Rethink_Canton Ticino - Territory of a New Modernity
Transcript of Rethink_Canton Ticino - Territory of a New Modernity
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Canton Ticino: territoryof a new modernity.An infrastructuralproject inside thescattered city.
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Urban and architectural design has for quite some
time now no longer been the main element of
those transformations which have formed the
characters our cities. Bureaucratic complexities,
the lack of a governing body capable of dening
development lines, fragmentation of responsibilities
and the distance between programs and actions
often prevent transformation processes from
unfolding and developing. Instead, these processes
are often interrupted and disregarded. If we put
administrative purposes to one side, this situation
has minimised the role of urban design in dening
strategies and urban quality. In the same way, ithas attributed a prominent role to architectural
design and the design of individual buildings.
As a result, large parts of cities, which have
undergone transformation processes in recent
years, are characterized by morphological
disparateness and incompleteness. This lack of
homogeneity and integrity is tempered only in
part by outstanding individual architectures,
while neither green areas and public spaces have
succeeded in providing a sense of uniformity
and completeness to the same. The idea of being
able to have, or being able to apply, an overall
vision to transformation processes therefore seems
impracticable and out of place. Those who are
involved in one way or another, are invariably
called to complete a specic and incomplete part,
which absolves and frees the same from being
responsible for issues and considerations relating
to the overall picture. This often highlights the
need for and the lack of effective and involved
coordination, both in the public and private
sectors. And yet reection and design in the
city and architecture continues in some respects
to be indispensable. Despite the fact that the
working areas of design have seemingly been
reduced to elsewhere in other often forgottenelds, new frontiers are being unravelled and new
opportunities to experiment design and research,
analysis and action are arising. It would certainly
be more coherent to view and design the future of
the city and of urbanised areas through an overall
vision able to address and involve all levels of the
city. This attitude is, however, as mentioned above,
insidious and in my opinion not practicable at the
moment. This is basically due to two interrelated
reasons. The rst concerns time, between thoughts
and actions, between visions and designs, which
often fail to be identical and compatible with
the dynamics and the times of change affecting
THE LIMIT OF THINGS:
SPACES OF REFLECTION AND AREAS
OF INTERVENTIONGianandrea Barreca Domus Academy Master in Urban Vision and Architectural Design director
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Focusing
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Modern-day European cities are a combination of
society, history, culture and technology, closely
connected and structured in a complex system
of relations and balances. This equilibrium
has altered and become unbalanced over time,
shifting the focus of interests and interventions
on specic elements at certain times and on
others at other times. Infrastructures, in particular
those relating to mobility, have always played a
central role in the development of territories and,
more generally, in the creation of the narrativeof events that characterized them in the course
of time through continuous sedimentation of
meanings and objects. With the exception of a
few less important and less inuential designers
and landscape architects, historically urban
design was the main prerogative of architects and
town planners, creators of a design that often
simultaneously grouped together and controlled
the various systems and elements that contributed
to the construction and image of cities.
Later, in modern times and especially from the
19th
century onwards,
Mobility infrastructures, in fact, slowly moved
away from the sphere of control of architects and
town planners. Railway lines, overpasses, urban
bridges, tramways and park and ride facilities, as
well as underground railways and road sections,have increased the speed with which cities can
be crossed and have given rise to increasingly
prevalent technical requirements, leading to a
change in the aesthetic and formal design of
the places in which we live and changing urban
landscapes. Years of intensive infrastructure growth
favouring mobility systems focusing solely on the
efciency of the physical transport network, as well
as a lack of interest by architects, have produced a
sharp spatial, social and aesthetic contrast between
mobility devices, cities and territories, creating
spaces which nowadays are often incomplete,
URBAN MOBILITY INFRASTRUCTURES:
NEW DYNAMICS IN ARCHITECTURAL
DESIGNGianandrea Barreca Domus Academy Master in Urban Vision and Architectural Design director
He began his career as an architect in 1996. In 1999 he founded Boeri Studio with Stefano Boeri and Giovanni
La Varra, and later in January 2008 he founded Barreca & LaVarra studio with Giovanni La Varra in Milan.
He is also one of the founding members of gruppo a12 with which he fosters and realizes seminars, researches,
exhibitions and installations on the contemporary urban condition and, in particular, on the relations between
urban context and public art. Since 2004, he has been collaborating with Domus Academy and he has been
the director of Master in Urban Vision and Architectural Design since 2006. From 1998 to 2004 he was the
Genoa-based coordinator of the travelling Villard seminar, and from 2000 to 2002 he was visiting professor of
Architectural Design at the Faculty of Architecture in Genoa. Since 2009, he has been teaching Architectural
Composition in the Department of Construction Engineering and Architecture at the University of Genoa.
