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Rhode Island School of Design's Pre-College Program 2012 catalog
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Transcript of Rhode Island School of Design's Pre-College Program 2012 catalog
pre-college
pre-college program
The RISD Pre-College Program is designed to give
16- to 18-year-old high school students an introduction
to the college art school experience. For six weeks,
you follow a college-like studio curriculum, live in RISD
residence halls and have fun on weekend outings to
museums, beaches and area cultural attractions, while
maintaining a high level of initiative and responsibility
regarding your work and behavior. The course of study
is focused, serious and challenging.
exPeRIenCe art and design in a college setting
DeveloP a strong foundation of art and design skills
maSTeR a variety of tools, materials and techniques
buIlD confidence in yourself as an artist and as an individual
leaRn from expert and highly specialized arts faculty
exPloRe one of 20 different artistic disciplines
CReaTe additional pieces for your college admission portfolio
FoRge strong bonds with diverse, multicultural classmates
June 23 - August 4
PhilosoPhically, the RISD Pre-College
Program focuses on broadening your artistic horizons
by helping you to articulate your own responses to
the world through the visual language of art and
design. In the process, you not only master crafts-
manship and technique, but also begin the process
of defining who you are. The program is essentially
about giving you the skills and confidence to grow
as an artist and an individual.
artistically, you are exposed to a wide range of new
techniques and media. The curriculum is chosen
from many different visual art and design disciplines,
and is relevant to both a future career and personal
enrichment in the arts. Pre-College faculty members
constantly challenge you to strengthen not only
artistic technique, but also critical thinking skills.
To do this, you respond to many diverse influences –
from exposure to the work of first-rate, professional
artists and the critiques of your peers, to accessibility
to RISD’s own distinguished art museum and the life
of the surrounding city, itself a work of art.
Socially, you have the opportunity to meet students
from across the country and around the world, form-
ing strong bonds by working together and taking on
the program’s many challenges. You also develop
social responsibility by sharing living space, partici-
pating in organized activities outside the studio
and classroom, and helping each other learn how to
manage time and workloads. It is no surprise that
many long-term friendships begin during Pre-College.
Gab
riel
le M
cShe
rry
(Syr
acus
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Y)
Dig
ital P
hoto
grap
hy
Witt
Fet
ter (
Dal
las,
Tx
) Pa
intin
g
Cor
neliu
s A
rnet
t (So
mer
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Fu
rnitu
re D
esig
nIs
abel
la C
uglie
van
(lim
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Te
xtile
Des
ign
the goods
more than 400 high school students are expected
to participate in this year’s program. The structured
curriculum gives you a strong foundation of drawing
and design skills in addition to your major studies.
The Pre-College community draws on an award-winning
faculty of more than 70 artists, designers and educa-
tors, some of whom teach degree program classes at
RISD as well.
The Pre-College Program places a premium on multi-
cultural activities, exposing students to new and
different ideas through special lectures and visits
by guest artists. Representing a broad spectrum of
cultures, these artists speak about their work, back-
ground and philosophy, present their artwork, and
discuss with students the influence of culture – their
own and others’ – upon their development as artists.
many visiting artists also critique students in their
areas of expertise.
courses
The Pre-College Program is a full immersion encounter with
art and design education at the highest level. Students spend
one full day each week in both Foundation-level drawing and
design courses, and a half-day each week in a critical exami-
nation of creative issues found in the history of art. Two days
each week are devoted to a “major” concentration. Skills and
projects developed through intensive exploration into one of
these 20 majors provide students with invaluable insight and
experience in preparation for college — and may help you
enhance your art school admissions portfolio.
foundation studies
drawing foundations critical studies in art historydesign foundations
Jewelry
Painting
Photography: Digital
Photography: Traditional
Furniture Design
game Design
graphic Design
Illustration
Industrial Design
Interior Design
Printmaking
Sculpture
Textile Design
majors
animation
architecture
Ceramics
Comic book art
Drawing
Fashion Design
Film/video
The Pre-College experience is made all the more
valuable through access to RISD’s well equipped and
internationally renowned studio facilities housed in
over 40 buildings, which include computer labs,
darkrooms, kilns, woodworking shops, and textile
and printmaking studios.
The Fleet library at RISD is one of the oldest inde-
pendent art college libraries in the united States
and boasts a collection of unusual richness and
depth. This award-winning library is housed in a
stunningly renovated Italian Renaissance-style
banking hall in “15 West” (the mandle building), and
now contains more than 130,000 books and bound
periodicals, 19,000 mounted art reproductions and
685,000 image holdings focused on art, architecture
and design. The edna lawrence nature lab, a
repository of more than 90,000 natural specimens,
is also an indispensable resource, especially for the
Drawing Foundations course and for many other
projects related to your major.
The RISD museum of art, nationally recognized as
one of the finest museums of its size in the country,
is another exceptional resource. It houses more than
80,000 works in its collections of fine and decorative
arts ranging from antiquity to the present. Students
are encouraged to incorporate information from the
collections into their research for the Critical Studies
in Art History course.
at the heart of the campus is the Chace Center, a
five-story expansion of the RISD museum that opened
in the fall of 2008. Designed by Pritzker Prize-winning
architect José Rafael moneo, this leeD certified building
has added dramatic and dynamic exhibition, studio,
classroom and public space to the RISD campus, and
is now the home of the popular retail design show-
room, risd|works.
