Salesman Study Guide
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Transcript of Salesman Study Guide
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Introduction
DEATH OFA SALESMAN:
an
introDuCtion
byDonesh Olyaie
Production dramaturg
ah mlles Death o a Salesman hs
bee he ae ey he
weeh ey. We 1949, hs
ply s he s ble ks pe les b se he
sy Wlly L, he ph
le-lss ly Bkly.
Wlly, sxy-hee-ye-l sles,
ebes ew ype he,
hs lyeve we L l
ss B Hppye he plyes wh
s h hs ls y eh.
the L ly ps lsi
spshs Wllys eeslse he pese. B e Wlly s
s hl elles,
es he s he h, eebe
wh he wshes h hppee? Wlly
hs sse he be lll he
ae de hs ly, b,
he e he y, wh he -
plsh? Wh e ws he hs? a
ae h vles peple wh
e seby, whee es h leve
el y lke Wlly L?
mlle pke he ply wh sses
h y aes h el wh
1949, e e he
e w wl ws he ge
depess. Lke Wlly, wh es he
e hs ee, wh ws hppe
lls aes wk bslee
ses? Wh ws ly
he bk e e ses?
Hw wl e ee el wh
he sh vles he ex? We
selves sk sl qess y. i
shl be spse, he, h Death o
a Salesman es spek s b
w . Se s lly
elly vese Bkly he
1940s, he Ls le kes le
se bh he w.
let:the Bkly Be(Jh assrebl/Yle uvesyVsl reses).
right:mlle hs esk,1962 (al new/gey ies).
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MiChael Walkup: chles, s Wlly L le yve lwys we ply?
Charles s. Dutton: Wlly L ws e he e hes i e s y
hee se. Bk he i h he ese ply ll he e ps he hee, b
i wy hee whle, we e h i ws le ll y
yes by. my syle s vey physl, i hh i bee ply he le
w whle i y eh, s eh, sll hve he vl pwe
se wk. is hllee, i lke hk h i b seh le whh
l e s hve be .
MW: ths ye ks sxy yes se he peee Death o a Salesman
Bwy. Hw ses pph hs ply 2009 , pl, he
ple he Wlly?
CsD: i wll be esy ses ey wh y hs h hppe he ply.
Wlly L s whs ppe hs w es les eses.
i i y jb hey expeee he hes ey, i hkSalesman wll
be l jey.
JaMes BunDy: oe he ex hs b Wlly s y see h s ye ,
y ls see h he e hs le. Y hve he whle spe hs lys
hsy pke e eve. a he Ls e ly h, he ee, y
sees see vey h lke he w. i hees ee e wh
Wlly wh he ly he hee, wll le pwel es he ply.
GettinG DoWn to Business
Before rehearsals began for Death of a Salesman,
production dramaturg Michael Walkup spoke with
Charles S. Dutton, who plays Willy Loman, and director
James Bundy about their collaboration.
Interview
let:Jes By.
right:chles S. d.
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Interview
CsD: i hk wh s ves y ee s he vsel spe hee
h les es he ply ellelly. i ye eel h he hee,
he y h s well hve sye he lss e he ply.
MW: o s h b ews se Yle rep shele hs p
Death o a Salesman 2009. the ey ke, b we elee he s a
ae pese. Wll hese ew sl pll eles p he p?
JB: chles i wee lk b hs ply eve bee Bk ob ve
hs speeh he 2004 de cve. the pese ws ll-a
ae Death o a Salesman ke pll see; , we ee
he whle s wl be a ae l ls se. S hese exel s
e h e b wh ee s b he ply he eses
heye wh he w expeees.
CsD: i ee. reless he pll le, eless whs hppe
he e slly, hees ply be e. the e i s hk b hwobs x he ey, i Wlly L.
JB: d ll-a ae p, wy, ees he ply be see
s pll see b he a ae expeee. i llws hee be
wl whee he elshp a ae hes whe le es
e w qes. thh he s we wll see hw he sy eepes
eses bh spelly veslly.
