s3.amazonaws.com · 2014-07-24 · 136 th U.S.A. Field Artillery (March) Henry Fillmore CB142...
24
136 TH U.S.A. F IELD A RTILLERY (March) Henry Fillmore CB142 INSTRUMENTATION Full Score................................................. 1 Piccolo ...................................................... 1 Flute .................................................... 8 Oboe .......................................................... 2 Clarinet in E≤ ...................................... 1 Clarinet 1 in B≤ ................................... 4 Clarinet 2 in B≤ ................................... 4 Clarinet 3 in B≤ ................................... 4 Bass Clarinet in B≤ ............................. 2 Bassoon.................................................... 2 Alto Saxophone 1 in E≤..................... 2 Alto Saxophone 2 in E≤..................... 2 Tenor Saxophone in B≤..................... 2 Baritone Saxophone in E≤................ 2 Trumpet 1 in B≤.................................. 2 Trumpet 2 in B≤.................................. 2 Trumpet 3 in B≤.................................. 2 Trumpet 4 in B≤.................................. 2 Horn 1 in F. .............................................. 2 Horn 2 in F. .............................................. 2 Horn 3 in F. .............................................. 2 Horn 4 in F. .............................................. 2 Trombone 1. ............................................ 3 Trombone 2. ............................................ 3 Trombone 3. ............................................ 3 Euphonium T.C. in B≤ ........................ 2 Euphonium B.C.. .................................... 3 Tuba. ........................................................... 4 Percussion 1 ........................................... 1 Snare Drum Percussion 2 ........................................... 2 Crash Cymbals, Bass Drum FULL SCORE Edited by Robert E. Foster Illegal to print or copy for onscreen use only
Transcript of s3.amazonaws.com · 2014-07-24 · 136 th U.S.A. Field Artillery (March) Henry Fillmore CB142...
136th U.S.A. Field Artillery
(March)Henry Fillmore
CB142INSTRUMENTATION
Full Score..................................................1Piccolo.......................................................1Flute ....................................................8Oboe...........................................................2Clarinet in E≤ ......................................1Clarinet 1 in B≤ ...................................4Clarinet 2 in B≤ ...................................4Clarinet 3 in B≤ ...................................4Bass Clarinet in B≤ .............................2Bassoon.....................................................2Alto Saxophone 1 in E≤ .....................2Alto Saxophone 2 in E≤ .....................2 Tenor Saxophone in B≤ .....................2Baritone Saxophone in E≤................2 Trumpet 1 in B≤ ..................................2Trumpet 2 in B≤ ..................................2Trumpet 3 in B≤ ..................................2Trumpet 4 in B≤ ..................................2Horn 1 in F...............................................2Horn 2 in F...............................................2Horn 3 in F...............................................2Horn 4 in F...............................................2Trombone 1.............................................3Trombone 2.............................................3Trombone 3.............................................3Euphonium T.C. in B≤ ........................2Euphonium B.C......................................3Tuba............................................................4Percussion 1............................................1 Snare DrumPercussion 2............................................2 Crash Cymbals, Bass Drum
FULL SCORE
Edited by
Robert E. Foster
Illegal to print or copy
for onscreen use only
cb142F
2
About the CompositionWhen the United States became involved in World War I there was a mood of great patriotism across America. Musicians and entertainers began writing and performing music that was nationalistic and patriotic. Henry Fillmore became involved in these patriotic efforts, as did most of America’s most prominent composers and performers. Fillmore wrote his march, 136th U. S. A. Field Artillery, dur-ing this time. The military unit for which this march was named had previously been the 3rd Field Artillery of the Ohio National Guard, and it was actually fighting in France near Verdun when the piece was published in 1918. Above the title in the original publication it reads: “To Colonel Paul L. Mitchell, Commanding.”
When the march was published, Fillmore was quoted as saying it was the “best piece” he had ever composed. That may have been correct, but what is a certainty is that it is an excellent, tuneful, playable march which is as delightful today as it was when it was published early in the twentieth century.
Information from the book, Hallelujah Trombone! The story of Henry Fillmore, by Paul Bierley, pub-lished by Carl Fischer (ISBN 978-0825849664); and The Music and Henry Fillmore and Will Huff, by Paul Bierley, published by Intergrity Press.
Performance SuggestionsDynamic contrast is important for any good march performance. The ƒƒ should be full and strong, but be careful not to over-blow, or play louder than you can control with a good tone quality. Forte (ƒ) must be less loud than the fortissimo (ƒƒ), and the mezzo forte (mƒ) should be considerably softer than the forte.
Accents are a style indicator, not a volume indicator, and are a separated style. All accented notes must be cleanly separated. Actually, march style is a separated style, and any note not marked legato or slurred should be separated.
Henry Fillmore liked his accents to be strong, especially the ones he marked sfz or sffz. The bass drummer and cymbal player should not be shy when playing ac-cents in a Fillmore march.
Two other factors that contribute to fine march performances are a sense of pulse, and musical phrases.
For a sense of pulse, the second beat of each measure is slightly softer than the first beat.
It is important to determine the musical phrases. Define the phrase, and then shape the phrase for a more musical presentation.
136th U. S. A. Field Artillery is a fine march. Enjoy it!
Illegal to print or copy
for onscreen use only
cb142F
3
About the ComposerJames Henry Fillmore, Jr. was born in Cincinnati on December 3, 1881 into a family of composers and publishers of religious music. A somewhat incorrigible boy, he was bored with church music. He preferred more exciting music such as that used in circuses. In fact, her ran off with circuses at least three times. This caused no small amount of consternation in the family, which had a dignified English-American bearing (he was a second cousin, twice removed, of President Millard B. Fillmore), so he received much of his education in a military school.
He graduated from the Miami Military Institute in 1901. Frustrated at being unable to influence the Fillmore Brothers to branch into the publication of band music, he left home. He married his secret sweetheart Mabel Jones, a vaudeville dancer, and joined the Lemon Brothers circus as a trombone player. He returned to Cincinnati and the publishing company after one season, but it was several years before the family accepted Mabel.
Gradually, Henry persuaded his father and uncles to publish more band music. The firm eventually became a leading band house, primarily because the music of Henry Fillmore and his seven aliases had become very popular. Another factor was his expertise as an arranger and editor.
Meanwhile, he was heavily involved with bands in the Cincinnati area. Under his leadership, the Syrian Temple Shrine Band became America’s finest fraternal band. Industrialist Powell Crosley enticed him to organize a professional band, and it, too, achieved widespread fame through broadcasts over the powerful radio station WLW. One novel feature of the programs was Henry’s exceptional dog, Mike the “radio hound,” who barked at predetermined spots in the music.
Henry’s music was now being played by bands throughout North America and abroad, and his intense schedule as composer, arranger, music editor, and conductor began to take its toll. In his late fifties, he developed a serious heart problem. Doctors told him his life expectancy would be less than one year unless he retired. They also suggested that he move to a warmer climate.
He moved to Miami with the expectation of living only a short time. However, he was revived by the Florida sunshine and lived almost two more decades. Much of his renewed energy could be attrib-uted to a new life as mentor of school musicians throughout the state of Florida. He loved the kids, who adopted him universally as their “Uncle Henry.”
His activities in the music education field soon became a serious commitment. One of his old friends was John J. Heney, a noted former percussionist of Sousa’s band, who was obsessed with raising the level of school bands in Florida. Together they traveled about the state encouraging school officials to start bands. The end result of their extraordinary promotional efforts was the creation of three dozen new high school bands.
An especially loving relationship developed between Henry and the band at the University of Miami. He was named “permanent guest conductor” and accompanied the band on trips, including three to Central America. In appreciation of his concern—and his generosity—the university awarded him with an honorary doctorate.
Despite the warnings of doctors, Henry became even more active in the band movement. He was elected president of the prestigious American Bandmasters Association and held the organization together through the years of World War II when travel was restricted. And he seldom passed up a chance to be present at functions of the Florida Bandmasters Association.
He moved to Miami with the expectation of living only a short time. However, he was revived by the Florida sunshine and lived almost two more decades. Much of his renewed energy could be attrib-uted to a new life as mentor of school musicians throughout the state of Florida. He loved the kids, who adopted him universally as their “Uncle Henry.”
Illegal to print or copy
for onscreen use only
About the Editor
Robert E. Foster has an extensive background as a music educator, conductor, adjudicator, and as a composer and arranger. He has served as a successful band director at the junior high school, high school, and university levels, and he has conducted and/or adjudicated throughout the United States and Canada, Mexico, Europe, Japan and Singapore.
He is Professor of Music in the School of Music at the University of Kansas, where he has been on the faculty since 1971. He is past president of the American Bandmasters Association, the National Band Association, the Southwest Division of College Band Directors National Association, and of the Big Twelve Conference Band Directors Association. He is the conductor of the award winning Lawrence City Band. In 2006, he was inducted into the National Band Association Hall of Fame of Distinguished Conductors. In 2010, he was inducted into the Kansas Music Educators Hall of Fame.
