SADDLEBACK COLLEGE · Sponsored in part by the City of Mission Viejo & the Angels for the Arts at...
Transcript of SADDLEBACK COLLEGE · Sponsored in part by the City of Mission Viejo & the Angels for the Arts at...
SADDLEBACKC O L L E G E
Disney’s
Beauty and theBeast
In Concert
Sponsored in part by the City of Mission Viejo & the Angels for the Arts at Saddleback College
7:30 pm
Friday and Saturday
July 8th & 9th
directed by Scott Farthing · musically directed by Lex Leigh · choreography by Deidre Cavazzi set design by Kent McFann · costume design by Lynn McQuown
lighting design by Tim Swiss · sound design by Mark Caspary & Matt Glenn
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The Beast ..............................................................................Grant HodgesBelle .................................................................................Alex McDermottGaston ..................................................................................Keivon AkbariMrs. Potts ................................................................... Annalecia WhitwerCogsworth ...................................................................................Chris FineLumière ........................................................................Christopher DiemBabette ...................................................................... Paige VanderwarkerChip ............................................................................... Rachel ThompsonMadame De La Grande Bouche .......................................... Gal KohavLeFou ...............................................................................Pierce LivingstonMaurice ...........................................................................Darren HunttingMonsieur D’Arque ...................................................Michael CervantesMoving Ensemble/Townspeople .............................Lanette Gutman
Charlee RubinoKayla Shaw
Danielle MalterCorey HunttingCaitlin McFann
Kyle RayGavin Michael Harris
Jack Rubenacker
Cast of Characters
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Piper Hein, Chris Powers, Miranda Carpenter, Megan Perez, Olivia Coughlin, Eric Crider, Max Wilkinson, Lauren Cacace
Michelle Macdougall JacksonTim SwissMichael McCormickMarc Jackson
Fine Arts & Media Technology StaffTheatre Production & Operation Manager: Lighting & Sound Designer:Technical Director:Senior Lab Tech/Carpentry:
Artistic and Production StaffCostume Designer: Acting Costume Supervisor: Scenic Artist: Sound Designer: Co-Sound Designer:Properties Artisan:Hair and Make-up Design, Vocal Coach, Asst. to Director:Choreography Director:Music Director: Director:
Production CrewAudio Engineer:Video Operator:Light Board Operator: Follow Spot:Follow Spot: Lead Deck Crew: Set Construction:
Cutters/Stitchers: Photographer:Videographer:
Summer of Theatre Production CrewProduction Stage Manager: Matthew JacksonStage Manager: Larcyn BurnettAssistant Stage Manager: Megan Perez
THE VIDEOTAPING OR OTHER VIDEO OR AUDIO RECORDING OF THIS PRODUCTION IS STRICTLY PROHIBITED.
Lynn McQuownIneke PretoriusChris HolmesMark CasparyMatt Glenn Amber CarasTrinidad CanoDeidre CavazziLex LeighScott Farthing
Andrea AllmondChristopher PowersMiranda CarpenterPiper HeinLauren CacaceOlivia Coughlin
Mehran Kalantari Marisa Lowey-BallSteven McFann
CAST
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Keivon
Akbari
(Gaston) is
a full-time
Saddleback
student
majoring in
Theatre. He
attended Sage Hill School in Newport
Beach and will be attending NYU’s Tisch
School of the Arts in the fall. His past
roles include: Harlámpy Spirodónovich
Dímba and Grigóry Stepánovich Smirnoff
in A Night of Chekhov, Philip in Mauritius,
Eddie Birdlace in Dogfight, William
Barfee in The 25th Annual Putnam County
Spelling Bee, Jean Valjean in Les Miserables,
Radames in Aida, and Barbershop Quartet
in The Music Man.
Alex
McDermott
(Belle) just
graduated
from
Saddleback
College with
her AA in
Liberal Arts. She will be moving to New
Grant Hodges
(The Beast)
is from Yorba
Linda and just
completed his
freshman year
as a Musical
Theatre Major
at UCLA. He has been performing since
he was in 6th grade and has been in over
25 productions with companies such as
McCoy Rigby Entertainment and Credo
Arts, as well as performances in high
school and at his university. Previous
credits include: Kenickie in the Summer of
Theatre’s Grease, Finch in How to Succeed
in Business Without Really Trying, Papa
Ge in Once On This Island, Conrad Birdie
in Bye Bye Birdie, Orin in Little Shop of
Horrors, Cat in the Hat in Seussical, Mr.