Ian
Patr
ick
(Fai
rban
ks, a
K)
arc
hite
ctur
e
Ann
eka
Bjor
keso
n (b
erke
ley
Hei
ghts
, nJ)
In
dust
rial D
esig
n
Dan
ielle
Mol
ina
(eliz
abet
h, n
J)
Fash
ion
Des
ign
Exhibition showcases hundreds of pieces produced
in the studios of all 20 majors; the Fashion Majors
Show highlights wearable art created by fashion
design students; and the Design and Drawing
Exhibition presents work from Drawing Foundations
and Design Foundations classes.
show your stuff
an essential element of the learning process at RISD
is the studio critique. as you learn to present and
discuss your work in front of faculty, guests and
fellow students, you grow more comfortable with
talking about and articulating your goals. Critiques,
or “crits” as they’re more commonly known, take
place from time to time throughout the course of
each class, and serve as important guideposts as
you refine your work and prepare final projects.
The summer culminates with the annual Pre-College
Exhibitions – three events for students, their parents,
families and friends, held in three separate exhibi-
tion spaces on the RISD campus. The Majors
Jess
ica
Lin
(Sin
gapo
re)
Dra
win
g
the scene
There’s no shortage of great things to do after class, like
foreign film nights, artist talks, gallery openings, dances,
baseball games and workshops. or, you can take
advantage of open studios to spend more time working
on your projects. Weekend trips often include visits to
newport’s mansions, narragansett’s beaches, block
Island, Tillinghast Farm (RISD’s waterfront campus),
and the museum of Fine arts in boston.
College Hill, on Providence’s historic east Side, is one of
the most picturesque sections of the city, home to the
expansive campuses of RISD and neighboring brown
university. The main RISD campus, situated at the
center of the historic district, is famous for its narrow
streets lined with restored Colonial homes and fine
examples of early Federal and 19th-century architecture.
RISD’s extensive facilities span Providence’s central
rivers – home to Waterplace Park and WaterFire, a
recurring after-dark festival of light and music – and
include several notably restored historic buildings in
the city’s vibrant downtown.
RISD’s neighborhood offers a variety of restaurants,
cafés, shops, bookstores and art cinemas. If you like
music and theater, you can enjoy great performances at
popular local venues, including the nationally acclaimed
Trinity Repertory Company and the Providence Perform-
ing arts Center. local restaurants range from ethnically
rich neighborhood eateries to world-renowned, five-star
dining establishments. all of these options are within
walking distance of the college.
While Rhode Island is only 48 miles long and 37 miles
wide, it’s blessed with almost 500 miles of enchanting
coastline along the atlantic ocean and narragansett
bay. Rhode Island is also convenient to such popular
summer destinations as block Island, Cape Cod,
martha’s vineyard and nantucket, which makes it an
ideal jumping-off point for family vacations, or a perfect
vacation destination in itself. Traversable in little more
than an hour, the state offers both a welcome retreat
from the bustle of boston and new York, and easy
access to these cities by road, rail, bus and airplane. In
short, it’s a great place to be — especially in the summer.
FInD YouR WaY16 CurrICuLuM how it works
make it yours
21 APPLyInG
who may apply?
application information + procedures
program expenses + fees
scholarships
international students
application + payment timeline
how to apply
application checklist
submitting your application
confirmation
program forms + documentation
26 PoLICIeS student conduct
facilities use for commuters
withdrawal + refund policy
27 StuDent LIFe
campus housing
dining services
art supply stores
APPLICAtIon ForM
center of the catalog
CalenDaRPre-College Pre-View
Saturday, march 3 (see back cover for details)
Note: The Pre-View is not mandatory.
Check-In Day
Saturday, June 23
Classes Begin
monday, June 25
Summer Faculty exhibition opening
Thursday, July 5, 6-8pm
Pre-College exhibitions open
Friday, august 3, 6-8pm
Check-out Day
Saturday, august 4
“ You’re surrounded by people who share your passion; no matter where you are skill-wise, the experience is incredible because you learn so much about art and even more about yourself.”
– alessa Peters (Woodinville, Wa), graphic Design
check it out
visit the RISD Pre-College website –
www.risd.edu/precollege – to see video
overviews of the program and an online
gallery of Pre-College student work, hear
from some former students about their
experiences in the program, and get a
glimpse of what life is like at RISD.
oVerVIeW
The Pre-College Program strengthens your ability to observe,
conceptualize, analyze and create. Whether courses are
selected for personal exploration or as a fast track to college-
level study in art and design, a balanced schedule and all-day
studio classes allow for creative problem solving as well as
artistic experimentation. In addition, studio critiques encour-
age you to talk about both your own work and that of your
classmates.
one of the hallmarks of a RISD undergraduate education is
the Foundation Studies program, a year-long immersion in
rigorous visual and critical inquiry, designed to encourage
experimentation and the challenging of ideas, motivations
and assumptions. at RISD, foundation work is as crucial to a
student’s overall development as the major. It is no different
for the Pre-College Program, where you are introduced to the
RISD curricular concept through three foundation courses:
Drawing Foundations, Design Foundations, and Critical Studies in
Art History. These courses help you sharpen your powers of
observation, gain experience with various tools, materials and
techniques, and learn to analyze and discuss works of art.
as in a college-level art and design education, choosing a
major is also an essential part of one’s experience, and this,
too, is an important element of the Pre-College Program.
majors provide the opportunity to immerse yourself in
focused effort within one particular design or fine art field;
major classes are scheduled for two full days each week,
allowing you to explore one of the 20 available disciplines
in depth. RISD stresses that foundation studies are as impor-
tant as major work, so equal emphasis is placed in both areas
and effort is balanced between the two during the week.