CsD: i lke le he ee ee wh he ply es he e. the ee
y wlk wy sy, ths s ae, 2009. B s y jb ee hepee he he; ll he he s, eveyh h wll ee he ply
pllly, hppes lly s w.
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Ive always made a point o not
wasting my lie, and every timeIve come back here I know that all
Ive done is to waste my lie.BiFF
Like a young god. Hercules
something like that. And the sun,
the sun all around him...
God Almighty, hell be great yet.
A star like that, magnicent, can
never really ade away!WiLLY
BiFF
Will and Lindas olde son
Character Descriptions
Whos Who?
rk Fhex
s Wlly L
ny rbee
s L L
he 2008 p
Death o a Sales-man ae
Se (cesy
ae Se).
And they know me boys, they know
me up and down New England.
The nest people. And when I bring
you ellas up, therell be open
sesame or all o us, cause onething boys: I have riends.
WiLLY
I get the eeling that Ill never
sell anything again,
that I wont make a living or you,
or a business or the boys.WiLLY
I realized that selling was thegreatest career a man could want.
Cause what could be more satisying
than to be able to...
pick up a phone, and be
remembered and loved and helped
by so many dierent people.WiLLY
Willy loMan
a salesman
Youre my oundation
and my support, Linda.WiLLY
[Its] enough to be happy
right here, right now. Why must
everybody conquer the world?Linda
linDa loMan
Wills wife
i Death o a Salesman, he hes lk b heselves eh he. Hweve,
we lwys ep wh hey sy e vle? Lk he llw qes.
d hese ws lly esbe he hes, s hee e beeh he se?
thk b he elshp eh speke he pes hey esbe; wh hbe he v ebellsh s he h?
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Character Descriptions
The Woman
hoWard Wagner,Ws BssJenny,Cs Sct
STanley, wt
miSS ForSyThe, leTTa,mss Fsts f
near right:
Thomas Chalmers as
Uncle Ben, Lee J. Cobbas Willy, and Howard
Smith as Charley in the
1949 production o
Death o a Salesman
(Museum o the City
o New York).
ar right:
Arthur Kennedy as Bi,
Lee J. Cobb as Willy,
and Cameron Mitchell
as Happy in the
1949 production oDeath o a Salesman
( John Springer
Collection/CORBIS).
I dont know what the hell
Im working or. Sometimes I sit
in my apartmentall alone.
And I think o the rentIm paying. And its crazy.
But then, its always
what I wanted. An apartment,
a car, and plenty o women.
And still, goddammit, Im lonely.HAPPY
I gotta show some o thosepompous, sel-important
executives over there that HapLoman can make the grade.
HAPPY
HAPPY
W ls u s
A man oughta come in with a
ew words. One thing about
Charley. Hes a man o ew words,
and they respect him.
WILLY
CHARLEY
Ws b f
Bernard can get the best marks
in school, yunderstand, but when
he gets out in the business world,
yunderstand, you are going
to be fve times ahead o him.
WILLY, to BIff
BERNARD
Cs s f
t Bff hpp
Ben. That man was a genius,
that man was success incarnate!
The man knew what
he wanted and went out and
got it! Walked into the jungle,
and comes out,
the age o 21, and hes rich!WILLY
Ws bt
UNCLE BEN
OTHERS
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Setting: Play
a hoMe
GroWs
in Brooklyn
byMichael Walkup
Production dramaturg
Death o a Salesman bes he
Ls he 1949 Bkly. ah
mlles se es esbe he
sll, sle-ly hse s we
ll ses by we, l shpes.
Wlly pls h he hse s bxe by bks wws, wws
bks. He es:
The street is lined with cars. Theres
not a breath of fresh air in the
neighborhood. The grass dont grow
any more, and you cant raise a carrot
in the backyard. They shouldve had
a law against apartment houses.
Remember those two beautiful elm
trees out there? When I and Biff
hung the swing between them?...They
shouldve arrested the builder for
cutting those down. They massacred
the neighborhood.
the ps Wlly ells s he p
se mlles plyhe ely 1930s,
whe Wllys w ss wee hh shl,
Bkly ws sll ee, he eh-
b ses pee he vew
he y. thh leps ey
spe by e s, Wlly
sees lve slesly hese w,
spe Bklys.
