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Transcript of RIME SHOWCASE ISSUE 2
Retro:
Halloween
Special!!! Top 10
films to spook
ya!
R Showcase October 2010
I
M
E
Plus great influential interviews with:
Marc Ozall Acting, Life and The
Autumnkind
Christie Silver & Paranormal Storivity – Riveting Activity?
Cameron Smith talks about The Fifth
and Cinematography!
Adam Pluse lets us in on his secret on
inspiration and music
Jonathan Haselden the
underlying attraction of Miss Pretty
Richter
where inspiration,
music and art
combine...
Reviews and news from Sport, Fashion, Music and writers from across the globe!!!
Special Concert
Reviews:
CONTENTS:
EDITORS NOTE..........................................pg3
MARC OZALL & THE AUTUMNKIND...........pg4
CHRISTIE SILVERS.......................................pg9
JONATHAN HASELDEN...............................pg13
FLETT BERTRAM.........................................pg16
ADAM PLUSE..............................................pg20
DAMIEN FERNANDEZ.................................pg24
IRENE BOOTH ANSWERS QUESTIONS........pg28
RICHTER......................................................pg31
CAMERON SMITH & CINEMATOGRAPHY...pg34
MOVIE, THEATRE & BOOK REVIEW............pg37
WRITERS SPOTLIGHT: STUART KENNEDY...pg41
XXTRA SPECIAL: MERCURY WINNERS.......pg42
ALBUM REVIEWS......................................pg44
GIG REVIEWS............................................pg46
SPORTS: NHL.............................................pg54
FOOTBALL PREMIERESHIP........................pg65
RETRO SECTION
GUNS N’ ROSES .........................................pg71
TOP 10 HORROR FILMS OF ALL TIME........pg76
BORIS KARLOFF..........................................pg81
Editors Note:
Welcome to the 2nd issue of RIME Showcase. Last month was amazing – so much support from our readers and even
more who want to get involved with the magazine. Thank you so much…
For those who missed out on the first issue – we had great interviews from Canadian Epic Indie band You vs Me,
Author - Camy Tang; Artist – Jamie Paul and Cosmic Gypsies and so much more reviews and news from around the
world!!!
This issue brings more… I’d say on reflecting, the great interviews we have lined up, I’m sure people will be inspired.
Such as interviews with Richter, Cameron Smith, Adam Pluse, Marc Ozall with The Autumnkind, Christie Silver and
Jonathan Haselden; reviews and of course RIME Showcase’s Retro Section… get ready for a Halloween Special –
muhahahaha!
This issue also includes NHL news by our Canadian Correspondent and reviewer Carla Julianna Sama and The
Barclaycard Premiereship Football News by George Georgiou – RIME Showcase would like to apologise for not
mentioning his great World Cup contribution in the last issue – you did great George, keep up the good work, we all
loved it!
ALSO!!!! We have some great gig and concert reviews. RIME Showcase are celebrating the return of, yes, you heard it
MY CHEMICAL ROMANCE after a five year break! GUNS N’ ROSES’ comeback to London! And, ALTER BRIDGE! I should
also mention a band that need to be bigger than they are...The Autumnkind!
This issue is big and it’s MENTAL!
Enjoy this issue and get to know more great talent we have in the world…
Melissa & Rita
MARC OZALL
Actor, Singer & Frontman
Marc Ozall, Lead singer of The Autumnkind. RIME met him along with the lovely lads back in
April this year, and there were a few things that stood out to us about this interesting person...
why not let others learn about him and a brilliant band...
RIME Tell us a bit about how you got into acting?
Marc It was kind of a happy accident. I was sitting round the house when I was 14 and my mum told me to go out
and do something. I went to the local leisure centre to join a karate class but it was full, so I went into the local amateur theatre group next door and signed up there instead. I loved it as soon as I started and ended up studying
acting at college, university, drama school in London and then in America. During that time I just auditioned for anything I could and was quite lucky to get in some decent productions. If not for an oversubscribed class, I wouldn’t know a thing about acting but would be very good at kicking things.
RIME From the interview you did with your band The Autumnkind, you mentioned you lived in New York, what
was the experience like – was it different from the UK?
Marc It was by a long stretch the happiest, most inspiring time of my life, which is surprising considering the first few
months there. Due to a combination of extreme naivety and bad luck I found myself homeless and sleeping on the subway for a while – thankfully before too long I made a few friends at acting school and was able to go from couch to couch, stretching the goodwill of everyone to its limits, for a couple of months until I had saved up enough money from a play I was doing to get a place in Brooklyn. Other than those initial teething problems it was just amazing – I got to perform with some great people whilst studying every day at a place I'd wanted to go to since I had started acting. I had a great group of friends who I’m still in contact with today, and just in terms of the lifestyle it was friendlier, more fun and more interesting than anywhere else I’ve lived. The stereotype of New Yorkers is that they are quite rude and unfriendly but I found them all really friendly and helpful, which may have been a byproduct of September 11th (I was living there when it happened) but even before that I felt at home there in a way I have never done anywhere else.
RIME How did you fall into music, was it always something you had an interest in?
Marc Not at all, another happy accident really. I'd always left that side of things to my Dad and Sister, who were
professional musicians and had done quite well for themselves. I messed around with bass guitar and a little bit of guitar but acting was my main focus. In 2005 I made the decision to stop devoting my energy to acting because I was getting really good work in America and Germany but not really in England, so I decided it was time to be sensible and get a 'proper' job. That mindset lasted about 2 months before I realised I was deeply unhappy without a creative outlet so I picked up an acoustic guitar and wrote a song, and it all went from there.
RIME How long after acting did you realise that music was for you, or are you still interested in acting as well?
Marc I didn’t really take music seriously in that I just wanted to do something that filled the creative void left by
acting. About 6 months after I had started living what I thought would be a normal life I wrote a song that my sister really liked and she offered to record it and said I should put it on Myspace. I did, and it was really popular, which I wasn’t expecting at all, and from that point on the idea of being a musician became realistic to me. It also made the decision not to act a lot easier, and I’ve not been involved with acting since then. The stereotype of men not being able to multitask is quite true for me in that to really do something well I need to focus all my energy on it, and whereas some people can act, do music, do a day job and write books at night I have to be focused on one thing to feel I can make it succeed. At first it was acting, then solo acoustic music and then the band.
RIME What should someone prepare for if they want a career in music or acting – is there a difference?
Marc I think they do have similarities in that they both require an enormous amount of work, a very thick skin to
deal with the setbacks and disappointments (of which there will be many), the motivation to keep believing through difficult times and the belief that you can and must strive to always be better. In terms of the physical performance styles they couldn't be more difficult. As an actor you are essentially wearing a mask, and this is an enormously liberating thing which allows you to really explore both your own psyche and understand others', whilst always having the fallback of being able to say 'this isn’t me, it’s just the character'. Onstage as a musician, you might as well be naked. There's nothing to hide behind – it's your voice, your accent, your clothes, your words, your songs, your performance. For me it's a lot scarier, but I think more fulfilling when it goes well because you can say to yourself
“the audience weren’t enjoying Shakespeare's words, or the designers set design or the directors funny take on a play … they were enjoying what I created and performed for them”
RIME Do you think you would ever move back to the States or do you have other countries in mind?
Marc I would love to live in America again, and especially to travel around the country. It’s so vast, and of the few
different cities I’ve been too they are all very unique experiences. That’s the same with every country I know, but the physical distance between say Nashville and San Francisco is so great that they may as well be separate countries. I lived in Germany as well for a while, and I found that a very eye-opening experience – realising how ridiculous the stereotypes English people have regarding Germany and Germans are, and meeting some wonderful people. I’d like to spend some more time there for sure.
RIME Tell us more about your band, The Autumnkind, what should our readers expect from the band?
Marc Well, we are a 4 piece Indie/Rock band with a whole bunch of different influences so describing what we sound
like is often quite tricky. Maybe a cross between early Radiohead and Doves, with a little bit of John Mayer thrown in. We do have websites (www.thautumnkind.com, www.facebook.com/theautumnkind and www.myspace.com/theautumnkindmusic ) so it’s a lot easier to go to them to get an idea of our sound. We have released one EP and are about to release another one, which we feel shows the direction we're going in … although the more time we work together, the more the sound is changing … getting a bit darker and a little starker … so it’s a working progress right now.
RIME The Autumnkind have an album – where can the readers of RIME Showcase buy it?
Marc Ah, well we were going to have an album but for reasons too boring and plentiful to go into, we decided to
release a 6 track EP “Words and Sound” instead. We hope to have physical copies of it available by November and rather than go the traditional iTunes/Amazon route we may sell it digitally through our website as we can ensure that the digital downloads are of the quality and format that people want them in. At the moment our first EP “The Shipping Forecast” is available through iTunes and all stores like that but there are links to it on all our websites so if you wanted to get hold of a copy it shouldn't be too hard to do so!
RIME How has the exposure been so far with the band and what’s still to come from The Autumnkind.
Marc It’s been very positive so far. We have been asked to play some well-known venues in London and are doing a
support slot for The Dandies on October 14th before they go off on their European Tour so we seem to be heading in the right direction - working with talented musicians like Caleb, James and Simon has made me really have to raise my game as a songwriter and when I write now I really try to write with the whole band in mind, whereas before I just concentrated on the rhythm guitar and vocals. We have written 5 or 6 new songs since “Words and Sound” that are taking us down a slightly darker and rockier route, but I imagine they won’t be recorded for a while – we will be gigging and keeping in touch with the world through the multitude of social networking sites we are on. One of the things that is really important for all of us is remembering it is the support of our fans that has got us where we are, and if we are to push on to the next level it will be mostly due to those fans too. With that in mind, we do everything we can to thank them, give them free stuff or discounts on anything we sell, keep in touch with them and let them know we are very grateful for everything they do, whether it be coming to gigs, writing emails of support, buying the CDs etc.
RIME Any messages for our readers that you would like to share? (i.e.- website details, mention any projects
your currently working on + where to buy the album).
Marc Just a big thank you to everyone who's supported us in the last couple of years, and hopefully some more
people reading this will go to our websites and have a listen and hopefully enjoy what we're doing. If you happen to like us enough to come to a gig (the next ones are October 14th at the George Tavern in London and November 3rd at The Horn in St Albans) be sure to come over and say hi – we're a friendly bunch and love making new friends!
The Autumnkind (L to R: Simon, Caleb, Marc & James)
An American based Author, with a Paranormal flair, shares with the readers of RIME Showcase her
inspiration and what Paranormal Fiction is all about...
RIME How long have you been writing and
what inspired you to become an
author?
CS I‟ve been a writer since the age of 5. Or
at least that‟s the earliest sample of my
writing I have found. Writing was always
second nature to me throughout school
and it wasn‟t unusual for me to be at the
top of my class and in several advanced
classes.
After my marriage and the subsequent
births of my children, writing took a back
seat for many years. It wasn‟t until 2005
that I decided to pick it back up and write
small stories for my children. Then in
2006 an acquaintance introduced me to
writing professionally online. I‟ve been at it
ever since.
RIME Your genre is the paranormal. What is it
about the paranormal that made you
decide this was the genre for you?
CS I‟ve always been a lover of the paranormal
and supernatural. As a child I was the
only one who would happily watch horror
movies with my dad. Nothing scared me
like it did my younger siblings.
It wasn‟t long before I went from reading
little girl books to jumping into the straight
horror and paranormal genre. And then I
met the world of Lestat written by the
talented Anne Rice! That was is, I was
lost in the world of vampires, witches,
ghosts and werewolves.
RIME Your books have vampires and
werewolves in them. Was this
influenced by the Twilight Saga and the
current craze surrounding vampires
around now due to the Twilight Saga
movies and books?
CS The simple answer is, no. The more
extensive answer is, I‟d never even heard
of the Twilight Saga when the first book in
my first series release in October 2007. It
wasn‟t until 2009--and three book releases
later--that I broke down and read the
Twilight Saga.
My oldest daughter was interested in
reading Twilight, and at the time I wasn‟t
sure if it was age appropriate for her.
Therefore, I decided to read the books
before handing them off to her. In the
end, I‟m not a fan of the series--vampires
don‟t sparkle--but my daughter loves them.
As for the “craze” surrounding vampires
and werewolves, there has always been a
craze. Only now you hear more about it
due to the ear-piercing squeals of
thousands of pre-teen and teenage girls
waiting to see Jacob‟s shirt come off.
RIME Who are your favourite authors?
CS I have lots of favorites. Every year I am
introduced to and meet new ones.
However, my tops are Anne Rice,
Charlaine Harris, Lori Handeland, Jasper
Fford and Jennifer Armintrout.
RIME Tell us a little bit about your new book
which is out in October 2010.
CS Kill Me Next Week is the second book in
the Liz Baker series. Liz is a tough, rowdy
Georgia girl who doesn‟t take any slack
from the people around her. In book 1,
Time for Death, she was forced into the
dark underworld of vampires when
introduced to her true parentage.
In book 2, she struggles with the murder
she committed in book 1 while dealing
with her new life in the paranormal world.
Here she discovers more creatures she
never knew existed and fights for her life
against a wendigo who has been split in
two by a gypsy witch.
Liz is tough, though with a weakness to
the sexy men in her life. Her longtime
beau is on her case for a commitment, but
she‟s being pulled toward the bouncer at
her bar. She‟s also a lover of nail
polish…any shade, any brand, any price
point.
RIME You have a family and four dogs. How
do you find the time to sit down and
write? Do you find that you set aside
„writing‟ time at the same time everyday
or does it work around the family
commitments?
CS How do I find time to write? Hmmm…
Well, that‟s a hard one as I never seem to
be able to find enough time to write. Yet
somehow it just happens.
No, I never write at the same time every
single day. Most of my writing time
revolves around whether or not the
children are home, the husband is asleep
or at work, the phone is ringing all day, or
someone has an emergency they think
only I can handle.
However, my youngest child started
school last month and I‟ve had a lot more
time during the day to get my writing done
since then. I never thought I‟d get to the
point where I had 6 full hours, 5 days a
week to enjoy my work. I‟m in heaven!
RIME We have many readers who aspire to
write but due to having young children,
they don‟t find the time to write. What
would you advise them?
CS I‟ve definitely been there! Life can be
hectic with small children, but there is
always a way to work around that. Write
when they‟re napping, eating lunch,
playing outside, spending a night with the
grandparents, etc. You have to want it
bad enough to find the time, even in small
scraps.
You may not crank out the next bestseller,
but you‟ll be able to get the idea on paper.
Simply getting the story out of your head
will be an accomplishment. You can
always edit, rewrite and change it up later.
Take what you can get, when you can get
it.
RIME You enjoy socialising on Facebook with
your fans. Do you find that Facebook
has been a great source for you, as an
author to interact with your fans and
also promote your books?
CS Oh yes, I thoroughly enjoy socializing on
Facebook. Over the years I've joined and
participated on numerous networking
sites, but none as successful as
Facebook. I get to share bits about my
world, books and writing process while
also being approachable, friendly and
getting to know my "friends" on their own
terms. However, I'm not one of those
people who push and push and push their
work until people get sick of seeing them.
Nope, I like chatting, gossiping, discussing
topics and sharing likes and dislikes...with
a few book advertisements here and
there.
