Richard Wernick
12
Woodwind Quintet No. 2 Richard Wernick THEODORE PRESSER COMPANY sample
Transcript of Richard Wernick
114-41870
Woodwind Quintet No. 2
Richard Wernick
THEODORE
PRESSERCOMPANY
sample
114-41870
Flute
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- I - WOODWIND QUINTET No. 2
RICHARD WERNICK
2
© 2018 by Theodore Presser Company114-41870
All Rights ReservedPrinted in U.S.A.
International Copyright Secured
Unauthorized copying, arranging, adapting, recording, or digital storage or transmission is an infringement of copyright. Infringers are liable under the law.
sample
114-41870
3
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14
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114-41870
4
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114-41870
5
[
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46
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sample
114-41870
12
[
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138
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- II -
sample
114-41870
13
[
]
14
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2
4
3
4
3
8
Q"
2
4
3
4
h
CX
T S S T
C
p
OCY
h
CX OC
h
CY C
CX h
CY
T S S S
CX
p
[
]
21
!
3
4
Q T
h
CX
mf
CW
CY
CCX
p
OC
h
CY COBW B C CW
mf
OCX
h
CX
mp
h
CT
!
3
4
Q
C( Y )
mf
CYCY C
h
C
T S S S T
h
C C
OBX C
OCW T
!
3
4
Q Q S T
h
CX C
OBW C
OCY
T S S T
h
CY
!
3
4
BW
mp
CC
CWCX
S
CW
p
CY C CY CC
CX B COC
T S T
g
CX
mp
g
C
T
"
3
4
#
B
mp
CCX
CC
S S T
h
CXC
C OB S S T
h
CY
mf
OCX
T
mp
T
g
CX
[
]
27
!
3
8
3
4
2
4
S
CX
p
CW
mp
T
CX
mp
CW
h
j
C
f
U
T
T S
CY
>
CX
>
CY
>
CX
>
T S OU
T
l
h
j
CW
>
CX
>
CX
>
CW
>
C
>
Molto agitato!
!
3
8
3
4
Q2
4
T
h
CX
p
C
S
mp
T
h
CX
mp
T
mf
T
h
C(W )
f
CX
.
C
>
C
>
C
>
T
!
3
8
3
4
2
4
h
C T
CW
p
CY
mp
S T
CY
mp
CYT
mf
T
C
f
CW
T
CC
T
CY
>
C
>
CY
>
C
>
T
CYC
S
!
3
8
3
4
2
4
T
h
CY
BX
T CW
mp
h
j
C
f
U
T
T S T
g
C
f
CW
C
g
CW
T
#
3
8
Q3
4
2
4
h
C
T S S
U
U
T
CY
>
f
CW
>
CY
>
C
CX
CYh
CX
CYCX
S OU
T
l
h
j
C
>
C
>
CW
>
CY
>
C
>sample
114-41870
14
[
]
31
!
Q3
4
4
4
3
4
2
4
S S Tg
C
p
C
CY
C
OCW
g
CX
S
OCY
p
h
CW C
OC
h
CX
h
C
T SC
CX
T
calm again
!
3
4
4
4
3
4
2
4
S T
p
h
CY C
OC
mph
CX
OCY
h
CX C
CY
C
CY
S
B
p
BY CX C OCC
CY
!
3
4
Q4
4
Q3
4
Q2
4
CC C
C
CYCY C
f
C
CY
p
h
CY
T S
U
T CC
CW
CX CWC
CY
S
!
Q3
4
Q4
4
Q3
4
Q2
4
Tg
C
OCY
g
C CC C
CY
S
#
3
4
4
4
3
4
Q Q2
4
CY
>
C
CW
CY B
mp
C
CY
p
CX
S R S S T
h
C
p
[
]
37
!
2
4
Q Q3
8
Q3
4
OT
h
j
CY
mp
>
C
CX
p
h
C
T
CYC
T
U
T
C CYC
CXC CY
C
!
2
4
3
8
3
4
S
OC C
>
OCCY
.
S
CX
C
C C
CW
>
sf
C
CYC
C
h
j
CY
U
T
T S OT
h
j
CX C
CW
CY
C
T
!
2
4
Q3
8
3
4
U
T CY
p
CCX
CY CXC
CWU
T
CC
CW
T
CW
CY
S
CY
C C
C
C
C CC
T T C
C
!
2
4
Q Q3
8
3
4
S T
h
CW
p
OC
h
CW
>
sf
CC C
CYT
C
#
2
4
3
8
Q3
4
CCY C
CW
CX
S S T
h
CX
CX
CW
CW
CX
U
T CYC
CX C
CX
[
]
43
!