Foster is Vice-President of the John Philip Sousa Foundation, and has been actively involved in the promotion and performances of the music of John Philip Sousa. He worked with the Instrumentalist magazine as guest editor to produce their Sousa Sesquicentennial issue in November, 2004. He has edited new critical editions of Sousa’s music, as well as of the music of Henry Fillmore. His imper-sonation of John Philip Sousa in Sousa Concerts has been a huge success, selling out concert halls in several different states. In July, 2006 he served as conductor of the National Band Association National Community Band in Las Vegas, again serving as Mr. Sousa in a gala concert called Sousa on the Strip.
Mr. Foster brings a wealth of experience, background, and knowledge about traditional marches, and the concerts that were performed by Mr. Sousa and his great band, and by the legendary band leader, Henry Fillmore.
His activities in the music education field soon became a serious commitment. One of his old friends was John J. Heney, a noted former percussionist of Sousa’s band, who was obsessed with raising the level of school bands in Florida. Together they traveled about the state encouraging school officials to start bands. The end result of their extraordinary promotional efforts was the creation of three dozen new high school bands.
An especially loving relationship developed between Henry and the band at the University of Miami. He was named “permanent guest conductor” and accompanied the band on trips, including three to Central America. In appreciation of his concern—and his generosity—the university awarded him with an honorary doctorate.
Despite the warnings of doctors, Henry became even more active in the band movement. He was elected president of the prestigious American Bandmasters Association and held the organization together through the years of World War II when travel was restricted. And he seldom passed up a chance to be present at functions of the Florida Bandmasters Association.
As might be expected, he paid the price for not heeding his doctor’s advice. After being weakened by a series of illnesses, the big heart of Henry Fillmore finally gave way. He died peacefully in his sleep on December 7, 1956. His body was cremated, and his ashes were interred with those of his beloved Mabel at the Woodlawn Park Cemetery in Miami.
The band world had lost a giant, but his music will live as long as there are bands to play it. Benefiting most from his legacy was the University of Miami Band, to which he bequeathed most of his estate. The Henry Fillmore Band Hall with its Fillmore Museum is a symbol of that legacy.
cb142F
4
Illegal to print or copy
for onscreen use only
&
&&
&&
&&?
&&
&
&&
&&??
??
ãã
b
bb###
##
b###
##
##
bb
bb
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
86
Oboe
Percussion
Trumpet in Bb
Flute
Clarinet in Bb1
(Snare Drum)
Horn in F
Trombone
23
Bass Clarinetin Bb
Bassoon
1
2
12
34
AltoSaxophone in EbTenorSaxophone in BbBaritoneSaxophone in Eb
Euphonium
Tuba
(Crash Cymbals,Bass Drum)
12
34
12
23
Piccolo
1
Clarinet in Eb
œ> ‰œ œ œb
œ> ‰œ œ œb
œ> ‰ œ œ œb
œ> ‰œ œ œn
œ> ‰ œ œ œn
œœ> ‰ œ œ œn
œœ>‰ Œ .
œ>‰ Œ .
œœ> ‰œœ œœ œœn
œ> ‰ œ œ œn
œ>‰ Œ .
œ> ‰ œ œ œn
œœ>‰ œ œ œn
œœ>‰ Œ .
œœ>‰ Œ .
œ> ‰ Œ .œœ> ‰ Œ .œ> ‰
œ œ œb
œ>‰ Œ .
œ œ œ ‰ Œ .œ ‰ Œ .œ
ƒ
ƒƒ
ƒ
ƒ
ƒƒ
ƒƒƒƒ
ƒ
ƒƒƒ
ƒƒ
ƒƒƒ
ƒBass Drum
Crash Cymbals
Snare Drum
March tempo
March tempo
a2
a2
a2
div.
œ Jœb œ ‰œ Jœb œ ‰œ Jœb œ ‰œ Jœb œ ‰œ Jœb œ ‰œ Jœb œ ‰Œ . Œ œ œ
Œ . Œ œ œ
œœ Jœœb œœ ‰
œ Jœb œ œ œ
Œ . Œ œ œ
œ Jœb œ ‰
œ jœb œ ‰
∑∑
Œ . Œ œ œ
Œ . Œ œ œœ Jœb œ œ œ
Œ . Œ œ œ∑
2
∑
a2
unis.
∑
∑∑
∑∑
∑œ œ œ œ œ œœ œ œ œ œ œ
∑œ œ œ œ œ œœ œ œ œ œ œ
∑∑
∑∑
œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œ
∑
3
∑
œ> ‰ œ œ œ œ œn
œ> ‰ œ œ œ œ œn
œ> ‰ œ œ œ œ œnœ> ‰ œ œ œ œ œ#
œ> ‰ œ œ œ œ œ#
œœ> ‰ œ œ œ œ œ#jœ>‰ ‰ Œ .
jœ> ‰ ‰ Œ .œœ> ‰ œœ œœ œœ œœ œœ##
jœ>‰ ‰ Œ .
jœ> ‰ ‰ Œ .
œœ> ‰ œœ œœ œœœœ œœ##
jœœ>‰ ‰ Œ .
jœœ> ‰ ‰ Œ .jœœ>‰ ‰ Œ .
jœ> ‰ ‰ Œ .jœ> ‰ ‰ Œ .
œ> ‰ œ œ œ œ œn
jœ>‰ ‰ Œ .
jœ ‰ ‰ Œ .
4
jœ ‰ ‰ Œ .Jœ
ç
çç
çç
ç
çç
ç
çç
ç
çç
ççç
ççç
ç
f
ff
ffa2
f
f
f
f
CB142F
5
HENRY FILLMOREEdited by Robert E. Foster
Copyright © 1918 by The Fillmore Bros. Co., All rights assigned to Carl Fischer, LLCThis arrangement Copyright © 2012 by Fillmore Music House
All rights administered by Carl Fischer, LLCInternational Copyright Secured. All rights reserved including performing rights.
WARNING! This composition is protected by Copyright law. To photocopy or reproduceby any method is an infringement of the Copyright law. Anyone who reproduces copyrighted
matter is subject to substantial penalties and assessments for each infringement.
Full Score 136th U.S.A. Field ArtilleryMarch
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&
&
&&
?
???
ãã
b
bb
#####
b#####
#
#
b
bbb
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ œ œn .œœ œ œn .œ
œ œ œn .œœ œ œ# .œœ ‰ œ .œ
œ ‰ œ ..œœœ œ œ#
œ‰ œ ‰
.œ œ œ œœ œ œ# ..œœœ ‰ œ
.œ œ œ œ
œ ‰ œ ‰
œ œ œ# ..œœœ ‰ œ
œ ‰ œ .œ
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ œ œ œ
.œ œ œ œœ œ œn .œ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
5
œ ‰ œ ‰œ œ
f
f
f
ff
f
ff
f
ff
ff
f
f
f
fff
f
f
Soli
Soli
a2
5
5
div.
œ Jœn œ Jœ#
œ Jœn œ Jœ#
œ Jœn œ Jœ#œ Jœ# œ Jœ#œ Jœ œ Jœ
œœ Jœœ œœ J
œœ#
œ‰ œ ‰
œ ‰ .œ
œœ Jœœ# œœ Jœœ#
œ ‰ .œ
œ ‰ œ ‰
œœ Jœœ# œœ Jœœ#
œ jœ œ jœ
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ ‰ .œ
œ ‰ .œœ Jœn œ Jœ#
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
6
œ ‰ œ ‰œ œ
unis.
sim.
œ ‰ œ .œœ ‰ œ .œ
œ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœœ ‰ œœ ..œœ
œ‰ œ ‰
.œ œ Jœ
œœ ‰ œœ ..œœ.œ œ Jœ
œ ‰ œ ‰
œœ ‰ œœ .œ
œ ‰ œ ..œœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ œ Jœ.œ œ Jœœ ‰ œ .œ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
7
œ ‰ œ ‰œ œ
a2
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ
œœ œ œ œ œ œ#
œ‰ œ ‰
.˙
œœ œœ œœ œœ œœ œœ#
.˙
œ ‰ œ ‰
œ œœ œœ œœ œœ œœ#
œœ ‰ Œ .
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.˙
.˙
œ œ œ œ œ œ#
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
8
œ ‰ œ ‰œ œ
a2
œ œ œ# .œœ œ œ# .œ
œ œ œ# .œœ œ œ# .œœ ‰ œ .œ
œ ‰ œ ..œœœ œ œ#
œ‰ œ ‰
.œ œ œ œ#œ œ œ# ..œœœ ‰ œ
.œ œ œ œ#œ ‰ œ ‰
œ œ œ# ..œœœ ‰ œ
œœ ‰ œœ ..œœ
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ
.œ œ œ œ#
.œ œ œ œ#œ œ œ# .œ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
9
œ ‰ œ ‰œ œ
CB142F
6
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&&
&&
??
??