RIME Are your characters in your books taken
from total fantasy or do you build your
characters from certain people you‟ve
met in your own personal life which add
shape to the character?
CS Like most writers, I observe the world and
people around me. That lady with the
crying baby at Wal-mart is just as
intriguing as the balding, 50-something
man at the bank. While many of my
characters are pure fantasy, others do
have characteristics of strangers I've come
across, friends, family and myself. It's this
combination of pieces here and there that
create new, interesting people for my
fictional world.
Oh, and yes, I do love nail polish as much
as Liz Baker does. She just has a bigger
collection than I do.
RIME Many of our readers may like to know
where they can purchase your books
and find out more information about
you. (please use this opportunity to
promote yourself and your books).
CS All of my books are available through
Amazon.com and ChristieSilvers.com. If
you'd prefer to purchase from a local
bookseller, simply have the book
information handy (title, author, ISBN) and
they will be able to order a copy for you.
All books are available in trade market
paperback and Kindle editions, as well as
numerous other e-book formats through
Smashwords.com.
For more information, stop by
www.ChristieSilvers.com . There you'll
find my personal blog, complete book
information, freebies, giveaways, photos,
my personal reading list and links to all of
my favorite socializing sites.
JONATHAN HASELDEN
&
The Underlying Beauty of
Miss Pretty A new recording star in the making. Jonathan is a breath of fresh air to the music industry. With his catchy tune Miss
Pretty, Jonathan was determined to be the first unsigned recording artist to have a number one. Unfortunately this
didn’t happen but unphased by this, Jonathan has gained a huge fan following and has the talent to make a
comeback and succeed.
RIME Has music always been a passion of
yours? If so at what age did you realise that you wanted to pursue a career in music?
JH Music has been a passion from day one,
the moment I picked up the guitar at the age
of 11 I wanted to have a career in music
RIME How would you describe your sound?
JH Live pop sound with rock influences
RIME Miss Pretty was the title of your debut
single. You decided to release this as an unsigned artist. How did you find it bringing the video, single and promotion of it all together? You received a lot of support, did this surprise you?
JH The support did surprise me, but it was
very difficult, I knew it would be hard, but
possibly not as hard. It was hard, but also
rewarding, to see a finished product was
great
RIME Although Miss Pretty didn‟t make
Number One as we had all hoped (it was a great track), how do you feel about feedback you received from the press and fans?
JH Feedback was great, it genuinely shocked
me the support and feedback I received. I
think it was a great learning experience and
know how to move things forward.
RIME Upon reflection, has the hard work and
effort you put into the Miss Pretty project made you more determined in your career, knowing that you gained many fans and support during the project? JH Absolutely, if it wasn‟t for such fantastic support and positive feedback from friends and fans alike I wouldn‟t know what to do. It‟s given me the encouragement to carry on, knowing there are a lot of people out there that like my music and what I‟m doing
RIME Outside of music, what do you enjoy
doing?
JH Relaxing and socialising with my friends.
It‟s important for me to go out and switch off
when I can. I‟m a social person so need to
see people and have conversation
RIME What/who inspires you when you make
music?
JH Generally experiences and mostly women /
love. I really like watching situations and
writing about what I see, it‟s a great way to
convey my thoughts
RIME Do you write all your own songs?
JH Yep all of them, music and lyrics! Where appropriate I will work with other writers, I‟d be stupid not to!
RIME What does the future hold for Jonathan
Haselden? Do you have any plans in the pipeline that you wish to share with our readers?
JH Ha! I have a few ideas but not quite ready
to share just yet! Firstly, I‟m going to move flat
and think about a new car!! Then who knows
RIME Where can our readers hear more of
your music and find out more info on you? (this is the chance to promote yourself and all your websites) JH www.jonathanhaselden.com this is the best place for all the latest news and to hear all my music
Flett Bertram:
A Labour of
L♥VE
Written by Carlotta Brentan
FLETT BERTRAM, newly graduated from the
prestigious London College of Fashion, already has at
least one fan you’ve probably heard of: none other
than Diana Vickers, of X-factor fame. After attending
Bertram’s AW2010 graduate show, the songstress was
so enraptured with the designs that she hand picked a
skirt straight off the catwalk and wore it on the red
carpet at the 2010 Scottish Fashion Awards. Not a bad
claim to fame for the young designer, whose graduate
collection has already earned her high praise (and
prizes!) in more than one quarter.
In fact, the skirt worn by Diana [Pic 1], epitomizes the
essence of Flett’s entire collection: it’s a delicate
creation of tasselled pale blue taffeta, which
simultaneously exudes a frail lace-like quality, and yet
retains a structured, powerful edge due to its strong
tailoring, which also makes it eminently wearable. The
whole collection, from tight mini-dresses to flowy
skirts, intricate pull-over tops and delicately decorated
jewellery, is centred around the same recurring
elements: cream and black are everywhere used to set
off the signature pale blue taffeta. Besides the colour
palette, the ubiquitous tassels are the most noticeable
feature, and whilst individually these might just have
looked like they were ripped off of your grandma’s
curtains, the sheer number of them adorning the
clothes makes them work beautifully. [Pic 2]
So where was Flett looking to for inspiration when
designing this collection? The 23-year-old describes
how she’d been studying different Memento Mori –
artworks designed to remind the onlooker of their
own mortality – and begun focusing specifically on
Victorian mourning jewellery. “The Victorians made
jewellery weaving hair,” she explains, “and that was
the starting point for the tasseling and knotting of
textiles.” Moreover, carved jet brooches, another
staple of Victorian mourning jewellery, informed the
leatherwork in the jewellery pieces.
The visual reference to spidery, knotted strands of
hair is in fact undoubtedly present throughout the
collection, everywhere evoked by innumerable pulled
threads and the fragility of the hanging tassels. Yet,
the overall effect is far from macabre: it rather
suggests a fantastical, delicate ‘tea-party’ quality. This
might have something to do with the muted colour
palette, which was a product of gradual
experimentation. Flett explains how she initially
started with mossy greens and greys but as the
collection evolved, she eventually ended up with the
current pale blue and cream palette. “In the end, it
ended up being a little more cute and girly than I had
originally imagined,” says Flett – and we are certainly
not complaining!
Looking closely at the detailed embroidery of each
single piece in Flett’s collection, one can’t help but be
awed by the evident painstaking handiwork that went
into crafting virtually every centimetre of material on
display. [Pic 3] It’s evident that the designer didn’t
simply train in womenswear: in fact, she graduated in
Fashion Design Technology, specifically Surface
Textiles. This specialist degree, in Flett’s own words,
gave her all the training she needed as the basis for
her creations. I’m curious then, which piece took her
the longest to complete? “I think the longest piece to
make was the tasselled pullover [Pic 4], but only
because it was the first time I had made the textile on
such a large scale and hadn’t worked out all the
technicalities!” confesses Flett. Besides this specific
piece, she continues, “it was the preparation that took
the longest, drawing all the threads out of the fabric,
brushing out all these bits of fine wool before they
could be used, and making tassels.”
A real labour of love then, this collection, and above
all a fine showcase of Flett’s noteworthy technical
skill. It’s certainly not a coincidence that she was
recently awarded first prize in the prestigious Hand &
Lock embroidery award for her AW2010 collection,
which she considers her proudest professional
moment so far. This award, which seeks to
internationally recognize exceptional talent in the
skills of hand embroidery, comes with the prize of
further mentoring by Hand & Lock themselves - which
will hopefully mean more of Flett’s embroidered
creations for us to drool over.
Back to her graduate collection, it’s evident that each
piece was very carefully chosen: the group as a whole
is impressively coherent, with the creative vision
remaining strong and single-minded throughout – a
strikingly mature approach for a graduate collection.
[Pic 5] “It didn’t start off quite so coherently!”
protests Flett, “You’re right, there was a lot of editing,
I made many changes to the line-up, swapping
garments round and chucking them away. I’m not sure
if it’s maturity,” she adds, “I think I just prefer
collections which are really obviously collections and
not just a random bunch of clothing.” In this case, the
outcome is that any single item from her collection’s
line up – including the accessories – would
unmistakeably be known as her own even if displayed
independently.
Of course, I couldn’t let Flett go without bringing up
that Diana Vickers red carpet spotting; considering
who her garments are being worn by, did she have an
ideal woman in mind when she was designing the
collection? “I did have a kind of ideal woman in my
head,” replies Flett, and not surprisingly reveals that
this fantasy woman was “really romantic, dramatic,
passionate…someone who went for walks across the
moors in the rain and ran about on hill tops, like Cathy
from Wuthering Heights!” A fine inspiration that, and
one that still shines through the streamlined yet old-
fashioned decadence of the clothing.
Flett Bertram’s collection is undoubtedly a breath of
fresh air, and that might be a direct consequence of
her somewhat unusual background. Rather than
professing a life-long vocation as a fashion designer,
Flett actually started out by completing an Art
foundation course in Switzerland, and eventually
ended up on a textiles course since she couldn’t, in
her words, “face the freedom of something like fine
art.” This broader artistic, rather than strictly fashion-
oriented, background clearly informs her approach to
designing clothes: each one of her pieces is first and
foremost a beautiful, decorated object – a piece of art
that just happens to be wearable, too.
So what’s next for this exciting young talent? “I think
I’d really like to be a freelance textile designer,” says
Flett, “or work in the textiles department of a large
fashion house. I like the idea of being commissioned
to do stuff for people!” And with her distinctive skill
and unique vision, there’s little doubt that there’s
going to be a line queuing up at her door soon
enough.
For more info please visit:
http://showtime.arts.ac.uk/FlettBertram or contact
her directly at [email protected]
Image credits: Photographer Eoghan Brennan
Who is....
Adam Pluse is yet another great talent that RIME has come across. From Newcastle, this man’s songs
have been featured in Hollyoaks and we believe that following this, there are many more great things
to come from him...
RIME - How did Adam Pluse start his journey
as a singer, songwriter and Musician?
Adam - Well at a very early age it became
apparent that I had a passion for playing
music, it all started when I picked up my
Dad’s guitar at the age of 12 and well … I just
wanted to play it. The singing came secondary
to this, I just sang to accompany myself
playing the guitar in the beginning and then
the more and more I sang I developed my
voice. So originally I was just a guitarist,
that’s why if ever I’m on stage now - just
singing into a microphone without a guitar
(which is very rare) I feel very uncomfortable,
not only because it’s a little out of the ordinary
for me but also because I have no idea what to
do with my hands!
RIME - What musicians did you grow listening
to?
Adam - There’s a few, it’s strange because
the artists I grew up listening to are the artists I
still listen to, to this very day. My main
influences are bands that I’ve followed around
the country for years watching them gig so
often I know their Set List off by heart. Artists
such as The Goo Goo Dolls, The Fray, Howie
Day, Lifehouse & Newton Faulkner are a huge
inspiration to me.
RIME - Was music something you were
always interested in or did/do you have a few
aspirations that you’d like to explore?
Adam - For me music was always number
one, there was absolutely nothing else I
wanted to do and there wasn’t really much else
I was good at, haha. So yeah music was
always something I wanted to do in one way
or another, whether it be a guitarist in a band,
or a singer/songwriter … anything that didn’t
involve me driving myself crazy sitting behind
an office desk 9 to 5.
RIME - What interests do you have outside of
music?
Adam - Well currently there isn’t much time
for any hobbies as I’m acting as my own record
label: distributing my music, planning tours,
recording sessions, attending management
meetings, rehearsals not to mention the
performance side of things, so as you can
imagine its hard to fit anything else into a diary
that’s so full but when I do find the time to
relax my other interests include going to the
gym and socialising with good friends over a
few drinks.
RIME - One of your songs was featured in
Hollyoaks, how did this come to be and how did
you feel hearing it?
Adam - I knew that the musical director at Lime
Pictures was interested in using my songs for a
few scenes in Hollyoaks and he expressed in
emails that my songs would fit well with the
scenes but the funny thing was he never told me
that he was definitely going to use the songs and
also never told me the date it was going to be
aired. I’m a fan of Hollyoaks and always try and
watch it on a day to day basis when I can but
when that particular episode that featured my song
came on I had no idea it was going to be featured
and when the song first came on in the scene I
thought “I recognise that tune” but didn’t actually
realise it was my own at first. It was a very weird
and wonderful experience I must say.
RIME - How has the support been from the general
public?
Adam - Fantastic! People only know who I am
through word of mouth from fans on the Internet.
People who like my music tell their friends - who
tell their friends and so on, Word of mouth has
proven to be the most powerful tool for me and I
cant thank people enough for helping my music
connect with new people all around the world.
RIME - Any future gigs planned around the
UK/the world?
Adam - I’m currently in talks with my
Management about the idea of a “Uni Tour”
Basically I plan to go all around the Universities
in the UK putting on a show on each main campus
but you will have to keep posted for more news on
that.
RIME - Where can we buy an album?
Adam - You can buy my album from
www.adampluse.com
And from iTunes or Amazon if you prefer
RIME - What should we expect from Adam
Pluse in the future?
Adam - Well I hope to sign with the right
Major Label soon and hopefully that will open
doors to new things for me. Everything I’ve
done on this smaller scale will hopefully be put
into action on a far larger scale and will enable
me to do things that just aren’t possible at the
moment such as TV appearances, creating
official music videos and
staging World Tours. At present I’m just looking
forward to the great things that the future holds.
RIME - Any messages for our readers that you
would like to share?
Adam - I just want to say thanks for reading
everyone and please do check out my music at
www.adampluse.com, I’m also on Facebook and
Myspace so please feel free to search for me and
hook up with my music that way too!
ON TOUR NOW – GO GET TICKETS!!!
Damien Fernandez
„The remix king‟ of Adelaide – the world wide „mix tape‟ prodigy
Speaks about his upcoming album
‘Attack of the killer Robots’
It‟s been three years after taking the hip hop world by
storm releasing what was earned its place in the urban
scene, a mixtape – „World is Mine‟, remixes that
contained the original artist and hooks that created a
high demand on digital downloads and sparked the
intrigue of international fans world wide. He‟s
formerly known as Six3, a prodigy that had numerous underground releases, hitting the internet world
in frenzy, became internationally famous and branded the name „The Remix King‟.
“The remixes were purely vehicle, I saw a lot of Dj‟s at the time getting quite popular remixing songs,
come to think of it, Pitbull was my inspiration for doing the mixtape. I didn‟t realize at first that the
„International takeover‟ mixtape remixes were his own edits, I thought they were official…so, I set to
work creating my own remixes, that to the untrained ear sounded legit and thus gain some notoriety in
the urban scene. My first mixtape did nearly a million downloads worldwide, my remix of Chris Brown‟s
hit single, Forever – got 260,000 downloads in 36 hrs, beating Billboards estimate of Usher – My Way
(album‟s illegal downloads) which was 500,000 in a week….those numbers let me know I‟d made a mark
and it was time for me to get serious”.