CLASS SCheDuLe
each week’s schedule is structured as follows:
drawing foundations
1 six-hour day
(6 contact hours per week)
design foundations
1 six-hour day
(6 contact hours per week)
critical studies in art history
partial day
(2 contact hours per week)
major
2 six-hour days
(12 contact hours per week)
total
26 contact hours per week
each course requires work to be developed or completed
outside of class. open studio time is available when students
are not scheduled to be in class.
Note: Course schedules and syllabi are not available prior to
Check-In.
CuRRICulum
how it works make it yours
FounDAtIon CourSeS
drawing foundations
The ability to observe and the skill of translating these obser-
vations into visual expression are fundamental to an artist’s
education. Students in this course first develop their power of
observation and strengthen their ability to think and express
themselves visually on paper. They learn techniques for
working from the human figure, forms in nature, landscapes,
interior spaces and still-life setups. Traditional and nontradi-
tional materials are used throughout to investigate line, value,
form and composition.
design foundations
Design is critical to all visual expression. This course intro-
duces students to the formal elements of design – line, shape,
color, texture and space. Through challenging exercises,
students are encouraged to explore traditional methods of
visual organization and to discover new solutions on their
own. Projects may include both two- and three-dimensional
design concepts.
critical studies in art history
Critical analysis – the ability to thoroughly examine, analyze
and respond to creative concepts and ideas, both verbally and
in writing – is an essential tool in an art and design education.
In this foundation course, historical and contemporary art
(both two- and three-dimensional) is presented in relation-
ship to a specific theme. Students develop an approach
to critical analysis by delving into the historical context of
the artwork. Course work is enhanced by visits to the RISD
museum of art, where students explore the collections and
examine original artwork in an intimate setting.
MAJorS
animation
animation – the study of art in motion – is a constantly evolving
art form. This major introduces students to the rich traditions
of frame–by–frame nonlinear movie construction, and to
recent developments in the field. using a variety of rendering
techniques, students focus on the development of unique
characters and compelling narratives. In order to produce im-
pactful visual elements, emphasis is placed on studio projects
– such as flipbooks, storyboard, cutouts and stop-motion film
– that develop strong perception and drawing skills. Students
are introduced to basic technical skills in computer distortion,
timing, exaggeration, sound and sequencing, and also view
noteworthy animated films and discuss ways in which they
relate to their own work. NOTE: While not required, students may
wish to bring a high-capacity storage device such as an external
hard drive or flash memory device.
architecture
Students profit from the dynamic relationship between learn-
ing basic architectural concepts and physically employing
them in the construction of prototypes. as an introductory
architectural design studio, important architectural principles
are presented through studio exercises, slide lectures and
demonstrations. Students implement these principles through
both drawing and model-building to develop an understand-
ing of scale, form and spatial relationships. This intense
study provides the framework for the process of analysis and
synthesis that is critical to further architectural pursuits.
16 CuRRICulum
“The exposure to different takes on the artistic process, through my friends and professors, has been really
astounding. It has influenced my art in a really profound way.” – Chris Fernald (marietta, ga), Painting CuRRICulum 17
ceramics
Clay has long been respected as the medium of choice for
relief and sculptural portraiture, and has been used through-
out history in many varieties of functional ware. Its plasticity
and versatility are increasingly appreciated in works that tran-
scend traditional boundaries, so that today, ceramic media
are also associated with contemporary sculptural possibilities.
accordingly, students learn basic construction and finishing
techniques, including hand-building, wheel-throwing,
methods of surface design, glazing and kiln firing, and are
also encouraged to experiment with both functional and
sculptural ideas.
comic book art
Comic books are pure pop-culture adrenaline – influencing
novels, movies, fashion and even the web – and have become
an essential element of our popular media consciousness.
This major provides students with the expertise needed to
combine words and pictures into compelling visual narratives
for strips, comic books, or graphic novels. Students learn the
creative and technical aspects of this idiosyncratic art form,
including its unique characteristics and limitations. Classes
include a survey of selected comics, in-class demonstrations
of scriptwriting and drawing techniques, and studio assign-
ments that encourage participants to develop original comic
stories of their own. beyond comic books themselves, the
skills acquired also apply to children’s books, film and televi-
sion production and video games.
drawing
This major allows students who wish to immerse themselves
in drawing to expand significantly upon skills and techniques
introduced in Drawing Foundations. Students confront de-
manding technical exercises and explore imaginative, descrip-
tive and conceptual imagery on paper. all the critical technical
elements of drawing – line, tone, composition and color – are
employed as tools that facilitate extensive experimentation,
discipline, and an environment of intense inquiry.
fashion design
Students in this major examine the fashion design process
from sketchbook to consumer. Initial exercises focus on
developing the visual communication skills necessary to
illustrate a fashion concept. merchandising and construction
methods come to the forefront as students gain an under-
standing of color interaction, form and proportion. In the
process, students begin to appreciate how fashion tastes and
styles both reflect and contribute to contemporary culture.
ultimately, students design and construct fashion pieces out
of alternative materials to be shown as part of the Pre-College
exhibitions at the end of the program.