ãã
b
bb
#####
b#####
##
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ Jœ œ Jœ
œ Jœ œ Jœ
œ Jœ œ Jœ
œ Jœ œ Jœœ Jœ œ Jœ
œœ Jœœ œœ Jœœ
œ‰ œ ‰
œ ‰ .œ
œœ Jœœ œœ Jœœ
œ ‰ .œ
œ ‰ œ ‰
œœ Jœœ œœ Jœœ
œœ jœ œ jœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ ‰ .œ
œ ‰ .œœ Jœ œ Jœ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
10
œ ‰ œ ‰œ œ
a2
œ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œœ ..œœ
œ‰ œ ‰
.œ œ Jœœœ ‰ œœ ..œœ.œ œ jœ
œ ‰ œ ‰
œœ ‰ œœ .œ
œ ‰ œœ ..œœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ œ Jœ.œ œ Jœœ ‰ œ .œ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
11
œ ‰ œ ‰œ œ
a2
œ œ œ œ œ œn
œ œ œ œ œ œn
œ œ œ œ œ œn
œ œ œ œ œ œ#œ œ œ œ œ œ#
œœ œ œ œ œ œ#
œ‰ œ ‰
.˙
œœ œœ œœ œœ œœ œœ##
.˙
œ ‰ œ ‰
œ œœ œœ œœ œœ œœ##
œœ ‰ Œ .
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.˙.˙
œ œ œ œ œ œn
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
12
œ ‰ œ ‰œ œ
a2
œ œ œn .œœ œ œn .œ
œ œ œn .œœ œ œ# .œœ ‰ œ .œ
œ ‰ œ ..œœœ œ œ#
œ‰ œ ‰
.œ œ œ œœ œ œ# ..œœœ ‰ œ
.œ œ œ œ
œ ‰ œ ‰
œ œ œ# ..œœœ ‰ œ
œ ‰ œ .œ
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ œ œ œ
.œ œ œ œœ œ œn .œ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
13
œ ‰ œ ‰œ œ
13
13
a2
œ Jœn œ Jœ
œ Jœn œ Jœ
œ Jœn œ Jœ
œ Jœ# œ Jœœ Jœ œ Jœœœ J
œœ# œœ Jœœ
œ‰ œ ‰
œ ‰ .œ
œœ Jœœ# œœ Jœœ
œ ‰ .œ
œ ‰ œ ‰
œœ Jœœ# œœ Jœœ
œ jœ œ jœ
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ ‰ .œ
œ ‰ .œœ Jœn œ Jœ
œ ‰ œœ‰
œ ‰ œ œ ‰ œ
14
œ ‰ œ ‰œ œ
CB142F
7
Illegal to print or copy
for onscreen use only
&
&&
&
&&&
?
&
&&
&&
&&
??
??
ãã
b
bb#####
b##
#####
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in Eb
T. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ ..œœ
œœ‰ œœ
‰
.œ œ Jœn
œœ ‰œœ ..œœ
.œ œ Jœ#
œ ‰ œ ‰œœ ‰ œœ .œœ ‰ œ ..œœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ œ Jœn.œ œ Jœnœ ‰ œ .œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œ
15
œ ‰ œ ‰œ œ
a2
a2
unis.
div.
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œ œ œ œ œ œ#
œœ œ œ œ œ œ#
œœ‰ œœ
‰
.˙
œœ œ œ œ œ œ#‰ Œ .
.˙
œ ‰ œ ‰
œ œ œ œ œ œ#
œœ ‰ Œ .
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.˙.˙
œ œ œ œ œ œ#
œ ‰ œ ‰
œ ‰ œ œ ‰ œ
16
œ ‰ œ ‰œ œ
a2
œ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œ
.>̇
.>̇
œ ‰ œ .œ.˙>.>̇
.>̇œ ‰ œ .œ..˙̇>..˙̇>..˙̇>.>̇
..˙̇>
œ ‰ œ .œ
.>̇
.æ̇>
17
œ ‰ Œ .œ
ƒ
ƒ
ƒ
ƒƒ
ƒ
ƒƒ
ƒƒ
ƒ
ƒƒ
ƒ
ƒƒ
ƒ
ƒ
ƒ
ƒƒ
ƒ
unis.
œ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œœ ‰ œ .œ.>̇.>̇
œ ‰ œ .œ.˙>.˙#>
.>̇
œ ‰ œ .œ..˙̇>..˙̇#>..˙̇#>.>̇
..˙̇#>œ ‰ œ .œ
.>̇
.æ̇>
18
œ ‰ Œ .œ
Jœ> ‰ ‰ Jœ> ‰ ‰
Jœ> ‰ ‰ Jœ> ‰ ‰jœ> ‰ ‰
Jœ> ‰ ‰
Jœ> ‰ ‰ Jœ> ‰ ‰
Jœ> ‰ ‰ Jœ>‰ ‰
Jœ ‰ ‰ Jœœ> ‰ ‰
jœ>‰ ‰ jœ>
‰ ‰
jœ> ‰ ‰jœ> ‰ ‰
Jœœ>> ‰ ‰ J
œœ>> ‰ ‰
Jœ> ‰ ‰ Jœ
> ‰ ‰jœ> ‰ ‰
jœ> ‰ ‰
Jœ> ‰ ‰ Jœ
> ‰ ‰jœœ>‰ ‰ jœœ>
‰ ‰jœœ>‰ ‰ jœœ>
‰ ‰jœœ>‰ ‰ jœœ>
‰ ‰
Jœ> ‰ ‰ Jœ> ‰ ‰
Jœœ> ‰ ‰ J
œœ> ‰ ‰
Jœ> ‰ ‰ Jœ> ‰ ‰jœœ>‰ ‰ jœœ>
‰ ‰jœ> ‰ ‰
jœ> ‰ ‰
19
jœ ‰ ‰ jœ ‰ ‰Jœ Jœ
div.
CB142F
8
Illegal to print or copy
for onscreen use only
&
&&
&
&
&&?
&&&
&
&
&&
?
?
??
ãã
b
bb###
##
b#####
#
#
b
b
bb
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
1. 2.
1. 2.
Œ œ œ œ œ œn
Œ œ œ œ œ œn
Œ œ œ œ œ œn
Œ œ œ œ œ œ#
Œ œ œ œ œ œ#
Œ œ œ œ œ œ#∑
∑
Œ œœ œœ œœ œœ œœ##
∑∑
Œ œœ œœ œœ œœ œœ##∑
∑∑
∑
∑
Œ œ œ œ œ œn
∑∑
20
∑
a2
‰ œ œœ œ œ
‰ œ œœ œ œ
‰ œ œ œ œ œ
‰ œ œ œ œœ
‰ œ œ œ œ œ
‰ œ œ œ œ œ
∑
∑
‰ œœœœœœœœœœ
‰ œ œ œ œ œ
∑
‰ œ œ œ œ œ
∑
∑∑
‰ œ œ œ œœ
‰ œ œ œ œœ
‰ œ œ œ œœ
∑∑∑
a2
ƒƒ
ƒ
ƒ
ƒ
ƒ
ƒƒ
ƒ
ƒ
ƒ
ƒ
a2
.>̇
.>̇
.>̇
.>̇
.>̇
..˙̇>>
œ‰ œ ‰
œ ‰ œ œ œ œ#..˙̇>>
.>̇
œ ‰ œ ‰
..˙̇>
..˙̇>
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.>̇
.>̇
œ>‰ œ œ œ œ#
œ ‰ œœ‰
œ ‰ œæ œ ‰ œæ
21
œ ‰ œ ‰œ œ
ƒ
ƒƒ
ƒ
ƒ
ƒ
ƒƒ
ƒ
ƒƒ
ƒ
ƒƒƒ
ƒ
ƒ
ƒƒƒ
ƒ
21
21
unis.
div.
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
..œœ>> ..œœ>>
œ‰ œ ‰
œ œ œn œ œ œ
..œœ>> ..œœ>>
.œ> .œ>
œ ‰ œ ‰
..œœ> ..œœ>
..œœ> ..œœ>œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.œ> .œ>
.œ> .œ>
œ œ œn œ œ œ
œ ‰ œœ‰
œ ‰ œæ œ ‰ œæ
22
œ ‰ œ ‰œ œ
unis. div.
CB142F
9
Illegal to print or copy
for onscreen use only
&&&
&&&&?
&&&
&&
&&
????
ãã
bbb
#####
b#####
##
bbbb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ> Jœ .œœ> Jœ .œ
œ>jœ .œ
œ> Jœ .œ
œ> Jœ .œ
œœ>>jœ .œ
œ‰ Œ jœ>œ Jœ œ Jœ
œœ>> Jœœ ..œœœ> Jœ .œ
œ ‰ Œ jœ>
œ>jœ .œ
..˙̇>œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ> Jœ .œœ> Jœ .œœ Jœ œ Jœ
œ ‰ Œ jœ>œ ‰ œæ œ ‰ œæ
23
œ ‰ Œ .œ Œ Jœ
a2
a2
unis.
œ Jœ œ Jœ#œ Jœ œ Jœ#
œ jœ œ jœ#œ Jœ œ Jœ#
œ Jœ œ Jœ
œ jœ œ jœœ> ‰ œ ‰.œ .œ
œœ Jœœ œœ Jœœ#
œ Jœ œ Jœœ> ‰ œ ‰
œ jœ œ jœ#
œœ ‰ Œ .