Establishing such a great success, Damien was never a stranger to music. At the age of five, he learned
his first chords on the guitar with the help and encouragement of his uncle, Ian Fernandez who was
Damien‟s guitar teacher and as well, a gifted musician. Years later, at the age of fourteen, he competed
in the “Battle of the Bands” performing in front of 1500 spectators, a solo of Jimi Hendrix‟s, „Little Wing‟
on the electric guitar. Unfortunately, luck wasn‟t on his side until Fernandez created a rock band of his
own and returned to the “Battle of the Bands” the year after, and won. His perseverance was
admirable, at the age of 16, Fernandez scouted bands to engineer, cutting low budget demos in a
recording studio in Port Adelaide to in return, use the studio for his own forthcomings.
At the present time, this singer, songwriter, and producer established his own record label, Damien
Fernandez Music Group, embracing his passion by making music that beams through the life of his
fans as well as his own. “Well, I‟m completely indie. I make every song myself, lyrics and music. I do my
own marketing online, my own promotions and web. So, I figured to start my own label literally, just to
maintain control form in a business perspective. I‟m not
looking to sign artists or find the next Justin Beiber… that
is why it‟s called Damien Fernandez Music Group; my
music is the only thing I‟m focused on”.
Not only does Fernandez lie in glory, he takes pleasure on
mastering indie electro with an 80‟s progressive rock
flare. Following this artist for some time now, he will keep
thriving in his acceptance by the electro dance/ hip hop
community by keeping his fans full of surprises and
constantly striving for more. It‟s as if he finds his fans,
and reintroduces himself. Dying - the first hyperactive
single released as well as Never too Far, were praised
and gained an audience that truly responded to his music.
“Dying and Never too far were an exclusive download release over the summer. Dying broke Fresh 92.7
Fm‟s record for the most requested song on the station for nearly six months and became one of the
biggest songs for me so far. It was extremely validating because it was my first full endeavor into dance
music and I was greeted with open arms and gained a whole new audience”. The dance –driven tracks
flaunted lyrics such as, „Hit me like a ray of sun, with a feeling I can‟t wash away, Losing love it only
hurts the first time, But I guess you‟ll never find out‟ – Dying, blasted an intensity of vocal blend that is
beyond distinction. “As for my songs, many things inspire me. Life, relationships, learning and growing
as a man, melody inspires me...making people want to dance and forget about their worries. That alone
is an amazing job, so it‟s not hard to find inspiration. For me the best way to write a song is, what is
the simplest and most honest way to convey my emotion, no ego no bull****…How do I strip my lyrics
of conceited self adoration and just be absolutely naked to the listener. I‟ve never been big on ego and
stuff and that lack of ego has left me free to be honest as I can with people. When you pretend your
something amazing, some superstar who has a different girl everyday and drives a quarter million
dollar car… that really restricts how honest you can be with people. You need to maintain this perfect
image you‟ve created. I‟m just a normal guy like everyone else, fumbling through life seeking approval
& love like we all are on the same level everyday. When I write hip hop or perform music of that
nature I take on a cocky persona, but that‟s really a part of that culture you come into hip hop without
some level of ego and you‟ll get eaten alive…but I love that, I love that I can still be cheeky and express
myself in that way (hip hop) and say things I could never sing”. Songs taken from the album, „Attack of
the Killer Robots‟ such as, Drive(being released next year as a single on the album), Missing Pieces,
Space train, Sleepwalker, and Forever have emerged on the internet concluding in thousands of
downloads and remarkable amount of blogs endorsing his new music. “I always test my material on the
internet before I even go into the studio to record a polished version…It‟s the greatest free focus group
any artist could ask for”. Another track released, which is one my favorites – Tonight (1982). A song
taken to another level inspired by the late 70‟s influence into a synth driven masterpiece. “This town
don‟t care, never cared about you and me. Turn around and around and around and keep trying but
we never break free, We watched my poppa get old, long before his hair was turning grey, This place is
a suicide trap, bought a one way ticket and we‟re never coming back”. The lyrics were taken into
another direction oppose to the other songs on the album and were experimented towards a „classic‟
new age sound. “ I always write outside of the box, for this particular song I was listening to a lot of
Bruce Springsteen and desperately wanted to capture that feeling of a guy working hard in a small
town feeling like there‟s more out there for him and his girlfriend, but had no idea „what‟ or „how to
get it‟. It has a real late 70‟s Americana vibe to it that I love and a real honesty and vulnerability I find
resonates with people a lot”.
Online marketing has played a vital role in completing his debut album tentatively due sometime next
year. Damien stays connected to fans world wide through social networking websites such as, Twitter,
Facebook, and Myspace, until the whole world hears, Damien Fernandez is a real as it gets. Being his
first solo debut release world wide with commercial radio support, this album is expected to have a
variety of music principles making a bold statement in the music industry today. “Realistically, I just
wanna make a great album. Something I‟ll still be proud of when I‟m done in this business and all I
have is the body of work contributed”. Stated in another interview, “I‟m completely in my element now
cause I‟m in a creative space where I can do anything I want and trust it….cuz I‟ve realized, all I have to
do is be me, no body can be better at that than I am…except a killer robot that looks like me”
In a world that has so many outstanding artists, Fernandez sure takes the spotlight. He‟s not just a
singer, or a great musician, he‟s also a talented writer that devotes his life to music. Overall, I look
forward to the next chapter of his stardom and will continuously be devoted in following his journey.
“I just do it for the lights, I just do it for the crowd, I just do it for the noise, when I do I do it loud, Do
it till you get enough, till you say you had too much, I ain‟t never gonna stop, I ain‟t never slowing
down” – Drive. Damien Fernandez literally practices what he preaches and that alone is what is behind
his constant success.
Now for the fine details, while fans anticipate the debut of „Attack of the Killer Robots‟ they can sample
unpolished accomplishments that are currently available on www.damienfernandez.com ; his entire
catalog is available for streaming and downloading.
Written by Carla Juilianna Sama
RIME Showcase Welcomes
Irene Booth
Ms Irene has been in the dance industry for over forty one years. From an early age,
Irene devoted her time in learning all aspects of the dance
world. Now, with over 29 years of teaching experience
Irene shares the joy of dance with her students, staff
members and colleagues. Irene is a mentor and
registered teacher with the Royal Academy of Dance,
operates an established dance school on Vancouver Island,
British Columbia and enjoys adjudicating competitions and
festivals all across Canada.
If you would like to ask Ms Irene questions on dance
related topics, please send your enquiries to RIME
Entertainment.
Example:
Dear Ms Irene
I want to take dance classes but do not want to take ballet. Why is it important to
take ballet?
I would answer this question.
Choosing a Dance Studio that is right for your child.
If your child has shown an interest in
exploring dance classes, spend some
time researching the local schools in
your area. Ask neighbors, colleques and friends for references. Check with
your local paper, websites or yellow
pages. Whether your child spends one
hour at dance studio or ten, you will
want to be certain that this is the most comfortable place for your child to
attend. All dance schools are different
and offer many choices in terms of
disciplines and styles of dance. The more information you have on hand,
the better experience your child will
have. Here are some simple guidelines
that will help you make your choices.
Studio Setting
The dance studio should be located in a safe part of town, with easy access for
parking and a drop off area close to the
main entrance. Once you enter the
facility you will want to feel welcome and secure. Look for a school that
offers a professional setting yet a
pleasing and comfortable atmosphere
that feels warm and inviting. Once
inside, most facilities will contain a waiting room, a reception and or office
area, and an open space for parents to
sit while the child is dancing. The
dance studio should be clean and well
maintained. To prevent injuries be sure
the dance floor is raised, cushiony and
has a non slip surface. It should not be
resting over concrete and should not be laminate or tile. The dance studio itself
should be spacious with windows,
proper heating elements, mirrors and
barres on the wall. Know where the
change rooms and bathroom facilities are so your child is comfortable with
these areas.
Tuition and Fees, Registration
forms.
When you enquire about a specific
school, you should be provided with a
written layout on class schedules, tuition costs and fees that you are
responsible for throughout the year.
The school should provide you with a
parent handbook or package that consists of information that pertains to
their school. Become familiar with the
schools philosophies, rules and
guidelines and check to see if this information is easily available on the
schools website. If you are asked to
sign an agreement policy, be sure to
know what the policies are to avoid
disappointments later on. Expect to pay a registration fee. Registration fees
hold a place for your child in the
appropriate dance class for the season.
When you sign up for dance classes, you are signing up for the season and
are expected to complete the year.
Most importantly, ask about the
withdrawal penalties.
Qualifications of Instructors
All dance teachers are different. You
will find that each one posses their own
unique styles and methods of teaching.
A quality dance teacher will have strict
guidelines and expectations that they
have set for their classrooms. As not
all teachers are alike, it is important for
a parent to research not only the school
and its philosophies but the
qualifications of the teacher. This will
have an impact on what your child
learns in class and the overall
experience over time. Ask what the
qualifications of the instructor are? Be
sure the instructor is not a student.
You want to be certain that your child
learns proper technique and receives
quality instruction. Choose a studio
that offers qualified dance instructors.
This includes certification to teach
dance, a professional background with a
company or a degree in dance studies.
Overall Expectations
Whether you are first time parent or an
experienced dance mom, the choice you
make is crucial to your child’s future as
a dancer. Each dancer deserves
proper instruction that is trained and
cared for. If you want your child to
learn proper technique and receive
quality instruction, choose a
professional dance studio with qualified
and trained instructors.
Irene Booth
RAD RTS
Message to RIME SHOWCASE
Readers!!!
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advertise or wanna sponsor us?
Advertise or Sponsor RIME Showcase &
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Richter DJ and talented musician is a huge success in both Japan and Europe. RIME chats to Richter to
find out more about this talented musician and to delve deeper into the mind of a genius.
Who is Richter? (Give an insight into the artist and the man behind the music)
I'm a person who thinks everything in this universe has a meaning.
I'm a person who tries to find a meaning and a purpose for my life, like everybody does. I have a love and hate relationship with this world. I love people because they can often prove your life is worth living, and at the same time I’m scared, because I’ve seen some of them doing horrible things I couldn't even imagine a human being could.
I’m deeply in love with music and all the incredible feelings it can give to the people and I consider myself extremely lucky to be able to express myself with it and even get paid because of it.
How long have you been part of the music industry and how would you describe
your sound?
I started to work in the music business at 12 years old as a classical concertist. I did it until 20, and then I decided to get into electronic music since the idea of playing somebody else's music for the rest of my life wasn't so interesting to me. Since then I’ve used several nicknames and work on many different styles. My sound as Richter is a mix of all my musical influences. I love analog synths and 80's music, especially ebm, synth pop, industrial and new wave but also darkwave, so you can feel this in my music very clearly. I also love classical and Japanese music and especially when it’s about chords and harmonies, this have some influence on my sound. My personality does the rest: so I think you can always feel some melancholy in it, but also describe my music as floating, since I’m a dreamer.
Who/What inspires you musically?
Anyone with soul in their music and are always willing to follow new paths
and open to experiments. I cannot stand bands or artists which keep on having the same sound and playing the same song for years. A huge inspiration for my music comes from videogames. They are parallel worlds were I like to go with my mind when I don't have to deal with the "real" one, which generally doesn't inspire me so much. Besides even if some people still thinks of them as something for kids or immature people, those are a summa of many art forms.
They surely allow me to recharge my batteries and affect my creativity a lot. I could say the same about books. I love to read about esoterism and philosophy and this surely inspires me a lot.
You also deejay, how did that happen? Was it a career path you always wanted to follow?
It happened naturally. The deejay figure has changed a lot in the late 20 years and nowadays be a deejay means be like a real musician or even more. Good deejays can give to the people who's listening to them the same feelings real musicians do and like those, they are the ultimate link between the music itself and the crowd. I was always fascinated to see how some deejays could interact with people, make them trip with their mind and move their body and the special links exists between deejays and the crowd. It's like a shamanic ritual, where the deejay is the shaman. The feelings you can try when you're able to make people dance and feels all of this are just incredible.
What are your interests outside of work?
Japanese videogames and Japanese culture in general, from anime to music, from literature to movies. I have a huge love and respect for this country and its culture, also because in many ways is similar to Italian. I'm a big sci-fi fan too and I’m into gothic culture, especially literature and way of life.
You have travelled to many places in your career, which countries hold a special
place in your heart and why?
I love all the places I had chance to play so far, for many different reasons. I think Japan is my favourite since I can totally interact with crowd as I love and people is really open minded about music. This year I had great time playing also in Malta and in some place in Germany, especially Stuttgart. In both of those places I had a lot of fun thanks to the crowd and to the top level's promoters I know there. Can't wait to play again in London or the UK though.
What does the future hold for Richter?
I don't know. I live my life day by day although I’ve to plan things for my job in advance, most of the time. The future holds lots of new music, and projects with some very talented musicians and producers. Always looking forward to meet new people and start exciting collaborations!
How would you describe your fans?
Cannot say, to be honest. Among my fans there are different type of people. I just want to thank them for their loyalty and promise them I will always do my best for them.
Is there any artist you would love to collaborate with that you haven’t as yet?
My dream would be collaborating with Depeche Mode,Roland H.Kirk or other ex
members of Cabaret Voltaire and Gary Numan. It would be amazing also having the chance to collaborate with Koji Kondo on some Nintendo game's music and Joe Hisaishi.
What are your 3 tips to aspiring DJ’s and musicians looking to break into the industry?
Be yourself, always. Copying other people doesn't improve your skills and doesn't take you anywhere. Never give up. Music business is really hard nowadays and is getting harder. But if you really do your best you can do anything you want. Watch your back but at the same time be not too suspicious. It’s full of sharks and people who promise you the moon out there. At the same time there are also people who are in this business because they truly love music. So always try to be conscious, but at the same time don't be afraid to deal with people. Among them, you can find the right ones for you.
Where can our readers find out more about you and your music?
Here you go: My Soundcloud page: You can listen there a preview of my latest releases www.soundcloud.com/richter MySpace official page: www.myspace.com/gotorichter My Facebook fan club: http://www.facebook.com/?ref=home#!/group.php?gid=138708162186 My booking agency (in case you're a promoter and you want to book me) http://shiftdjagency.com/ Thank You
Cameron Smith is a young and fresh
Cinematographer and filmmaker from North Texas. I
got in touch with him about his film Fifth and as I am
nosey and that’s my job so I have been told, why not
get an interview about his journey...
RIME When did you begin Cinematography?
CAMERON When I was born, I was thrown into a bucket
of paint. Not literally. My father is an mural artist. Ever
since I was a kid, he taught me the importance of art to a
culture. He would teach me about Warhol, Thomas Hart
Benton, Dali, and the other greats. The problem was, I
could not paint for the life of me. Then, one summer
when I was about 12, I was bored for a few months and
watched every great film imaginable. It was that summer I
got my first taste of Kubrik, the Coens, Orson Wells,
Fellini, and more. I was heavily influenced by noir and
neo-noir films. Something about The Hustler, Manchurian
Candidate, The Maltese Falcon, and Memento stuck with
me. It was then I really decided to let film take over my
life. A big statement coming from a pre-pubescent theatre
kid in the middle of nowhere Texas.
RIME What inspired you to take this route?
CAMERON Essentially, not enough people think
anymore. I wanted to change that. I realized that film can
reach people on a subconscious level and in a 'mad-
scientist' sorta way, make them think for themselves.
