A 2 M E D I A S T U D I E S

G 3 2 4 A D V A N C E D P R O T F O L I O I N M E D I AS H O O T I N G S C H E D U A L

S H O T NO.

S H O T T Y P E A C T I O N N A R R A T I V E A N D V I S U

A L S

L O C A T I O N & S H O TO R D E R

1 BIRDS EYE VIEW SHOT

THE CAMERA WILL SLOWLY

ZOOM IN ONTO THE

POOL

THERE IS A FADE IN FROM BLACK

REVEALING A POOL OF WINE ON A

WOODEN FLOOR, THE WINE SPREADS

OUT AT A SLOW PACE

CALL SHEET A

SHOT 1

2 EXTREME CLOSE UP AGAIN THE CAMERA WILL

ZOOM IN

THE SHOT WILL REVEAL A WINE

BOTTLE WITH THE RED DROPLTS OF

WINE STILL DRIPPING OUT OF A GREEN BOTTLE. THE

BOTTLE REVEALS THAT IT IS ON A

ISLAND TOP.

CALL SHEET A

SHOT 2

3 MEDIUM LONG SHOT

THE CAMERA WILL PAN SLIGHTLY

FROM RIGHT TO LEFT

REVEALING THE KITCHEN

THE MISE-EN-SCENE WILL

DEMONSTRAIGHT A MESSY KITCHEN

WITH EVIDENCE OF TWO PEOPLE LIVING

THERE E.G TWO PLATES TWO CUPS

SET OUT FOR DINNER

CALL SHEET A

SHOT 3

4 EXTREME CLOSE UP THE CAMERA WILL STAY

STILL

THE RED WINE WILL TRICLE DOWN THE

SIDES OF THE ISLAND

CALL SHEET A

SHOT 4

5 CLOSE UP PAN FROM LEFT TO RIGHT

THERE WILL BE A REVEAL OF A PAIR

OF FEET CURLED UP ON A BATHROOM

FLOOR

CALL SHEET A

SHOT 5

6 EXTREAM CLOSE UP ZOOM IN THE SHOT WILL SHOW MORTALS EYES LOOKING,

WITH A PAINED AND TEARFUL

EXPRESSION FOCUS INTENTLY

CALL SHEET A

SHOT 6

7 POINT OF VIEW SHOT

ZOOM IN THE SHOT WILL BE OF MORTAL HOLDING A

PRECIOUS LOCKET THOUGH THE SHOT WILL BE NOT CLOSE

ENOUGH TO SEE ANYTHING.

CALL SHEET A

SHOT 7

8 CLOSE UP NONE THE SHOT WILL SHOW A REVEAL A

PHOTOGRAPH WITH HER AND HER

PARTNER (WHICH WILL BE SHOWN BY

AN INTIMATE PHOTO OFTHE TWO)

CALL SHEET A

SHOT 8

9 MEDIUM LONG SHOT

NONE THE SHOT WILL SHOW MORTAL SLAMMING THE LOCKET ON THE

FLOOR BESIDE HER

CALL SHEET A

SHOT 9

10 EXTREME CLOSE UP NONE PROFLIE SHOT OF A SHOE THAT STOMPS DOWN NEXT TO THE

CAMERA. THE SHOW IS FAIRLY DIRTY SHOWING

SHE HAS WALKED A WHILE.

CALL SHEET B

SHOT 1

11 EXTREME CLOSE UP NONE IT SHOWS MORTAL WITH A

DERERMINED LOOK IN HER EYES AS SHE

WALKS PAST THE CAMERA

CALL SHEET B

SHOT 2

12 MEDIUM SHOT TRACKING SHOT

DOLLY MOVES BACKWARDS

IT SHOWS THE LOWER HALF OF

MORTAL WALKING TOWARDS THE CAMERA IN THE

WOODS

CALL SHEET B

SHOT 3

13 LONG SHOT ZOOM OUT MORTAL WILL WALK UP A BANK

REVEALING AN ASTONISHING SIGHT AS SHE

STANDS BEFORE IT.

CALL SHEET B

SHOT 4

14 CLOSE UP NONE SHE WILL LOOK INTENTLY AT THE

VIEW BEFORE SIGHING AND PULLUNG A

DETERMIND FACE AND WALKING OUT

OF SHOT.

CALL SHEET B

SHOT 5

15 LONG-ESTABLISHING SHOT

PULL FOCUS TO DEEP FOCUS

THE SHOT WILL REVEAL A LONG

BEACH WITH THE POWERSTATION IN THE BACKGROUND

AS THE DUNES SWAY IN THE BACK AND FOR GROUND REVELING MORTAL.