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ Jœ œ Jœ#œ Jœ œ Jœ#.œ .œ
œ>‰œ
‰
œ ‰ œæ œ ‰ œæ
24
œ ‰ œ ‰œ œ
œ Jœ# .œœ Jœ# .œ
œ jœ# .œœ Jœ# .œ
œ Jœ .œ
œ jœ .œœ ‰ Œ jœ>œ Jœ œ Jœ
œœ Jœœ# ..œœœ Jœ .œœ ‰ Œ jœ>œ jœ# .œ
..˙̇>œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ Jœ# .œœ Jœ# .œœ Jœ œ Jœ
œ ‰ Œ jœ>œ ‰ œæ œ ‰ œæ
25
œ ‰ Œ .œ Œ Jœ
œ Jœ# œ Jœ#œ Jœ# œ Jœ#
œ jœ# œ jœ#œ Jœ# œ Jœ#
œ Jœ œjœ#
œ jœ œ jœœ> ‰ œ ‰.œ .œ
œœ Jœœ#œœ J
œœ#
œ Jœ œ Jœœ> ‰ œ ‰
œ jœ# œ jœ#
œœ ‰ Œ .
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ Jœ# œ Jœ#œ Jœ# œ Jœ#.œ .œ
œ>‰œ
‰
œ ‰ œæ œ ‰ œæ
26
œ ‰ œ ‰œ œ
œ Jœ# œ œ œn
œ Jœ# œ œ œn
œ jœ# œ œ œn
œ Jœ# œ œ œ#
œ jœ# œ œ œ#
œœjœ# œ œ œ#
jœ> ‰ ‰ Œ .œ Jœ# œ œ œn
œ jœ# œ œ œ#Jœ> ‰ ‰ Œ .œ jœ# œ œ œ#
Jœ> ‰ ‰ Œ .
œ jœ# œ œ œ#jœœ>‰ ‰ Œ .
jœœ>‰ ‰ Œ .jœœ>‰ ‰ Œ .
œ Jœ# œ œ œn
œ Jœ# œ œ œn
œ Jœ# œ œ œn
jœ>‰ ‰ Œ .
jœ> ‰ ‰ Œ .
27
jœ>>‰ ‰ Œ .Jœ
a2
CB142F
10
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&
&&
&&
&
&
??
??
ãã
b
bb#####
b#####
##
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ œn œ œ# œ œ
œ œn œ œ# œ œ
œ œn œ œ# œ œ
œ œ# œ œ# œ œ
œ œ# œ œ# œ œ
œ œ# œ œ# œ œ
jœ>‰ ‰ Œ .
Jœ ‰ ‰ Œ .œœ œœ##
œœ œœ##œœœœ
œ œ# œ œ# œ œjœ> ‰ ‰ Œ .
œ œ# œ œ# œ œjœœ> ‰ ‰ Œ
.jœœ> ‰ ‰ Œ
.
jœœ>‰ ‰ Œ .
œ œn œ œ# œ œ
œ œn œ œ# œ œ
œ œn œ œ# œ œ
jœœ>‰ ‰ Œ .
jœ> ‰ ‰ Œ .
28
jœ>>‰ ‰ Œ .Jœ
div.
.>̇
.>̇
.>̇
.>̇
.>̇
..˙̇>>
.>̇
.>̇
..˙̇>>
.>̇
.>̇
..˙̇>
..˙̇>
œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.>̇
.>̇
œ‰ œ œ œ œ#
.>̇œ ‰ œæ œ ‰ œæ
29
œ ‰ œ ‰œ œ
29
29
unis.
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
..œœ>> ..œœ>>
.˙n>
.˙b>
..œœ>> ..œœ>>
.œ> .œ>
.˙n>
..œœ> ..œœ>
..œœ> ..œœ>œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.œ> .œ>.œ> .œ>
œ œ œn œ œ œ
.˙b>œ ‰ œæ œ ‰ œæ
30
œ ‰ œ ‰œ œ
œ> Jœ .œ
œ> Jœ .œ
œ>jœ .œ
œ> Jœ .œœ> Jœ .œ
œœ>>jœ .œ
.>̇
.>̇
œœ>> Jœœ .œ .œœ> Jœ .œ.>̇
œ>jœ .œ
..˙̇>œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ> Jœ .œœ> Jœ .œœ> Jœ œ Jœ
.>̇œ ‰ œæ œ ‰ œ
31
œ ‰ œ ‰œ œ
a2
a2
œ Jœ œ Jœ
œ Jœ œ Jœ
œ jœ œ jœœ Jœ œ Jœ
.˙#>
..˙>̇.˙b>.˙b>
œ jœ œ jœ.˙>.œ#> œ jœ.˙b>
œ jœ œ jœ
.˙#>
.>̇ .˙#>.˙>.˙>œ Jœ œ Jœ
œ Jœ œ Jœ.œn> œ Jœ
.˙b>
.æ̇>
32
.>̇ ∑
ß
ß
ß
ß
ß
ß
ß
ß
ßß
ßß
a2
ß
CB142F
11
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&&
&&
????
ãã
b
bb
#####
b#####
##
bbbb
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
bb
bb
bb
#nnn
bb
#n#
nn
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
1. 2.
1. 2.
œ œ œn œ ‰ œ#
œ œ œn œ ‰ œ#
œ œ œn œ ‰ œ#
œ œ œ# œ ‰ œ#
œ œ œ# œ ‰ œ#
œ œ œ# œ ‰ œ#
jœ>‰ ‰ Œ .jœ> ‰ ‰ Œ .
œ œ œ# œ ‰ œ#Jœ ‰ ‰ Œ .œ œ œ# œ ‰ œ#jœ> ‰ ‰ Œ .
œ œ œ# œ ‰ œ#Jœ ‰ ‰œœ ‰ Œ .
œ ‰ Œ .œ
œ ‰ Œ .œœ œ œn œ ‰ œ#
œ œ œn œ ‰ œ#
œ œ œn œ ‰ œ#
jœ‰ ‰ Œ .
jœ> ‰ ‰ Œ .
33
jœ>>‰ ‰ Œ .Jœ
a2
Jœ.‰ ‰
.œ>
Jœ.‰ ‰
.œ>
Jœ. ‰ ‰ .œ>
Jœ. ‰ ‰.œ>
Jœ. ‰ ‰ .œ>
Jœ.. ‰ ‰ ..œœ>>
jœ.‰ ‰ .œ>jœ. ‰ ‰ .œ>
Jœœ. ‰ ‰
..œœ>
Jœ. ‰ ‰ .œ>
jœ. ‰ ‰ .œ>
Jœœ#. ‰ ‰ ..œœn>
jœœ. ‰ ‰ ..œœ>jœœ# . ‰ ‰ ..œœn>jœœ. ‰ ‰ ..œœ>Jœ. ‰ ‰
.œ>
Jœ. ‰ ‰ ..œœ>
Jœ. ‰ ‰ .œ>
jœ.‰ ‰ .œ>jœ> ‰ ‰ .œ>æ
34
jœ>>‰ ‰ .œ>Jœ .œ
>
.>̇
.>̇
.>̇
.>̇
.>̇
..˙̇>>
œ> œ#œ œn œ œ
œ> œnœ œb œ œ
..˙̇>
.>̇
œ> œ#œ œn œ œ
..˙̇>
..˙̇>
..˙̇>
..˙̇>.>̇
..˙̇>
œ> œn œ œb œ œ
œ> œnœ œb œ œ
œ œ œ œ œ œ
35
œ ‰ œ ‰œ œ
œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œ
œœ œ œ œ œ œ
œ‰ Œ .
œ ‰ Œ .œœ œœ
œœœœœœœœ
œ œ œ œ œ œ
œ ‰ Œ .
œœ œ œ œ œ œ
œœ ‰ Œ .
œœ ‰ Œ .
œœ ‰ Œ .œ œ œ œ œ œ
œœ œ œ œ œ œ
œ œ œ œ œ œ
œ ‰ Œ .
œ ‰ Œ .
36
œ ‰ Œ .œ
a2
a2
a2
œ‰œ>‰
œ‰œ>‰
œ ‰ œ> ‰œ‰œ>‰
œ ‰ œ> ‰œœ ‰ œœ> ‰
œ‰œ>‰
œ ‰ œ>‰
œœ ‰œœ>> ‰
œ ‰ œ> ‰
œ ‰ œ>‰
œœ ‰ œœ> ‰
œœ ‰ œœ>‰
œœ ‰ œœ>‰
œœ ‰ œœ>‰
œ‰ œ> ‰
œœ ‰ œ> ‰œ ‰
œ>‰
œ ‰ œ>‰
œ ‰ œ> ‰œ ‰ œ>
>‰œ œ
a2
CB142F
12
Illegal to print or copy
for onscreen use only
&
&&
&&
&&?
&&&
&&
&&
??
?
?
