 ’03 ................................................................................................................ 58

LOG CABIN TWO-STEP (2nd version) ‘97 ................................................................................................ 58

LOMOND WALTZ ’93 ’99 ‘00 ..................................................................................................................... 58

LONE STAR POLKA ’09 ‘11 ....................................................................................................................... 59

LONE STAR RAG BOX ’02 ‘13 .................................................................................................................. 59

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLONE STAR TWO-STEP ‘97 '06 ................................................................................................................ 59

LONFORD SCHOTTISCHE MIXER ‘92 ..................................................................................................... 60

LOVER PLEASE COME BACK ‘10 ............................................................................................................ 60

LOVERS WALTZ ‘12 .................................................................................................................................. 60

MacINTOSH POLKA ‘08 ............................................................................................................................ 60

MANITOBA BEACH SHUFFLE ’12 ‘15 ...................................................................................................... 61

MANITOBA WALTZ ‘99 .............................................................................................................................. 61

MANITOU ’90 ’96 ’97 ’02 ’04 ‘05 '07 ’08 ’09 ’10 ’11 ’12 ’13 .14 ’15 ‘16 ‘17 ................................................. 61

MANNINGS MIXER ‘03 ............................................................................................................................. 61

MAPLE LEAF WALTZ ’90 ‘95 .................................................................................................................... 62

MARCHING THRU GEORGIA ’92 ‘11 ........................................................................................................ 62

MAVERICK WALTZ ‘95 '06 ‘08 .................................................................................................................. 62

MERRY OLDSMOBILE MIXER ‘95 ............................................................................................................ 63

MEXICALI ROSE ’96 ‘97 ’98 ‘03 ................................................................................................................ 63

MEXICAN ROSE ‘16 .................................................................................................................................. 64

MEXICAN CLAP DANCE ’01 MEXICAN WALTZ ‘98 ................................................................................. 64

MEXICAN MIXER ‘11 ................................................................................................................................. 64

MIDNIGHT WALTZ ’97 ‘98 ......................................................................................................................... 64

MIGNON WALTZ ‘10 .................................................................................................................................. 65

MILITARY TWO-STEP ’89 ’08 ‘15 .............................................................................................................. 65

MISSISSIPPI DIP ‘97 ................................................................................................................................. 65

MOCKINGBIRD TWO-STEP '07 ................................................................................................................ 66

MONITOR (HABITAT) ‘11 .......................................................................................................................... 66

MOONLIGHT STROLL ‘08 ‘17 ................................................................................................................... 67

MORDEN WALTZ ‘14 ................................................................................................................................ 67

NAVY POLKA ’91 ’96 ’00 ‘03 '06 ................................................................................................................ 67

NAVY TWO-STEP ...................................................................................................................................... 68

NEW BRUNSWICK WALTZ ‘00 '07 ........................................................................................................... 68

NORWEGIAN POLKA ‘09 .......................................................................................................................... 69

OKEMA SWING TWO-STEP ’01 ’03 ‘15 .................................................................................................... 69

OKLAHOMA MIXER ’97 ‘98 ....................................................................................................................... 69

OLD RED BARN MIXER ’91 ’94 ’95 96 ’02 ‘09 .......................................................................................... 70

ONE STEP WALTZ ‘13 .............................................................................................................................. 70

OSLO WALTZ MIXER ’91 ’96 ’12 ‘15 ......................................................................................................... 70

OVER THE WAVES ’98 ‘99 ....................................................................................................................... 70

PARASOL WALTZ '05 ................................................................................................................................ 71

PAT’S COUNTRY ’07 ‘15 ........................................................................................................................... 71

PEACE IN THE VALLEY MIXER ‘00 .......................................................................................................... 72

PEEK-A-BOO WALTZ (Two couples) ‘98 ................................................................................................... 72

PEEK-A-BOO WALTZ (One couple) .......................................................................................................... 72

PEEK-A-BOO WALTZ ................................................................................................................................ 73

PENNY WALTZ ’98 ‘08 .............................................................................................................................. 73

PING PONG SCHOTTISCHE '07 .............................................................................................................. 73

PLEASE RELEASE ME ’08 ‘15 ................................................................................................................. 74

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONPOOR GIRL WALTZ '07 ............................................................................................................................. 74

POTATO BLOSSOM WALTZ ‘03 ................................................................................................................ 74

PROGRESSIVE TWO-STEP ’94 ‘12 ......................................................................................................... 74

RAGAMUFFIN ‘14 ..................................................................................................................................... 75

RAINBOW WALTZ 05 ................................................................................................................................ 75

RANGER’S POLKA ’91 ’95 ‘98 .................................................................................................................. 75

RANGER’S WALTZ (With wrap) ‘04 ‘17 ..................................................................................................... 75

RANGER’S WALTZ 08 ............................................................................................................................... 76

RED RIVER WALTZ ‘02 ............................................................................................................................. 76

RED ROBIN MIXER ‘99 ............................................................................................................................. 76

RED ROBIN TWO-STEP ‘12 ..................................................................................................................... 77

RIVULETTE, THE ‘99 ................................................................................................................................ 77

ROAD TO THE ISLE ‘08 ............................................................................................................................ 77

ROBERTS ‘91 ............................................................................................................................................ 77

ROBERTS ’93 ‘94 ...................................................................................................................................... 78

ROCK VALLEY JIG ‘17 .............................................................................................................................. 78

ROCKIN’ ROBIN '07 .................................................................................................................................. 78

ROXY’S TWO-STEP ’03 ’10 ‘13 ................................................................................................................ 78

ROYAL PRINCESS TWO-STEP ’93 ’00 ‘11 ............................................................................................... 79

ROYAL SCOT TATTOO ’91 ’95 ’96 ‘12 ...................................................................................................... 79

SASKATCHEWAN CIRCLE '04 ‘05 ............................................................................................................ 79

SASKATCHEWAN MIXER ’11 ................................................................................................................... 79

SASKATCHEWAN WALTZ ‘02 ................................................................................................................... 79

SASSY SHANEY ‘09 ................................................................................................................................. 80

SCHOTTISCHE MIXER ‘98 ....................................................................................................................... 80

SEATTLE ON MY MIND ‘96 ....................................................................................................................... 80

SERENITY WALTZ ’01 ‘16 ......................................................................................................................... 81

SEVEN STEP ............................................................................................................................................ 81

SEVEN STEP ‘16 ....................................................................................................................................... 81

SEVEN STEP MIXER ................................................................................................................................ 81

SHENANDOAH WALTZ ’01 ‘02 '06 ’08 ’09 ‘13 .......................................................................................... 82

SHUFFLE ‘89 ............................................................................................................................................. 82

SICILIAN CIRCLE ’90 ‘96 .......................................................................................................................... 82

SIDE BY SIDE ’91 ’96 ‘14 ‘17 .................................................................................................................... 82

SIDE SADDLE '12 ..................................................................................................................................... 83

SIDEWALK WALTZ ‘04 .............................................................................................................................. 83

SILVER LAKE TWO-STEP ’00 ’02 ’08 ‘13 ................................................................................................. 84

SIXTEEN STEP POLKA ‘04 ....................................................................................................................... 84

SKATER’S GLIDE ’01 ‘02 .......................................................................................................................... 84

SKATER’S SCHOTTISCHE ’91 ‘08 ........................................................................................................... 84

SKATER’S WALTZ ‘01 ............................................................................................................................... 85

SKATERS WALTZ ‘16 ................................................................................................................................ 85

SKATER’S WALTZ ‘89 ............................................................................................................................... 85

SLIPPING ALONG '05 ............................................................................................................................... 86

6

SASKATCHEWAN PATTERN DANCE ASSOCIATIONSMALL WORLD (Mixer) ’90 ’91 ’96 ‘00 ...................................................................................................... 86

SNOW DEER ’91 ’97 ’04 ’10 ‘14 ................................................................................................................ 86

SPANISH CHAIN ‘97 ................................................................................................................................. 86

SPANISH CIRCLE WALTZ ’92 ‘94 ............................................................................................................. 86

SPANISH ROSES ‘16 ................................................................................................................................ 87

SPANISH WALTZ (two couples) '06 ........................................................................................................... 87

SPANISH WALTZ QUADRILLE ‘90 ............................................................................................................ 87

ST. BERNARD WALTZ ‘04 ......................................................................................................................... 88

STAGECOACH SLIDE ‘13 ......................................................................................................................... 88

SUGAR BLUES ‘91 ‘96 '07 ‘10 .................................................................................................................. 88

SUGAR TREE STOMP ’89 ‘02 '04 ............................................................................................................. 88

SUMMERTIME WALTZ ’10 ‘15 .................................................................................................................. 89

SWAY ‘02 ................................................................................................................................................... 89

SWEDISH HAMBO ‘91 .............................................................................................................................. 89

SWEDISH MASQUERADE ’91 ..‘05 .......................................................................................................... 90

SWEDISH MASQQUERADE ‘91 ‘94 ......................................................................................................... 90

SWEETHEART SCHOTTISCHE ’94 ’01 ‘04 '06 ‘16 ................................................................................... 90

SWEETHEART STROLL ........................................................................................................................... 91

TAMARA WALTZ ‘93 .................................................................................................................................. 91

TED’S MILITARY TWO-STEP ’00 ‘10 ........................................................................................................ 92

TELL ME MA ’09 ‘12 .................................................................................................................................. 92

TEN PRETTY GIRLS ‘92 ........................................................................................................................... 92

TEN PRETTY GIRLS ‘97 ’01 ’04 ‘09 .......................................................................................................... 92

TEN STEP POLKA ’97 ’98 ‘02 ................................................................................................................... 93

TENDER HEARTS CHA ‘11 ....................................................................................................................... 93

TENNESSEE TWO-STEP ’93 ‘94 '07 ........................................................................................................ 94

TENNESSEE WALTZ ’97 ’00 ‘01 ............................................................................................................... 94

TETON MOUNTAIN STOMP ‘98 ................................................................................................................ 94

TEXAS BARN DANCE MIXER ‘94 ‘98 '04 ’12 ‘14 ...................................................................................... 94

TEXAS SCHOTTISCHE FOR THREE ‘09 ................................................................................................. 95

TEXAS SCHOTTISCHE MIXER ‘11 ........................................................................................................... 95

THREE PARTY SCHOTTISCHE ‘97 .......................................................................................................... 95

THREE STEP ’89 ’93 ‘12 ........................................................................................................................... 95

TWINKLE WALTZ MIXER ‘95 .................................................................................................................... 96

UPTOWN TWO-STEP ‘91 ’96 ’98 ’09 ‘16 .................................................................................................. 96

VARSOUVIANNA ....................................................................................................................................... 96

VELETA WALTZ ......................................................................................................................................... 97

VIRGINIA REEL ’02 ‘03 .............................................................................................................................. 97

WALKING AND WHISTLING 2 nd version '05 ............................................................................................ 98

WALKIN’ AND WHISTLIN’ MIXER ’91 ‘10 .................................................................................................. 98

WALKING THE DOG '05 ’13 ‘14 ................................................................................................................ 98

WALTER’S WALTZ ‘91 '05 ‘08 ................................................................................................................... 98

WALTZ ACROSS TEXAS ‘09 ..................................................................................................................... 99

WALTZ FOR LORI, A ‘03 '04 ...................................................................................................................... 99

7

SASKATCHEWAN PATTERN DANCE ASSOCIATIONWALTZ OF THE ANGELS ‘11 .................................................................................................................... 99

WALTZ OF THE BELLS ‘90 ’91 ‘02 .......................................................................................................... 100

WALTZ OF THE BELLS ’96 ..................................................................................................................... 100

WALTZING THRU THE LEAVES ‘90 ’92 .................................................................................................. 100

WESTERN SHUFFLE '06 ‘17 .................................................................................................................. 101

WESTPHALIA WALTZ ‘09 ....................................................................................................................... 101

WHISPERING FOX TROT ‘00 ................................................................................................................. 101

WHISTLING POLKA MIXER ‘91 .............................................................................................................. 101

WHITE SILVER SANDS (Mixer) ’89 ’97 ‘04 '06 ....................................................................................... 102

WILHEMINA’S ROSE ‘99 ......................................................................................................................... 102

WOODEN NICKEL ‘12 ............................................................................................................................. 102

WRANGLER’S WALTZ '07 ....................................................................................................................... 103

WWW (MATRIMONY) ‘09 ........................................................................................................................ 103

STEPS & FIGURES ................................................................................................................................. 104

DANCE SYMBOLS & ABBREVIATIONS ................................................................................................. 106

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AKERLOW TWO-STEP ’96 ’97 ’08 ‘16Position – Semi-closed Footwork - OppositeMusic – “Flying Home to Akerlow” By John & James Cunningham Or any good two-step

4 TWO-STEPs LOD; VINE LOD, TWO-STEP; STEP, TOUCH L, STEP TOUCH R;In semi-closed position, starting M’s L, dance 4 two-steps in LOD, end partners facing, M’s back to COH;

vine LOD; step to side on L, behind on R, and complete a two-step; step to side in RLOD on R, touch L behind R, step toward LOD on L, touch R behind L.

VINE R,TWO-STEP (RLOD); Two STEP; Step TOUCH R, STEP TOUCH LWALK LOD, 2,3, KICK; BACK UP, 2, TWO-STEPVine in RLOD, stepping to side R, behind on L and two-step; step to side in LOD on L, touch R behind L,

step to side in RLOD on R, touch L behind R; walk fwd in LOD L,R,L, kick R fwd; Back up twosteps, R, L, finish with a two-step, R,L,R.

Face, SOLO TURN; Lace Across in 2 walks, TWO-STEP; Lace back in 2 walks; TWO-STEP Releasing hands partners turn away from each other (M L face, L R face) coming back to face each other. Join M’s L and L’s R hands, and L crosses under M’s L arm to change places (man passing behind lady) in two walking steps and a two-step; under same joined hands repeat this action back to closed dance position.

FOUR TURNING TWO-STEPS; 2 TWO-STEPS; TWIRL.In closed dance position do 4 turning two-steps;do 2 two-steps down LOD; Man vines 4, while lady twirls in four

ALABAMA JUBILEE MIXER ’97 ’98 ’01 ’03---------AS A NON-MIXER in ‘11Position - Circle of couples. Open PositionFootwork - OppositeMusic - Alabama Jubilee - Mrs. Mills or Trimble Tones

2 forward two-stepsWalk two, three, four (face, join hands with partner)Vine left, two three, stompVine right, two, three, stomp (to open position)2 forward two-steps; Twirl, two, three, faceBackup, two, three, fourForward diag right, three, four, to new partnerRepeat from start

ALEX & MAUREEN TWO-STEP ‘91 ’96 ‘14Footwork – OppositeClosed Dance PositionMusic - Alex & Maureen Two-step or Sleeping Giant by S.C.O.T.F.

PART A - With M’s L, point forward & back; to M’s L do one side two-step With M’s R, point forward & back; to M’s R do one side two-step Do two turning two-steps and two two-steps down line of dance Repeat Part APART B - With M’s L, walk four L,R,L,R To M’s L, do side, close, side, touch To M’s R, do side, close, side, touch Do two turning two-steps, ending in LOD. Repeat Part B

9

SASKATCHEWAN PATTERN DANCE ASSOCIATIONALL AMERICAN PROMENADE MIXER ‘10

Couples open position - Double circle, couples facing LODFootwork - OppositeMusic - Windsor 4605-B

Beginning L walk four steps forward, turn toward partner on fourth step to face RLOD, join inside hands. Back up four steps in LOD.

Repeat in RLODBeginning L, balance away from partner, balance toward partner. Face LOD during balance.Beginning L, man walks four steps behind lady to opposite side. Beginning R, lady takes one four-

step turn CCW in front of man to opposite side. Man assists turn with R hand, releases during turn and catches inside hand at end of turn

Beginning L, balance toward partner, balance away from partnerBeginning L, man walks four steps, crossing behind lady, and moves forward to meet a new partner.Beginning R, lady takes one four-step turn to original side and moves back to meet a new partner.

Variation: In measure 8. beginning L, man takes four steps diagonally forward to inside of circle to meet a new partner, Beginning R, lady takes one four-step turn, moving behind man to outside of circle to meet a new partner

ALLEY CAT ’94 ‘09Music: Alley Cat by “The Very Best of Mom and Dads”SC position; LOD

A:Semi closed position – 4 two-steps ahead – vine away and clap, vine back together & touch – 4 turning two-steps. Walk 3 & kick, back 3 & touch.

Repeat.B: Facing – limp 2, side touch L; side touch R. Roll away 4; roll back 4; Lady 2 two-steps under

man’s arm; man 2 two-steps under lady’s arm Vine away & clap; vine back & touchRepeat B:Repeat from beginningEnding: 4 Two-steps LOD; 2 Cut backs L twirl CW, M 1 two-step, Honor ptnr.

ALLEY CAT MIXER '07Position: CoupleFootwork - OppositeMusic - Alley Cat - Emeralds or other

Double circle, couples facing LOD1: Beginning L, walk four steps forward in LOD.2: Partners face, beginning L man walks backward into center of circle four steps as lady walks

backwards away from center of circle four steps.3: Both man and lady face diagonally to their own L. Beginning L, walk four steps forward to new partner.4: Beginning L, hook R arms with new partner and turn around in four steps, ending in couple position.

(The lady needs to spin around on the last beat to face LOD)

10


ALLIGATOR SHUFFLE ‘13Starting Position: Right Open Promenade Face L.O.D. Start with inside foot

Top of the Hill Polka (or any good polka)

SHUFFLE FWD, SHUFFLE FWD, SHUFFLE 1/2, SHUFFLE BACK MAN: Shuffle forward right, left, right; LADY: Shuffle forward left, right, left

MAN: Shuffle forward left, right, left; LADY: Shuffle forward right, left, right(Release man's right & ladies left hands)MAN: Shuffle 1/2 turn left, stepping right, left, right, left. LADY: Shuffle 1/2 turn right, stepping left,right,left

(pick up ladies right hand in man's left)MAN: Shuffle backward left, right, left, travelling LOD (facing RLOD)LADY: Shuffle backward right, left, right, travelling LOD (facing RLOD)ROCK, RECOVER, 1/2 PIVOT, ROCKING CHAIR

MAN: Rock back right, recover on left LADY: Rock back left, recover on rightMAN: Step forward right, pivot 1/2 turn left (weight now on left)(Switch hands while pivoting to face LOD, Now holding ladies left and man's right hands)

Rock forward right, recover weight on left, rock back right, recover weight on leftLADY: Step forward left, pivot 1/2 turn right (weight now on right)

Rock forward left, recover weight on right, rock back left, recover weight on rightSTEP, LOCK, STEP, BRUSH, STEP, LOCK, STEP, BRUSHMAN: Step forward right, lock left behind right, step forward right, brush forward LeftLADY: step forward left, lock right behind left, step forward left, brush forward Right

MAN: Step forward left, lock right behind left, step forward left, brush forward RightLADY: Step forward right, lock left behind right, step forward right, brush forward Left

SIDE, LYNDY, ROCK, STEP, SIDE, LYNDY, ROCK, STEP(LADIES CROSS IN FRONT, MEN CROSS BEHIND)Release man's right, lady's left....pick up lady's right in man's left on rock step

MAN: Step side right, step left next to right, step side right, Rock back on left, recover on rightLADY: Step side left, step right next to left, step side left, Rock back on right, recover on left(LADIES CROSS BEHIND, MEN INFRONT)(Release mans left, ladies right...pick up ladies left in man's right on rock stepMAN: Step side left, step right next to left, step side left, Rock back on right, recover on leftLADY: Step side right, step left next to right, step side right, Rock back on left, recover on rightRepeat

ALPINE WALTZ ‘99 ’00 ‘08Music: Alpine Waltz by Frankie RogersOpen, LOD

Waltz Away, Together, Solo Turn, to ButtrerflyWaltz Bal L, then RTwirl L R-Face to BanjoWaltz Fwd in Banjo, Waltz Turn to SidecarWaltz Fwd in Sidecar, to Closed4 Turning WaltzesWaltz Away & Together, to RLODCross Waltz to Closed4 Turning WaltzesWaltz Away & Together, Turning to RLODCross Waltz to Closed2 Turning Waltzes, Twirl L to Open

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONAMANDA ’91 ’95 ‘10

Varsouvienne, same footworkMusic: Amanda by Don Williams

Waltz forward & back LODBegin pattern at start of singing:Twinkle out leading with L; Twinkle in with RTwinkle out with L; Twinkle in with RStep ahead with L, touch R beside L and holdStep back with R, touch L beside R and holdWaltz thro’ ahead, both making a left turn and back up. (L turns under R raised arms, dropping L hands, then recovering them in front; then letting go of R hands and recovering them in front.)Waltz fwd RLOD, then both making a left turn step, step back ending in varsouvienne.

AUNT MAY’S TWO-STEP ’01 ‘03Music: Any two-stepPosition: Open Footwork: Opposite

Starting Man’s L, Lady’s Right,Walk three steps in LOD, brush on fourth stepBack up three steps and touch on fourth stepTwo-step apart Man’s R over his L in a quick two-stepTwo-step together Man’s L over his R in a quick two-stepRoll away in four walking steps to closed positionTo Man’s L, side, close, side, touchTo Man’s R, side, close, side touchTwo turning two-steps, four pivot stepsRepeat from beginning

AURORA WALTZ ‘91 ‘95 ‘96 ‘13Open Position Footwork - OppositeMusic - Aurora Waltz - Johnny & His Musical Mates

Waltz away, waltz together, waltz away, waltz together & turnIn RLOD repeat the aboveThen do a Right hand star four measuresDo a Left hand star for four measuresWaltz around for sixteen measures turning CW for the first eight measures then CCW for the next

eight measures.Repeat dance from the top.

BARN DANCEVarsouvienne Position Footwork - SameMusic - Casey Jones - S.C.O.T.F

Four slides L; Four slides RightTwo slides L; Two slides RTwo schottische steps. (1,2,3 Hop; 1,2,3,Hop)Repeat above

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONBARN DANCE MIXER ‘08

Music: Any good foxtrotPosition: Couples Facing Footwork: Opposite

Side close, side touch L; Side close, side touch RM Vines left while lady twirls forward; M Vines right, lady twirls backStep brush, step brush; step brush, step brushVine away; Vine backVine twirl away; Vine twirl back (Man moves forward to next lady)

(Lady moves back to next man)

BARNYARD POLKA ’93 ’94Shake off clay L, back up 1, 2, 3Shake off clay R, back up 1, 2, 34 polka steps aheadRepeat

BEAUTIFUL B.C. WALTZ ‘97Open Position Footwork - OppositeMusic - Beautiful B.C. Waltz - James & John Cunningham

1-6 WALTZ FWD; WRAP; BALANCE FWD, BALANCE BACK Starting M’s L do 2 waltz measures LOD. On third & fourth waltz W still holding inside hands makes one L-face turn into M’s R arm, joining her L and his L hand as she faces LOD); Balance forward & back 7-12 WALTZ FWD; INTO CLOSED POSITION; WALTZ TURN; OPEN Starting L and still in wrap position, waltz 2 measures LOD; releasing M’s R and L’s L hands maneuver to closed position on second measure M’s back is to LOD, Four turning waltzes13-18 WALTZ AWAY; WALTZ TOGETHER; SOLO TURN; BAL LEFT AND RIGHT Starting M’s L do 2 waltz measures LOD turning away and together swinging inside joined hands fwd & back ; Letting go hands and progressing LOD do 3/4 turn away from each other (M L-face; L R-face) and back to face; Balance L and R.19-24 FOUR TURNING WALTZES; TWIRL In closed position do four turning waltzes; M does two waltzes LOD while Lady twirls

BEAUTIFUL TIME MIXER ’90 ’99 ’00 ’10 ‘14Open Position Footwork - OppositeMusic - I Had a Beautiful Time - Square Dance Record ESP- 138

Walk LOD L, R, cha, cha, chaWalk LOD R, L, cha, cha, chaTurn away from partner, Walk L, R, cha, cha, chaWalk Together R, L, cha, cha, chaJoin both hands, and walk to Wall L, R, cha,cha,chaBackup (COH), R, L, cha,cha,chaBack Away from each other L, R, cha,cha,chaMove R to new partner, L, R, cha, cha,cha.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONBELFIELD ‘04

Semi-closed, Opposite FeetMusic: “One Hundred Pipers” Swift Current Old Time Fiddlers

Heel, Toe, 2 Step LOD; Walk 3 Steps, Turn to RLODHeel, Toe, 2 Step LOD; Walk 2 Steps, Turn to Face4 Slides L; 4 Slides R4 Turning 2-StepsRepeat from Top

BINGO WALTZ MIXER '07Formation: Cpls(Lady on Man’s right) in a single circle, all hands joined and facing COHFootwork: Opposite throughout, directions for manMusic: Feather Waltz - Hamp’s Orchestra or Three For The Show

1-4 BAL IN; BAL OUT; ROLL AWAY; HALF SASHAY; Step fwd on L ft on ct. 1,touch R toe to side of L ft on ct. 2 , hold ct. 3, swinging joined hands forward; step bwd on R ft on ct. 1, touch L toe to side of R ft on ct. 2, hold ct. 3, swinging joined hands bwd; man rolls lady across in front of him (she makes a full L-face turn in 6 steps) and takes her R hand in his left during the roll to end in a single circle again, all face COH.

5-16 REPEAT MEASURES 1-4 THREE MORE TIMES. At end of meas. 16, man faces LOD and the lady on his R, while lady faces RLOD and him to take butterfly position, M & W’s palms together, arms extended sideways.

17-20 STEP DRAW; STEP DRAW (IN); STEP DRAW; STEP DRAW (OUT); M & W step sideways twd COH on ct. 1. They draw their following ft to lead ft (heel to instep), cts 2 & 3 (there should be a slight sideward bend at the waist, M & W lead hands high, while each is looking at the drawing ft and keeping following hands low; repeat Meas 17; repeat step-draws away from COH, with natural change of hands held high & low.

21-24 REPEAT MEAS 17-2025-28 GRAND RIGHT & LEFT -Still facing partners, take R hands and begin a grand right & left;

everyone shouts “B” while taking 1st rt. hand, “I” on taking left hands, then “N” with rt. hand and “G” on taking left hands.

29-32 SWING When meeting the 5th lady, hug her (or swing) shouting OOOOOH!

BLACK AND WHITE RAG ‘92 '07Varsouvienne Position Footwork - SameMusic - Sunny Hills AC10350 or Black & White Rag

PART A:1-4: L Pt, front, side, back, step, step (vine right); R Pt front, side, back, step, step (vine Left); (as in

California Schottische)5-8: Walk, 2, turn R, 2,3; Back, 2, turn L, 2,3;9-16: Repeat measures 1-8, finish in skaters position.PART B:17-20: L Cross, step, step; R Cross, step, step; L Cross, step, step; R Cross step, step; (Cross L over R in

front and diagonally left do a quick step, step in place etc. Progress on the cross step)21-24: Buzz L, 2,3,4; Buzz R, 2,3,4; (In skaters position, step side on left, keeping weight on L foot and

pushing with R. do four buzz around steps. Release hand hold and do four solo buzz steps to the R, keeping weight on R foot and pushing with L) Resume skaters position.

25-32: Repeat measures 17-24. After solo buzz step return to Varsouvienne position. Repeat from start.ENDING: Repeat 1-4, point, front, side, back, step; Point, front, side. Lady turn and bow.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONBLACK VELVET WALTZ ‘01 '05 ‘12

Position: Closed Footwork: OppositeMusic: Black Velvet Waltz by Fantasy Fiddlers (Off The Cuff, 1998)

Two fwd waltzes, Lady twirls, man waltzes using 2 waltz steps, ending in sidecar positionTwinkle sidecar; twinkle banjo Two R turning waltzesRepeat the aboveTwirl/vine thru, face, close; using 2 waltz measures ending in banjo positionLOD two forward waltzes; pivot to sidecar position (Man facing RLOD)LOD two back waltzes; two turning waltzesRepeat above and then repeat entire dance

BLUE BELL POLKA ’93 ‘94Closed dance position Footwork - OppositeMusic - The Jim Campbell Band Or Jimmy Shand “Jimmy’s Fancy” PMC1144

Starting M’s L, side, close, side, close, side, close, side Lift RStarting M’s R, side, close, side, close, side, close, side Lift LSide, close, side Lift R; Side, close, side Lift L; Four turning hop stepsRepeat

BLUE BONNET SCHOTTISCHE ‘98Any SchottischeVarsouvenne LOD

Vine L, Brush with R; Vine R, brush with L; Vine L, brush with R. LOD 1, 2, 3, brush R;In 4 Schottische steps, L does R-Face twirl I front of M, travels behind M and does R-face twirl back

to Varsouvenne.Repeat

BLUE BONNET SCHOTTISCHEVarsouvienne Position Footwork - SameMusic - Any Schottische

1: Beginning L, take one schottische step to L, sideways, stepping L, step R behind L, step L, swing R in front of L as body rises and lowers on L foot.2: Take one schottische step to R, sideways, lady rising and lowering on step swing.3-4: Partners release L hands. Lady, beginning L, takes three small steps (quick, quick, slow), turning R face to face partner and moving so R arms are almost extended; lady travels around her partner, to mans R, behind him, to his L side, and back to original varsouvienne position, while taking three more series of small steps to the rhythm of quick, quick, slow. On the last quick, quick, slow, the lady turns CW under her R arm as she moves into her original position. As the lady is sweeping around the man, the man guides her raising his R arm and circling his R hand above his head (lariet fashion); and the man takes twelve steps to the rhythm of quick, quick, slow, four times almost in place, moving slightly to assist the movement of his partner

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONBLUE ROSE IS ‘11

Position: Varsouvienne (Both start Right feet)Music: Blue Rose Is by Pam Tillis Long lead in. Start on Count #17 or Don’t Be Angry With Me by

Stonewall Jackson

In LOD: Cross R in Front of L, dip back on R recover L-(Jazz Box) 1-4In LOD: Cross R in Front of L, dip back on R recover L-(Jazz Box) 1-4Vine 3 R & brush; Vine 3 L & brushTriple step forward 4 times in LODBoth Turn ¼ in to COH (Lady behind Man), dropping L hands, vine 3 R & brush; Vine 3 L & brush.3 - ¼ turns L (L foot planted & push around with R foot), Drop R hands and come back to

varsouvienne. Start from beginning.