3
4
2
4
3
4
Q4
4
CY
CW C
CX
OCY
h
C C CC
C
S S T
h
C
CXS
!
3
4
2
4
3
4
4
4
T
h
CY
CX
C
CW
CYC
CX C CCW
CX
OCY
h
C C CC
CU
T
CCW
C
S S
CCX
!
3
4
Q2
4
Q3
4
4
4
S S
U
T CC
C
OCY
h
C C
CY
CX CCW
C
S S
!
3
4
Q2
4
Q3
4
4
4
C
mp
C CCW
CC C
CY
OCX
h
CY C
#
3
4
Q2
4
Q3
4
4
4
T
h
C
mp
C
CY
CC
U
T
CCW
CU
T
CCW
C
S
U
TCW
CWCW
S S
sample
114-41870
17
[
]
84
!
3
4
Q Q2
4
CX
S S
OCW
p
h
C C
CX
OCW
h
C C
CW
C
CY
g
C
T OB
p
fading away to the end
!
Q3
4
2
4
S
BY
p
BY CX CBY B C
CYCY
CY
S
OB
!
3
4
Q2
4
C
CX C
CX
CY
C
BY
pp
S SC B
p
CCW
CC
S
OBW
!
3
4
Q2
4
S
CW
p
C
CX C C
.
S S S
C
p
C CC
C C C
CY
CC
CW
CY OC
g
CY
CW
CY
#Q
3
4
Q Q Q Q Q"
2
4
C
p
C C C C
[
]
91
!
2
4
3
4
2
4
Q
BX C
CO
BBY B
h
C
T S
!
2
4
3
4
2
4
Q
B C CY OBBX B
h
C
T S
!
2
4
3
4
2
4
Q
B(W ) CCY OB
BX B
h
C
T S
!
2
4
3
4
2
4
Q
OC( Y )
g
CY OC
g
CY C CY C CY
CW
CY B B
g
C
T S
"
2
4
3
4
2
4
QCW
CW C CCX
CX B C CC
CW C B
h
C
T S
Flute
[
]
!
3
4
2
4
Q3
4
Q2
4
T
C
f
C
CX
C
CX
>
C
>
h
j
C
>
U
T
T S T
CX
mf
C
S
= c. 96C
bright & bold again
Oboe!
3
4
2
4
Q3
4
2
4CW
>
f
CY
>
C
CX C
CW
C
>
CW
>
h
j
C
>
U
T
T S S
C
>
CW
>
CX
> C
>
U
T CY
mf
C C
.
C
C C
.
C
.
S
Clarinet (A)
!
3
4
2
4
Q3
4
2
4
C
>
f
C
>
CY
C C
C
C
>
C
>
h
j
C
>
U
T
T T g
C
>
C
U
T
C
>
CY
>
C
>
U
TC
mf
CY
CW
.
CY
CX C
C
T g
C
-
f
Horn (F)
!
3
4
2
4
3
4
2
4
TC
>
f
C
>
C
>
C
>
C
>
C
>
C
>
C
>
CW
BW
h
j
CY
>
U
T
T S S T U
T
h
j
C
.
mf
C
.
C
.
C
.
C
.
C
f
C
T
Bassoon"
3
4
2
4
Q3
4
#
2
4
CW
>
f
CY
>
C
CY
g
i
C
>
U
T
T S S T
h
C
>
f
CCW
>
CX
>
C
>
CW
>
CY
mf
C
CY
.
h
j
C
.
U
T
T S
- III -
sample
114-41870
18
[
]
5
!
2
4
Q3
8
2
4
CX
π
f
CW
T
CX
C
OT
h
j
C
>
CY CX
>
CX
>
CW
>
U
TCW
.
mf
U
T
CW
.
S
!
2
4
Q3
8
2
4
C
f
CW T CXC
U
T CWC
CX
S S
U
T
CX
f
CW
CY
CX
CX
!
2
4
3
8
2
4
T
C
>
f
CW
>
CX
C C
-
CC
T g
C
OCW
C
mf
CY CX
CX
C
CYCX
CXCY
C C
.
U
T
!
2
4
3
8
2
4
Q QC
C
T T
C
CW CWCW CX
C
T
#
2
4
3
8
2
4
T
CW
>
f
CY
>
S T T
CXC
S OT
g
i
CX
mf
CX
.
CY
.
C
.
C
.
U
T
CY
.
U
T
CW
.
[
]
9
!
3
4
2
4
Q Q Q Q3
4
U
T
C
.
p
CW
.