MOBILITY INFRASTRUCTURES BECAME CENTRAL TO
THE DEFINITION OF DEVELOPMENT, AS WELL AS TO
THE RECONFIGURATION OF CITIES AND TERRITORIES.
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unused, undened. Hence, mobility infrastructure
design currently needs to be conceived from both
a technical point of view and from an architectural
and gurative standpoint. In particular,
role. By pursuing professional integration,
infrastructures, bridges and yovers have been
created forming architectural expressions of the
needs of society, rather than mere expressions of
technology and engineering. Furthermore, where
in these countries such integration proved to beimpossible for various reasons, measures, albeit
of questionable theoretical value but certainly
effective in practice, have been taken to restore
those landscapes that have been distorted, or
overwhelmed, by the passage of a mobility
infrastructure. Thus, in the majority of cases today,
and especially within compact and consolidated
urban contexts, mobility infrastructures have
already been created. All that is left for us to
do, therefore, is to rethink, with immense delay,
existing infrastructures and to envisage designs
that work around them, which reconnect them
to the contexts in which they are found andwith which they need to create a different, more
modern form of coexistence. Unfortunately the
situation today is exacerbated, at least in Europe
and particularly in Italy, by scarce public resources
that no longer allow for investments to be made
to redesign these artefacts solely to improve their
image and to re-establish a formal and aesthetic
link with the context of the city. The lack of
available resources, therefore, precludes any
contemplation of projects to conceal or renovate
these structures. Such is also made impossible
more than ever before, as any intervention evento redevelop needs to be made and directed at
generating prots. Erroneously, urban quality in
itself is hardly ever, except in historical contexts,
considered an element able to generate prots.
THE TWOFOLD ASPECT OF FUNCTIONALLAYOUTS AND ARCHITECTURAL ARTEFACTS
SHOULD BE TRACED BACK TO CONCEPTUAL
UNITS AND COHERENT DESIGN.
IN ORDER TO RE-ESTABLISH A RELATIONSHIP
BETWEEN INFRASTRUCTURES AND PLACES, BETWEEN
TECHNOLOGY AND ARCHITECTURE, SPECIFIC
PROJECTS ABLE TO RECONFIGURE THESE ELEMENTS
WITHIN URBAN DYNAMICS, ARE REQUIRED.
It would obviously have been preferable if mobility
infrastructure design had been perceived as an
architectural element able to contribute to creating
the landscape morphology of the city from the
beginning, rather than as an exclusively technical
structure and system. However, observing our
cities, it seems that there has never been room forthis hypothesis or intention. Notable examples of
designers who have created interesting works both
in urban contexts and in the territory do indeed
exist, but in most cases the results have been
unsatisfactory. Consequently, motionless structures
invading our landscapes now lay before our eyes.
Yet, mobility systems and infrastructures have
many fascinating and surprising aspects that
lend themselves to being designed differently.
Greater emphasis could have been placed on
certain qualities that would have improved their
introduction to the landscape, without limitingtechnical performance and efciency. By observing
them under a new light, these structures become
stunning symbols on the landscape and vehicles
of the vision from which the city and its day-to-
day life should be observed, from within or from
privileged points of reference.
A good example is the yover of Genoa or the ring
road above Naples. In other European countries,
such as Holland, France, Switzerland or Spain,
urban mobility infrastructures have frequently
been the subject of common ground for reection
by different professions. Architects and landscape
architects have also been able to play an important
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This is certainly far more complex and can only be
attempted and achieved if these infrastructures are
conceived as buildings and public spaces that are
able to change in nature, function and character,
without necessarily changing their structure and
morphology. It is therefore necessary to short-circuit between the nature of these structures
as an infrastructure and the essence of their
constructive structures. This could be achieved
through architectural design which, by its very
nature, goes beyond these components. In
fact, architectural design exclusively considers
them together and within a direct relationship
between form and building context. This means
envisaging new and old functions around,
below, between and within these new structures.
Functions that have perhaps failed to nd
adequate space in the city and that may nd newopportunities to be instal led and rethought.
IT IS A QUESTION THEREFORE OF CONCEIVING
PROJECTS ABLE TO CREATE A NEW MODEL OF
RELATIONS BETWEEN INHABITANTS-USERS
AND MOBILITY SYSTEMS.
These projects need to be more innovative in terms
of interaction and the production of income.
Thus, not only a service, a support infrastructure,
but a structure of society and the economy inurban and territorial contexts that crosses and
structures the same. Mobility infrastructures should
no longer be considered autonomous networks
which do not contribute to the quality of the urban
area and to that of the citizens that move inside it.