BLUE SKIRT WALTZ ’97 ’98 ’00 ’03 ‘13Music: Ned Landry, SCOTF, SenatorsOpen LOD inside hands joined

Waltz Away, Together; Step Swing; Face Touch, to ClosedBal back, 2, 3; 3 Turning WaltzesWaltz away, together; step swing; Face, touch to closedBal back, 2, 3; 3 Turning WaltzesStep L, Swing R LOD; Step R, Swing L RLODWaltz away, Waltz in place, L Wraps2 Fwd Waltzes, twirl 2, 34 Turning Waltzes; 2 Fwd Waltzes in Semi-closed; Twirl 2, 3Repeat

BODIE SCHOOL HOUSE ‘99Music: Bodie School House by SCOTFClosed Pos.

Step Stomp L; Swing R across LStep Stomp R; Swing L across R3 Quick Slides LRepeat to R, L, RRepeat from Start

BON TON ‘95Closed Position Footwork - OppositeMusic - Lester Pearson Clog - Crystal Ployman

1: Heel, toe, side, close, side, touch to L2: Heel, toe, heel toe, side, close, side touch to R3: Repeat 1 & 2 above4: Side close, side, close to M’s L, Pivot (complete turn) in two stepsRepeat #4 four timesRepeat from beginning.

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BONNIE DUNDEE ’92 ‘09Partners facingFootwork - OppositeMusic - Bonnie Dundee - Folkraft 1171-A or Reg Hill “14 Great Fiddle Favorites”

Starting man’s L, do one pas-de-basque to left, L hand raised high, R hand on hip.Do one pas-de-basque to man’s R, R hand raised high, L hand on hip.Join elbows in an elbow swing. Make a half turn.Do one pas-de-basque to M’s L, and one pas-de-basque to M’s RDo another elbow swing. In closed position, to man’s L do a step, close, step, touch.Do a step, close, step, touch to man’s R. Do two turning two-steps in LOD, Lady does two twirling

two steps under man’s raised arm.Repeat sequence.

BOSTON TWO-STEP #2 ‘14Music - Boston Two Step - S.C.O.T.F. “Wheatland Favorites”Open facing LOD. Inside hands joined, outside foot free. Footwork - Opposite

Two two-steps, starting with outside foot, turning slightly away from partner and toward partnerWalk forward three steps, then pivot on outside foot making a one-half inward turn to face RLOD.Change hands during pivot and finish with the man’s R and woman’s L foot free.Repeat pattern RLOD. Make a one-quarter inward turn on pivot to finish facing partner with man’s L and woman’s R foot

free and join both hands with partner.Two two-steps starting with M’s L and W’s R footStep side to man’s L. draw free foot to other foot and transfer weight (2 and) repeat. Finish closedFour two-steps turning CW with partner. Open out at end to original position.Repeat dance.

BOSTON TWO-STEP #4 ‘94 '07Open Position - Wide apart Footwork - OppositeMusic - Boston Two Step -S.C.O.T.F. “Wheatland Favorites”

Start on R, two-step together, two-step apartGent rolls across to outside, Lady rolls to inside facing LOD. hands joined (M’s L; L’s R)Two-step together, two-step apart.Back up three steps, end facing on 4th stepSwing L across in front of R, then R over LGent walks around lady in 4 steps, lady walks 4 steps under gents arm, end in CP.Two turning two-steps and a twirl.

BOSTON TWO-STEP #5 ‘11Open Position, Arms slightly bent at elbowsMusic: Boston Two-Step – SCOTF

In LOD Balance Away and Together, Walk 2 and 2-Step, Turn to Face RLODBal. Away and Together, Walk 2 and 2-Step, turn ¼ to face L and WallTo LOD Side, Close, Side, Close, 2 turning 2-Steps and 4 Pivots.

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BRITANNIA TWO-STEP ‘99 '06Formation: In three’s around the room, facing LOD, man between to ladies or lady between two menFootwork – sameMusic: Any 6/8 pipe march

1.Nearer hands joined, tch L heel, then left toe to floor bouncing on R foot with each touch.2.All skip to the left for one two-step3-4. Repeat 1-2 with opposite feet.5-8. Skip forward two two-steps, then back two two-steps.9-10. Two two-steps or pas-de-bas in place11-12.Two two-steps forward, man raises arms and the ladies turn in underneath.13-16.Skip forward two two-steps, then backward two two-stepsRepeat danceVariation: 5-8: Walk forward 2, 3, kick; back 2,3, touch, or 4 forward two-steps13-16: Walk forward 2,3, kick; back 2,3, touch, or 4 forward two-steps

BUCKHORN TWO-STEP '05 ‘11Open PositionFootwork - OppositeMusic - Buckhorn Two Step - Don Messer

Two-step fwd, two-step fwd; lace across, turn to RLODTwo-step fwd, two-step fwd; lace across, turn to LOD(In butterfly) Double vine thru, 2,3,4,5,6,7,8; (Twisty vine)Four turning two-steps (To butterfly)(Pas-de-Basque) do a springy two-step left & rightRoll, 2,3,4 (to butterfly)(Pas-de-basque) two-step Left & rightVine thru 2,3,4; Four turning two-steps*Two forward two-steps, lady twirls as man does two two-stepsRepeat from start*Ending: Four two-steps. lady twirls, as man does 2 two-stepsTWISTY VINE: is same for man, but lady starts side front, side behind

BUFFALO GLIDE #2 ’94Closed position, Opposite footwork

Side close, slide L; Slide close, slide RSlide, slide, slide LSide close, side R; Side close; side LSlide, slide, slide R

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BUFFALO GLIDE #2 ‘10Music: Ten Pretty GirlsClosed, facing wall. Opposite footwork

Side close, side LOD; Side, close, side RLODStep L,Step R, step L, step RSaunter 4 steps LOD Walk or waddle around in 4

BUFFALO GLIDE ‘97Closed facing wall, Opposite footwork

Side close, Side close, Side Close, Side to leftWith weight on M’s L and L’s R: half turn to M’s LSide Close, Side Close, Side Close, to RightWith weight on M’s R and L’s L: Two-step L and Two-step R, Pivot around to 4 count.Repeat

BUFFALO GLIDE '06 ‘16Closed PositionFootwork - OppositeMusic - Buffalo Gals - Cec & Hilda Quibell “ Just Two” Or Buffalo Glide by Gaby Haas

Side close, side touch to M’s L; Side close, side touch to M’s RSide, touch to M’s L; Side, touch to M’s RWalk four steps down LOD in Banjo position (lady walking backward).Six two-steps down LOD; Walk four in banjo.

CAB DRIVER '07Music: Cab DriverSemi Closed, Opposite Footwork

Part A - SCP2 fwd two-steps; cut back 4; dip back & recover2 fwd two-steps; vine 4; walk 2Repeat

Part B - BflyFace to face; back to back; (CP) Scissors thru - twice (Lady cross in back; man in front)2 turning two-steps, Twirl two

Repeat

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CAJUN FIDDLE TWO-STEP ’93 ’94 ’01 ’02 ’04 ’11 ‘13Open Position Footwork: OppositeMusic: Cajun Fiddle Brian Sklar - Sons of the Golden West Or Ivan Hicks “Swingin Fiddles”

PART A:Two forward two-steps (face) side, close, side, touch L; side, close, side, touch RBack away (M COH; L Wall) two, three, lift, clap; together two, three, touch Two turning two-steps ending in open positionRepeat above ending in closed positionPART B:In LOD, side, close, side, close, side thru; side, close, side, close, side thruTwo turning two-steps; Lady twirls in four as man walks four, ending in closed pos.Repeat part B ending in open position

CALICO POLKA ’92 ’03 ’09 ‘14Demo by Pearl & John Gurski ‘09Music - Calico Polka - Gerry Robichaud “50 Oldtime Barn Dance Favorites”Open Position Footwork - Opposite

In LOD, walk 2,3, kick; Backup 2,3, touch (face)Apart 2,3, touch; together 2,3, touch, (Touch both hands)In LOD walk, 2,3, turn & point in RLODIn RLOD walk 2,3 turn & point in LODMan does side close, side close while Lady twirls

CALIFORNIA SCHOTTISCHE ‘91 '06Banjo Position Footwork - OppositeMusic - Any schottische

Heel, toe; behind, side, step; (Left, left, right, left) (Slide across in front of partner)Heel, toe; behind, side, step; (right, right, left, right). Now back in banjo position.Repeat from beginningWalk,--, two;--; walk, two, three,--; (walk LOD, turn to sidecar).Walk,--, two,--; walk, two, three,--; (Man backs up)Walk,--, two,--; walk, two, three,--; (Man forward in RLOD, end in banjo)Walk,--, two,--; Walk, two, three,--; (Man backs up)Repeat dance.

CALL OF THE PIPES ‘03 '06Open Position Footwork OppositeMusic - Barren Rocks of Eden - S.C.O.T.F. “On the Roan Again”

Starting M’s L, L’s R, walk four steps in LOD.With M’s L foot, L’s R tap four taps to side, 4th pos, 2nd pos, 4th rear pos & 1st pos.Repeat aboveSeparate (man turns L to COH, L turns R to Wall) continue on around and back to face.Four pas-de-basque steps (or two-steps) in place. (man raises L hand, lady R, “Highland Fling”

fashion) Change hands with each pas-de-basque.Man takes L’s R hand in his L, Lady crosses over under M’s L arm; Change hands L crosses back

under M’s R arm.In closed position, walk four steps in a circle with partner; buzz around 4 beats.

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CALL TO THE PIPER ‘02Varsouvienne Position Footwork - sameMusic - Folkcraft 1065-B

PART 1: Walk1-2: Beginning R take four walking steps in LOD. This is a very proud walk, foot brushing floor

slightly with each step.3-4: Beginning R, brush foot forward lightly (ct 1), back across L foot (ct 2), forward (ct 1) and step in

place (ct 2).5-8: Beginning L, repeat action of measures 1-4. On last count release hands and face partner.PART 2:9-12: Beginning R, take four pas-de-basque steps (or two-steps), which carry them around a square

and at same time around each other. 1. First pas-de-basque, beginning R, making 1/4 turn R and end facing out. This puts man and

lady back to back. 2. Second pas-de-basque, beginning L, backward and turn 1/4 turn R again to face partner. Now

dancers are opposite from original starting position. 3. Repeat action of first pas-de-basque, ending back to back on third side of square. 4. Repeat action of second pas-de-basque, ending starting position face to face.13-14: Partners facing, join R hands. Beginning R take one pas-de-basque R and one pas-de-basque L.15-16: Man walks four steps in LOD while turning lady under joined R arms. Lady takes four steps

turning CW once. Assume original dance position

CANADIAN BARN DANCE ‘09Open Position Footwork - OppositeMusic: Just Because or any lively two-step

Man’s L, walk three steps in LOD and point R toe forwardMan’s R, back up three steps in RLOD and point L toe forwardVine apart from partner, Step throughVine together, step through.Walk 3 steps LOD, Pivot & point R toe RLODWalk 3 steps RLOD, pivot & point L toe LOD4 turning 2-steps

Mixer: The change of partners is made on Part II by moving diagonally to R to a new partner.

VARIATIONS OF PART II1. Beginning L, take a three step turn moving apart from partner. Point R, toe toward partner and

clap hands. Beginning R, take three step turn toward partner and assume open position.

2 Face partner. Beginning L, three walking steps backward, away from partner and bow and curtsey. Three steps forward toward partner and assume open position.

CANADIAN BARN DANCE (SCOTTISH) (MIXER) ‘98Music: 2/4 or 4/4 or SchottischeOpen LOD, Opposite footwork

Walk 3 LOD; Raise inside foot on 4th beat and Hop on outside footWalk 3 Back in RLOD; Raise outside foot and hop on inside foot3 Steps and a hop away from ptnr; clap3 Steps and a hop together to next L in LODIn Closed, Step Closed L; Step Closed, Step Touch R; 4 Turning Two-Steps

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONCANADIAN FOUR STEP (Mixer) '05 '06 ‘17

Position: Closed (M facing wall) Footwork: OppositeMusic: Two Step: “Stan’s Jig” or “Can. Four Step” by Dean BernierChoreographed by Jim Wood

Side Close, Side Close L in banjo; walk 4 steps fwd (L backs up)Repeat above4 turning two-steps down LOD2 fwd two-steps; twirl lady ahead to new partner.(Or: 2 fwd 2-steps , M turns to face Rt to new L. L walks 4 to face new M)

CANADIAN WALTZ MIXER ‘17Music: “Jack & Jean’s Waltz” by J.J. GuyPosition: Open, LOD, inside hands joined. Opposite Footwork

Start with 16 waltzes with partner.When music changes make circle with couple behind joining all hands.2 Waltzes Up and 2 Waltzes Back; 2 waltzes up and 2 Waltzes Backward4 Waltzes in R Hand Star; 4Waltzes in L Hand StarlightM Dances 16 Waltzes With L Behind

CARLYSLE ’92 ’94 ‘10Closed Position Facing wallFootwork - OppositeMusic - Carlysle - A Scotch Record - Name unknown.

Step close, step touch L in LOD.Step close, step touch R in RLODTwo turning two-steps (one full turn)Three slides L and step thruRepeat dance

CARMAN WALTZ ‘98 '04 ‘15Position: Open LOD Footwork: OppositeMusic: Carman Waltz – Winston Simpson

PART 1: First sixteen barsWaltz away, waltz togetherSolo waltz turn (to closed position)4 turning waltzes (finish in open position facing LOD).Waltz away, waltz togetherSolo waltz turn (to closed position)4 turning waltzes (finish in open position, facing LOD}PART 2: 16 barsWaltz forward and wrap; 2 forward waltzes (drop inside hands, M’s R, L’s L, maneuver to butterfly)Balance forward & back; Lady cross over under M’s L armLady cross back under M’s R arm (to closed position)2 turning waltzes; lady twirls as M waltzes in LOD (end in open position)Repeat from beginning.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONCAROLINA MOON ’10 ‘14

Music: Any med. Waltz Closed LOD

3 waltzes LOD, 1 waltz backing RLODL vines left in 2 waltzes, M vines under his L in 2 waltzesWaltz balance fwd to closed1 waltz back, twinkle to R; twinkle to L 4 turning waltzes

CARRIBEAN CHA ‘13Butterfly to Wall, Opposite FootworkMusic: Carribean Cha

Rock Fwd L and Back, Cha, Cha, ChaRock Back R and Back, Cha, Cha, ChaStaying in Bfly Both Step Through With Lead Feet to RLOD and Recover, Cha, Cha, ChaStaying in Bfly Both Step Through With Back Feet to LOD and Recover, Cha, Cha, ChaOpen LOD: Walk 2, Cha, Cha, Cha, Walk 2, Cha, Cha, Cha4 Fwd Cha’s to End in BflyRepeat from Top

CECELIA ’89 ‘93BY: Joe and Ann Roehling, Ft. Wayne, Ind.Record: Blue Star #3-1548-AVarsouvianna, LOD; Same footwork

Wait 2, Bal Fwd L, Tch R, Bal back on R, Tch L LOD: Step L, Brush R; Step R, Brush L; RepeatGrapevine L; then R: (Side L, R behind L, Side L, R over L; Side R, L behind R, Side R, L over R)Repeat.L turns R ½ to 4 Slow 2-Step Stars with M; Pivot to L Star with M and do 4 2-steps arnd L.Repeat, Ending In Varsouvianna, LOD.California Schottische: With Weight on R, point L toe Fwd, then L side, Then L Behind R, Side R, L Fwd.

Point R toe Fwd, Side, then behind L, then Left to Side, R Fwd.Walk LOD 4 Slow Steps; End facing wall.Two-step L, Two-step R, Face LOD.Repeat from California Schottische.

CECELIA ‘06Position: Varsouvienne LOD Footwork: SameMusic: Two-step “Cecelia” by Wayne King

Wait four countsStep L; touch R; Step Back Right; touch LeftWalk four steps forward; Vine left; vine right ;Walk four steps forward; Vine left; vine rightStar right in four slow two-steps aroundStar left in four slow 2-steps around (back to Varsouvienne on last two 2-steps)California Schottische step R; California Schottische step LWalk four forward (face wall)Side, close, side L: side, close, side R to LODCalifornia Schottische step R; California step Schottische LWalk four forward (face wall)Side, close, side L; Side, close, side R (face front)

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CENTENNIAL WALTZ '05Music: Centennial Waltz by Don MesserPosition: Closed, facing LOD

1-4 Two forward waltz steps down LOD; Two one quarter waltz turns CW to face RLOD5-8 Two back waltz steps; Two one quarter waltz turns CW to face LOD9-12 Two forward waltz steps down LOD; Two one quarter waltz turns CW to face RLOD13-16 Two back waltz steps; Two 1/4 waltz turns CW to LOD, changing from closed to Varsouvienne position on last quarter turn waltz step17-20 Step close, step swing L; step close, step swing R21-22 Releasing R hands, lady does two waltz steps LOD (man marks two waltz beats) turning on the

second waltz step to face partner23-24 Lady returns two waltz steps down RLOD; man advances two waltz steps LOD, turning behind

partner on second waltz step, to pick-up varsouvienne Both face RLOD25-28 Step close, step swing L; step close, step swing R29-30 Releasing R hands, lady does two waltz steps down RLOD (man marks two waltz beats) turning

on the second waltz step to face partner31-32 Lady returns two waltz steps in LOD, man advances two waltz steps RLOD, turning behind partner

on second waltz step to face LOD (As man advances, lady twirls on second step, maneuvering to pick-up closed position to begin sequence again)

Repeat from beginning as music allows

CHARLESTON BUMP ‘11Open position LOD; Oposite FootworkMusic: Any Polka ie. Minnesota Polka – Julie Lee “Forever Roses”

BUMP Hips Together Twice, Then Apart TwiceBump Hips Together and ApartDrop Hands, Fwd with Inside Foot, PIVOT to Outside ½ to RLODFwd with Outside foot, PIVOT to Inside ½ to LODJoin Inside Hands, 3 Triple Steps LOD (Turn SlightlyOut-In-Out)Step LOD with Outside Foot, Drag Inside Foot, Step With Outside Foot, Kick With Inside FootStep RLOD with Inside – Outside – Inside Feet, Touch with Outside FootTouch Outside Feet to LOD and BackTouch Outside Feet to Back and Back

CHEATERS WALTZ ‘09Closed, facing LOD, Opposite footwork

One fwd waltz, one back waltzTwinkle to sidecar, Twinkle to banjoTwo waltz steps full aroundOne back waltz to open facing LODIn open: M forward waltz while Lady turns R all way aroundOne forward waltz, M turns R all way around and L turns L all way aroundOne forward waltzMan turns R all around, Lady turns L half way around to closed facing LODFour forward waltzes

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CHICKEN REEL ‘03Position – OpenFootwork – OppositeMusic – Good Snappy Polka or Two Step

Walk 2, 3, kick (Down LOD)Walk, 2, 3, touch (RLOD)Solo turn out ½, 2, 3, clapReverse turn 2, 3, clapJoin hands (M’s back to COH), side, close, side, touch (LOD)Side, close, side, touch (RLOD)In closed position, two turning two-steps, twirl lady (or four turning two ste

CIRCASSIAN CIRCLE ‘94 '05Also known as “The Saskatchewan Circle”Circle of Couple facing Couple.Music - Circassian Circle - Jim Cameron Dance Band - “Jim Cameron Dance Date #1”

Ladies cross (four beats); Gents cross.Ladies cross back; Gents cross back.Ladies chain across; Ladies chain back, (Ladies give R hand to each other and changeplaces, give L hand to opposite man and turn once, give R hand to each other and changeplaces, give L hand to partner and turn once).Gents L shoulders to center make one full turn in a line.Bend line and pass through to new couple.Repeat dance.

CIRCLE SCHOTTISCHE MIXER ’93 ’97 ’98 ‘02Varsouvienne Position Footwork - SameMusic - Most schottisches

Beginning to M’s L; two slides in 2 slides out, Heel toe, heel toe;Right hands released, Lady turn CW under M’s L arm. (Joined arms are now upright with forearms

touching) Lady is now facing RLOD.Beginning to M’s R, 2 slides in, 2 slides out, heel toe, heel toe,Lady turns CW under M’s L arm to new partner. Lady is now facing LOD.

CLARINET POLKA ’93 ’97 ‘12Varsouvienne LOD Footwork - SameMusic - Clarinet Polka - S.C.O.T.F - (Timeless Treasures) or other.

Heel, toe L, one forward two-step; Heel toe R, one forward two-step (to R hand star)Three two-steps around (Lady twirls RF to vars)Heel, toe L, one forward two-step; Heel, toe R, one forward two-step (to L hand star)Three two-steps around (Lady twirls LF to vars)Walk 2,3, kick R, back two, two-step (T 1/4 L)Walk 2,3, kick R, back two, two-step (T 1/4 L)Walk 2,3, kick R, back two, two-step (T 1/4 L)Walk 2,3, kick R, back two, two-step (T 1/4 L)

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COTTON EYED JOE ‘00Closed Position Footwork - OppositeMusic - Cotton Eyed Joe - Lloyd Shaw E35 or Imperial 1045 or Capital 4491

Step 1: L Beginning with gents L, lady’s R do heel and toe and step, close, step to gents L.Step 2: Raising joined hands high and looking back in new direction, beginning with M’s R, L’s L,

heel and toe and step close, step to M’s R.Step 3: Separate and gent does a L face turn, lady a R face turn, circling away from one another and back

to face to face position in four two-steps or polka steps.Step 4: Facing one another, lady’s hands on dress, gents hands on hip pockets, palms out, do four push

or chug steps to gents L. This step starts with weight first on the foot towards LOD (gents L, Lady’s R). The other foot is brought to a position almost beside this foot and the weight taken momentarily upon the foot so that the leading foot may slip slightly in LOD as the dancer pushes away with the other foot. Thus, mans weight is upon the left, weight is taken momentarily on the R and dancer shoves with the R as the L slips sideways in LOD

Step 5: Four chug or push steps to the gents R.Step 6: Resume closed position for four fast two-steps or polka steps. Dancers should turn CW as

they progress CCW around floor, making one complete turn to each two two-steps.

COTTON EYED JOE Two Couple ‘152 Couples, Footwork SameMusic: Cotton Eyed Joe

Lead Couple Lock Hands With Rear CoupleHeel toe, 2-Step In, Heel toe, 2-Step OutRepeat4 Fwd 2-Steps, Lead Couple Splits, Rolling Out Behind Other Couple in 4 Two-StepsCouples lock hands again to Repeat

COTTON EYED JOE (mixer)Single circle facing COH Footwork - SameMusic - Cotton Eyed Joe

Starting L, Heel, toe, two-step in ;Starting R, Heel, toe, two-step out.Starting L, Heel, toe, two-step inStarting R, Heel, toe, two-step outAllamande L, Right, Left , take next person for new partner.

COUNTRY MIXER SCHOTTISCHE ’95 ’98 ‘00Open Position Footwork - OppositeMusic - Schottische

1. Run, two, three, hop (basic schottische step) Run, two, three, hop Walk, two, three, four, ending face to face2. Side close, side close to L; side close, side close, to R3. Step on L, touch with R, step on R, touch with L4. Heel toe, with L; side close, side close to L; Heel toe, with R, side close, side close to R;5. In banjo position walk around in 4 steps, gent walks ahead 4 steps, past the first lady, going on to the next.

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COUNTRY MIXER SCHOTTISCHE 2 nd version '05 '06Position: Open facing LOD Footwork: OppositeMusic: Any Schottische

Walk, walk, run, run, run; walk, walk, run, run, runCircle away in 2 two-steps; Circle together in 2 two-steps (end in b‘fly, M face wall)In b’fly position L heel, toe; side two-step; R heel, toe; side two-step In b’fly banjoWheel in 2 two-steps; (end man facing LOD; lady facing RLOD); Walk 4(Man walks LOD, passes first lady and takes 2nd lady as new partner) Lady walks in RLOD

COYOTE CHA CHA ’01 ‘03Position: VarsouvienneMusic: Any good Cha Cha

1-2 Rock left forward, step right in place 3-4 Cha Cha Cha5-6 Rock right back, step left in place 7-8 Cha Cha Cha9-10 Cross rock left over right, step right in place 11-12 Cha Cha Cha13-14 Cross rock right over left, step left in place 15-16 Cha Cha Cha17-18 Step left forward, pivot ½ turn right 19-20 Cha Cha Cha21-22 Step right forward, pivot ½ turn left 23-24 Cha Cha Cha25-26 Walk left forward, walk right forward 27-28 Cha Cha Cha29-30 Walk right forward, walk left forward 31 –32 Cha Cha Cha

CRAZY DAISY MIXER ‘94Double circle of couples, facing LOD Open Position Footwork - OppositeMusic - Lloyd Shaw E-36 B

1-8 FORWARD FOUR, VINE FOUR - Starting on outside foot walk forward in LOD 4 steps; continuing in LOD, step sideways on M’s L turning slightly to face partner, cross R behind L, turning to face forward step forward on L, forward on R.9-16 FORWARD, TOUCH, BACK, TOUCH, FORWARD, TOUCH, BACK, TOUCH: Both step forward on outside foot, swing inside foot (and inside hands) forward to touch, step back on inside foot, swing outside foot (and inside hands) way back and touch. Repeat (total of 8 counts). (Like a charleston step).17-24 FORWARD FOUR, VINE FOUR - Repeat counts 1-8.25-32 FORWARD , TOUCH, BACK, TOUCH, FORWARD, TOUCH, BACK, TOUCH - Repeat cts 9-16. End prepared to assume butterfly position with partner.33-40 SIDE, TOUCH, SIDE, TOUCH, ROLL THREE AND TOUCH - In butterfly position, step sideways LOD on M’s L, touch R beside L, step sideways in RLOD on M’s R, touch L alongside R, release hands and roll once around moving in LOD (Man L-face roll; lady R-face roll) in three steps, on last count touch R alongside of L and end in

butterfly position.41-48 SIDE, TOUCH, SIDE, TOUCH, ROLL THREE AND TOUCH - Repeat counts 33-40 in RLOD with opposite footwork. End in open position facing LOD.49-56 FORWARD FOUR LADY UNDER, FORWARD FOUR LADY UNDER - Move and face in LOD for 8 steps starting on outside foot: On step 1 join M’s L and L’s R during steps 2 & 3 lady passes under the joined hands as each exchanges sides with the other, and on 4 they continue in LOD with lady now on M’s L in open position. On step 5 join M’s R and L’s L hands, during step 6 & 7 lady passes under the joined hands as each exchanges sides with the other, and on step 8 they continue in LOD with lady on M’s R in open position, prepared to face partner.57-64 DO SA DO AND MOVE TO THE NEXT - Partners do sa do then each progresses diagonally L to take a new partner to begin dance again.

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CRESCENT MOON WALTZ ’12 ‘16Closed LOD, Opposite FootworkMusic: Crescent Moon by Vic Mullen

2 FWD Waltzes, 2 Right Turning Waltzes to RLOD2 Backup Waltzes, 2 Left Turning Waltzes to LOD2 Left Hand Star Waltzes to RLOD, 2 Right Hand Star Waltzes to LODTwinkle Out, Twinkle In, Twinkle Out, Twinkle In

CROSS BORDERS MIXER ‘99Music: The Isle of CapriFormation: Double circle. Two couples face each other to form sets of four. Man has partner on right.

One cple faces LOD and the other faces RLOD. Hands are in promenade position.

Vine to your L; Vine to your R.L elbow Swing with your opposite.Vine to your L; Vine to your R.Pass thru R shoulder to R shoulder.

CROSS COUNTRY WALTZ ’12 ‘14Two couplesMusic - Cross Country Waltz - S.C.O.T.F. “Schoolhouse Dance Party”

Both couples waltz first, staying close to each other. When music changes couples face.Lady’s cross L shoulder to L shoulder; Men cross R shoulder to R shoulder.Repeat above three more times.Join hands , swing up to the middle and back; Lady’s drop L hands and waltz across in front of man on

her R. Repeat three more times. All waltz with original partners

CROSS COUNTRY WALTZ SQUARE ’94 '07Four couples in square dance positionMusic - Cross County Waltz S.C.O.T.F, “Schoolhouse Dance Party”

Couples waltz in a circle to start, until music changes; Couple #1 will dive thru arch of couple #3Both couples will California twirl to face in. Couple #2 will dive thru arch of couple #4Both couples will California twirl to face in. Couple #3 will dive thru arch of couple #1Both couples will California twirl to face in. Couple #4 will dive thru arch of couple #2Both couples will California twirl to face in.All join hands balance forward and back, Lady roll across.Repeat three more times until you return to your own partner.All waltz in circle, until you reach original position.

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CRUISING DOWN THE RIVER ‘02Music: Cruising Down The RiverPosition: Varsouvienne, facing LOD, L foot free

Figure ICross & step on L in front of R, and swing R diagonally forward, cross & step onR in back of L, close L to R.Repeat pattern starting with R.Repeat aboveFigure IITwo-step forward, starting with L (Step forward on L, close and step on R, step forward on L, close R to L)Two-step back, starting R (step back on R, close and step on L. Step back on R, close L to R and turn to

face partner, finishing in CP. Man’s L foot and Lady’s R foot free) Four turning waltz steps, finish in banjo position. Facing wall.Figure IIIMan steps back on L , and points back with R (Lady steps forward on R and points with L )Man steps forward on R and lady steps back on L, finishing in sidecar position. RLOD.Man walks backward two steps, then pivots on R to face LOD and walks forward two steps. (Lady

walks forward four steps).Figure IVFour turning waltz steps, on fourth waltz lady makes a ¼ right turn to end in varsouvienneTwo-step forward, starting with LF and two-step backward starting with RF. Both finish with LF free, ready to repeat dance from beginning

CRYSTAL CHANDELIER ’93 ’00 ‘01 '04 ‘12Closed Position, LOD Footwork - OppositeMusic - Crystal Chandelier

Two two-steps forward; Two turning two-steps (ending in LOD)Two two-steps forward; Two turning two-steps (end facing partner, M’s back to COH)One side two-step (down LOD), rock thru and recover to face.One side two-step (down RLOD), rock thru and recover to face.Side close, side close, side and step thru. Two turning two-steps.