Smith in The Bald Soprano, and Ferris in
The Diviners. Other UCLA shows include
Dogfight, Trojan Women, Eurydice, and
Carousel.
York in the fall to attend the Open Jar
Institute’s residency program. Past roles
include: Amalia in She Loves Me, Linus
in A Charlie Brown Christmas, Olive in
The 25th Annual Putnam County Spelling
Bee (and choreographed), Shy in The Best
Little Whorehouse in Texas, Graziella in
West Side Story, and Florinda in Into the
Woods.
CAST
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Chris Fine
(Cogsworth)
is a full-time
Saddleback
student
majoring
in Theatre.
He attended
Trabuco Hills High School and plans to
attend Chapman University. Past roles
include: Arpad Laszlo in She Loves Me,
Gibbs in Dogfight, Charlie Brown in A
Charlie Brown Christmas, Gaston in Beauty
and the Beast, Horton in Seussical, Tommy
Djilas in The Music Man, and Chuck in
Footloose.
Annalecia
Whitwer
(Mrs. Potts)
is a full-time
Saddleback
student
majoring
in Theatre.
She attended Dana Hills High School
and Oklahoma City University. Past
roles include: Natália Stepánovna and
Anna Martínovna Zmeyúkhina in A
Night of Chekhov, Lucy in A Charlie Brown
Christmas, Hodel in Fiddler on the Roof,
Marian in The Music Man, The Baker’s
Wife in Into the Woods, Rizzo in Grease, and
Maggie in A Chorus Line.
Christopher
Diem
(Lumière)
is a Theatre
Arts student
at Orange
Coast College.
He attended
Corona del Mar High School. Past
roles include Leaf Coneybear in 25th
Annual Putnam County Spelling Bee at
Orange Coast College (OCC), Puck in A
Midsummer Night’s Dream at OCC, and the
Cat in the Hat in Seussical the Musical at
Corona del Mar High School.
Paige
Vanderwarker
(Babette) is
a full-time
Saddleback
student
majoring in
Theatre. She
attended Capistrano Valley High School.
Past roles include: Jackie in Mauritius,
Rose Fenny in Dogfight, Mrs. Clackett in
Noises Off, and Ms. Flannery in Thoroughly
Modern Millie.
CAST
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Darren
Huntting
(Maurice)
is a vocal
performance
and
conducting
student from
Azusa Pacific University. He attended
Liberty Christian High School in
Huntington Beach. He teaches full-time
at Capistrano Valley Christian School,
where he teaches theatre, choir, and
praise band for junior high & high school.
Past roles include tenor at Voices of Liberty,
Disneyland, King Arthur in Camelot
(community theatre) and directed and
Pierce
Livingston
(LeFou) is
a full-time
Saddleback
student
majoring in
Acting. Past
roles include: The Master of Ceremonies
and Kuzmá Nikoláyevich Heérin in A Night
of Chekhov, Snoopy in A Charlie Brown
Christmas, Young Clyde in Bonnie & Clyde,
Banquo in Macbeth, Danny Lockhart in
The Trouble with Summer People, and Flute
in A Midsummer Night’s Dream.
Rachel
Thompson
(Chip) plans
to attend
New York
University
as a Musical
Theatre major.
She is currently a student at San Juan Hills
High School. Past roles include Jasmine in
Aladdin (South County Performing Arts),
Ensemble in Sound of Music (SCPA), and
Ensemble in Seussical (SCPA).
Gal Kohav
(Madame De
la Grande
Bouche) is
a full-time
Saddleback
student
majoring
in Vocal Performance. She attended
high school in Israel. Past roles include
Aeneas in the opera Dido and Aenea at
Saddleback College, Ensemble in Mary
Poppins, Ensemble in the Israeli opera in
the productions of The Rat Laughed and
Wazzech. Directed and was soloist in the
opera Brundubar, which was performed in
Israel, Russia, and Czech Republic.
CAST
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Lanette
Gutman
(Ensemble)
attended San
Diego State
University
majoring in
Voice. She
now teaches 6th Grade Social Studies
in Orange Unified. She played Miss
Andrew and Bird Woman in last year’s
(cont. from p.6) musically directed more
than 40 shows including: Kiss Me Kate,
Les Miserables, How to Succeed in Business
Without Really Trying, and The Sound of
Music. He also performs with his wife and
three children in a professional choir, The
Gary Bonner Singers.
