Rise Program NoteS - arkivmusic.com filepianist/composer in a B8r1in cabaret, he deter- ... or...
Transcript of Rise Program NoteS - arkivmusic.com filepianist/composer in a B8r1in cabaret, he deter- ... or...
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Operetta in Three Acts by Rudolph Bernauerand Leopold Johnson, based on George BernordShows Arms &-the Man, English adaptationby Philip A. Kraus and Gregory Opelka.
MUSIC ..Oscar StrausARTISTICDIRECTOR.. James Stuart
CONDUCTOR J. Lynn ThompsonCast and Orchestra of the Ohio Light Opera
Nadina Popoff ..Suzanne WoodsLieutenantBumerli Daniel NeerMascho ..Greta FeeneyMajor Alexius... John PickleAureliaPopoff... ..Elizabeth PetersonKaslmirPopoff.. Boyd MackusMassokroff.. stephen RushingSteftzn.. ..Richard Stevenson
Chonus or Soldiers: Marc Callahan, BrendanCooke, John Dow, Eric Fennell, Buck
Hujabre, John-Arthur Miller, Jesse Padgett,Eric Rieger, Aric Schneller, Brian Woods
Townswomen: Jessica Bowers, Betha Curtis,Julianne Gearhart, Tara Generalovich,
Kelly Kaduce, Anne McKee, Caroline Taylor,Amy Warchol. Julie Wright.
flJ~b!fn;~r,a;;~bff:h~~r;;nd~~:;~r;/'ra:;u::,c Distributors far LudwigEngll,h Adaptation by arrangement with Music Associates ofAme6ca, publisher and copyright owner.
Program NoteS Raymond McCallBorn in Viennaon March 6, 1870,StrausknewBrahms and Johann Strauss (no relation),studiedwith Max Bruch in Berlin,servedasMahler'sassistantconductor in Hamburg,andhadextensiveconductingexperienceinGermany in the late 1890s. After a stint aspianist/composer in a B8r1incabaret, he deter-mined to challenge the success of his friendLehar'sTheMerry Widow.HisownA WaltzDream in1907enjoyeda thousandperfor-mances in Vienna and was a smash hit through-out Germany and in New York,where Edward
Oscar Straus (1907)
Johnson, later manager of the MetropolitanOpera, sang the lead role. Straus' next hit
involved him in an imbroglio with George
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Bernard Shaw that had comic overtones in itself
His librettist, Leopold Jacobson, approachedShaws German agent to negotiate for the right toadapt the dramatist's Arms and theMan (1894)Shaw,eager to protect the royalties from revivalsof his comedy and contemptuous of the librettist'sliterary talents ("a putrid opera6ouffi in the worsttaste of 1860"), insisted that none of his dialogueor characters' names be used, that the libretto beannounced as a parody, and that he receive noremuneration.
Der tapftre Soldat had a lukewarm receptionwhen it opened at the Theater an der Wien onNovembe; 14,1908,but the American impresarioFredC. Whitneyhadit translatedinto Englishandmounted it triumphantly on Broadway in 1909where it was brazenly advertised as "GeorgeBernard Shaw Set to Music "'--An Opera ComiqueBased on f\nlls and the Man."The laudatoryreviewinTheNewYorkTimeswas headed:'ThisTime The Joke Is On Bernard Shaw - Turned
Intoa ComicOpera Book'Arms andthe Man'IsMore ShavingsThan Shavian."In Londonthefollowingyear Whitney, again at Shaw's owninsistetlce, presented The Chocolate Soldier as"an unauthorized parody of one of Me BernardShaw's comedies."
Shawnot only foxedhimselfout of substantialroyalties for the operetta, but also for the Filmversion. Desirous of promoting the Filmingof Armsand theMan, Shawblockedplansto transferTheChocolate Soldier to the screen. MGM outmaneu-veredhim by hiring FerencMolnarto write a newscript.The 1941moviestarringNelsonEddyand
Rise Stevens has Straus' music but the plotof Molnar's The Guardsman.
Creator of more than 40 operettas and
500 songs, Straus left Vienna in 1939 to live
in France, New York,and Hollywood. Late inhis career he won acclaim for his film score for
La Ronde (1950). After the war he settled inBad Ischl, where he died January II, 1954.
Oscar Straus in the lale 19208
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For those of us old enough to remember 1945 with somelucidity,surely it stands out as the year of the 20th centuryFinal victory over Germany came in May and in Septemberthe Japanese surrender ended World War IIaltogether.Although other events pale in the shadow of these, 1945also saw additional important happenings: Aaron Coplandwon the Pulitzer Prize for Appalachian Spring; playwrightMary Clark for Harvey and John Hersey for his novelABel/ for Adano. In Hollywood The Lost Weekend walkedaway with the Academy Awards, nam:ed Best Picture;Ray Milland, Best Actor; and BillyWilder Best Director.Jackie Robinson signed a contract with the MontrealRoyals in October an historic event which would bring himtwo seasons later to the Brooklyn Dodgers, breaking theU.S. Major League color barrier. Carousel opened onBroadway The Met's season included Coq d'Or andPel/eas, and The Chocolate Soldier was performed atLouisiana State University Chacun a songout!! ArtisticDirectorJamesStuart
This last was of vital impoirtance to me, a sixteen-year-oId, about to enter the LSU freshmanclass, bent on becoming a music major and-above all- an opera singer. In spring 1945, stillin highschool, I 'd been chosen by Ralph Errolle, at that time director of the LSU opera department, to be aBulgarian soldierin the university production of Straus' operetta. Mr. Errolle, himself a former leadingtenor at the Met and Chicago Opera, had chosen me to be a Bulgariansoldier'
During the war years, with so many men in service, casting college opera productions wasdifficultThe female roles were not problematical, so for Chocolate Soldier, Nadina, Mascha andAurelia were easily double cast. Errolle had been able to find at least one singer for each of theprincipalmen's roles-he himself sang Bumerli.And although hordes of sopranos and altos vied forthe chorus positions of townswomen, there was only a handful of male applicants for the BulgarianSoldiers' ranks-thus came my big breakl
Two particular memories remain vividof that first Chocolate Soldier production: I managedsomehow to bang into something during our New Orleans "tour" and so had to appear onstage witha large eye-patch, a most menacing 16-year-oldBulgarian barbarian. I also recall in the second act of
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our show, Ralph Errollewould hop over the garden wall and sing a lovelyrendition of "YoursIs MyHeart Alone." Only much later did I learn that "Dein ist me inganzes Herz" is not from The ChocolateSoldier, indeed not by Oscar Straus at all. It seems that in the 1909 Englishversion of Der tapftreSoldat by one Stanislaus Stange (publishedby M. Witmark 0- Sons and used for years in Americanperformances), Lieutenant Bumerliwas stripped of his second act Tyrolean song (heard here as"Sometimes a Man," CD Two, Track2). Its music was recycled as an Act IIIduet for Mascha andAlexius, leaving the hero sololess: an unacceptible a situation for a tenor. Authenticity was not dengueur inl909-nor was it in 1945-so no one objected to Mr. Errolle'spost-pole-vault interpolationof Franz Lehar's immensely popular aria from The Land of Smiles. Nor as we received no telegramsto the contrary, did composer Oscar Straus (a close friend of Lehar)-who was at that time happilyreturning to his beloved Europe aA:era harrowing escape from the Nazis and a long, wartime exile.
These recollections certainly helped foster my own attachment to and love for The ChocolateSoldier. When Ibecame intensely involvedwith light opera, it was one of the works I most wanted toproduce. Searching for materials in 1984, I turned to Tams Witmark. but they advised me they did notcontrol the property, had no orchestra parts or vocal scores, and furthermore, did not know wherethey might be located. Ironic,since Chocolate Soldier had been one of the most popular Vienneseoperettas in the United States since its 1909 premiere. There had been several subsequent New Yorkproductions: 1921,with Donald Brian (America's first Danilo);a 1929 revival by the Shuberts; a CivicLight Opera production in 1931;the Chartok company in 1934; 1942, with Allen Jones; and a 1947revival starring Frances McCann and BillyGilbert.
Over the years it had remained a staple of major light opera companies in Saint Louis, Phila-delphia, Pittsburgh, Cincinnati, Los Angeles, and the like.So why were the performance materials nolonger available?There were several conflicting theories afloat about property rights, the q)mposer 'sestate's intentions since the work had come into public domain in 1983, and so forth. I could notget hold of the parts, so gave up in frustration until a few years later, when Light Opera Works, awonderfully adventurous company based in Evanston, Illinois,announced The Chocolate Soldier fortheir 1987 season. I immediately got in touch with BridgitMcDonough, the company producer andlearned that Artistic Director PhilipKraus had penned the book for the operetta and Gregg Opelkahad written English lyrics. I was directed to Music Associates of America who would be handlingproduction rights.
And so came about Ohio Light Opera's first production of The Chocolate Soldier in 1988. It wasa stunning success. I<raus'book is in every way faithful to the originaland Opelka's lyricsare witty,elegantly delightful.They and the charming Oscar Straus score are presented in this first completeEnglish CD recording, as performed at our 1998summer festival. Enjoy!