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ ‰.œ
œ ‰.œ
œ ‰ .œ
œ ‰ .œ
œ ‰ .œ
œ ‰ .œ
œ ‰œ‰
œ ‰ œ œ ‰ œ
œ ‰ .œœ ‰ œ ‰œ ‰ œ ‰
œ ‰ œ ‰
œœ ‰ .œœ ‰œ ‰ œ ‰.œ .œ
œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œœ ‰
œ‰
œœ ‰ œœ ‰œ ‰ .œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
37
œœ ‰ œœ ‰
F
FF
FF
F
F
F
FFF
F
F
F
F
F
FF
FF
F
Trio
Trio
a2
a2
div. unis.
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œ
œ ‰œ‰
.>̇
œ œ œ œ œ œ.˙>.>̇
œ ‰ œ ‰
œ œ œ œ œ œ.˙>..˙̇>œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.>̇
..˙̇>
œ œ œ œ œ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
38
œœ ‰ œœ ‰
sim.
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰œ‰
.˙
œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œœ œ œ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
..˙̇
œ ‰ œ œ ‰ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
39
œœ ‰ œœ ‰
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰œ‰
.˙œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œœ œ œ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
..˙̇
œ ‰ œ œ ‰ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
40
œœ ‰ œœ ‰
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ ‰œ‰
.˙œ œ œ .œ.˙.˙
œ ‰ œ ‰
œ œ œ .œœ ‰ .œœ ‰ .œœ ‰ .œœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
.œ̇ ‰ œ ‰œ œ œ .œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
41
œœ ‰ œœ ‰
œ‰ .œ
œ‰ .œ
œ ‰ .œœ‰ .œ
œ ‰ .œœ ‰ .œ
.œ .œb
.œ .œbœ ‰ .œ.œ .œ#
.œ .œ
.œ .œbœ ‰ ..œœ#.œ
.œ ..œœ.œœœ ‰ œœ œœn ‰ œœ
œ ‰ œ œ ‰ œ.œ .œn
.œ .œ.œ .œbœ‰ .œ
.
.œœ..œœbb
œ ‰ œ œ ‰ œ
42
œœ ‰ œœ ‰
div.
CB142F
13
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&&
&&
?
?
??
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
œ ‰ Œ .
œ ‰ œ Jœ‰ ‰
.œ œ œ œœn ‰ œ œ ‰ œ œœ ‰ œ œ ‰ œ œ
œ ‰ Œ .
..œœn œœ œ œ
œœ ‰ œœ jœœ ‰ ‰
œœb ‰ œœ Jœœ ‰ ‰
œ ‰ œœjœœ ‰ ‰
œ ‰ œ. Jœ.‰ ‰
œ ‰ œ. jœ. ‰ ‰
Jœ ‰ ‰ Œ ..œ œ œ œ
œœ‰ Œ .
œ ‰ Œ .
43
œœ ‰ Œ .
a2
œ œ. œ. œ. œ. œ.œ œ. œ. œ. œ. œ.
œ œ. œ. œ. œ. œ.œ œ. œ. œ. œ. œ.
œ œ. œ. œ. œ. œ.œ œ. œ. œ. œ. œ.
∑
∑œœ œœ.. œœ.. œœ.. œœ.. œœ..
œ œ. œ. œ. œ. œ.
∑
œ œ. œ. œ. œ. œ.
∑
∑∑
∑
∑œ œ. œ. œ. œ. œ.
∑
∑
44
∑
œ. ‰.œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰ .œ>
œ ‰œ‰
œ ‰ œ œ ‰ œ
œœ.. ‰.œ>œ ‰
œ. ‰ œ ‰
œ ‰ œ ‰
œ. ‰ .œ>œ ‰
œœ. ‰ œœ ‰
œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œœ‰œ‰
œœ ‰ œœ ‰œ. ‰
.œ>
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
45
œœ ‰ œœ ‰
45
45
a2
unis.
œ œ œ œn œ œœ œ œ œn œ œ
œ œ œ œn œ œœ œ œ œ# œ œœ œ œ œ# œ œœ œ œ œ# œ œ
œ ‰œ
‰.>̇
œ œ œ œ# œ œ.˙>.>̇
œ ‰ œ ‰
œ œ œ œ# œ œ.˙>..˙̇>œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.>̇
..˙̇>œ œ œ œn œ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
46
œœ ‰ œœ ‰
div. unis.
œ ‰ œ œ# ‰ œ
œ ‰ œ œ# ‰ œ
œ ‰ œ œ# ‰ œœ ‰ œ œ# ‰ œ
œ ‰ œ œ# ‰ œœ ‰ œ œ# ‰ œ
.œ .œb
.œ .œb
œ ‰ œ œ# ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
.œ .œn
œ ‰ œ œ# ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœ
œ ‰ œœ œœ ‰ œœ.˙
.˙ .œ .œb
œ ‰ œ œ# ‰ œ
.œ .œb
œ ‰ œ œ ‰ œ
47
œœ ‰ œœ ‰
a2
CB142F
14
Illegal to print or copy
for onscreen use only
&&&
&&&&?
&&&
&&
&&
?
?
??
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ ‰ œ œ# ‰ œœ ‰ œ œ# ‰ œ
œ ‰ œ œ# ‰ œœ ‰ œ œ# ‰ œ
œ ‰ œ œ# ‰ œœ ‰ œ œ# ‰ œ
.œ .œb
.œ .œbœ ‰ œ œ# ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
.œ .œb
œ ‰ œ œ# ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.˙
.˙ .œ .œb
œ ‰ œ œ# ‰ œ
.œ .œb
œ ‰ œ œ ‰ œ
48
œœ ‰ œœ ‰
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ‰œ
‰
.˙œ œ œ .œ.˙.˙
œ ‰ œ ‰
œ œ œ .œœ ‰ .œ
œ ‰ ..œœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœ.˙
.œ̇ ‰ œ ‰œ œ œ .œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œ
49
œœ ‰ œœ ‰
œ‰.œ#
œ‰.œ#
œ ‰ .œ#œ
‰ .œ#
œ ‰ .œ#œ ‰ .œ#
œ ‰œ
‰.œ .œœ
‰ .œ#œ ‰ .œ.œ .œ
œ ‰ œ ‰œ ‰ ..œœ#.œ
œœ ‰ ..œœ#œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œ ‰ œ.œ .œ
.œ .œ.˙œ
‰ .œ#
œ ‰ œ ‰
œ ‰ œ œ ‰ œ
50
œœ ‰ œœ ‰
a2
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
œ ‰ Œ .œ ‰ œ Jœ ‰ ‰.œ œ œ œœ ‰ œ œ ‰ œ œœ ‰ œ œ ‰ œ œ
œ ‰ Œ .
..œœ œœ œ œ
œœ ‰ œœ jœœ ‰ ‰
œœ ‰ œœ Jœœ ‰ ‰
œ ‰ œœjœœ ‰ ‰
œ ‰ œ. Jœ.‰ ‰
œ ‰ œ. jœ. ‰ ‰
Jœ ‰ ‰ Œ ..œ œ œ œ
œœ‰ Œ .
œ ‰ œ jœ ‰ ‰
51
œœ ‰ Œ .
a2
div.
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œb .
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œb .
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œb .
∑
∑œœ œœ. œœ. œœ. œœ. œœbb.
œ œ. œ. œ. œ. œb .∑
œ œ. œ. œ. œ. œb .∑
∑∑
∑
∑œ œ. œ. œ. œ. œb .
∑
∑
52
∑
CB142F
15
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&&
&&
??
??
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ. ‰.œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰ .œ>
œ. ‰ .œ>
œ. ‰ .œ>
œ ‰œ
‰
œ ‰ œ œ ‰ œ
œœ. ‰ .œ>œ ‰ œ ‰œ. ‰ œ ‰
œ ‰ œ ‰
œ. ‰ .œ>œ ‰œœ. ‰ œœ ‰
œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œœ ‰
œ‰
œœ ‰ œœ ‰œ. ‰ .œ>
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
53
œœ ‰ œœ ‰
53
53
a2
unis.
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œœ œ œ œ œ œ
œ ‰œ
‰.>̇
œ œ œ œ œ œ.˙>.>̇
œ ‰ œ ‰
œ œ œ œ œ œ.˙>..˙̇>œœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.>̇
..˙̇>
œ œ œ œ œ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
54
œœ ‰ œœ ‰
div. unis.
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰œ
‰
.˙
œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
..˙̇
œ ‰ œ œ ‰ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
55
œœ ‰ œœ ‰
a2
sim.
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œ
œ ‰œ
‰
.˙œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ ‰
œ ‰ œ œ ‰ œœ ‰ œ œ ‰ œ
œ ‰ œ œ ‰ œœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
..˙̇
œ ‰ œ œ ‰ œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
56
œœ ‰ œœ ‰
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ œ œ .œ
œ ‰œ
‰
.˙œ œ œ .œ.˙.˙
œ ‰ œ ‰
œ œ œ .œœ ‰ .œ
œœ ‰ ..œœœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œ.˙
.œ̇ ‰ œ ‰œ œ œ .œ
œœ‰ œ ‰
œ ‰ œ œ ‰ œ
57
œœ ‰ œœ ‰
CB142F
16
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&
&
&&
&
&
????