CUCKOO WALTZ ’97 ’98 ‘00 '05 ‘09Position - Closed to start Footwork – OppositeMusic - Cuckoo Waltz - Gaby Haas - Record AL1605 Glide LF fwd, rising on to ball of foot; Close RF to touch without weightGlide RF rearward, rising on to ball of foot; Close LF to touch without weightReverse Waltz 1/2 turn, finish M’s back to LODHold both hands shoulder high, M’s palms up, partners palms downStep to left, rising on to ball of foot; Swing RF across in front, toe pointing down.Step to right, rising on to ball of foot; Swing LF across in front, toe pointing downRelease hands, do solo waltz outward, finish M’s back to COHTake partners R in your L, shoulder high, L in R hip levelGlide LF sideways along LOD, close RF to LGlide LF sideways along LOD, close RF to LChange arm position, raise M’s R, lower M’s L to hip levelGlide RF sideways along RLOD, close LF to RGlide RF sideways along RLOD, close LF to RWaltz (natural turn), finish facing LOD ready to repeat

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DANCING IN THE STREETS Mixer ’90 ‘98Semi-closed Position Face LOD Footwork - OppositeMusic - RCA 47474

1-4 Four FWD TWO-STEPS5-8 WALK 2; TWIRL 2; BAL LEFT; BAL RIGHT: Still in semi closed, walk 2 steps, then as M walks fwd 2 more steps W twirls once in 2 steps to Butterfly position M’s back to COH; Bal LOD stepping side L, in place R, L, then in RLOD.9-12 BACK AWAY, 2, 3, POINT; FWD, 2,3, TOUCH: Back away from partner L, R, L, point R; approach new partner to the R with R, L, R, touch and touch hands at shoulder height.13-16 BACK AWAY, 2, 3, POINT; TOGETHER R, 2, 3, SEMI CLOSED: Repeat 9-12 but end in semi-closed with girl formerly two behind you.

DANISH SCHOTTISCHE ‘99Music: Any SchottischePosition: Skaters Footwork: Both start R foot

Three running steps, hop; Three running steps, hop; Walk four stepsRepeat above**Drop lady’s Right hand, turn to face each other, holding Left handsTake three steps sideways to Right of down RLOD, hop on Left footRelease Left hands, take right hands as you step sideways across in front of each otherWith three steps to Left or down LODHop on Right foot, then walk, strut or hop around in four steps --- Repeat from **

DANISH SCHOTTISCHE #2 ‘10Music: Tyska Polska (Schottische) by Southglen Fiddleers or Any SchottischePosition: Skaters Footwork: Both start on R foot

Take three running steps, hop liftTake three running steps, hop liftDrop Lady’s Right hand as she turns to face RLODEach move to R with three steps & swing L feet outRepeat movement to L & swing RMake a Right hand star, walk 4Back with Left hand star in 4Repeat entire dance

DAVEY CROCKETT SCHOTTISCHE '05Closed position Footwork - OppositeMusic - Grand Coulee Jug Band “Those Were The Days”

Starting M’s L, L’s R, point toe, lift, point, lift;Step, close, step to M’s LStarting M’s R, L’s L, point toe, lift, point, liftStep, close, step to M’s RRepeat aboveOne, two, three, hop; one, two, three, hop; four pivot stepsOne, two, three, hop; one, two, three, hop; four pivot stepsRepeat from the top

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DAWN WALTZ '06Position - Butterfly, facing LODFootwork: Opposite throughoutMusic: Dawn Waltz by Don Messer

AStep forward into sidecar and lift kneeOne recover waltz (Maneuvering to banjo)Step forward in banjo and lift kneeOne recover waltz (remain in banjo)2 forward waltzesBalance left, step right, touch left (in sidecar)Repeat Part A (Second time through end in banjo position)

B2 forward waltz steps in banjoGent makes right face turn in 2 waltz steps to face RLOD in sidecar Lady turns left face under raised hands (M’s right; L’s left) to face LOD in 2 waltz steps2 backward waltzes in LODGent makes left face turn in 2 waltz steps to face LOD Lady turns right face under raised hands (M’s L, L’s R) to face RLOD in 2 waltz steps, end in banjoRepeat part B: After second time through end in butterfly facing LOD

DAYDREAMING ‘11Butterfly pos. Opposite FootworkMusic: Al Russ Orchestra

Waltz away and TogetherBalance L and RVine, Twirtl and Thru Face CloseStep Fwd and Point to Wall, Step Back and PointRepeatIn Semi-Closed 1 Fwd Waltz changing to Closed LOD2 Fwd Waltzes, 2 Left Turning Waltzes to face WallStep L, Drag R to L twiceRepeat

DESPERADO WRAP ’07 Slow 2-step musicBoth facing wall, M behind L, hands and arms to sides

Step to L Side, Tch R Toe to R Side, Step R Behind L, Tch L Beside RMan: Step L Back, Step R Behind L, Step L to Side, Tch R Toe to SideLady: Step L Back, Step R to Front making full Pivot, Step L To Side, Tch R Toe to SideMan: Step R Back, Step L Behind R, Step R to Side, Tch L Toe to SideLady: Step R Back, Step L to Front making full Pivot, Step R to Side, Tch L Toe to SideStep L Back, Step R to Front and Pivot ½, Step L Behind R, Tch R Toe to SideStep R Back, Step L to Front and Pivot ½, Step R Behind L, Tch L Toe to SideRepeat from top

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DEWEY - DEWEY – DAY ‘95Open PositionFootwork - OppositeMusic - Doodle-ee-do/Dewy -Day - S.C.O.T.F. “Our Best To You”

Two-step L; Two-step RTwo-step in LOD, turn L, R, L to RLODTwo-step R; Two-step LTwo-step in RLOD, turn R, L, R to closed position.Starting L, 4 side closes; 1/2 turn, 4 side closes to M’s RTwo-step L & RM vines to the count of four while L twirls.

DIAL 306 MIXER ‘13Open Position to StartMusic: Telephone Jig by J.J. Guy

A:Walk 3, Kick, Back Up, 3 Touch, Turning to WallBack From Partner 3, Clap; Walk to Partner, High Ten (both hands)Back Away 3, Touch, Angle R 3 to New Partner, 4 Turning 2-StepsRepeatB:LOD: Balance Out, Balance In, Walk 3, Turn RLOD, Bal. Out, Bal. InWalk 3, Turn to Wall Bfly, Step L, Swing R, Step R, Swing LStep L, Swing R, Step R, Swing L, 4 Turning 2-Steps to Open LODRepeat A, B, A

DINKEY ONE-STEP ’89 ‘90 ‘04Closed Position: M facing LOD Footwork - OppositeMusic - Any one-step, two-step, or polka

1-4 M’s L, L’s R point LOD in 2 cts, back in 2 cts; Walk 4 steps LOD. 5-8 Repeat 1-49-12 Side L, TOUCH R; STEP R, TOUCH L; Two-step L, Two-step R.13-16 WALK,4; TWO TURNING TWO-STEPS

DIP KICK SCHOTTISCHE ‘93Varsouvienne PositionFootwork - SameMusic - The Ball in Karlstad Schottische - S.C.O.T.F. - “Timeless Treasures”

Dip both knees and straighten; kick L foot forward.Back up three steps (L, R, L) end both feet in place.Dip both knees and straighten; kick R foot forward.Back up three steps (R, L, R)Side close, side touch to M’s L,Side close, side touch to M’s R,Walk 4 steps in LOD, beginning L foot.

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DOODLE DE DAY ‘92Open position Opposite Footwork LOD

2 TWO-STEPS Left; 2 TWO-STEPS Right;TWO-STEP DIP; TURN 2, 3, to RLOD2 TWO-STEPS Right; 2 TWO-STEPS Left; TWO-STEP DIP; TURN 2, 3, to CLOSED4 SLIDES LOD; 4 SLIDES RLODTWO-STEP L; TWO-STEP RM VINES LOD; L TWIRLSREPEAT

DOUBLE SHUFFLE '07VarsouvenneMusic: Bodie Schoolhouse Two Step – SCOTF or Skiffle Fiddle – Cottonpickers

L Heel, Toe, Heel, R StepWith R heel in place: swing R Toe out and back twiceR Heel, Toe, Heel, L StepPigeon Toe (keeping toes in place, swing heels apart and together) Twice.R Heel, Toe, Heel, L StepL Heel Hitch in front of RFour Two Steps LOD

DOUBLE WEAVE WALTZ Mixer ’92 ’98 ‘14Formation: Couple facing couple in a big circle in open position, one couple LOD, the other RLODFootwork - OppositeMusic - Lloyd Shaw 3318 or MCA51084

Counts1-4 BALANCE FORWARD; BALANCE BACK; SOLO TURN (away); TO FACE PARTNER: In open position couples balance fwd & back toward each other drop hands and solo turn away (M L-face, W R-face) from partner 3/4 to end facing COH or Wall and a different couple. M joins hands with W on right who is momentarily his new partner (now facing original partner).5-8 BALANCE FORWARD; BALANCE BACK; STAR THRU: With original partner.9-16 Repeat measures 1-8, except couples face opposite direction from where they started. Star thru again with original partner to end in starting position.17-20 STEP TO BANJO; APART; STEP TO SIDECAR; APART; In butterfly position with facing person, step to banjo position (R hips together), step apart; step to sidecar position (L hips together); step apart and drop hands.21-24 WEAVE-PASS R SHOULDERS (with facing person); L SHOULDERS WITH NEXT: Count the person you are facing as #1, pass with R shoulders, pass next with L shoulders

and take the third person. (stay in your own circle inside or outside).25-28 Repeat measures 17-24.29-32 Repeat measures 21-24, to end with original partner in open position and facing a new

couple.

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DREAM OF YESTERDAY WALTZ '07 ‘08Position: Skaters Footwork - Same, both start L foot

123 - Waltz ahead on 1 and hold 2,3456 - Waltz back on 4 and hold 5, 6123 - Start turn456 - Complete turn123 - Waltz ahead on 1 and hold 2,3456 - Waltz back on 4 and hold 5, 6123 - Lady turns CW; man pulls on lady’s waist letting go of hands456- Waltz ahead in dance position123 - Pull lady back in previous position (skaters)456 - Waltz back123 - Man turns CCW under left arm456 - Waltz ahead in dance position123 - Man turns under left arm; lady on man’s left456 - Back up holding arms up123 - Turn lady CCW in front456 - Moves over to right side

DREAM WALTZ ‘98Position: closed LODFootwork: OppositeMusic: Down The River of Golden Dreams – S.C.O.T.F. “Our Best to You”

1-4 Forward Box (M steps forward on L, diagonally forward R, close L to R; Back on R, diagonally back on L, close R to L) Repeat forward box.

5-8 2 waltz steps down LOD; twirl lady in 2 waltz steps.9-12 Reverse box (M steps back on L, R diagonally to R, close L to R; Forward on R, diagonally to

L, close R to L. Waltz away & together.13-16 4 turning waltzes (end in starting position.Repeat dance

DRIFTING ALONG ‘09Music: Blue Eyes Crying In The Rain by Harold Wright “Let’s Go Dancing” or any slow foxtrotPosition: Varsouvienne

2 fwd 2-steps, end facing wallSlow vine 8, end facing LODFoxtrot Box forward, Foxtrot box backStep forward with L foot, lock R foot behind L, fwd L;Step forward R foot, lock L foot behind R, fwd R;One forward 2-stepR hand star to L Varsouvienne Drop L hands, both do a R fc turn in two 2-steps (man chasing woman) back to LOD ending with Lady on Man’s L side, rejoining L handsOne forward 2-stepL hand star to R varsouvienneDrop R hands, both do a L fc turn in two 2-steps (Man chasing Woman)

back to LOD ending with lady on man’s R side, rejoining R hand

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EDELWEISS ’93 ’94 ’00 ‘11Open Facing PositionFootwork - OppositeMusic - Edelweiss - Lloyd Shaw #3317 or Merry Music Makers, Owen Sound, Ont.

Introduction: Wait 2 measures; Apart, Point, -; Together, touch, -;Measures:1-4 WALTZ AWAY; TURN IN to RLOD; BACK UP; TURN IN to LOD: In open begin on M’s L (W’s R) and waltz diagonally away from partner; waltz in twd partner on R to brief butterfly pos; release M’s R and W’s L hands, join other hands and dance one waltz backward in LOD on L; turn in twd partner with one waltz step on R and change hands again to M’s R, W’s L to end facing LOD in open position.5-8 SOLO WALTZ TURN to Face; STEP, SWING L; STEP, SWING R: Beginning M’s L, W,s R and

moving LOD, release joined hands and solo turn once around (M L- face, W R-face) with two waltz steps; facing LOD in open position step L, swing R, hold, step R, swing L, hold.9-16 REPEAT MEASURES 1-8, except on measure 8 step R to face partner, touch L to R and assume butterfly position, M’s back to COH.17-20 BALANCE TOGETHER; BALANCE APART; LACE ACROSS; FACE, TOUCH: On M’s L balance together in butterfly sidecar with L hips adjacent, touch R to L; balance apart on R, touch L to R; change places using 3 steps L, R, L with W passing under her R and M’s L arms; step R, touch L to R to end facing partner.21-24 REPEAT MEASURES 17-20 back to original position with woman turning under the same joined hands.25-28 BALANCE LEFT; BALANCE RIGHT; VINE, 2, 3; THROUGH, SIDE, CLOSE: Step to side on M’s

L, in back on R, in place on L (waltz balance); step to side on R, in back on L, in place on R; step to side again on L, behind on R, to side on L; step through (both cross in front) on R, step to side on L, close R to L. End closed facing wall29-32 BALANCE BACK; MANUEVER; WALTZ (RF); TWIRL: Balance back on M’s L, hold 2 cts; with one waltz step M maneuvers his back to LOD; stepping back on L dance one R-

turning waltz; twirl the lady R-face under M’s L and her joined hands.Ending: In measures 29-32, do three R-face turning waltzes after the maneuver, followed by the lady slowly twirling R-face under her R and M’s L joined hands. Bow to partner.

EL PASO ‘08Position – Varsouvienne same footwork - right foot startBoth turn the same direction - always holding handsMusic: Caribbean Heaven by Julie Lee and her White Rose Band

Right Foot - rock ahead, Left foot - rock backRight-left-right - cha-cha steps (3 steps done in 2 beats of music)Left foot - rock ahead, Right foot - rock backLeft- right- left - cha-cha steps (3 steps done in 2 beats of music)Right foot - turn to right side on the right foot and turn body slightlyLeft foot - step down facing in line of danceRight - left - right -cha cha stepsStep pivot to the right ½ turn (face reverse line of dance)Left - right - left cha cha stepsRight foot - turn ¼ turn to left and rock (face wall, man behind lady)Left foot – rock, Right foot - rockLeft foot – rock, Right foot - polka step (in line of dance)Left foot - polka step, Right foot - polka stepLeft foot polka ste- pStart from beginning

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ELNORA WALTZPosition: OpenFootwork: OppositeMusic: Aunt Lilly Waltz by Calvin VollrathFormation: Facing LOD

Part 1: First 16 barsWaltz away, waltz together, solo turn back to faceStep close, step swing to man’s leftStep close, step swing to man’s rightChange sides under M’s L arm (lace across)Change hands, change sides (lace back)Four turning waltz steps (twirl L on last 2 waltzes if you like)

Part 2: 16 barsWaltz away, waltz together, solo turnFour turning waltz steps ending in butterfly positionWaltz balance left; waltz balance right; Vine thru (side, behind, side, thru and touch)Four turning waltz steps (twirl lady on last 2 waltzes if you like)

Part 3: 16 barsWaltz away, waltz together, step swing, face touch (to brief butterfly)Waltz balance L; Waltz balance RWaltz away, waltz in place; Lady wraps (holding L’s left hand L turns left face)Waltz forward waltzes; unwrap (release L’s right hand, lady twirls R face out of wrap)Four turning waltz steps (twirl L on last 2 waltzes if you wish)

Repeat dance 4 timesEnding: 8 barsWaltz balance L; Waltz balance R; vine thru;Two turning waltz steps (twirl L on last w waltzes if you like)

Wrap: For the standard wrap, from side-by-side position with the lady at the man’s right,inside hands are joined (M’s R, L’s L) these arms are extended as the lady makes acomplete left face turn, at the same time wrapping the arms around her waist to endfacing forward at the man’s right side. Free hands are joined at chest height if directed.The wrap may also executed with the lady at the gent’s left side making a right-faceturn with opposite hands joined; or from either side or from facing position with bothhands joined. When both hands are joined, the arms not being wrapped are raised abovethe lady’s head in an arch while she is turning.

EMMERSON GLIDEClosed dance PositionFootwork - OppositeMusic - Pop Goes The Weasel - Harold Wright “Pattern Dances Galore”

Four slide steps to M’s LFour slide steps to M’s RPivot around three steps and “Pop” the lady under or away. Repeat.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONENTERTAINER, THE ‘10

Music: The Entertainer by Scott JoplinVarsouvienne, same footwork

Rocking chair, vine R, vine L Four two steps LOD with a twistRocking chair, vine R, vine L ½ box forward, ½ box backSide close, scissor fwd; side,cclose, scissor fwd 1/2 box fwd, ½ box backSide close, scissor fwd; side,cclose, scissor fwd 1/2 box fwd, ½ box backSide close, scissor fwd; side,cclose, scissor fwd Four two steps fwd, twirling LadyRocking Chair: A 4 beat maneuver where 1 foot remains as a centre point while the dancer moves

the other foot fwd and back.

EVA THREE STEP ‘94Open Position Footwork - OppositeMusic - Oldtimer 8096 or Hector 2748 or Jim Johnstone ”The Best in Scottish Dance Music”

A. WALK AND CROSS1 Beginning with outside foot, walk fwd three steps M-L,R,L, W- R,L,R) (cts 1,2,3), touching free toe on floor near instep of supporting foot (ct 4)2 Still facing LOD, exchange places with three steps (M- R,L,R, W-L,R,L), (cts 1,2,3,) W crossing in front of M. Pause, touching free toe near instep of supporting foot (ct. 4).3 Partners again exchange places with three walking steps (M-L,R,L, W- R,L,R). M move diagonally fwd to L passing in front of W, W move diagonally back to R (cts 1,2,3). Pause touching free toe to floor near instep of supporting foot (ct. 4).4 M move backward, W forward with three steps (M- R,L,R, W-L,R,L) to meet and face each other (cts 1,2,3). Pause (ct 4).B. TWO-STEP, STEP, SWING, TWO-STEP, TURN5 Beginning M L, W R, turn away from each other (M to L, L to R) with two two-steps6 Facing each other, join both hands, M step on L, swing R across L (cts 1,2); M step on R swing L across R (cts 3,4). Simultaneously W dance counter-part.7-8 In closed dance position take 4 two-steps turning CW and traveling CCW

EVERY SECOND , EVERY MINUTE ’99 ’00 ‘01 '05Position – Closed Footwork - OppositeMusic – Every Second, Every Minute (Eagle Records)

Part A:Two two-steps in LOD, two turning two-stepsTwo two-steps in LOD, two turning two-stepsScissors to sidecar (L hip to L hip) walk out 2 stepsScissors to banjo (R hip to R hip) walk out 2 stepsIn closed position, two turning two-steps ending in LODM walks four steps LOD, lady twirls in four to closed position.Repeat Part APart B:Two two-steps in LOD, two turning two-stepsTwo two-steps in LOD, two turning two-stepsOne two-step in LOD, rock and recover (M’s R & L’s L)One backup two-step, rock & recover (M’s L & L’s R)Two turning two-stepsMan walks four, lady twirls in fourRepeat dance

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONFAMILY WALTZ ‘00 ‘17

Couples in one big circle, Man with partner on his left to begin.Music: Old Time Waltz. “Northern Lights Of Aberdeen” or “The Legendary Jimmy Shand”

1-2 All Balance Fwd and Back.3-4 All ladies pass from M’s L to M’s R (turning 1 turn CW), M Waltz in place Form circle again.5-6 Everyone balance forward & back.7-8 (L Waltz In Place) Men dance in front of the lady on R with backs to COH in waltz position.9-10 Side, close, side, touch to M’s left.11-12 Side, close, side, touch to M’s right.13-16 Four turning waltzes, regaining circle on last beat. (M’s original partner on his R). Repeat dance.

FARAWAY PLACES ‘10Music: Faraway Places – Record Cem – Al Ross OrchestraFootwork opposite Starting butterfly

Waltz away and together, Solo roll in 6Four R turning waltzes, Forward touch, back touchLeft touch, right touch, Twirl vine, through face close. Canter twice

FENCE LINE ‘12Position: Start in Sweetheart position Footwork sameMusic: Choices

Both: Step Fwd R, Tch L Toe; Step Fwd L in 3, Tch R Toe; Walk Fwd in 3; Tch LBoth: Vine Left in 3, Tch R; Vine R in 3; Tch LMan: Small steps Fwd 3; Tch R (M facing LOD, hands crossedLady: ½ turn to left under M’s R arm (still holding both hands;Step L R L, RLOD, Tch R; (L facing RLOD, hands crossedMan: Walk Fwd R L R, Tch L; Lady: Walk backward R L R, Tch LDrop L Hands, Hold R HandsBoth: Vine L, Away from each other in 3, Tch R Holding R HandsBoth: Change sides,dropping R Hands, Picking up L HandsMan: Full turn to R in 3, Tch L facing LODLady: Full turn to R in 3, Tch L facing RLODMan: 3 small steps Fwd, Tch R in LODLady: Sweetheart Pos.: ½ turn to L under M’s L arm, Step 3, Tch RRepeat

FIDDLE CAMP TWO-STEP ’97 ‘14Position - Closed, Gents back to COH Footwork - OppositeMusic - Fiddle Camp Two-Step - Parkland Fiddlers or S.C.O.T.F. “Down Harmony Lane”

Side, close, side, touch to L; Side, close, side, touch to R (end in semi-closed)Walk three steps and brush; Back up three steps and touchLeft Heel ahead and cross L toe in front of R foot; 1 two-stepRight Heel ahead and cross R toe in front of L foot; 1 two-stepTwo turning two-steps and a pivot turn in four stepsRepeat from start.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONFIDDLE STEPPER POLKA ‘02

Semi-closed PositionFootwork - OppositeMusic - Fiddle Steppers Polka - Wagon Wheel W.W. 811A

Two two-steps forward; two turning two-stepsCircle away 2 two-steps (M -COH, W- Wall)Strut together in four steps.Two two-steps forward; two turning two-steps,Circle away 2 two-stepsStrut together in four stepsLace across; fwd two-step (M’s L, L’s R hands)Lace back; fwd two-step (M’s R, L’s L hands)Face to face; Back to backOpen vine 4.Ending: 2 fwd two-steps; twirl 2 (W-R-face); step apart L, point R toward partner & hold.

FIDDLE STEPPER POLKA #2 ’10 ‘14Music: Carol Ann Polka by Three For The ShowSemi closed position LOD, Opposite footwork

Two two-steps fwd; two turning two-stepsCircle away 2 two-steps, strut together 4 stepsLace across, fwd two-step, Lace back, fwd two-stepFace to face, back to back, Open vine 4

FIDDLERS LAST WALTZ ‘10Music: OTWOpen LOD inside hands joined

Waltz away, together, California twirl to closedFour waltzes around to LODRepeat

Waltz away, together, wrap LadyOne waltz fwd, one waltz back, unwrap to BFLYBalance L and R, vine LODFour tuning waltzes to start of dance

FIFTY YEAR AGO WALTZ ’00 ‘10Music: Fifty Year Ago Waltz – Belco Record 254-APosition: Open Footwork: Opposite

PART A:Waltz away, 2, 3; waltz together, 2, 3; solo roll, 2, 3, through side close to LOD.Left turning box waltz, end facing wallRepeat APART B:Waltz balance left, 2,3; waltz balance right, 2,3, twirl vine to sidecar3 Progressive twinkles (out, in, out) Through to closed facing wallRepeat BRepeat all

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONFINGER POLKA ’89 ‘01 ‘17

Closed position Footwork OppositeMusic – “Flirtation Polka” by Ed Hickie or Folkraft 1419

1-8 Take 8 polka steps moving LODChorus1 Face partner and place hands on own hips.2 Stamp three times.3-4 Pause, face partner. Clap own hands three times.5 Shake R forefinger at partner 3 times.6 Shake L forefinger at partner 3 times.7-8 Swing R hand across front, as if to strike partner, turn away. Then select a new partner and repeat

FIVE FOOT TWO ’95 ‘08Promenade Position Footwork - SameMusic - Five Foot Two - Trimble Tones or any other.

Formation: Circle of couples facing LOD.PART 1:1-2 Take two two-steps forward starting with L foot.3-4 Take 4 strutting steps fwd beginning L.5-6 Repeat measures 1-2, Part 17-8 Take 2 steps fwd, release partners L hand and as men continue fwd with two more steps, they join L hands with the women in front. (The women face L and take two steps to join hands with the mean). Couples finish in one large circle with men facing out and women facing in. L foot should be free.PART 2:1-2 Everybody take one two-step forward and backward.3-4 Release L hands and swing partner 1/2 way around with R hands, taking 4 steps. Then join L hands with the next woman to form a single circle. Men facing in, Women facing out.5-6 Repeat measures 1-2 Part 2.7-8 Repeat measures 3-4 Part 2, but finish in original starting position

FLEA MARKET MIXERPromenade Position Footwork - OppositeMusic - Lloyd Shaw E-36 B

Formation: Circle of couples, facing LOD.1-4 LOD: WALK, 2,3; 4,5, TURN; BACKUP, 2,3; 4,5 STOP5-8 RLOD: WALK, 2,3; 4,5 TURN; BACKUP, 2,3; 4, TURN to FACE9-12 BOX THE FLEA 2,3; SIDE, TOUCH, -; BOX IT BACK, 2,3; SIDE, TOUCH: Still holding L hands, in three steps Box the Flea (lady makes a 1/2 R-face turn under the M’s raised L arm as he walks fwd and around; they finish facing each other); Step to side along LOD with R (W steps with L) touch L toe (W, R), hold 1 ct; Repeat the Box the Flea and side, touch; to end facing each other with L hands joined but raise them to a L-hand star position, M’s back to COH.13-16 STAR LEFT 2,3; 4,5,6; (NEW GIRL) STAR RIGHT, 2,3; 4,5, KEEP HER: In left hand star position with partner, travel once around each other in 6 steps (starting with M’s L, W’s R) to return to starting place (M’s back to COH); releasing the left hands move to next person to each dancer’s R and take a R hand star position and travel around each other in 6 steps but on the last count both man and lady turn to face LOD in promenade position to start dance over.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONFLOWER DANCE (Icelandic)

Music - Log Drivers Waltz - Randy & BlaineFormation: 6 couples, lady’s back to back in center, men on outside, take partner’s R hand and corner’s L.

Waltz out 4 waltz steps; Waltz in 4 waltz stepsWaltz out 4 waltz stepsChain right, left, until you meet your partner (12 waltz steps)Waltz with your partner until music changes.Twirl lady back into center to beginning position.

FLORA DORA ’98 ‘00Closed PositionFootwork - OppositeMusic - Turkey In The Straw - Parkland Fiddlers Vol 3 Or any other

Starting M’s L, heel, toe, one two-stepStarting M’s R, heel, toe (pointed back behind), one two-stepSeparate (M L, L R) four two-steps circling away and back to partner.Four slides diagonally to M’s L; four slides diagonally to M’s RTwo-step L; Two-step RPivot or waddle around in closed position.

FOUR STEPClosed PositionFootwork - OppositeMusic - Marching Through Georgia - S.C.O.T.F. “Come Dance With Us”

Starting on M’s L, slide to M’s L twice.In banjo position, walk 4 steps fwd (L backs up)Starting on M’s L, slide to M’s L twiceIn banjo position, walk 4 steps fwd Eight turning two-steps

FOUR STEP #2Closed PositionFootwork - OppositeMusic - Marching Through Georgia - S.C.O.T.F. “Come Dance With Us”

Starting M’s L, two slow slides to M’s LThree quick slides to M’s L, touch R toe back of M’s L foot on 4th count.Starting M’s R, two slow slides to M’s RThree quick slides to M’s R, touch L toe back of M’s R foot on 4th countEight turning two-steps.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONFOUR STEP SCHOTTISCHE ‘95

Varsouvienne PositionFootwork - SameMusic - All By Yourself In The Moonlight - Golden Notes

Rock fwd on L foot (body leans fwd also) and recover.Walk three steps backward. (begin with L foot).Rock fwd on R foot (body leans fwd) and recover.Walk three steps backward, (begin with R foot).Three steps on spot, Lady crossing in front of man.Three steps on spot, Lady crossing back.Walk fwd four steps beginning with L foot.Repeat dance.

FRAULEIN ’89 ’00 ’01 ‘11Butterfly Position Footwork - OppositeMusic - Fraulein - Blue Star #1645 or S.C.O.T.F. “Timeless Treasures”Opt. Introduction: Wait 2 measures, grapevine apart, grapevine together, end in butterfly.

PART A1-2 FACE TO FACE; BACK TO BACK , End in closed position. M facing wall.3-4 BOX TWO-STEP: SIDE CLOSE FORWARD; SIDE CLOSE BACK5-6 VINE LEFT LOD, TWIRLING LADY, VINE RIGHT TWIRLING LADY:7-8 2 TURNING TWO-STEPS, ending in butterfly Repeat Part A, ending Closed facing LOD

PART B17-20 TWO-STEP FWD, ROCK FWD R & RECOVER, TWO-STEP BACK, ROCK BACK L & RECOVER: 21-22 SIDE, CLOSE, SIDE,TOUCH L to COH; SIDE, CLOSE, SIDE, TOUCH R to WALL:23-24 2 TURNING TWO-STEPS:25-32 REPEAT PART B, ENDING IN BUTTERFLY POS. TO START DANCE OVER.ENDING: Two two-steps fwd, twirl your lady and bow.

FRAULEIN ‘09Music: FrauleinButterfly facing wall

Face to face, back to back, Face and boxScissors to sidecar, scissors to banjo (side close cross – M in front, L in back)2 turning 2-steps, end closed LODRepeat2-step fwd, rock, recover2-step back, rock, recoverSide, close, side touch, left & right. 2 turning 2-steps -----Repeat

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FRENCH MINUET ‘03Position: Open, LOD Footwork: OppositeMusic: French Minuet

Walk LOD 3 steps; On 4th step, do a touch step in LOD.Turn and repeat in RLOD with R foot.One step in LOD, swing R over L and touch.One step in RLOD, swing L over R and touch.Lady turns under M’s arm as they exchange positions.Repeat above and when they exchange positions: L Curtsy & M bows.They will be back in original pos.