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Like everyone else, I was hooked on Chocolate Soldier's romantic first act aria. In my college daysI was a singing waiter in Hyannis in one of those serve-dinner-break-into-song spots on Cape Codand when my soprano girlfriend would sing that song, all drink pouring and order taking wouldBut apart from that one tune, the operetta has only been a beckoning mystery-until Jiminvitation to Newport Classic to record it. He didn't have to ask twice.
James Stuart is ~modest man, and his preceding note will probably not have mentionned the
universal acclaim his work in the lyric theater as a scholar, educator and performing artist has broughthim. He sang with opera companies, symphonies and musical theatre troupes here and abroad,onstage with the great~:-Sutherland, Sills,Tucker and Merrill-and twenty years ago founded themarvellous Ohio Light Opera. From what I have read of Oscar Straus, he and Jim share more thanlast names which are virtual anagrams for one another--each is the elegant, soft-spoken and much-beloved gentleman. They share a life-long dedication to the lighter lyric theatre. Each chose to steerclear of the stormier waters of grand opera. Both have made solid, well-recognized contributions tomusic theater in the twentieth century.
Straus came from a very, very privileged Vienneseba,!king'family and was more inspired by thedelights of his first Mikadoperformance (in 1886) than by his neurotic, negative mentor Max Bruch.It was Johann Strauss and then young Oscar's own contemporaryFranz Lehar, who encouraged him to write--what else-waltzes,cabaret tunes and operettas. After a few early attempts at Wagnerianparody and German mythology, Straus settled downto Viennese
operetta, where his true gifts earned him almost a half-century ~fsuccess.Indeed,the 1907triumph of A WaltzDreambrought theyoung composer instant celebrity and financial security for the rest ofhis long life.
His next work, The Chocolate Soldier, faced obstacles. Shaw'spacifist in Arms and the Man, the writer's 40-year attempts tosabotage the work onstage and in Hollywood, Balkan brutalitythen and now--hardly seem the stuff of nostalgia, of Viennese brio.And yet it all works wonderfully well, particularly in the English
language versions of The Chocolate Soldier which have brought thework its greatest success and given enjoyment for almost a century.
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John OstendorfNewport Classic Pmduce,
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'.J. Lynn Thompson, CONDUCTORVIOLIN DOUBLEBASS HORNErin Gilliland Concertmaster Michael I<:uennen Jeff LeenhoutsOlga Shpitko, Concertmaster Elizabeth PfaffleFLUTED' Ette Bollinger
Kelly Jepson TRUMPET
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Mary 1<:,Matthews Haas Jill Vander Scheer Stephen OrejudosAdda KridlerJohn SchuesselinRyan P.Loeckel OBOE
IIBlagomira Paskaleva Anne Austin TROMBONEJoseph Plaster Heidi Tegeder Megumi I<:andaNikola Takov
Steven D. StepsonVIOLA CLARINET
Brenda Robak Matthew I<:anowith PERCUSSION
Brigid Shogan John Waytena Ian SmithI<:irsten Greenlaw
BASSOON HARPCELLO Alden Banta Julia MartinAnthony Fanning Scott HanrattyCraig Leffer
Ad OneTRACK1
Commandantniece
(The homePopoff HisMascha,window
Soldiers (m theAlways 'eft andThrough the everyMoon and stars are out to guide me,But my love is not beside meAnd for country I must hghtThrough theA]ways marcWill we meet with death or
Or some daughter?the
Give us some CemLitl,Nadina, Mascha, AureliaOn you OlAnd we'reWe're not afraid.No time for stalling:Your callingSo come to aid.And ifwe miss youAnd want to kissyou,We'll know what you have done -
homeland,for everyone.
lean out a
march by)
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Soldiers
A]wayslNadina IThey areMaschaYes, they are gone.Aurelia
Dear me, they're gone
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AllThreeOh,It's a .
When the men are off at war;Without men eachBecomes a crashin:MaschaI am nervous and frenetic,AureliaAnd this waiting is patheticNadinaIt's a year since they departed,And I'm truly broken-hearted.Mascha
We must stop thisAurelia (sarcastrcaOh, how well, myNadina
Yes,a man is quite enthralling,But his absence is appalling. 'AllThreeIt is true we cannot endure much more.War IShell and life is warWe're a lonely trinity Ah, how bleak.Lack of masculinity makes us weak.Aurelia 'Oh, whatever will we do?MaschaI could use a man or twoNadinaI can't stand itMascha] can't bear itAurelia'Now be ca]mlAll Three
It's a hopeless situation...Aurelia (at'the wrndow)Listen to the cannons.Oh, I hate to hear those cannons.
gone.
moping.
you're coping
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How thunder and
]t'sno IgrThose abommble cannons. Boom..They will dnve me to the tomblNadina her mother)It's be cautious
And lock the windows tight.AureliaThose cannOl1Smake mc nauseous.AllThreeIt's time to say good Illght.
TRACK2(Mascha c/oses the balconyshutters)Aurelia
My dear, come.. it's getting late.NadinaYes,mother. ]'m really very tiredand need toAurelia (amOh, the youthwhile your pochghting the elements.MaschaA]exius is right outside?AureliaNo, dear,on the battlefield.Nadina (emotionally)He.is hghting in the cold for his
My thoughts are always
can sle~poutside
with
Mascha -My are with him, tooNadina fIkehercousin)I forbid your thoughts to do solYou know that he'll have nothing todo with you.MaschaBut I am your cousin.AureliaSillygirL..you needn't let your
rumble.
J
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eyes wander too far.Mascha (slyly,to her aunt)Well, ] could give the sameadvice to you.AureliaYes...he ratherMaschaYou seel
Aurelia (rememb, - .A]exius deserves the ideal wife andNadina will be just thatl We mustreally be proud of this man. Yourfuture husband's name was oneveryone's lips today Alexiushere.. .A]exius there. HIs heroic
charge was a decisive blow.NadinaDo you mean that it's over now?AureliaSo I'm lead to believe.
Nadina (with sudden anxiety)Is Father safe1AureliaOh, of course. He sent me the news:A]exius has taken all the artilleryaway from those beastly SerbsMaschaNol Whatever will he do with it all?NadinaWouldn't you liketo know.MaschaWell, perhaps it's a wedding
in bed. He might
Nadina
She's just jealous. What Faith]esscreatures we women are.MaschaFaithless1
NadinaPromise me, mother,tell him uppHowlAureliaHe'll be back soon.
Mascha (also lookingat the photo)He's so handsome.Nadina
Oh, my Alexius.Aurelia, Mascha (also lookli7g)AlexiuslOhlNadina
They're really gone?All Three (at the window)Dear me, oh yes, goneIt's a hopeless(Mascha and AureliaNadina brooding in
never
of Alexius)
it.
Nadina
How handsome is my brave Hus-sari His glance and his strengthmonumenta]1 How truly brave andbold you are and yet so alluringlygentle His countenance fair with
s all ablaze, his masculine stare,strength of his his powerFul
bearing so noble fI-eehas trulyaffected and conquered me.
I ]ong to feel his warm embraces.He is hero, my very ownI will in all his graces.His heart mine and mine alone.He is the one whom I willma
I have been faithful and I prayHe will return and noSo we may have
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Come, come, dream of my heart,
Be all of my own.
Come, comc, never to part,Be mine alone.
Come, come] must possess you.
How] am longing still to caress you,Hero divine. Come, come,
Dream of my heart, forever mine.
Happily I will kneel down beside
I know your love and honor'
you. I will be steadfast and
you never, swear to adore you, love
you forever.
He is the one whom] will marry...Corne, come.
TRACK 3
TRACK 4a crash,
balcony,NadinaWho is
Bumerli (also terrified.stammering)Could you tell me where I am?
Nad,no ovelCturns a
Going somewhere?NadinaLet me alone or I'llscream..BumerliShhh...don't cry out. .I'm armed..lust stay cairn.Nadina
Who are you? What are you doingin a lady's bedroom?BumerliSo...I'm In a1'rT1certain to
(he has managed to
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Pleaseexcusemefor disturbingyou. My nameisNodinoAs I judgeby your uniform, you area Serb.How dareyou, an enemyofthis country..BumerliI didn't dare. I never dare...they dared I
NodinoDaredtBumerliTo chaseme.NodinoSo,you fied.You cowardIBumerli(unruffled)You lIatterme.NodinoDo you know where you are,sir?You are In the homeof the BulgarianI\ommandant I\asimirPopoff I am hisdaughter I love the fatherlandjust ashe and despise our enemies.Bumerli (applauding her sincerely)Bravo, well said. Now that
is over, you are going to corNodino
What? I have no compassion fora Serb!
Bumerli
Oh, I'm not a Serb at all.Nodino
But your uniform.Bumerli
Oh, this. I wear it because I joined theSerbian army I am Swiss and...oh, I
beg your pardon. My name is Bumerli(bowing), Lieutenant Bumerli.Nodino
Sir, I do not wish to be introducedto cowards. Please leave. Remove
yourself right nowl
Bumerli(indicoting the baicony)Back out there? No thanks.NodinoIt seems some soldiers are afraid
of death.
Bumerli (quAll of them,
them. (dra,,"know what this is?
