Roberta

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Road Trip to Roberta | The Sacred Harp Publishing Company file:///C|/Users/Jason/Desktop/Road%20Trip%20to%20Roberta%20_%20The%20Sacred%20Harp%20Publishing%20Company.html[5/4/2015 6:48:15 PM] Publishers of The Sacred Harp, 1991 Edition Road Trip to Roberta Posted on July 29, 2013 by Jason Stanford I recently was invited to ride with the world-renowned duo of Hugh McGraw and Charlene Wallace to Oscar McGuire’s monthly singing school down in Roberta, Georgia. No Sacred Harp singer in their right mind would pass up such an opportunity, so of course I said yes. How I, a mere babe when it comes to shape-note singing, became associated with these two pantheons of the singing community is another article in itself. For now, I hope to share with you some things I learned on our crusade. I’ll begin with a shameless plug for Oscar by saying if you haven’t been to one of his schools I highly recommend it. I learned more about the principles of the music and found why the music is written and sung the way it is quite fascinating and ingenious. I was also reminded of music theory involving chords and scales that I had forgotten over the years. Altogether the music began to make a little more sense to me. Try to make it to one of his schools if you can, you will be glad you did. My trip began promptly at 8:30 am with Mr. McGraw arriving at my house, about one mile from his own. From there we would pick Ms. Wallace up in Carrollton and drive another hour and a half south to Roberta. What an adventure it was. Little did we know that the “ Peaches to Beaches” yard sale was occurring simultaneously. This is a statewide yard sale that stretches from somewhere around Newnan all the way down to Brunswick. Every few miles folks were stopping to find roadside bargains. Mr. McGraw repeatedly tried to tempt Charlene into stopping, but each time she reminded him she did not go “Yard Sailing” like some others they might know. I entreated him to stop at one with a Go-Kart I wanted to buy for my seven-year-old son, but he didn’t like the idea of strapping it to the roof of his Buick so alas we continued on our journey unimpeded. Of course no road trip is complete without a moment when, as a passenger, you begin to wonder if this might be the last road trip you ever take. Make no mistake Mr. Hugh is a good driver, especially considering his age, and I would not hesitate to ride with him again. However, there was one particular incident where he thought it best to pass a Congratulations to David Ivey, 2013 National Heritage Fellow “Take My Staff and Travel On”: A Sacred Harp Journey Books Available The Sacred Harp Original Sacred Harp: Centennial Edition The Makers of the Sacred Harp The Legacy of the Sacred Harp Shopping Cart Your cart is empty New Online Exhibition Documents, images, and recordings from the first National Sacred Harp Convention Recent Newsletter Articles Introducing Vol. 3, No. 2 of the Sacred Harp Publishing Company Newsletter Come Sound His Praise Abroad: A Report on the First Germany Sacred Harp Convention The Old World Seeks the Old Paths: Observing Our Transnationally Expanding Singing Community American Tunes in West Gallery Sources Elphrey Heritage: Northern Contributor to the Nineteenth- century Sacred Harp There’s an App for That: A Review of the “FaSoLa Minutes” App The Chattahoochee Convention, August 1, 1880: Memorial for Benjamin Franklin White Our Hope for Years to Come: Digitizing Recordings at the Sacred Harp Museum A Brief History of A Brief History of the Sacred Harp Home Ordering the Sacred Harp Books Newsletter Sacred Harp Museum About the Company Contact Us

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Road Trip to Roberta | The Sacred Harp Publishing Company

file:///C|/Users/Jason/Desktop/Road%20Trip%20to%20Roberta%20_%20The%20Sacred%20Harp%20Publishing%20Company.html[5/4/2015 6:48:15 PM]

Publishers of The Sacred Harp, 1991 Edition

Road Trip to RobertaPosted on July 29, 2013 by Jason Stanford

I recently was invited to ride with the world-renowned duo of Hugh McGraw andCharlene Wallace to Oscar McGuire’s monthly singing school down in Roberta, Georgia.No Sacred Harp singer in their right mind would pass up such an opportunity, so ofcourse I said yes. How I, a mere babe when it comes to shape-note singing, becameassociated with these two pantheons of the singing community is another article in itself.For now, I hope to share with you some things I learned on our crusade.

I’ll begin with a shameless plug for Oscar by saying if you haven’t been to one of hisschools I highly recommend it. I learned more about the principles of the music andfound why the music is written and sung the way it is quite fascinating and ingenious. Iwas also reminded of music theory involving chords and scales that I had forgotten overthe years. Altogether the music began to make a little more sense to me. Try to make itto one of his schools if you can, you will be glad you did.

My trip began promptly at 8:30 am with Mr. McGraw arriving at my house, about onemile from his own. From there we would pick Ms. Wallace up in Carrollton and driveanother hour and a half south to Roberta. What an adventure it was. Little did we knowthat the “Peaches to Beaches” yard sale was occurring simultaneously. This is a statewideyard sale that stretches from somewhere around Newnan all the way down to Brunswick.Every few miles folks were stopping to find roadside bargains. Mr. McGraw repeatedlytried to tempt Charlene into stopping, but each time she reminded him she did not go“Yard Sailing” like some others they might know. I entreated him to stop at one with aGo-Kart I wanted to buy for my seven-year-old son, but he didn’t like the idea ofstrapping it to the roof of his Buick so alas we continued on our journey unimpeded.