Cinematography is a big mood setter for a film. With
learning about art from my father and studying for years how to visually tell a story, I more or less fell into
cinematography. Cinematography is a one of the many cerebral arts and requires thought. My mission statement is
something like, "I try and play into the psychology of a typical audience and get them to broaden their horizons when
it comes to art."
RIME Tell me about the concept of the film Fifth
CAMERON It tells the story of that sheriff investigating a series of unrelated murders in small town Texas (write
about what ya' know). As a production crew, we (Mitch McCutchen, Russell Irby, Brad Eggerton and myself) decided
it would be a better piece if the film was a character study and not so much a whodunit. So we decided to give the
sheriff cancer. Then we thought it would be neat if some detectives try and take away his case. Then we threw the
poor sheriff into all of these intense situations to see how he would deal. Needles to say, it's interesting to see what
decisions the character makes given his circumstances.
RIME What were the cast like on and off set?
CAMERON First off, I think you need to know that the budget of the Fifth was $2,000 dollars. We were only able to
pay 2 people. The actor who played the main suspect, Michael Baynes, flew in from California to do the film basically
for free. I'm surprised we were able to get so many talented actors and friends to work for nothing on this very long
(just over 2 years), enduring project. I don't know if I would have done it if I were in their shoes.
We made the best we could though. The actor that plays Michael Baynes, Michael Ray Clark was only in town for 6
days before his flight was set to leave. So he lived in the director's apartment the entire shoot until he left. You can
imagine how strange it was for the roommate (who had no idea this was going on) to walk in the house and find a 43
year old man sleeping in his bed.
RIME What were the reviews of Fifth like - did you get a lot of support?
CAMERON From the start of the project we have had an overwhelmingly positive amount of support from the local
indie scene. This has been a bizarre time for all of us because here we are, 4 nobodies, with all of these people acting
like we are important or something. I mean, I'm the oldest one out of the group at almost 22 and when people see
the film they are pretty surprised that only 4 people my age did it. I generally assume they mean that as a
compliment and say something ambiguous like, "Well, sometimes you just do what you do."
RIME What are your next projects?
CAMERON Russell, Mitch, and I are working on a film that we are planning on shooting in May. It's a psychological
thriller called 'Belladonna Springs'. Set in Colorado we are all very excited to see what comes of it. Brad is working on
a documentary called, 'Religion and Redemption'. It's about his trips to Utah and the differences between religions.
RIME What sorts of films can we the readers anticipate from you?
CAMERON I'm always working on shorts and things to keep my eye sharp. On Facebook or hitRECord, I'm always
chatting about script ideas, or posting various shorts that I will go out and shoot. In terms of actual projects though,
I'd like to work on things with a heavy influence of psychological conundrums and interesting characters.
RIME Do you have a particular genre that you fit in to when it comes to film?
CAMERON I'm not sure about genre. I'm not even sure if I like the term. But I really like neo-noir projects. And sci-fi.
This can all be seen when I shoot a film. Which reminds me, I'm never 'going' for something when I shoot. I'm usually
just doing what I think feels right. This is in part because I love creativity in spontaneity, and in part because that's
how I live my life. I'm not sure how much that attributes to 'style' as much as it does to personal preference.
RIME Where can we buy or view Fifth?
CAMERON Right now we are working out some details with getting distribution for the film (a long, long, then even
longer and more confusing road). But, we are looking into putting it online for you folks across the pond to see.
RIME Any advice to those starting out in this field???
CAMERON This is the money question, eh? My advice is to shoot all you can. Establish what you like and what you
don't like until you can communicate a story 'in camera'. Some of my favorite DP's always talk about how films are no
longer told on set. They are instead created in editing. People will shoot coverage every which way imaginable and
leave it up to the editors. That is what I try and avoid. It makes my job more fun if I can do what I'm supposed to do -
tell a story with visuals.
Lap up as much inspiration as you can from every source. Norman Rockwell was excellent at capturing the
'moments' in life that most of us ignore. Try and keep an eye out for those moments. It will keep your senses sharp
and your life happier.
I would also say to the inquisitive, beginning filmmaker, "Work as much as you can but don't sell yourself short, kid.
You got moxie and with a little bit of guts and work, you'll make it. There ain't no doubt in my mind. So amscray, kid.
And quit givin' me the third degree, see?"
Thanks a bunch! Hope you enjoy.
-Cameron
RIME will keep R. Showcase readers posted when Fifth will be available online for everyone!!!
Movie Reviews
The Runaways – 2010
I was waiting for this film for ages once I knew Twilight Saga Actresses Kristen Stewart and Dakota Fanning were playing the roles of Joan Jet (K-Stew) and Cherie Currie (Dakota) - two of the most influential Rock n Roll chicks of the 70’s. I was surprised at the rawness and crudeness projected in the movie – it was awesome. The one whom I’m sure everyone was shocked at was Dakota Fanning. What an amazing transition from such a cute little girl in previous movies like I am Sam, The Cat in the Hat, Hide and Seek etc. to a strong mean streak in the Twilight Saga: New Moon and Eclipse, and now, to a rockin’ sexy Cherry Bomb in The Runaways… Let’s just say I totally forgot who she was… K-Stew - well again she lives up to her success and strength that I always knew she had since Panic Room. This isn’t the Bella Swan that’s irrevocably in love with the hot Edward Cullen – This was Joan Jet thinking with her c*ck! The Runaways had great cinematography, especially the “love” scene between Joan and Cherie and the highs of drug intake – very clever!!!
The influence of drugs eating away at them in their success, the power struggle of fame and fortune and even more so, the non-existence of gender equality were major aspects of this film, it was inspirational and exciting and you felt part of that journey… I came home feeling empowered and even wanted to start my own Rock n Roll band minus the drugs! Not even close to being successful yet, any offers??? The Runaways is a girl power movie everyone must see! My message to every girl out there is: Girls, think with your c*cks!!! Guys, I’m sure will enjoy this one too ;-) If you like films like The Doors, Requiem for a Dream, Candy etc, you’ll love this! The ultimate Sex, Drugs & Rock n Roll movie of 2010! RIME rating: ***** Reviewed by Melissa Hurry
Resident Evil: Afterlife (3D) - 2010 After a recent spate of disappointing 3D films, finally we have an example of how it
should be done! The use of 3D is fantastic, with a good variety of effects that add to the
film, rather than just being used for the sake of it (i.e., to get another couple of pounds
out of the viewers!). There were even a few moments that left me wide-eyed, mouth
gaping in awe.
The film itself is very similar to it’s’ predecessors, just with more zombies/mutants
thrown in for good measure. In this instalment the T-virus has infected the general public
and quickly spreads throughout the population. As to be expected there are small groups
of unaffected people left to battle it out and of course Alice is, as ever, in the thick of
things up against the zombies and the Umbrella Corp. We again get to see the
wonderfully freaky mutant guard dogs and Milla Jovovich jumping, twisting, outwitting
and outfighting the bad guys. The story moves quickly and as I said, the special effects are amazing. If you liked the
other films in the Resident Evil franchise you’ll enjoy this one. If you like zombie films in general you won’t be
disappointed. All in all a great movie.
Rating: ****
Dinner for Schmucks - 2010
I love both Steve Carell and Paul Rudd, so had high hopes for this film, but have
to say I was a little disappointed with it. The plot centres around Tim (Paul
Rudd) and his need to find the most eccentric/idiotic dinner guest to accompany
him to a dinner party hosted by his boss, in order to seal the deal on his
promotion. Right on cue he bumps into (literally), Steve Carell’s character Barry
and chaos ensues. There are some cringe-worthy moments and some funny
moments, the characters are likable and it’s an interesting enough storyline, but
it was just missing something. Perhaps it’s because the script was a bit
lacklustre. Perhaps it’s just meant to be one of those lightweight, forgettable
films. Overall I’d say it’s worth watching if you’ve got a couple of hours to kill,
but I can’t see it winning any awards any time soon.
Rating: **
The Other Guys - 2010
I have to tell the truth and say that I was dragged along to see this film,
because as much as I like Will Ferrell, cop movies just don’t appeal to me. How
wrong could I be?! Undoubtedly the funniest film I have seen in a very long
time...I was literally crying with laughter! I wasn’t alone in my hysterics,
everyone else at the screening was in stitches too (including the man in front
of me, who was prone to bursting out laughing at the bits that weren’t
supposed to be funny, but that’s another story...)
The film is basically about 2 police officers who are ‘the other guys’, not the
super-cool hero cops that get the awards and adulation, but rather get piles of
paperwork and not even a sniff of a big case. Will Ferrell is, as always,
hilarious as the play it safe straight man, while Mark Wahlberg is his angry,
reluctant partner, desperate to be an all-action hero. There are so many
fantastic bits in this film I wouldn’t know where to begin...and maybe I shouldn’t. I highly recommend this
film!
Rating: *****
Pauline Salmon
Theatre Review
THE GRAND OLD LADY OF OXFORD STREET
It is now known as The Palace Theatre in Manchester, which is situated on Oxford Street, and one of the main
theatres in Manchester. It has a ‘sister’ theatre called Manchester Opera House, and the Ambassador Theatre Group
function both of them. Originally, a capacity of 3,675, it has since been reduced to 1,955.
On the 18th May 1891, the theatre opened the doors to a production of the ballet Cleopatra.
The theatre has had it fair share of highs and lows over the years……
Early 20th century, artists such as Judy Garland, Gracie Fields, and Laurel & Hardy, all made appearances.
September 1940, it suffered a direct hit from a German bomb, and then in the 1970’s, the number of audience
members declined, just like many other venues, but it was threatened with closure. Until in the 1980’s, when the arts
council supported it, and received a major internal refurbishment, and enlarged stage facility.
Norwest Holdings, a charitable trust, ran the theatre.
It is now one of the popular theatres outside London.
Upcoming shows at The Palace Theatre
November December-January
1st-6th Thriller Live 3rd December-15th January
We Will Rock You
15th-20th Rocky Horror Show 12th December Only Men Aloud
Written by Francesca
Book Review
‘The Passage’ by Justin Cronin
It’s 2013 and the U.S. Army are conducting a series of experiments on several death
row inmates and a young girl; Amy.
As you would expect, the experiments go awry and the inmates are transformed
into ‘virals’, a vampire/zombie combo that can only be killed with a knife to the
chest or a bullet in the mouth. A fairly unique aspect of The Passage, not only do we
follow the run-up and the duration of the viral breakout; but also the aftermath.
Rarely in fiction do we see the effects of an apocalyptic virus 100 years into the
future.
On realising the fragile existence they’ve created is now being threatened, the few
survivors undertake an expedition to find answers and safety, with the help of Amy;
the successful result of the Army experiments.
This novel is MASSIVE. 821-pages-massive; a novel of biblical proportions.
Opening as an apocalyptic drama and developing into a fantasy, the novel has its strengths and weaknesses.
Generally, the length of the novel and the sheer amount of characters make it difficult to become fully absorbed in
the story. This does, however, create empathy within the reader for the epic journey on which the protagonists
embark. Unfortunately, some of the close escapes on this journey are a bit too hard to believe.
Act IV in itself is a slow struggle. The majority of the act is spent setting the scene and introducing new
characters...not terribly exciting. But for the most part, especially towards the end, the novel cruises along at a
good pace.
The descriptions of the virals themselves are terrifying yet amazing, really hitting the mark and as always, the
subject of survival against the odds is a thrilling one.
If vampire zombies are your thing, then read The Passage. Enjoy it and love it. If you’re indifferent, the length of
the novel means it’s not necessarily worth the effort to read what I would call a good, but not exceptional, story.
Rating: ***
Hannah Davies
Writers Spotlight:
Stuart Kennedy
My name is Stuart Kennedy, I am a Writer in East Yorkshire, Hull,
England. I have such a versatile writing style, I am able to write
Screenplays/Teleplays, Songs (Any genre), Poems and I am in the
process of finishing my first book. Writing for me is a way to vent
my everyday life. I am able to write anything, I am not one to be
tamed by one genre e.g. Horror, love, vampires. The vibe gets
boring, so I keep it fresh. I am also starting up a blog soon, to
give this world some of my own feedback and I hope you could
follow me. Thank you.
My Facebook Page http://www.facebook.com/group.php?gid=148627391815547 My Myspace Page
http://www.myspace.com/thin_crazy My Linkedin Page http://uk.linkedin.com/pub/stuart-kennedy/19/262/383
True Love Love is just a word, A word I give to you, It’s my past that always burns, It’s the hurt that reigns true, Hold on to my beating heart, Don’t squeeze and loose it spark, You don’t speak within my dreams, Your hand is trapped within the dark, The precipice in which I’m blessed with, In this abyss I am living desperate, For you, I will light the sun, When I pull through, I will move the moon, So that you know you are the only one. We could be together forever,
Until death do us part, I would go further than that, Just to protect both of our hearts, I would travel to heaven or even to hell, Bring you back to the living, So I could take you and make you my world, I’m opening the ground, Shouting above and over these clouds, All I know right now, Is your soul must be found, My time flows slow, Until I find you I am going rouge, My own soul is rolling over to your cold, I can’t live this life without you, Alone.
Let Me Stay I’m being held by angels, Does that mean I’m in danger? And now I can’t stay with you. I’m afraid that death is my cure, Have I jumped my last stepping stone? Letting myself in through heaven’s door, Set forth for the light beyond, From the fight before I have to stay strong, Laying here going, going, gone, Then being thrown in the darkest of holes, My eyes, I have to keep them opened, The reapers soul shopping, He says “More often than none” You will be lowered in to that hole within that coffin.
XXtra Special: Mercury Winners
The Winners The Barclaycard Mercury music prize this year went to a smashing little British band called The XX. And although
tipped to be the bookies’ favourite, they were still relatively unheard of before their nomination- first release
‘Crystalised’ peaked at 175 in the charts.
Having been put in a category with the latest efforts from Mumford and Sons, Biffy Clyro and Paul Weller, it’s easy
to see why The XX might have been overlooked for some huge artists.
But then you hear their music.
The self-produced album, which was recorded in a small garage, XX boasts some fantastic tracks such as ‘Islands’,
‘Intro’ and ‘Heart Skipped a Beat.’ All three have featured heavily in advertising this year and have been used to
promote TV programmes like Grey’s Anatomy and Seven Days, as well as providing the background for the general
election coverage on BBC’s Newsnight!
The band, comprising of Romy Madley Croft (vocals, lead guitar), Oliver Sim (vocals, bass guitar), and Jamie Smith
(beats, MPC sampler), have clearly been influenced by dark, emotive 80s guitar sounds (think early ‘Cure’) as well
as the high-end sheen of American R&B. And the result is outstanding.
Throughout each track, both Croft and Sim’s vocals combine to create beautiful, hushed vocal duets.
Their crafty use of samples – such as the glock on ‘VCR’ – combined with R&B influences and emotional lyrics make
for some catchy, yet melancholic pop. The album is enchantingly haunting, with the term ‘chill-out’ being an
understatement. In essence, XX sounds like it could be one brilliantly long song.
So add together the TV exposure with brilliant tracks and throw in some celebrity backing - with celebrities like
Fearne Cotton backing them on her Radio1 show - and you can begin to understand how The XX became hotly-
tipped favourites for the 2010 Mercury Prize.