Nodino (boldly)You run from your enemies,but you canwoman with a revolver. What afine soldier'
Bumerli it onto the sofa)
I agree. I'm sorry I can't ac-
comodate you. Just hide me. Mypursuers will be here any second.Nodino (warned)Did anyone see you climb up here?Bumerli
I was in such a hurry, I never looked
back. This loud man (he looked likeme? a captain or something) had
hold of me by the collar In c
ation, I summoned all my nerve andgave him a terrible box on the ears.NodinoA box on the earsl Sil'l You areoffensive to me in the extreme. You
will go out that window where youcame in. One...two...
Bumerli (sits Insteud In an urmchml).. .and three.
Nodino (grabs the revolver)I'llshootlBumerli
Be my guest It's not loaded. After
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againstates in my
I'm allout or
mean you stuff yourface with sweets like a schoolboy?BumerliYes. Isn't it
a divine paments. (Nadina has her own box ofchocolates.) Ah!Nodino
A lady always has her secret stash.
Bumerli(hungry,he samples one)You're a savior Mmmm. ExquisitelThis one's filled with
Shooting as a proFession fine, butit doesn't come close to eating.
It's such
TRACK 5
Nodino (mocking him)OF all the soldiers I have met
You're the strangest soldier yet.Bumerli
I admit my imperfectionsNodino
Thenyou won't mind my corrections.
And do you know why you won't po?Any guesses? Not a clue?Bumerli (l1kes her now)
Such a sweet interrogation.NodinoI've a observation.
A soldier cunning.Bumerli
Is that so... Oh yes, bravo..Nodino
His fury ISHis power
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His sabrelike lighteningA heroin a legendin storyAH,s isA legend story YeslBumerliAcclaimme, that's the man I am.
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Nadina (SlIZ.71l11eJ,j.,C7ods)andLieutcnant Bumcrli (DwlIei Neer)
Nodino
Oh, no. A chocolate soldier man
Oh, you little chocolate soldier man,You've a weakness For the candies
Oh, you pretty chocolate soldier man,Just like the village dandies. Oh,You pretty chocolate soldier man,If a lady dared to kiss you,
You'd melt away within a day-No one would ever miss you..BumerliI am acl
I've a weakness for the candies.
I am a chocolate soldier man
And like to sip on brandies.I'd really like kiss you.
I am trade,
And I'm paidI studied practiced riding,
A little shooting, a lot of hiding.I am a soldier tried and true and
I don't take commands from you.Nodino
Among the soldiers I have met,You are cuddly like a pet,Without an ounce of manly passionBumerli
I'm afraid I'm out offashion.Nadina
A soldier is stoic...
Bumerli (interrup/ing). and cu[?ning.NodinoHe must be heroic..Bumerli
...and cunningNodino
In battle a master at facing disaster.Bumerli
.. and sometimes at running.Nodino
A soldier is handy.Bumerli
.. and cleverNodino
Not tempted by candy..Bumerli
Oh, neverlNodino
A hero romantic who's never pedantic.
BumerliWhy, that'sme.Yes
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NodinoWhat's that?BumerliAcclaimme, that's the man I am.BothOh, no.A chocolatesoldierman..
TRACK 6
NodinaI don't care.Youcan't hereI'm engagedto beBumerliSo?NodinoAnd do know to whom I'm
Bumerli (mdifferent)I supposeyou'regoingto haveto tell meNodino
I am the fiancee of the famous AlexiusSpiridoff He doesn't eat chocolatel
He he fights, he cfiags, he cannons. He
and honor for himself and
why I love him.Bumerli (thinks he knows' this man)
Poor fool: take, for example, the lastbattle. Now, here we stood with ourcannolls and over there were
people on horseback withNow, a~y man of sense can seethat a man on horseback is no match
for a cannon. Logical?Nodino
Quite obvious.Bumerli
Frank!y, it would be illsarthere was a man on yourwas just that insane.
!
BumerliMy dream of happincss deserts me.
I go as vou command,Jeath is close at hand.
me in. You kick me out.
The
nothinghad sent tile wrongwe were allwhite as ghosts and aliihad were chocolates! So what we didwe do? We took off And there was
Don Quixote, galloping like a drunkendrum major, putting us all to fiightand Wi]lningthe even thoughhe'd be a dead man had the
nght ammunition.NadinaAnd die'soldier?(shows himBumerli
That's him...exactly.. Youknow him?Nadina (orchly)Only superficially He is my fiance.Bumedi
I hate you'
TRACK 7Bumerli
It's such a
To have a lady Ilate me so.and It's been a wonderFul ~irtatJon,
Uilit But f you want me gone, I'll goI only came to seek protection.
Now you leave me in the cold and yet
I will recall you with affection.
Fat'ewel!, my dear, with ]10 regret.Nadina
I see you shalTo a woman
Is your life soNow tell me true.
Bumerli credo)Now life sweet and death ]s not
My life's the only lice I've got.At cowardly survival
I haven't any rival
I love to live and ltve to love,
And pleasure's all I'm guilty of
And so I tell you honestlY'For death I have no sympathy
Nadina (rattled)
You cannot you cannot stay,
And I must you on your way
you don't knowhurts me.How
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YouNadina
Goodbye, I feel my heart is breaking.But why am I upset and shaking?Bumerli (Goodbye,NadinaNo,wa]tBumerli (You meatlNadinaYou sheBumerliI could..Nadina
and think of me.
at the balcony)
of herself)
leoving)
Bumerli (it ISclear she wt/I help him)You are my saving grace.
Nadina (very ashamed)Oh, no. How so?Bumerli
I see it in your sweet angel's face,Your sweet angers face.
It's such a pleasing situation
To have a lady love me so.NadinaYou should
You're onlyFor life isYour life's
And so I will
It's hard not to
I must admit quiteFears alld woes haveThe truth in
For you I
BothYes, life is sweet and death ]s not
leads him over to the
behlrld them)
in)
Barner/isrevolver)Massakroff and SoldiersSearch and seize him,Call out the alarmFor the inAitrator will do harm.In this house a spy is hiddenBy law it is forbiddenSeize him, call out the alarm. .Savage fighters, we Bulgarians,Fierce and cunning like barbarians.We're a military wonderAs we pdlage, rape and plunder.When at last mv bloodhounds find him,We w]1Itake hi~hands and bind him
Then we'll grind him, him.here? Into we'll him
He won't a trace behind himbedrooml Massakroffwallt to Captain Massakroff's my rank and
title. Your ladies, is vital.Although this is very sly,
t"
DIALOGUE TRACK 8
(A noise and a knock on the
Mascha (enters brealhless, eNadine...,Nadina..NadinaOne moment. What is it? Now then,speak UIAureliaOh,myNadina {feIgningSomeone tell meAureliaThey want to searchThose filthy, smellydefile home.Nadina
Search my bedroom? They wouldn'tdare. No man whatsoever has setFootacross my threshhold.MaschaBut they think someone hasAureliaYes,an enemy spy!NadinaHere? That's absurd.Aurelia
Here or somewhere else. They're,r him now. Oh, theysee you like thisl
I'll massacre the spy' Hal
Nadina (comes forward)Now, Captain, what does this mean?Massakroff
all your terrace a man was seen.
Nadina (alarmed at Ihis news)What?
Massakroff (answering a queslianhe hasn t been asked) Just now.NadinaThere has been somehow.I am your Commander's chosenbride. This insult I will not abide.
Had any spy sought refuge hereIt would have cost him very dear.Massakroff
The clues are strong.NadinaI sayyou're wrong.Now kindlymove along.I am your Commander's..
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Massakroff (dumb,I miss,until I know,He not We've to catchthat bum. He's a a snake,He's a scum.HalMassakroff and SoldiersSavagefighters,we Bulgarians..MassakroffFall inl Count offl YeslSoldiers (one by one)One, two, three..MassakroffSearchI Hunt untdyou find him.Bumerli (peepsout,seesMy revolver! Oh, my GAurelia (aside, to Mascha)How on earth did thisget here?MaschaIt's a litt
Aurelia, MaschaWell, it looks likea revolver.How on earth can this involveher...Massakroff (hasni seen it,Now the 'time is growingAnd I must make a full reportOne, two, three (counts offhis men)SoldiersWe'llkeepourselvesout by the door.When we find him, oh what a fate.Nadina (aside,very nervous)I'llkillmyselfiMassakroff(an idea)But we ha~en't checked the bed.Aurelia (defendingthe bed)Sir, ifyou touch this bed you're deadNadina
There'snofurtherneedfor inspectionThere is nothingthere fordetection.MassakroffNow it's dissection.
Mascha, AureliaShe's up to sornOr how did this
She's hidaspy NThese thingsare seldomWhat they seem.Nadina(asideto Burner/i)I'm sure that we will Foolthem yet.Bumerli (aside to Nadino)IamForeverin yourdebt.Mascha, AureliaWe must not let this be seen.
We'll simply have toMassakroff
I'llshish-kabob that Serbian spyNadinaI think you will have to be slyerToroasthimonyour fire.MassakroffPlease pardon this intrusion.It seems the scoundrel fled.There has been some conFusion.