Michael
Cervantes
(Monsieur
D’Arque) is
a full-time
student at
Saddleback
College. Past
plays include: Fector in Dogfight, Teen
Angel in Grease, Bye Bye Birdie, Back to
the 80s and Grease. His past Saddleback
plays include: The Best Little Whorehouse
in Texas, Godspell, The 25th Annual Putnam
County Spelling Bee, and A Charlie Brown
Christmas.
Charlee
Rubino
(Ensemble)
played
Michael
Banks in
Mary Poppins
(Saddleback
College), Sandy in Grease (Center Stage
Studio), Jasmine in Aladdin (Center Stage
Studio), and Peter Pan in Peter Pan (Center
Stage Studio).
Kayla Shaw
(Ensemble)
is a student
at Mission
Viejo High
School. Past
roles include
Ursula in The
Little Mermaid and Gertrude in Seussical
the Musical.
Mary Poppins at Saddleback. Other roles
include: Mother Superior in Nunsense
at the On the Edge Theatre (OTE) in
Laguna Hills, Dolly Levi in Hello Dolly!
at the Musical Theatre Village (MTV) in
Irvine, Marmee in Little Women at MTV,
Miss Hannigan in Annie at MTV, and
Aunt Eller in Oklahoma at MTV. Past parts
include: Buffalo Bill Cody in Annie Get
Your Gun, Smee in Peter Pan, and King
Herod in Jesus Christ Superstar.
CAST
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Caitlin
McFann
(Ensemble)
is a student
at Capistrano
Valley High
School and
Saddleback
College. Her past roles include:
Dáshenkasya and Nastásya Fyvódorovna
Merchúkina in A Night of Chekhov, Sally in
A Charlie Brown Christmas, Marci in Almost,
Maine, Ann Putnam in The Crucible,
Francis in Five Women Wearing the Same
Dress, and Ghost of Christmas Past in A
Christmas Carol.
Corey
Huntting
(Ensemble)
is a Voice
major and
Theatre minor
at California
Baptist
University. He works as a barista at
Starbucks. Past roles include: Baker in
Into the Woods (Yorba Linda Spotlight
Theatre), Genie in Aladdin, (City Center
Entertainment—Arizona), Perchik in
Fiddler on the Roof (Grace Arts Live—
Arizona), Man 1 in Songs for a New World
(California Baptist University).
Danielle
Malter
(Ensemble)
has been in
numerous
shows
including
Narrator in
Bare (a Staged Reading); Adelaide in Guys
and Dolls, LeFou in Beauty and the Beast,
Genie in Aladdin, and Mad Hatter in Alice
in Wonderland.
Kyle Ray
(Ensemble)
is a full-time
Saddleback
student
majoring
in Theatre.
He attended
Capistrano Valley High School. Past roles
include: Ladislay Sipos in She Loves Me,
Pete/Lounge Singer/Sergeant in Dogfight,
Roger in Grease, Ensemble in Guys &
Dolls, Phil in Almost, Maine, and Ching
Ho in Thoroughly Modern Millie. He also
performed in the stage reading of Invisible
at Saddleback College, and he worked
backstage on Bonnie & Clyde.
CAST
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director’s note ..................................................................... Children Will Listen…
Fairy tales are one of our most precious cultural resources. Information, morality, history is passed through generations using delightful metaphorical images and bold statements of warning and the teachings of “cause and effect.” If you do X then Y will be the result. We tell these stories in exaggerated tones and let the imagination of the listener be sparked. How red was that hood? How big were those houses inhabited by pigs? Exactly how blond were those “goldie” locks? Beauty and the Beast or La Belle et la Bête is indeed a fairy tale. Research suggest that its earliest known form dates back for some 4,000 years. However, the earliest record of a published story was penned in 1740 by French novelist Gabrielle-Suzanne Barbot de Villeneuve and then modified by Marie LePrince-Beaumont around 1756 in a book of French children’s stories. While these stories are very different than what we currently know as Beauty and the Beast, the historical progression is quite a fascinating journey. The first known film version, La Belle et la Bête, was released in 1946 by famed French director, artist, and poet Jean Cocteau. Interestingly, Walt Disney Studios first started development of an animated Beauty and the Beast following the watershed success of Snow White and the Seven Dwarves in the late 1930’s. Cocteau’s version is considered by many critics to be one of the most important French films of the period and Roger Ebert has even placed it in his “Top 100” movies of the 20th Century. In 1991, Disney Studios produced the iconic animated Beauty and the Beast that was the first animated movie to be nominated for an Academy Award
Gavin Michael
Harris
(Ensemble)
attended
Capistrano
Valley
Christian
School.