But for Croft et al, it’s a prize that’s much deserved. They have been working their butts off in the year since the
release of XX. Yet it’s something they didn’t think they’d win.
Sim said following their win “I don’t know what we were expecting but we weren’t expecting this.” He went on to say “Thank you so much. We’ve had the most incredible year and it has just felt like every day we’ve just woken up to something incredible we just weren’t expecting. It has felt just like a haze. Being here is like a moment of clarity in all that’s happening.”
But don’t expect a repeat performance in the future. It has been well documented that the band have no plans to
follow up with a second stonking album. Instead, they are quite content to produce music song-by-song at their
own pace.
Sim explained to NME earlier in the month: "I do enjoy songwriting and I think we're gonna do a second album. We're
gonna write and record just for the love of it. Even if we don't do anything with it. There is no plan to even put out a second
album. There's just a plan to start being creative again, with no big intentions."
The Nominees
Written by Kimberley Manderson
Written by Kimberley Manderson
Album Reviews
by Carla Julianna Sama
Robyn – Body Talk Pt2 Label: Cherrytree Records/Interscope Records Genre: Electropop/Synthpop Released: September 6, 2010 Rating:
Robyn's 2nd album from her Body Talk trilogy is unexplainably surprising. The Swedish singer/song-writer took
her musical direction to the ultimate potential of one of her most energetic compilations. Robyn's 8 track
reinvention is synth-driven, club ready with vocals that ooze electro eighties pop to a new dimension. Diva anthems including brash lyrics such
as, “Unwind and just bump and grind, Get my shot on, have some fun, a little dirty never hurt anyone” - Criminal Intent. “The Vatican knows
better than to F*** with me”, vocalizes Robyn in „You should know better‟ ft Snoop Dogg. The electro prodigy integrates „young love‟ messages
of wisdom, caution light and an open heart.
“I‟m gonna love you like I‟ve never been hurt before, I‟m gonna love you like I‟m indestructible” –A trustworthy ballad, -“Indestructible” being a
definitive track that concludes the intensity of the album. The acoustic bliss accompanied by a symphony orchestra refines Robyn‟s character
and individuality that felicitously completes the album. It‟s a euphoric inspiring retro transformation that‟s musically exquisite.
Download: Love Kills
Shawn Desman – Fresh Label: Uomo/Universal Music Canada Genre: Pop/R&B/Dance-pop Released: August 3, 2010 Rating:
Third time‟s a charm for Shawn Desman‟s highly anticipated studio album, “Fresh”. Despite the long awaited,
five year expectancy, since “Back for more” this Canadian singer, song-writer and producer mastered an
evolved musical direction with confidence. Following on from the success of his other debut albums, „Fresh‟ is a splendid combination of
powerful vocals and upbeat melodies that inspire each song towards a polished new sound.
The release of his 2nd single, „Night like this‟ contains energetic and flirty dance floor elements with lyrics, “Walk in the room, leaving the sun in
disgrace, Shining so bright, makes me forget time and space”. The emotional growth this album boasts is full of sex appeal and infectious
hooks that create what Shawn explains as „Fresh‟. Eleven tracks of romantic lyrical tales are beyond expectation of mainstream hits. “I catch
myself starring at your face, when you‟re not awake, I just can‟t help it” – Shiver. Even though, music is a fusion of a lot of influences, rest
assured „Fresh‟ is reaching out to the roots of devoted fans and embrace the respect and support of new ones.
His ability to surprise us throughout his journey of album breakthroughs concludes he‟ll be around for the long haul.
Shawn Desman‟s reputable vibe is in full bloom. This album is artistically electric and creatively brilliant.
Download: Electric
Stone Sour – Audio Secrecy Label: Roadrunner Genre: Heavy metal/Alternative metal/Post-grunge Released: September 7, 2010 Rating:
The title of this album reveals more than it declares. Stone Sour‟s „Audio‟ is an altered nu-metal Slipknot
influence and „Secrecy‟ however, is the epitome of solitude and suppression in a distressed atmosphere.
“Say you‟ll haunt me”, the first single released, demonstrates an informal radio rock impression of the album. “I was never good enough to
find, I was never bad enough to mind, In the middle I will do my best, Take me in your arms and leave the rest”. Stone Sour‟s 3rd album gives
character and emotional diversity that creates a stronger yet, fragile side. Although, like any „Rock‟ album you‟ll receive the obvious, heavy
guitar riffsl hooks, chord change up‟s and perfect drummer fills that compliment the album to its full potential. “It‟s only common sense, so
please don‟t take offense, I gotta say what‟s on my mind cuz all this bitterness has made me second guess” – Dying, a rock tempo ballad
flaunting the versatile vocal use from the talented lead singer, Corey.
Even though, most songs create a catchy chorus this album has its up‟s and down‟s.
Expect melodic dark tones and a contradiction of genres that create an „Audio Secrecy‟ complexity between hard rock to radio rock.
Download: Digital
Mike Posner – 31 Minutes to take off
Label: J Records (RCA/Sony) Genre: Synthpop/Electropop/Dance-pop Released: September 7, 2010 Rating:
„Hard work and eager efforts towards success do lead to rewarding benefits‟; Mike Posner is the perfect
example.
This multi talented, Duke University graduate makes me question “When exactly did he have time to study?” With all these frat experiences
expressed in his new album, from love to fame, he was one busy guy. The Launch of his career started off by creating a mixtape „A matter of
time‟ from his dorm room working with Don Cannon and Dj Benzi. That wasn‟t enough for this 22 year old, singer, songwriter, producer and Dj,
he wanted more. „One foot out the door‟ working with Clinton Sparks was his second mixtape that signed him with J Records. „31 minutes to
take off‟ is his studio effort album with smooth tones and good dance music, balanced with ease. "My music doesn't sound like anyone else's,
and it's important for me that it stays that way", - Mike Posner, Billboard Interview. Incorporating clever hooks, catchy beats following the R&B
spectrum, I‟d say he created a formula for success. „Cooler than me‟, first single that was inspired by a female counterpart that attended Duke,
created an extensive pop audience with some nu-disco influences. “Shh, see I got you all figured out, you need every one‟s eyes just to feel
seen”. The second single, „Please don‟t go‟ infuses club friendly electronic beats and a catchy chorus that‟s still got me singing. There‟s some
top-40 attention grabbing songs that are care free, but nothing puts „Drug dealer girl‟ to shame. In hopes that this album would only continue
on with the roots of what was introduced on his hip hop fusion mixtapes, I was somewhat left in dismay. Despite the fact, it’s his unique style
that will continue putting him in the spotlight and artist maturity that will deliver more memorable melodies in the near future.
Download: Cheated
Gig Reviews
The Autumnkind @ The George Tavern 14.10.10 Setlist for the night: The Shipping Forecast Seachange Another Day Glasshouses Shiver My Big Mouth Halfcut This was the second time I went to see the lads perform, and this time supporting The Dandies. After a dark, dodgy walk from Shadwell station, I finally saw the main road and The George Tavern right across the road… Phew. A little more confident now, I walked my way, following some random guy into the pub. And there they were… Finally sat into my seat after grabbing a beer, I started to familiarise myself with the venue. I loved it – cosy with candle lit tables. I kinda liked that the candles were in old booze bottles. You felt as though you were in a Saloon with the old brown furnishings and dark, lit ambience. May I also add that the seats were well comfy! It was 9:00pm and The Autumnkind were up! My critical head came on and away they went, kicking off with The Shipping Forecast. I was glad to see that they kept up to the standard they delivered when I saw them the first time at 333 Mother Bar back in April of this year. It was definitely a gig to mellow you out after a hard day at work, over drinks. I did just this and it proved to me once again there is talent out there that needs to be promoted globally. They performed Seachange, My Big Mouth, Halfcut and Another Day to the same quality and really created a good mood for everyone to enjoy along with a little banter. I was particularly impressed with their new songs Glasshouses and Shiver. Whoa! I think we’re about to see The Autumnkind going into a new season! Marc and Caleb certainly strutted their stuff on guitar with James and Simon giving some great support on bass and drums! Might I add – Caleb, excellent solo in Glasshouses! Overall, the night was fun, enjoyable and again, The Autumnkind interacted with the audience well. A few technical hitches and the venue’s acoustics weren’t great but hey, it happens right, and I don’t think a band should be condemned for things out of their control… I still enjoyed the atmosphere; and two fresh faces I spoke to that night had never seen The Autumnkind play and they enjoyed it too – so I reckon this gig gets a thumbs up! Only other negative I would say is that, there weren’t enough people!!! Readers I am telling you if you’re into bands like Stereophonics, Biffy Clyro and John Mayer, you will enjoy The Autumnkind. I recommend you to go get tickets to their next show… The Autumnkind need to be bigger than what they are – I want to see them open for mainstream bands soon. RIME Entertainment believes you can do it… Go and get tickets to see them play at The Horn, November 3rd 2010 in Hertfordshire – click here for details... “As always, the guys played perfectly and amazingly. Always worth the trip to see them!” Louis Neilson
Melissa Hurry
@ HMV Hammersmith Apollo 22.10.10
Setlist for the night:
Slip to the Void Buried Alive Before Tomorrow Comes Still Remains Brand New Start White Knuckles All Hope Is Gone Metalingus Ghost of Days Gone By Broken Wings Ties That Bind One Day Remains I Know It Hurts Come To Life Blackbird Open Your Eyes Encore: Watch Over You (Acoustic) Wonderful Life (Acoustic) Isolation Rise Today
So a friend of mine asked me to see this band, they had an extra ticket. Now I had heard of Alter Bridge and saw a video of theirs on one of my favourite channels so I agreed to go. I crammed in as much of Alter Bridge as I possibly could the week of their concert - I liked it so far… let’s see what they have to offer on Friday night… It came to 8pm the lights went out. The crowd scream anticipating the support band – out came Slaves to Gravity. Slaves to Gravity are from London, England and formed in 2006. This amazing opportunity came their way and I think it was well deserved. They were a great support act for Alter Bridge; they definitely gave you a taste of what’s to come. I wasn’t at the front but I sure enjoyed their energy and their music. I am anticipating seeing their success evolve. They definitely have talent. So after a long break it came to the main attraction of the night - Alter Bridge. I was amazed at the huge crowd, lovely fans I might add! I shuffled a little more towards the front… big mistake if you’re short but great if you’re tall! It was 9.15pm and the lights went out. The crowd scream, this time a little more excited. A cold shiver went through all of us and Alter Bridge walks on stage and stirred the crowd with Slip to the Void – Nice!
Unfortunately being 5ft 3ins was not an advantage that night. I only saw Mark Tremonti (Guitar) a little bit and specs of Myles Kennedy (Lead Vocals and guitar) otherwise it was just bodies… booooo! HOWEVER! This did not spoil my night! I still rocked on to songs like Buried Alive, Before Tomorrow Comes, Still Remains and all of their songs to be honest. Some I vaguely knew and some I didn’t have a clue but it was still brill! Now one song I knew very well and I didn’t have a clue they sang it was the very popular song from WWE – yes you know the entrance theme for Edge… go on sing it “On this day I see clearly everything has come to life. A bitter place and a broken dream and we'll leave it all, leave it all behind” yeah you know what I’m talking about… METALINGUS! Now I was well excited and head banged all the way through! Still couldn’t see though. I was thoroughly impressed with the whole performance especially there encore acoustics where they played a favourite of mine – Wonderful Life. The last four songs were absolutely amazing as was the rest of their set. They ended it off with a great performance of Rise Today. It finished at 11:00pm on the dot. And I was ecstatic about the whole concert. I think if you can love the concert after not even seeing them play before, then, in my opinion, that makes them a great band indeed! I will go see them again and this time, I will make sure I’m at the front! Well done Alter Bridge you have gained another fan as well as many others from that night . Would be great to see you rocking it at Wembley or the London O2 Arena at some point… This venue was way too small. RIME rates this ****
Melissa Hurry
Photo taken by Gary Brayne
@ London O2 Arena 13.10.10
Setlist for the evening:
Chinese Democracy Welcome To The Jungle It's So Easy Mr. Brownstone Sorry Shackler's Revenge Richard Fortus Guitar Solo Live And Let Die Instrumental Jam This I Love Better Rocket Queen Dizzy Reed Piano Solo Street Of Dreams You Could Be Mine DJ Ashba Guitar Solo Sweet Child O' Mine November Rain I.R.S. Nice Boys Knockin' On Heaven's Door Nightrain My Penultimate dream was about to come true, never mind that in the back of mind alarm bells were ringing! Who
on earth would want to come with me to see " My Rock god the Legend ~ Axl Rose"! I have two categories of
friends to deal with. The ‘I hate Rock and Roll’ and the ‘I saw GN’R in 80’ this and 90’ that and refuse to watch Axl
and his session musicians bunch’. But I said to myself the show must go on, and on the 13th October 2010 I knew I
would be attending the always criticised yet forever loved Guns N’ Roses in concert at the O2 Arena – Alone! That’s
right my dedication stretches that far......
The day arrived and not only was I attending probably one of the most monumental concerts happening in 2010,
but I too was attending, yes I mention it again – Alone! Heading to the massive O2 Arena (to which I might add, I
Encore: Don't Cry Madagascar Patience Whole Lotta Rosie Paradise City
had never been to in my life), with a head full of questions and buzzing with excitement. After numerous debates (I
have to admit, because I’m very honest like that), I did wonder how much, if at all, Axl’s voice had deteriorated, or
how late they would be, would I end up sleeping on a London park bench?
All of this faded into oblivion as I stepped into the O2 and anxiously waited for someone to form a queue
somewhere, so I could join it, leading me one step closer to Axl and his voice of perfection!
Sebastian Bach the extremely charismatic ex-frontman of Skid Row was the supporting band and they launched
onto the stage at around 7.30pm. I had never seen them perform and I was amazed by their guitarist, Nick Sterling
who apparently had just turned 20 years old. His style and technique was superb. I’m definitely going to follow
them closely from now onwards.
As Bach exited the stage the natter of the crowds started, as people shifted between seats and topped up drinks
and snacks in an attempt to ensure that nothing interrupted their GN’R experience once the show started. I was
like a child in a candy shop, literally. There I sat still slightly in awe of my surroundings, with my Rowntree pick n’
mix. I know that’s just me pure Rock and Roll! Time was ticking on, but I was aware that it would be a possible late
start, firstly because this was after all Axl Rose’s renowned trait and secondly I'd had an email from the O2 warning
of a late finish. They had also provided additional travel information which I thought was a nice touch.
A little before 9.30pm the crowd started an impressive Mexican wave or an ‘Axl type rain dance’ if you like, this
seemed to work. The lights dimmed, and my heart stopped as Axl’s identifiable ‘gift’ of a voice belted out ‘Chinese
Democracy’, which I thought was a fitting start to the show. Followed by ‘Welcome to the Jungle’ at which time
pushed me smoothly into complete silent hysteria! His rendition of ‘This I Love’ the most touching song from their
album ‘Chinese Democracy’ oozed that trademark Axl tone which ran shivers down my spine. Axl quite literally side
stepped any bottle throwing this time round by nipping it in the bud. When some hyper soul threw something on
stage, he told them off in a very sarcastic but pleasant way and only had to speak once. It brought a smile to my
face as Axl’s same boyish personality was evidently active as he gave a brief display of snake dancing in the
background during ‘Rocket Queen’.