ãã
bb
bb
bb
#
bb
#
#
b
b
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ‰.œ
œ‰.œ
œ ‰ .œœ
‰ .œ
œ ‰ .œœ ‰ .œ
œ ‰ œ ‰
.œ .œœ ‰ .œ.œ .œn
.œ .œ
œ ‰ œ ‰
œ ‰ ..œœb.œ..œœ .œœœ ‰ œœ œœb ‰ œœ
œ ‰ œ œœ ‰ œœ.œ .œ
.œ .œb.œ.œœ
‰ .œ
œœ‰ œœ
‰
œ ‰ œ œ ‰ œ
58
œœ ‰ œœ ‰
a2
div.
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
.œ œ œ œ
œ ‰ Œ .
œ ‰ œ Jœ ‰ ‰.œ œ œ œœ ‰ œ œ ‰ œ œ
œ ‰ œ œ ‰ œ œ
œ ‰ Œ .
..œœ œœ œ œ
œ ‰ œœ jœœ ‰ ‰
œœ ‰ œœ Jœœ ‰ ‰
œœ ‰ œœjœœ ‰ ‰
œ ‰ œ Jœ ‰ ‰œ ‰ œ
jœ ‰ ‰Jœ ‰ ‰ Œ ..œ œ œ œ
œ ‰ Œ .
œ ‰ Œ .
59
œœ ‰ Œ .
a2
unis.
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œb .
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œn .
œ œ. œ. œ. œ. œb .œ œ. œ. œ. œ. œb .
∑
∑œœ œœ.. œœ.. œœ.. œœ.. œœnn..
œ œ. œ. œ. œ. œb .
∑
œ œ. œ. œ. œ. œb .
∑
∑
∑
∑∑
œ œ. œ. œ. œ. œb .
∑
∑
60
∑
œ. ‰.œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰ .œ>
.>̇
.>̇
œ. ‰
.œ>œ. ‰
.œ
.>̇
.>̇
œ. ‰ .œ>.œ
œœ. ‰ ..œœ..˙̇>.>̇.>̇
..˙̇>
œ. ‰.œ>
.>̇
.>̇æ
61
..˙̇>>
f
ff
fff
ff
fff
f
f
f
f
ff
ff
f
61
61
a2
f
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
.>̇
.>̇œ œ œ œ œ œ.˙b>.>̇
.>̇œ œ œ œ œ œ.˙b>..˙̇>..˙̇b>
..˙̇b>.>̇
..˙̇b>œ œ œ œ œ œ
.>̇
.>̇æ
62
..˙̇>>
CB142F
17
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&
&&
&
&
&&
?
?
??
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bbbb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ. ‰.œ>
œ. ‰.œ>
œ. ‰.œ>
œ. ‰ .œ>
œ. ‰ .œ>
œ. ‰ .œ>
.>̇
.>̇
œ. ‰ .œ>.˙>.>̇
.>̇
œ. ‰ .œ>.œ
œœ.‰ ..œœ
..˙̇>
..˙̇>
.>̇
.>̇
œ. ‰ .œ>
.>̇
.>̇æ
63
..˙̇>>
a2
a2
œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
œ œ œ œ œ œœ œ œ œ œ œ
.˙#>
.˙n>
œ œ œ œ œ œ.˙n>.>̇
.˙#>
œ œ œ œ œ œ.˙n>..˙̇>..˙̇n>..˙̇n>.>̇
..˙̇nn >œ œ œ œ œ œ
.˙n>
.>̇æ
64
..˙̇>>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
..œœ>> ..œœ>>
.œ> .œ#>
.œ> .œ>
..œœ> ..œœ>
..œœ> ..œœ#>
..œœ>..œœ#>
..œœ>..œœ>
.œ> .œ>
.œ> ..œœn>
.œ> .œ>
.œ> .œ>
.æ̇
65
..œœ>> ..œœ>
>
a2
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ>.œ>
..œœ#>> ..œœn>>
.œn> .œ>
.œ> .œ>
..œœ#>..œœn>
..œœn> ..œœ>..œœnn >
..œœb>..œœ>
..œœ>.œn> .œb>
..œœb> ..œœ>
.œ> .œ>
.œ> .œ>œ ‰ .œæ>
66
..œœ>> ..œœ>
>
.>̇
.>̇
.>̇
.>̇
.>̇
.>̇
œ>jœ œ œ œ
œ> Jœ œ œ œ..˙̇>>
.>̇œ> Jœ œ œ œ
..˙̇>
.˙>.˙>..˙̇>..˙̇>.>̇
.>̇œ> Jœ œ œ œ.>̇
œ>jœ œ œ œ
œ> ‰ œ œ ‰ œ
67
œœ>> ‰ œœ ‰
œ Jœn œ
Jœ
œ Jœn œ
Jœ
œ Jœn œ Jœ
œ Jœ# œ Jœ
œ Jœ# œ Jœ
œ Jœ# œ Jœ
œ ‰ Œ .
œ ‰ Œ .
œœ Jœœ##œœ Jœœ
œ Jœ# œ Jœ
œ ‰ Œ .
œœ Jœœ##œœ Jœœ
œjœ# œ jœœ ‰ Œ .
œœ ‰ Œ .
œœ ‰ Œ .œ Jœn œ Jœ
œœ Jœn œ Jœ
œ Jœn œ Jœ
œœ‰ Œ .
œ ‰ Œ .
68
œœ ‰ Œ .
Ï
Ï
Ï
Ï
ÏÏ
ÏÏÏ
ÏÏ
Ï
Ï
a2
div.
CB142F
18
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&
&&
&&
&&
????
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
.>̇
.>̇
.>̇
.>̇
.>̇
.>̇
œ ‰œ‰
œ Jœ>œ> Jœ>
.>̇œJœ>œ> Jœ>œ jœ>œ> Jœ>
œ ‰ œ ‰
.
.˙˙>>
..˙̇>œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.>̇
.>̇
œJœ>œ> Jœ>
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
69
œœ ‰ œœ ‰
Ï
ÏÏ
Ï
ƒ
Ï
69
69
Ï
ƒ
unis.div.
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
œ ‰œ‰
.œ> .œ
..œœ>> ..œœ>
.œ> .œ
œ ‰ œ ‰
..œœ>> ..œœ>>
..œœ>..œœ>
œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.œ> .œ>.œ> .œ>.œ> .œ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
70
œœ ‰ œœ ‰
sim.
œ> Jœ œ Jœ>
œ> Jœ œ Jœ>
œ> Jœ œ jœ>œ> Jœ œ Jœ>
œ> Jœ œ jœ>œ> Jœ œ jœ>œ ‰ œ
‰.œ œ Jœ
œ> jœ .œ.œ œ Jœ.œ œ Jœ
œ ‰ œ ‰
œœ>>jœœ ..œœ
œœ>jœœ .œ .œ
œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ> Jœ .œ
œ> Jœ .œ.œ œ Jœ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
71
œœ ‰ œœ ‰
œ>Jœn œ
Jœ
œ>Jœn œ
Jœ
œ> Jœn œ Jœœ> Jœ# œ Jœ
œ> Jœ# œ Jœœ> Jœ# œ Jœ
œ ‰ œ‰
œ ‰ Œ .œJœœ#œœ Jœœœ Jœ# œ Jœ
œ Jœ# œ Jœ
œ ‰ œ ‰
œœ Jœœ##œœ Jœœ
œ jœ# œ jœœ ‰ Œ .œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ Jœn œ Jœ
œ Jœn œ Jœ
œ Jœn œ Jœ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
72
œœ ‰ œœ ‰
.>̇
.>̇
.>̇
.>̇
.>̇
.>̇
œ ‰ œ‰
œ Jœ> œ> Jœ>
.>̇œJœ>œ> Jœ>œ jœ> œ> Jœ>
œ ‰ œ ‰
.
.˙˙>>
..˙̇>œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.>̇
.>̇
œJœ> œ> Jœ>
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
73
œœ ‰ œœ ‰
.œb> .œ>
.œb> .œ>
.œb> .œ>
.œn> .œ>
.œn> .œ>
.œn> .œ>
œ ‰ œ‰
.œ> .œ
..œœn>> ..œœ>
.œ> .œ
œ ‰ œ ‰
..œœ>> ..œœ>>
..œœ>..œœ>
œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.œb> .œ>.œb> .œ>.œ> .œ>
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
74
œœ ‰ œœ ‰
CB142F
19
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&
&&
&&
&&
????
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in Bb
Bsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
œ> Jœ œ Jœ>œ> Jœ œ Jœ>
œ> Jœ œ jœ>œ> Jœ œ Jœ>
œ> Jœ œ jœ>œ> Jœ œ jœ>œ ‰
œ‰
.œ œ Jœ
œ> jœ .œ.œ œ Jœ.œ œ Jœ
œ ‰ œ ‰
œœ>>jœœ ..œœ
œœ>jœœ .œ .œ
œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ> Jœ .œ
œ> Jœ .œ.œ œ Jœ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
75
œœ ‰ œœ ‰
œ>Jœn œ
Jœ
œ>Jœn œ
Jœ
œ> Jœn œ Jœœ> Jœ# œ Jœ
œ> Jœ# œ Jœœ> Jœ# œ Jœ
œ ‰œ‰
œ ‰ Œ .œJœœ##œœ Jœœœ Jœ# œ Jœ
œ Jœ# œ Jœ
œ ‰ œ ‰
œœ Jœœ##œœ Jœœ
œ jœ# œ jœœ ‰ Œ .œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ Jœn œ Jœ
œ Jœn œ Jœ
œ Jœn œ Jœ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
76
œœ ‰ œœ ‰
.>̇
.>̇
.>̇
.>̇
.>̇
.>̇
œ ‰œ‰
œ Jœ>œ> Jœ>
.>̇œJœ>œ> Jœ>œ jœ>œ> Jœ>
œ ‰ œ ‰
.