Wllys sl ees he 1930s
ae pesss vew he
b yes llw he w
s he es. F s,
he ge depess, e by
he Sk mke csh 1929, bh
evs hshp s jbs evpe
pl e. i he 1940s, he s-
y spke by WWii lhe ae
pspey h evelly see he
uSs ple s wl pwe. B Wllys
s evees he ps ss
he pese, he sees e
by he e, h s hs he s ve-shwe by ew, ll bls.
Se dese S
d esehe
pe phphs
Bkly ehb-hs
hs es (new Yk
Pbl Lby).
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Setting: Production
this is
aMeriCa
byMichael Walkup
Production dramaturg
ah mlle ses Death o a Salesman,
hs expl he s s he
ae de, e he s
u.S. es: Bkly. (the e
y ly ppely pples Bkly
l 1898, whh e bee
pe s e new Yk cys
ve bhs.) Bklys y sehbhs e ese
expeee he ae el p.
the eh es Bkly
wee ees syys wh he
ehbhs es. Bh Beh
Flbsh wee ply Jewsh
ehbhs; Be-Syves
Bwsvlle bee he hss
a aes he 30s
40s. ils ee Beshs, e e y l e
bbe ish tw e he mh
Be. these ppls, e
sehse he e sphs-
e mh, ve Bkly s
ep s he h-sbble bh
sv les.
the s hl he 20h eysw Bkly see: he Bkly
nvy Y bh hss
wkes, spke hs s-
e WWi expe Bklys
esees s h by he -1920s
spsse mh s he s
ppls bh nYc, pe-
e s hs y. Keeh
t. Jks, new Yk cy hs,
ls h s y s e-qe llaes e he hee
e-e Bkly eses.
Bese s le s wy s
sh le p ppl,
Bkly bss e be
ae lks. Ebbes Fel
he he Jke rbs
he Bkly desbee vese
ehbhs el Bkly
l ws elshe ke wy hh-se pe bls. Js blks
wy ss Pspe Pk, 19h-ey
y-be pje e by he
se hes wh ese mh-
s cel Pk. cey isl, he
sh p he bh, ws he
sh lss sees s he cyle
lle se he Seeplehse,
evey se vss elbwe eh
he he bwlk w le
nhs h .
mlle eve wes whh hese
Bkly ehbhs he Ls
lve; hs ply evkes ls yh
Bkly. B he, Wllys e
s he ae de, hs hew
sees be ae sel. mlles lk
spey se y be pesely
he p. a Bkly ve hsel,
mlle e qppe, n e kw
Bkly, bese Bkly s he wl.Jackie Robinson in
Dodger uniform, 1950.
(LIFE Image Archive).
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in anD out
oF the spotliGht
by Donesh Olyaie
Production dramaturg
ah mlles le ws splshe ss he pes ewsppes ve hl
he 20h ey. i y pehps he s sh-e w se
clep, he ws psse ve hs pll pples we
se he s sessl plys hs e. B beh he heles,
ah mlle ws pve, speve whse pb qess es lep
he pe he ae ssess. mlle ws he e
sses ae, l he h pvy, he pps vlvee
Ve, he h ee expess. B lke Wlly, mlle ws ls
Bklye, hsb, he. He ws sps sele by jy
e lve wh bl hs he l ce. as he llw ele ess,
hee s h mlle Wlly L, b hees e veee s well.
About Miller
ah mlle 1949, heye he w he Ple
Death o a Salesman
(Be/corBiS).
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1915:ah mlle s b he Lwe
Es Se mh lves
he uppe Wes Se, whee hs he
s sessl l bsess.
1931: tw yes e he new Yk
Sk Exhe shes, he bkpmlle ly ves Bkly. ah
plys bll wh he bys
Bkly l Jls Phlp
Epse, wh wll bee he seewes
Casablanca, es ply
Jes ms Hh Shls bll
e. (a bll jy h mlle ses
hh shl le peves h
sev he ly WWii.)