When music changes: waltz around till it changes back.

FUN TIME POLKA ‘08Footwork - OppositeStarting position - Semi-closedMusic - Any slower polkaWalk two; polkaWalk two; polkaCircle Chase:

(turn individually ¼ turn to left with first polka step; turn ¼ turn left on second step; lady follows “chases” man. On third step as you make another ¼ turn to left; lady will now be infront of the man and he “chases” her on the fourth ¼ turn to end up in semi-closed positionfacing line of dance; make a small circle as you do the ¼ turns)

RepeatLace acrossLace backFace to faceBack to back

Walk two and twirlRepea

G. K. W. MIXER ’94 ‘98Open Position, facing LODFootwork - OppositeMusic - Sets in Order #3108 (Or SIO #3025)

Measures1-2 Walk, 2, 3, turn; Back-up, 2,3,4; (walk fwd in LOD 3 steps; turn independently, M R-face, L L-face), to face RLOD. Walk backwards 4 steps.3-4 Walk, 2, 3, turn; Back-up, 2, 3, 4; (Repeat action in RLOD.)5-6 Star Right (8 counts, one full turn).7-8 Star Left (6 counts, then give R hand to girl behind

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONGAY GORDONS ’03 ‘04

Varsouvienne Position Footwork - OppositeMusic - Scotland The Brave - Robertson’s Dance Band or Jim Cameron Dance Band

Beat 1: Walk forward with L foot.Beat 2: Walk forward with R foot.Beat 3: Walk forward with L footBeat 4: Walk forward with R foot, pivoting CW on this foot to make a turn of 180 degrees thus facing RLOD. This will place your partner on your left, with your L arm extended behind her holding her L hand, and your R arm now in front of you holding her R hand. This pivoting is done with no breaking of hands.Beat 5: Walk backwards with L foot.Beat 6: Walk backwards with R foot.Beat 7: Walk backwards with L foot.Beat 8: Walk backwards with R foot.9-16 Repeat as for beats 1-817-24: You break your L hand from lady’s R and place it on your hip. You turn lady under your R arm two times both moving forward, she ahead of you. The lady pivots CW on alternate toes while the gent does a two-step. End in waltz position.25-32: All dance a two-step with partner

GLEN’S TWO-STEP ’07 ‘09Choreographed by Isabelle ChoquettePosition: Semi-closed, facing LOD Footwork: OppositeMusic: Courting Days by Winston Simpson or any lively two-step

Two forward two-steps; (Open facing) Vine 3, swing R (Open facing) Step R; swing L; Step L, swing RLindy: (Facing, Side 2-step in RLOD, open & step back with outside foot. recover.)Two fwd two-stepsDooley Walk: (Step fwd with outside foot; rock fwd on R across L, rock back on L, close RTwo fwd two-steps, Twirl vine thru (M vines 3 thru; W twirls 3, thru) to SCP**For a Mixer: M does vine 3, thru; W does 4 step twirl to the man ahead.

GLOWORM GAVOTTE ’91 ’95Music: Gloworm by EmeraldsOpen position

L walk 2, 3, tap (point) LOD, R walk 2, 3, tap LODButterfly: vine L, tap, Vine R, tapStar Across, tap, Star back, tap.Closed: 2 turning 2-step

GOLDEN SLIPPERS ’91 ’95 ’96 ’09 ‘16Open Position Footwork - OppositeMusic - Golden Slippers - S.C.O.T.F. “ On The Road Again”

Walk 2, 3, brush; walk 2, 3, brush (Turn to face)Back away 2, 3, touch; Together 2, 3, touch (End in butterfly)Side, touch (L); Side, touch (R), Vine L (side, behind, side, touch)Side, touch (R); Side, touch (L), Vine R (side, behind, side, touch).Repeat. For a mixer, on measure 4, go R to a new partner

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONGOLDIES WALTZ ’91 ’93 ‘96

Open PositionFootwork - OppositeMusic - Cypress Hills Waltz - S.C.O.T.F. “Timeless Treasures”

Waltz away, and togetherWaltz away, then lady turns in while man maneuvers forward to face lady in RLOD toclosed position.Two turning waltzes; lady twirls CW under M’s L to open position.Repeat aboveGo to butterfly sidecar position:In LOD (forward)Twinkle to M’s R, twinkle to LTwinkle to M’s R, twinkle to LIn RLOD (Backward)Twinkle to M’s R, twinkle to LTwinkle to M’s R, twinkle to LOne waltz backward across LOD to the COHOne waltz forward to WallVine forward along LOD (Side, behind, side, thru)Closed Position: Two turning waltzes, lady twirls in two waltzes.

GOODNIGHT WALTZ MIXER ‘90Join hands in circle Footwork - OppositeMusic - Happy Waltz - Lloyd Shaw 217-45

Balance forward & back; Lady’s roll across (in front of man on her right). Join hands.Repeat above three more times (end M’s back to RLOD, face partner, join hands).Step, swing in; Step, swing out;Slide in; Slide in (to COH)Step, swing out; Step, swing in;Slide out; Slide outSlide in, Slide in; Slide out; Slide out;Balance L; Balance RLady twirls R-face under M’s L arm.Join hands in circle, repeat from beginning.Note: Men should balance L & R while ladies are rolling across in front of them.

HALL ROAD SWING ‘11Open pos.Music: Hall Road Swing by Vic Mullen

4 Heel-Toe-2-Steps LOD, to BflyVine 4 LOD, Vine 4 RLODIn SC: 2 Fwd 2 Steps LOD to Face WallMan Vines as L Twirls to Open LODRepeat

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONHAPPY DANCERS SCHOTTISCHE MIXER ‘08

Music: Green & Gold Schottische (Dance, dance, Dance with Emeralds)

Part 1 - Varsouvienne position, facing LOD, Opposite footwork1. 1,2,3, hop; 1,2,3 hop2. Hop, hop, hop, hop (alternating feet)Repeat Part 1Part 2 - Man’s back to COH, partners facing, opposite footwork5. Side touch L, side touch R; side touch L, side touch R6. Back away two steps, forward two steps to new partner on rightRepeat Part 2Repeat from beginning

HAPPY DAY POLKA ’00 ‘01Music: Helena Polka or any other polkaPosition: Semi-closed to start; M’s L, L’s R

Two forward two-steps, walk fourTwo forward two-steps, walk four(Closed Position)Balance left, balance rightSide, close, side, closeFour turning two-steps (Can use two turning two-steps & twirl)

HAPPY POLKAVarsouvienne Position Footwork - SameMusic - Happy Polka - Sunny Hills Accent AC111B, Blue Star 1578

PART 1:1-4: Beginning L, touch heel forward, touch toe in place, take one two-step forward L,R,L. Repeat all starting R.5-8 Beginning L, take four two-steps. Releasing R hands, the man takes two two-steps sending the lady across in front of him taking two two-steps to the center to face RLOD. Lady continues on around with two two-steps to face LOD as man follows her with two two-steps, making a full L-face turn to resume original position.9-16 Repeat action of measures 1-8, part 1.PART 2:17-18: Beg. L, walk three steps diagonally in toward center of circle L, R, L and kick R across L.19-20: Release hands and beginning R, both take a solo turn, three steps R, L, R, rolling CW a full turn diagonally back into original varsouvienne position, facing LOD.21-24: Beginning L take four two-steps forward in LOD. This action should bring the couple out to the original line of the circle so that they do not become crowded.25-32: Repeat measures 17-24, Part 2, but on the last two-step release the L hands and turn the

lady CW 1/2 a turn to face RLOD in front of but slightly off to R side of M. R hands joined.PART 3:33-34 Beginning L, man takes three steps forward L, R, L (lady backward). Kick R fwd.35-36: Release hands and beginning R, both take a solo turn, three steps R, L, R, rolling CW a full turn changing sides with partner.. The lady crosses in front of the man and they join L hands. The lady in now on the inside facing RLOD, Man is on the outside facing LOD.37-38: Beginning L, take two two-steps forward (lady backward).39-40:Take two more two-steps, changing hands and moving the lady across to outside of the circle.41-48: Repeat measures 33-40, Part 3, but, on the last two two-steps roll the lady backward, turning CW into original varsouvienne position.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONHAPPY ROVER’S WALTZ ‘94

Choreographed by Tony and Ruby Glow, Saskatoon, Sk.Closed Position Footwork - OppositeMusic - Let The Rest Of The World Go By - S.C.O.T.F. “Down Harmony Lane”

1-4 BALANCE FWD, TWIRL, TWINKLE, TWINKLE: In closed position balance fwd on L. Touch R by L and hold. Keeping M’s L and L’s R hands joined , Lady makes L-face twirl to side car position, as man steps backward R; Turn R face to end facing RLOD. Twinkle by man stepping forward on L and Lady stepping back on R. Complete twinkle and turn to banjo position and do the same.5-8 Twinkle, twinkle; 2 turning waltzes.9-12 Waltz away, wrap, 2 waltzes forward.13-16 Unwrap, waltz to face, vine, waltz to face starting position.

HAROLD’S WALTZ '06Position: Butterfly Footwork: OppositeMusic: Ted’s Choice by Harold Wright

1-4 WALTZ AWAY; WALTZ TOG; VINE THOUGH AND MANEUVER 1)Inside hands joined, waltz away, turning slightly from partner 2) Progress fwd LOD waltz together to end facing partner in butterfly 3) Vine (side, behind, side) 4) Step through, man maneuver to face RLOD5-8 TWO TURNING WALTZES; LADY TURNS OUT TO BUTTERFLY IN TWO: 1) Quick turning waltz; 2) Quick turning waltz; 3) & 4) L turns under Man’s L arm to b’fly9-12 TWINKLE OUT TO BANJO; MAN FWD, LADY BACK WALTZ; TWO FORWARD 1)M crosses in front, L cross behind, side, close, turning 1/4 L to face LOD 2) M forward, L back waltz; 3) & 4) M forward, L back waltz, turning to sidecar13-16 TWO FORWARD WALTZES IN SIDECAR; TWO R TURNING WALTZES TO BFLY: 1) M back waltz, L forward waltz 2) M back waltz; L forward waltz 3) R turning waltz 4) R turning waltz (overturning to butterfly)

HEEL AND TOE MIXER '06Position: Couples in a circle. Man facing LOD, Woman facing RLOD. Each couple facing each other,

holding hands crossed in front (left hands on top)Music: Heel & Toe Polka

1. Do heel, toe with inside feet (M’s L, L’s R) and side two-step to inside of circle2. Do heel, toe with outside feet (M’s R, L’s L) and side two-step to outside of circle3. Repeat above4. Drop R hands; leading with R hand, the woman moves clockwise past her partner to the next man. He turns her a half turn back to her original partner. Holding original partner’s L hand, she passes him by and joins right hands with the next man, who will now be her new partner. Should now be in the original start position, facing reverse LOD5. Repeat #1 to #4Make sure left hands are on top when in start position.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONHEEL AND TOE TWO-STEP ’91 ‘94

Closed Position Footwork - OppositeMusic - Rock Valley Jig - S.C.O.T.F - “Schoolhouse Dance Party”

Heel, toe; heel, toe (M’s L, L’s R)’ 4 slides to M’s LHeel, toe; heel, toe (M’s R, L’s L), 4 slides to M’s RRepeat above.8 Left Turning Two-steps, then 8 Right Turning Two-StepsRepeat till end of music

HESITATION WALTZ ‘91Closed Position Footwork - OppositeMusic - Peggy O’Neil/Rosie O’Grady - S.C.O.T.F “Schoolhouse Dance Party #2”

Man faces his partner, back to COH, closed.Step back L, R.Step forward L, R.Step L, close R foot to L foot.Step L again and finish facing LOD.Step forward with R and pivot to face partner (closing L to R).Repeat dance but with opposite foot.Waltz turn and finishing facing LOD.Step forward L, R.Repeat last four bars (Man finish with back to COH)Chasse back for two bars and forward two bars.Waltz

HESITATION WALTZ easy ’94 ‘13Banjo Position Footwork - OppositeMusic - Take Me Out To The Ball Game - S.C.O.T.F “Schoolhouse Dance Party #2” Golden Notes

Waltz forward, touch; Waltz back, touch.Waltz forward, touch; Waltz back, touch.Do one forward waltz step, (turning to sidecar position, facing RLOD).Do two back-up waltz steps.Do one forward waltz step (Turning to banjo position, facing LOD).Do two back-up waltz steps. Four turning waltzes.Repeat from start.

HI YO TWO-STEP ’91 ’94 ’95 ’96 ‘12Open Position Footwork - OppositeMusic - Saskatchewan River Jig - Ray Meyers

Start M’s L, L’s RTouch forward, side, step on it, touch M’s R, L’s L backWalk forward three down LOD and turn on four to face RLODRepeat above, starting M’s R, L’s L. (face and join hands)Step L, swing right; Step R, swing LMan vines, Lady twirls down LODFour turning two-steps.

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HILLBILLY CALIPSO ’92 ‘02 ‘17Open PositionFootwork - OppositeMusic - Hillbilly Calipso - Don Messer or Joe MacIsaac “Sixteen Great Barn Dance Tunes”

PART 1:Do two two-steps down LOD.Turn away one two-step and together one two-step.In closed Position, do two turning two-steps.Man walks two steps while lady twirls in two two-steps.Repeat Part 1.PART 2:Face partner.Do a side, close, side, touch L; Side, close, side, touch R.In open position, do one two-step and dip; do same in reverse.In closed position, do two turning two-steps.Repeat Part 2.

HOT FOOT TWO-STEP '06Position: VarsouvienneFootwork: SameMusic: Any quick foxtrot

2 California steps (Like in California Schottische)Left heel, toe, two-step forwardRight heel, toe; two-step forwardVine left; vine right2 two-steps forwardVine right; vine left2 two-steps forwardRepeat

HUMMINGBIRD WALTZ '07Position - VarsouvienneFootwork - OppositeMusic - Hummingbird Waltz by Al Cherney

Two forward waltz steps (M’s L & L’s R foot start)Man does two waltz steps forward while the lady twirls to faceStep, close, step, swing to M’s LStep, close, step, swing to M’s RChange sides under M’s L arm (lace across)Change hands, change sides under M’s R arm (lace back)6 count vine to left (M marks time on 3 while L twirls back to face) (Join M’s R hand to L’s R hand; M’s L hand to L’s L hand)Step, close, step swing L; Step, close, step swing RStep, swing L; step, swing R; M marks time, Lady twirls back to face (Keep R hands joined overhead and place L hands on partner’s back waist) (Tamara)Four turning waltzes (Maneuver to Varsouvienne position)Two forward waltz stepsTwo forward Waltz steps as lady twirlsRepeat

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONHUNTER’S POLKA ’93 ‘11

Semi Closed Position Footwork - OppositeMusic - Crooked Stove Pipe - Grand Coulee Jug Band

Beginning M’s L; L’s R; Heel, toe and a two-stepM’s R; L’s L ; Heel, toe and a two-step in RLODRepeat aboveIn SCP, two forward two-steps; M does two two-steps fwd, while lady twirls.Four turning two-steps (make two complete turns).

I MISS MY SWISS (Mixer) ‘90 '07Open Position, facing LOD Footwork - OppositeMusic - Belco-322-B

Have dancers form a big circle around hall, open in LOD.WAIT TWO MEASURES TO START DANCE. DANCE GOES THRU EIGHT TIMES.

1-2 WALK, 2,3, FACE; SIDE, CLOSE, SIDE, CLOSE: In open facing LOD, walk L, R, L, R turning to face partner & ending butterfly position. Step side, L, close R to L, side L, close R to L.3-4 WALK, 2,3, FACE; SIDE, CLOSE, SIDE, CLOSE: Blend to open position and repeat action of meas. 1, Repeat action of meas. 25-6 VINE L, 2,3, KICK; VINE R, 2,3, KICK: In butterfly pos, step side L, cross R in back (W- XIB) of L, side L, kick R across in front of L. Side R, toward RLOD, cross L in back (W-XIB) of R, side R, kick L across in front of R.7-8 SIDE L, TOUCH R, SIDE R, TOUCH L; ROLL 4 L TO NEW PARTNER: In butterfly step side L, touch R to L, side R, touch L to R; Man circle L-face L,R,L,R (as W rolls R-face down LOD R,L,R,L) to end with a new partner.

ICELANDIC FLOWER DANCE ’91 ’95 ‘97 '07Music: Log Drivers’ Waltz – Randy & BlainFormation: 6 couples, L back to back in centre, M on outside. Take R L’s R hand, L L’s L hand

Waltz out 4 steps; Waltz in 4; Waltz our 4Pull by with alternating hands: R, L, R….until your meet your partner (12 waltzes)Waltz with partner until music changes, Put L back into centre with a twirlTake up starting position with R L & L L’s handsRepeat

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONIDA RED ROCK ‘15

Choreographed by Bill & Linda McGilvery)Position: Open, Footwork: OppositeMusic: Pine Tree Jig (any good two-step)

PART A: At beginning of music; Join hands, mans left, ladies right and in LOD:Lady crosses (laces) under man’s raised left arm in two two-stepsSwitching hands lady crosses (laces) under mans right arm in two two-steps tuning to face across LODJoining both hands, vine three down LOD and touch free foot beside stationary foot,Keeping both partners hands joined, man does a side close side touch slightly to RLOD at the same

time the lady does a twirl double wrap. (1-2-3 touch count)Dropping lead hands and with a 1-2-3 touch count (backing away slightly) unwrap the lady across LOD.Partners change sides, lady crossing under mans right arm in a 1-2-3 touch count, end facing RLODSide close side touch RLOD; Side close side touch LODPART B:Join hands, mans left, ladies right and in RLOD:Lady crosses (laces) under man’s raised left arm in two two-stepsSwitching hands lady crosses (laces) under mans right arm in two two-steps tuning to face across LOD.Joining both hands, vine three down R LOD and touch free foot beside stationary foot,Keeping both partners hands joined, man does a side close side touch slightly to LOD at the same

time the lady does a twirl double wrap. (1-2-3 touch count)Dropping lead hands and with a 1-2-3 touch count (backing away slightly) unwrap the lady across LOD.Partners change sides, lady crossing under mans right arm in a 1-2-3 touch count, end facing LODSide close side touch LOD; Side close side touch RLOD;Repeat A Through B Until End Of Music

IRISH WALTZ ‘10Music: My Wild Irish Rose/When Irish Eyes Are Smiling – SCOTFVarsouvienne position Same footwork

1-4 Step LOD fwd on L, lift R (1,2,3) swivel R 180 deg. To face RLOD (1,2,3)Step back R and close L (1,2,3), step back R, touch L (1,2,3)

5-8 Two fwd waltzes RLOD, one L turning waltz to face LOD, one back up waltzRepeat 1-817-24 Step diag L to face wall, swing R foot across L, Step R, close L, step R,

Swing L across R, step L, close R, step L, swing R, step R, close L, step R, Swing L, stepL, close R

25-28 M cantors 3 L, L waltzes L turning 1 ¼ underarm to end facing M, both dip back29-32 Maneuver, two R turning waltzes. (on 3rd waltz turn, M does 3 steps to face LOD, while L

Does 2 steps and turns to face LOD, back to varsopuvienne)

ISLE OF CAPRI MIXER ’02 ‘03Music: Isle of Capri Footwork: same; Promenade positionFormation: Double Circle – Two couples facing, one LOD, the other RLOD, hands joined

Vine to your L and brush with R; Vine to your R and brush with LDo an elbow swing with your oppositeVine to your L and brush with R; Vine to your R and brush with LPass through on to next couple ladies in the middle, gents on outside.Repeat dance with new couple each time

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J. J. WALTZ ’11 ‘15Open positionMusic: “A Waltz For Larry Ross” by J.J. Guy

Waltz Away and Together, Waltz away and Wrap2 Fwd Waltzes and 2 more as L Unwraps to BflyBanjo and Back, Sidecar and Back, Banjo and BackM Side Close, Side Close, as L Twirls

JAMAICAN FAREWELL ’97 ’98 ‘99Closed PositionFootwork - OppositeMusic - Jamaican Farewell - Rhythm 209

Box two-step (Side, close, forward; Side, close, back).Man does another box two-step, while lady twirls in two two-steps.Side, close, side, touch L; Side, close, side, touch R.Back away (M COH; L Wall); Forward R to new partner.

JAMBALAYA ’99 ‘00 ‘17Position – Semi-closed to start, LOD Footwork: OppositeMusic – Country Boys – Emeralds “Could I Have This Dance” or Softones CD :Most Requested”

Two fwd two-steps (face)Side, close, side, close, side thru (to M’s L) End in Sidecar positionSide, close, cross (to banjo position); Side, close, crossTwo turning two-stepsRepeat above. End facing LOD (Last two-step STOP to dip back)Dip back, recover; two fwd two-steps; Dip forward, recoverTwo-step left; two-step right (To M’s L & M’s R)Two turning two-steps; (STOP to dip back)Dip back, recover; two fwd two-steps; Dip forward, recoverTwo-step left; two-step right; Two turning two-stepsRepeat from start

JAY WALKVarsouvienne PositionFootwork - SameMusic - Any fairly slow 4 beat music.

Walk 2,3, touch R behind L.Vine R four steps.Man walk 2, while lady twirls R under joined L hands (2 steps) to varsouvienne position.Both Lift R on ct. 11, down ct. 12.Two forward two-steps.

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JEAN’S WALTZ '06 ‘14Starting Position: Butterfly; Footwork: OppositeMusic: Any slow waltz

Waltz away; turn in to face RLODBack up one waltz, turn in to face on waltz 2Balance left & rightWaltz and twirl in two waltz stepsRepeat, ending in CP, facing LODTwo forward waltzes, ending in sidecarTwinkle out; twinkle inTwo forward waltzes, ending in sidecarTwinkle out; twinkle in(Butterfly) Waltz away and wrapOne forward waltz, man maneuverTwo forward waltzesTwirl two

JENNY LIND (Jenny Lynn) POLKA MIXER ’01 Music: Jenny Lind Polka Position: Couple facing couple around hall

Ladies cross over left shoulder to left shoulderMen cross over right shoulder to right shoulderLadies cross over left shoulder to left shoulderMen cross over right shoulder to right shoulderRepeatStar by the right; Star by the leftTake your partner & two-step around to a new couple to repeat danceNote: The couple who are going LOD go that way to a new couple while the couple facing RLOD go

that way to meet new couple.

JERICA’S WALTZ ‘09Choreographed by Bill & Linda McGilveryMusic: Old Time Waltz: My Home Is Your Home by Southern Fiddlers “Old Time Favorites”Closed LOD Opposite footwork

Two waltz steps LODTwo R turning waltzes to RLODTwo back up waltzes, two waltz steps around to face wallStep close, step swing Left LOD, California twirl R hands, to face COHStep close, step swing Left RLOD, California Twirl R hands to face wallStep close, sep swing Left LOD, wrap Lady in two waltzes to face LODIn wrap: Four waltzes LOD, unwrapping on three and four, ending facing wallRepeat

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JERSEY ‘90Closed position Opposite footworkMusic: Cock O’ The North

Facing wall: M’s L: 4 quick slides to LOD4 quick slides to RLODBal L, Bal R. Repeat4 quick slides L4 turning 2 steps

JESSE POLKA ‘90Varsouvienne PositionFootwork - SameMusic - Any good polka

1: Beginning L, touch heel in front, then step L in place.2: Touch R toe behind, then touch R toe in place, or swing it forward, keeping weight on L.3: Touch R heel in front, then step R in place.4: Touch L heel to L side, sweep left across in front of R. Keep weight on R.5-8: Four two-steps forward in LOD. Four polka steps may be used if preferred.

Variation: This dance may be done in a conga line, one behind the other, with the leader moving in a serpentine on the four two-steps.

Mixer: Couples in line alternating lady and man. The lady may turn out to the right on the last two-steps and come back into the line behind her partner. The lady at the end of the line rushes up to the head of the line.

JOLLY IS THE MILLER ‘98Promenade Position; Footwork - OppositeMusic - Jolly Is The Miller -Formation: Double circle, facing LOD.

All promenade, drop hands, men turn back (Men now traveling in RLOD; L LOD)When caller says “grab”, men take a new lady and two-step with her.All promenade (in circle), men turn back. (men travel in RLOD; L’s LOD)Grab, men grab; Two-step with new lady.Promenade (in circle), girls turn back (L’s now traveling in RLOD, Men LOD)Grab girls grab; Two-step with new manPromenade (in circle), girls turn back.Grab girls grab; Two-step with new man.

JUBILEE SCHOTTISCHE '05Position: Varsouvienne; Footwork – SameMusic – Jubilee Schottische - Ray Myers or others

1,2,3 hop; 1,2,3 hop ; Drop L hands, Lady turns back to new partner (Man moves up)1,2,3 hop; 1,2,3 hop; Lady turns back (Man moves up)Side, close, side, in (COH); Side, close, side, out (Wall)Walk forward, 2, 3, 4Side, close, side, in; Side, close, side, out Walk 4

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONKATY’S TWO-STEP ’00 ‘11

Formation: Varsouvienne, Facing LOD in a circle Footwork: SameMusic: MacGregor 807A or Sleeping Giant by S.C.O.T.F. “Winter Wonderland”

Part 1:Measures1-4 Take two steps fwd L & R, take one two-step Take two steps fwd R & L, take one two-step5-8 Both starting on L, take two R face wheeling two-steps ending with man on outside

(both facing RLOD). Repeat to other side, man ending on the inside, both facing LOD.9-16 Repeat measures 1-8, Part 1.

Part 2:Measures1-4 Step to side L, step R behind L, step to side L and point R. Repeat to R5-8 Two two-steps fwd, man walks four while lady does two two-steps turningunder M’s R arm.9-16 Repeat measures 1-8, Part 2

K-K-KATY TWO-STEP ’94 ‘16Open position; Footwork - OppositeMusic - K-K-Katy - Curtis Hicks “Portrait of an Oldtyme Fiddler”

Away two-step, together two-step (moving diagonally, away and together down LOD inside hands swinging forward & back.)Away two-step, together two-step.Lady under, two-step; around two-step (L turns in passes under arch of joined raised hands).Men under, two-step, around two-step (Man turns in under arch of joined hands).Repeat above. (optional)Walk LOD, two, three, kick; Backup two, three, kick.Apart, two, three, kick & clap; Together two, three, touch; Four turning two-steps; Two two-steps LODMan does two two-steps down LOD; Lady twirls in two two-steps.

LADEN WALTZ 92Varsouvienne Position LOD Footwork - SameMusic - Waltz You Saved For Me - S.C.O.T.F “Golden Gems” or any good slow waltz.

Vine left; Two forward waltzesVine right; Pivot to face RLODVine right; Vine leftPivot to face LODRepeat all

LAMBETH WALK ‘02Open Position Footwork - OppositeMusic - Lambeth Walk - Cec & Hilda Quibell “Just Two”

In open position, man taking L’s L hand in his R.Walk 8 steps, in a strutting motion (face).M takes L’s R elbow in his R elbow; turn around 4 steps; repeat by L.Strut 8 steps forward.Turn away from each other in 4 steps and back to face.Knees slightly bent, slap L knee, R knee, L knee, R knee, L knee, clap hands.Point thumb over R shoulder. Shout “Oi”.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLARA’S THEME ‘09

Open facing wall

Waltz away, turn in to RLOD1 back waltz, back draw touch1 twinkle close to SCP, Manouver2 turning waltzes, face wallRepeatBox waltzVine and twirl, thru side close1 right turning waltzesRepeat

LAZY MAISIE TWIRL '07Choreographed by Jim WoodsPosition: Varsouvienne; Footwork: SameMusic: Lazy Mary’s Jig - Scott Woods

AHeel, Toe, Two-step; Heel, Toe, Two-stepMan does 4 Two-steps. Lady twirls fourRepeat ABWalk 2, 3, kick; Back up, 2, 3, touchVine left, 2, 3, kick; Vine right 2, 3, touchRepeat BStart over. Last time through, end with A

LEFT FOOTERS CHA CHA ‘16Position: Varsouvienne with lady on man’s left Footwork: Same - beginning with left footMusic: Any medium speed Cha Cha (We used “You’re the One” by Oakridge Boys)

Fwd. L; Recover R; Cha, Cha, Cha (L, R, L)Back R; Recover L turning ½ L- Fc on Cha, Cha, Cha (R,L,R)Back L; Recover R turning ½ R-Fc on Cha, Cha, Cha (L,R,L)Back R; Recover L turning ¼ L-Fc on Cha, Cha, Cha (R,L,R)4 step pivot (360*) – modified basketball turn(fwd on L, turn ½, fwd on L, turn ½ )Start over…..Begin with Left Foot.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLEFT FOOTER’S ONE-STEP ’94 ’98 ’99 ‘08

Semi-closed Position; Footwork - OppositeMusic - Lloyd Shaw 3315 or Windsor 4650-A or I’m Looking Over A Four Leaf Clover - S.C.O.T.F “Lasting Memories”

1-2: LOD: WALK, 2,3,4 (FACE and closed); SIDE, CLOSE L, SIDE, CLOSE L: to SC - LOD3-4: Repeat 1-2, except to end in closed position M’s back COH.5-6 BACK to COH, 2,3,4; SIDE, CLOSE L, SIDE, CLOSE L:7-8 WALK to WALL 2,3,4; SIDE, CLOSE L, SIDE, CLOSE L to sidecar Facing RLOD9-10 BACKWARD, 2,3,4 face wall Closed; SIDE, CLOSE L, SIDE, CLOSE L to banjo LOD11-12 LOD: WALK, 2,3,4 (FACE and closed); SIDE, CLOSE L, SIDE, CLOSE L: to SC - LOD13-14 LOD WALK 3, TURN in to RLOD, POINT R toe; RLOD WALK 2, TURN, POINT L Toe:15-16 1 TWO-STEP Balance LOD, 1 TWO-STEP Balance BACKWARD, Man Walks Lady TWIRLS

Out, 2,3,4 to SCREPEATIf used as a “mixer” during measure 16, Both turn away, M going back to next L, and L moving up to

next M.