The following projects and contributions constitute
the rst stage of research that aims at focusing
attention on mobility infrastructure design as a
system able to adapt elements of the territory and
urban spaces to a more suitable scale and closer to
the territories and the landscapes on which they
were erected. Projects to reconvert railway lines, to
correct layouts, dispose of obsolete infrastructures,
to strengthen and increase existing infrastructures,
are and will provide opportunities to rethink
important and large parts of the places in which
we live and that we use to travel across. Take, for
example, the endless strips of land compressedand forgotten between major motorway and
rail infrastructures, the extensive shaded areas
under urban overpasses, or the railway stations
on secondary lines crossing through urban areas.
These are just a selection of the opportunities
offered by studying this theme. Opportunities that
will soon become vast needs and sensitive issues
for communities that require a new, increasingly
modern system of relations and use between
inhabitants-users and mobility systems in compact
urban contexts, just as in large urban areas.
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Mapping
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Mapping a territory is always a project act.
As Franco Farinelli says “Every map is a project
upon the world […] and the project behind every
map is to transform the world in one’s own image1”.
Farinelli recognizes the value of the map as
epistemological device capable not only to
understand the world, but to dominate it as well.
In 1989, Brian Harley already argues that maps are
social constructions. For Harley a map still conveys
the truth of a landscape, even though its message
is bound within the ideological frame of its creator.“Maps cease to be understood primarily as inert
records of morphological landscapes or passive
reections of the word of objects, but are regarded
as refracted images contributing to dialogue in a
socially constructed world […]
Maps are never value-free images; except in
the narrowest Euclidean sense they are not in
themselves either true or false. By adapting
individual projections, by manipulating scale, by
over-enlarging or moving signs or typography, or by
using emotive colors, makers of propaganda maps
have generally been the advocates of a one-sided
view of geographical relationship2”.
Harley conceives maps according to Foucault’s
categories, as product of the relationship between
power and knowledge, and as one of the modality
for exercising the power. However, Harley’s
approach provides an epistemological discourse
upon the maps, but still leaves open the question
of the ontology of the mapping process, which
is actually the most relevant one if we take into
consideration the nal design output maps are
addressed to. Rather than a determinate reading of
the power of maps that seeks to uncover in a literalsense the authorial and ideological intent of a map
- who makes the map and for what purpose, today
we need to advocate the role of mapping as tool
to shape our understanding and drive our design
intentions. As Wood and Fels argue,
MAPPING AS PROJECT ACT:
ELEVEN MAPPING EXPERIENCES
AS PROJECT GENERATORSFrancesca Vargiu Domus Academy Master in Urban Vision and Architectural Design tutor
She graduated in Architecture at Politecnico di Milano, after spending a year of studies at Etsam in Madrid.
She took part in the international research project ‘Decolonizing Architecture’ and collaborated for its rst
exhibition ‘Design by Destruction: Oush Grab Military Base’ at Bozar, Bruxelles. It has been also displayed
in Venice, Rotterdam and Istanbul Biennals. As architect, she has collaborated with several studios in Italy
and in Spain. She’s co-founder of KICKOFFICE (www.kickofce.net), whose activities range from urban
planning and architecture to design and graphic communication. Since 2010 she has been assistant professor
at Politecnico di Milano and she’s currently tutor of the Master in Urban Vision and Architectural Design at
Domus Academy.
“MAPS DO NOT SIMPLY REPRESENT THE
WORLD, THEY PRODUCE THE WORLD3” BY
MAKING PROPOSITIONS WHICH ARE PLACED
IN THE SPACE OF THE MAP.
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The workshop attended by the students of the
Master in Urban Vision and Architectural Design of
Domus Academy at i2a – international institute of
architecture - has been conceived as an ambitious
experience joining the scale of the territory with
the one of landscape and architecture. In frontof the vastness the term territory implies and the
complexity the interplay between landscape and
architecture entails, the maps have represented the
necessary tools to brutally seize the context since
the beginning. Claiming the idea that “the map
produces and reafrms territory rather than just
describing it 4”, the context has been approached
as a sum of territorial systems, interfering with
the FLP – Ferrovia Lugano Ponte Tresa - according
to different forms and levels of interaction. At the
beginning, maps have driven students in properly
approaching the context and extracting from it one
of the territorial system to focus on. Throughout
the workshop experience, maps have constantly
been references for the activity of planning and
becoming effective devices for shaping project
assumptions. Theoretically thinking, we want to go
over the conception of maps as representations that
are separate or superimposed over the territory.
Following Baudrillard, James Corner argues that
“Moreover, given that places are planned and
built on the basis of maps, so that space is itself
a representation of the map, the differentiation
between the real and the representation is no longer
meaningful6”.