film/video
using video as a means for studying basic techniques of film-
making, students develop universal skills of expression and
storytelling, and the fundamental language and processes of
motion pictures, from concept to final edit. Students learn ba-
sic digital video filming techniques and nonlinear editing with
Final Cut Pro software as they shoot and edit a series of short
individual and team projects. experimental, documentary and
narrative genres are all explored, and select student work is
viewed and analyzed in class. (Previous experience with video
editing software, such as imovie or adobe Premiere, is helpful
but not required.) NOTE: Video cameras are provided for use dur-
ing class hours only. Students may bring their own video cameras,
provided they have manual controls and record to a digital format,
and should be equipped with FireWire (IEEE 1394) or USB ports.
furniture design
You use it every day. You live with it and you can’t get along
without it. but have you ever really examined furniture? Have
you ever admired the form of a table or scrutinized the func-
tion of a chair? midway between sculpture and industrial
design, the vital discipline of furniture design directly impacts
human interaction and well-being. Through drawings and
modeling, furniture design students explore key aspects of
three-dimensional design, incorporating the aesthetics of
form and function to articulate their design ideas. They learn
to use traditional furniture-making skills, including joinery
and the time-honored techniques of hand and power tools,
ultimately building one of their own designs.
new! game design
For games to be compelling, game artists are obliged to
not only develop aesthetic and technical skills, but to also
consider psychology, sociology and storytelling. This course
focuses on creating games through a fundamental, critical
thinking approach, and studio projects are primarily created
in traditional media — such as board games, cards, dice,
puzzles and role-playing. Peer reviews and play testing help
guide students to design fun, stimulating and enriching
games. game industry designers and developers serve as guest
critics. aspects of computer-based video games including
modularity, depth and level design are covered; however final
projects are analog, physical games. NOTE: While not required,
students may wish to bring a high-capacity storage device to save
any computer-based work.
graphic design
graphic Design majors explore various combinations of
traditional and digital design tools through a series of intensive
classroom exercises. This regimen enables them to integrate
diverse techniques with the design elements of color, form,
typography and composition. Projects allow students to com-
bine these tools and techniques in such creative applications
as corporate identification, publications, posters, packaging
and/or signage. Students also learn to recognize the principles
of good graphic design as they integrate text and imagery
(drawn from various media) into seamless, finished
communications.
illustration
This major is an ideal choice for students with a strong draw-
ing background who desire the added discipline of working
with both text and visual imagery. Indeed, the critical compo-
nent of this major involves learning the best ways to combine
words, images and ideas. Students explore books, magazines
and short stories, seeking models for manipulating content,
design elements, materials and techniques in order to express
ideas effectively. These exercises allow students to explore a
variety of styles and to use various techniques and materials
as they develop a personal visual vocabulary.
industrial design
From the creation of a handheld electronic device to the con-
figuration of a satellite, industrial design is a steadily growing
field that affects every aspect of our daily lives. This major
is dedicated to instilling the conviction that fine aesthetics
and mechanics reinforce one another in producing exemplary
products for industry. Students work on design solutions for
social, physical and ecological needs, and develop a working
vocabulary in the language of two- and three-dimensional
design. Three-dimensional drawing and model-making skills
are therefore emphasized throughout the course.
interior design
Students in this major gain a strong foundation in the process
of designing interior spaces. They develop a visual vocabulary
in order to explore the relationships between interior compo-
nents and movement within the space. Color, texture, fabric,
lighting and other elements are investigated in a creative
environment that encourages participants to express their
own sense of design. Discussions and critiques help students
understand the elements and principles of interior design as
they develop project solutions.
jewelry
Designing and constructing jewelry is an ideal discipline for
developing an understanding of the structural underpinnings
of all kinds of sculpture. many skills learned in this major, if
expanded in scale, are readily transferable to other modes of
metalwork because they familiarize students with the proper-
ties of various metals and related materials, as well as with
commonly used methods of joining. Techniques are learned
through numerous demonstrations and structured exercises
in the studio, enabling students to complete jewelry objects
of their own choosing by the end of the course.
CuRRICulum 1918 CuRRICulum
painting
Painting majors are introduced to both traditional and con-
temporary concepts and techniques in painting. They learn
to create and organize forms, colors, textures and tones
while experimenting with various methods of application.
Initially, students work from the figure, still-life setups and
diverse landscapes. They then seek to create more personalized
imagery by adapting lessons from the studio. lectures,
demonstrations and critiques reveal how others have tackled
similar painting issues in the past, so that students can
discover their own style.
photography: digital
Professional photography is fully immersed in digital work-
flow, and anyone using a camera these days must have an
understanding of digital tools. Students in this major develop
technical and aesthetic skills in photography, with an empha-
sis on digital imaging and its potential applications in print
and electronic form. Coursework focuses on camera tech-
niques, lighting methods, and the use of computer software
(adobe Photoshop) for enhancing and refining images, and
for presentation. RISD cameras are used during class time, but
students are encouraged to bring their own digital cameras
for flexibility in capturing images outside of class.
photography: traditional
Traditional Photography students learn how to see and com-
pose images through the camera’s eye, and are encouraged
to develop personal concepts by solving fundamental visual
problems specific to the photographic image. They explore
black-and-white photographic tools and techniques, including
operation of the single-lens reflex camera, how to determine
proper exposures, and the chemical process for developing
35mm negatives and prints. Presentation methods and
archival preservation are also demonstrated and discussed
throughout the course. both the experienced and the inex-
perienced photographer are welcome, but each student
must have access to a 35mm camera with full manual
exposure control capability.