He plans to transfer to Grand Canyon
University in Phoenix, Arizona. Past roles
include: Moonface Martin in Anything
Goes, Laurie Lawrence in Little Women,
J.B. Bailey in How to Succeed in Business
Jack
Rubenacker
(Ensemble)
attended
high school
at St.
Margaret’s
Episcopal
School. Past roles include Dr. Craven in
The Secret Garden, 2016.
Without Really Trying, and Troy Bolton in
High School Musical.
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(cont. from p.9) for Best Picture. The Academy of Motion Pictures added “Best Animated” category because of this film. With music by Howard Ashman and Alan Menken, the story was further expanded and adapted for modern day storytelling and to create more definitive characters like Gaston and the animated objects of the castle. The movie became an international success and has garnered countless awards and grossed enormous amounts of revenue for video sales, merchandise, spinoffs, sequels, etc. Forward to Beauty and the Beast in its current musical version (there is also an opera by Philip Glass that more closely resembles the 18th century French stories than what is in the musical) which made its Broadway debut in 1994 and became the 9th longest running Broadway musical to date. There are many differences in the details and characterizations between the musical and the animated movie which you will discover as the show progresses; additional songs are not the least of the differences. As with every fairy tale, the reader must decide: what is the underlying message? What is this moral? As a fairy tale, what is Beauty and the Beast trying to tell us? Is it “love can come in surprising places?” Is it “don’t judge a book by its cover?” Perhaps it is about “adventure will take you places you don’t really want to be but once you are there it is wonderful?” On a personal note, I see Beauty and the Beast as a series of opportunities that each have consequences, both good and bad, for all involved. Actions not only affect the individual but all those around you. Or perhaps it is about the transforming power of love. I love the idea that a truly great story can be seen and observed through multiple angles and interpretations. Beauty and the Beast is one of those kinds of stories. Everyone will take away something unique and be able to reflect on it through their individual set of experiences. We identify in some way with each of these characters and we have empathy with their struggles. Who hasn’t felt like the outcast or the odd one? Who hasn’t felt unlovable? Who hasn’t been afraid that love was never going to find them? Today’s production is very special to everyone on stage. Presenting a musical so dependent on costumes, set, and theatrical tricks in its most reduced form has presented the creative team with a wonderful challenge. Perhaps instead of thinking of this as a concert performance without set or props or the usual spinning tea cups and elaborate stage tricks, we have made the decision to present this story in its most original intent. The actors are going to use only their bodies and voices to convey the words and songs, while you fill in the blanks with your imagination. You have permission to imagine for yourself how hideous this beast is in your mind. You have permission to let Mrs. Potts really be a talking and singing teacup. Let your mind be ENGAGED and go with us on an adventure: one with a handsome prince, a beautiful girl, talking objects, daring fights, and most of all, lots of love.
SCREATIVE TEAM
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Scott Farthing (Director) is proud to be working with the wonderful creative team that has created this production of Beauty and the Beast In Concert. Past productions for Saddleback College include Legally Blonde, Best Little Whorehouse in Texas, 25th Annual Putnam County Spelling Bee, Godspell, The Medium, The Telephone, The Goose Girl, Suor Angelica, Mitridate, Gallantry as well as ten years of choral and vocal concerts including Feast of Lights, The Armed Man, Carmina Burana, Seriously Sondheim, In Love with Rodgers and Hart, and numerous others. Dr. Farthing has had an incredibly diverse career as a performer, director, composer, conductor, and pianist. With national credits as a composer, his music has been performed at universities, high schools, and middle schools throughout the United States as well as international music festivals in Switzerland, England, Wales, France, Italy and Germany. He has also received commissions from the Kansas City Gay Men’s Chorus, the Grammy Award winning San Francisco Girl’s Chorus, the National Honor Chorus for the American Choral Director’s Association, and the University of Missouri, to name a few. As a pianist, he had the privilege of being a guest artist with several honor choruses from around the US in venues such as Carnegie Hall, Lincoln Center, Kennedy Center, Houston’s Jones Hall and All-State Choirs in ten states. He had the privilege of being a pianist for Phyllis Diller, Marilyn Maye, several Miss America’s, Richard White (the voice of the original Gaston), as well as numerous classical artists. As a musical director, favorite productions include Children of Eden, Naughty Marietta, Little Shop of Horrors, The Wiz, I Do! I Do!, Cottonpatch Gospel, You’re a Good Man, Charlie Brown, A Little Night Music, Phantom!, Phantom of the Opera, Kiss Me, Kate, and Music Man. As an actor, favorite roles have been Beadle in Sweeney Todd, the Baker in Into the Woods, Papageno in The Magic Flute, and Jamie in The Last Five Years. Dr. Farthing is most proud of the accomplishments of his students throughout his twenty year career in academics. Former students are singing in churches, coffee houses, Broadway, Off-Broadway, and opera houses, as well as showers and subways throughout the world. Farthing holds degrees from the Conservatory of Music at the University of Missouri-Kansas City, Friends University, and additional study at Catholic University and the University of Maryland.