Later, Maria Lezhnina has dened the varioustypologies of centers for each cluster on the map,
carrying on an act of project at the same time: the
specicity of each urban center gets evidence only
by drawing as well as the reciprocal connections
among the identied polarities can be effectively
visualized on map, where actually the terrain is
prepared for the project development. At the end,
it’s the physical gesture of drawing on the map
to x design intentions, to construct the space,
to shape the territory. In this way, “maps and
territories are co-constructed. Space is constituted
through mapping practices, amongst many others,
so that maps are not a reection of the world, but a
re-creation of it; mapping activates territory7 ”.
FROM THE NATURE OF MAP TO THE PRACTICE
OF MAPPING
Along with Martin Dodge8, the idea about maps
has to shift from understanding the nature of maps
- how maps are - to examining the practices of
mapping - how maps become.
During the workshop, the process of mapping
has been introduced as a preliminary modality to
approach an unknown context, as Ticino is foreleven students coming from all over the world.
Despite the complexity of the overall territory from
the morphological, political and cultural points
of view, the real aim has been to set the focus
on the numerous territorial systems interfering
with the FLP line, because they are the triggers to
investigate potential strategies and discuss future
projects. Students have been initially provided
with a package of basic information, including
overall plans, aerial pictures, reference texts.
Then, they have been led to the site, exploring
the context directly from the FLP train: different
morphologies, densities, landscapes and diverse
“A TERRITORY DOES NOT PRECEDE A MAP, BUT
THAT SPACE BECOMES TERRITORY THROUGH
BOUNDING PRACTICES THAT INCLUDE MAPPING5”.
The systematic precision with which Maria
Lezhnina has surgically marked off the clusters
on the map just gives evidence of Baudrillard’s
statement (g.1). In this case, the process of
understanding the urban structure of the territory
and foreseeing next project opportunities just
takes shape and gains its consistency through
the unequivocal marks on the map. By mapping,
the urban tissue along FLP line is scanned, then
interpreted according to the cluster-type, and
visually xed on the map.
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g.1
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PONTETRESA
CASLANO
MAGLIASO PAESE
SERROCA
BIOGGIO
CAPPELLA AGNUZZO
LAGHETTO
SORENGO
LUGANO
MAGLIASO
AGNO
MOLINAZZO
PONTETRESA
CASLANO
MAGLIASO PAESE
SERROCA
BIOGGIO
CAPPELLA AGNUZZO
LAGHETTO
SORENGO
LUGANO
MAGLIASO
AGNO
MOLINAZZO
PONTETRESA
CASLANO
MAGLIASO PAESE
SERROCA
BIOGGIO
CAPPELLA AGNUZZO
LAGHETTO
SORENGO
LUGANO
MAGLIASO
AGNO
MOLINAZZO
PONTETRESA
CASLANO
MAGLIASO PAESE
SERROCA
BIOGGIO
CAPPELLA AGNUZZO
LAGHETTO
SORENGO
LUGANO
MAGLIASO
AGNO
MOLINAZZO
g.2
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levels of urbanization have been detected along the
trip. Combining the practice of perception, together
with a more systematic data investigation, the
territory has started to be approached with more
condence: laying out the existing infrastructures,
highlighting the nodes, drawing the movementsof the rivers, handling the orography, marking
the density, location and size of urban centers,
the structure of the territory has been taken
shape. A sort of recursive process of reshaping,
reassembling, restructuring the map has been
carried on, following a progressive process of
appropriation of the context. In sequence of Kim
Bomi’s maps (g.2) we can detect a process of
constant re-territorialisation: step by step, layer
by layer, new elements making up the territory
are added, constantly zooming in and out from
the main focus: starting from an overall view on
the orographic pattern and water sources of the
area, the maps progressively start focusing on the
ooding issue, and consequently they proceed in
extracting the relating systems from the territorial
backbone. Thus, the set of maps follows the
ongoing mental processes, until the nal synthesis:
the passages to nally mark the presence of the
ecological corridors have been physically taking
shape on maps and by mapping. At the same
time, a series of simplied steps to systematically
approach the territory have been proposed to the
students and some guidelines to restrict the eld
established: sometimes, we have suggested andaccepted approximate and not fully complete
interpretations, as we aimed at communicating
and testing with the students a practical operative
method. Actually, a certain simplication is just
part of the practice of mapping:
Thanks to the nature of mapping, certain elements
have been captured and isolated from the context
in order to project back a variety of unfolding
potential and possibilities.