1933: mlle es abh
Ll Hh Shl Bkly.
1934:aley ejee e, ah mlle
e-pples he uvesy mh.
up eev se el, mlle
kes pesl ppel he e
he vesy ese. mlle
s lely e l
bss; e h e mh, he s ssely e hh
ks. t pse hs llee eee,
mlle leves hs jb chwk
dele, mh ble
wehse ely le whee
Ll cee w ss, ves
a ab, mh.
1938:ah mlle es heuvesy mh. d hs llee
ee, hs w h ee h w
Hpw aws d,
l shlshp he thee
gls Be new Plys. ae
e he Bkly, mlle bes
w plys he Feel
thee Pje , h se, es
hs hh shl sweehe my ge
Sley.
1941: mlle jles sevel jbs
spp hs ly: he s wke bx
y, spwe uS w b
vesees, shpes helpe
he Bkly nvy Y. He es
we plys hs ee e.
1944: mlles plyThe Man Who Had
All the Luckpeees Bwy lses e ly pees.
mlles s hl, Je, s b.
ah mlle pee lly new
Hve gee, 1968
(Be/corBiS).
About Miller
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About Miller
1947:All My Sons pes e sess.
i bes Eee onells The Iceman
Cometh he d desk aw,
mlle elebes by by hsel
Sebke veble. the ply
ls ws ees he F.B.i., wh
se be cs pp.mlles se hl, rbe, s b.
1948: mlle bls sll b
rxby, ce, bes w
Death o a Salesman hee.
1949: Death o a Salesman pes he
ms thee Bwy. the ply
es mlle Ple Pe, ty aw,
hs se d desk aw.El K, eqe llb wh
mlle, es he ply.
1953: mlle peees The Crucible. the
ply, el wh ss hyse, s
ply spe by he vess mlle
h wh K, whe K esse
hs e ppe bee he Hse
cee u-ae aves
(Huac) evel vls he beleve be cs syphes. as esl
mlle, belev h hs ws beyl
s llbs, spek
h y yes.
1955: mlle peees w ew wks
new Yk:A View From the Bridge
A Memory o Two Mondays.
1956:Whle w The Crucible, mlle
bes ess mly me.
ae sly ve hs s we
my, mlle es he Hllyw
s; mlle eses pee wh
Huac vess.
1960: mlle wks hs se
seeplyThe Mists, s hs we
mly me. the -ye-l
e s ley shky ,
, by 1961, he ple ves.
1962:ae ee he se The
Mists, phphe ie mh
he we qkly evelp el-
shp y 1962. the s hl
ehe, rebe, s b le h ye.
1964: Incident at Vichy Ater theFall eb new Yk; bh plys el
wh mlles eps e
he eves he Hls.Ater
the Fall ls ks mlles e
wh El K.
1965: mlle s elee he Pesey
PEn iel, el
ss wes whse ss s
ve lee wlwe peee expess.
19651968: mlle wks hh he
se weess
pes ae eve Ve.
Hhlhs le eh- hs
l e, he uvesy mh,
s well s lles ss he hes,
l e he new Hve gee.
1966: mlles yes s, del,
s b. Shly e hs bh, del s
se wh dws Sye.
Fllw el ve
he e, mlle ses h lve
s. mlles s elshp
wh del hs bee she
seey hs bee se s
vesy.
1968: The Price pes new Yk.
th se ye Death o a Salesman sells
s llh py.
1972: oe mlles ew eps
ey, The Creation o the World and
Other Business, pes new Yk b
lses e wey pees. tw
yes le, hs sl p he
ply, Up From Paradise, pes a
ab, mh.
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About Miller
1977: The Archbishops Ceiling pes
Wsh d.c. p evews.
Hweve, s sessl s L
1985 bes ah mlle evvl
El.
1980: The American Clockpes b s
qkly lse e ep espse.Hs ply elevs b ss
n e p, Playing or
Time, s.
1982: Elegy or a Lady Some Kind
o Lady ke he peee new
Hve he L Wh thee, he s
plys pe e he ew
bl. Whe he L Wh pee
1965, hey pe The Crucible
s he s shw.