CALL SHEET C

SHOT 1

16 MEDIUM SHOT NONE MORTAL IS SITTING DOWN ON THE SAND LOOKING DOWN AT THE

SAND WITH A TIRED EXPRESSION ON HER FACE. HER

CALL SHEET C

SHOT 2

BODY LANGUGE SUGGESTS

DEFENSIVENESS ABOUT IT.

17 CLOSE UP NONE WE SEE HER PICK OUT A HANDFUL OF

SAND

CALL SHEET C

SHOT 3

18 LOW ANGLE MEDIUM SHOT

NONE WE SEE HER LETTING THE SAND SLIP THROUGH HER

FINGERS AS IT BLOWS AWAY IN

THE WIND.

CALL SHEET C

SHOT 4

19 CLOSE UP NONE THE SHOT WILL SHOW HER FACE

LOOKING DISPARINGLY

BEFORE PULLING A SOUR EXPRESSION

CALL SHEET C

SHOT 5

20 CLOSE UP TRACKING – TILT UP

SHE WILL STAND UP AND WITH THE

MOVEMENT THE CAMERA WILL FOLLOW HER

ACTION

CALL SHEET C

SHOT 6

21 LONG SHOT NONE IT SHOWS HER WITH HER ARMS

SPREAD WIDE FROM A DISTANCE BEHIND

HER

CALL SHEET C

SHOT 7

22 EXTREAME CLOSE UP

NONE THERE WILL BE A CLOSE UP OF HER LIPS WITH A TEAR TRICKLING DOWN DOWN HER FACE

*LIP SYNC

CALL SHEET C

SHOT 8

23 CLOSE UP NONE SHE WILL SUDDELY OPENS HER EYES WITH A PANICED EXPRESSION ON

HER FACE. SWET IS ON HER FROM HER

CALL SHEET D

SHOT 1

NIGHTMERE.

24 MEDIUM SHOT NONE SHE WILL RAISE HER HAND TO THE

PILLOW BESIDE HER AS IF TO SAY SOMETHINGBUT STOPS

HERSELF SHORT WHEN SHE SEE’S THERES NO ONE

THERE

CALL SHEET D

SHOT 2

25 CLOSE UP COMPISTION SHOWING OFF THE PILLOW AND SPACE

WITH A DEEP PULL EFFECT

SHE CLOSES HER HANDS AND GIVES

A DISPARING EXPRESSION WHILE INTENTLY LOOKING

AT THE PILLOW

CALL SHEET D

SHOT 3

26 LONG SHOT NONE SHE SITS UP AND SWINGS HER LEGS OVER THE SIDE OF

THE BED AND SLUPS

CALL SHEET D

SHOT 4

27 CLOSE UP NONE SHE GIVES A SOLMON

EXPRSSION TILTING HER HEAD TO THE

SIDE*LIP SYNC

CALL SHEET D

SHOT 5

28 CLOSE UP NONE SHE TURNS HER HEAD TO THE

CAMERA

CALL SHEET D

SHOT 6

29 POINT OF VIEW THE CAMERA WILL PAN AS IF TO MIMIC HER HEAD MOVEMENT

THE CAMERA MOVES TO LOOK

INTO A HALL WHERE A

WARDROBE IS OPEN

CALL SHEET D

SHOT 7

30 MEDIUM SHOT NONE THE SHOT WILL CUT OF HER HEAD ONLY

SHOWING UP TO HER ONE AS SHE

PULLSSTARES TOWARDS THAT

CALL SHEET D

SHOT 8

DIRECTION BEFORE STANDING UP AND

LEAVING THE SHOT.

31 LONG SHOT - LOW ANGLE

NONE IT CUTS TO HER OPEING THE WARDROBE

CALL SHEET D

SHOT 9

32 OVER THE SHOULDER SHOT

NONE OF HER PULLING OUT A SHIRT (THE

SAME ONE WORN IN THE PHOTOGRAPH

IN THE LOCKET

CALL SHEET D

SHOT 10

33 LONG SHOT - LOW ANGLE

NONE SHE SLUMPS TO THE GROUND

CALL SHEET D

SHOT 11

34 CLOSE UP NONE SHE HOLDS IT CLOSE TO HER

CHEST

CALL SHEET D

SHOT 12

35 MEDIUM SHOT NONE SHOWS A POND WITH FISH

SWIMMING AROUND

CALL SHEET E

SHOT 1

36 MEDIUM SHOT NONE MORTAL THROWS FOOD TO THE

FISHES CAUSING RIPPELS IN HER

REFLECTION

CALL SHEET E

SHOT 2

37 MEDUIM SHOT RULE OF THRIDS

(COMPOSITION)

SHE STARES INTO THE WATER WHILE

THE CAMERA ZOOMS IN TO THE

BENCH BEHIND HER

CALL SHEET E

SHOT 3

38 CLOSE UP NONE SHE RESTS ON HER PARTNERS CHEST AND LOOKS INTO

HS FACE(FLASH BACK)