No visualization looks like what it represents:
it’s always a programmatic and intentional tool,a narrative structure depending on the values
and meanings given to the relations among its
elements. As Martin Dodge states “Maps are
practices – they are always mappings; spatial
practices enacted to solve relational problems9”.
In Karim Abou Jaoude’s mapping operation of
surgically pinpointing the edges of the clusters
(g.3), we perceive a certain sense of transitory
and eeting of the elements on the map: the
spread dots marking the borders are as contingent
as the dynamics changing the territorial assets,
but contain themselves the potential for project
transformation. In fact, by redening the clusters’
edges, not only the space in between gets an
identity but also the whole urban lament is
reinforced. Once again, maps are relational and
context-dependent.“Maps are not ontologically
secure representations but rather a set of unfolding
practices: maps are of-the-moment, brought
into being through practices (embodied, social,
technical), always re-made every time they are
engaged with10”.
MAPPING IS NOT A SIMPLE MATTER
It’s no accident that Franco Farinelli highlights anironic assonance between the words territory and
terror 11. It’s not a simple matter to get started when
facing a whole territorial system as macro-context
of the project.
Nevertheless, the specic case of Canton Ticino
gives a further possibility to start from a distant
perspective and requests a further effort to nd
a way to handle things on an urban, or even
regional, scale. The blurred map of Maria Lezhnina
(g.4) just proves it: the not-in-focus view is
the one able to reveal the fragmentation and
clusterization of the territory, giving evidence to
EVERYTHING A MAP FOCUS ON HAS IMPLIED
TO GIVE UP OTHER ELEMENTS THAT DIDN’T
FIND SPACE ON THE MAP ITSELF.
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its essential framework. Once again, it’s not in the
nal static and crystallized image of the map but
instead in the process of mapping itself to give
birth to project development.
Certainly, when beginning to approach the context,
there’s no clear methodology, no functioning rules:everything appears fuzzy, undened, scattered;
experimenting new tools, proceeding and coming
back, is the only way to win the gamble. At the
beginning every trace, signs, structure has to be
captured from the context, in order to prepare the
basis for further interpretation.
Roland Barthes says “If the theory of the text tends
to abolish the separation between the different
art disciplines it is because their artworks are
not anymore considered as simple messages […]
but as perpetual products, statements, which
the subject keep on debating on: this subject is
certainly the one of the author, but also the one of
the reader. Therefore the theory of the text provokes
the valorization of a new epistemological item:
the reading […]. The theory innitely widens
the freedom of the reading, and, more than this,
strongly underlines the equality of writing and
reading […], - where – true reading is when the
reader is the one who wants to write12”.
If we transpose Barthes’ statement from the
literature to the design practice, we can argue
that the deep comprehension of a territory
implies a continuous practice of reading that
becomes productive through a constant processof separating/rejoining. In her maps (g. 5),
Anna Terskikh proves this continuous activity
of sketching, drawing, marking, highlighting in
order to recognize and underline the elements
characterizing the form and the space which the
project will be put in relation with.
The progressive marking some coastline portions
thicker and highlighting some contours shows
the mental passages of separating and merging
as part of the ongoing interpretation about water
resource. As the meaning of a text is never unique,
xed, as well when reading a territory the role
and signicance of the elements making it is never
dened but rather always open to interpretation.
IN THIS WAY, THE ACTION OF READING IS
PRODUCTION AT THE SAME TIME, AND THEREADER IS THE WRITER HIMSELF.
WORDS SEPARATE, PICTURES UNITE13
Because maps are prescriptive systems of
propositions, Wood and Fels contend that
map creation should not solely be about
presenting information through attractive spatial
representations as advocated by the majority
of cartographic textbooks. Instead they suggest
map design should be about the construction of
meaning as a basis for action14.
The effectiveness and the fastness of the graphic
representation itself is not enough: the attention
should be paid to the relations, the interactions
and the links within parts that determine mutual
inuences and conditionings into a dynamic
cohesion. Thus the maps are not mere static
visual tools, but rather generative instruments
of communication, able to prove the relations
among the elements of a system as well as
between the system and its interpretations.
Actually architecture seems to pregure this new
way to use communication tools: Ole Bauman
afrms that diagrams and conceptual drawingsare becoming the art of dynamics situation. The
map and diagram by Mayya Polivanova (g. 6)
clearly shows their capacity to act as interfaces
between knowledge and experience: the interplay
between the notion of place and time gets evidence
just on the map, which acts as mediator with an
explicative aim among different and interrelated
quantities. Along with Gilles Deleuze, “maps are
charts of relationships of strength, chart of density
and intensity, touching all points at the same time
or concentrated in the relation between one point
and another one15”.