.˙˙>>
..˙̇>œœ ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœ.>̇
.>̇
œJœ>œ> Jœ>
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
77
œœ ‰ œœ ‰
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
.œ> .œ>
œ ‰ œ ‰.œ> .œ
..œœ>> ..œœ>
.œ> .œ
œ ‰ œ ‰
..œœ>> ..œœb >>
..œœ>..œœ>
œœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœb ‰ œœ.œ> .œ>.œ> .œ>.œ> .œ
œœ‰ œ ‰
œ ‰ œæ œ ‰ œæ
78
œœ ‰ œœ ‰
unis.
œ> Jœ# œ Jœ
œ> Jœ# œ Jœ
œ>jœ# œ jœ
œ> Jœ# œ Jœ
œ>jœ# œ Jœ
œ>jœ# œ Jœ
œ ‰ œ ‰.œ œ Jœ
œ> jœ# œ jœ.œ œ Jœ.œ œ Jœœ ‰ œ ‰
œ>jœ# œ Jœ
œœ>jœœ œœ
jœœœœ ‰ œœ œœ ‰ œœ
œ ‰ œ œ ‰ œœ> Jœ# œ Jœ
œ> Jœ# œ Jœ.œ œ Jœ
œ ‰ œ ‰
.æ̇
79
..œœ ..œœ
a2
a2
œ> Jœ œ Jœ
œ> Jœ œ Jœ
œ> jœ œ Jœ
œ> Jœ œ Jœ
œ> Jœ œ Jœ
œ> Jœ œ Jœ
œ# ‰ œ ‰.œ .œn
œ> jœ œ jœ.œ .œ.œ .œ#œ# ‰ œ ‰
œ> Jœ œ Jœ
œœ#>jœœ œœ
jœœœœ# ‰ œœ œœ ‰ œœ
œœ ‰ œœ œœ ‰ œœœ> Jœ œ Jœ
œ> Jœ œ Jœ
.œ .œn
œn ‰ œ ‰
.æ̇
80
..œœ ..œœ
CB142F
20
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&
&
&&
?
???
ãã
bb
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
..
..
....
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
..
Ob.
Perc.
Tpt.in Bb
Fl.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in BbBsn.
1
2
12
34
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
12
34
12
23
Picc.
1
Cl.in Eb
1. 2.
1. 2.
œ> Jœ# œ Jœ
œ> Jœ# œ Jœ
œ> Jœ# œ Jœœ> Jœ# œ Jœ
œ> Jœ# œ Jœœ> Jœ# œ Jœ
œ ‰ œ ‰.˙œ> jœ# œ jœ.œ .œ.œ .œœ ‰ œ ‰
œ> Jœ# œ Jœ
œœ>jœœ# œœ
jœœœœ ‰ œœ œœ ‰ œœœœ ‰ œœ œœ ‰ œœœ> Jœ# œ Jœ
œ> Jœ# œ Jœ
.œ .œ
œ ‰ œ ‰
.æ̇
81
..œœ ..œœ
Jœ‰ ‰
..œœ>
Jœ‰ ‰
..œœ>
Jœ ‰ ‰ .œ>
Jœ ‰ ‰ .œ>
Jœ ‰ ‰ .œ>
Jœ ‰ ‰ ..œœ>
jœ‰ ‰ .œ>
Jœ ‰ ‰ .œ>
Jœœ ‰ ‰ ..œœ>
Jœ ‰ ‰ .œ>
jœ ‰ ‰ .œ>
Jœ ‰ ‰ ..œœ>.œ>jœœ ‰ ‰ ..œœ>
Jœœ ‰ ‰ ..œœ>
jœœ ‰ ‰ ..œœ>Jœ ‰ ‰
..œœ>
Jœ ‰ ‰..œœ>
Jœ ‰ ‰ .œ>
jœ ‰ ‰ .œ>jœ ‰ ‰ .œæ>
82
jJœœ ‰ ‰ œœ
>> ‰
div.
div.
div.
div.
ç
.
.˙̇>
.
.˙̇>
.>̇
.>̇
.>̇
..˙̇>
œ>jœ œ jœ
œ> Jœ œ Jœ..˙̇>
.>̇œ> Jœ œ Jœ...˙̇˙>
>.>̇.˙>œœ> ‰ œœ œœ ‰ œœœœ>‰ œœ œœ ‰ œœ..˙̇>
.
.˙̇>
œ> Jœ œ Jœœœ>
jœ œ jœœ> ‰ œ œ ‰ œ
83
œœ>> ‰ œœ ‰
div. unis.
œœ Jœn œ
Jœ
œœ Jœn œ
Jœ
œJœn œ Jœ
œ Jœ# œ JœœJœ# œ Jœ
œœ Jœ# œ Jœ
œ ‰ Œ .
œ ‰ Œ .œœ Jœœ##œœ Jœœ
œ Jœ# œ Jœ
œ ‰ Œ .œœœ Jœœ##œœ Jœœ
œ jœ# œ jœœ ‰ Œ .œœ ‰ Œ .
œœ ‰ Œ .œœ Jœn œ Jœœœ Jœn œ Jœ
œ Jœn œ Jœ
œœ‰ Œ .
œ ‰ Œ .
84
œœ ‰ Œ .
unis.
unis.
unis.
unis.
div.
a2
a2
œœ ‰ œ>‰
œœ ‰ œ>‰
œ ‰ œ>‰
œ ‰ œ> ‰œ‰œ>‰
œœ ‰ œœ> ‰
œ ‰ œ>‰
œ ‰ œ> ‰œœ ‰ œœ> ‰œ ‰ œ> ‰œ ‰ œ> ‰œœœ ‰ œœ>
‰
œœ ‰ œœ>‰
œœ ‰ œœ> ‰
œœ ‰ œœ>‰
œœ ‰ œ>‰
œœ ‰ œ> ‰
œ ‰ œ> ‰œœ‰ œœ>
‰
œ ‰ œ> ‰œœ ‰ œœ
>> ‰
unis.
unis.
unis.
unis.
div.
a2
CB142F
21
Illegal to print or copy
for onscreen use only
Illegal to print or copy
for onscreen use only
7 8 9 10 11 12
Picc.
Fl.
Ob.
Cl. in Eb
Cl. 1 in Bb
Cl. 2, 3 in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Solo Cnt.in Bb
Cnt. 1in Bb
Cnt. 2, 3in Bb
Hn. 1, 2 in F
Hn. 3, 4in F
Tbn. 1, 2
Tbn. 3
Bar.
Tuba
Perc. 1
Perc. 2
a2
CB137F
6
19
1.
1.
20
2.
2.
21
22
22
22 23
Picc.
Fl.
Ob.
Cl. in Eb
Cl. 1 in Bb
Cl. 2, 3 in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Solo Cnt.in Bb
Cnt. 1in Bb
Cnt. 2, 3in Bb
Hn. 1, 2 in F
Hn. 3, 4in F
Tbn. 1, 2
Tbn. 3
Bar.
Tuba
Perc. 1
Perc. 2
mf
mf
mf
mf
mfa2
mf
ff
ff
ff
ff
ff
mf
mf
ff
a2
ff
a2
ff
ff
ff
ff
CB137F
8
h = 120
h = 120
Full Score
March
1 2
Copyright © 1905 by Fillmore Brothers Co. Copyright Renewed.All rights assigned to Carl Fischer, LLC.
This arrangement Copyright © 2009 by Carl Fischer, LLC.International Copyright Secured. All rights reserved.
3 4
5
5
Troopers’ Tribunal
5
HENRY FILLMOREEdited by Robert E. Foster
6
Piccolo
Flute
Oboe
Clarinet in Eb
Clarinet 1in Bb
Clarinet 2, 3in Bb
BassClarinet in Bb
Bassoon
AltoSaxophone in Eb
TenorSaxophone in Bb
BaritoneSaxophone in Eb
Solo Cornetin Bb
Cornet 1in Bb
Cornet 2, 3in Bb
Horn 1, 2in F
Horn 3, 4in F
Trombone 1, 2
Trombone 3
Baritone
Tuba
Percussion 1(Snare Drum)
Percussion 2(Crash Cymbals,Bass Drum)
ff fa2
ff f
ff f
ff f
ff f
ff
a2
f
ff f
ff f
ff f
ff
div. unis.
f
ff f
ff f
ff f
ff f
a2
ff fa2
ff fa2
ff
a2
f
ff f
ff f
ff fS.D.
ff fCr. Cym.