LD
CREATIVE TEAM
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Lex Leigh (Music Director/Piano) Past musical direction credits include: Bonnie & Clyde, Legally Blonde, The 25th Annual Putnam County Spelling Bee, Cabaret, Snoopy, Urinetown, The Wiz, Bat Boy The Musical, Aida, Oklahoma!, 1940’s Radio Hour, and Les Misérables. Lex has played piano or violin in numerous pits including Man of La Mancha, West Side Story, Anything Goes, Kiss Me Kate, Babes in Toyland, Guys & Dolls, and Once On This Island. In addition to musical theatre, Lex is an avid jazz musician, playing with many groups including the Lex Leigh Trio. These groups have appeared all around the country and beyond, including a tour of New Orleans, as well as appearances at the Monterey Jazz Festival and the Sacramento Traditional Jazz Festival.
Deidre Cavazzi (Choreographer) is the chair of the Dance Department at Saddleback College, and the advisor for the students’ annual participation in the American College Dance Festival. Past theatre productions at the college include the choreography for Legally Blonde, Dead Man’s Cell Phone, Best Little Whorehouse in Texas, Godspell, and She Loves Me. She also creates concert and site-specific choreography for dance department productions and for ArchiTexture Dance Company. Deidre loves working with students and faculty from across the arts, and has also enjoyed being part of campus Happening/Unhappening events, creating choreography for the recent production of The Armed Man: A Mass for Peace, as well as designing several interdisciplinary campuswide projects, including a centennial celebration of The Rite of Spring and performances centered on quantum physics (Entangled States) and the Fibonacci numbers (Sequences & Spirals). Over the next year she is looking forward to multimedia arts projects for Banned Books Week (Bodies & Ink, Fall 2016), and Arctic Environments and Climate Change (Fall 2017) on the campus.
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Musical Numbers
Belle ...................................................................................................................................BelleNo Matter What ............................................................................................Belle, MauriceWolf Chase #1 ................................................................................................Belle, MauriceMe ...................................................................................................................... Belle, GastonIs This Home? .............................................................................................. Belle, Mrs PottsGaston ........................................................................................Gaston, LeFou, Silly GirlsHow Long Must This Go On? .............................................................................. The BeastBe Our Guest ............................................................................. Lumière, Chip, EnsembleIf I Can’t Love Her ................................................................................................. The Beast
Act II
Something There .......................... Belle, Mrs. Potts, The Beast, Lumière, CogsworthHuman Again .........................................................................................................EnsembleMaison De Lunes .....................................................Gaston, LeFou, Monsieur D’ArqueBeauty and the Beast .............................................................................................Mrs. PottsIf I Can’t Love Her Reprise ...................................................................................The BeastA Change In Me ............................................................................................................... BelleThe Mob Song .........................................................................................Gaston, EnsembleIs This Home Reprise .......................................................................................................Belle Transformation/Finale ......................................................... Belle, The Beast, Ensemble
Act I
Katherine BoergerJonah CervantesNancy CromerNadia FodorEleanor HughesAmani LabbanShareen LawrenceEsstella LeonMaryellen LowryVera LugoLinda MarvelJeff PurkinsClaire Purcell
Devon RobertsonMolly Robertson
Iris RosenfeldBarb RurisPat Sauter
Ben SellersCatherine Sumner
Katherine ThompsonPaula ThompsonShawn Thrasher
Cathy UlrichRoz Westra
Medora Zani
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Violin ....................................................................................................Priyanka Venkatesh Cello .............................................................................................................. Greg AdamsonReed 1 (flute, piccolo) .............................................................................Hayan CharlstonReed 2 (English horn, oboe) ................................................................. Colin WenhardtReed 3 (bass clarinet, clarinet, flute) .........................................................Angela WellsTrumpet...............................................................................................................Steve WadeHorn ................................................................................................................. Mark GhiassiBass ................................................................................................................... Carlos RiveraPiano........................................................................................................................ Lex LeighSynth .....................................................................................................................Adela NethPercussion ......................................................................................................Simon Carroll
Musicians
Chorus Members
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DISNEY’S BEAUTY AND THE BEASTis presented through special arrangement with Music Theatre International
(MTI).All authorized performance materials are also supplied by MTI.