About facel We'll try outside instead.Massakroff,Soldiers(goingnow)When my bloodhounds.Mascha, AureliaShe's It
is very queer.It IS to say just howThis weapon found its way in here
is clear,
TRACK 10
with theNadinaWho?Bumerli
The one I gave
man
Nadina
Mascha, isthat you?Mascha (entering)Yes, it's me. Let me in.NadinaWhat do you want now?MaschaI want to see him?NadinaWho?MaschaThe manwho is herein your room.Nadina
What are you talk.MaschaI I saw therevolver. But won't breathe a
let me see him.
ears to.
,INadinaMascha.MaschaOh, Please!1Bumerli (peepsWell, show me toout) Here I am. Take ame Feast your eyes arthell let me liedown. (sitsonMascha
What are you doing?NadinaLieutenant Bumedi, thatBumerli (too tired to care)Brilliantdeduction.NadinaOh, and you've got your boots aniBumerliAnother brilliantdeduction.
(A knock at Ihe door The girls panic)MaschaYour mother.
Nadina (callingoff)Ina moment, mother...You'vegotto get out of that bedlBumerliWild horsescouldn't drag me outof this bed.
Aurelia (knockingagain)Nadina.. .open upNadina
One moment! (toBurner/i)Pleasebe a gentleman.Bumerli (straightens up a little)Gentleman') Well, sincemy sense ofhollOr I hid,time. (behind the curtam)Aurelia (entersfurious)What'sgoingon in here?Howoutrageousto keepme waitingso
,.
bed.
you,MaschaMe? Nc
Aurelia '"Are you hidingsomeonein here?MaschaCertainly not,Aurelia (sees Bumerlis boots)Youare hiding a man in herel(to Nadlr1O)And you, a bride'to-be.Nadina
He's a retugee. Ifyou'd liketo seeAureliaO/course I would like seeNadina (as Bumer/i isagain)The poor manhaspursuedall day IFthey'dcaught him,he could havebeenshot.Aurelia (finds him veryattroctive)lerrible.. .just terrible.Mascha (likewise)It would havebeena shame.He's so cute.BumerliYes ..I'm cute and I'm hungry. (sils)AureliaOh, Maschal Get something toeat. QuicklyBumerli
...and something to drink.Nadina (hurriesoff with /IISomething to dnllk.Bumerli (genuinelymoved)
to You are courageouswomen.I saluteyou.Aurelia
This Serbian uniform is nllhy I'llget you one of my husband's robes.
15
(looksBumerli up and down as shegoes).. .he IScute.Mascha(rushingback inThis was alii was ableBumerliGive me
'11aschaYou ravenous mOllster
Nadina (has brought him wine)Here, drink.Aurelia (returns with a bathrobe)Thisshoulddojust fine. Bumerli)Now, don'tyou forget you arelBumerliI couldn't care less.NadinaHe couldn't care less about anything.It's his now in the
robe,falls on bed and right asleep)MaschaHe's rei
Aurelia ~ ~
And it's so lovely thatstumbled in upon us.Nadina
Yes, it's almost as romantic as a novel.
TRIO TRACK 11 '
All Three (quietlyThree ladies sat by theTowarmtheirhopesforthemorrow.A shepherdboy appeared one nightAnd banished all their sorrow.To each sweet lady he gave hisheartBut soon they knewHe would have to
His date with keeping,Which left the ladies weeping. AlaslMascha
The nrst one sighed "My darling,
I"
Do no think me unkind.I loved out ofboredom-A ISblind.Nadina to the window)Trralala, tiralala, she kissed him.
Nadina wilh Mascha (Grcla Fcwcy) and Aurciia(Elizabetlz Peterson)
Do not think me unkind.
I loved you out of boredom-A lonely is blind.Tiralala, don't hate us.Oh, must sympathize.
we would be lost without youWe had to compromise."AureliaThe second said, "I'm sorryThat you must go away.But it must be a secretThat we have met this way.Tiralala, tiralala, be silentAbout this rendezvous.
for married men are jealousboys Irkeyou."
NadinaThe third one utteredAlthough she knew quiteThe handsome youthful shepherd,On her had cast his spell.
Tiralala,And loreTiralala,Or Just a lullaby.All Three (watching himThree ladles sat by the IMaschaA cheerFulsoldier, pert and bright,Who'll toss and turn
All through the night.All Three
We hope he never will leave us,
For if does it will grieve us. AlaslAurelia
Tiralala, I'm sorry
That you must go away.But It must be a secret
That we have met this way.Mascha
Tiralala, tiralala, my darling,
16
- streams intoroOm. The three tiptoe out, us
Bumerli sleeps on.)End Ad One
Ad TwoOutside the Popolfhome
MARCH TRACK12Bulgarian Soldiers, TownspeopleOh, shout throughout the land.A victorious road
By brave and trueThe fatherland is IThree cheers for bravery.We finally won the war.Our soldiers' mrlitary skillHas brought us peace once more.Oh, shout throughout the landThat peace is now at hand.General Popoff (warmly)Thank you, thank you. Let memy Friends,that the receptionyou have prepared truly exethat glorious Bulgarian spirithas sustained us in these
mOllths...a splendidAlexius (pompousSpectacular!PopoffYes...thank you,AureliaThat's tis a double
PopoffDoublemean, "double?"
What do youall of us apart far too long and I am
sure you would all like to becomereacquainted with your loved ones.Aurelia
Oh, Ka
Popoff (drily) Yes ..(The soldiers and townspeople exit
singing Popolf Alexius, Aurelia,
NadinG, /Vlascha, servants remain.)
!I
too Iongl
Aurelia and Popoff (BoydklElCkus)
AureliaA victory celebration, and at thesame timeAlexius
Mascha (mimICking Aurelia)
l<asimirl
PopoffCome now, is she not prAlexius (as /Vlascha goesShe IS almost beautiful.Nadina
Alexius, you'reAlexius
I never forget myself, my dear
I am elated to return to you.Nadina (coolly)Really?Aurelia
Look, dear (Indicating Nadina and
Alexius) Isn't that a pretty picture?PopoffWhere?
AureliaOver therel Just where we stood
twenty years ago.PopoffMust you remind me of my one and
agreedthat if I should return home victori-ous I could claim Nadina as my bride.PopoffRightll seemto remembersomethingof the sort.Aurelia
OF course remember, my dearAnd there to be a big celebration.AllHurrah'
PopoffNot yeti Laterl After the wedding.All (disappointed)OhlPopoffAlld now,enough to
this)
would allbe kind
The war has kept
17
only attack of insanity at themoment of my victorious homE
(Popoff and Aurelia stroll off)Alexius (alone with Nadina)
ThIs ISthe moment that I've yearnedfor, for so long. In a few hours we willbe man and wife. Does that not pleaseyou beyond your wildest dreams?
Nadina (warming up sam,It feels IlIce to
Jur shoulder.
the perlixt ass)
myhead
AlexiusThat ItNadinaI've been so jealous of you. You've
been out In the world, triumphing inbattle.. .able to prove yourself in all
things, while I sat home, daydreaming,waitlng...moping.Alexius (struts back and lorth)
Every young woman in the landwould consider herself lucky to bein your position.
Nadina (annoyed, follows him)You say that as if no woman couldresist you.
TRACK 14AlexiusIn suchaffairs I'm undefeatedNadinaMaybe that's why you're so conceited.
AlexiusI am a man of reputation.Nadina
Only a slight exaggeration.Alexius
I always leave the best Impressions.NadinaIf we subtract your Indiscretions.
I
Alexius
My expertise in the art of wooingWill never lead to my undoing.If I say my heart's on fire..NadinaI would not be Aattered.
IFyou're not my heart's deisre..AlexiusThen the dream is shattered.When I have you by my sIde..NadinaMust I be enchanted?Should I say I'm gratified?Alexius
That I take for granted.With my valor to assist me,Not a woman can resist me...NadinaMy heart It skips a beat.Alexius
My heart begins to pound and race.The wedding time draws on apace.NadinaAnd I have
right for me.AlexiusMy heart with rapture trips so fieet.And I'm sure as I can beThat the one who's right for me.I am by nature quite demanding.NadinaYou'll take a lot of understanding.Alexius .
I must be left to my own leisure.NadinaWhile your poor wite suffers a seizure.AlexiusI am a master of seduction.NadinaWho is in need of much instruction.
\\
Major Alcxius Uohn HekIe}
Alexius (Ignoringher)Youcan be sure I'llnotBut I will never kneel!:NadinaIf! say I'lltrust In you.AlexiusExcellent suggestion.It's the proper thing to do.Nadina
Nothing left to question?If you were to show restraint.AlexiusThat would not be needed.I'm a hero, not a saint.Nadina (sourly)My, how you've succeeded.AlexiusWith my valor to assIst me..
18
Both
My heart is offAurelia in, echoes Nadioaswords) heart is ofFits feet..PopoffMy heart begins to pound and race..All Four
My heart is..
you,
PopoffA littleI'mNadina (toWhy don't you your sabreand coat off'?Your uniform mustbe so uncomfortable.Alexius
My uniform is never uncomfortable.PopoffIfhe likes running around lIke that,then let him. If you ask me, he canwear his uniform to bed.Mascha come in)HowAlexius to Popoff)Youhave no milItarysense whatsoever.PopoffNone at all...thank God. That's whyyou have it all.That is also why Iamgiving you my daughter. Then we'llfinally have a man in the family.AureliaOi" don't sell yourself short, dear.Heroic blood fiows in us PopofFs,toolPopoffOnly on your side of the family.Aurelia (coffeeISserved)Well, we're alljust dying to hear howeverything turned out.