19871994: mlles plys I Cant Remem-
ber Anything, Clara, The Ride Down
Mt. Morgan, The Last Yankee, Broken
Glass peee new Yk. Hs
seeplyEverybody Wins s le
elese.
19971998: the Se thee
cpy new Yk ees s ee
ses s mlles wk.
1998:Mr. Peters Connection peees
new Yk.
2002: Resurrection Blues pes mepls he se ye h mlles
we, ie mh, es.
2005:ah mlle psses wy hs
he rxby, ce.
mlle wh hs h
we, ie mh,
he rxby he,1975 (ale
Esese/LiFE
ie ahve).
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Theatrical Genre
FanFare
For the
CoMMon Man
byMichael Walkup
Production dramaturg
des ey hh hsy
e e h ly slly eleve
es, sh s hees les,
ke pppe pss (hk
Sphles K oeps, res
Qee Phe, Shkespees PeHle, ll he he e
hs he Wese ). F
ees, plywhs ese he ks
hes hse wh
ble bl pp hh he ves.
ah mlle, w ey se
1949 Bkly, lles hllees
hs hsy hs plyDeath o
a Salesman. i
hey pl sple, mlles le esh hs he ses less ly sk
h hs behe ses hs ply
pps hel s
ey whh e bk e ahes.
a 330 BcE, he geek phl-
sphe asle we The Poetics whh
he sh ee w ees plys:
ey ey. i ey, he sys,
we lh hes ees,
whle ey we eel py s we wh
hes e he
b. asle he sshes
bewee he ees by h ey
es sel wh e wh e
lwe h we, whle ey els
es wh e hhe.
d he Hh il resse
(. 14501530 cE), asles ws
ey, l wh he plys he es
The Poetics, wee ehsslly ee,
hs bsevs k he weh
h--s les plyw
ees llw. i 1749, ve 250
yes e he esvey asle,
he ppl Feh ss plywh
Vle esly ssse he
w sessl ey b lw
he: iee, wh l pl
bewee e eve be?B Vle ws w s
he es. i he 1700s, sh e
pwe Epe bh he hee
ew le-lss ees wh wshe
see he w sesbles efee -
se, he h hse he esly
pe hs bles, whse
ese ws elee by he ae
Feh revls. i ws he
w he bes , ees ees h el le-lss
pleses pbles. B he ves-
bewee hh lw ees
e hee.
i he se ye mlle we Death
o a Salesman, he le ske
he ebe, ee Wlly Ls
ss hs essy tey
he c m. Se sy h mlle
ee e-y Evey Wlly, vee e whse sy ss
w sees hw j-
ey hh he ehss pls
he ae de. thse wh
hs e he ply pesss
e h Death o a Salesman mlle
elly ehes bk he lsss
eleves hs lw he (s
he p L h e) he
ss he l, sse,
lke L L, h e s be
p he ll .
Show me ahero and I
will write you
a tragedy.
F. Scott
FitzgEraLd,
1945
Tragedy
is if I get a
paper cut.
Comedy is if
you fall into an
open sewer
and die.
mEL BrooKS,
1975
I believe thatthe common
man is as apt
a subject
for tragedy in
its highest sense
as kings were.
artHur miLLEr,
1949
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Theatrical Style
insiDe
Willys heaD:
arthur Miller
anD aMeriCanexpressionisM
byJeff Rogers
i 1949, ah mlles es ve
h h The Inside o His Head ws
vey le hs ew ply b hewey le e eh
sles. ths le ws, mlle, lel
esp hw he evse he
ply: lpse he ble
Wlly L. the syle he ply ese-
e pevs ae expees
wh expesss s syle h
evelpe Epe he he
weeh ey. Expesss pes
ejee he ess pssve sb-jevy ipesss (e.. des,
re, me) e se
essve syle bs wh psyh
vby ( syle ppe wks by
V gh, Bek, Kkshk).