printmaking
This major is an excellent choice for students who want to ex-
pand upon previous drawing experience by exploring a tactile,
process-oriented medium that offers many options for rich
visual effects. lessons in plate and paper preparation, regis-
tration and preservation enable students to explore diverse
intaglio techniques such as pochoir, dry point, and hard- and
soft-ground etching in both large and small formats. Surface
printing techniques are also explored, including monoprint-
ing, chine collé and xerographic transfer. as students begin to
master these techniques, they are given the opportunity to
demonstrate both their facility and their developing personal
imagery by producing a series of related small-format prints
for final portfolio presentation.
sculpture
In this major, students engage in a traditional approach to
sculpture by exploring a range of three-dimensional concepts,
skills and processes. emphasis is placed on producing realistic
structures based on human, animal and plant anatomy.
Students select materials and methods that allow them to
best address issues of form, space, expression, context and
scale; in past years, projects have included constructing with
wire, paper, fabric and found objects. assignments encour-
age students to create well-crafted, conceptually sound and
structurally durable sculptures. Information is provided and
discussed regarding the expansive field of contemporary
sculpture, including conceptual art, public art, installations,
memorials and site-specific work.
textile design
Students working with textiles have the opportunity to explore
how fabric and fibers can be manipulated to produce a wide
variety of surface designs and expressive ideas. by mastering
the basic elements of silkscreen printing and assorted dyeing
methods, students learn to experiment with elements of
layering, transparency and repeating patterns. emphasis is
placed on the creative use of color, and on drawing unique
narratives and motifs, resulting in finished designs on fabric
yardage. Discussions regarding the myriad ways contemporary
textiles are created for fashion, home décor, architectural
materials and original fine art augment studio work.
> united States high school students who have finished
their sophomore year and who are 16 to 18 years old
(born between august 4, 1993 and June 23, 1996).
> International students in the same age range with appro-
priate visas and a demonstrated proficiency in the english
language, as indicated by a ToeFl or IelTS minimum test
score of:
• 93 on the ToeFl Internet-based (IbT) test,
• 580 on the ToeFl paper-based (PbT) test,
• 237 on the ToeFl computer-based (CbT) test, or
• 6.5 on the IelTS (academic format) examination.
note: Should a student be unable to obtain either a ToeFl
or IelTS test score in time for application, please refer to
International Students, page 23, for further details.
all applicants who meet the age requirements and demon-
strate the ability and desire to benefit from the program, as
evidenced by their application materials, are accepted. There
are no admission tests or portfolio requirements.
application information + procedures
APPLy eArLy
applications are processed beginning on monday, January 9.
Since space in each major is limited, early application is
advised. applications are dated and reviewed on a first-come,
first-served basis. Incomplete applications are not processed
until all missing parts are supplied, so be sure to include all
attachments and required payments and signatures. If a
student is ineligible for the program, the parent or guardian
is contacted as soon as possible after the application
is received.
ChooSInG MAJorS
Please make your major selection carefully, as changes cannot
be accommodated once the application has been received.
majors are assigned in the order of preference indicated by
the student on the application form, on a first-come, first-
served basis. because space in majors is limited, first choice
selection cannot be guaranteed. early application increases
an applicant’s chance of placement in the preferred major.
applicants are asked to indicate three choices of major. all
should be selected with equal care, because an applicant is
automatically waitlisted for the first (or subsequent) choice
if it is full, and placed in the next available choice. If all three
choices are full, the student is notified as quickly as possible
and given an opportunity to select another major. The student
is also notified if space becomes available in a major for which
he or she is waitlisted. If a student forfeits a place in any major
when it is offered, whether a first, second or third choice, that
decision is final.
VERY IMPORTANT: There can be no changes of major or section
once the application has been received.
aPPlYIng
who may apply?
“I was scared at first... but my teacher
challenged me to do something different and not be afraid. It boosted
my self-confidence and helped me improve.” – Carol lee (mclean, va), graphic Design
aPPlYIng 2120 CuRRICulum
tuItIon
$4,875 includes basic tuition, but not housing and dining, art
supplies or lab, linen, telephone and other special fees.
heALth SerVICeS Fee
a $150 fee is required for all Pre-College students for access
to RISD Health Services. This fee is separate from and unre-
lated to health insurance. additional information is available
on the Health Services page of the RISD website, or by calling
RISD Health Services at 401 454-6625.
houSInG + DInInG Fee
$2,452 includes residential and dining fees for boarding
students.
DInInG PLAn For CoMMuterS
Commuters are invited to purchase meals individually or in
blocks. See Dining Services, page 28, for details.
ProGrAM DePoSIt
In order to reserve a seat in the program, all applications
postmarked by monday, april 9 must be accompanied by a
nonrefundable deposit of $500 for boarding students or $350
for commuting students. applications received after april 9
must be accompanied by payment in full.
LAB FeeS
Film/Video and Traditional Photography majors require specific
lab fees, to be paid at the time of registration:
Film/video: $200, includes an a/v-rated external FireWire
hard drive (that becomes the property of the student).
Traditional Photography: $180, includes a $100 deposit for the
rental of a darkroom kit, which is refundable upon return of
undamaged supplies.