Alexius .Now just Every day wetaught likelions.Those were theunforgettable moments. Victory,nothing but victoryl I thought ofnothing else.Popoff (putting down hIs cup)Neither did I.
Nadina (011edge inAnd how was the
PopoffCoffee first. You tell them, Alexius.
You enJoy telling it so much.AlexiusInever enjoy telling it.PopoffYes, he does.
Alexius (gets waiks)Well, I was in iront. Theenemy stood over there with theircanoOllS.Here we stood on horse-back, our sabres in our hands. Andsuddenly i(hit me smack in the faceAureliaWhat?AlexiusAn idea.
Popoff (a tiny hliAnd believe me,Alexius
[ had to capture their cannons. Canyou imagine a man with a sabregoing after a lineof cannons?NadinaThat would be complete lunacylAlexius (Immune to sarcasm)Well, I was just that crazy. I chargedlikea bolt of lIghtningand took thosecannons And do you know whyI succeeded?
Nadina ISdue. I fought without eatingBecause the cannons weren't loaded? and sleeping. .(Popoff whose mouth was [ull ofcaffie, Alexiusspews it all out) That's true. my dearAlexius (risingindignantly) Colonel,What do you mean by that? AureliaPopoff And weren't you thinking of meHe did spiendidly.We were all hol- while away? Now tell me, I pray.lering like lunatics. Alexius, Popoffalways in the was screamIng All night and all daythe most. It was a regular bloodbath. AureliaAlexius I never once doubted..Now let me tell it. Alexius
Po~ I mBut you never enJoy telling it. On my galloping stallion and
you were in the middle Scattered the ranks ofwhereas I saw it from a TheIr muddled battallion.
distance...thank God. Popoff (coilsover to him)Of course, my young fellow.. ButThank God we're through wIth fighting,Though the battle was exciting.I have never seen beiore
Such a long,Sure, it's fun to go outBut the other sideis shoe
And ifyou don't use youYou'llcome home deadMascha, Aurelia, PopoffTo the Lord we give thanksgiving;We enjoy the lifewe're livIngWe have never seen before
Such a long, e;Oh, the battle sexesIs the one' that vexesNow that all the men are backWe (they) will attack.Nadina, AlexiusA hero's !rre is all we claim.
There is no sweeter fruit than fame.
And lucky is the fatherlandWhere such a hero takes a stand.
hit him.
QUINTET TRACK 16
Alexlu8 (rattles his sabre)
Defeating the enemy all one by one,
In battle I simply wasI hardly myself can bE
what I've done.
The homeland is finally victorious.
And all through the battle
I showed them my might.
I fought without fright,
All day and all nrght. (to Nodma)
My thoughts for you, darling,Weren
Nadina
I never once doubted you'd rise to
the test. You gave it your best. I'm
very impressed.Mascha, AureliaWe never once doubted.
Popoff
Now kindly give credIt where credit
19
AureliaI hopewe gainedthe advantagein the peacetreatyPopoffWell, they didn't consultme.How shouldI know?there was a lot of corthe signing...somebodyswindledus out of our horses.AureliaYou're joking.
PopoffThat what's-his-name..
offcer After the truce,some business with uS...a
unforgettable fellow. He wasworking as a mercenary for the SerbsWomen(surpnsed)A SWISS'?
PopoffYes...
Alexius(to the women)What's the matter?
NadinaUh. it's
TRACK 1 PopoffPopoff . Yes. .quite hystencal.What can a man do dunng a war? Aurelia
You lie there in your tent all day, I'm dYing or laughter. How did acan't sleep a winkbecaus~ of the Swiss get mixed up with the Serbs?
noise, and tllne /ou re really Popoffenjoying youre Interrupted Well, the devil only knows. Butby some like en- he was a very unusual man, most
not to mention the unusual. He had the disgusting habit
e cuisine, the miserable wine, of bathing every day Now, a bathand the heinous women. once a week is all right, but allWomen (offended) this washing can't be healthy ItWomen 1 seems that this same ollicer escapedPopoff . rrom a Bulganan captain by boxingYes...uh...but only the hemaus ones. him on the earsl From there, he
That's what made it a war 20
'"
Alexius
And three tllnes happy is the bride
Who weds a god personified.Nadina
And ten times happy is that rnanWho keeps his wife if well he can.Alexius
My valued worth is known In war alone.
That's when my COUIAnd my strength are
PopoffSurely you should be commendedBut I'm glad the war is ended.It was rough, I must confess.So much trouble. What a mess I
All the shouting and the shooting,Not to mention the recruiting.
It was qUite an awesome test.I need a rest.AllSurelyyou shouldbe commended.Just sornerestl
End CD One
climbed into the bedroorn of
sorne Bulgarian lady Thebest part is that she was in
gown and, better yet, wasbe rnarried. He swept her,and she helped conceal him with, and
this...the help of her mother andEventually, he had to make
still dressed in a
~ cg to the fatheadofa father who was away at the time.Aurelia .
And he youPopoff (oblivious)
And why not? We were the best offriends...a splendid fellow..aamusing fellov - -bathrobe, I'min this horrid
Stefani
door) Bnng mecloset. You kncthat I like so much..
Aurelia
I,asimir, I can't believe you allowed
this rnan to speak so disparaginglyabout Bulgarian women in yourpresence.Stefan (againenters)Sir, I can't find your bathrobeany-where. Oh, but I found the fezPopoffYou dunderhead...thispeasanthelpisdespicableIf you want somethingdone right, have anddo ityourselfAureliaThat terrible SWlsslNadinaThat blabbermouth.. whorn Irescued,goesand slobbersthe
to
whole story to father and my futurehusband I If I had him here I'd stuffhimto his boots with chocolate creams.MaschaI thinkit'skindof funnyNadinaThank God they have no idea.Mascha
But they will soon...they.'re gone tolook for the bathrobel
Popoff(from his room) Damnation IWhere the Hell is that robe? AurelialAureliaI'm coming...oh.that robewillgiveeverything awayNadinaOh, I'dlove to give that fool a pieceof my In/nd.Mascha (nice, buBut you did thatmonths ago.AureliaWell, you won't find him aroundhere again. Thank God he'sback inSwitzerland. tinkling cowbellsandchasingoxen! (goingoff) I'm coming.What are we QoinQ to do about that
a few
Lieutenant Dumel'li (D:l1lie1 Neer)
My thoughts are very clear.But. nonetheless,I'm tilledwith
her garden here
What strong,The neshis yes.
Oh, lifewould truly be worth livingWith no rernorseand no misgiving.It would allbe just sucha breeze,If we coulddo just aswe please.And there surelyisa curseFor is always the reverse
If I could have all [ required,Could live my life
ARIA TRACK 2 Without a want 01'care, thenBumerli IWould havethe joy that I desired,Sometirnes a man has Knowing the one I really love is there.That draws him back Now if your sweetheartDeep in his heart Kisses you politely then kiss her back
The fire of love is burning. and in If you are man enough.Returning can he still save race. Because a kiss
I'm not a dreamer tilled with silly notions. Should not be taken lightly.My head is cool,
21
Only a Foolwould playAt Blind Man's Bluff What IS it?
Why is my life so complicated?
If you could live it at your liesure,Life would be really a treasureLife would be like a garne to play
Without these customs to obey.Life would be free of pain and strife.
It would be rapture.What a life.
TRACK 3
Aurelia, Nadina (entel; see him)
Oh, my Godl
Mascha (a/so enters, thrilled)
Whatt1mi11glAurelia, Nadina
What are youyou? Get outBumerliBut ladies...
Nadina, Aurelia
You monsterl Outl Right awaylBumerli
Let me explain myselFNadina
What could have
you to return herBumerli his
Why all commotion! Ireturned to return the bat
you so graciously lent to meThree LadiesThe robe IIBumerliAllow me to removeit fromthe suitcase
Aurelia
Are you insane 7 My husbandcould walk ill any momentl
here 1 How danithis instantl
induced
/
/
mamed today?NadinaHow dare
to me, stay onsaved you 1BumerliYes.NadinaWasn't I kind to you?Bumerli
Yes,but are you getting married today?NadinaGive me back my picture.Bumerli (confused)Picture! What picture?Nadina
I gave you m,inscription onBumerliTo me? When1 Where?NadinaI sneaked it into that bathrobe
You mean you never found it1BumerliNo.
Nadina a chail}Then it's the robe.
My reputation is kaputt .BumerliWhat a d,lemna'Mascha aside to Bumerli)(Psst' take back')BumerliThis ISMaschaWhereBumerliStill in the bathrobe 1Mascha
This is going to be messy(Aurelianow enters.)