LILAC WALTZ ’97 ’98 ‘02Position – Open; Footwork - OppositeMusic - Scottish waltz provided by Ada Kerpan, Calgary

Step L, touch R across (slow)Step back on R, drag L (x in front)Step back on R, drag L (x in front) (Chasse or cutback)Turn 1/2 (M L; L R) to RLOD 9lightly touch hands, M’s L; L’s R)Turn back 1/2 to LOD (M R; L L)Two forward waltzesWaltz apart & together4 turning waltzes

LILI MARLENE (Mixer) ‘08Open PositionFootwork - OppositeMusic - Ballin’ The Jack - Folkraft 1096-A or “Lili Marlene”

1: Beginning L, walk four steps forward.2: Face partner and join hands. Four slides in LOD.3-4: Repeat action of measures 1-2 in RLOD, Man on R of Lady.5-6: Beginning L, step in place, swing R over; Step R in place, swing L over R. Repeat.7: Sem-closed or open position. Beginning L, walk three steps forward in LOD. Turn toward partner and point R in RLOD.8: Beginning R, repeat action of measure 7, moving in RLOD, M on R.9-10: Beginning L, one two-step facing partner and one two-step turning so that the man and lady are back to back, progressing in LOD.11-12: Repeat action of measures 9-10.13-16: Beginning L, four two-steps, turning away from partner in a small circle, and meet on the last step.Variation: The last four two-steps may be done in a closed position, turning CW, progressing LOD.Mixer: On the last four two-steps, the man turns to his left and two-steps in a half-circle, moving back

to lady behind; the lady turns to her right and two-steps in a circle, coming back to place to receive a new partner.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLIMBO ROCK MIXER (Caribbean Mixer) ’98 ’02 ’08 ‘13

Formation: Double circle, (women on the outside, men on the inside) all facing out. Hands are free except women may hold skirt.Footwork: SameMusic: Folkraft #1523 x 45 A

L foot forward, rock; rock back on RTwo-step turn to L (all facing in) (Women are now standing directly behind men)R forward, rock; rock back on LTwo-step turn to R (all facing out)Repeat above (Finish facing wall in skaters position, L hands joined about chest height, M’s R hand

at small of woman’s back. Woman’s hand free or holding skirt)As a couple, move to R and wall stepping L across R, rocking back on RTwo-step turn to L. COHMove to L, stepping R across L, rocking back on LTwo-step turn to LODFour two-steps forward, on 3rd & 4th two-step, Woman moves forward to new partner facing wall,

Man moves back to new partner. (end in starting position facing out)

LOG CABIN TWO-STEP ’90 ’03Open Position Footwork - OppositeMusic - Darling Nellie Gray - S.C.O.T.F. - “Down Harmony Lane”

In LOD, walk L, R, L, Swing R foot, Turn to Face RLODIn RLOD, walk R, L, R, Touch L, (face)Step L, Touch R across; Step R, Touch L acrossRepeat aboveFour turning two-steps.

LOG CABIN TWO-STEP (2nd version) ‘97Position - Closed, facing LOD Footwork- OppositeMusic - Red Wing - S.C.O.T.F. “Timeless Treasures”

16 turning two-steps, twirl lady on last 2 two-steps (end facing LOD, open position)Walk, left, right, left, kick R fwd LODWalk, right, left, right, kick L fwd RLODTo the left, step, swing; to right, step, swingMan vines L (side, behind, side, thru) while lady twirls in four walking stepsWalk, left, right, left, kick R fwd LODWalk, right, left, right, kick L fwd RLODTo the left, step, swing; to the right, step, swingMan vines, lady twirls.Repeat from beginning.

LOMOND WALTZ ’93 ’99 ‘00Closed Position face wall Footwork - OppositeMusic – “Comin’ Through The Rye” Loc Lomand or Almost any old time waltz.

M facing wall, step close, step touch L; Two hesitation steps: Man back R, back LStep close, step touch R; Man fwd L, fwd R.Waltz away to back to back position, one waltz step to side; Waltz on around face to face.Waltz forward and back, lace across; Waltz forward and back, lace back.Step side L, cross R over L, point L to side, point L in place.Step side R, cross L over R, point R to side, point R in place; Four turning waltz steps.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLONE STAR POLKA ’09 ‘11

Music - Top of the Hill Polka - Trimble Tones, Senators or Frankie Yankovic or any good polkaPosition – Varsouvienne Footwork - Same Both start right foot

R heel fwd, stepL heel fwd, stepClock, l2, 2, 4, right hook and two-stepL heel hook; 3 forward two-steps; brush fwd, brush back1 two-step to side ; L heel hook2 two-steps fwdVine left, 2, 3, end with a brush fwd.

LONE STAR RAG BOX ’02 ‘13(Revision of Lone star Two-step)

Position: Semi closed Footwork: OppositeMusic: Lone Star Rag – SCOTF, Landry, Senators and others

Two forward two-steps, (face, half a box) (Side close forward, side close cross)Four turning two-steps (end facing LOD)Two forward two-steps, (face, half a box) (Side close forward, side close cross)Four turning two-steps (end facing wall) (Full box) (Side close fwd, side close back)Change sides (Lady cross under M’s L & L’s R hands) in two two-stepsFull box (Side close forward, side close back) Change sidesSide close, side close, side through; side close, side close, side throughTwo turning two-steps; Twirl two (Man does two two-steps as lady twirls)Repeat from start

LONE STAR TWO-STEP ‘97 '06Position- Semi-closed to start, LODFootwork - OppositeMusic- Lone Star Rag - S.C.O.T.F. “Wheatland Favorites”; Senators Or Ned Landry

2 fwd two-steps; twirl, two, three (to face)1/2 box (Side, close fwd); side, close, cross; (step thru)2 turning two-steps (end in semi-closed, facing LOD)2 fwd two-steps, twirl, two, three (to face)1/2 box (Side, close fwd); side, close, cross (step thru)2 turning two-steps (end M facing wall)Full box (Side, close, fwd; side, close, back)Change sides, two, three (to face) (both doing 2 two-steps)Full box (Side, close, fwd; side, close, back)Change sides, two three (to open position)Two -step fwd, dip, recover, solo turn in to (RLOD)Two-step fwd, dip, recover to (LOD)Two turning two-steps; twirl two.Repeat from start

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONLONFORD SCHOTTISCHE MIXER ‘92

Semi-Closed PositionFootwork - OppositeMusic - Balkan Hills -Haney Old Time Fiddlers “Just The Way We Are”

Two schottische steps forward.Four turning hop steps.Two schottische steps forward.Four turning hop steps.Two schottische steps forward.Rock forward and back; Rock forward and back.Two schottische steps forward.Rock forward and back; Rock forward and back.One schottische step (M Fwd and away from partner; L back and away from partner).One schottische step (M Fwd and toward new partner, L back and toward new partner).In closed position, do four turning hop steps.Repeat 3 more times. Repeat from beginning.

LOVER PLEASE COME BACK ‘10Demo by Jerry & Sandi Dion ‘10Music: Lute’s Mountain Two Step by Gerry Michaels, The MoonlightersVarsouvienneSame footwork

LOD R foot fwd, close L, step R, rock back L, recover RLOD L foot fwd, close R, step L, rock back R, recover LL turns L 180 with R foot to face M, while M steps fwd on R foot, L backs with L and M steps fwd L;

end in hand shake pos with R hands joined.1 two step LOD; Both do solo vines to L and tch R; Both vine R and tch LL turns 180 L fc 3 steps and tch R, while M turns 360 L fc to pick up L in varsouvienne

LOVERS WALTZ ‘12Music: Newfoundland Waltz by Eddie CoffeyPosition: Varsouvienne

LOD Starting with L foot, 2 forward waltzes1 Waltz turn as a couple to face RLOD, 1 back waltz1 waltz turn as a couple to face LOD, 1 back waltz2 balance steps forward & back4 twinkle waltzes, starting L cross

MacINTOSH POLKA ‘08Open PositionFootwork: OppositeMusic: MacIntosh Polka

1. Walk forward - 1,2,3 and touch with right foot2. Walk backward - 1,2,3, touch with left foot3. and 4. Repeat 1 & 25. In closed position - 4 turning 2-steps6. 2 forward 2-steps and a twirl

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONMANITOBA BEACH SHUFFLE ’12 ‘15

Closed LOD, Opposite FootworkMusic: Your Old Love Letters by The Fugitives

2 FWD 2-Steps to Face Wall, 2-Step Box, Reverse 2-Step BoxLead Hands Joined. Step L Turning Open to RLODStep Back With R Turning to Face, Step Side L, Step Through With R to LOD, End Varsouvienne2-Step R Turn to RLOD, Raising R Hands and Lowers Them to PromenadeBack R, Close L, Back R (2-Step)2-Step L Turn to LOD, 2-Step LOD (Still in Promenade)Open LOD, Rock Apart and Recover, turning to Face Inside Hands JoinedSide 2-Step, L 2-Steps Across M’s Back to LODM Rock R and Recover as L Walks 2 to Face M to Closed LOD; 2-Step LOD

MANITOBA WALTZ ‘99Choreographed by Isabelle ChoquetteMusic: Manitoba Waltz by Stew ClaytonButterfly facing wall

A:1 – 4: Waltz away & together; Vine 2, 3, thru, touch 5 – 8: Semi-Cls LOD Waltz Fwd, Step swing; Solo Trn 6 to Bfly 9 – 16: Repeat A:1 - 8B: 1 – 4: Waltz away; Turn in, Op RLOD; Back Waltz; Back Face Ptnr, Close 5 – 8:Bal L and R; Canter twice 9 – 16: Repeat B: 1 to 8C: 1 – 4: Bal L 2, 3; Rev twirl Manuver, 2, 3; 2 R Turning Waltzes 5 – 8: Vine 2, 3, thru; Twirl (M Wltz fwd, 2, 3; Twirl 2, 3. 9 – 16: Repeat C: 1 to 8END: Man 2 Waltzes, L twirls

MANITOU ’90 ’96 ’97 ’02 ’04 ‘05 '07 ’08 ’09 ’10 ’11 ’12 ’13 .14 ’15 ‘16 ‘17Semi-Closed Position (R hands joined whole dance) Footwork - OppositeMusic - Manitou - Lloyd Shaw 3303

Starting L Point toe forward; point L toe in place; L toe forward; L toe in place.Separate (M back to COH) one step back & dip (M’s L, L’s R); Recover in two steps.Repeat above.In open position, Walk 2, 3, kick (turn to RLOD); Walk 2, 3, kick, turn to LOD.Four turning two-steps.

MANNINGS MIXER ‘03Formation: Circle of couples facing LOD, open position

1-4 WALK, 2,3,4; Face, VINE L ,2,3,4; Open WALK, 2,3,4; VINE L, 2,3,4; End open facing LOD Repeat 1 and 2

5-8 WALK, 2,3,4; FACE, BACK AWAY, 2,3,4; DO SA DO, 2,3,4,5,6,7,8 with Partner on R9-12 Join L hands with original partner and R hands with the new person, completing the circle as

in Alamo style, step fwd on L, close R to L, step back on L, close R to L; with original partner turn a L hand star half way around in four steps and again complete the circle by joining R hands (M are now facing COH and W are facing the wall) repeat meas. 9 and 10 again turning L hand star with original partner;.

13-16 Beginning with the right hand do a right and left grand in the WRONG DIRECTION (CW for men, CCW for women) Swing with the 5th girl you meet, put her on your right side in OP and face LOD to repeat the dance.

Ending: In OP walk forward 4 steps turning to face partner on 4th step, back away 3 steps and bow

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MAPLE LEAF WALTZ ’90 ‘95Closed Position Footwork - OppositeMusic - Maple Leaf Waltz - Grand Coulee Old Time Jug Band “Old Time Favorite Tunes”

Four turning waltz steps.Step close L down LOD 3 times, One waltz back, beginning R foot.Four turning waltz steps.Step close L down LOD 3 times, One waltz back, beginning R foot.Twelve turning waltz steps.

MARCHING THRU GEORGIA ’92 ‘11Closed Position Footwork - OppositeMusic - Marching Thru Georgia - S.C.O.T.F. “ Come Dance With Us”

Step, close, step touch to COH, Step, close, step, touch to Semi-closed position.Walk 2, 3, kick in LOD, Back up 2, 3, touch.Starting M’s L, touch, lift; two-step, Starting M’s R, touch, lift; two-step.Four turning two-steps.

MAVERICK WALTZ ‘95 '06 ‘08Open Position Footwork - OppositeMusic - Get Along Little Doggie/Streets of Laredo - Lloyd Shaw 3302 or Norwegian Waltz - S.C.O.T.F. “Winter Wonderland” or Graham Townsend

Formation: A large circle of couples facing couples, one couple with their backs to COH, the other couple facing COH. Ladies chain before starting dance.

1-4 SWING FORWARD; AND BACK; STAR THRU; STEP BACK: Each man has near hands joined with lady on his R, one couple with backs to COH, the other couple facing COH. In first two measures, they swing the joined hands fwd (and up), then back, while they do a step, touch fwd and a step, touch back starting with outside feet. In the next two measures they swing the joined hands forward and up to star thru as they dance forward, 2, 3;, step, touch, -; leading with outside feet,; ending with one couple facing LOD, the other facing RLOD, each man with the other lady.5-8 SWING FORWARD; AND BACK; STAR THRU; STEP BACK: Repeat action of 1-4 above, ending with the couples half way around (original opposite position).9-12 SWING FORWARD; AND BACK; STAR THRU; STEP BACK: Repeat action of 1-4 above, ending one couple facing LOD, the other facing RLOD, now 3/4 around.13-16 SWING FORWARD; AND BACK; STAR THRU; STEP BACK: Repeat action of 1-4 above, ending with all back in starting position.17-20 CIRCLE LEFT: Same four circle L 12 small steps (once around).21-24 STAR LEFT: Same four star L 12 small steps (once around) to end facing to the R of the other couple in skirt skaters promenade position.25-28 HALF PROMENADE: Couples exchange places in 12 small steps, sweeping wide before turning to face each other. “Inner” couple is now outside, “outer”couple inside.29-32 PASS THRU; TURN AWAY TAKE NEW GIRL TO BEGIN: Couples pass thru each other in 6 steps, then turn away from each other, M to L, L to R, to face a new person, join inside hands with them and face across in starting position, each man with a new lady, on his R, but facing original partner in other circle (if ladies chained before starting dance.) Progression has occurred.

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MERRY OLDSMOBILE MIXER ‘95Music - Merry Oldsmobile - Blue Star BS-1571-AFormation: Grand circle, two couples facing. No. 1 couple CCW; No, 2 couple CWMeasures:1-4 Balance forward and back; star thru; 5-16 Repeat 1-4 three times.17-20 Right hand star; 21-24 Left hand star.25-26 Ones dive thru (Twos make an arch); 27-28 Twos dive thru (Ones make an arch)29-32 Repeat 25-28

MEXICALI ROSE ’96 ‘97 ’98 ‘03Open Position - M facing Wall Footwork - OppositeMusic - Mexicali Rose - S.C.O.T.F -”Schoolhouse Dance Party #2”

Measures:1-4 FORWARD WALTZ; WRAP, 2, 3,; FORWARD WALTZ; FORWARD (face), SIDE, CLOSE: Starting M’s LL and swinging joined hands forward waltz one measure forward in LOD, swinging joined hands backward man does another forward waltz as he leads lady into a full L-face turn in three steps to wrapped position facing LOD, joining M’s L and L’s R hands in front; in wrapped position waltz one measure forward in LOD; releasing M’s R and L’s L hands keeping others joined, step fwd LOD on R (lady on L) turning 1/4 R (L 1/4 L) to face partner, step side on L, close R to L ending M’s back toward COH, M’s L and L’s R hands joined and extended toward LOD.5-8 TWINKLE (RLOD); TWINKLE; MANEUVER; (R); TURNING WALTZ; (R) TURNING WALTZ (to open faced position): Swinging joined M’s L and L’s R hands toward RLOD, twinkle down RLOD stepping L cross in front of R (L cross in front of L), side on R turning to face partner, close L to R; stepping R cross in front of L (lady L cross in front of R) twinkle down LOD turning 1/4 R face to end in closed position, M’s back toward LOD; stepping backward toward LOD on L do two waltzes down LOD making 1 3/4 R-face turn to end in open-facing position, M’s back to COH.9-12 FORWARD WALTZ; WRAP, 2,3; FORWARD WALTZ; FORWARD (face), SIDE, CLOSE: Repeat action of measure 1-4.13-16 TWINKLE (RLOD); TWINKLE MANEUVER (R); TURNING WALTZ; (R); TURNING WALTZ (to butterfly): Repeat action of measure 5-8 except end in butterfly, M facing Wall.17-20 WALTZ BALANCE (L); WALTZ BALANCE (R); VINE/TWIRL; THRU, SIDE, CLOSE (to butterfly): In butterfly position step to side LOD on L, step on R behind L (lady cross in back), step in place on L; step to side RLOD on R, step on L behind R, step in place on R; as man vines down LOD stepping L, behind L on R, side L lady twirls R-face under M’s hand progressing down LOD; step thru toward LOD on R, step to side LOD on L, close R to L to end in butterfly position, M’s back COH21-24 WALTZ BALANCE (L); WALTZ BALANCE (R); VINE/TWIRL; THRU, SIDE, CLOSE (to butterfly): Repeat action of measures 17-20.25-28 FORWARD WALTZ; FORWARD, POINT; SOLO TURN, 2,3; TOGETHER,TOUCH, (to closed). Quickly turning to semi-closed position waltz forward toward LOD; step forward on R, point L forward and hold one count; do a 3/4 spot solo turn in three steps with man turning L-face (Lady R-face) to end facing partner; step forward toward partner on R (lady forward on L) touch L beside R to end in closed position,M’s back to COH.29-32 BALANCE BACKWARD,; WALTZ MANEUVER; (R) TURNING WALTZ; (R) TURNING WALTZ (to open face). In closed position balance backward toward COH on L and hold two counts; waltz maneuver turning 1/4 R-face to closed position, M’s back to LOD; starting backwards M’s L do two R-face turning waltzes to end in open-facing position.

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MEXICAN ROSE ‘16Position: Sweetheart: Man’s right hand on ladies right hip with lady directly in front of man, facing LODFootwork: Same Music: “Green Green Grass of Home” or slower Fox Trot

Balance Right; Balance Left;Side, close, side touch to right;Man moves to side of Lady;L. Ft. Walk 3 steps ahead and touch;R. Ft. Walk back 3 steps and touch;Balance Left; Balance Right;Turn ½ to RLOD; L R L touch; R. Ft. Back 3 steps and touch;Turn to get back into Sweetheart Position;(Hold left hands and lady turns CW, man moves CCW to behind lady to start at beginning.)(4 steps) (M- steps L behind, R side, L turn, R touch) (W- steps L side, R behind, L turn R touch)

MEXICAN CLAP DANCE ’01 MEXICAN WALTZ ‘98Facing, Opposite footwork Music: “Red Fox Waltz” Grand Coulee or Graham Townsend

Waltz first. Then Three Slides L, Clap, Clap; Three Slides R, Clap, ClapBalance Apart, Balance Together; Balance Apart, Clap, ClapBalance Together, Balance Apart, Balance Together, Clap, Clap(L extends arms around M’s neck as M extends arms around L’s waist on last Clap, Clap)

MEXICAN MIXER ‘11Formation: Double circle, couples in promenade position all facing LOD

1-2 All walk forward 4 steps, M starts L foot, L, R. Turning to face partner, step side-behind-side-swing. M step L, step R behind L, step L, swing R foot in front of L. Lady use the opposite footwork. (Variation: slide 4 times in LOD).3-4 Turn to face RLOD and repeat measures 1-2 with opposite footwork & motion.5 Still facing partner drop L hands. Join L hands with the person diagonally L. Starting L foot balance forward & back.6 Drop L hands. Turn partner halfway round with 4 steps. Men are now facing center of the circle and ladies are facing out.7 Again join L hands with the person diagonally L and balance forward & back.8 Drop R hands with partner. Pull corner with L hand. Keep L hand joined as man turns L to face LOD and joins R hands in promenade position with his new partner.

MIDNIGHT WALTZ ’97 ‘98Position – Closed Footwork- Opposite Music - Midnight Waltz - Graham Townsend

A: Two waltz steps down LOD; turn Lady out RF, Twirl lady to promenade in two waltzes,In promenade, waltz down LOD two waltzes, Lady waltzes around behind man in two waltzesTwo waltzes down LOD (L on M’s R), Twirl lady LF to closed positionTwo waltzes down LOD, Twirl lady RF to open position in two waltzesB: Waltz away, together, To M’s L, step, close, step, swing, To M’s R, step, close, step, swing(end closed); 2 turning waltzes; 1 waltz LOD, Twinkle, left, twinkle R, twinkle L, 4 turning waltzes

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONMIGNON WALTZ ‘10

Open, Opposite foorwork

Step swing L, step swing R, solo turnRepeat, end facing; 2 slides L, swing, 2 slides R, swing; 6 turning waltzesRepeat, ending open

MILITARY TWO-STEP ’89 ’08 ‘15Semi-closed Position Footwork - OppositeMusic: MacNamara’s Band - Maple Creek O.T. Fiddlers

Starting M’s L, L’s R. heel, toe, heel, toe, walk 2, turn inward to RLOD and point.Repeat heel, toe, heel, toe in RLOD, walk three, on 4th beat man maneuvers to face woman in

closed position, RLOD.Two two-steps forward RLOD.Two two-steps backing LOD. Man continues two more two-steps backing, while lady twirls.In closed position two turning two-steps, to face LOD.

MISSISSIPPI DIP ‘97Choreographed by Isabelle ChoquettePosition- Double circle of couples in closed position (M facing Wall) Footwork - OppositeMusic: Any good one-step - Down Yonder - S.C.O.T.F. “Wheatland Favorites”

Old Grey Bonnet or Down Yonder by SCOTF

PART A1-4 BACKWARD FOUR; SIDE TOUCH; SIDE TOUCH; M leading L-ft in CP take four steps back toward COH; M step side L, then touch R to L; step side R, then touch L to R;5-8 FORWARD FOUR; SIDE TOUCH; SIDE TOUCH; M leading L-ft in CP take four steps fwd twd wall; M step side L, then touch R to L; step side R, then touch L to R to semi-closed position9-12 FORWARD THREE &TOUCH; BACKWARD THREE &TOUCH; In semi-closed position (M’s L-ft, W’s R-ft) & facing LOD each take three steps fwd, W now spot turns 1/2 L face on R-ft to end in Banjo position & facing RLOD and both do touch; then with M’s R-ft and W’s L-ft leading each take three steps to RLOD, and touch;13-16 TWO-STEP TURN; TWO-STEP TURN; TWO-STEP TURN; TWO-STEP TURN; In closed position do 2 complete turns in four R-face turning two-steps;PART B17-20 STEP, RISE; DIP, KICK; FORWARD, TOUCH; BACK , TOUCH; Each walk one step on O-ft, each rise slightly on ball of O-ft and lift I-ft slightly extending it fwd past the O-ft; inside knee slightly bent take weight on I-ft for a dip effect; kick O-ft past instep of I-ft; Step fwd on O-ft, touch I-ft to )-ft; step back on I-ft, touch O-ft to I-ft;21-24 STEP, RISE; DIP, KICK;; FORWARD, TOUCH; BACK TOUCH; Repeat as in Meas. 17-20 Part B25-28 FORWARD THREE & TOUCH; BACKWARD THREE & TOUCH; Repeat as in Meas. 9-12 of Part A29-32 TWO-STEP TURN; TWO-STEP TURN; TWO-STEP TURN; TWO-STEP TURN; In CP do 2 complete turns in four r-face turning two-steps.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONMOCKINGBIRD TWO-STEP '07

Position: Open Footwork: OppositeMusic: “Listen To The Mockingbird” by Tasha Zboya Two-step away; Two-step togetherSolo turn away; (Man Left, Lady Right ,back to face)Step, close, step swing (to M’s L) Step, close, step, swing; (to M’s R)Change sides under M’s L arm (lace across)Change hands, change sides; (lace back)Four turning two-steps.

MONITOR (HABITAT) ‘11Choreographer: John & Freida UtzigMusic: Any good polka tunePosition: Both facing wall. Man standing behind lady. Hands in butterfly position

SIDE, CLOSE, SIDE, KICKS 1-2 LOD Side, close, side, kick right foot forward 3-4 Step right next to left, kick left foot forward, step left next to right, kick right foot

forward SIDE, CLOSE, SIDE, KICKS 5-6 RLOD Side, close, side, kick left foot forward 7-8 Step left next to right, kick right foot forward, step right next to left, kick left

foot forward WINDMILL TURN (1 1/4 LEFT) 9-12 Partners both turning 1 1/4 turn left to face LOD in combination of four

polka steps (left, right, left - right, left, right - left, right, left - right, left, right) WALK, WALK, POLKA STEP

13-14 Walk F left, right, polka step left, right, left 15-16 Walk F right, left, polka step right, left, right ROCK STEP, HITCH, JAZZ BOX (1/4

TURN) 17-18 Rock forward on left, step back on right, hitch left, right, left 19-20 Jazz box 1/4 turn right, cross right over left, step back on left, 1/4 turn right

onto right, touch left toe beside right LADIES ONE TURN LEFT 21-22 MAN: 'LOD Side, close, side touch right toe, raising both arms over lady's

head as she turns LADY: Turn 1 full turn left traveling down LOD (raising both arms over her head) stepping left,

right, left, touch right toe (Option B) LADY: Turn 1/2 turn left to face Man (raising both arms over her head)

stepping left, right, left, touch right toe LADIES ONE TURN RIGHT 23-24 MAN: RLOD Side, close, side touch left toe, as he raises both arms over lady's head as she turns LADY: Turn 1 full turn right traveling RLOD (raising both arms over her head)' stepping right, left, right, touch left toe (Option B) LADY: Turn 1/2 turn right to face wall (raising both arms over her head)

stepping right, left, right, touch left toeREPEAT

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONMOONLIGHT STROLL ‘08 ‘17

Position: Varsouvienne Footwork: Both start LeftMusic: Any slow fox-trot “Now And Then There’s A Fool” Swingin’ Fiddles In Nashville

Two fwd two steps, one turning two step to RLODOne back two step, one turning two step, one fwd two step LODVine L, brush R; Vine R, brush LTwo fwd two steps, one turning two step to RLODOne back two step, one turning two step, one fwd two step LODLady Twirls Out and Back in two two steps to VarsouvienneRepeat from beginning.

MORDEN WALTZ ‘14Choreographed by Les & Alice SchultzOpen LOD, Opposite FootworkMusic: :Believe” by Ned Landry

A:Waltz Fwd, Waltz to Face Wall ClosedTwinkle to RLOD, Twinkle Manouver (closed RLOD)2 Rt Turning Waltzes, ending Closed Facing WallBalance L, Balance Waltz to OpenRepeat A ending with Bal. L and Step Touch to Closed LOD

B:Waltz Away and Together to Open1 Backup Waltz, 1 Waltz to Closed Facing WalllBalance Fwd L to Wall, Back on R turning Left to Step Fwd on Left1 Waltz R Turn to RLOD2 Rt Turning Waltzes, to Face WallRepeat B ending Open LOD

NAVY POLKA ’91 ’96 ’00 ‘03 '06Open PositionFootwork - OppositeMusic - Bob Love’s Jig or any good polka or jig.

Polka apart, polka together Walk three steps in LOD turn on fourth step to RLOD.Polka apart, polka togetherWalk three steps in RLOD, turn on four to face.Step swing left, Step swing right.Man does a side, close, side, close to L while lady twirls.Four turning polka steps.

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NAVY TWO-STEPOpen Position Footwork - OppositeMusic - MacNamara’s Band - Maple Creek O. T. Fiddlers

Gent with L’s L hand in his R, elbow bent, hands about chest level, both facing same way.1: Take your weight on the inside foot. The gent moves his L foot slightly to his L, and takes his weight on his L toe, leaning slightly to his R towards his partner. The lady doing the contrary, will thus move slightly away from her partner, their hands remaining joined. On “and” the gent quickly closes his R to his L, and changes his weight to his R toe.2: Gent changes weight to his L toe again.3: Gent moves his R foot slightly to his R and takes his weight on his R toe, leaning slightly towards his L, or away from his partner. On “and” he quickly closes his L foot to his R and changes the weight to his L toe.4: Gent takes his weight on his R toe again.5: Gent walks forward with his outside (L) foot.6: Gent walks forward with his R foot.7: Gent walks forward with his L foot.8: Each turns towards partner (M CW, L CCW) 180 degrees, to face opposite direction lady now on gents L, her R hand held in his L, at chest level and weight taken on on the inside foot, the outside toe touching floor.9-16: As for beats 1-9, reversing feet used and the direction taken. But with this exception that on beat 16, partners instead of facing back the way they came, make a 90 degree turn only and end up facing. Partners face, gent holding L’s R hand in his L and her L in his R. Palms up, hers down.17-20: As for beats 1-4.21-24: Gent does as for beats 17-20, but breaks L hand with lady and turns her CW under his R arm, she doing turning two-steps.25-32: All two-step with partners.

NEW BRUNSWICK WALTZ ‘00 '07Position : Closed facing LOD Footwork: OppositeMusic: New Brunswick Waltz - Ivan Hicks

Part A - 32 counts1-4 (CP fcg LOD) _ Waltz fwd, waltz back, two turning waltzes to face RLOD5-8 (CP fcg RLOD) - Waltz fwd, waltz back, two turning waltzes to face LOD9-12 (CP fcg LOD. Sidecar position) - Twinkle out, twinkle in, twinkle out, twinkle in13-16 (CP) Two right turning waltzes; spot twirl in six17-32 Repeat measures 1-16 Part A, end in “Rev Skaters Position” both releasing CP twohand hold. Pick up L’s R hand with M’s R hand, and L’s L hand with M’s L hand.The lady is in the outside circle, her L hand is holding M’s L hand behind his back, herR hand is across her tummy and holding M’s R hand.Part B - 32 counts1-4 (Reverse Skaters position) - Balance fwd, balance back, balance fwd, balance back.5-8 (Rev. Skaters to circle wrap) - Side waltz &, Cross waltz & Cross waltz &, side waltz (Lady crosses behind man)9-12 Repeat measures 5-8 Part B ending in closed position13-16 (CP fcg COH) - Two R turning waltzes, spot twirl in six17-32 Repeat measures 1-16 ending in closed position facing LOD

Repeat from beginning

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONNORWEGIAN POLKA ‘09

Music - Folkraft 1411 or any good Scandinavian PolkaClosed Position Footwork - Opposite

PART 1:1-2 Three walking steps in LOD and stamp.3-4 Three walking steps in RLOD and clap, clap.PART 2:5-6 Walk two steps in LOD. Face partner on second step and take shoulder-waist position.7-8 Six-step pivot turn CW, progressing in LOD, ending facing wall. Partners should lean apart in turn.Variations:1. Measures 5-6, walk four steps in LOD Measures 7-8, Four step pivot turn CW.2. Measures 1-2, Take two steps in LOD and a two-step in place facing partner. Measures 3-4, Repeat in RLOD.3. Measures 1-2, Take three-step turn in LOD. Clap at end of turn. Measures 3-4, Repeat in RLOD.