Art SuPPLIeS + PreSentAtIon MAterIALS
Students will need a variety of art supplies and presentation
materials (along with appropriate carrying cases) for their
courses. Depending on the student’s major and approaches
taken by different instructors, supplies can sometimes be in
excess of $800. Students may wish to bring supplies that
they already own to mitigate cost. To this end, a general list
of supplies that every student needs will be sent with the stu-
dent’s program forms and documentation. Specific supply lists
for classes in the student’s major will be sent as soon as they
become available. Inevitably, students will need to purchase
supplies during the program, and there are several local art
supply stores to accommodate these needs. Parents may find
it useful to establish a charge account at the RISD Store, which
is located in the heart of campus. Information on charge
accounts is included in the program forms and documentation.
other exPenSeS
all costs and fees associated with planned Pre-College
Program activities (e.g., museum/venue admissions fees,
buses, ferries, etc.) are included with the tuition for the
program. However, students are responsible for any sundry
purchases during these activities. as with art supplies, all
other miscellaneous expenses, such as travel to and from the
RISD campus at the start and end of the program (and during
excused absences), are the responsibility of the student and
their parents or guardians.
a limited number of scholarships (full and partial) are
awarded to applicants who can demonstrate significant finan-
cial need, artistic and academic ability, potential to contribute
to the cultural, intellectual, artistic and other diversity of the
program, and interest in and commitment to the program.
Scholarship applicants must follow the Scholarship applica-
tion requirements and use the Scholarship application form
and checklist found on the Pre-College Scholarship website,
www.risd.edu/pcscholarship. Scholarship applications must
be in the mail to the RISD|Ce offices, postmarked no later
than Friday, march 23.
international students
RISD welcomes students from around the world to participate
in the Pre-College Program. Some additional requirements
apply to international students, such as:
> Students whose native language is not english will need to
demonstrate a working knowledge of the english language.
> all non-uS citizens must obtain an F-1 student visa that is
valid for the duration of the Pre-College Program.
International students, including all students whose native
language is not english, and those who are not citizens of the
united States, must go to the Summer International page of
the RISD website – www.risd.edu/summerinternational – for
detailed information, requirements and all forms necessary
for application. Please consult this website and/or contact
your local u.S. Consulate or embassy with any questions
regarding visas. You may also want to visit the u.S. govern-
ment’s International Student and exchange visitor Program
website at www.ice.gov/sevis.
Monday, January 9: Registration opens, application process-
ing begins
Friday, March 23: Scholarship application deadline (in the
mail and postmarked by this date)
Monday, April 9: Deposit deadline (in the mail and post-
marked by this date; after this date, all fees must be paid in
full upon application)
Friday, April 20: Student visa Information form and Interna-
tional Student Responsibilities document deadline
(for non-uS citizens)
Monday, May 14: Payment deadline: all balances are due
applicants who send tuition and housing deposits before
monday, april 9 are billed for the balance. Full payment is
due by monday, may 14. If no statement has arrived as the
due date approaches, do not wait for a statement; simply pay
the balance due. applications received after monday, april 9
must include all tuition and fees in full.
LAte APPLICAtIonS
late applications are accepted on a space-available basis.
Please contact the Pre-College Registration assistant at
401 454-6204 after may 14 to find out if late applications in
particular majors are still being accepted.
program expenses + fees scholarships
aPPlYIng 2322 aPPlYIng
application + payment timeline
application checklist
ALL non-SChoLArShIP APPLICAntS
must submit:
a completed Pre-College Program application form,
signed by student and parent or guardian
a 250-word statement written by the student
expressing personal reasons for wanting to
participate in the program
one letter of recommendation from a high school
art teacher or guidance counselor
a nonrefundable deposit, due with application:
$500 is due from all boarding students
$350 is due from all commuting students
entire tuition of $4,875 must accompany all
applications received after monday, april 9
(this amount includes the nonrefundable deposit)
health services fee of $150 must accompany all
applications
ALL reSIDentIAL (non-CoMMutInG) StuDentS
must also submit:
housing and dining fee of $2,452 (this is due for all
residential applications received after monday, april 9.)
Note: Housing request forms are sent once your application
is processed.
ALL non-uS CItIzenS
must also submit:
NOTE: Forms for non-US citizens and guidelines for submitting
materials may be found at www.risd.edu/summerinternational.
a completed Student visa Information (SvI) form
a signed International Student Responsibilities
(ISR) document
veRY ImPoRTanT: Signed originals of these forms are due
in our office by april 20, along with all required payments
and materials.
“ You have as much time as you need to invest in your artwork, and you really get what you put into it. And, I found this huge world of art that I hadn’t explored yet, from fashion to game design... It’s a whole group of people you normally wouldn’t get to meet.”
– Julian marshall (Washington, DC), Drawing aPPlYIng 2524 aPPlYIng
The student and his or her parent or guardian must sign the
application form. applications missing one or both signatures
are considered incomplete. Please remember: There can be
no changes of major or section once the application has
been received.
APPLyInG By MAIL
mail completed application materials and fees to:
Pre-College Applications
rISD | Ce
two College Street
Providence, rI 02903-2787
Payment may be made by check, money order, masterCard
or vISa credit cards. We cannot accept debit cards. Checks
should be made payable to RISD|Ce. Checks returned for
insufficient funds incur a charge of $25.