Epe plywhs, sh s as
Sbe Fk Week, sl-
e h syle he w. the plys
e ee pss he
jey sve hs e sel hs
ple he spl ss.
me ves ae ply-
whs lke Eee onell Ele
re se hs expesss syle s
h e he e
by esly ehe
pesl wl. onells The Hairy Ape
(1922) ees he jey p
l ske he h belly se-
shp hs eh he hs pe
, whle res The Adding Machine
(1923) llws m. ze, bkkeepe,
hs ph ppse hs le e
he s eple by he.
these plys, lke he Epe ebes,
se ll he es he hees,
lh, seey, eve sells
evke he el e
he pss sle. deesle, mlle eplye hs expesss
y ew ae ex
he sle he le lss ee
s l ey he e hsh
e eles.
i keep wh hs l e
he plys le, mlle hh he seey
shl lk lke ss-se
Wlly Ls b. dese J mele
(19011976) h hs w es bhw vey Wllys e sle.
mele bse mlles e ee
ss-se Wlly Ls le. Hs
es ee he we-e ses
sll hse se by we-
pe bls. gee le
pes wee pjee h e
s, lle ss, llw he
we pes sslve wy, s
e ey. ths sepe ws he vey essee he ex-
pesss es fy el
esy le he ee eep
Wlly Ls psyh sle. the es
he l p Death
o a Salesman epeses ekble
llb bewee s
(mlle) vsl s (mele),
yslle he vsl fee
expesss he ae hee.
opposite page:
Jseph Hshs
ee Lee J. cbbs Wlly L he
l 1949 Bwy
p.
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International Productions
travelinG
salesMan
by Donesh Olyaie
Production dramaturg
is e ke e h Death
o a Salesman hs ee ple he
ae , wh less p-
s s hees. B he
ppel Death o Salesman s slely
ae phee; he ply
hs s wy ses ss he
wl l ps dek,Fe, gey, ily, Jp, mex,
he nehels, nwy, Sh Ke,
rss, El hes. the
ey Wlly L es ees
eless ll bk,
svey e 1983 whe he
ply, ee by mlle hsel, peee
he Peples repbl ch. Hw
wl s chese ees
e ply h el wh plssey? Whe ske hw hs ae
ply wl sle chese
ee, mlle se, i epes he
he he he he hle.
ths wh s b. the sles p
s wh he es sy lve. B he l
be pes, he l be, wheve.
the p, pee chese,
plye pke hses Bej. Wh
bee le hh he pees
ws h he elshps he
L ly eee ll sl-
. the chese ply Hppy
we, oe h b he ply h s
vey chese s he wy Wlly es ke
hs ss sessl. the chese he
lwys ws hs ss be s.
B hese elshps e
ese wh ees s we ee
he 21s ey? the plys pesee -
se s s s s eve y, wh
y ps h sse he sk
e-ex . c ew hees
elees be svee hh hese
esh e-s Death o a
Salesman? a ee p he
Shspelhs Bh gey
pple wh hs sse, expl he
ply epy es. the eJe Kse ee se es h
pke s h ae ksh
he se s pssble. ies nve
ae is,1950s lk e,
ule S e he spe.
a Bb dyl qe ws pse ex
Shell ol s, whh
B Hppy pe lss ls
l The Godather Taxi
Driver. the qes he ee hep: hs Death o a Salesman
bee pee ae lke evey-
h else se? Kse k hs
sep he s he ele e
he ply esqe pe
plee wh mly me, he whe
sk bllw p, Se Lbey
y hbsh se h.
Whle hs p epe qe
ae le, evews sll se
he pwel sy he plys ee.
the L ly he elshps
speee he jbs pp le
ee se h eve. i sees
L L hs h h ll l,
ae s be p sh pes,
hs se, sh ply.
ah mlle ebes he Deatho a Salesman s he Bej Peples athee Bej,ch (ie mh/m Phs).