OKEMA SWING TWO-STEP ’01 ’03 ‘15Choreogrphed by Jim WoodsPosition: Semi closed to start Footwork: OppositeMusic: “Okema Swing” by Calvin Volrath

PART ATwo fwd two-steps; lace across in 2 two-steps (Holding lead hands, Lady crosses under man’s raised L)Two forward two-steps; lace back in 2 two-step. (Lady crosses back under man’s raised R arm toSC)Four turning two-steps; Two two-steps down LOD; Lady twirls; man does 2 two-stepsPART BTwo forward two-steps; face; vine; dip fwd; rec.Two-step turn to RLOD; dip fwd; rec.Two turning two-steps ending in semi-closed pos. in LODTwo forward two-steps; face; vine; dip fwd; rec.Two-step turn to RLOD; dip fwd; rec.Two turning two-steps ending in semi-closed pos.Repeat from startENDING: Two forward two-steps; lady twirls; man walks four.

OKLAHOMA MIXER ’97 ‘98Music: Preserving Tradition with Dean Bernier, Vol 2.Starlight Schottische, Columbia 20117, or any schottischeVarsouvenne LOD, Starting L

Shuffle to L, Shuffle to R 2-stepsL Cross over R; R Cross over L, L cross over RL Heel Toe, L cross over to L hand starR Heel Toe, L walks diag left back to new ptnr to Varsouvenne

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONOLD RED BARN MIXER ’91 ’94 ’95 96 ’02 ‘09

Music:Old Red Barn by A. Dejarlais, G. Townsend, Maple Creek FiddlersOpen position, LOD, Opposite footwork

Walk forward, 2, 3, stomp; Backup 2, 3, stompApart, 2, 3, stomp & clap; Together, 2, 3, touch (To semi-closed)Walk, 2, turn & point (to RLOD); Walk RLOD 2, turn & point (LOD)Two forward two-steps; Man does two more two-steps; Lady twirls ahead to new partner

ONE STEP WALTZ ‘13Suggested Music:”Last Date” by Floyd Cramer or “Harbour Lights” By Ivan Hicks and Ned LandryClosed LOD to Start 4-4 Time. Count: 1,2,3, HoldThere is not a particular set pattern to this dance. The moves can be done in any particular order.

Walk LOD 2 steps, Rock Fwd L, Back RBanjo: Walk 2 and Rock and HoldTurn to Sidecar RLOD: Walk 2 and Rock and HoldBanjo: Walk 2 and Rock and HoldTwirl Lady under L Arm to Closed LODMan Waltz 1,2,3, Hold on Spot, as Lady Turns 1,2,3 HoldWaltz Around to 2 or 4 counts and Step 1,2,3,4 Rock and Rock

OSLO WALTZ MIXER ’91 ’96 ’12 ‘15Music - Oslo Waltz - John Cunningham & The CaledoniansFormation: All in circle, hands joined, facing in. Footwork - Opposite

Beginning M’s L, step L, swing R; step R swing L. (L step R, swing L).Lady roll across in front of man on her R.Repeat three more times. End facing partner in butterfly.Step, swing in; step, swing out; solo turn in.Step, swing out, step, swing in; solo turn out.Step, draw in, step, draw in; step, draw out, step, draw out.Four turning waltz steps turning CW progressing CCW around hall.Repeat from beginning.

OVER THE WAVES ’98 ‘99Position: Open to start Footwork: OppositeMusic: Over the Waves – S.C.O.T.F. School House Dance Party #1 or Calvin Vollrath

Waltz away and together; Turn in to Reverse (change hands)One waltz in RLOD; turn in to face; (with M’s L foot)Cross waltz, to close position; (with M’s R foot)Waltz balance back, three turning waltzes; (to open position)Waltz away and together; turn in to reverse (change hands)One waltz in RLOD; turn in to face; (with M’s L footCross waltz to closed position (with M’s R foot)Waltz balance back, three turning waltzes (to butterfly position)Waltz balance L, Waltz balance RRoll, two, three; Roll, two, three (roll down LOD)(to closed position).Four turning waltzes (end in butterfly position)Waltz balance L; waltz balance R;Roll, two, three; Roll, two, three (down LOD) (to closed position)Four turning waltzes (end in open position). REPEAT FROM START.

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PARASOL WALTZ '05Position: Open Footwork: OppositeMusic: Parasol Waltz - Andy Dejarlis

1-4 Waltz away, waltz together, solo turn (keep man’s L and lady’s R hands joined)5-8 4 turning waltzes (twirl lady on last two waltzes)9-12 Waltz away, waltz together, solo turn13-16 4 turning waltzes (twirl lady on last 2 waltzes, end in butterfly position)17-18 Waltz balance left; waltz balance right;19-20 Vine left (six counts) lady twirls 2 waltz steps21-24 Star R two waltzes; star L two waltzes (end in butterfly position)25-26 Waltz balance left; waltz balance right27-28 Vine left (6 count) lady twirls29-32 4 turning waltzes; twirl lady on last 2 waltzes; Repeat from start

PAT’S COUNTRY ’07 ‘15Position: Closed, facing LODMusic: Pat’s Country by the Moonlighters

1-8 Two fwd;;;;two turning, overturning to face wall;;;;1-4 Fwd 2-step (step, tog, step);;fwd 2-step;;5-8 R turning 2-step;; R turning 2-step finishing M facing wall;;;9-12 2-step ½ box fwd;;2-step ½ box back;;9-10 L sd, R tog, L fwd;;11-12 R sd, L tog, R bk;;13-16 Reverse the box;;;13-14 L sd, R tog, L bk15-16 R sd, L tog, R fwd17-24 Strolling Vine;;;;17-18 L sd, R crs behind (lady R sd, L crs in front);;19-20 L turning 2-step, end M facing COH;;21-22 R fed, L crs behind (lady L sd, R crs in front)23-24 R turing 2-step, end M facing wall;;25-28 Twinkle to sidecar;; twinkle to banjo;;25-26 L sd, R tog, L crs through to face RLOD (Lady R side, L tog, R crs behind to face LOD);;27-28 R fwd, L tog, turning ¼ R crs through to face LOD (Lady L bk, R tog, turning ¼, L crs behind

to face RLOD);;29-32 Two R turning 2-steps, ending in closed position, facing LOD;;

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONPEACE IN THE VALLEY MIXER ‘00

Formation: Couples face in a circle, M’s back to COH, both hands joined. Opposite FootworkMusic - Peace In The Valley - Lloyd Shaw 3322 or Red River Waltz S.C.O.T.F. “Come Dance With Us”

1-4 STEP-SWING; STEP-SWING; CROSS; FACE: Starting M’s L step to side on L, swing R across (W steps R, swings L XIF); Repeat action R; Partners change places in 2 measures of waltz (letting go W’s hand) passing L shoulders under M’s L and W’s R hand to face, and join both hands again.5-8 STEP-SWING; STEP-SWING; CHANGE INTO VARSOUVIENNE: Repeat meas. 1-2 and in two waltz measures maneuver into varsouvienne position, facing LOD.9-12 WALTZ; WALTZ; WALTZ; WALTZ: Starting M’s LL (W’s R), do 4 forward waltzes LOD.13-16 STAR RIGHT; AROUND; - - -; JOIN HANDS IN CIRCLE: Letting go L hands couple turns CW in star position in 3 meas. of waltz. On 4th meas. let go R hands as W turns quickly R-face to join hands in circle, all facing COH, W on M’s R.17-20 STEP-SWING; STEP-SWING; GRAPEVINE (LADY ROLL); Repeat footwork of meas. 1-2. In RLOD M does grapevine stepping side L, step R behind L, step side L, cross R in front, touch L; (as man does grapevine W makes one complete R-face turn progressing LOD as she rolls across in front of corner M to again face COH and join hands in the circle). (This is the first of three partner changes).21-24 STEP-SWING; STEP-SWING; GRAPEVINE; (LADY ROLL): Repeat meas. 17-20 (second of 3 partner changes).25-28 INTO THE CENTER; STEP-SWING; BACK UP; STEP-HOLD: Hands still joined in circle starting

M’s L (W’s R) move COH in 4 steps swing L. Back up to original place in 4 steps,touch L.29-32 MEN TO CENTER; - - -; TURN BACK TO CORNER: Let go hands and W balance in place as M starting L moves twd COH in 6 steps, turns L-face to progress to his corner lady in 6 steps to face her, his back to COH ready to commence at beginning of dance. (This is 3rd partner change).

PEEK-A-BOO WALTZ (Two couples) ‘98Two couples, partners facing, both hands joined. Footwork - OppositeMusic - Peek-A-Boo Waltz - Maple Creek MCOTF-2 or any Peek-a-boo Waltz.

Partners face, join both hands, Balance and swing joined hands toward other couple.Ladies change places, left shoulder to left shoulder, crossing in front of M. Join hands(Man steps back while lady crosses). Repeat 3 more times. Everyone waltz with partner.

PEEK-A-BOO WALTZ (One couple)Butterfly Position Footwork - OppositeMusic - Peek-A-Boo Waltz - Maple Creek MCOTF--2 or any Peek-A-Boo Waltz.

PART 1:Starting M’s L (W’s R) step forward with L (L steps backward) foot, close R foot to L, step further with

L foot, swing R foot forward, rising up on toes. Pause. While man does fourwaltz steps, lady turns R in two waltz steps (continue to hold hands) (M’s L hand holdsthe L’s R hand, with elbows bent to form a window through which they look at each other.)Lady unwinds to starting position in two waltz steps.Repeat above ending in sidecar positionPART 11:Starting M’s R (L’s L) step, close, step flare (L is now on M’s R, facing RLOD)Step, close, step flare, back to starting position.While man does four waltz steps, lady twirls R under joined hands in two waltz steps.Keeping hands joined lady twirls back under joined hands to butterfly position.Balance together ( L hip to L hip). balance apart. Balance together (R hip to R hip). Pause.Start dance from beginning.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONPEEK-A-BOO WALTZ

Music: Peek-a-Boo Waltz, Pattern Dances Galore, Harold WrightPosition: Butterfly-Banjo, M fcg LOD. L fcg RLOD, M’s left free, L’s right free

PART A1-6 Step, Close (1,2,3); step, lift (1,2,3)-12 Step, Close (1,2,3); step, lift (1,2,3)13-18 Keeping hands joined, M dances on the spot while L does a right fc turn under M’s left arm,

crossing in front of the M to look at him through joined hands (window) (1,2,3,4,5,6)19-24 M dances on spot while L does a left fc turn to return to butterfly-banjo1,2,3,4,5,6)25-48 Repeat 1-24, but the L will end in sidecar (left hip to left hip). M will need to adjust his position slightly right to accommodate L coming to sidecar position (M fcg LOD, L fcg RLOD) PART B1-24 Step, close (1,2,3); step, lift, turn 180 (1,2,3) (M fcg RLOD, L fcg LOD)Step, close (1,2,3); step, lift, turn 180 (1,2,3) (M fcg LOD, L fcg RLOD)Step, close (1,2,3); step, lift, turn 180 (1,2,3) (M fcg RLOD, L fcg LOD)Step, close (1,2,3); step, lift, turn ¼ to face (M fcg COH, L fcg wall)25-36 Dropping L’s L hand, M waltzes on spot while L does R fc underarm turn to return to wall (1,2,3,4,5,6); M waltzes on the spot while L does left fc turn to return to wall, rejoining hands (1,2,3,4,5,6)37-48 Balance apart, balance together (1,2,3,4,5,6) (As you come together,start to change your direction so M moves to fc LOD and L fc RLOD)Balance apart, balance together, ending in butterfly-banjo (L finishes crossing in front of M) (1,2,3,4,5,6) (Footwork for Part B, 1-24) MAN: Step fwd L, close R, step fwd L, lift R and turn on ball of L to LOD;stepfwd R, close L, step fwd R, lift L and turn on ball of R to LOD; repeat LADY: Step fwd R, close L, step fwd R, lift L and turn on ball of R to LOD; step fwd L close R, step fwd L, lift R and turn on ball of L to fc RLOD;repeat.

PENNY WALTZ ’98 ‘08Closed Position Footwork - OppositeMusic - Black Mountain Records RL1010 Or Interlake Waltz - S.C.O.T.F. “Wheatland Favorites”

M facing LOD, balance fwd and back Balance left & right.Four turning waltz steps. In semi-closed, step forward L, lift R, pauseStep forward R, lift L, pause.Four quick steps forward and lift L,; pauseFour turning waltz steps.

PING PONG SCHOTTISCHE '07Varsouvienne Position Footwork - SameMusic - Any schottische

1: Beginning R, place heel, then toe by L foot.2: Take one two-step, moving forward.3-4: Beginning L, repeat action of measures 1-2.5-6: Beginning R, take eight count grapevine, traveling sideways to R; stepping to R side (ct 1), then L behind R (ct 2), step side R (ct 3), cross L in front of R (ct 4), step side R (ct 5), cross L behind R (ct 6), step R (ct 7) bring L to R but do not take weight (ct 8).7-8: Beginning L, repeat action of measures 5-6, traveling sideways to L.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONPLEASE RELEASE ME ’08 ‘15

Position: Closed Footwork: OppositeMusic: Release Me by Altamont Orchestra or Kevin Harcourt or SCOTF

Intro: (Diag. Open facing) Wait; Wait; apart, pt; tog. (CP LOD) tch;Part A:Walk 2; scissors to Side Car (Side, close, cross)Walk out 2, Scissors to Banjo (Side, close, cross)In CP in LOD, Side, close; Side, Close; Side Thru; (Blending to CP fcg wall)2 Rt turning 2-stepsRepeat Part A, ending in butterfly facing the wall

Part B; In butterflyFace to Face and on around to open position facing RLODBack hitch (back, close, forward); Scissors thru (side, close, thru) to CP facing the wallHalf a box; (side, close, forward) Scissors thru (side, close, thru) to CP facing the wallTwo Rt. turning 2-stepsRepeat B ending in CP facing LOD

Ending: Twirl Vine 2; Apart, Point (acknowledge)

POOR GIRL WALTZ '07Closed, Facing Wall: Waltz Away, Together; 2 Slides L; waltz Away, Together; 2 Slides RRepeat, Ending in Banjo: 4 R Turn Waltzes to Sidecar: 4 L Turning Waltzes.CP: 4 Turning Waltzes and Twirl.

POTATO BLOSSOM WALTZ ‘03Position: Open Footwork: OppositeMusic: Potato Blossom Waltz - Lea Family

Waltz away; Waltz togetherSolo turn, (one waltz out, one back together)Four turning waltzesRepeat the aboveWaltz balance L, waltz balance R, Vine thru Balance back; three turning waltzesRepeat the above; Repeat the entire dance

PROGRESSIVE TWO-STEP ’94 ‘12Varsouvienne Position Footwork - SameMusic - Katy & John Two-step - S.C.O.T.F. “Golden Gems”.

Four walking steps forward, starting with L foot.Four walking steps backward, starting with L foot.Two balance steps (L, R).Step brush, (step on L and brush R foot forward).Three stamps in place, R, L, R, pause.Heel-toe and one two-step forward with L foot.Heel-toe and one two-step forward with R foot.Four two-steps forward, starting with L foot. (M progressing forward to new partner on last two

measures).Repeat entire dance with new partner each time.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONRAGAMUFFIN ‘14

Promenade position, Opposite FootworkMusic: “Ragamuffin” by Len Gadica

2 Fwd 2-Steps, Turn as Couple, 2 backing 2-Steps Twirl, 2. 3, Touch; Reverse Twirl, 2, 33, TouchBalance Back and Together, Balance Back and Together to Closed 4 Turn Pivot, 2 Fwd LOD and Twirl

RAINBOW WALTZ 05Position: Closed Footwork: OppositeMusic: Rainbow At Midnight by E. Palmer (Party Times from Beaver Island)

PART A; Closed position, man facing wallForward touch, back touch Waltz away and together 4 turning waltzes (end facing wall)RepeatPART B;Box waltz apart and together to closed position Twisty balance left and right2 right turning waltzes (end facing wall)Lady twirls under in 2 waltzes while man waltzes forward for twoRepeatPART C;Waltz away and together (turning to face RLOD with inside hands joined)1 back-up waltz 1 waltz to face (come to butterfly position)Waltz balance left and right2 right turning waltzesEnd facing wall in closed position.Sequence of dance A - twice; B - twice; C - once; A - twice; B - twice; C - once; A - twice; B – twice.

RANGER’S POLKA ’91 ’95 ‘98Open Position Footwork - OppositeMusic - Any good polka

In LOD, one two-step, brush R.Back-up, one two-step, brush L.Repeat above, ending in open position, facing LODTwo polka steps (on 2nd polka step, turn individually to face RLOD)Two polka steps (back-up, on 2nd polka step, turn to face LOD).Two polka steps (on 2nd polka step,

lady twirls under M’s L hand, L’s R)

RANGER’S WALTZ (With wrap) ‘04 ‘17Open Position Footwork - OppositeMusic - Ranger’s Waltz - S.C.O.T.F. “Lasting Memories”

Waltz away, wrap;Waltz; unwrapTwo turning waltzesLady twirls to closed position.Repeat and go to butterfly.Vine thru, flare, vine back, draw.Waltz away and together.Two turning waltzes.Repeat.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONRANGER’S WALTZ 08

Open butterfly Opposite feet

(A)Waltz away, together, solo turn in 2, ending with M facing wall closedBal back; bal fwd, 2 R turning waltz, ending facing wallRepeat A(B)Vine L in LOD; Vine R in RLODBal back; Bal fwd; 2 R turning waltzRepeat B.

Option for B:2nd tine thro end part A in banjo2 waltz fwd in LODFlip to sidecar2 waltz backward in LOD, end facing wallBal back; Bal fwd; 2 R turning waltzRepeat B.

RED RIVER WALTZ ‘02Music: Andy DeJarlisPosition: Loose butterfly Footwork: Opposite

Waltz away & together; (touch free hands); Waltz away & togetherFour turning waltzesWaltz away & together; (touch free hands); Waltz away & togetherFour turning waltzesWaltz away & wrap; 2 fwd waltzes (LOD); twirl to bflyVine thru; 4 turning waltzes2 fwd waltzes (LOD); twirl 2; (Lady twirls as M does 2 waltz steps)Waltz away & wrap; 2 fwd waltzes (LOD); twirl (to bfly)Vine thru; 4 turning waltzes2 fwd waltzes (LOD); twirl 2Repeat from start. Last time thru, bow to partner.

RED ROBIN MIXER ‘99Position: Open, LOD, inside hands joined Footwork: OppositeMusic: “Pioneers Dream” by Andy Dejarlis or Red Red Robin by Russel’s Men

1-4 Walk 2; forward two-step, Walk 2, forward two-step (face)5-8 Side ,close; Side two-step in LOD, Side, close; side two-step in RLOD9-12 (R hand star position, W on the outside, M on the inside, CW movement) Walk 2; two-step, Walk 2; two-step13-16 (L hand star position, CCW movement) W are now in center fcg RLOD, M are on the outside of circle fcg LOD), Walk 2; two-step Walk 2; two-step (M walks fwd R,L & meets new partner on the two-step; W turns R - fc on the two-step to fc LOD, join inside hands with new partner)

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONRED ROBIN TWO-STEP ‘12

Open LOD, Opposite FootworkMusic: Al Russ Orchestra

A:2 FWD 2-Steps, Charleston2 FWD 2-Steps, Charleston, Face WallSlow Open Vine FourSide, Touch 4 TimesBack Away, Clap, Together, Touch2 Turning 2-StepsB:2 FWD 2-Steps, M only Pivots to RLOD2 Backward 2-Steps, Twirl 2 Two-StepsScoot 2, Walk 2Repeat B

RIVULETTE, THE ‘99Music: Soloman LeviOpen position, R hands joined

LOD Walk 2, 3, Swing R Fwd & Turn to RLODRLOD Walk 2, 3, Swing L Fwd & Turn to FaceStep L, Swing R; Step R, Swing L4 Swish Steps: L – R – L – RREPEAT ABOVE4 Slides L; 4 Slides R2 Turning 2-steps; 4 Step Pivot

ROAD TO THE ISLE ‘08Varsouvienne Position Footwork - SameMusic - Road To The Isle - S.C.O.T.F. “Lasting Memories”

1: Point L toe forward to L.2-3: Step L behind R (ct 1), R to R side (ct 2), L in front of R (ct 1), and hold (ct 2),4: Point R toe forward to R.5-6: Step R behind L (ct 1), L to L side (ct 2), R in front of L (ct 1), and hold (ct 2),7-8: Point L toe forward (body leans backward), point L toe back (body leans fwd).9-12: Beginning L, take two schottische steps in LOD. Without releasing hands, turn CW on hop (ct 2, measure 12) to face RLOD. Lady is now on M’s L.13-14: Beginning L, take one schottische step in RLOD. Without releasing hands, turn CCW on hop to face LOD. Lady is now back in original position on M’s R.15-16: Stamp in place R, L, R.

ROBERTS ‘91Music: Old Time Couple Dances – Folkway Records #FW8827Closed Position, LOD

SIDE TOUCH LEFT; SIDE TOUCH RIGHT, TURN TO BANJOWALK 4 STEPS FWD; BACK 4 STEPSWALK 4 STEPS FWDHEEL TOE, 2-STEP; turning ¼REPEAT FROM HEEL TOE, 3 times.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONROBERTS ’93 ‘94

Closed Position

L Side, Close, Side, TouchR Side, Close, Side, TouchSolo Turn to Semi-Closed LODL Heel-Toe, Two-StepR Heel-Toe, Two-StepClosed Two-Step Around

ROCK VALLEY JIG ‘17Position: 2 rows facing across LOD (no partners) Footwork: Same. Start R feet.Music: Any Polka or Jig1. In Place: R Heel Fwd & Back, R Heel Fwd & Back – Repeat2. Four 2-Steps Fwd Thro Other Line to Face Out (L faces In)3. Vine R: R, L, R; Turn 180 to Face In (L faces Out). Start Over at 1.Another version is to just step in place on the last two steps.

ROCKIN’ ROBIN '07Position: Man facing wall; both hands joined with partner Footwork: OppositeMusic: Rockin’ Robin

Vine 3 & touch in LODVine/wrap in 3 & touch in RLODM marks time while L unwraps in 3 & touchChange sides in 3 & touchIn RLOD:Vine 3 & touch in RLODVine/wrap in 3 & touch in LODM marks time while L unwraps in 3 & touchChange sides in 3 & touch (ending in SCP facing LOD)in LOD:Two forward 2-steps; scoot 4Walk 2; Two RF turning 2-stepsWalk/Twirl in 4 walking stepsEnd facing wall with both hands joined.Repeat entire dance

ROXY’S TWO-STEP ’03 ’10 ‘13Choreography: Jim WoodMusic - Calvin VollrathPosition: Open Footwork: Opposite

Left Ft Point fwd, side & two-step; Right Ft. point fwd, side & two-step2 forward two-steps, slow vine thru.Repeat all of above2 fwd two-steps. Both turn in RLOD in two two-steps (Lady cross under M’s R & L’s Left hands Cal. Twirl)(In chicken wing position, hands held high and elbows together) Do 2 two-steps RLODBoth turn in to LOD in 2 two-steps (crossing as before) to butterfly.Slow vine thru to semi-closed position2 fwd two-steps, 2 turning two-steps, twirl two (Lady twirls as man does 2 two-steps)Repeat from start.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONROYAL PRINCESS TWO-STEP ’93 ’00 ‘11

Open Position Footwork OppositeMusic - Royal Princess Two-step - Don Messer or Graham Townsend

1: Walk 2, 3, touch.2: Change hands, Lady rolls across in front of man to his L, tch, while man does 3 steps in place,

touch.3: Still facing LOD, change positions 2,3, touch. (M crossing in front of L).4: Still facing LOD, walk backwards, 2, 3, touch.5: In closed position, four turning two-steps (make two complete turns).6: Four two-steps forward in LOD. (L does two two-steps & twirls in two two-steps).

ROYAL SCOT TATTOO ’91 ’95 ’96 ‘12Closed Position Footwork - OppositeMusic - Royal Scot Tattoo - Dermot O’Brien

Starting M’s L, L’s R, Tap, lift, tap, lift; Step, close, step to L. M’s R, L’s L, tap, lift, tap, lift; Step, close,step to R.

Repeat above.Semi-closed position, M’s L, L’s R hands joined.Walk in LOD L,R,L, hop on L; Walk in LOD R,L,R, hop on R; Balance around to count of four.Walk in LOD L,R,L, hop on L; Walk in LOD R,L,R, hop on R; Balance around to count of four.Repeat dance from beginning.

SASKATCHEWAN CIRCLE '04 ‘05Position: Double circle around hall, couple facing coupleMusic: Whalens Breakdown

Circle of 4 with opp. Cpl: CIRCLE L (8 count)CIRCLE R (8 count)R STAR (8); L STAR (8)DO-SA-DO YOUR OPP. (8); DO-SA-DO YOUR PTR. (8)WITH PTR. BAL FWD; BAL BACK (8)WITH PTR. PASS THRO TO NEXT CPL. (R shldr to R shldr) (8)

SASKATCHEWAN MIXER ’11Open Position 3 People LODMusic: Slower Polka

All Promenade till you hear: Allemande L, R, L, ROutside 2 persons move ahead to next center person and Promenade again

SASKATCHEWAN WALTZ ‘02(see Circassion Circle)Butterfly position.

Bal R, Waltz 2 steps; Bal L, waltz 2 stepsL twirls 2, Waltz around till music changes.Butterfly pos; Waltz away & Tog with wrap.Bal fwd & back L twirls 2; Waltz around.Each pattern is done twice.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSASSY SHANEY ‘09

Choreographed by Nancy (Thompson) VerBryckMusic: most polka musicVarsouvianna LOD

Two polkas LODMan one polka, lady turns right ½, hold R handsM two-step LOD; L back up two-step Both vine apartBoth vine to L holding R hands onlyBoth roll across R 360 to change sides (M behind L)Both roll across L 360 to change sides (M behind L)Both roll across R 360 to change sides (M behind L)4 polkas around to left with L hands joined, forearms up, elbows touching, ends M facing LOD on

outside, L RLOD on insideBump hips together twice, Bump hips away twiceBump hips together once, apart once, together once, apart onceReleasing L hands, both step L touch R to face, touch R handsBoth step R to R, touch L, turning slightly R, touch L handsRoll across, Man turning L 360 in place, Lady turning 1 ½ L to end in VarsouviannaREPEAT

SCHOTTISCHE MIXER ‘98Varsouvienne LODMusic: Jubilee Schottishce by Ray Meyers

L 1, 2, 3, HOP; Drop L hands; 1, 2, 3, HOP – M ahead, L turns out & back to next M.; REPEAT.L 1, 2, 3, HOP angling in; R 1, 2, 3, HOP angling out.; Walk 2, 3, 4, LOD; REPEAT, then REPEAT

FROM TOP.

SEATTLE ON MY MIND ‘96Footwork Opposite, except as noted.Music - Seattle On My Mind - Crazy Mamas - AG2003 - Jim Fosso

INTRO: 1-2...In open, facing partner & wall wait 2 measures; 3-4...Step apart L, point R toward partner,; Together (bfly/wall), Touch L; PART A1-2... In butterfly M facing wall, step side L, close R to L, side L turning 1/2 LF (WRF) to a back to

back position M’s R & W’s L hands joined,-; step side R toward LOD, close L, side R turning RF (W LF) to open position partners facing LOD.

3-4...Lunge fwd toward LOD L start RF turn in toward partner (W LF),-; recover R to LOP facing RLOD,-; lunge toward RLOD L start to turn away RF (W LF),-recover R to SCP, facing LOD.5-6...SCP facing LOD do 2 forward two-steps L,R,L,-; R,L,R,;7-8...Face partner, step sideways LOD L,-; Cross R in back (W XIB) turning to LOD,-; facing partner

step side L,-; thru R LOD blend to butterfly (M facing Wall).9-16 REPEAT PART A; Measures 1-8 (end in closed position, facing wall).PART B1-2...Closed facing wall, side L, close R to L, fwd L-; side R turning to RSCP,; thru L to facing wall.3-4...Side R, close L to R, back R,; side L turning to SCP; thru LOD R to SCP facing LOD.5-6...Repeat measures 5-6 of part A.7-8...Blend to loose CP vine LOD side L, XRIB of L (W XIB also), side L, XRIF of L (W XIF also); M step across W on pivot RF,; step fwd between W feet on R pivot RF to CP facing wall,; (W step fwd R between M’s feet pivot R face,; step back L pivot RF to couple facing COH.9-16 REPEAT PART B ; Measures 1-8 (end in butterfly, M facing wall).ENDING: 1-2..Repeat meas 5-6 of part A; 3...Repeat meas 7 of part B; 4...Repeat meas 8 of part B,5...Side L, behind R; (W twirl R under M’s L hand); 6..Back L COH (W to wall); Point R to partner

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSERENITY WALTZ ’01 ‘16

Position: Closed – sidecar Footwork: OppositeMusic: Slow Waltz 16 waltz steps completes the pattern

Twinkle out; twinkle in; twinkle outTwirl the Lady out & back to closed positionWaltz forward; waltz backTwo right turning walking waltz stepsWaltz forwardApart and turn out, point L toe and raise outside handApart and turn in, pointing R toe and raise outside handReverse turn the Lady as Man maneuvers to face the wall, closed dance positionTwo R turning waltz stepsTwirl the Lady in while the man does a vineManeuver back to closed dance, sidecar position

SEVEN STEP

Varsouvienne Position Footwork - SameMusic - Seven Step- S.C.O.T.F. “Come Dance With Us”

Seven steps to Left; seven steps to Right.Three steps to Left; three steps to RightWalk four steps in LOD.Three steps to left; three steps to right.Walk four steps in LOD.Repeat dance from beginning.