CX
.
U
T
C
>
f
CX
.
T
h
CY
>
sfz
C
p
S
,
Subito meno mosso; = c. 66C
!
3
4
2
4
3
4
U
T
C
.
p
CX
.
C
CY
f
U
TCY
-
T
h
CY
>
sfz
OC
p
h
CX
mp
CY
CY
CYC
CYCY
CY OC
h
CY C
CW
!
3
4
2
4
Q3
4
S U
T
C
f
CY
CXCW
CX
T
h
C
>
sfz
C
pp
S
,C
mp
C
CY
CY
B CCW
!
Q3
4
2
4
Q Q Q3
4
T
g
C
>
sfz
C
pp
S
,
S T
g
C
mp
#
3
4
2
4
Q Q3
4
S
U
T
CW
.
f
C
.
CX
.
h
C
.
T S S S
C
mp
CY
CY
CYC
[
]
15
!
3
4
Q2
4
Q QT
h
CW
mp
C
CX
CXCW ?
T
C
f
CX
CX
C
CX
>
C
>
Rit. Subito Tempo Iº ancora meno mossoRit.
?
!
3
4
Q2
4
T
h
CW
pp
C
C
CCW
U
T
CY
>
f
C
CX C
CW
C
>
CW
>
S T
h
C
pp
CCX C
!
3
4
Q Q2
4
U
TC
>
f
CY
C
C
CW
C
>
C
>
S T
h
C
pp
CCY C
!
3
4
2
4
C C C
C CT
h
C
pp
CC C
S T
h
C
pp
OC
h
C
CY
C
CC
#
3
4
"
2
4
T
h
C
mp
C
CY C T
g
CY
pp
CCY C
U
T
CY
>
f
C
CY
g
i
CX
U
T
T S T
h
C
pp
CC Csa
mple
114-41870
19
[
]
20
!
Q3
4
Q2
4
3
8
5
8
U
T
CY
f
CX C
.
T
C
CX
S S T
h
CW
f
C
CY
T
C
CXTempo Iº
!
3
4
Q2
4
3
8
5
8
S U
T CY
>
f
C
>
CX
>
U
TCY
CX C
.
C
CX C
.
C
.
S S T
C
f
CW CW
CYC
CXC
C
!
3
4
Q2
4
3
8
5
8
S
U
T
C
>
f
CY
>
C
>
U
T
CYC
CY
.
C
CX C
C
S T
CW
>
f
CY
>
C
CX
T
CXCW CX
CC
C
!
3
4
Q2
4
3
8
5
8
T
h
CW
f
h
j
C
>
U
T
T OT
h
j
C
.
mf
C
.
C
.
C
.
C
.
C
f
CW
T
C
f
CW
T S T T g
CY
f
" #
3
4
Q2
4
3
8
5
8
S
U
T
CY
>
f
C
>
CX
>
CW
>
CYCX
C
.
g
i
CX
.
U
T
T S T
CY
>
f
CX
>
T
CXCW CW
CYC
CXC
C
[
]
25
!
5
8
2
4
Q Q5
8
3
8
S T T
CY
>
C
>
U
T
CY
>
CX
>
CX
>
U
T
CW
-
CY
.
U
T
CY
C C
.
T
CY
CX
T
!
5
8
2
4
5
8
3
8
T
C
>
CW
>
T
C
>
CX
>
C
>
C
>
B
>
C C
>
C
>
C
>
g
i
C
.
U
T
T S U
T
CX
>
CY
>C
>
U
TCY
C C
.
C
CX C
.
C
.
T
!
5
8
2
4
5
8
3
8
TCY
>
C
>
T
CY
>
C
> C
>
C
>
S T C
>
CX
>
C
>
CW
>
C
>
C
>U
T
CX
C
CYC
CX
S U
T
C
>
CW
>CY
>
U
T
CCW
CX
.
U
T
CY
.
C
CX
T
!
5
8
2
4
Q5
8
3
8
OC C
+C
+C
+C
+
h
j
C
>
U
T
T S T
CC
S OT
h
j
C
.
mf
C
.
C
.
C
.
C
.
C
f
C
#
5
8
2
4
5
8
3
8
T
C
>
CW
>
T
C
>
CX
> C
>
C
>
S T
C
>
CW
>U
T
CY
>
C
>
CX
>
CW
>
CX
>
C
> CY
>
CW
>
C
.
U
T
C
>
CY
>
C
>
CX
>
CYC
CY
.
g
i
C
.
U
T
T T
[
]
30
!