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17
its like
Dj vu allover aGain:
MillersSALESMAN
in 2009
by Monica Achen
Whe Death o a Salesman peee Feby 1949, he ue Ses ws
he s eess, y
he se e hllees h
l 2009: be ke, pl
hs pes, wl se
ee, s eplye. Se
ee h he epess ws
h. mlle kes e eeees
he 194849 eess Death o a
Salesman, js s he s les ve
e es hsl eves sh
s he ge depess he Se
Wl W. neheless, plpble
sese e xey hs ve
he plyxey h wll lkely eel
ll l ys ees. theLs ee les k hse
ely f less aes:
he ly sl ke e
pyes, he l-e eplyee
l wh w, he ll
pe be l
be w hle.
mlle ws e he plh
hse ppe he s wh
he es Jh Keeh glbhlle he fe sey ( hs 1958
bk he se le), hse wh
he ae pse ppy
es llle. iee, he ply s
se he s new Yk cy:
Bkly. i 1949 (s w), Bkly ew
hse ble mh es:
wk lwe-le lss les,
rss, Plsh, Jewsh
es, a aeseely ve he Sh seh
wk. the bh hbe hse
sv bh e sl
epe, e wh le sess.
the Ls beleve heselves hve
heve he sese sey
ls ple by he e le
lss. they sve le h he
by bewee le pephey
s e le h hey h e.
Sxy yes eSalesman peee,
lls aes sll he
se ples h.
Contemporary Context
Charles S. Dutton as
Willy Loman (Steve Pyke).
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18
BeFore
1. relshps e p hee
Death o a Salesman. iey he
ee elshps he Ls hve
wh eh he wh peplese he ly. Which o those
relationships do you eel are the strongest?
The weakest? Which relationship eels
the most real to you and why? F les
he ply spp y swes.
2. Death o a Salesman ws s pe
1949 es be se ll
ve he wl.Ater reading the play, are
there parts you eel are no longer relevant?
Which parts o the play aected you the
most? Why do you think the play lives on?
3.We he le 15h ey, Every-
man s meevl ly ply. the sy
llws he e Evey
s he kes hs l jey eh; he
s e hes lke Seh,
Bey, Kwlee hs wy. the
ply es llse hw sle pes
ph le
chs heve. Se peple sy h
Wlly L s Evey. In what
ways can you see that Willy represents
people in general, and in what ways is his
story very specic and unique?
aFter
1. Ater reading the play, which character
did you most strongly connect with? We
pph sss why. ae see
he ply, evs hs pph. Did whatyou see on the stage reinorce your choice?
Or have you changed your mind? Did
the actor change what you thought about
the character rom reading the script?
2. Death o a Salesman hs yes
whee y, s he ee, see he ps
s Wlly L eebes . Be pepe
sss hw he s, e
wh he e eses, heve
hese ees he ps. Hw es he
se ey ke he ply eel e
less els? Hw h hese e-
es ese expesss? (the
le ise Hs He: ah mlle
ae Expesss, pe 14,
y e y hs pess.)
3. ah mlle s evew
wh chle rse 2006 h hes
e pjes he h.Ater
seeing Yale Repertory Theatres production,
which character or characters do you
eel are a refection o Arthur Miller?
(Y y helpl bk
ee mlles b pes 1013.)
Discussion Questions
J meles p
he se shw he le
ee he Bwyp (F Pee L.
HyssMiller: Death
o a Salesman, 1995).
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Fo moe infomation onyale repeto Theate
and
Charles s. Dutton
Death
oF a
salesMan
go to ou website:aleep.og
yale repertory theatre
JamES BundY
as de
Victoria noLan
m de
stuDy GuiDe Writers
monica acHEn
Yle Shl d, mFa 06
donESH oLYaiE
P d
Yle Shl d, mFa 10
JEFF rogErS
Yle Shl d, mFa 07
micHaEL WaLKuP
P d/as c,Yle Shl d, mFa 06
DesiGn
aLiza dziK
eDitors
amY BoratKo
Ley me
rutH m. FELdman
de E & aessbly Seves
speCial thanks
Scott dougan
maggiE ELLiott
JEnniFEr KigEr
KatHErinE onEiLL
JorgE rodriguEz
catHErinE SHEEHY
arEna StagE
Funding orWiLL PoWEr! 2008 09
is generously provided by:
mS. ESmE uSdan
and