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g.3
ii
g.4
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g.5
Agricultural areas Areas with a big density of trees
Areas with a less density of trees
Infrostructure of roads
Existing parking areas
Places of significant point
Existing ports
IInfrostructure of roads
Existing parking areas
Places of significant point
Existing ports
Connections between cost and FLP
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Therefore, the graphic action shouldn’t be just a
visual and aesthetic act, but the one able to create
a synthetic relation between the constituent and
the functional, symbolic and conceptual aspects.
Moreover, just the sophisticated graphic modalities
that Mayya Polivanova adopts play a crucial rolewithin the process of understanding complex
systems: by properly using symbols, shapes,
colors etc, the visualization devices are capable to
organize the descriptive and prescriptive features
towards a generative potentiality, becoming a smart
way of describing that makes the planning easier.
Her work is based on a minimal graphic syntax:
simple lines to connect points, colored shapes to
indicate areas of interest, few basic indicators to
convey attributes and features. It’ not only their
graphic look to be fascinating, but even more
it’s the kind of information they express to make
them effective project devices. In general, during
the workshop, students have been constantly
invited to reect about the potential of graphic
thinking as modality to approach and interpret
reality, not only limited to the traditional graphic
design disciplines: today more than ever planning
practices need to translate complex issues into
effective and recognizable visual forms, producing
new knowledge and revealing new meanings.
As Mayya Polivanova’s map proves, graphics
should be conceived to help us in understanding,
creating and experiencing reality, by ltering the
information, establishing relationships, discerningpatterns and representing them in a way to process
and digest meaningful knowledge. At the end of
the workshop, thanks to the value of the map and
the role of mapping we believe in, eleven students’
mapping processes have generated eleven different
projects for the territory crossed by FLP line: as
territory does not emerge in the same way for all
individuals, so no map is a neutral one, being
affected by the knowledge, experience and skill
of the individual to perform mappings and apply
them in the project practice.
1 F. Farinelli (1992), I segni del mondo: immagine
cartograca e discorso geograco in età moderna, La
Nuova Italia, Firenze
2 B. Harley (2001), The New Nature of Maps, The Johns
Hopkins University Press, Baltimore and London
3
D. Woodand, J. Fels (2008), The Natures of Maps:Cartographic Constructions of the Natural World, University
of Chicago Press, Chicago
4 ivi
5 Corner J. (1999) “The agency of mapping: speculation,
critique and invention”, in Cosgrove D., Mappings,
Reaktion Books, London
6 ivi
7 ivi
8 Kitchin R., Dodge M. (2007), “Rethinking Maps”, in
Progress in Human Geography, Vol. 31, No. 3
9 ivi
10 ivi
11 Farinelli F. (2003), Geograa, Einaudi, Torino
12 Barthes R. (1998), “Teoria del testo”, in Scritti, Einaudi,
Torino
13 Neurath O. (1973), Empiricims and sociology, Ed. Marie
Neurath and Robert S. Cohen, Reidel, Dordrecht
14 Wood D. and Fels J. (2008), The Natures of Maps:
Cartographic Constructions of the Natural World, University
of Chicago Press, Chicago
15 Deleuze G. (1996), Divenire molteplice. Nietzsche,
Foucault ed altri intercessori, Ombre Corte, Verona
20 MAPPING MAPPING AS PROJECT ACT
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g.6
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Planning
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URBAN CONTINUITY
Karim Abou Jaoude
He graduated at the American University of Beirut (AUB) in 2009, with a degree in Landscape Design &
Ecological Management. He has worked in an architecture studio for about a year, focusing on projects ofopen spaces in the Beirut central district. As freelance architect, he developed also some projects for outdoor
spaces of private residences.
The rst impression about the territory is the
pattern made by the urban clusters scattered in the
area and the voids and residual spaces they form.
The territory along FLP line is characterized by
widespread and disjointed forms of urbanization
with no identity or character, living in the shadow
of the nancial centre of Lugano. Starting from
this, the main concept is to connect all the towns
along the FLP line from Ponte Tresa to Lugano
from the visual and functional point of view, inorder to reinforce the idea of a lament city made
of different entities. By dening the borders and
edges of each town, which are either geographical
or natural, set by infrastructure or manmade
interventions, it is possible to control and organize
the urban sprawl of the villages and give shape to
the residual spaces in between.
They can be designed to connect each town to
the one after it, since the void spaces are within
walkable distance. Even more, as each void differs
from the other in terms of landscape scenery,
topography and nature, the setting is perfect for
local scale interventions. The focus of the project
is concentrated in Caslano and Magliaso area, and
the general strategy is to strengthen the urban
continuity by doubling the path of the FLP line
and adding a soft mobility line. This last one is
identied with one of the existing contour lines,
which actually corresponds to the historical via
Regina that is connecting all the landmarks and
historical points of the area. The proposed soft
mobility intervention is conceived in the form ofwooden decks and bridges that smoothly t in
the existing landscape, following the topographic
nature of the area where the slope is steep, and
turning into a series of public and open spaces
where the topographic nature is more gentle.