I do not care how highYou hc51dyournose up.What a nawless
But don't expect usEver to appease you for we are menAnd consequently please you.Men are sturdy as Gibraltar,Stem and strong and here to stayMen are never prone to falter,And you girls..Mascha
...Still get our wayAlexiusFull of strat
Man is kingMascha
Yes,your egos are gigantic,And we,girls..Alexius..You knoch us down.Mascha
So watch your step with womanhood.Beware of womanhood.We're never up to any good,I hope that's understood.Pity, pity, poor comrmnder,Poor commander! Youfound a girlAnd cannot understand her...Alexius
Girls who mahe unladylihe advancesWrll upset their chances.They'll lust end upSitting out the dances..Both
Love and war are both a little scary,So be wary!The of love is, oh,(They then go,
If he sees it, he'll cut you to pieces.Nadina
He'll beat you to a pulp'Popoff (entersglumb/ing)You home and life isutter chaos. Bumerh) What'sthis' My dear Friend!This ISa surpriseWe talking about you.Bumerli to the ladies)I thought you would have cut meto pieces.Popoff (the ladiesare dumbfounded)What?BumerliBeaten me to
PopoffWhat? (confilsed, then thmks hesees it) Oh...you mean because youcheated us out of our horses. Don't
worry about it. Ame introduce you toBumerli
That will indeed be'~ special honorPopoffMy wife, my daughter and our cousinMascha. This is the man that I told jlirtatiaus look.)you abouLthe Swiss officer with the Alexiuscelebrated evelling adventure. (giving Well then, Miss Mascha, strll
'stake care of the little brat with me'
staying with us. get ovel' the fact that Iengaged to youMaschaI'lllive.Alexius
Maybe next time.Mascha
Thank you so muchAlexiusYou litt!e tease! The woman I
Nadina
Well... thy dea~ sir, I beg you tostay with us.BumerliIt would bePopoff (uneNow let's take care
Aurelia (terrified,No, J'!/take thePopoff (OJThey're awedding, you knowBumerli (suddenlyalert)Wedding? Whose wedding?PopoffMy daughter's.Bumerli (conf hide his concern)I see. (recovering)Congratulations'PopoffBut now it's time toCome inside and mihome. You can tell me some of yourclever stories while I hunt for mybathrobe. (They exit Mascha has
She gives him a
marry must..
Mascha (mocking him in his
regl~ster) ...must be the idealAlexiusShe must have eyes only for me.MaschaAnd a heart for somebody else.AlexiusWhat's that supposed to mean?Mascha
Nothing'AlexiusOut with it' (grabsher)
after all you've doneWasn't it I who
Soft as silk andNonetheless, vAlexius
No, you're ,not.
Mascha ,,'. .Think tWice agarn: wrapping menAround my fingerISas easy as can be.On my every whim youAlexiusNo: I don't.Mascha
Most certainly.Don't playaround with womanhind.For if you are that way inclined,You'rebound to lose your mind.Temper, what a lot of trouble,So much trouble'
For when you push us,We return it double...AlexiusAll these notions areI you'll beUtterlyBothTemper, what a lot of trouble...MaschaYou'd better treat meWith the best intentions.There's more to me
Than merely my dimensionsI am a cold and calculating devil.A lady never plays quite on the level.AlexiusI am the first manTo aokllO
To praise
DUETAlexiusSo you are laughing,
Bellowing and shahing
If you but knew the blunder
You are making.For when a lady laughsI must advise her I am a Man,
And men are so much wiser.
Mascha
You're just the kind of man
Who never grows up.
TRACK 4
with an
that suitcase.BumerliOh, I wouldn't want to putthe to any incOilvenience.Popoff (to Nadino)Be a good and ash him to stay.NadinaFather, gentleman doesn'twish to stay...PopoffI commandyou to invite him. Major Alexius tanzles with Mascha22 my duty. 23
- - - - .1
BurnerliI'm afrai.
for my sUitcaseAureliaWhy do you want it'BurnerliI left something in the bathrobelAureliaOh nol Then we're finished. Nadlna,the Idiot left something in the robe.Nadina (numb)Yes...my picture.Aurelia
Yougave him:My reputationAlexius (enters.seesWhat a pleasant s,here. Mr SumerE?dearest mother-In-law'AureliaOh...it'sAlexiusHow
have to ask
To his castle,Have his bathrobe and set
A leisurely life without
Is what every husband should get
TRACK 6
ColemelPopoff at home with wife Aurelia and their guest, Mr. Bumerli
The Others (in nervous Popoff (as the other whisper)Have his And sometimes Ijust get a cravingAnd some For a bath, a massa"e and a shave.
Popoff A little underI to sit with Is all that I'm
all, I'vebeen I am not meWornen, Burnerli Now let meAll is lost ifhe The Others
Into the pockets of his All is lost if IThe picture is there, PopoffThe tension is too much to bear. Sut there's a catch: I cannot findThat telTiblydreadfulrobe. a match.(reachesInto robe)AhalPopoff BurnerliMy lovely,comfy robel When a man Stop!Finally puts down his sabre, PopoffHe should up his pipeand pouch My friend, why do you interfere'There's no pay for your labor Burnerli (scromblesIn his ownThan a nice quiet smoke on the couch. Youneed a match, sir'The Others IS
It's an 'arrogant way of behaving, PopoffSut the master should not be a slave. To you, my friend, I will defer.
Thank you, Sll.Thank you, Sll.24
Bumcrli offers Popoff a light
The Others (Bumedi lighls I.Thank you, sir.Thank God, he s veryqUickat playing such a clever trickPopoffAtchool AtchoolThe Others
God bless you, sir.GesundheitlPopoffI've got the sniffles. GoodI think I need a hand kerch
(again, about to reach Into the robe)Burnerli
Stop!PopoffAgain? Now must you interfere?BurnerliI've got iPopoffI've my own I'm very fine
here.
BurnerliSut yours is notThe Others
Thank you, sir.Thank GodAlexiusNadinalNadinaAlexius'Mascha
Now don't be so suspicious.PopoffAurelialAureliaCasimir'Mascha (aside)This game is so deliciouslAlexius
Nadina. not taken long,To know there's something wrong here.
~ This behavior is asslOine.NadinaIt's no concern of mine
Popoff (to Aurelia)It has not taken long, dea",AureliaIt's no concern ormlne.
Alexius, Popoff (aside)Although it isn't clear,There's something very queer.The consequences will be dire.Although we will not fret,We're very muchI'm warning you,Alexius (to Mascha)What's gOingon' Tell me, my dear.Whisper in my earMascha
Nothing at all.AlexiusNothing at alP You liel
25
as mine.
play with firel
It has not taken long, dear...Burnerli (aside, to Mascha)Watch outl Se careful what you sayMascha (to him)I've not a clueBurnerli
I~eep It that wayAlexius, PopoffAlthough we will not fret..I'm waming you, don't playwith fire.AureliaIt's a most matter and the
People will gossip and chatter.PopoffWho are these people ')Aurelia"Who are these
They're the wedcPopoffAnd not a singleguest willbe slightedBurnerli
Dressed In your bathrobe?They'll think it's strange.PopoffI don't know why you're so excited.Are you expecting me to change'Wornen, BumerliYes,yes, most certainly.For we will soon have company.PopoffNo, no, most certainly.I'm very comfortable you see.Wornen, BurnerliNow locThis will
PopoffI warn you(Ihe womenand retrieve
invited.
The Others
The pictureHow wonderfull
We've pulled off the Impossible.
Accomplished with such easelWe always aim to please.
Popoff (the ladiesgo.The ladies have some secret
keeping from us, but what is It?AlexiusWe'll haveto find outPopoffBut how1 Did you everonce findanythingout from a woman?
TRACK 7
Alexius
[
PopoffWaitl I have an idea. Mr. Bumerli,
you are certainly a clever fellow.We are convinced that somethinghappened while we were away,something the ladies know aboutBumerli
Yes, what can the women be up to?
Popoff (to Bumer/I)That's what you're going to find out.BumerliBut how1
Popoff (goes toI'll bring my to you.
Nadina and Lieutenant Bumerli
26
Bumerli (to himself)An excellent idea.Nadina (hurrieson)You wanted to speak to me.BumerliYes,but only at your father'srequest.NadinaWhat does that mean? He
noticed anything, has he?BumerliNo.He doesn'thavethe sl,ightestsuspicion, and he won't either. Ireallydon'tknowif this mattersto you or not, but this weddingisa shame for both of us.NadinaHow so?Bumerli
,e a hero's wife and havechildrenandhave the heroIc
martyrdom of putting up with thatBulgarian Hercules of YOLNadina
You're mistaken there, mychocolate creampuffBumerliYou'll be sorry
DUETBumerli
There once was a young lady,Sodeepin love was she.NadinaA young man madethat ladyAs sad as she could be.BumerliAnd soAnd
TRACK 8
Nadina
That youngmanhad it comingAnd mostdeservedlyso.BumerliAnd then the young man said,"Tome youmustbewed,Or it will be too late."NadinaHowAnd 1BumerliA husbandwith a brain...l'IlI,iss once eachmorning,dear,And eachafternoon;Andlater,when it'sdarkoutside,Three'more beneath the moon..Our life would be a rnelodyIf lovesuppliedthe tune,Both[Flovesuppliedthe tune..Nadina
The lady said, "I"m sorry.I haveanother love."Bumerli
The young manWhat areyou thinkingNadinaShe's hero.He's door
And you make him jealous-A Factyou can't ignore.BumerliIfhe knew anythingAboutour [ittle Alng,Then hewouldleaveyouAat.NadinaOh, do not count on thatBumerliButthen againhe might.
exaggerate.what would she gain 1
Nadina,then BothWell, that would be allYes,that would be allEach I would a man;At noon I havetwo.Then if I felt allI'm suceSodo not be at allGoodbye,my friend,
Nadina
I'm giving you back the picture that
put me in such an embarrassingLet it be a sweet remem-
little adventure. (takes
"Really?
about
she looks at
"From Mascha, to the Swiss whocould do without." Without what?