APPLyInG By FAx
Fax completed application materials to 401 454-6218
(payment by masterCard or vISa credit cards only).
submitting your application
Confirmations – including confirmation of major – are sent
out as applications are determined to be complete and the
student has been accepted into the program, usually within
several weeks of the receipt of your application. Housing
request forms are sent once your application is processed.
program forms + documentationall necessary forms, policy documents, check-in details, and
other information that is needed prior to the student’s arrival
on campus will be made available via web download. Students
will be notified by email when these items are ready for down-
load. These documents include:
> Student Handbook, containing detailed information about
arrival and departure; housing, dining and safety; academic
and disciplinary policies and procedures
> Residence halls and food service contracts
> Health Services and Public Safety forms
> laundry and linen service information
> Checklist of items to bring to campus
> art supply information and purchase permission form
VERY IMPORTANT: All program forms and documentation must
be read and responded to prior to the student’s arrival on campus
for the program. Detailed instructions will be provided with each
form. Students cannot attend classes until all forms have been
signed and submitted. Course schedules and syllabi, as well as
information on specific housing and roommate assignments are
not available prior to Check-In.
confirmation
To apply to the program without a scholarship, all of the
materials in the application Checklist must be submitted. If
you are applying for a scholarship, additional materials are
required, as noted in Scholarships, page 23. Scholarship
how to apply
applicants must use the Scholarship application Form and
follow the application Checklist provided on the Pre-College
Scholarship website, www.risd.edu/pcscholarship.
The Pre-College Program encourages artistic and intellectual
freedom, but also makes it a point to safeguard students’
safety by creating a structured campus environment. most
students live in RISD residence halls, which are accessible
only by authorized ID cards. Residents are supervised by
full-time staff and trained resident assistants, and special
rules apply to Pre-College students, including evening curfew
and the need for parental permission to leave campus over-
night. all social, artistic and educational activities are planned
by the Continuing education Department and the Residence
life office.
The above notwithstanding, RISD’s Pre-College Program
is oriented toward relatively independent young people.
Students need to take initiative both in and outside of the
classroom, and attendance in all classes is required and is
critical to successful completion of the program. If parents
and their children are seeking a somewhat sheltered environ-
ment, they should consider the nature of this program very
carefully before applying.
Further details of conduct expectations, attendance and
curfew policies are included in the Student Handbook, which
is provided to students upon acceptance into the program.
Please note: Violations of college policies and regulations may
result in such sanctions as a warning, probation and even dis-
missal. All policy materials must be read and acknowledged
prior to the start of the program.
facilities use for commuters
Students who attend Pre-College classes as commuters are
entitled to work in studios, as well as in workrooms in the
residence halls, whenever residential students have access.
For additional details about RISD policies and services, please
refer to the Pre-College Student Handbook included in the
program forms and documentation.
To officially withdraw from the Pre-College Program, submit
written notification to the Ce associate Director for Student
Support Services in the RISD | Ce office, in person or by mail
or fax. Failure to properly withdraw from the program results
in a permanent grade of ‘F’ on the student’s record.
RISD refunds tuition and fee payments in full for applications
that are not accepted, or if registration is closed. Refunds for
voluntary withdrawal after the student has been accepted
into the program are granted – minus $350 deposit for
tuition and $150 deposit for housing and dining, if applicable –
according to the following schedule:
Written withdrawal Percentage of fees
received in the Ce refunded, minus
office by: applicable deposit(s)
June 2 100%
June 3 – 23 80%
June 24 – 30 60%
July 1 – 7 40%
after July 7 no refund
IMPORTANT: No tuition or other fees are refunded to a student
who is asked to leave the program for a violation of school policies
or regulations. The Pre-College Student Handbook, included in
the program forms and documentation, more fully describes these
regulations. At Check-In, students and their parents or guardians
are required to sign a statement affirming that this information
has been read.
Please note: Refunds take six weeks to process. Refunds for pay-
ments made by MasterCard or VISA are credited to the account.
student conduct
PolICIeS
withdrawal + refund policy
26 PolICIeS
Housing option for 18 Year-olds, which places them with
older students participating in other summer programs at
RISD. Information on specific housing and roommate assign-
ments is not available prior to Check-In. For housing costs,
please see page 22.
VERY IMPORTANT: Smoking is not permitted in any RISD housing
or in any building on the RISD campus.
If you have questions regarding summer housing that are not
covered in this catalog, please contact RISD’s Residence life
office at [email protected] or 401 454-6650 between 8:30am and
4:30pm, monday through Friday.
living and dining together in campus facilities provides an
important aspect of the complete Pre-College experience.
much learning and socialization occur outside the classroom,
in the less formal atmosphere of the residence halls, and
Pre-College staff members work to make this an equally
valuable part of each student’s summer experience.
all residence halls are supervised by resident assistants
assigned to each floor, as well as by RISD’s year-round pro-
fessional Residence life staff. The halls are equipped with
lounges, work areas, and shared kitchens, along with card or
coin-operated washing machines. a professional linen and
laundry service is available at additional cost; information is
included in the program forms and documentation.
Request forms for campus housing are sent via email once
your application is processed. Students apply for single
or double rooms; rooms are assigned as applications are
received. Specific roommate requests must come from both
parties, with parent/guardian approval. Room requests based
on medical/psychological needs must be accompanied by a
letter from the attending physician that details the specific
room-related need. Students who are eligible may select the
campus housing
STuDenT lIFe
“We were thrilled when our daughter’s work was
chosen for the final gallery showing and were so proud and pleased to see that others value
her work as much as we do. Thank you for providing such an enriching and self-affirming experience for her.”