Then, working on the connections between the
urban mobility line and the soft mobility one, new
nodes are proposed in order to stimulate the use
of the FLP line, even for little scale movements
of tourist and local users. Through punctual local
interventions, the continuity of the urban lament
is controlled on a territorial scale.
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FLP TERRITORY
CLUSTERS’ EDGES
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FLP TERRITORY TYPOLOGIES OF CLUSTERS’ EDGES CASLANO FLP STATION ANALYSIS OF THE EDGES
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CASLANO FLP STATION
PROJECT
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MAGLIASO FLP STATION
PROJECT
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SHAPING NODES
Aniket Bagul
He graduated in Architecture at Sir J.J. College of Architecture in Mumbai in 2009. He took part into several
competitions during the university studies and he won Zal and Gobhai Design Award 2008, by designing
an energy efcient housing. He have worked as an architect for two years in Mumbai, also winning
competitions for professionals.
In today’s worldwide economy the potential
development of a city or a region increasingly relies
on the quality of its connections to the various
transportation networks. In this way, infrastructure
denes the mobility patterns, which shapes city
or region. The project starts from the analysis of
public mobility patterns along the FLP line which
are used by tourist and local users, including
biking lanes, hiking paths, bus routes, vehicularroads. The study shows that Caslano and Magliaso
are the main transport nodes. Concerning Caslano,
it boasts the chocolate museum as well as a hill for
hiking as relevant attractions for both local users
and tourists. Hence Caslano could become
a vital node also for touristic ows. On the
contrary, Magliaso is the crossing point for biking
routes, hiking paths, bus lanes, FLP line and
vehicular roads. At the same time, the different
open spaces need to be dened. By overlapping
this kind of mobility patterns, new kinds of urban
spaces can be produced along this line; thus the
project strategy is about developing potential nodes
in the territory along the FLP line, focusing on
commuter’s ows. Places like commuter transfer
nodes in the urban infrastructure are melting
spaces that contain a myriad individual stories of
everyday movements. In the area between Caslano
and Magliaso, the project proposal is articulated
into three nodes: the rst one is in Caslano station,
where the trafc networks are raised up in orderto provide spaces for parking and public facilities
at the ground oor. The second node is along
the river: biking and hiking lanes invite people
to walk along the riverside, passing through a
series of interventions such as seating areas, small
gathering places, cafeteria etc. The third node is in
Magliaso station, where the proposal of a yover
bridge is capable to match mobility ows with the
movement of people underneath. Moreover, all
the project sites are connected together through
cycling or hiking routes, in order to get a loop of
movement from any nodes.
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PUBLIC MOBILITY AND FLP LINE
PROPOSED LOOP
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PUBLIC MOBILITY AND FLP LINE
PROJECT NODES
CASLANO - MAGLIASO FLP STATIONS
PLANNING32 SHAPING NODES
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NODE B CONCEPT AND STRATEGIC PLAN
NODE A CONCEPT AND STRATEGIC PLAN
NODE C CONCEPT AND STRATEGIC PLAN
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NODE A
PLAN
PLANNING34 SHAPING NODES
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NODE B
SECTIONS AND VIEW
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TOURISTS ATTRACTORS
Ahmad Choubassi
He was born, raised and educated in Lebanon. He got his Bachelor Degree as an Architectural Engineer
from Beirut Arab University. After graduation, he rst worked at ICI International as an architect, then
at Scrapers as an assistant architect of Russel Van Diver. In addition to this, he carries on his privatearchitectural ofce where he has already designed four residential buildings and three private villas.
Tourism is one of the main sectors of the Swiss
economy; especially in Ticino, tourists enjoy the
variety of services through experiencing the special
landscape scenery, the climate, and the lakes.
European tourists can be divided into four
categories: business tourists, vacation tourists,
holiday tourists or people visiting friends or
relatives. The project is focused on the area
between Ponte Tresa and Caslano, which is reallyrelevant for tourists, since it is close to the border
of Italy-Switzerland and it has many points of
interest and attraction, like the chocolate museum,
the golf club, natural green areas equipped with
hiking lanes, tennis and football playground,
various accommodation facilities. Moreover, this
site boasts a very attractive view on the lake.