CALL SHEET F

SHOT 1

39 CLOSE UP LOW ANGLE HE GIVES HER A WARM SMILE WITH A HEVENLY GLOW

BEHIND HIM

CALL SHEET F

SHOT 2

40 EXTREME CLOSE UP ZOOM IN SHE HOPEFULY GAZES INTO HIS

EYES

CALL SHEET F

SHOT 3

41 EXTREAM CLOSE UP GRAFIC MATCH

A TIRED LOOKAS SHE GAZES IN

AT THE PLACE HER AND HER PARTNER

ONCE SAT(REUTRN TO NARRATIVE)

CALL SHEET E

SHOT 4

41 CLOSE UP NONE SHE SIGHS AS SHE SITS UP FROM

WHERE SHE WAS SITTING

*LIP SYNC

CALL SHEET E

SHOT 5

42 MEDIUM SHOT MATCH ON ACTION

+ TRACK AND DOLLY

SHE WALKS TOWARDS THE

CAMERA

CALL SHEET E

SHOT 6

43 CRANE - HIGH ANGLE SHOT

NONE SHE PULLS TO A HALT AS WE SEE A

BRACH IN PULL FOCUS EMPESIS IT

CALL SHEET E

SHOT 7

44 CLOSE UP SCENE ENDS ON TILT DOWN

SHE STARES AT THE BRANCH THEN

SHRGS HER SHOULDERS

CALL SHEET E

SHOT 8

45 LONG SHOT SCENE BEGINS ON A TILT DOWN

SHE SITS STARING TOWARDS THE FIRE

PIT AS IT BLAZESSHE LAYS ON HER

SIDE

CALL SHEET G

SHOT 1

46 MEDIUM SHOT NONE SHE TURNS FROM LOOKING AT THE FIRE TO REST ON

HER

CALL SHEET G

SHOT 2

47 CLOSE UP ZOOM IN SHE STARES WITH A TIRED EXPRESSION UP TO THE NIGHT

CALL SHEET G

SHOT 3

SKY.•LIP SYNC

48 EXTREME CLOSE UP NONE *LIP SYNC CALL SHEET G

SHOT 4

49 LONG SHOT ZOOM OUT SHOWS THE NIGHT SKY

CALL SHEET G

SHOT 5

50 CLOSE UP NONE SHOWS HER IN SIDE PROFILE PULLING A

LONING LOOK( NO TOP OF HEAD)

CALL SHEET G

SHOT 6

51 MEDIUM SHOT NONE SHE SITS UP(HER FACE COVERD

BY HAIR)

CALL SHEET G

SHOT 7

52 CLOSE UP NONE AT FIRST HER FACE LOOKS TO THE GROUND THE

(GRASPING THE LOCKET IN HAND) SHE LOOKS UP TO

THE CAMERA

CALL SHEET G

SHOT 8

52 EXTREME CLOSE UP NONE SHE GRASPS THE LOCKET IN HAND

CALL SHEET G

SHOT 9

53 CLOSE UP TILT UP THE CAMERA WILL MOVE FROM A SHOT

OF HER FEET TO HER UPPER BODY

CALL SHEET B

SHOT 6

54 MEDIUM SHOT DOLLY AROUND HER

THE DOLLY WILL GET CLOSER TO

HER FACE*LIP SYNC

CALL SHEET B

SHOT 7

55 LOW ANGLE MEDIUM SHOT

NONE SHE REACHES HER HAND OUT IS A

DEFENSIVE POSE

CALL SHEET B

SHOT 8

56 EXTREAME CLOSE UP

NONE SHE LOOKS LONINGLY INTO THE

FACE OF HER

CALL SHEET B

SHOT 9

PARTNER AS HE IS REFLECTED IN HER

EYES

57 CLOSE UP SLOW MOTION

THE GLASS BOTTLE SPILLS OVER IN

SLOW MOTION SHE KNOCKS IT OVER

CALL SHEET A

SHOT 10

58 LONG SHOT DOLLY SHE HOLD HER HEAD AS IF IN PAIN

*LIP SYNC

CALL SHEET G

SHOT 10

59 CLOSE UP DOLLY BACKWARDS

SHE GESTURES I WITH A REALLY

EMOTIONAL EXPRESSION; ANGER AND SADNESS.*LIP SYNC

CALL SHEET B

SHOT 10

60 MEDIUM SHOT DOLLY ENDS SHE CROSSES HER ARMS AND LOOKS AWAY FROM THE

CAMERA AND GENTLY LIP SYNCS

CALL SHEET B

SHOT 11

61 EXTREAME CLOSE UP

NONE JUST THE *LIP SYNC IN FRAME

CALL SHEET B

SHOT 12

62 MEDIUM CLOSE UP NONE SHE LOOKS FORLORN INTO THE

DISTANCE*LIP SYNC

CALL SHEET B

SHOT 13

63 MEDIUM CLOSE UP – LOW ANGLE

NONE SHE HOLDS THE LOCKET IN HER

HANDS SHE ALMOST WAKES UP FROM HER STATE

AS SHE JUMPS SLIGHTLY.

