Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev...

27
Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev

Transcript of Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev...

Page 1: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Reyhan Rzayeva 13-11-339Burcu Bingölbali 13-10-121Neslihan Yılmaz 13-10-197Rustam Gulaliev 13-10-323İbraim Fayikov 13-11-294

Page 2: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Postmodernizm The term ’’postmodern’’ was first used around the

1870s by John Watkins Chapman.There is no borders in postmodernism.

Philosophy, culture, literature, art, architecture and other concepts mixed with each other in postmodernism.

Page 3: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Postmodern marketing, proposing mediocrity rather than excellence, no common language, overlooking pleasant to use everything and each created their own language, a reality for consumption in modern marketing "or so or so" instead of "and so and so", entertaining by the unprincipled on principle, defending cheerful and ironically is reflected in the postmodern marketing.

Page 4: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Marketing Evalution 1900s to 1950 -"Product-oriented" Marketing 1950s to 1960 -"Sales-oriented" Marketing 1970s to today - "Market-oriented",

"Consumer-oriented" Marketing

Page 5: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Features and Examples of Postmodern Marketing

FragmentationDe-differentiation Hyper-reality PlayfulnessRootlessness Nostalgia

Page 6: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Fragmentation

Page 7: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

De-differentiation Kipa restaurants in Kipa shopping center

Page 8: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

 Hyper-reality 

Page 9: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Playfullnes

Page 10: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Rootlessness

Page 11: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Nostalgia

Page 12: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.
Page 13: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Postmodernizm is a reaction to modernizm.

To understand postmodernizm from a historical point of view we need first to know about modernism

So…

Page 14: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Modernizm is a philosophical movement that, along with cultural trends and changes, arise from wide-scale and far-reaching transformation in western society in the late 19th and early 20th centuries.

Page 15: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Architecture in ModernizmThe simplification of form

Page 16: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Art in ModernizmExperimenting with representation of people

Page 17: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Architecture in PostmodernizmPlaying with the idea of conversation of

buildings-making us think about how it is constructed

Page 18: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Art… Post-modernism is to combine the new and

the old. this is by combining Van Gogh's painting (the old) with the airbrushed image of the girl (the new). 

Page 19: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Modernizm Post-modernizmOrder/ control (centralized control )

Disorder/chaos (subverted order )

Certainty/Determinacy Ambiguty/indeterminancy

Fordism/ factory (Mass culture, mass consumption, mass marketing.)

postfordism office (Demassified culture; niche products and marketing, smaller group identities)

content /depth(Knowledge mastery, attempts to embrace a totality.  The encyclopedia.)

style /surface (Navigation, information management, just-in-time knowledge.  The Web.)

Progress/tomorrow Status/today

Homogeneity/ consensus Heterogeneous/ plurality (social and cultural pluralism, disunity, unclear bases for social/national/ethnic unity.)

Page 20: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Modernizm Post-modernizmHierarchy/adulthood(Faith in, and myths of, social and cultural unity, hierarchies of social-class and ethnic/national values, seemingly clear bases for unity.)

Equality / youth

Existence / reality Performance /imitation

Deliberate/outer-directed Playful /self-centered

Contemplation / metaphysics Participation/parody

Congruity /design Incongruity / chance

The book as sufficient bearer of the word;  the library as system for printed knowledge.

hypermedia as transcendence of physical limits of print media;  the Web or Net as information system

Sense of unified, centered self;  "individualism," unified identity.

Sense of fragmentation and decentered self;  multiple, conflicting identities.

Page 21: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Postmodern TheoryA Broad and Ambiguous View of Reality

Postmodern theory is a broad and somewhat ambiguous belief system tied to the philosophical and cultural reaction to the convictions of Modernism.

Page 22: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Postmodern TheoryPostmodern theory sees reality as what

individuals or social groups make it to be.

Postmodern theory across ten major categories: Theology; Philosophy; Ethics; Science; Psychology; Sociology; Law; Politics; Economics; History.

Page 23: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Customer Relations in Postmodern Marketing

The consumer is in the focus of the modern marketing concept. The satisfaction of needs and the maintenance of customer loyalty are vital for success.

Page 24: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Customer Relations in Postmodern Marketing

Whenever possible, the customer tries to participate in the “production” process by tailoring the product to suit his personality.

Page 25: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Future of PMM Over the years, discussions about postmodernism have

included many topics such as fragmentation of consumers, consumerism, a rejection of modern marketing, disorder, and generally a critical view of the marketing scheme.

There is no doubt that marketers have used the scientific principles to establish marketing as a science, but at the same time, marketing also requires creativity and unscientific tools to develop marketing applications. As such, the philosophies within marketing will be discussed for many years to come.

Page 26: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Conclusion of PMMMarketing and postmodernity are so intertwined that it

is no longer possible to treat the two subjects at arm’s length or as peripherally-related topics. If marketing is the master narrative of postmodernity, as we have argued, then marketing scholarship has to move to the centre of the ongoing discussions of postmodernity in the humanities and the social sciences. Marketing can no longer pretend to be an instrumental discipline that affects consumers and society but has to become reflexive and has to be studied as the sociocultural process that defines postmodern society.

Page 27: Reyhan Rzayeva 13-11-339 Burcu Bingölbali 13-10-121 Neslihan Yılmaz 13-10-197 Rustam Gulaliev 13-10-323 İbraim Fayikov 13-11-294.

Any Questions?