(points to his pants.) You mean yourtrousers? You monster' It's all a pack
of lies that you've been telling me.Bumerli
But I can assure
NadinaI don't want to I nevershouldhavehiddenyou my bed-room. I shouldhavedeliveredinto the handsof the
up
Popoff (enters as
Now, did you found
Bumerli (in a daze)
Yes...a good dealmore than I wantedto know. I really ought to be going.
27
TRACK 9
PopoffWhat are you talking about?Bumerli
Nothing...lt's reallydaughteris FartooPopoffWell, the leastyou can do isfor the We're about tofor the now.BumerliNo, no I I"mnot
"
MaschalMaschaWhat is
PopoffFindA]exius.Tell hun we're about
to leave. (heand Bamerhexit)Mascha (wryly, as Alexius enters)Speak of the devil.AlexiusWhat is it?MaschaThey're You'd
hurry your "idea]will run away.
AlexiusAre you perhaps suggesting thatNadina's not anxious to malTYme?Mascha (ironically)Oh, she's quite anxious. After all. itisn't everydaythat onemeets theideal bridegroom. But are you quitecerytaln that Nadina ha; alwaysbeen true to you?AlexiusIf I found out that my bride had eventhe slightest...Don't toy with me. Ifyou know something. tell me.MaschaAbout what?AlexiusYou don't know anything.MaschaIf Idid. would you marry me. then?Alexius
You? (Kissesher) Nol (rushesoff)
TRACK10
5ts enter}'round.
will sound.
a roundelay
today. Hoh-heyl
Dance andFor Nadina
Aurelia, PopoffMy heart is off its feet; It a beat.Myheartbeginsto pound race.It's happening at such a pace..Alexius is the perfect catch~For our Nodina what 0 matchl
Townspeople (general toastingand then dancll1g)People, come...Percussively ringing the church bellsAre swinging from side to side,Announcing the bride.They comc to the altarAnd neither will falter.Let alldeclare the joy they will share.Popoff (to theunhappycouple)It's getting late; now don't be slowAlexius,Nadina(reluctandy)I'm ready to go.Bumerli (aside, to Nadlna)You're ready to go')Nadina
I'm ready
Popoff (to
My boy, though marriage
To both of you I give my
Townspeople (gosSlpll1g)Percussively ringing..Nadina (to Bumer/I)
You might offer your congratulations.BumerliI'm afraid] can't.
Nadina (theguests whisper)You ought to. It would be impolitenot to. But that's so likeyou.Bumerli (goes over to her)In an hour I'll be gone and no onewill remember or care
28
Soldiers,Massakroff (enter atthis moment) Fall inlSavagefightersweFierceandcunning,We're a military wonder...MassakroffMost honoredsirs,rEI'm hereto send youBoth of you I congratulate.I leaveyou to your fate. Hal] congratulate and demonstrateIts' never too late to capitulate. Hal
"ng Bumer/I;to PopolJ)me, sir. it is not clear lust
What in Hell this man doing here7Your balcony heclimbedthat nightAnd hid himselffar from my sight.Alexius, Popoff (alarmed)What's this? How then? He? Here1?
You'reright. Itdoes seem awfully queer.Mascha (making trouble)
Since neither of you has a clue,I'll give this photograph to you.
Alexius (reads the inscnjJtion)
"From Nadina, to her gal]ant Bamerlil"Betrayed I Of that I'm certain.AureliaGodl I'm filled with woeAlexiusAt last. we havethe final curtain.Popoff (In the dark.Whatl How do youAlexius, then PopoffYour robe...the photo...] am wretch was hidinghere night. By God. we'vebeendeceivedall right. He was themanwho camethat
We've been
misses.
all
-----
Why was ITo live. Sometimes a man
Must take his chances,No matter what the circumstances.
I was pursued that fateful ni;And on the terrace hid from]t was a risky thing to dare.
For she was caught quite unaware.And she chose to save my life.
and end this strife.
WomenForgive, forgive..AlexiusForgive? forgive...But this affair cuts likea knifeIt'sclear he madea (ew advancesIt isthe way of all romances.PopoffForgive?He was in andwith my wifeAndifmydaughterhe entrances,then my confusion it enhances.BumerliIt was a risky...Alexius (sadly, toI was the dream
Not long ago.
But it is clear we should partYes, that I know.
You. you. you have betrayed me.
Tarnished my honor.How you've dismayed me.I'll not be thine. You-
Nadina (quietly, to hiTYou were the dreamThat is what I swore
But now we must part.
I love you no more.
Bumerli (leJSlngall reserve)
Come, come, I must possess you.
How] am longing now to caressyou. angel divine.
Nadina, Alexius
Where is the dream of my heart'Now who'li be mine?
Mascha, Bumerli
Come. dream of my heart..
Aurelia, PopoffThat was the dream of her heart.
Who will be thine?
TownspeopleWe came to (A time to dance andBut we have all been led astray.What will occur we cannot say.
Nadina (to Alexius)What will occur? You'll see.
] set you free.Alexius (flings I,I do the same. IAnd deny you my name.Nadina
He was the dream of my heart..MaschaHe is the dream
Bumerli (to Nor.You are the dream
The Others (veryeThat was the dream
Never the samelEnd Ad Two
heart..
heart.
29
But you will never change my mind.And let me tell you, furthermore.
You're not amusing. but a bore,A dull Don Juan, a petty 8trtWith manners far too extrovert.
(humming. as she reads to herself)
Mh. mho mh...
Permit me to advise you,
I really do despiseYou ought to act, you can,Less Itke an more like a man
And don't you back again.I've had my share ofheart]ess men.
I'm through with soldiersAnd their wars.
I'm closing up my doors.Sincerely never. ever... yoursl"
TRACK 11
sings to her; she is
Forgive..Why wasNadina (findsher tongue)How dare you come back here again?
BumerliStill. I neededto returnNadinaI told you I neverwnated to see
you againlBumerliYes.but Iwanted to see you.Nadina
it was Maschayouto see.
BumerliI thought you were smarter thanthat.Are you reallyhurt...orperhaps just a bit jealous1Nadina
Me1Jealousof you?Hal
Itve..
BurnerliSo? You? Jealous of me? Yes.
Nadina
You conceited...' You're only kidding
yourself I,don't care for you. I nevercared for you. Never' And I'll prove
it to you. (holds up her letter)Burnerli
You can't prove ItNadina
I even ,,!rote you a letter.
You can read, can't you?Burnerli
Love letters, yes.Nadina
Love letters, no'
Burnerli (reading her letter)
"My darling Mr. Bumerli... (humming,
as she had.) Mh, mh..Nadina
Mh, mh, mh, mh.
Burnerli (reuds on, strolling)Permit me to advise...
Both (he, reading, she, quoting Fom
memory) And don't vou dare...
DIALOGUEBurnerliThank you for your charming letterNadina. (icy)It seems to have made no effect
on youBurnerliNot in the least I came here to tell
you that you love me.NadinaI "!ould love a man "!ho acted
the "!ay you did? Who drove myfiance a"!av? A collector ofladies'
TRACK 13
Burnerli
And if I tell that you arepoingme a greatNadinaI "!ouldn't believe you at all.Burnerli
Nadina, do you reallyreturned here the day
to return a
Nadina clenched)IFyou would liketo cause anotherlittle episode, just keep talking.BurnerliNo, I want more than that. I want agigantic episode' Can't you be lust alittle nice to me?Nadina
I don't know
anything about you.Burnerli
Would you prefer that I die for you?NadinaYou're much too co"!ardly for that'MassakroffExcuse mehas sent me. Heto a duel..Nadina
Are you happy, my little bon-bon.Somebody's challenging you to aduel. Better keep your trousers on.Burnerli(calmly)Fine. Tell him INadina (notWhat? This isdesire any suchBurnerliNadlna, I am sacnflcing nothing.Farewell
30
NadinaNo. I don't want you to. (Popoffenters.) Papa, Papa, he's going tofight a duel.Popoff (confused)Who...him?BurnerliColonel. I have accepted a challengefrom Alexius and I ask you to b~ mysecond. I shall await your reply.(heexits)NadinaPapa, ifyou let this duel go on, I'llnever speak to you or anyone elseagain. (she also runs out)Popoff (not,/lstening)Ahll think I've hit on it Alexius isout, so Bumerli ISin. The S"!iss willbe son-in-law. (to Mossakro/J)
my daughter and personallyescort mv wife. On the double.
I"sheelsand salutes.