CALL SHEET A

SHOT 11

64 MEDIUM CLOSE UP NONE HER LEGS THAT WERE LAIED UPON THE FLOOR MOVE AS SHE SITS UP.

CALL SHEET A

SHOT 12

65 MEDUIM SHOT NONE SHE STANDS UP WOBBELY WITH AN

EXASPORATED EXPRESSION

CALL SHEET A

SHOT 13

66 MEDIUM SHOT- OVER THE SHOULDER

NONE SHE WANDERS OUT OF THE BATHROOM

CALL SHEET A

SHOT 14

67 COMPOSITION SHOT CHANGE (SHALLOW

FOCUS <DEEP FOCUS)

PULL FOCUS IN THE BLUR WE WE SEE HER WANDER

OUT OF THE BATHROOM INTO

THE HALLWIITH THE BOTTLE

OF WINE STILL SPILLING OUT

CALL SHEET A

SHOT 15

68 MEDIUM SHOT PAN (RIGHT TO LEFT)

SHE WALKS BY THE CAMERA

CALL SHEET A

SHOT 16

69 CLOSE UP NONE SHE GOES UP THE STAIRS

CALL SHEET A

SHOT 17

70 LONG SHOT SLIGHT TILT UP

SHE WALKS UP THE STAIRS AND COMES TO THE LANDING, SHOWING OF THE LOCKET SHE STILL

HOLDS IN HER LEFT HAND.

CALL SHEET A

SHOT 18

71 CLOSE UP DOLLY SHE BEGINS TO CRY WITH A SOLEM

EXPRESSION AS SHE WALS OVER TO THE

ROOM.

CALL SHEET A

SHOT 19

72 MEDIUM-LONG SHOT

NONE SHE LOOKS AT THE BED LEANING ON THE DOOR WAY

CALL SHEET A

SHOT 20

73 POINT OF VIEW SHOT

PAN SHE LOOKS AT THE RUMPLED UP BED AND HIS SHIRT.

CALL SHEET A

SHOT 21

73 CLOSE UP NONE SHE SMIRKS RESTING AGAINST THE DOOR FRAME

*LIP SYNC

CALL SHEET A

SHOT 22

74 MEDIUM-LONG SHOT

NONE SHE BEGINS TO WALK OVER TO HER

SIDE OF THE BED

CALL SHEET A

SHOT 23

75 CLOSE UP NONE SHE STUMBLES CALL SHEET A

SHOT 24

76 MEDIUM-CLOSE UP NONE SHE GRABS ONTO THE WALL TO STOP

HERSELF FROM FALLING OVER

CALL SHEET A

SHOT 25

77 CLOSE UP NONE HER EYES SUDDENLY STOP

SOMETHING.

CALL SHEET A

SHOT 26

78 MEDIUM SHOT NONE A SHOT OF A WARTER BASIN

CALL SHEET A

SHOT 27

79 EXTREAME CLOSE UP

NONE SHOWS A RAZOR CAL SHEET ASHOT 28

80 MEDIUM SHOT- LOW ANGLE

NONE SHE HAS A DESPRATE

EXPRESSION ON HER FACE AS SHE

WALKS TO IT.

CALL SHEET A

SHOT 29

81 CLOSE UP DOLLY BACKWARDS

SHE RUNS FORWARD

(OLY HER FEET)

CALL SHEET A

SHOT 30

82 EXTREAME CLOSE UP

NONE THE LOCKET IN HER HAND RATTLES IN

HER HANDS

CALL SHEET A

SHOT 31

83 CLOSE UP NONE SHE SUDDENLY STOPS JERKERLY

(FRAME WISE JUST HER SHOULDERS)

CALL SHEET A

SHOT 32

84 CLOSE UP NONE A SUDDEN OLT OF CALL SHEET

SHOCK GOES THROUGH HER

ASHOT 33

85 MEDIUM SHOT NONE SHE QUICKLY TURNS AROUND

OVER HER SHOULDER

CALL SHEET A

SHOT 34

86 CLOSE UP NONE HER EXPRESSION BECOMES TEARFUL

AS A SMILES SPREADS ACROSS

HER FACE

CALL SHEET A

SHOT 35

87 CLOSE UP ZOOM IN IT SHOWS HER LOCKET TRAPPED

ON THE DOOR HANDLE WITH THE

WARDROOB

CALL SHEET A

SHOT 36

88 EXTREME CLOSE UP NONE SHOWS EVEN CLEARER THE

LOCKET

CALL SHEET A

SHOT 37