Robert Cogan - Toward a Theory of Timbre
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Toward a Theory of Timbre: Verbal Timbre and Musical Line in Purcell, Sessions, and Stravinsky Author(s): Robert Cogan Source: Perspectives of New Music, Vol. 8, No. 1 (Autumn - Winter, 1969), pp. 75-81 Published by: Perspectives of New Music Stable URL: http://www.jstor.org/stable/832123 . Accessed: 06/12/2013 04:29 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . Perspectives of New Music is collaborating with JSTOR to digitize, preserve and extend access to Perspectives of New Music. http://www.jstor.org
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