- Kathleen & Scott Plath (groton, ma)
STuDenT lIFe 27
The RISD Dining Services staff is sensitive to the dietary
needs and preferences of a student body representing
cultures and religious traditions from around the world. The
metcalf Dining Center, known as The met, features a build-
your-own sandwich station, salad and pasta bars, vegetarian,
vegan and traditional entrées and a wood-fired pizza oven.
The Portfolio Café, located in the lobby of 15 West, features
a continental breakfast for residents.
The full dining contract is required for all Pre-College boarding
students, who may dine at either The met or the Portfolio
Café. Payment for the dining plan is nonrefundable.
Commuting students may elect to purchase blocks of 5 meals
at a time by contacting Dining Services at 401 454-6642, or
are welcome to purchase individual meals on a cash basis.
If you have further questions about dining plans or special diet-
ary needs, please contact Dining Services at 401 454-6642.
The RISD Store, located on the main floor of the Design Center,
in the heart of the campus, carries a wide range of art supplies
and materials, books, paints, paper, film and photographic
items. The RISD Store 3D is in the bank building, across the
street from the Design Center. Supplies include hardware,
sculpting and ceramics supplies, lumber and other materials
primarily aimed toward meeting the needs of 3D courses.
Parents may choose to establish a charge account with the
RISD Store and/or the RISD Store 3D. Information and a sign-up
form are included in the program forms and documentation.
dining services art supply stores
STuDenT lIFe 29
“I had a phenomenal time at RISD Pre-College. I made some of the best friends I’ve ever had and I expanded as a person and as an artist.” – becca goldman (mill valley, Ca), graphic Design
risd administration
John Maeda, President
rosanne Somerson, Interim Provost
rISD ContInuInG eDuCAtIon
Brian K. Smith
Dean, Continuing education
rebecca King
associate Director for Programs
Susan Bellaire
associate Director for Student Support Services
Pre-CoLLeGe StAFF
Joy McLaughlin
Pre-College Coordinator
Judi Sheldon
Pre-College Registration assistant
to reach usmore detailed information and answers to frequently asked
questions may be found on the Pre-College website at
www.risd.edu/precollege. However, please feel free to
contact RISD’s Continuing education office for more infor-
mation and/or for advising about the Pre-College Program,
should your questions not be answered after reviewing all
of the information provided on our website.
rhode Island School of Design
Continuing education
office 345 South main Street
Providence, RI
mail Pre-College Program
RISD Continuing education
Two College Street
Providence, RI 02903-2787
phone 401 454-6200
outside the local calling area:
800 364-7473, ext. 2
fax 401 454-6218
e-mail [email protected]
internet www.risd.edu/precollege
facebook facebook.com/risdprecollege
twitter @risdprecollege
DeSIgn Design: Chris Tourtellot, morris De luzio Design, Providence Photography: David o’Connor, Karen Philippi, unless otherwise noted Printing: meridian Printing
Please noteRISD does not discriminate on the basis of race, color, religion, sex, age, national origin, disability, veteran status, sexual orientation, gender identity or expres-sion, or any other protected characteristic as established by law.
Program details are subject to change without notice.
XX%
Cert no. XXX-XXX-00028 STuDenT lIFe
notice to People with DisabilitiesRhode Island School of Design attempts to make its classes, programs, events and services accessible. accommodations are made for people with special needs who request assistance. If you need assistance to participate in any class, program or event offered at RISD, please contact Susan bellaire, associate Director for Student Support Services at 401 454-6203. Reasonable and appro-priate accommodations will be provided to meet your needs. If you need access to the RISD Continuing education offices at 345 South main Street, Providence, please contact a Registration assistant at 401 454-6201 or [email protected] for further assistance.
for teens and children
rISD young Artist Program
every summer, RISD | Ce’s Young artist Program offers a variety
of non-residential morning and afternoon classes for children
ages 4-12, as well as daytime and evening workshops for teens
ages 12-17. more information on all of our 2012 summer Young
artist offerings will be available at www.risd.edu/ce, beginning
in mid-april.
Rhode Island School of Design
Two College Street
Providence, RI 02903-2787 uSa
www.risd.edu/precollege
800 364-7473, ext. 2
PRe-College PRe-vIeWJoin us at this special event to see what rISD Pre-College has to offer.
SAturDAy, MArCh 3 | 8:30AM–1:30PM
RISD auditorium, 26 north main Street, Providence, Rhode Island
registration 8:30am | program begins 9:30am
> See Pre-College student artwork from past years
> heAr relevant information from the Program Coordinator, faculty,
Residence life, Health Services and Public Safety personnel
> tAKe a campus tour led by RISD undergraduate students
> ASK questions of instructors at an optional lunch at RISD’s
main dining facility, The met
reservations are needed by February 24 to ensure space for students, family and
friends. Call 800 262-4237 and press 1. Please give the number of people in your
party, provide a telephone number where you can be reached for confirmation, and
let us know if you plan to stay for lunch.
NOTE: The Pre-View is not mandatory.
alSo goIng on aT RHoDe ISlanD SCHool oF DeSIgn DuRIng THe SummeR:
for college students and adults
rISD Summer Studies
RISD | Ce offers programs geared toward college students
(including graduating high school seniors) and professionals
who wish to pursue a variety of art and design topics. For more
information, visit www.risd.edu/summer.