www.MTIShows.com
Department of Theatre Arts Faculty and Staff Kent McFann*, ChairWilliam Francis McGuire*, Head of Acting and Performance
Entertainment and Theatre TechnologyChris Holmes Tim Swiss* Mark CasparyLynn McQuown Marc Jackson* Jerold EnosMichelle Macdougall Jackson* Michael McCormick* Ineke Pretourius
Acting and PerformanceJonelle Allen David AnthonyBeverly Arrowsmith Trevor BishipHal Landon Lex LeighMaria Mayenzet* Robert PriorOlivia Trevino Karen KalenskyMark McQuown Scott Farthing*Maiya Murphy Joanne DeNautDeidre Cavazzi*
Appreciation and HistoryJody Berger
*Full Time
Division of Fine Arts and Media Technology Staff
Dean Bart McHenryDirector of Audience Development David Anderson, Jr.Ticket Office Operations Manager Elliot KlingeFront of House Assistant Stacy DeMoreFine Arts Public Information Officer Nina WelchAdministrative Assistants: Joyce Speakman Tracy McConnell Sandra Camarena
�e Department of �eatre Arts presents
2016-2017 Season
*SoT presale pricing: $30/4 shows or $45/6 shows. Regular admission $15 per show.
by Ray BradburyFahrenheit 451
October 14, 15, 18, 19, 20, 21, 22 at 7:30PM · October 16, 23 at 2:30PMStudio �eatre
By George S. Kaufman and Moss HartYou Can’t Take It With You
November 4, 5 at 7:30PM · November 5, 6 at 2:30PMMcKinney �eatre
by Michael John LaChiusaFirst Lady Suite
December 2, 3, 6, 7, 8, 9, 10 at 7:30PM · December 3. 4, 10, 11 at 2:30PMStudio �eatre
By Timberlake WertenbakerThe Ash Girl
March 3, 4, 7, 8, 9, 10, 11 at 7:30PM · March 5, 12 at 2:30PMStudio �eatre
Music by Mary Rodgers · Lyrics by Marshall BarerBook by Jay �ompson, Dean Fuller, and Marshall Barer
Once Upon A Mattress
April 7, 8, 13, 14, 15 at 7:30PM · April 9 at 2:30PMMcKinney �eatre
by Tennessee WilliamsTennessee Williams’ One ActsApril 29, May 2, 3, 4, 5, 6, at 7:30 PM · April 30, May 7 at 2:30 PM
Studio �eatre
Purchase your 2016/2017 season tickets during the Summer of �eatre presale & get 50% o� regular admission!* Visit the Fine Arts booth
at Summer of �eatre performances to get yours. Sale ends July 23rd.
only at Summer of TheatreNew season presale
Performances: December 2-11
Dance auditions will take place each night after general auditions from 9 to 10:30 pm. All who wish to be considered, must visit saddleback.edu/audition to fill out and download four audition forms.
Department Of Theatre Arts
August 29th – August 31stMcKinney Theatre – Saddleback College
Fall 2016 Auditions
Fahrenheit 451
You Can’t Take it With You
First Lady Suite
Performances: October 14-23
Performances: November 4-6
Additional information regarding each show can be found at www.saddleback.edu/arts.
Scripts for every show are available at the Performing Arts Office: FA 304.Contact 949-582-4763 for more information.
FOR �SIC�SBring sheet music in correct key (16-32 bars). Be familiar with the score.Accompanist provided.
FOR �SIC�S � �N-�SIC�SA one-minute monologue is required for all auditions. If you don’t have a preparedmonologue, one will be provided.