Seven step can be done in closed position using opposite footwork.Seven steps to M’s L; seven steps to M’s R.Three steps to M’s L; three steps to M’s R.Pivot four steps.Three steps to M’s L; three steps to M’s RPivot four steps.

SEVEN STEP ‘16Position: Semi Open Music: Seven Step

Seven Steps Forward, Kick. Seven Backup Steps, TouchThree Slides Away, clap, Three Slides Together to ClosedPivot in Four Counts,Repeat

SEVEN STEP MIXERPosition – Double circle Man’s back to COH Footwork – OppositeMusic – Seven Step – S.C.O.T.F “Come Dance With Us”

Seven steps to M’s leftSeven steps to M’s RThree step to M’s L; three steps to M’s rightClap thighs one, own hands once, partner’s hands three timesThree steps to M’s L; three steps to M’s rightBack away two steps; forward right two steps to new partner

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSHENANDOAH WALTZ ’01 ‘02 '06 ’08 ’09 ‘13

Choreographed by Jim WoodPosition: bfly to start Footwork: Opposite

Waltz away & together to bfly; Balance apart & together (to closed position)Two right turning waltzes, Two left turning waltzesRepeat the above (ending in bfly position)Waltz balance Left; Waltz balance Right (Pas De Bas)Vine twirl to closed position, Four turning waltzes; Waltz balance left; Waltz balance RightVine twirl to closed position, Four turning waltzes, Repeat from startEnding: Lady does slow twirl; Man does 2 waltzes in place.

SHUFFLE ‘89Varsouvienne Position Footwork- SameMusic - Bodie Schoolhouse Two-step- S.C.O.T.F. - “Golden Gems” Or Skiffle Fiddle - Cottonpickers or any good polka.

L Heel, toe; step.R Heel in place, Swing R toe to side & back (twice) R Heel, toe; step.Pigeon toe twice (swing heels apart & together twice).R heel, toe; step.L heel, hitch foot up cross in front of R legFour forward two-steps.

SICILIAN CIRCLE ’90 ‘96Double circle around hallMusic - Whalen’s Breakdown - Don Messer or Parkland Fiddlers “By Request” Or Dancecraft LP123322, Ontario Dances.Position: Make 2 Circles around hall; Each cpls faces another cpl, one LOD & one RLOD.

1-4 Join hands with facing cpl & CIRCLE TO THE LEFT to 8 counts5-8 CIRCLE TO THE RIGHT: (8 counts)9-12 RIGHT HAND STAR: (8 counts)13-16 LEFT HAND STAR: (8 counts)17-20 DO-SA-DO YOUR OPPOSITE: Walk back to back around person opposite (8 counts)21-24 DO-SA-DO YOUR PARTNER:25-28 Join inside hands & BAL FWD; BAL BACK: (8 counts)Move fwd 4 steps, back 4 steps.29-32 BAL FWD; BAL BACK; ON TO THE NEXT: Move forward 4 steps, drop hands & pass thru facing couple right shoulder to right shoulder. OR: Couples facing CCW make an arch, couples facing CW dive thru.

SIDE BY SIDE ’91 ’96 ‘14 ‘17Open Position Footwork - OppositeMusic - Side By Side - S.C.O.T.F. “Schoolhouse Dance Party #2”

Heel, toe, one two-step forward; Heel, toe, one two-step forward.Circle away and together (M L; L R) in two two-steps; Walk four in LOD.Repeat above. End in butterfly position.Step, close, step L, tch R across & in place; Step, close, step R, tch L across & in place.Step, close, step L, tch R across & in place; Step, close, step R, tch L across & in place.Step, close, step, close, step thru; Step, close, step, close, step thru.Two turning two-steps; Man walks four steps, while Lady twirls in four steps.

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SIDE SADDLE '12Choreographer: Liz Pasch Music: Any Good Polka Position: Sweetheart position facing LOD

Triple step fwd (L-R-L) Triple step fwd (R-L-R) Triple step fwd (L-R-L) Triple step fwd (R-L-R)CHANGE SIDES (Continue holding hands, raising left hands above lady's head . Lowe r ha n d s

in cross position at wa i st) LADY: Vine left in front of man (left, right, left) Touch right heel forward ( Lady crosses i n front of man to end up on his left)MAN: Step left foot behind right foot, step right foot out to right side. step left foot next to right foot

Touch right heel forward (Man crosses behind the lady to end up on her right)BOTH: Step right foot back; Step left foot backTriple step fwd (R-L-R); Triple step fwd (L-R-L) Step right foot fwdPivot 1/2 turn to the left on the balls of both feet(Raise left hands above Lady ' s head back to swe£;.theart position facing RLOD) Triple step fwd (R-L-R)CHANGE SIDES (Continue holding hands , raising left hands above lady ' s head . Lower hands in cross

position at waist) LADY: Vine left in front of man (left, right, left); Touch right heel forward ( L ady c r osses i n front of man to end up on his left)MAN: Step L foot behind R, step R foot to R side, step L foot next to R foot; Touch R heel forward (Man crosses behind the lady to end up on her ri gh t )Both: Step right foot back; Step left foot back Triple step forward (right, left, right); Triple step forward (left, right, left)

Step right foot forward; Pivot 1/2 turn to the left on the balls of both feet (Raise left hands above Lady ' s head back to sweetheart position fac i ng R LOD ) Touch right heel forward; Step right foot back in positionTouch left heel forward. Hook left heel over right leg Touch left heel forward. Hook left heel over right leg

REPEAT

SIDEWALK WALTZ ‘04Composer; G. Townsend Choreographer - Jim WoodMusic - Golden NotesPosition : Closed Footwork: Opposite

Two fwd waltz steps; Box waltz (Fwd, side close, Back side close)Scissors twinkle out; Scissors Twinkle inTwo fwd waltzes; Box Waltz (fwd, side close; back side close)Scissors Twinkle out; Scissors Twinkle inBalance back (starting with left foot)Three right turning waltzesRepeat from beginning.Last time through, do two turning and lady twirls

This pattern works well with several slow waltz tunes(Introduced at Manitou, June 2004 in honor of Life Members, Don & Irma Brunsden)

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SILVER LAKE TWO-STEP ’00 ’02 ’08 ‘13Choreographed by Jim WoodOpen Position Footwork – Opposite Music - Silver Lake Jig - Curtis Hicks “Portrait of an Oldtyme Fiddler”

LOD, Open, inside hands joinedStarting M’s L, two forward two-steps, (face).Vine thru (side, behind, side, cross in front) Four turning two-steps.Two forward two-steps. Vine thru. Four turning two-steps. (end in banjo position).Walk four in banjo position, turn to sidecar, backup four steps. Four turning two-steps.Walk four in banjo position, turn to sidecar, backup four steps. Four turning two-steps.Repeat dance.

SIXTEEN STEP POLKA ‘04Varsouvienne position Footwork same Music: “Chinese Breakdown” Harold Wright

Right foot heel-toe, L heel-toe, touch R toe back and together L foot – heel-toe, Stamp R twice; Step FWD on R, do half turn away to face RLOD, Step FWD R to RLOD, do half turn back to LOD

(all with L hands joined), 8 FWD 2-Steps LODRepeat from top

SKATER’S GLIDE ’01 ‘02Position: Skaters Footwork: Same Music Most old time waltzes

Glide with R foot diagonally R – close L – glide R again and lift LGlide with L foot diagonally L – close R – glide L again and lift RIn two waltz steps leading with the R make a complete CW turn with Lady crossing in front of man

winding up on the left of man.Glide R – close L –glide R and lift LRepeat starting with Glide L – close R – glide L – lift RGlide R – close L – glide R – lift LTwo turning waltz steps – leading with L CCW – Lady crosses in front of man and winds up back on

right side of manGlide L – close R – glide L – lift RRepeat from top until music endsNote: Gent s always start their glide towards the side on which the lady stands

SKATER’S SCHOTTISCHE ’91 ‘08

Skaters Position Footwork - SameMusic - Anniversary Schottische - S.C.O.T.F. “Wheatland Favorites”

Schottische step (diagonally to R) Schottische step (diagonally to L)Four gliding walk steps forward (end facing partner, M’s back to COH)Schottische step to R (Cross in front of partner, join L hands)Schottische step to L (Cross in front of partner, join R hands)Four hop steps around (end lady on M’s L, facing LOD)Repeat starting schottische step diagonally to L

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSKATER’S WALTZ ‘01

Position: Side by side, lady on the R. Gent has his R arm around lady’s waist and is holding her hand resting on her R hip. Gent’s L hand holds lady’s L hand in front of gent at about shoulder height.

On R foot with weight resting on L, slide R forward and close L on the first measure.During the following series of steps the gent and the lady progress thru a CW turn during which the

lady passes in front of the gent and at the end of the full CW turn the lady is on the L of the gent still holding same hands, but now with L hand of ladies L hip.

Steps are – Lead with R Step, step, close Lead with L Step, step, closeAs you complete the turn, lead with R and raise L feet, giving the effect of skaters. Now you have

completed half of the figure with lady on gent’s L. Repeat from beginning starting with a L foot lead and making a CCW turn, the lady passing in front

and ending on gent’s R. Repeat all.

SKATERS WALTZ ‘16Music: Skaters WaltzPart A: Waltz Away and Together to ButterflyBalance Back, Touch, and Together to Semi Closed2 Forward Waltzes, Twirl, 2 Forward, Twirl to SidecarTwinkle Out, Twinkle In, Twinkle Out, Twinkle In to VarsouviennePart B: Step, Lift, four CW Turning Waltzes, Lady Manoeuvers to Left Side of PartnerStep, Lift, four CCW Turning Waltzes, Lady Manoeuvers back to Right SideStep, Lift, four CW Turning Waltzes, Step, Lift, Four Right Turning to ButterflyStart Over With Part A

SKATER’S WALTZ ‘89Choreograph by Jim WoodSemi-closed Position Part A; Varsouvienne or Skaters Part B. Footwork - Opposite Part A; Same Part BMusic - Skater’s Waltz - Ranwood #R8137 The Magic Organ

Intro: Open. Wait two measures.. To butterfly, to start dance.PART A (SC)WALTZ AWAY; WALTZ TOG; TO BFLY; APART TCH; TOG TO SCP, TCH:Starting on M’s L, (W’s R) waltz away, inside hands joined, and toward partner, tobrief butterfly. Step apart on L:, tch R to L, hold 1 ct, step together to SCP, down LOD.TWO FWD WALTZ; TWIRL TWO; TO SCP; TWO FWD WALTZ; TWIRL TO SIDECAR:SCP two fwd waltzes; W twirls under lead hands as M: does two more waltz steps, back to SCP to

repeat two more waltz steps, W twirls to sidecar.TWINKLE OUT; TWINKLE IN; TWINKLE OUT, TWINKLE IN, TO VARS.:Cross L in front of R, side R, step L in place, turn to banjo.Cross R in front of L, side L, step R in place, turn to sidecar.Cross L in front of R, side R, step L in place, turn to banjo.Cross R in front of L, side L, step R in place, turn to vars.PART B (Vars or Skaters)STEP LIFT; FOUR CW TURNING WALTZ; STEP LIFT; FOUR CCW TURNING WALTZ:Slide L, fwd raising R foot, bending knee, setting foot down with slight slide effect as in skating, (do

not kick foot out) Do four close turning waltzes, during this series of steps WS will pass from right of partner to left, passing in front, and keeping hands joined to start step, lift with L foot, do four close turning waltzes.

STEP LIFT; FOUR CW TURNING WALTZ; STEP LIFT, FOUR CCW TURNING WALTZ (to bfly):REPEAT PART A:SEQUENCE: A---B---A---B---A---B---A.ENDING: Last time thru Part A--after second twirl music will fade. Bow to partner.

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SLIPPING ALONG '05Position: Man behind lady, hands joined on lady’s shoulders Footwork: Same; Starting on Right FootMusic: Any slow foxtrot

RF side point & touch, side point & touchChasse R fwd (R & R - lead with same foot twice in a row) L side point & touch; fwd Left & closeRock L,R,L,R. (Couple ¼ turn R to varsouvienne position with lady on left, for the first rock step)In LOD step L, R behind, step L, R behind, step L & pivot L ½ turn to face COHIn LOD step right, L behind, step R, L behind, step R & pivot R ½ turn to face wallIn LOD step L, R behind, step L, R behind, step L & pivot ¼ turn to LOD & touch R(Man behind lady with hands joined on ladies shoulder ready to begin pattern again)

SMALL WORLD (Mixer) ’90 ’91 ’96 ‘00Open Position LOD Footwork - OppositeMusic - Small World - Record: Chaparral C-521

Walk four steps LOD (turn to face) Balance left; balance right. (turn to open)Repeat above (end facing).Side, close, side, touch (to left) Side, close side, touch (to right)Back away four steps (M COH, L wall) (slant right)Together four steps (to new partner.

SNOW DEER ’91 ’97 ’04 ’10 ‘14Semi Close LOD Footwork - OppositeMusic - Snow Dear - S.C.O.T.F. - “Come Dance With Us”

Two forward two-steps, two turning two-steps.Two forward two-steps, two turning two-steps. Lace across; Lace back,Two-step face to face; back to back Open vine (4 counts).Repeat from beginning.

SPANISH CHAIN ‘97Shoulder/waist Position Footwork - OppositeMusic - Cross Country Waltz - S.C.O.T.F. “Schoolhouse Dance Party”

Waltz to change of music. (end M’s back to COH; L’s back to back)Join hands in circle, waltz L four steps. Waltz R four steps.Right hand chain (with partner) one waltz step, one pause step. (Repeat 3 times).Repeat whole dance.

SPANISH CIRCLE WALTZ ’92 ‘94Formation: Circle of couples facing. Half facing LOD, the other half RLOD. (with M’s R holding L’s L).Music - Spanish Waltz “Best of the Emeralds”

BAL FWD, 2, 3; BAL BK, 2, 3; STAR THRO. (M’s R hand, L’s L, Turn ¼ FACE NEW PTNR)BAL FWD, 2, 3; BAL BK, 2, 3; STAR THRO.REPEAT two more times (everyone has original partner).R STAR, 4 WALTZS. L STAR, 4 WALTZS.Waltz around and on to next. (with original partner do 8 R-face turning waltzes around facing couple

and on to face a new couple to start again).

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSPANISH ROSES ‘16

Position: Closed to Start (M’s Left, L’s Right) Footwork: Opposite Music: Any Cha Cha

ROCK STEP (forward L, recover); Cha, Cha, ChaROCK STEP (back R, recover), Cha, Cha, ChaCROSSOVER BREAK (rock step left over right) Cha, Cha, ChaCROSSOVER BREAK (rock step right over left) Cha, Cha, ChaSOLO RIGHT TURN (L,R) (turn to open facing) Cha, Cha, Cha(TURN TO LOD) Cha, Cha, Cha, KNEE LIFT L, ROCK STEP R(TURN TO FACE) Cha, Cha, Cha(TURNING TO RLOD), Cha, Cha, Cha, KNEE LIFT R, ROCK STEP L(TURNING TO FACE EACH OTHER) Cha, Cha, ChaSOLO LEFT TURN (R,L)(TURN TO OPEN FACING) Cha, Cha, ChaHolding both hands hip highROCK STEP (forward L, recover)Cha, Cha, Cha, (backward on left foot while pumping arms back and forth)Cha, Cha, Cha, (backward on right foot while pumping arms back and forth)Cha, Cha, Cha, (backward on left foot while pumping arms back and forth)ROCK STEP (back R, recover)Cha, Cha, Cha, (backward on right foot while pumping arms back and forth)Cha, Cha, Cha, (backward on left foot while pumping arms back and forth)Cha, Cha, Cha, (backward on right foot while pumping arms back and forth)BACK TO CLOSED POSITION TO START OVER

SPANISH WALTZ (two couples) '06Two couples facingFootwork - OppositeMusic - Spanish Waltz - Haney Oldtyme Fiddlers

Waltz first.M’s R; L’s L hands joined, balance forward & back with second couple.L’s exchange places, passing L shoulder to L shoulder (join hands with opposite M; while M turns on spot.Ladies cross back to own partner.Right hand star; left hand star.Man waltzes with lady behind him.

SPANISH WALTZ QUADRILLE ‘90Footwork: Opposite Music: Good Neighbors Waltz

Sets of four couples or more. There is no home position like waltz quadrilles.If more than four couples you change partners. Remember your partner is always on your right.

JOIN HANDS IN A CIRCLE Waltz fwd & back, the men roll their left hand lady to their right (in four steps)Repeat three more times.All waltz around in a circle with the fourth lady. (16 Waltzes)Join hands when music changes.Repeat

Alternate Move:Waltz forward & back, the lady pass their right hand man to their left (in 4 steps)Repeat three more times.All waltz around in a circle with the fourth man (16 Waltzes)Join hands when music changes. Repeat.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONST. BERNARD WALTZ ‘04

Waltz position LOD Footwork - OppositeMusic - St. Bernard Waltz - Folkways 8827 or Cottonpickers “25th Anniversary”

To L: Side, Close, Side, Close, Side, Tap, Tap with R; To R: Side, Close, Side, CloseIn Banjo: Step Back with L, then with R. (Hesitation); Step Fwd L, then R. (Hesitation)Drop M’s L Hand, then Turns L under his R, Waltzing FWD; Four Turning WaltzesRepeat from Top

STAGECOACH SLIDE ‘13Position: Both Hands Joined, Facing Wall Opposite FootworkMusic: Lonesome 77203 or any slow fox trot or polka

Start Facing Wall: Vine LOD, turning ¼ L to Open LOD, Scuff Ins Ft, Step Fwd Ins Ft, Cls L to R, FwdIns Ft, Scuff Osd Ft

Cross L over R, Recover R, Cls L to R, Tch R Heel Fwd, Cls R to L, Tch Out Heel Fwd bumping hips, Cls L to R, Tch R Heel FwdChg Sides: Both Roll 1/2, M in Front of L, (R-L-R) to LOD, M on Right, Tch In Heel FwdCls L to R, Tch R Heel Fwd Bumping Hips, Cls R By L, Step In Heel Fwd, Turn In ¼ to FaceCross R Over L, Recover L, Stp on R, 2-Stp RLOD and Bk, Rock Bk L, Rec R, Shff 2 Steps to Chg Sides, Rock Rec to Hold Both Hands Fc WallRepeat From Top

SUGAR BLUES ‘91 ‘96 '07 ‘10Banjo Position Footwork - OppositeMusic - Any good fox-trot. Two-step ; two-step (on last step, change to sidecar)Two-step; two-step (change to banjo)Two-step; two-step (change to sidecar)Two-step; two-step (end facing partner with both hands joined).Grapevine left (side, behind, side, touch); Grapevine right.Heel, toe; heel, toe (M’s L; L’s R); Balance left; balance rightGrapevine L; grapevine R; Heel, toe; heel, toeBalance left; balance right (end in banjo position). Repeat whole dance.

SUGAR TREE STOMP ’89 ‘02 '04Closed Position Footwork - OppositeMusic - Sugar Bush Stomp - Grand Coulee Jug Band or Andy De Jarlis “Traveling West”

Side, close, side stomp (to M’s L); Side, close, side stomp (to M’s R)Side, stomp L; side stomp R.Walk four steps forward banjo LOD (turn to sidecar)Walk four steps in RLOD. (turn to banjo)Walk four steps LOD.; Four turning two-steps.

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SUMMERTIME WALTZ ’10 ‘15Choreographed by - Garry & Diane HeilmanPosition: Butterfly Footwork: OppositeMusic: Good Old Summertime or any Old Time Waltz

Waltz away, Waltz together¾ solo turn to RLOD2 waltz steps backward2 waltz steps forward (finish facing partner in btfy)Waltz balance L; Waltz balance RTurn lady underarm to butterfly banjo2 Waltz steps forward down LOD (Lady backward, Man forward)(Turn btfy sidecar) 2 waltz steps down LOD (Man backward; Lady forward)4 turning waltz steps (ending in butterfly)Waltz balance L, Waltz balance RightTurn lady underarm to butterfly banjo 2 waltz steps forward down LOD (Lady backward, Man forward)(Turn btfy sidecar)) 2 waltz steps down LOD (Lady forward; Man backward)4 turning waltzesRepeat

SWAY ‘02Music: slow fox-trotSame footwork

Starting: Both facing wall, M behind L. Hands at shoulder.Bal. L, R, L, R.Step to L, Tch R toe to instep of L foot.Repeat to R, L, R, L.Pivot in place on ball of R foot to face RLOD. End with L on L.Step back on L, Step back on R, Start CCW turn.Step side L, release L hands.Step fwd on R, Step behind on L.Step fwd. on R. L does CW twirl on 6, M walks fwd 2 steps.Repeat dance.

SWEDISH HAMBO ‘91Open position, Opposite footwork

WALTZ AWAY, TOGETHER, WALTZ AWAY, TOGETHER in LODREPEAT; Then 4 TURNING WALTZES (closed pos. hands on waists, waltz hop)

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SWEDISH MASQUERADE ’91 ..‘05Open Position Footwork - OppositeMusic - Swedish Masquerade - Dick Black “Come To The Barn Dance”

Walk 16 steps forward (turn on 15 & 16 to face RLOD).Walk 16 steps (turn to face LOD).Waltz away, waltz together. Waltz away, waltz together (end in closed position).Four turning waltz steps (end in open position).Waltz away, waltz together. Waltz away, waltz together.Four turning waltz steps.Two-step away, two-step together. Two-step away, two-step together.Four turning two-steps.Two-step away, two-step together.Four turning two-steps.Repeat from start.

SWEDISH MASQQUERADE ‘91 ‘94Demo by Norm & Bea ThomasOpen positon Opposite footwork

Variation: Instead of walking 16 steps forward, Walk forward four steps (face partner).Side, close, side, close.Walk forward 4 steps, (face partner).Side, close, side, touch.Instead of walking 16 steps in RLOD, repeat above in RLOD.SWEET GEORGIA BROWN ’98 ’07 ‘10Music: Sweet Georgia Brown, Gordy Lindquist “Green, Green Grass Of Home”Opposite footwork Open facing LODTwo 2-steps LOD, Roll LOD 2,3,Touch to wall facing in bflyBalance R, Balance L, Roll RLOD 2, 3, touch, Roll R face to face PartnerRepeat, ending in butterflyVine LOD, Change side with California Twirl in 3 steps with a touchRepeat in RLOD ending in Semi-closed facing LOD2 Step Bal. Fwd., 2 Step Bal.turning R Face to Open Pos. facing RLODWalk 3 steps in RLOD then turn to Semi-Closed facing LOD2 Two-Steps LOD; Walk 4, L TwirlsRepeat from top

SWEETHEART SCHOTTISCHE ’94 ’01 ‘04 '06 ‘16Varsouvienne Position Footwork - SameMusic - Hop Scotch Polka/Bluebell Polka - The Jim Campbell Band.

Hands always joined except on twirl.Vine to L and scuff with right foot.Gent vines to R, while L makes 1/2 turn in 3 steps to face RLOD on M’s L, scuff L.Gent vines L while L makes 1/2 turn in reverse to original position, scuff R.Gent walks LOD 3 steps while L makes an underarm twirl in 3 steps, scuff L.Walk forward LOD 3 steps, scuff R.Step on R, scuff L, step on L, scuff R.Backup 3 steps, scuff L.Step on L, scuff R; step on R, scuff L.Repeat dance.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSWEETHEART STROLL

Position : Tandem Footwork: SameMusic: Any slow foxtrot

Intro: Rock L,R,L,R to the music1-4 VINE LEFT AND BRUSH

Step L, cross R behind L, step L, brush R foot5-8 ROCK, RECOVER, IN PLACE, BRUSH

Cross R over L, recover back on L, step R foot in place, brush L foot.9-12 LIMP FOUR

Step L, cross R behind L with slight bending of knees Step L, cross R behind L with slight bending of knees

13-20 WINDMILL TURN(Footwork) Turn L foot ¼ L-face & step, brush R foot Turn R foot ¼ L face & step, brush L foot Turn L foot ¼ L face & step, brush R foot Turn R foot ¼ L face & step, brush L foot (weight is now on R foot)(Arm work) R arm goes over woman’s head, drop L hands

21-28 THE ROCKS (two counts each)Step L & hold, step R & hold, step L & hold, step R & hold

(Tip: If music has 32 counts, rock two more times)

TAMARA WALTZ ‘93Closed PositionFootwork - OppositeMusic - Reginald’s Waltz - Parkland Fiddlers “By Request” or Reg Bouvette

There is a L’s & M’s Tamara; They are just reverse movements.

LADY’ S TAMARA: Lady puts her L hand behind her back and her R hand above her head. Man reaches across with his R hand and takes the L’s L, and pulls her by as they drop the hands that are above their heads. They waltz step to face.MAN’S TAMARA: Man puts his L hand behind his back and his R hand up. Lady reaches across with her R hand and takes M’s L, they pull by each other, dropping their hands that are above their heads. They waltz step to face.

In closed position do 4 waltzes in LOD.*Drift apart doing one waltz; together one waltz.Drift apart, one waltz; together one waltz; do a L’s Tamara.One waltz to face partner.Drift apart, one waltz; together one waltz.Drift apart, one waltz; together one waltz, do a M’s Tamara.One waltz to face partner.Two forward waltzes in LOD.Four turning waltzes. Repeat from *.

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TED’S MILITARY TWO-STEP ’00 ‘10Position – Semi-closedFootwork – OppositeMusic – Bugle Call by Noel Touhy radio Ceili Band

Start M’s L, L’s R; Heel, toe, heel, toe; walk LOD 2, 3; two-step turnRepeat in RLOD, end in butterfly positionBalance Fwd & back sidecar; fwd & back banjoMan does 2 two-steps while the lady twirlsTwo turning two-steps

TELL ME MA ’09 ‘12Music: Light City Polka by Frank Ball, Time To DanceVarsouvianna, Same footwork

4 polkas LODVine L, brush, Vine R, brushDrop R hands, L circles around M in 4 polkas, M keeps time in placeHeel, toe L, fwd 2 2-steps; Heel, toe R, fwd 2 2-stepsRepeat

TEN PRETTY GIRLS ‘92Varsouvienne Position Footwork - SameMusic - Ten Pretty Girls - Lloyd Shaw E-36-A or Harold Wright “Lets Go Dancing”

Starting on L, touch L toe forward and back.Step sideways with L, cross R behind L, step side L, touch R toe fwd & back.Step sideways with R, cross L behind R, step side R. Walk four steps forward; touch L toe fwd &

back.Stamp R foot, L foot, R foot.Repeat dance.

Variation:Starting L foot, touch toe to floor fwd & back,Cross L foot behind R, step to side R, close L to R, Touch R toe forward & back.Cross R foot behind L, step to side L, close R to L. Walk four steps forward.Touch L toe forward & back. Stamp R foot, L foot, R foot.Repeat dance.

TEN PRETTY GIRLS ‘97 ’01 ’04 ‘09Open Position Footwork - OppositeMusic Ten Pretty Girls - Lloyd Shaw E-36-A of Harold Wright “Lets Go Dancing”

Starting M’s L; L’s R; Heel, toe; two-step fwd.Starting M’s R; L’s L; Heel, toe; two-step fwd. Lace across & back in LOD.Repeat above.Face to face; back to back Change PlacesFace to face & back to back in RLOD. Change Places (end facing LOD).Heel, toe, vine apart (M L; L R)Heel, toe, vine together. (FOR MIXER L MOVES FWD TO NEW PARTNER)Four turning two-steps.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONTEN STEP POLKA ’97 ’98 ‘02

Varsouvienne LODFootwork – Same Music - Any good polka.

L foot forward & in place.Both feet pivot to R side & back.R foot forward & hitch to L shin.R foot forward & in place.L foot forward & hitch to R shin.Holding hands, lady turns around behind man, while man two-steps in LOD.(W is nowon M’s L side, her R arm over his R shoulder).Stamp, stamp.L foot forward & in place.Both feet pivot to side & back.R foot forward & across.R foot forward & in place.L foot forward & across.Lady crosses back in front of man. while man two-steps in LOD. (Lady is now in original position).Stamp, stamp.

TENDER HEARTS CHA ‘11Choreographer: Donna Marie Bilodeau Music: Yellow Bird (any good cha) Position: Varsouvienne

1-2 STEP, LOCK, CHA-CHA-CHA, STEP, RECOVER, BUMP FORWARD, BACK, FORWARDStep forward on right foot, Lock left foot behind right footCha-cha-cha right, left, right,Step left foot forward Replace weight on right foot Bump left hip forward, right hip back, left hip forward (do not lift feet) 3-4 STEP, RECOVER, 1/2 TURN CHA-CHA-CHA, STEP, PIVOT 1/2 TURN, CHA-CHA-CHAStep forward on right foot, Replace weight on left foot Turn 1/2 right as you cha-cha-cha to face RLOD right, left, right Drop left hands Step forward on left foot, Pivot replacing weight on right foot while turning ½ right to

face LOD, Cha-cha-cha left, right, left 5-6 MAN: WALK, WALK, CHA-CHA-CHA, WALK, WALK, CHA-CHA-CHA LADY: TURN LEFT, CHA-CHA-CHA, TURN RIGHT, CHA-CHA-CHA MAN: Walk forward on right foot, walk forward on left foot Cha-cha-cha right, left,rightLADY: Turn 1 full rotation left to LOD, Stepping right left Cha-cha-cha right, left, right MAN: Walk forward on left foot, walk forward on right foot Cha-cha-cha left, right, leftLADY: Turn 1 full around right to LOD Stepping left right Cha-cha-cha left, right, left 7-8 STEP, RECOVER,1/2TURN CHA-CHA-CHA, STEP, RECOVER,1/2TURN CHACHACHA Step forward on right foot, Replace weight on left foot Turn 1/2 right as you cha-cha-cha to face RLOD right, left, right Step forward on left foot, Replace weight on right foot Turn 1/2 left as you cha-cha-cha to face LOD left, right, leftREPEAT

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TENNESSEE TWO-STEP ’93 ‘94 '07Open Position Footwork - OppositeMusic - Tennessee Two-step - Dash 2504-A (78)

Two forward two-steps. Separate (M L; L R) in one two-step.Together, one two-step. Four turning two-steps.Repeat above.Walk two, face, side behind, roll, two, three, four. (Walk fwd in LOD, face, step to side on L,behind on R, roll L-face down LOD, end in closed position). Four turning two-steps.Walk two, side behind, roll, two, three, four. Four turning two-steps.Repeat from start.