During the performance of ‘Live and let Die’ an impressive pyrotechnic display boasted columns, shooting pillars of
flames making me jump several times, straight out my seat! In the face of rumour the sound at the O2 was
incredible and the energy which filled the room was electric.
I was beginning to feel remarkably content; I had seen the man himself live and unleashed, throwing himself
around a spectacular layered stage set, complete with hanging speakers, and gigantic video screens with effortless
magnificence. Managing an impressive number of costume changes. He had even made use of one ecstatic Fan’s
scarf that he picked up as he sang the epic ‘Sweet Child of Mine’. Where incidentally guitarist DJ Ashba, dare I say
it, if I had closed my eyes, gave ‘SLASH’ a crowd- pleasing run for his money. Another member who stood out to me
was drummer Frank Ferrer, he was amazing and his cooler than cool effortless demeanor was refreshing, and
entertaining to watch. A clean cut Axl stepped out to perform an emotion filled ‘Don’t Cry’ and I saw fans down
below on the barrier swaying in unison. It was a moment of Rock ballad beauty! At this point, pushing my own
boundaries I had to make a dash….
I later heard that Axl also sported a stray KFC container during his cover of AC/DC’s a “Whole Lotta Rosie”. Proving
to me, that despite occasional reports of fiery streaks coming through, his carefree attitude and sense of humor,
remains rock solid. I would have loved to have been there for ‘Paradise City’ but hey, how many dreams can one
little rock chick expect to have come true in one night!
All in all I think they played a good blend of classic and new and Axl embraced each lyric of each song with true passion showing astonishing showmanship. Guns N’ Roses as I saw them in 2010 and Mr Axl Rose with his magnificent vocal range are still alive and literally kicking. FACT! Rating: *****
Photo and review - Tania Kietzmann
MY CHEMICAL ROMANCE
World Contamination Tour 2010
HMV Forum Hammersmith Apollo – Saturday 23rd October 2010
Setlist for the night: Na Na Na Thank You For The Venom Dead! Cemetery Drive Planetary (GO!) I'm Not Okay (I Promise) Give 'Em Hell Kid Our Lady Of Sorrows I Don't Love You You Know What They Do To Guys Like Us In Prison The Only Hope For Me Is You Honey, This Mirror Isn't Big Enough For The Two Of Us This Is How I Disappear Welcome To The Black Parade Helena Mama Teenagers The Ghost Of You Famous Last Words Sleep Cancer The Kids From Yesterday
After 5 years of waiting, the long awaited comeback tour for MCR finally arrived. I had struggled desperately to get these tickets, having sold out within 15mins of going on sale, but I was determined to get my hands on a pair. I’ll admit I paid well over the sale price to get these tickets but I can say with my hand on my heart today, they were worth every penny. After waiting outside in the rain for just over an hour we were finally let in to the smallest and in my opinion the worst venue I ever have been to for a concert. We had to walk past rubbish scattered all over the grounds, where it was obvious people had slept the night outside. The venue only opened 2 doors to let us all in. This was a sold out show and the queue had no end in sight but they only opened 2 doors!!!! When I got in I expected spacious toilets, spacious everything, but this wasn’t the case. Hammersmith Apollo, you really need to sort it out!!! After getting over the shock of the venue, I unwinded to the sounds of Glasgow band Twin Atlantic who were the band supporting MCR on this UK leg of the tour. What a great opening act. They interacted well with the crowd and their songs were brilliant. They had an energy that filled the room. One band to definitely look out for. 9pm finally approached and that was it...the guys were on and the atmosphere was electrifying. The long awaited new single Na Na Na had us all going crazy and it just didn’t stop from there. Song after song Gerard and the boys
got us all jumping and singing, we just couldn’t get enough. Gerard was very composed on stage with his electric red hair and shared with the crowd how thankful he was to us: “London thank you so much. We are really excited about this record, but we're more excited about the next 10 years of this band." 10 more years of MCR! Well that had us all going crazy. We were all glad to see them back again; it was like they never left. It’s coming up to nearly a week now since the show and I have to say I’m still on a high from it. I’m still blaring their music out and re-watching all the videos I took of them that night. Even through my phone the adrenaline is still running. Gerard continued to shine, not only with his red hair but he still knows how to wow the audience; and the boys...Ray, Frank, Mikey & Michael Pedicone(touring drummer), what can I say but you guys are such a talented bunch and bring the music alive. This was the first time RIME Entertainment have seen the boys live and although it’s been long overdue, it was well worth the wait and you will definitely catch us at the next UK tour. The only thing I would say is I want to see MCR at a bigger venue next time. You guys can pack out O2 and Wembley Arena no problem. You deserve a bigger stage to share your talent with the world. YOU ROCK ON KILLJOYS! RIME rates this ***** See the video of Teenagers live at their opening concert: http://www.youtube.com/watch?v=0miqIgDZK_0 Written by Rita Hurry
SPORTS REVIEW
2010 - 2011
Post season – NHL highlights
Introduction – Reviewing the 2010 Stanley Cup Playoff Finals
The finals ended on June 9th, 2010 with the Chicago Blackhawks defeating the Philadelphia Flyers
four games to two to win their fourth championship and their first since 1961. Jonathan toews,
Blackhawk‟s center and team captain was awarded the Conn Smyth Trophy as the playoff‟s most
valuable player. The 2010 Stanley Cup Playoff‟s commenced on April 14th, 2010 after the
conclusion of the 2009-2010 playoff championship winners, Pittsburgh Penguins.
“Hockey is a man's game. The team with the most real men wins.” - Brian Burke
-------------------------------------------------------------------------------------------
-Welcome to 2010-2011 Stanley Cup Playoff‟s-
Let the games begin!
*All Stats and NHL Material/Logos(registered trademarks) was resourced responsible content from Scoremobile.com, Thehockeynews.com and Nhl.com
-A glance of the Stanley Cup History-
2009-10 Chicago Blackhawks
Blackhawks win the series 4-2, defeating Philadelphia Flyers in an
overtime win 4-3
2008-09 Pittsburgh Penguins
Penguins win the series 4-3, defeating Detroit Red Wings in a 2-1 win
2007-08 Detroit Red Wings
Wings win the series 4-2, defeating Pittsburgh Penguins to a 3-2 win
2006-07 Anaheim Ducks
Ducks win the series 4-1, defeating Ottawa Senators to a 6-2 win
2005-06 Carolina Hurricanes
Hurricanes win the series 4-3, defeating Edmonton Oilers to a 3-1 win
2003-04 Tampa Bay Lightning
Lightning win the series 4-3, defeating Calgary Flames to a 2-1 win
2002-03 New Jersey Devils
Devils win series 4-3, defeating Anaheim Mighty Ducks to a 3-0 win.
2001-02 Detroit Red Wings
Wings win the series 4-1, defeating the Carolina Hurricanes to a 3-1 win
2000-01 Colorado Avalanche
Avalanche win the series 4-3, defeating the New Jersey Devils to a 3-1
win
Teams
Central Division Northeast Division
Chicago Blackhawks Boston Bruins
Columbus Blue Jackets Buffalo Sabres
Detroit Red Wings Montreal Canadiens
Nashville Predators Ottawa Senators
St. Louis Blues Toronto Maple Leafs
Atlantic Division Northwest Division
New Jersey Devils Calgary Flames
New York Islanders Colorado Avalanche
New York Rangers Edmonton Oilers
Philadelphia Flyers Minnesota Wild
Pittsburgh Penguins Vancouver Canucks
Pacific Division Southeast Division
Anaheim Ducks Atlanta Thrashers
Dallas Stars Carolina Hurricanes
Los Angeles Kings Florida Panthers
Phoenix Coyotes Tampa Bay Lightning
San Jose Sharks Washington Capitals
Standings
Eastern conference Western Conference
Atlantic Points Central Points
1. New York Islanders 10 1. Chicago Blackhawks 11
2. Pittsburgh Penguins 10 2. Detroit Red Wings 9
3. New York Rangers 5 3. Nashville Predators 9
4. Philadelphia Flyers 5 4. Columbus Blue Jackets 6
5. New Jersey Devils 5 5. St. Louis Blues 6
Northeast Northwest
1. Toronto Maple Leafs 9 1. Colorado Avalanche 8
2. Boston Bruins 8 2. Minnesota Wild 7
3. Montreal Canadiens 7 3. Calgary Flames 6
4. Buffalo Sabres 5 4. Vancouver Canucks 6
5. Ottawa Senators 3 5. Edmonton Oilers 4
Southeast Pacific
1. Tampa Bay Lightning 9 1. Dallas Stars 10
2. Washington Capitals 8 2. Los Angeles Kings 8
3. Carolina Hurricanes 6 3. Anaheim Ducks 7
4. Atlanta Thrashers 6 4. Phoenix Coyotes 5
5. Florida Panthers 4 5. San Jose Sharks 5
*stats as of October, 22/2010
NHL HEADLINES
Patrice Cormier – Atlanta Thrashers – Pleaded Guilty
Atlanta Thrashers prospect Patrice Cormier has been given an absolute discharge after pleading
guilty to and assault charge stemming from a jr. game last January.
Patrice was playing for the Rouyn-Noranda Huskies of the Quebec Major Jr. Hockey League last
January when he elbowed Mikael Tam of the Quebec Remparts, in the Head. Cormier entered court
with the judge granting discharge after mutual agreement and was reached among all parties,
despite guilty plea Cormier will not have a criminal record.
Vancouver Canucks, Rypien suspended after altercation with fan
During Vancouver Canucks loss against Minnesota, Rypien was issued a double minor for roughing
and a game misconduct penalty in the second period (13:38). After leaving the bench for the
dressing room, he grabbed a fan that was cheering Rypiens departure, by the shirt and shook him.
Indefinite suspension for six or more games to show disciplinary action followed by a court hearing,
Canucks coach Alain Vigneault stated before the Wednesday game in Chicago, “I‟m going to save my
comments until after the league does their investigation and comes up with a decision. – we‟ll let
things unfold from here”
General Manager for Ottawa Senators, Bryan Murphy making changes
Blue liners for the Ottawa Senators have been slacking in the defensive zone. Bryan Murphy
stated, „Chris Phillips needs to be better and Erik Karlsson has fallen short of expectation‟. Head
coach, Cory Clouston is spending time during practices focusing on the defensive zone coverage. He
states; “Six games hardly define a season but I feel that much can be learned from the teams early
struggles, We have to play with a lot more sense of urgency, In a panic nothing positive comes from
that, but with urgency we can turn that into a positive”.
New York rangers break through losing streak without star players
Despite critical players such as, Marian Gaborik, Chris Drury, Vinny Prospal, or Henrick Lundqvist,
the rangers snapped out of three game winless skid and won the first game since season opener on
Thursday night against the Toronto Maple Leafs 2-1. “It was probably our best game of the year,
from being aggressive on the forecheck and playing well defensively,” said rangers defenceman
Michael Del Zotto. Gaborik with a separated shoulder will be expected to return in November,
while Drury recovering from a knee surgery will be expected within mid November. “We‟re not too
worried about the guys we‟re missing, we can‟t do anything about that,” said Rangers winger Ryan
Callahan. “Everyone came out and battled hard tonight, and that‟s what we need to do.”
Avalanche Defenceman leaves game with head injury after first period
Nearly playing seven minutes of the game in the opening period on Thursday night against San jose
Sharks, Adam Foote left with a severe head injury. Avalanche Defenceman needed only one point to
become the top scoring defenceman in franchise history. The 39 year old captain will not return.
Lecavalier returns to Tampa bay Lightning missing game with hand injury
Lecavalier is back in the line up, missing one game due to an injured hand. The Tampa Bay, Centre
returned to Thursday night‟s game against the New York Islanders and has said that his hand feels
“ten times better”. Vincent sat out Monday against Dallas, two days after the captain was hit on the
first knuckle by a shot during 6-0 loss at Florida.
Franzen returns to Detroit Red Wings line up
After missing one game after head injury, franzen is back in the line up. He was injured last
Thursday when he was hit by Dallas Defenceman, Mark Fistric in the first period and missed
Saturday‟s game at Phoenix but returned for Thursday night‟s home against Calgary.
Lafleur signs long - term deal to stay ambassador
Guy Lafleur is staying on as an „Ambassador‟ for the Montreal Canadiens remaining one of the five
public relation ambassador‟s along with Jean Beliveau, Henri Richard, Yvan Cournoyer and Rejean
Houle who all renewed their contracts earlier this year. The 59 year old is to kick off a seven city
farewell tour of Quebec on October 29th that he states will be his last old-timers game.
Nashville Predators – Ryan Suter sustained lower body injury
Defenceman, Ryan Suter was injured at the 2:05 mark of the first period on Tuesday night against
Calgary Flames. The Calgary Defenceman Cory Sarich collided into Suter in front of the Nashville
bench. Suter was immediately taken to the locker room with a lower body injury; the team later
announced he would not return to the game.
Deadline Approaches for 2010 Draft Picks
Jim Rutherford and the other five GM‟s need to start making more concrete decisions on their 2010
entry draft picks still currently playing in the NHL. Rutherford stated about Jeff Skinner –
Carolina Hurricanes, (the 7th pick of the 2010 entry draft); “Certainly based on his skill level and
his hockey sense, I would be surprised if he‟s not here all year.” The special six still remain with
their teams: Taylor Hall (No.1) – Edmonton Oilers, Tyler Seguin (No.2) – Boston Bruins, Nino
Niederreiter (No.5) – New York Islanders, Jeff Skinner (No.7) – Carolina Hurricanes, Alexander
Burmistrov (No. 8) – Atlanta Thrashers and Cam Fowler (No. 12) – Anaheim Ducks. Teams can return
their teenage prospects to their junior team at any time, but doing so before they play in their 10th
game, delays the start of their entry – level contract.
Roman Polak out with Wrist Injury
St. Louis Blues defenceman will miss at least one game from a laceration of the right wrist. Sidney
Crosby, Centre for the Pittsburgh Penguins accidentally cut Polaks wrists with a skate in the
second period of the blues 1-0 overtime win on Saturday. Polak is expected to miss Thursday‟s game
against Nashville and will be assessed on a day to day basis until his recovery.
TOP 10 YOUNGEST CAPTAINS
OF 2010-2011-
www.thehockeynews.com
Rick Nash, 26
10. The Blue jackets sniper is the “old man” of the group and enters his third season as team captain
Eric Staal, 25
9. „Big daddy Cane‟ turns 26 on Oct. 29th. He was handed the „C‟ last January, despite the fact his predecessor,
Rod Brind‟ Amour, was still with the team. In the midst of a terrible season, Carolina‟s management felt it best to
make the inevitable transition sooner than later
Dustin Brown, 25
8. „The Kings of Kings‟ turns 26 just six days after Staal and is entering his third season as L.A‟s captain. Quoted
in Kennedy‟s story, Brown was happy the Kings were a young team when he was named captain.
Mike Richards, 25
7. Richards turned 25 in February and followed in the footsteps of Flyers legend, Bobby Clarke as a young guy
handed the reins early in his career. Richards is also entering his third season as captain. (Picking up on a trend
here?)