3
8
2
4
3
4
CW
C
T
CW
CW
OT
h
j
CWC
CX
.
CY
.
C
.
U
T C
. U
T
C
.
S S
U
T
CY
f
CW
CCX
CY
!
3
8
2
4
3
4
CXC
T
CWCW
OC
CY
CWC
CX
CY
CX
CC
CY
CY
.
C
.
U
T
CX
.
p
CW
.
CY
CX
f
U
T
C
-
U
T
!
3
8
2
4
3
4
T
CYCY
T
U
T
CY CXCX
S S U
T
CWCY
C
CW
C
U
T
CY
.
p
CY
.
CX
. U
TCX
-
f
CY
.
!
3
8
2
4
Q Q3
4
CC
CW
CYg
Ch
j
CX
U
T
T S
#
3
8
2
4
3
4
T TCW
CW
S OT
h
j
CX
.
CY
.
CX
.
CW
.
CW
.
U
T
CX
.
U
T
C
.
S
U
T
CX
.
f
CY
.CX
.sample
114-41870
20
[
]
34
!
3
4
2
4
Q3
4
2
4
T
h
C
>
sfz
C
pp
S
,
CY
p
CCX
BY CC
T
h
C
CX
CY
CYC
S
C
pp
C
C
Subito meno mosso = c. 66
g
C ancora meno mosso
still slower = c. 54C
!
3
4
2
4
Q Q3
4
Q2
4
T
g
C
>
sfz
C
pp
S
,
S
CX
p
CY
C
CCX
S T
h
CY
pp
CX
CW
CW
CY
!
3
4
2
4
Q Q3
4
2
4
T
h
C
>
sfz
C
pp
S
,
S T g
C
g
CT S T
g
CY C
CX C
S
C
pp
C
C
!
3
4
2
4
Q Q Q3
4
2
4
T g
CW
>
sfz
C
pp
S
,
S T
h
C
p
C C C
CW C
T
h
C
pp
CW
C
C C
#
3
4
2
4
3
4
Q2
4
"
CW
.
C
>
sfz
OC
p
h
C
mp
CY
C
CC
CYC
CY OC
h
C CC
S C
p
C
C
[
]
42
!
Q Q3
4
2
4
Q7
8
2
4
S
C
p
C
C h
C
T S S
U
T
CY
f
C C
.
T
CY
C
T
Tempo Iº
= c. 96C
!
3
4
2
4
Q Q7
8
2
4
CX
C
mp
C
OC
p
h
CW
C
Ch
C
T S S
U
TCY
f
C C
.
C
CX C
.
C
.
T
!
Q Q3
4
Q2
4
7
8
2
4
OC
p
g
C
C
C C CC
f
CW
CW
.
CY
CX C
CT
!
Q Q3
4
2
4
7
8
2
4
S S T
h
CY
p
B BS OT
h
j
C
.
f
C
.
C
.
C
.
C
.
CC
"Q Q
3
4
#
2
4
7
8
2
4
S
OC
p
h
CW
C
CW
CY
CS
CX
.
f
CYC
CY
.
g
i
C
.
U
T
T T
[
]
48
!
2
4
3
8
5
8
2
4
3
4
SC
C CC
CW
T
C
C
S T T
CW
>
CY
>
S
CY
CY
T T
CY
CY
CW
CY
CW
>
CY
>
h
j
C
>
U
T
T
!
2
4
3
8
5
8
2
4
3
4
S T
C
C CCW CX
CC
C
TCY
>
C
>
TCY
>C
>
C
>C
>
S T
CY
CY
C
>
CX
>
CW
CY CY
C
C
>
C
>
h
j
C
>
U
T
T
!
2
4
3
8
5
8
2
4
3
4
T
CX
>
CW
>
CXC
T
CC CY
CYC
C
TCY
>
C
>
T
CY
>
CY
>
CY
>
CY
>
T
CY
>
C
>
CX
CW
TCY
>
C
>
CX
CW CWCY
C
>
C
>
h
j
C
>
U
T
T
!
2
4
3
8
5
8
2
4
3
4
CC
T S T T g
CW
f
OCY CY
>
C
>
C
>
C
>
CYC
T S T
CY
>
C
>
C
>
C
>
C
>
C
>
CW
>
CY
>
C
mp
#
2
4
3
8
5
8
2
4
3
4
T
CY
>
CY
>
T
CXCX CX
CW CXC
CC
T
CY
>
C
>
T
CY
>
C
>
CY
>
C
> T
C
>
CX
>
T
CYCY
C
>
CX
>
CW
CX
g
i
CW
U
T
T S
sample