TENNESSEE WALTZ ’97 ’00 ‘01Position: Closed LOD Footwork: OppositeMusic: Tennessee Waltz by Three For The Show or any.

Twinkle out , twinkle in; Two forward waltzesTwinkle out, twinkle in; Two forward waltzesOne Waltz (man backs L, Then 3 more waltzes around to LODWaltz balance L; Waltz balance RTwo forward waltzes

TETON MOUNTAIN STOMP ‘98Closed Position Footwork - OppositeMusic - Lloyd Shaw E-36 A or Grand Coulee Jug Band.

Single circle, men facing LOD.PART 1: Side step and Stamp:1-2: Beginning L, step toward center, close R to L, step L toward Center, and stamp R next to L.3-4: Beginning R, repeat action of measures 1-2, moving away from center of circle.5-6: Step L to side, stamp R beside L. Step R to side, stamp L beside R.PART 2: Walk7-8: L reverse open position (Banjo). Walk 4 steps in LOD (lady moves backward).9-10: R reverse open position (Sidecar). Walk 4 steps backward in LOD (L moves forward).11-12: Man takes 1/2 turn to face LOD and walks 4 steps forward to meet the second lady for a new partner. Lady walks 4 steps forward in RLOD to meet second man for a new partner.PART 3: Two-step, pivot:13-16: Closed position. Take two two-steps, turning CW, and four pivot steps End with man facing LOD.

TEXAS BARN DANCE MIXER ‘94 ‘98 '04 ’12 ‘14Butterfly Position Footwork - OppositeMusic - Maple Sugar - Ward Allen or Graham Townsend or others.

1-2 Side, close, side, touch (Left) Side, close, side, touch (Right)3-4 Man repeats above, while Lady does twirl & reverse twirl L (under M’s L arm).(end open LOD).5-6 Step L, brush R; Step R, touch lightly in front (M’s L; L’s R)Step L, brush R; Step R, touch front.7-8 Back four steps away from partner. Forward four steps to R to new partner.

When not done as a mixer use the following 3-4: Man steps L,R,L, touch R; R,L,R, touch L on spot while lady twirls out 3 & touch (keeping both hands joined to form window) & back 3 & touch under M’s L arm to end in SCP facing LOD.)

7-8 Four turning two-steps in LOD (progressive)

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONTEXAS SCHOTTISCHE FOR THREE ‘09

Music: “Oklahoma Mixer” Folkraft 1035; “Texas Schottische for Three” Folkraft 1484; “Starlight Schottische” Western Jubilee 700 or any smooth schottischeFormation: Line of three, man between two ladies, facing LOD, man reaching back hold outside hand of

each lady, ladies join inside hands behind man.Steps: Two-step, walk, heel toeDirections for danceMeter 4/41 – 2 Beginning left, take two two-steps, moving diagonally left, then right.3 – 4 Beginning left, four walking steps forward5 – 6 Place Left heel forward, place L toe close to R instep (counts 1-4)Ladies release inside hands. Man backs up three steps, pulling ladies around in front, as ladies takethree steps (left, right, left) in LOD, turning back to face RLOD. Man faces LOD,Ladies face RLOD. Beginning Right, repeat heel, toe. Man gives a slight pull of hands, then releaseshands, as all take three steps (right, left, right) forward. Man passes between the two ladies, and joinshands with new partners; ladies turn towards each other, pivoting on third step to face LOD.Start over.

TEXAS SCHOTTISCHE MIXER ‘11Varsouvienna Position; Same FootworkForm a circle around the hall as couples, all facig LODMusic: Any Schottische

A: Step Fwd L and Back; Step Fwd R and Back; Walk 4 StepsL Heal Toe, Twirl L Inward under M’s L Arm so she faces RLOD holding L handsR Heel Toe, Twirl L back under M’s L Arm so she is in original position in Varsouvienna

B: : Step Fwd L and Back; Step Fwd R and Back; Walk 4 StepsL Heal Toe, Twirl L Inward under M’s L Arm so she faces RLOD holding L handsR Heel Toe, Drop L Hands, Extend R Hand to L Ahead facing you and Twirl her to Varsouv. Pos.

THREE PARTY SCHOTTISCHE ‘97Position – Three people, open position facing LODFootwork – SameMusic- Happyland Schottische – S.C.O.T.F. “Schoolhouse Dance Party”

Point L toe forward and back twiceAll move forward 1,2,3Point R toe forward and back onceAll move forward 1,2,3Repeat above(three hold hands) Center person and person on L raise hands, person on R ducks under arch and

around to place, all still holding hands (dishrag) Person on L end ducks under centers raised R hand (same as left) with 1-2-3 hop step.

THREE STEP ’89 ’93 ‘12Closed Position Footwork – OppositeMusic – Clementine – S.C.O.T.F. “Come Dance With Us”

Three slides L, 3 slides R (turn 1/2 on last slide L)Pivot six counts, Man dipping forward on L foot, Lady back on R foot on 5th ct, recover on 6th ct.Repeat.Variations of 2nd line: Man does 3 steps in place while lady twirls. Dip & recover.Chase girl 2 steps, dip fwd on 3rd step, back up 3 steps

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONTWINKLE WALTZ MIXER ‘95

Closed Position LOD Footwork – OppositeMusic – Hangman’s Waltz – Reg Hill – RBS1221

Measure1-2 Twinkle out, twinkle in. (Men step thru with L and lady step back with R, step step, Then men step thru with R and lady step back with L, step, step).3-4 Waltz diagonally away from partner and diagonally in toward new partner. (Man in LOD; Lady to RLOD).5-8 Repeat measures 1-4.9-12 Sidecar around full circle.13-16 Banjo around full circle.

UPTOWN TWO-STEP ‘91 ’96 ’98 ’09 ‘16Music – Walkin’ Uptown – S.C.O.T.F.- “On The Road Again”Open Position LOD Footwork – Opposite

Two forward two-steps (face) Side, close, side touch to L; Side, close, side touch to R.Both Circle away in two two-steps. Together in two two-steps. (end in closed position)Box two-step (side, close forward; side, close back).Side, close cross, side close cross (Lady cross behind). Two turning two-steps.Man walk four steps down LOD (L walk 2 steps & twirl in 2 steps).Repeat from start. NOTE: In place of circle away and together 2-steps, in a crowd it is alright to do 4 turning 2-steps;

After all you do not want to lose your partner.

VARSOUVIANNAVarsouvienne Position Footwork – SameMusic – Varsouvianna – S.C.O.T.F. “Lasting Memories”

PART 1: Last bar of introduction, on beat 3 take weight on R foot, bend L knee, lift L toe to about 6 inches above R toe. Some dancers hop slightly on the R toe, as they do this.Bar 1: Beat 1: Slide L foot to the L, slightly forward of the R. Beat 2: Close R foot to L foot. Beat 3: Lift L toe to above R toe as on beat 3 of previous bar.Bar 2: As for bar 1.Bar 3: Beat 1: Slide L foot to L and slightly forward of the R. Beat 2: Close R foot to L. Beat 3: Step in place on L toe. During beats 2 & 3, the man has led the lady across in front of him, using their joined hands to do so, the next movement being done, therefore, with the lady on the M’s L, but slightly forward of his position.Bar 4: Beat 1: Keep your weight on the L foot, and touch the R toe rightwards to the floor. Beat 2: Hold this position. Beat 3: Keeping weight on the L foot, bend the R knee. Lift the R toe to about six inches above the L toe. Bars 3 & 4 are referred to below as the crossing movement.Bars 5-8: Repeat as in bars 1-4, reversing feet used and direction taken, i.e., begin with R foot, slide to the R, and L foot closing to it, and end by touching the L toe to the L at which time the lady will be on the M’s R as at the beginning.PART 2: Bars 9-16: Repeat Bar 1.PART 3: Bars 17-20: As for bars 3-4 and 7-8, i.e., the crossing movement only is done both ways, first with the lady on R, left foot slid to L and ending with Lady on L, and R toe pointed; secondly with lady on L, R foot slid to R and ending with lady on R and L toe pointed.PART 4: Bars 21-24: Repeat Part 3.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONVELETA WALTZ

Open PositionFootwork – OppositeMusic – Poor Girl Waltz – Don Messer

Starting M’s L; L’s R, Waltz away and together, Two slides to L.Starting M’s R; L’s L, Waltz away and together in RLODTwo slides to R.In banjo position, waltz 4 steps around partner (turn to sidecar)Waltz four waltzes in sidecar around partner. (End in closed position).Waltz with partner.

VIRGINIA REEL ’02 ‘03Formation – Contra Long set of four to eight couples, partners facing.Music – Irish Washerwoman – Parkland Fiddlers “By Request” Turkey In The Straw – Grand Coulee Jug Band or RCA Victor 45-6178 or RCA Victor LPM 1623

1-4 FORWARD & BOW Lines walk forward, curtsey & bow to partners and walk backward to place (8 counts).5-8 FORWAR D & RIGHT HAND ‘ROUND Lines walk forward, partners turn CW once around, R hands joined, and move backwards to place (8 counts).9-12 FORWARD & LEFT HAND ‘ROUND Lines walk forward, partners turn CCW once around, L hands joined, and move backwards to place (8 counts).13-16 FORWARD & TWO HANDS ‘ROUND Lines walk forward, partners turn CW one around, two hands joined, and move backwards to place (8 counts).17-20 FORWARD AND DO-SA-DO Lines walk forward, partners do-sa-do, and move backwards to place (8 counts).21-24 HEAD COUPLE SASHAYS DOWN CENTER & BACK Head couple joins two hands and slides inside of set to foot & back to place (8 counts). HEAD COUPLE, RIGHT ARM TO PARTNER & REEL Head couple reels down the set. To reel, the head couple hooks elbows in middle of set and turns once and a half, separates, and head man turns next lady in line, with L elbows hooked once around as head lady turns next man in line with L elbows hooked once around; head couple meets in middle of set, hooks R elbows, turns once around. Head couple moves down set turning alternately next person in line with L elbow and then each other with R elbow, until they reach foot of set. HEAD COUPLE SASHAYS BACK Head couple turns each other a 1/2 turn (now on original side), join two hands, slides to head of set. HEAD COUPLE CASTS OFF, FORMS AN ARCH Head couple separates and walks down outside of set, man L, lady right, to foot of set. Each person in line follows the head person, in single file. Head couple joins two hands to form an arch at foot of set. PASS THROUGH AND FORM YOUR SETS Partners join inside hands as they go through arch and walk to head of set. (Head couple is now at foot; original second couple is now head couple. Continue to repeat dance until couples are back to original position.

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WALKING AND WHISTLING 2 nd version '05Position: Open Footwork: OppositeMusic: Walkin’ & Whistlin’ Old Timer S8150A or Columbia 4-4091

Two fwd two-steps; 4 step pivotRepeatSide, close, cross; side, close, cross (Scissors); Walk away and back in four steps; ScissorsTwirl the lady while man walks four. Repeat until music ends.

WALKIN’ AND WHISTLIN’ MIXER ’91 ‘10Open Position Footwork – OppositeMusic – Walkin’ & Whistlin’ – Old Timer S8150A or Columbia 4-4091

Run, two, three, hop; run, two, three, hop. (basic schottische step); Walk (LOD) two, three, four.Repeat above (end facing partner, both hands joined.); Side, close, side touch (to M’s L).Side, close, side, touch (to R; Roll, two, three, face (turn away from partner in 4 steps down LOD).Side, close, side, touch (to M’s L). Side, close, side, touch (to M’s R).Turn away from partner, two, three, four to next Lady, who becomes new partner.Repeat from start.

WALKING THE DOG '05 ’13 ‘14Position: Open Footwork: OppositeMusic: Walking The Dog - Calvin Vollrath

2 forward two-steps (Face); Step, close, step, touch Left; Step, close, step, touch, Right½ a box (side, close, forward); Dip forward; ½ a box (side, close, back); Dip backTwisty vine (Man -side, behind, side, front, side, behind, side, thru) (Lady- side, front, side behind, side, front, side, behind)Two turning two-steps; Man walks 4, lady twirlsEnding: Two two-steps forward in semi closed position; Lady twirls as man walks four. Bow(May do heel, toe two-step (M‘s L, L‘s R)) & heel, toe two-step (M’s R, L’s L) in place of twisty vine)

WALTER’S WALTZ ‘91 '05 ‘08Closed Position Footwork – OppositeMusic – Walter’s Waltz – Andy Dejarlis – “Old Time Waltzes” Record EB46

Or Wallter’s Waltz – “The Funtimers”

Three slides L; tap, tap (M’s R foot; L’s L); Three slides R; Lady twirls after second slide.Repeat (takes 16 measures).Waltz (32 measures).

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WALTZ ACROSS TEXAS ‘09Butterfly Position Footwork – OppositeMusic – Waltz Across Texas – S.C.O.T.F. “Happy Fiddlers”

With hands joined (M’s R; L’s L); Starting M’s L foot.Waltz away, waltz together (face).Side close, side touch (turn to RLOD).Waltz away, waltz together (face).Side close, side touch.Repeat above (end in closed facing wall).Two waltz steps back, side close, side touch (to M’s L)Two waltz steps fwd, side close, side touch (to M’s R).Man waltz down LOD; lady twirls once under M’s raised arm (4 waltz steps)In closed dance position, 4 turning waltzes.

WALTZ FOR LORI, A ‘03 '04Choreogarphy: Jim and Gwendolyn WoodPosition: Loose ButterflyMusic: Lori’s Waltz by Scott Woods

Waltz away & together; Solo turn to butterflyWaltz balance left; waltz balance rightLady waltz left face, turn to varsouvienne pos. (Man does 2 waltzes in place)Waltz left, step swing; Waltz right, step swing; Step swing left; step swing right; Two fwd waltzesLace left two waltzes & back two waltzes to varsouvienne. (Lady crossing under joined hands)Waltz left, step swing; waltz right, step swing.Drift apart (inside hands joined) to open position in two forward waltzesStep swing to closed position; Four turning waltzesRepeat from startLast time through: 2 fwd waltzes; Lady twirls

WALTZ OF THE ANGELS ‘11Music: Waltz Of The AngelsPosition: Open Footwork: Opposite

1 & 2 Waltz away, waltz together3 & 4 Keeping L’s L & M’s R hands joined, M does 2 waltz steps around L, while she does ½ turn left to wrap position, with left arm under right. Join M’s L & L’s R, facing RLOD5 & 6 Balance fwd & Back7 & 8 Angel turn; drop M’s L & L’s R keeping M’s R & L’s L joined - man does ¾ turn R while

lady goes under M’s R arm making ¾ turn left ending in bfly pos.9 & 10 Bfly balance L & R11 & 12 Vine left 2,3,4, pause13-16 2 R turning waltzes; M waltzes for 2 as L twirls for 2 ending in banjo pos. facing LOD17-20 Waltz 2 fwd in LOD, pivot & waltz 2 fwd in SCR; end in CP M facing RLOD21-24 3 R turning waltz steps in SCL pos. on 4th waltz step face LOD25-28 Walk 4 in LOD end in CP facing RLOD29-32 2 R turning waltzes, M waltzes for 2 as L twirls 2 to OP.

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WALTZ OF THE BELLS ‘90 ’91 ‘02Open LOD, Opposite foot workRecord: Windsor 4605, Folkcraft 1420, Lloyd Shaw 109

1 – 2 BALANCE FWD AND BACK (joined hands swing fwd & up, down & bk3 – 4 REPEAT5 – 6 SOLO WALTZ TURN7 – 8 STEP-DRAW; STEP DRAW (side L, finish R foot free)9 – 16 REPEAT 1 – 8, RLOD & footwork. End facing17-20 STEP-DRAW 4 TIMES (on 3rd Step-draw, L twirls R-face under lead hands)21-24 REPEAT 17 – 20 in RLOD (L twirls LF under M’s R, L’s L)25-28 BAL APT & TOG TWICE (face with both hands joined, making a bell (window) with M’s L

& L’s R arms raised when balancing tog.)29-30 2 R TURNING WALTZES, TWIRL, 2, 3; STEP, TCH, STEP, TCH

(End open facing, to begin again)

WALTZ OF THE BELLS ’96Butterfly Position facing wall Footwork – OppositeMusic – Waltz of the Bells – Lloyd Shaw 45-109 or Harold Wright “Pattern Dances Galore”

Waltz balance fwd to banjo; waltz balance apart.Waltz balance fwd to sidecar; waltz balance apart.Right hand star, four waltz steps (Full turn back to butterfly)Waltz balance fwd to banjo, waltz balance apart.Waltz balance fwd to sidecar, waltz balance apart.Left hand star, four waltz steps (Full turn back to butterfly).One slide left, swing right; one slide right, swing left.Right hand star, two waltz steps (1/2 turn).Left hand star, two waltz steps (1/2 turn).Four turning waltz steps (In closed position, then open to semi-closed).Two waltz steps down LOD, Lady twirls as man does two waltz steps.Repeat from start.

WALTZING THRU THE LEAVES ‘90 ’92Choreographed by Tony & Ruby GlowOpen Position Footwork – OppositeMusic – Waltzing Through The Leaves – Graham Townsend SBS5239

Waltz away; waltz togetherSolo turn away, (M L; L R) back to face.Step, close, step swing (to M’s L).Step close, step swing (to M’s R).Lace across M’s L arm, lace back, end in closedFour turning waltz steps.

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WESTERN SHUFFLE '06 ‘17Position: VarsouvienneFootwork: SameMusic: I Want to Dance With You by George Strait

Hands always joined except on twirlVine left & brush; vine right & brushMan vines R while lady makes ½ turn L in 3 steps to face RLOD on M’s LMan vines L while Lady makes full right turn to face manMan walks 3 steps while lady makes an underarm twirl out in 3 steps (back to Varsouvienne)Two-step forward; two-step forward; two-step forwardRepeat

WESTPHALIA WALTZ ‘09Closed PositionFootwork – Opposite for waltz, same for pattern.Music – Westphalia Waltz – S.C.O.T.F. “Schoolhouse Dance Party”

Waltz first. (turn to varsouvienne)Beginning with L foot, step sideways with L, close R, step sideways L, swing R across.Beginning R, step, close, step, swing.Step, swing L; step, swing R.Lady twirls L-face under M’s raised R arm to varsouvienne position.Repeat three more times; on last step, swing, lady fold in front of man to closed position.Repeat from start.

WHISPERING FOX TROT ‘00Position: Semi-closed Footwork: OpositeMusic: Whispering by SCOTF

2 Two-steps LODFace wall, side, close, side, touch L; side, close, side, touch, RRepeatBox: side, close, fwd; side, close, backSide, close, cross; side, close, cross4 turning fox trots (or: 2 turning and twirl)Repeat from top.

WHISTLING POLKA MIXER ‘91For 3 peoplePosition – Man with arm around waist of lady on each side, facing LOD.Music – Any good polka

Everyone polka down LOD until whistle blows.Ladies on outside go to center, join hands facing out, circle left.Man with lady on his L take closed pos, polka until whistle blows.Man puts partner on his R, picks up lady from center.Repeat dance.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONWHITE SILVER SANDS (Mixer) ’89 ’97 ‘04 '06

Open Position Footwork – OppositeMusic – White Silver Sands – Mom & Dads “Thanks For The Memories”

Start Open, LOD.

1-2: Begin M’s L, walk four steps in LOD. Turn individually, rejoin inside hands. Continue in LOD, walking backward 4 steps.3-4: Begin M’s L, walk forward four steps in RLOD. Turn individually, rejoin inside hands. Continue RLOD, walking backwards 4 steps.5: Beginning M’s L, balance away from partner, balance toward (together) partner.6: Repeat balance away, balance together.7: Beginning L, roll away Left four walking steps to meet girl behind; the lady turns R around in place and meets new man.8: Join both hands in butterfly position with new partner. Balance in LOD, then balance in RLOD and turn to face LOD side by side.

WILHEMINA’S ROSE ‘99Position – Open Footwork – OppositeMusic – Wilhemina’s Rose – Silver Strings

Step forward (M L; LR)Close R foot to L (L close L foot to R)Step forward (ML; LR) swing R foot forward & turn to face RLOD (ML; LR)Two waltzes backing upStep forward (MR; LL)Close L foot to R (L close R foot to L)Step forward (MR; LL) swing L foot forward & turn to face LOD (MR; LL)Two waltzes backing upWaltz away & together (face)Four count vine (Side, behind, side, thru)Two turning waltzesM does two waltzes down LOD, lady twirls in two waltzes.

WOODEN NICKEL ‘12Choreographer: Rick & Kathy Steams Position: Sweetheart position facing LOO Music - Any Medium Polka

Step left foot forward; Hook right foot in behind left foot Step left foot forward; Scuff right foot to right side Cross right foot in front of left as you step forward; Scuff left foot to left side Cross left foot in front of right as you step forward; Scuff right foot out frontStep right foot forward; Hook left foot in behind right foot Step right foot forward; Hitch left leg as you turn1/4 right(Both Man and Lady are facing outside LOD Lady in front of Man)Step left foot to left side; Step right foot behind left foot Step left foot to left side;Step right foot in front of left foot Step left foot to left side; Hitch right leg as you turn 1/4 right(You are both facing RLOD woman on man's left)Step right foot back; Step left foot backTap right foot in front TWICE; Step right foot forwardPivot 1/2 turn left as you hitch left leg (Weight on right foot)Triple step forward (left-right-left); Triple step forward (right-left-right) Triple step forward (Ieft-right-Ieft); Triple step forward (right-left-right)Repeat

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONWRANGLER’S WALTZ '07

Varsouvienne Position Footwork – SameMusic – Interlake Waltz – S.C.O.T.F. “Wheatland Favorites” or other Old Time Waltzes or Prairie Sunset Waltz – Harold Wright

Two waltz steps forward. Twirl girl (in) and back to varsouvienne.One Waltz forward. Twinkle in, Twinkle Out, Twinkle in, Twinkle outTwo waltzes LOD, One waltz back, one waltz forward, one waltz backDrop R hands, turn L to RLOD. Balance forward and back (M’s R, L’s L hands joined in front)Lady waltz L to RLOD and around behind man and back to varsouvienne(If doing as a mixer, Lady waltzes back to man behind her).

WWW (MATRIMONY) ‘09Arrangement: Bill and Linda McGilveryMusic: Joys Of Wedlock by Southglen Fiddlers, More Old Time Favoriters (or any good 2-step)Position: Open, R hands joined, LOD Footwork: opposite

Wooing:1 - With outside feet: walk, 2, 3, touching beside Left foot on the 4 count (M: L RF L Touch; W: R L R Touch) (next move is changing places with partner)2 – In LOD change places in 3 steps (M: R L R, W: L R L) (Counts 1 2 3); W crossing in front of M Pause touching free toe near instep of supporting foot. (count 1)3 Change places in 3 steps: (M: L R L, W: R L R) M moves diag to left, in front of W, W moves diag to R. Pause tch free toe to floor near other foot.4 Hold inside hands, and M’s R and W’s L foot, back up 1, 2, 3, turn to face and touch on ct 4.5 Release hands and do 4 turning two steps alone: M = CW, W = CCW, to closed on ct 4.6 In closed do 4 turning two steps CW LOD, opening on ct 4

Winning:7 Repeat 1 to 4, end facing wall both hands joined.8 Side 2 step L, side 2 step R, step swing L, step swing R, 4 turning two steps CW - LOD, to open

Wedlock:9 Repeat 1 to 3 parts of Wooing. End open, inside hands joined.10 M move backward 2,3, tch while W move FWD 2, 3, turning to face and Banjo on ct 4.11 In Banjo walk LOD; On ct 4 Tch: M to front of L toe, W behind R heel.12 In Banjo back 3 RLOD Tch on ct 4: M behind R heel, W front of Left toe.13 In Closed: 4 turning 2-steps CW LOD, Opening on 4th

14 Repeat till music ends

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STEPS & FIGURESAcknowledge Courteous recognition of partner, performed as dance directions indicate.Across A term used to indicate movement from one side to the other.Apart & Together Movement away from and back to partner without progression.Back to Back Partners travel along line of progression, turning away from each other to a full or

partial back-to-back position.Balance “step, touch” and/or “hold” in the direction indicated, holding the weight on that foot for one

or more counts.Behind A step in back of the supporting foot. May also be used as a synonym for “in back of”,

indicating that one partner crosses in back of the other to change sides.Bow & Curtsey A traditional ending in dancing: M’s R and L’s L hands are joined as they face each

other. Man bows toward his partner, bending at waist. Lady “curtsies”, keeping the upper part of her body erect as she points one foot in front of the other and bends the knee of the supporting leg to lower the body. She may or may not bow her head.

Box A series of steps so executed as to form a square pattern. May be done singly or as a couple.Brush Ball of the free foot is brushed lightly on the floor in the indicated direction, without taking weight.Buzz Step A spot turn by the dancer with weight on the supporting foot while pushing with the free

foot to propel himself around. May be done singly or as a couple.Change Feet The act of transferring the weight from one foot to the other.Change Sides Partners exchange places.Chasse (Sashay) A sideward movement in the direction indicated, with a of “side, close” steps.Circle A figure in which a ring formation is executed.Close Step Free foot is brought close to or beside the supporting foot to take the weight.Cross To move the hand or foot, from one side to the other of the opposite hand or foot; or move to

the other side of the partnerDip A step in the indicated direction, on the designated foot with a definite bend of that knee.Face –to-Facing Indicates the direction toward which the front of the body is turned.Face-to Face Opposite of back-to-back.Grapevine A series of steps taken where “side steps” are followed by alternately crossing the free

foot in back of or in front of the supporting foot. Variations of the figure are sometimes called a “strolling” or “twisty” vine, where partners change from banjo to sidecar position or vice versa as one partner crosses in back while the crosses in front.

Hook A movement where the free foot crosses in front of and closes to the other side of the supporting foot to share the weight as an individual pivot is executed.

Hop To jump or spring lightly on the supporting foot to land again on the same foot.In Used in two ways: to indicate direction toward the center of the hall, or to approach oror face toward partner.Kick A forceful extension or swing of the free leg.Out Indicates direction toward the wall.Polka A lively dance done to music in 2/4 time in which a Hop on count 1 is followed by a two-step.

Sometimes the hop is done on count 4.Pas-de-Basque A figure where a step to the side on one foot is followed by a step on the other foot

in front of the first, than a change of weight back to the first foot, in place.Back Pas-de-Basque A term sometimes used when the second step is taken behind instead of in

front of the supporting foot.Pivot A turn involving rotation on the ball of the foot as each step is taken. May be done as a

couple or as an individual.Reverse Pertains to line of dance indicating clockwise. When used with a twirl or spin, indicates a

left-face twirl or spin.Rock Transfer of weight from one foot to the other by stepping in the indicated direction on one foot,

then shifting the weight back to the other in place.Run A fast series of steps in line of progression taken without a close.Schottische A series of steps done in 4/4 time characterized by three running steps followed by a

hop on Count 4 on the foot used for the third step.Scissors Twinkle A variation of the twinkle wherein partners move from sidecar to banjo position or

vice versa. One partner executes the cross in back while the other crosses in front. This may be done in place or in progression.

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SASKATCHEWAN PATTERN DANCE ASSOCIATIONSlide A gliding step with the feet remaining in contact with the floor as each step is taken.Spin A quick solo spot turn on the ball of either foot.Spot Turn A turn without progression.Stamp or Stomp Placement of the entire foot on the floor with a strong impact.Star Action where partners rotate around each other with indicated hands joined in star position.Swivel A change of direction and a change of position made while weight is on the ball of the foot.Tamara A series of steps involving changes of hands and positions: Partner facing COH places L

hand in back near his R hip; partner with back to COH reaches across with R hand to take partner’s L hand, while the other hands are joined and arched above head level. Theraised hands are freed as partners pass R shoulders to exchange places and turn to faceeach other, to repeat action if dance directions so indicate.

Tap A sharp audible sound made by contacting the floor with the toe or sole of either foot.Touch The toe of the free foot is touched to the floor in the position indicated, without taking weight

as: near the instep of the supporting foot (in step-touch); forward; in back; or to the side.Twinkle A series of steps involving a change of direction and a cross step: The free foot crosses in

front of or in back of and beyond the supporting foot to take the weight as a partial body turn is made in the direction of the cross.

Twirl A turn made by the woman under her own and the man’s joined uplifted R or L hands. (Standard twirl if R face, or CW; reverse twirl if L face or CCW).

Wrap For the standard wrap, from side-by-side position with the lady at the man’s right, inside hands are joined (M’s R, L’s L), these arms are extended as the lady; makes a complete left face turn, at the same time wrapping the arms around her waist to end facing forward at the man’s right side. Free hands are joined at chest height if directed. The wrap may also be executed with the lady at the gent’s left side making a right-face turn with opposite hands joined; or from either side or from facing position with both hands joined. When both hands are joined, the arms not being wrapped are raised above the lady’s head in an arch while she is turning.

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DANCE SYMBOLS & ABBREVIATIONS

Ack – Acknowledge (to face partner and bow or smile while stepping apart)Bal – BalanceBfly – Butterfly (partners face with arms extended to side and palms touching)Bjo – Banjo (Partners stand with right hips adjacent)Bk – BackBwd – BackwardCCW – Counter ClockwiseCOH – Center of HallCP – Closed PositionCt – countCW – ClockwiseDiag – DiagonallyFC – Face (direction)Ft – FootFwd – ForwardIntro – IntroductionL – LadyL – LeftLF – Left FaceLOD – Line of Dance or DirectionLOP – Loose Open PositionM – ManManuv – ManeuverMeas – MeasuresOP – Open PositionPos – PositionProg – ProgressPt – PointPtr – PartnerR – RightRF – Right FaceRLOD – Reverse Line of DanceScar – Sidecar (partners stand with left hips adjacent)S.C.O.T.F – Swift Current Old Time FiddlersSCP – Semi-closed PositionSwd – SidewardThru – ThroughTog – TogetherTwd – TowardVine – GrapevineW – WomanWall – Facing wallXIB – Cross in BackXIF – Cross in front

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SASKATCHEWAN PATTERN DANCE ASSOCIATION · 2018-02-08 · saskatchewan pattern dance association...

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Transcript of SASKATCHEWAN PATTERN DANCE ASSOCIATION · 2018-02-08 · saskatchewan pattern dance association...