Dion Phaneuf, 25
6. Phaneuf, born April 10, was named the 20th in Maple Leafs history after the team went two seasons without
anyone wearing the „C‟ following Mat Sundin‟s departure.
Ryan Getzlaf, 25
5. The league‟s newest captain – for now – was born May 10, exactly a month after Phaneuf. Getzlaf is big,
strong and has 100-point potential. He‟s also already a Stanley cup and Olympic champion.
Shea Weber, 25
4. Born in August, Weber was named Nashville‟s captain in July after Jason Arnott was traded to New Jersey.
Known for a booming shot and bone – crunching hits, Weber is deadly at both ends of the ice.
Alex Ovechkin, 25
3. The last of the 25-year old captains, „Ovie‟ actually turned down the „C‟ at one point, before his predecessor,
Chris Clark, was traded in December 2009; Ovechkin was a unanimous choice by his teammates to make the „C‟
after Clark was dealt.
Sidney Crosby, 23
2. Crosby is also a cup and Olympic champion. He was named Pens captain while still 19 years old prior to the
2007-08 season. He‟ll have a chance to reach Steve yzerman‟s record of 19 seasons as a captain.
Jonathan Toews, 22
1. The youngest captain in the league just led his team to the Stanley Cup. Toews was only 20 when he was named
captain of the Blackhawks and, along with Crosby, has a chance to be a „lifer‟ and
*All Stats was resourced responsible content from Thehockeynews.com and Nhl.com
Brought to you by, THE HOCKEY NEWS.COM
TEN THINGS TO WATCH FOR IN
2010-2011
10. New Salary Cap
The ceiling is now 59.4 million, while the floor rises to 43.4 million as the salary cap
continues its five season ascent.
9. New Classics
Outdoor games have been an unqualified success for the NHL, so why not play two this
year? The heritage Classic brings the open concept back to Canada as Calgary hosts
Montreal Feb. 20th at McMahon Stadium, while Pittsburgh takes on their archrivals
from Washington New Year‟s at Heinz Field. Needless to say, there will be special
jerseys there, too.
8. New all star game
After an Olympic layoff year, the mid-season show is back, with the Carolina
Hurricanes playing host on Jan. 30th. No word yet on whether the corporate boxes will
feature pulled pork.
7. New Arena
Pittsburgh moves into the swanky Consol Energy Center, while the islanders gaze
upon it longingly.
6. New Jersey
Toronto and the New York Islanders revealed new duds this summer, while Anaheim is
closely guarding its new third sweater, to be revealed in late November. Vancouver
and Buffalo celebrate their 40th anniversaries with new gear, while Columbus and the
New York Rangers also have new third jerseys coming down the pipeline. Also, look
out for a purple and gold throwback from L.A. Kings and a change in Nashville.
5. New G.M‟s
Further up the ladder, Dale Tallon takes over the perpetually rebuilding Florida
Panthers, while fellow Blackhawks alum Rick Dudley saddles up in Atlanta. But the
Southeast team with the biggest buzz is Tampa Bay, which enlisted the services of
prized hockey mind Steve Yzerman.
4. New Coaches
Guy Boucher steps behind the bench in Tampa, Craig Ramsay heads to Atlanta, Scotta
Arniel is in Columbus, John Maclean steps up in New Jersey, plus Tom Renney takes
over Edmonton from the „promoted” Pat Quinn.
3. New Contract Years
It‟s a big season for restricted free agents, with a class led by Steven Stamkos, drew
Doughty and Zach Parise. The UFA‟s don‟t take a backseat, however, with Zdeno Chara,
Joe Thornton and Alexander Semin potentially hitting the free market in the summer
of 2011.
2. New saviors
After becoming the pride of Montreal, goaltender Jaroslav Halak takes his talents
down to St. Louis and the burgeoning Blues. Stanley cup – winner Antti Niemi returns
to the Shark Tank, but he‟ll be helping – not tormenting – the Sharks this time around.
Marty Turco takes over in Chicago‟s net and with Jose Theodore out in Washington,
Semyon Varlamov gets his first true crack at No. 1
1. New Captains
Shea Weber dons the „C‟ in Nashville, while Dion Phaneuf gets ready for the pressure
cooker in Toronto.
*All Stats was resourced responsible content from Thehockeynews.com
PREMIER LEAGUE 2010
TRANSFER ROUND-UP
ARSENAL
Arsenal brought in two centre backs Koscielny and Squillaci, but the main capture was Chamakh on a free from
Bordeux, adding a new dimension to the Arsenal attack. They also saw Eduardo go to Russia, youngster Jay
Simpson to Hull, Gallas to Spurs, Senderos to Fulham and Sol Campbell go to Newcastle. The major surprise was
that they did not bring in a new goalkeeper with Almunia and Fabianski error prone. Potential champions but
without a decent keeper, they will fall short.
ASTON VILLA
Villa were quiet during the summer with the James Milner saga a long and tedious chase by Manchester City, it
finally ended with Stephen Ireland and £24m the cost to city. The only other move was Shorey to West Brom for
£1.5m. With Martin O’Neill leaving the club confusion reigned for much of August. Houllier took over in mid
September, a tough job with limited funds. With all the unrest at the club qualifying for Europe is the best they can
hope for.
BIRMINGHAM CITY
Birmingham were very busy over the summer with no less than 7 players in and 10 out. Incoming were Foster, Zigic,
Beausejour, Jiranek and the ex-Arsenal Hleb, outgoing were Carsley, Queudrue, McSheffrey and Bent to name a
few. Mcleish is a good manager with a good home record, so I think they will be safe.
BLACKBURN ROVERS
Blackburn were unsuccessful in many attempts to attract players to the club, either the club or manager being
maybe not so appealing. They did manage to bring in Benjani, Fernandez and also Diouf on loan from Man Utd.
Allardyce is a decent manager, but has no flair, therefore expect a tough season.
BLACKPOOL
Blackpool also found it hard to attract players, with their strict wage structure, a good policy when just promoted
to the top division, they did manage to bring in DJ Campbell, Harewood and Basham. Up to October they have
exceeded all expectations and have shown that attacking football is not just limited to the top four.
BOLTON WANDERERS
Bolton did manage to bring in a few bargains Robbie Blake, Klasnic and Martin Petrov all on a free, they also got
Marco Alonso a youngster with a lot of potential (a steal from Real Madrid). They still manage to bring in good
players, even though they have a less than exciting playing style, all based in the not so glamorous north
west...Nice One. They’ll be a comfortable mid table.
CHELSEA
Well the team with the original Bottomless cheque book were not so busy but still managed to spend £30m by
bringing in Rameires, Benayoun and Delac. But they did offload Carvalho, Ballack, Joe Cole and Deco, getting rid of
4 big wage packets in the process. With Abramovich refusing to bankroll the club endlessly without seeing money
back into the club. They started the season on fire and are the team to beat. Champions unless they self destruct.
EVERTON
Everton were relatively quiet in the summer the only real bit of transfer news was the free transfer of Beckford
from Leeds. Keeping Arteta, Cahill and Jagielka fit are the key to avoiding relegation.
FULHAM
Fulham were very busy this summer with Dembele, Salceido, Senderos, Greeing and Halliche all coming in. Smalling
went to Man Utd for £10m and Konchesky to Liverpool for £4m. They made a profit and a manager came and went
with Hodgson taking over at Liverpool and Mark Hughes his replacement. Mid table would be my assessment.
LIVERPOOL
Liverpools’ doors were spinning out of control this summer, along with the 2 americans doing their best to run the
club into the ground. Rumours about the futures of Gerrard and Torres were quelled for a while with the
acquisitions of Joe Cole, Jovanovich, Poulsen, Meireles and Konchesky. Outgoing were Mascherano, Benayoun and
Riera to name a few. Add that to the sacking of Benitez and his replacement Hodgson facing a mammoth task
bringing back the glory days. A shocking start and already fighting relegation, I never thought i’d say that.
MANCHESTER CITY
Manchester City with the sheikhs unlimited funds were once again the premier leagues biggest spenders shelling
out around £130m. They brought in Y Toure, Silva, Milner, Balotelli, Kolarov and Boateng. With 24 players leaving
the club, the Robinho transfer to AC Milan being the most high profile. Tevez getting the captaincy and so far doing
a decent job even though his relationship with Mancini is fractious. The league title is the least expected by the
owner, failure could see another new manager.....Football with monopoly money I think.
MANCHESTER UNITED
Man Utd brought in Smalling, Bebe and Hernandez spending £24m in the process, with not so many going out. An
aging team bringing in fresh legs and potential. Champions possible, but with Valencia out for most of the season
and Rooney injured and his personal life exploding in his face, a season to forget would be my thinking.
NEWCASTLE UNITED
Newcastle bounced back as champions, needing to reinforce the team they brought in Campbell, Gosling and Ben
Arfa. I for one am glad the geordies are back. Mid table is the best they can hope for.
STOKE CITY
Stoke City were also quite busy, they let Beattie go to Rangers, but they brought in Kenwyne Jones, Gudjohnsen,
Pennant, Wilson and Walters to build on the good performance from last season. Safety and hovering between mid
table and above the relegation zone.
SUNDERLAND
Sunderland could not hold onto Jones but managed to replace him with Gyan who had a great World Cup with
Ghana. A few other in’s and out’s but nothing to write home about. Again I think safe to mid table.
TOTTENHAM HOTSPUR
After their excellent season last year, consolidation is paramount and with the arrival of Gallas, Van Der Vaart and
Sandro they should achieve a top five finish. Vaart was an inspired last minute buy and has performed very well so
far and is looking good.
WEST BROMWICH ALBION
Came up comfortably and a few good signings, Odemwingie has popped up with a few goals and they aren’t
looking bad beaten Arsenal and drawn with Man Utd, above the bottom three is a probability with worse teams
around.
WEST HAM UNITED
After a bad season last year, this year I fear will be another one, maybe worse. With Piquionne,
Hitzlsperger and Obinna coming in and most of Zolas’ signings shown the door, also the arrival of Avraam
Grant. Relegation is an avoidable......but will they?
WIGAN ATHLETIC
Another team that will struggle big time this season, ins and outs nothing to write home about therefore
will be hard pressed to stay up, sorry Latics’.
WOLVERHAMPTON WANDERERS
A tough season to come for wolves, with Fletcher, Hunt and Mouyokolo coming in and Mancienne on
loan from Chelsea. If they can keep 11 on the pitch they have a chance, even if its a slim one.
THOUGHTS!!
So far this season, the main talking points are Man City’s millions and on a more important note, the
excessive force used in tackles by certain teams. Brought to light by Danny Murphy, (I applaud you) with
the injuries to Bobby Zamora, Hatem Ben Arfa and Dembele these reckless tackles have since gone
unpunished. So, I highlight the thugs involved being De Jong of Man City, K Henry of Wolves and
Wilkinson of Stoke...
LETS KEEP IT CLEAN, GENTLEMEN!!
BY
GEORGE GEORGIOU
RETRO BAND REVIEW
GUNS AND ROSES
Guns and Roses are back in concert and wowing the fans again with their electrifying sound and energy that could only be
described as true rock music. Over the decades GN’R have never been less then entertaining. Axl Rose, the frontman for the
group has the energy and the talent that is yet to be matched on stage, even at the age of 48 this man is still passionate about
the music and this never fails to come across in his performance.
The band have gone through many changes over the years and controversy has followed them with it, but Axl Rose remains
dedicated to GN’R and is still today the only one from the original line up that remains. Many have come and gone throughout
the years including the ever talented guitarist, Slash. Slash wowed us all with his riffs and excellent solos on the guitar which will
never be forgotten, but due to personal differences and various business dealings, the friendship between Axl and Slash ended
and alas this amazing duo whose excellent collaboration of voice and guitar came to an end.
But contrary to speculation, this didn’t bring the end of GN’R and even today, the band still manage to perform the great classics
as well as some new material at their shows and never fail to disappoint.
So let RIME Showcase take a look back at some of the classics that made Guns and Roses the band that they will always
be...Great!
WELCOME TO THE JUNGLE – 1987
This was the second single off their first album ‘Appetite for Destruction’ which was written by both Axl Rose and Slash.
Apparently it took around 3 hours for them to finish writing the song which includes the music which Duff (the bassist)
contributed to. The first single released was titled ‘It’s so Easy’, taken from the same album. This song was not as popular as
‘Welcome to the Jungle’ therefore often gets forgotten as being one of their singles released. ‘Welcome to the Jungle’ was used in
the Clint Eastwood movie ‘The Dead Pool’ and the band made a brief guest appearance in that movie at the character, Johnny
Squares (played by then unknown actor, Jim Carrey) funeral. This song is still very much played on MTV and the lyric from the song
that always comes to mind when you sing this is: “You know where you are? You’re in the jungle baby and you’re gonna die!” A
great record.
SWEET CHILD O MINE – 1988
This is an all-time classic. One of GN’R’s most memorable tunes which begins with Slash’s great solo that will never be forgotten
and that all guitarists love to play (including myself). This was their third single off their debut album ‘Appetite for Destruction’
and one of the most successful. This song was written in five minutes by Axl Rose after they heard Slash doing the intro riff on his
guitar leisurely. The rest of the band added their bits to it and voila a hit song was created! Axl based the song on his girlfriend at
the time Erin Everly, who eventually became his wife and then divorcee. The video was just a basic video of the guys rehearsing
with all their girlfriends in the video which included Axl’s girlfriend Erin. Although the video was very real and relaxed, the song
was the success that the band needed and the single reached Number One in the states and Number 6 in the UK charts.
PARADISE CITY – 1989
Apparently this song was written at the back of a rental van when the band was on their way back from a gig in San Francisco.
Slash was just putting some riffs together and humming and Axl added a few lines, then Slash added some more and it went on
like that with the rest of the band adding bits to it and Paradise City was created. Some say the song is based on San Francisco and
the problems that were encounted there during this period but no one is sure. One thing that is for sure is that this song is
another of those great GN’R songs that we love to hear over and over again. The video sees the band performing to a huge crowd
with Axl in his white leather jacket. An unforgettable song and video, which unfortunately is now used for a British TV commercial
for Anchor butter...Hmm.
PATIENCE – 1989
This single was taken from the bands 1989 album ‘GN’R Lies’. It is one of the singles that is easily forgotten but is still a classic. It’s
the bands first slow song and carries a beautiful vibe with it. It has been stated that Izzy, the lead guitarist wrote this song about
his ex-girlfriend and many say that the song is based on Axl’s relationship with his then ex-wife Erin but whatever was the case,
the song was definitely about a troubled relationship. Axl’s whistling intro adds to the feel of this great ballad. One not to be
forgotten.
YOU COULD BE MINE – 1991
Well I don’t think there is anyone who could forget this classic track and of course the movie that goes with it. This song was also
featured in the last Terminator movie, Terminator Salvation. Originally this song was not chosen to be in the movie but James Cameron
later decided GN’R should have a track in the movie as the character John Connor was wearing a GN’R T-shirt which seemed prominent
to him. Hence, the decision was negotiated and made over dinner at Arnold Schwarzenegger’s house with the band present and You
Could be Mine was chosen.