Alexius
you DUETMascha, AlexiusWe're going to marry very soonAnd here is rny fiallCe(e)We'll have a happy honeymoonThe good old-fashioned way.We're going to soon..I'llnever forget the met,now let the knot beAlexiusThere comes a time ill a soldier's lifeWhen he finds the needTo take on a wife.MaschaAt first they.claim
TRACK 14
~ ----
They're not well~matched,But in the end,They find they're attached.AlexiusIt's far too late. I'llpay the priceShe's set the date,And ordered the rice.MaschaOFcourse, the advantage goes to herShe makes the man propose to her.Both
Of course, the advantage goes to herShe makes him propose to her.It's a traditloll, and true-You marry me, I'llmarry y.ou.I "!illbe true, as you, will see.I'llstay "!ith you: you stay with meBothWe're going to marry very soon..AlexiusA girl with any.brains in her headWould never be so eager to wed.Mascha
I beg to you, sirThe sooner wed,The better for her.AlexiusAlthough I don't bemoan it a bit,Perhaps "!e could postpone it a bit.Mascha
I see by that lastWe've got some stormyBothI see by last phrase you said,We've got stormy days ahead.It's a
But
girl of your
said,ahead.
into be
character'Mascha (teWe've lustNadina (to him)[s this your idea of revenge?Alexius
I was mistaken about you. Youdon't deserve a man likeme.NadinaBravo. I'rn sothat coward
going to shootAlexius (taken aback)What? He accepted the challenge1(trembling,turning away) I didn'texpect him to acceptMaschaSweetheart, what are we goingto do?Alexius (cowering)I thought he was a lily-liveredcowardNadinaOh, nol He was never a co"!ardHe only avoided needless danger.But now he has a reason, somethingthat makes it "!orthwhi[e for him torisk his lifeon one throw 01'the diceHe's fighting for me..1 hope you'rehappy..,for melAlexius (triesa newI never fight with Come,Mascha. (They both exit quickly.Popoff entersfrom another entrance.)PopoffAh, my child, there you are. No"!what are you to? You've playedat marriage one bridegroom,
be
to do31
and now another bridegroom isplaying at marriage "!ith you. Therecould be serious international ncussions and honor
stake. It has gone tooNadina
I have made up my mind I don't"!ish to marry anyone i(Massokroff now enters,AurelLabodily)AureliaPut me down, y.oubrute! Oh,Kasimir..
PopoffPut her down, )her, not abductovertake Majorand return them
goes) My child, youon the noblest Familyin Bulgaria.have compromised your father.AureliaYou have compromised your mother.Popoff(exasperated)You keep quiet. You knew about thiswhole thing from the(Aurelio tnesstops her) Now am taking mattersIn my own hands. (He goesto thebalcony,calls) Mr Bumerli?Yes,you.. Come in here immediately.Now, we will the finalcurtain of this cNadina(startstogo)I'm lea'
PopoffOh, no,characterBurnerli
What can I do for you 1
-
Popoff (pullsup some chuirs, motions Aurelia, PopoffBurner/Ito sit) Mr. Bumerli, I am sure Compromises her in an escapade,you are aware of the disgrace that Nadina (to Bumerlt)you have heaped on yourself by There ISJust one course to steer,compromising my child. Are you He ought to disappear.prepared to accept the consequences 7 Popoff, AureliaBumerli No, my dear. It's not right.It alldepends. Iappear to be right. No,Popoff (forcingthem all to sit) For two wrongs do notWell, let us sit and discuss You shouldn't be so impolite.this matter Bumerli
That is clear
Aurelia, Bumerli, PopoffTRACK16 You (I'll)stay here.
PopoffIn many, many cases,AureliaTo get In her good graces,BumerliHe finds her parent's domicile,Nadina (stillsteaming)And they kICkhimout Inperfect style.The Other ThreeNo, my dear. No, my pet.What severeetiquette.PopoffWe shouldnotmakethisfellowfretAureliaWe shouldBumerliThen it's
Aurelia, Bumerli, PopoffYou (I'll) stay here.PopoffThis tangled situationAureliaNeeds reconciliation.
PopoffHe givesher folksa bigbouquet,
It's a problem since the world began.AureliaWhen a woman isdisgraced by a man.PopoffThat isn't very nice.Nadina, Aurelia, PopoffHe ought to pay a priceAurelia
When a man treats a girl likeahalf-witted fool,PopoffWhen he holds her up to ridicule.AureliaTo what do we allude?
Nadina, Aurelia, PopoffTo a gross ingratitude.BumerliCan a lady reallysurvive these thlllgS?Aurelia
Allthe gOSSip,slanderand murmurings.BumerliAlthough it's but a game.Nadina, Aurelia, PopoffHe isguilty all the same.Nadina
When a gentleman insults a maid,
and then forget.
32
///
Aurelia,Bumerli,PopoffAnd this iswhat the man should say.He says: "Dearest father-in-law...Dearest mother-in-law..I'd likeyou to realizeThat I've not been very nice."Aurelia, PopoffAs parents we're not unbendable.Your actions are commendable.AllHello, son-in-law Hello. father-in-law...mother-in-law.
Aurelia, PopoffWe forgive what you've done.Bumerli
It was all in good fun.Aurelia, PopoffYour new lifehas begun.Dearest father-in-law,dearest mother-in-Iaw...Bumerli(a tinypause)Dearestfather-in-law,just one thing:what sort of dowry will she bring?AllIt's a problem since the world began.PopoffHe ought to do what's grandAureliaAnd olfer her his hand.All
When a gentleman...There isjust one thing to do:Just marry olf the two.
TRACK 17
Aurelia(toYoumustunderstandthat we arethe most conspicuous family inBulgana and are accustomed togreat luxury. We have full setsof
-
table linens, bed linens, four sets ofcutlery, priceless family heirlooms,horses, sheep. Can you showanythingBumerli
I was prepared Ihave 52 small two-story 6
houses with an accumulated
stories, central heating, electriclighting, and all the modern conven-iences, 762 bedrooms, 23 ballrooms,30 chefs, 609 servants, 427 maids,17awardsfor gourmet cuisineand63 honorable mentions. In addition, Ispeak7 languages,havea Doctor ofPhilosophyfromthe UniversityofZllnch and played Wotan and theFlyingDutchmanina seasonofWagner at Bayreuth.Popoff (Impressed)You'rethat rich?Are youthe sonof the Kingof Switzerland?BumerliNot at all. Much better. I am the son
of the largesthotelowner inSwitzerlandlPopoffAll that now belongs to us7Because today you are marryingmy daughterlBumerliBut she doesn't want me.Popoff (to Nadina)What? You(aside,to BIgive her a kissBumerliWith pleasure. (He is about to em-brace Nadina when Massakroffenterswith Alexius and Mascha.
Popoff (goesand whispers In Alexius'ear then says)I commandyou, MaJorlAlexius (to Bumerlt)I'vethought thingsover,and I'mnot goingto fight with you. But Idemandsatisfaction.You willmarry NadinalBumerli
I happily accede to your demand.
[ never would have thought of sucha thing without you. Nadina, do
TRACK 18Nadina, then Bumerli, then All
Come, come...
(All embrace and exclaim in delighted
triumph at the happy ending)End Ad Three
End CD Two
33
The young George Bernard Shaw, dedicated, lile-Iong enemy ol-and unwitting publicist lor-"The Chocolate [Creaml Soldier"
/
Freedlander Theatre
OFLiberalarts collegesare,In the.words R. Stanton Hales,"nationaltreasureswhichhaveprovidedtheidealsfor American education."Of thesesmalland independenttreasures, Wooster is one of the bnghtest. recent study measured the leading 50 college in threecritical oreas--educating scientists, educating leaders in international affairs, and educatingbusiness Wooster is one of only 21 colleges to earn a place in all three groups. It is alsoa school which dedicated to the performing arts with strong programs in theatre and music.Since establishing The Ohio Light Opera in 1919, its goals have been to provide young musicianswith an opportunity to perform in a pro fissional setting and to entertain audiences with operettaswhich charmed the publics of an earlier era.
34
----
James StuartA,ii,u,Oi"""
J. Lynn ThompsonM",icDi""o>
Steven DaigleGen,ml Dieec/o,
Laura McGraw NeillCompany Monag"iPmdac"
Jeffrey MeekCmWmo Dc,ign"
Jennifer GrosethLightingD"igo"
Dale SeedsSet Dc.,igo"
Carol HagemanCho,mgmph"
Matt DilyardPmd""ion Phawgmphy
Acknowledgements:R. Stanton HalesPresident, College of Wooster
ADVISORY COMMITTEE
Bill &- Marilyn BlanchardHarold &- Lois FreedlanderJohn &- Marie Johnston
Frank &- Jean KnorrBarbara Robinson
John SchambachDave &- Carol Sherck
Ernie &- Mary Lou SteinDiane Hales.
James StuartArtistic Director
J. Lynn ThompsonConductor
Steven DaigleGeneralDirector
Laura McGraw Neill Jeffrey MeekCompanyManagcr/nvducer CostumeDesigner
Jeremy DobbinsReconllng hlIglileer
Mr. Ostendorfwishesto thankDianeOr20,the OLO staff-Jim, Lynn and Laura in particular-ond, as ever,Stephen Epstein and the Kramans.
Newport Classics Operetta CO Series also inc/udes other Ohio Light Operas productions:HerbertE/LEEN (NPD85615), MessagerVERON/QUE (NPD85635) KalmanTHE BAYADERE (NPD85655)
35