Of course no road trip is complete without a moment when, as a passenger, you begin towonder if this might be the last road trip you ever take. Make no mistake Mr. Hugh is agood driver, especially considering his age, and I would not hesitate to ride with himagain. However, there was one particular incident where he thought it best to pass a

← Congratulations to David Ivey, 2013 National HeritageFellow

“Take My Staff and Travel On”: A Sacred Harp Journey →

Books AvailableThe Sacred HarpOriginal Sacred Harp:Centennial EditionThe Makers of the Sacred HarpThe Legacy of the Sacred Harp

Shopping CartYour cart is empty

New Online ExhibitionDocuments, images, andrecordings from the first NationalSacred Harp Convention

Recent Newsletter ArticlesIntroducing Vol. 3, No. 2 of theSacred Harp Publishing CompanyNewsletterCome Sound His Praise Abroad: AReport on the First GermanySacred Harp ConventionThe Old World Seeks the OldPaths: Observing OurTransnationally ExpandingSinging CommunityAmerican Tunes in West GallerySourcesElphrey Heritage: NorthernContributor to the Nineteenth-century Sacred HarpThere’s an App for That: AReview of the “FaSoLa Minutes”AppThe Chattahoochee Convention,August 1, 1880: Memorial forBenjamin Franklin WhiteOur Hope for Years to Come:Digitizing Recordings at theSacred Harp MuseumA Brief History of A Brief Historyof the Sacred Harp

Home Ordering the Sacred Harp Books Newsletter Sacred Harp Museum About the Company Contact Us

Page 2: Roberta

Road Trip to Roberta | The Sacred Harp Publishing Company

file:///C|/Users/Jason/Desktop/Road%20Trip%20to%20Roberta%20_%20The%20Sacred%20Harp%20Publishing%20Company.html[5/4/2015 6:48:15 PM]

semi-truck just before the four lane highway turned into two. At which point he becamefirmly embattled in a game of chicken with an oncoming car. Mr. Hugh refused to yieldand both the approaching car and semi-truck were forced to the roadside. Thus, HughMcGraw arrived on the two-lane victorious with no party suffering damages, andCharlene and I were assured and grateful that God does answer prayer. I have recentlyobserved that Mr. McGraw is frequently on the go, and does not dilly dally. I don’t knowif Hugh has ever even heard of Tom Petty, but it is clear he abides by Mr. Petty’s words,“… you never slow down you never grow old …” and is living proof that they are true. Hedoes however know of Bruce Springsteen and is grateful for his recent use of “The LastWords of Copernicus” (p. 112 in The Sacred Harp).

Once we arrived safely in Roberta we were pleased to find that Oscar had gone throughthe trouble of preparing his famous store bought cinnamon rolls, which really hit the spotafter a near death experience. After the morning class we also enjoyed a “Dutch Treat”lunch at Hudson’s BBQ in downtown Roberta (they were too poor to build a town square,so it’s more of a “T”). I offered to buy lunch to pay for my ride, but I was informed that“Dutch Treat” means each person pays for their own meal. Anyway, if you like barbecue itis pretty good, and if you like taxidermy the atmosphere is a little on the wild side too.We then cruised the town, which was in full array due to the community wide yard sale,before returning to sing. In the afternoon we each chose a song and did the best we couldwith the small group in attendance. At around 2 pm or so, we began our drive home.

A year ago or so I began compiling a list of questions to ask Hugh. At singings he isusually surrounded by others and there is not enough time to talk to him as much as Iwould like. I thought this trip would be an excellent time to ask my questions. The threeof us talked virtually the whole way there and back on a myriad of topics. I was goingfrom memory and didn’t remember all my questions, but I did get a few answered. Theinterviews I have seen and heard with Hugh have mainly focused on Sacred Harp and hispersonal involvement. My questions are more on his musical compositions and writingshape-note music in general. This is what he told me that you may or may not alreadyknow.

Hugh began writing songs about seven or eight years after he started singing SacredHarp. This would be somewhere around 1958. He would hum a lot as he went about hisday and write down a melody first. Then he would give it to other accomplished singersand composers to get their input. He would keep refining it until he got the finishedproduct we sing today. Prior to singing Sacred Harp he learned to play the guitar andsing, and learned a little piano too. He wrote songs up until 1992 at which point he feltlike he should “retire” from song writing. Even so, composers still give him songs todayto improve. If you look at the previous edition of The Sacred Harp, you’ll see that Mr.Hugh also wrote alto parts to some of the older songs which are not attributed to him inthe 1991 edition. The first song he wrote was “Living Hope” (p. 500), and the song heenjoys singing the most that he wrote is “Phillips Farewell” (p. 549). That is really all Iremember that I had not already learned.

Together Hugh and Charlene explained a lot about Sacred Harp in general and sharedsome stories from years gone by. They obviously care deeply about the music and all thetraditions that go along with it, and have a great concern for the future of Sacred Harp.We all had a good time, and I hope to travel with them again soon. So whether you’vebeen singing Sacred Harp for decades or are a beginner, head to one of Oscar McGuire’ssinging schools. You will learn a lot, maybe more from the trip there and back, andhopefully I will see you there.

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About Jason StanfordJason Stanford is the great grandson of Reby Stanford, who was a lifelongSacred Harp singer and sister of Sacred Harp Publishing Company TreasurerCharlene Wallace. He lives in Bremen, Georgia, and has been singing SacredHarp since 2010.View all posts by Jason Stanford →

← Congratulations to David Ivey, 2013 National HeritageFellow

“Take My Staff and Travel On”: A Sacred Harp Journey →

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Leslie Booher says:July 30, 2013 at 12:22 am

My favorite snippet of conversation with Charlene Wallace was at the firstGeorgia State Christian Harmony Convention in 2010. Charlene was seated withher lunch at the far end of the row of food tables. I had gotten something that Ididn’t recognize. It turned out to be quinoa. I showed it to Charlene and asked ifshe knew what it was. “No,” she replied, “but I think they call it vegetarian food.”My sentiments exactly!

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