The track was written by Izzy and was taken off their album Use your Illusion II which was released in 1991 along with the album Use
your Illusion I. The video for this song also had Arnold Schwarzenegger guest starring in it. The video was a huge success on MTV and
was the most requested video for that year. It topped the TOP 100 videos chart for that year on MTV.
DON’T CRY – 1991
Again not one that is remembered as much but RIME thinks this is a great ballad. There are two versions of this song. Each version
is featured on Use Your Illusion I and Use Your Illusion II. The lyrics are slightly different in both versions and the vocals changes
also in the verses. But both versions still make this song a great classic. The song also features guest vocals by Shannon Hoon from
Blind Melon whom Axl become friends with in Los Angeles when both discovered they came from the same state. Don’t Cry was
originally intended to be the first single from the Use Your Illusion albums but due to the release of Terminator 2, You Could be
Mine was selected. Apparently the song was written about a girl that Izzy was going out with and that Axl was attracted to. Both
Izzy and Axl got together to compile this song about a girl breaking up with a guy and that no matter how much it hurts,
everything will be alright.
NOVEMBER RAIN – 1992
November Rain features on the Use Your Illusion I album and is approximately 8 minutes and 57 seconds long. Radios play the
shortened version which lasts about 6 minutes. The haunting ballad contains not only the excellent 2 minute guitar solo by Slash
(which was listed at Number 6 in the The 100 Greatest Guitar Solos by Guitar World magazine) but string instrumentals
throughout the track to give it that haunting feel. This song is a masterpiece and is still very popular today and definitely a great
classic rock ballad. According to sources, Axl had started working on this song back in 1983. Many of the band members were
opposed to the song ever being released but Axl knew that someday it would be a hit and kept working on it until he was happy
with it and it all came together with the rest of the band. The video added to the song which won the Best Cinematography
category at the MTV Video Music Awards in 1992.
There were many songs that could be added to the list above, one of them being GN’R’s cover of Bob Dylan’s Knocking on
Heaven’s Door which was a great cover and again great guitar solo’s by Slash and vocals by Axl. No matter what the future holds
for GN’R one things for sure, with a front man like Axl Rose rock and roll will always be GN’R!
Written by Rita Hurry
RIME’s Top 10 Horror Films of all time Written by Melissa Hurry
RIME watch a lot of Horror films so as it’s the month of Halloween we have put together a list of our Top 10
Horror films to compare and see if we have similar favourites. So here goes - RIME’s Top 10 Horror films…
10. SAW i-vi - 2004
The first, second and third okay… but come on the same plot all the way until six AND NOW 3D… Come on…I think
we get the plot… Kill ‘em all and start again right Jigsaw??? What makes this film successful? The crazy death
scenes that’s what!
The amount of torture someone would do to themselves to get out and how selfish human beings really are… I
think this film is a wake up call… Kinda reminds me of Stratford Station in the morning – no one cares, they just all
need to get into work and don’t care if they hurt you… That’s it!
9. The Unborn - 2009
This film was made by the Creators of The Ring and told a story about a dead twin… All I can say is that if your eye
goes a funny colour after a while, you’d better interrogate your parents… This film is freakishly scary, but a great
plot indeed!
Someone put their foot in it
She’s mine… Get lost!
8. A Nightmare on Elm Street - 1984
Whoever got scared of Wes Craven’s creation was surely not realising the comedian underneath the burns and the
poorly manicured nails. Freddy Kruger was no villain he was a complete joker… Now when this film came out it was
majorly famous for its “one…two…Freddy’s coming for you…” and why not that song was freaky… and was more
likely to give you a fright than the burned monster himself. Ok I admit back in the day it was known as scary but
now… well if you want a laugh, this would definitely be in the collection… an all time classic! By the way the recent
one released this year… VERY BAD – Why’d you have to make him a perv??? Why is it number 8, well, it’s fun to
watch and I guess at times you’ll still jump…maybe?
7. Amityville Horror - 2005
From the makers of Texas Chainsaw Massacre – This 2005 remake of the horror classic in 1979 sure got to me… yes
I’m still freaked out if I’m up around 3:15am… If you haven’t seen it yet, I dare you… don’t watch it at home. It’s
scary and evil.
High Five!
Silence… I kill you!
6. The Blair Witch Project - 1999
Who can forget this footage? It set a new idea of blockbuster filmmaking by going amateur back in 2000 and we
saw it in films like Cloverfield, Jackass etc…
Hands up if you were scared (I look around to see arms raised as I hesitantly raise mine) – oh phew, I wasn’t the
only one. It’s was a great film but boy something I won’t put myself through again…
5. The Ring – 2002
The Ring… well I am now starting to wonder why I am writing this review as I am now scaring myself. The Ring was
a massive success of course the original version being Japanese. It was another one that some didn’t flinch, others
hid the whole time or you pretended you weren’t affected but freaked out a day later. If you were lucky enough to
think this film weren’t scary at all then wow, you’re strong… however, if you’re one of the ones who were
traumatically affected by this film and you’re reading this – I am so sorry I have brought it back to haunt you, but I
couldn’t leave this film out.
I can’t believe they made me wear this hat!
Well, you wanted 3D!
4. House of Wax - 2007
What a cool film with a dodgy title – a remake of another classic but this time with some real good looking actors –
Chad Michael Murray, Jared Padalecki and yes, for the guys – Paris Hilton! I actually have to say Paris did a good job
amongst making sure she looked good in each scene… I was surprised she lasted quite long in this film…Great death
scenes and great music for the soundtrack!
3. Friday the 13th - 2009
Well I’m sorry to say this but – I gotta go with Jason Voorhees. He had a right in killing these annoying characters in
this film as he did in all of the films. Erm yeah I think I made my point.
If you don’t know this film then… stop reading, go and rent it out, LEGALLY download it or wait until it comes on the
television; then come back to this list and read on.
I have to add the recent 2009 version was… STUPENDOUS and I preferred this remake to the 1980’s version... Well
done Jared Padalecki and looking really forward the next one...
That’s the last time I try pole dancing…
I was thinking of growing my hair like you, what
do you think?
2. Halloween - 1978
Michael Myers another one of my villainous heroes! Just like Jason he had motive and you somewhat felt sorry for
him, all he wanted was his sister. Okay I admit he was a crazy crazy killer but in Rob Zombie’s remake we got to see
the real reason – his family were insane and it affected him… does that really make him a bad person???
Okay so that was 10 all the way down to 2. So here is my number 1 film of all time:
1. The Shining – 1980
So why is this my favourite? Well great acting from all parts of the film especially the child actor Daniel Lloyd who
played Danny Torrance.
It’s wasn’t scary just because of the whole haunted hotel thing, but it was the psychological cabin fever effect.
Brilliant script, and a cast well put together… Wendy Torrance, she seems weak but boy, she held the film with
Danny in the end… Quite a funny ending with Mr Frosty… not the way I would’ve ended it but it still worked and
stays on the top of my list.
Do you wanna know something special that I only found our recently? Stanley Kubrick filmed Daniel Lloyds parts
separately, so that he never realised he was in a horror film – how cool!
Okay so there you have it… You may not like the films, watched the films or loved it! These were just some of the
films that go on my list of being all time cool and all time memorable… there are plenty more but this would go on
forever and, well…wouldn’t wanna scare now would I???? Muhahahahaha...
Why can’t I get the ones I want?
I wish those girls would stop stalking me
Gone But not Forgotten BORIS KARLOFF (ACTOR)
Nov 1887 – Feb 1969
Boris Karloff is best remembered as a horror movie acting legend. Although he may not look familiar to many, if you are a true horror fan you cannot forget his role as Frankenstein’s monster in the following 3 films: Frankenstein, Bride of Frankenstein and Son of Frankenstein.
Karloff was born William Henry Pratt in Forest Hill Road in East Dulwich, England. He emigrated to Canada in the 1910s. Karloff was brought up by his elder siblings after his mother passed away in Enfield, England. He studied at Kings College and was preparing to go into consular service. Karloff eventually dropped out of college and did odd jobs as a labourer and then eventually fell into acting. Karloff had a stutter and an lisp which was very noticeable during his time of growing up. He eventually managed to conquer his stutter problem but never managed to get rid of his lisp.
Karloff travelled to Canada in 1909 and changed his name to Boris Karloff. He never changed his name by deed poll, Karloff was only to be his stage name. Why the change of name you may ask? Well according to research, Karloff felt that he was the black sheep of his family having not been part of the British Foreign Service like his brothers, therefore through the change of name he wouldn’t bring shame to the family. When the family reunited in 1933 the family couldn’t be more prouder of their younger brother.
Karloff’s first acting debut came when he took to the stage to play a mad scientist in the production of The Drums of Jeopardy. Whilst trying to establish his acting career, Karloff had to take on many manual
jobs in Canada. As this was a difficult time in Canada and US for manual work, Karloff suffered back problems which resulted in him not being able to fight in World War 1.
When Karloff eventually arrived in Hollywood, he again did lots of manual labour to help him out financially and acted in many silent films before starring in the film that made him a legend in 1931 Frankenstein. His portrayal of the monster made him a star and led to many more movie roles in horror movies, although Karloff did star in many other films of other genres. Karloff played the monster of Frankenstein on many occasions and finally ended his reign as this character in 1962 with a Halloween special on the show Route 66.
Although Karloff lived and worked in the US for a number of years he never got naturalised as an American citizen. Karloff had married 6 times and had one daughter, Sara Karloff with his 5th wife. He was a kind gentleman who activley helped childrens charities. According to research, Karloff had taken insurance against aging due to the heavy make up he had to wear for the monster roles he played.
Karloff battled arthritis and emphysema and later got pneumonia which led to his death in 1969. He passed away in Sussex, England.
To show the true legacy of this great actor, he was awared 2 stars on the Hollywood Walk of Fame. Karloff was also featured on the ‘Classic Movie Monster Stamps’ as Frankstein’s Monster by the US Postal Service in September 1997.
The Fear Chamber (The Torture Chamber for video release) (1972)
The Incredible Invasion (1971)
Isle of the Snake People (1971)
El Coleccionista de cadáveres (1970)
Targets (1968)
Curse of the Crimson Altar (1968)
The Fear Chamber (1968)
House of Evil (1968)
The Venetian Affair (1967)
Mad Monster Party? (1967) (voice)
The Sorcerers (1967)
The Daydreamer (1966) (voice)
The Ghost in the Invisible Bikini (1966)
Die, Monster, Die! (1965)
Bikini Beach (1964)
The Comedy of Terrors (1964)
I Tre volti della paura (Black Sabbath for US release) (1963)
The Terror (1963)
The Raven (1963)
Corridors of Blood (1962)
Frankenstein - 1970 (1958)
Grip of the Strangler (1958)
The Juggler of Our Lady (1958) (voice)
Voodoo Island (1957)
Sabaka (1954)
Il Mostro dell'isola (1954)
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953)
The Black Castle (1952)
Colonel March Investigates (1952)
The Strange Door (1951)
Abbott and Costello Meet the Killer, Boris Karloff (1949)
Cisaruv slavÃk (1949) (voice)
Tap Roots (1948)
Dick Tracy Meets Gruesome (1947)
Unconquered (1947)
Lured (1947)
The Secret Life of Walter Mitty(1947)
Bedlam (1946)
Isle of the Dead(1945)
The Body Snatcher(1945)
House of Frankenstein(1944)
The Climax (1944)
The Boogie Man Will Get You (1942)
The Devil Commands (1941)
You'll Find Out (1940)
The Ape (1940)
Before I Hang (1940)
Doomed to Die (1940)
The Man with Nine Lives (1940)
Black Friday(1940)
British Intelligence (1940)
The Fatal Hour (1940)
Tower of London (1939)
The Man They Could Not Hang (1939)
Mr. Wong in Chinatown (1939)
The Mystery of Mr. Wong (1939)
Son of Frankenstein (1939)
Devil's Island (1939)
Mr. Wong, Detective (1938)
The Invisible Menace (1938)
West of Shanghai (1937)
Night Key (1937)
Charlie Chan at the Opera (1936)
The Man Who Changed His Mind (1936)
The Walking Dead (1936)
The Invisible Ray(1936)
Juggernaut (1936)
The Black Room (1935)
The Raven (1935)
Bride of Frankenstein(1935) Gift of Gab (1934)
The Black Cat(1934)
The House of Rothschild(1934)
The Lost Patrol (1934)
The Ghoul(1933)
The Mummy(1932)
The Mask of Fu Manchu(1932)
The Old Dark House(1932)
Night World (1932)
The Miracle Man (1932)
Scarface (1932)
Business and Pleasure (1932)
Alias the Doctor (1932)
Behind the Mask (1932)
Tonight or Never (1931)
Frankenstein(1931)
The Guilty Generation (1931)
The Mad Genius (1931)
The Yellow Ticket (1931)
Five Star Final (1931)
I Like Your Nerve (1931)
Graft (1931)
The Public Defender (1931)
Smart Money (1931)
Young Donovan's Kid (1931)
Cracked Nuts (1931)
King of the Wild (1931)
The Last Parade (1931)
The Criminal Code (1931)
Sous les verrous (1931)
The Utah Kid (1930)
The Sea Bat (1930)
The Bad One (1930)
The Unholy Night (1929)
The King of the Kongo (1929)
Behind That Curtain (1929)
The Phantom of the North (1929)
Anne Against the World (1929)
Two Sisters (1929)
The Devil's Chaplain (1929)
The Fatal Warning (1929)
Burning the Wind (1929)
The Little Wild Girl (1928)
Vultures of the Sea (1928)
The Vanishing Rider (1928)
Sharp Shooters (1928)
The Love Mart (1927)
Two Arabian Knights (1927)
Soft Cushions (1927)
The Phantom Buster (1927)
The Meddlin' Stranger (1927)
The Princess from Hoboken (1927)
Let It Rain (1927)
Tarzan and the Golden Lion (1927)
Valencia (1926)
Old Ironsides (1926)
Flaming Fury (1926)
The Nickel-Hopper (1926)
The Eagle of the Sea (1926)
Flames (1926)
The Golden Web (1926)
Her Honor, the Governor (1926)
The Bells (1926)
The Man in the Saddle (1926)
The Greater Glory (1926)
Parisian Nights (1925)
Perils of the Wild (1925)
Never the Twain Shall Meet (1925)
Lady Robinhood (1925)
The Prairie Wife (1925)
Forbidden Cargo (1925)
Dynamite Dan (1924)
Riders of the Plains (1924)
The Hellion (1924)
The Prisoner (1923)
The Gentleman from America (1923)
Omar the Tentmaker (1922)
The Woman Conquers (1922)
The Altar Stairs (1922)
The Infidel (1922)
The Man from Downing Street (1922)
Nan of the North (1922)
The Cave Girl (1921)
Cheated Hearts (1921)
Without Benefit of Clergy (1921)
The Hope Diamond Mystery (1921)
The Last of the Mohicans (1920)
The Courage of Marge O'Doone (1920)
The Deadlier Sex (1920)
The Prince and Betty (1919)
His Majesty, the American (1919)
The Masked Rider (1919)
The Lightning Raider (1919)
The Dumb Girl of Portici (1916)
Research and filmography taken from Wikapedia Boris Karloff.
RIME Showcase
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December 2010
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