B.D.ff f
CB137F
5
13
13
13 14 15 16 17 18
Picc.
Fl.
Ob.
Cl. in Eb
Cl. 1 in Bb
Cl. 2, 3 in Bb
B. Cl.in Bb
Bsn.
A. Sax.in Eb
T. Sax.in Bb
Bar. Sax.in Eb
Solo Cnt.in Bb
Cnt. 1in Bb
Cnt. 2, 3in Bb
Hn. 1, 2 in F
Hn. 3, 4in F
Tbn. 1, 2
Tbn. 3
Bar.
Tuba
Perc. 1
Perc. 2
a2
a2
CB137F
7
Illegal to print or copy
for onscreen use only
&
&&
&&&&?
&&&
&&
&&
????
&?
ãã
bb
bb
#
bb
#
#
bb
bb
bb
bb
bb
bb
bb
Ob.
Mall.Perc.
Perc.
Cl.in Bb
1
Hn.in F
Tbn.
23
B. Cl.in BbBsn.
1
2
Cnt.in Bb
A. Sax.in EbT. Sax.in BbBar. Sax.in Eb
Euph.
Tuba
Timp.
12
12
3
12
3
Picc./Fl.
12
Cl.in Eb
Tpt.in Bb
Solo Cl.
12
œ œ œ œ œ œ
∑∑
∑∑∑∑∑
∑∑∑
œœ.. Œ Œ
œœ.. Œ Œ
∑∑
œ. Œ Œ∑∑∑
∑∑
∑
11
∑
œ œ œ œ œ œ
∑∑
∑∑∑∑∑
∑∑∑
œœ.. Œ Œ
œ. Œ Œ
∑∑
œœ.. Œ Œ∑∑∑
∑∑
∑
12
∑
a2
œ# œ œ œœ œ
∑∑
∑∑∑∑∑
∑∑∑
∑∑
Œ œœ œœŒ œ œ
∑∑
.˙
œ.Œ Œ
∑
œ Œ Œ
∑
13
∑
p
p
p
p
p
œ œ œ œ œ œ
∑∑
∑∑∑∑∑
∑∑∑
∑∑
Œ œœ œœŒ œ œ
∑∑
.˙
œ. Œ Œ
∑œ Œ Œ
∑
14
∑
œ œ# œ œ œ
∑∑
∑∑∑∑∑
∑∑∑
∑∑
Œ œœ œœŒ œ œ
∑∑
.˙
œ.Œ Œ
∑œ Œ Œ
∑
15
∑
œ Œ œ
∑∑
∑∑∑∑∑
∑∑∑
∑∑
Œ œœ œœŒ œ œ
∑∑
œ œ œ œ œ
œ. Œ Œ
∑œ Œ Œ
∑
16
∑
œ œ œ œ œ œ
∑∑
∑∑∑∑∑
∑∑∑
œœ.. Œ Œ
œ. Œ Œ
œœ.. Œ Œ
œ.Œ Œ
œœ.. Œ Œ∑
œ. Œ Œ
œ.Œ Œ
∑œ Œ Œ
∑
17
∑
CB143F
6
&
&
&
&
&
&&?
&&&
&&&&????
&?
ãã
bb
bb
#
bb
#
#
bb
bbbb
bbbb
bb
bb
43
43
43
43
43
4343
43
43
43
43
43
43
43
43
43
43
4343
43
43
43
43
Oboe
MalletPercussion(Bells)
Percussion
Clarinet in Bb1
(Snare Drum,Bass Drum)
Horn in F
Trombone
23
Bass Clarinetin BbBassoon
1
2
Cornet in Bb
AltoSaxophone in EbTenorSaxophone in BbBaritoneSaxophone in Eb
Euphonium
Tuba
Timpani(Bb-F)
(Cymbals)
12
12
3
12
3
Piccolo/Flute
12
Clarinet in Eb
Trumpet in Bb(or Cornets 3 and 4)
Solo Clarinetin Bb
12
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
.>̇
∑.>̇
.>̇
.>̇
.>̇
..˙̇>>
.>̇ .>̇
..˙̇>>
.>̇
.>̇
.>̇
..˙̇>>
..˙̇>>
.>̇ ..˙̇>>
.>̇
.>̇
.>̇ .˙
.˙
.æ̇̇>.>̇>
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒƒƒ
ƒƒƒƒ
ƒƒƒƒ
ƒƒ
ƒ
ƒ
ƒ
Vivace or faster (in 1)
Vivace or faster (in 1)
ƒCue
a2
.>̇∑.>̇
.>̇
.>̇
.>̇
..˙̇>>
.>̇ .>̇
..˙̇>>
.>̇
.>̇
..˙̇>>
..˙̇>>
..˙̇>>
.>̇ ..˙̇>>
.>̇
.>̇
.>̇
.˙
.˙
.æ̇.˙>
2
.>̇>
.>̇ ∑.>̇
.>̇
.>̇
.>̇
..˙̇>>
.>̇ .>̇
..˙̇>>
.>̇
.>̇
..˙̇>>
..˙̇>>
..˙̇>>
.>̇ ..˙̇>>
.>̇
.>̇
.>̇
.˙
.˙
.æ̇.˙>
3
.>̇>
.>̇ ∑.>̇
.>̇
.>̇
.>̇
..˙̇>>.>̇
.>̇
..˙̇>>
.>̇
.>̇
..˙̇>>
..˙̇>>
..˙̇>>
.>̇
.>̇
.>̇
.>̇
.>̇
.˙
.˙
.æ̇.˙>
4
.>̇>
a2
.Ÿ̇~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~∑.˙
.˙
.˙
.˙
.˙
.>̇ .>̇
.>̇ .˙
.>̇
.>̇
..˙̇>>
..˙̇>>
.˙ .˙
.˙
..˙̇>>
.>̇
.>̇
.>̇
.˙
.æ̇
.æ̇.˙>
5
.>̇>
a2
.˙∑.˙
.˙
.˙
.˙
.˙
.>̇ .>̇
.>̇ .˙
.>̇
.˙#>
..˙̇>>
..˙̇#>>
.˙ .˙#
.˙
..˙˙# >>
.>̇
.>̇
.>̇∑.æ̇.æ̇.˙>
6
.>̇>
.˙∑.˙
.˙
.˙
.˙ œ# œ
.˙ œ# œ
.˙#>.˙#>
.>̇ .˙#
.˙#>
.>̇
..˙̇## >>
..˙̇>>
.˙ .˙
.˙#
..˙̇n>>
.>̇
.>̇
.>̇∑.æ̇.æ̇.˙>
7
.>̇>
œ. Œ œŒ Œœ. Œ Œœ. Œ Œœ.Œ Œ
œ.Œ Œ
œœ.. Œ Œœ> Œ Œœ> Œ Œœ>Œ Œœ
. Œ Œœ. Œ Œœb>Œ Œ
œœ.. Œ œœ..
œœ.. Œ œœ..œ. Œ œ.œ. Œ œ.œ. Œ œ.œœ.. Œ
œœ..
œ. Œ œ.
œ. Œ œ.
œ. Œ œ.∑
œ Œ œ.
œ Œ Œœ.8
œ. Œ Œ
Play
fœ œ œ œ œ œ
∑
∑
∑
∑
∑∑∑
∑∑∑
œ.. Œ Œœœ.. Œ Œœœ.. Œ Œœ. Œ Œœœ.. Œ Œœ. Œ Œœ. Œ Œ
œ.Œ Œ
∑
œ. Œ Œ∑
9
∑
ff
f
Bb, Eb, F; or Bb, F (if two timpani)
fff
9
9
ffa2
œ œ œ œ œ œ
∑
∑
∑
∑
∑∑∑
∑∑∑
œœ.. Œ Œœœ.. Œ Œ
∑∑
œ.Œ Œ∑∑∑
∑∑∑
10
∑
a2
CB143F
5
HENRY FILLMOREEdited by Robert E. Foster
Copyright © 1930 by The Fillmore Bros. Co., All rights assigned to Carl Fischer, LLCThis arrangement Copyright © 2012 by Fillmore Music House
All rights administered by Carl Fischer, LLCInternational Copyright Secured.
All rights reserved including performing rights.WARNING! This composition is protected by Copyright law. To photocopy or reproduce
by any method is an infringement of the Copyright law. Anyone who reproduces copyrightedmatter is subject to substantial penalties and assessments for each infringement.
Full Score To Louise Reazke the Phantom Clarinetist
Lightning FingersSolo for Clarinet and Band
• Classic Henry Fillmore original works and arrange-mentsinperformanceeditionswithfullscores
• Expertly edited by Dr. Robert Foster, Director ofBandsUniversityofKansas
• Detailed Background information on how Fillmoreperformedhisownworks
• AuthorizedbytheFillmoreEstate
UPcISbN 978-0-8258-8858-8CB142 — $90.00 SetCB142F — $15.00 Full ScoreCB142P — $4.00 Parts
65 bleecker Street, New York, NY 10012www.carlfischer.com
Illegal to print or copy
for onscreen use only