Regarding the mobility ows, there are two main
systems passing nearby the project area, the biking
lanes and the hiking paths, without penetrating
into the area. The project idea is to connect the
mobility ows passing through the FLP stop with
a reinforced system of biking and biking paths,
providing tourists and commuters with an efcient
sequence of public spaces. Zooming into the rst
project area, two points are assumed as main axis
to design the area: one is the chocolate museum,
a relevant attraction presence; the other is the
lake, an attractive natural highlight. Thus the
chocolate museum axis directly leads to the lake,
through both hiking and biking lanes, includingsome tourist’s facilities and green spots along the
path. Moreover, some existing unused plots are
transformed into a public square dotted with three
new volumes, conceived as alternative landmark
for tourists. The other project site is organized
according to two main functions: one for boats
owners, where to park their crafts and enjoy the
lake, and the other for children, where to play
safely. These two functions are separated with a
natural barrier, a small river penetrating into the
land until reaching the main road to attract the
passing tourists or commuters.
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FLP TERRITORY
TOURISTS’ TYPOLOGIES
TOURISTIC ACTIVITIES
BUSINESS
VISITING FRIENDS AND RELATIVES
VACATION
HOLIDAY LEISURE AND RECREATION
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FLP TERRITORY ATTRACTIONS
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FLP TERRITORY LOCAL DEMOGRAPHY
FLP LINE LOCAL COMMUTERS
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PONTE TRESA
AREA OF INTERVENTION
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T O U R I N
T H E L A K E
C A F E T E R
I A
T O U R
I S T I N F O
.
F L P L I N E
C A R S R
O A D
B I K E S L A N E
T O W A R D
S C H
O C L A T E
M U S
E U M
T O U R I S T I N F O
PONTE TRESA
PROJECT AREAS PLANS
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STATION IDENTITY
Diana Andrea Guzmán Valencia
She grew up in Latin America and graduated in Industrial Design at the Université de Montréal in Canada.
Her experience of living in multi-cultural environments has broadened her vision and sensibility to different
cultures and human factors, which she conceived as important elements for designing. In addition, she is passionate about the continuous changes in the world and how they affect people.
to the different users activities. In the accessing
area, hall, ticket and information ofce, souvenir
shop are included; kitchen, restaurant, washroom
and entertainment room in the waiting space;
picnic area, playground and garden/orchard are
just for playing. Furthermore, precise guidelines
suggest how the indoor activities should be
spatially linked to the outdoors ones: the accessing
area is always connected with the train platform, asthe waiting space with the playing area. Moreover,
a visible element in each station, a view tower,
is provided to act as landmark and to convey an
image of FLP station related to the enjoyment of
the nature. Archetypal windows framing different
views of the landscape in all directions compose
the tower. Concerning the architectural language,
minimal representation of geometrical shapes and
archetypal elements related to the regional Italian-
Swiss culture are adopted. Wood is the preferred
material in order to connect the architecture with
the natural surroundings, as transitional element.
The project is about strengthening the identity
and improving the accessibility of the FLP stations.
The rst analysis of the regional transportation
network is addressed to identify the main trafc
nodes and to gure out which stations could
become magnets of social attraction: Ponte Tresa,
Caslano, Agno, Cappella Agnuzzo and Lugano are
considered the poles for future growth. To reect
on a common identity among the FLP stations, themain attractions around them are investigated: the
castle for Ponte Tresa; the chocolate museum for
Caslano; the airport for Agno; the lake for Cappella
Agnuzzo; the city itself as a touristic place to visit
for Lugano. Thus, leisure facilities are important
factors to be considered in the design development,
together with the extraordinary richness of natural
landscape surrounding the areas. Once understood
the specicities and the common features of the
stations, a basic kit i s adopted: the spaces are
recongured according to the local needs and
future expansions, using the same modules related
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Ponte tresa:Castello
Caslano:Chocolate museum, park and golf court
Agno:Airport
Capella Agnuzzo:Lake
Lugano:Tourism in town
Attractions
L u g a n o
P o r t
P o r t
P o r t s
P o r t
L a g o d i L u g a n o
Italy
L u g a n o
C a p p e l a A g n u z z o
A g n o
C a s l a n o
P o n t e T r e s a
L u g a n o
P o r t
P o r t
P o r t s
P o r t
L a g o d i L u g a n o
Italy
L u g a n o
C a p p e l a A g n u z z o
A g n o
C a s l a n o
t e T r e s a
I l
Nature
Water + forest + mountains
FLP TERRITORY
NATURE AND ATTRACTIONS
43
FLP TERRITORY
INFRASTRUCTURAL NODES
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PLANNING44 STATION IDENTITY
FLP STATION
ACTIONS FLOW
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1 Bus stop + information panels2 Taxi area3 Cars parking: public + employees4 Trolley area5 Bike parking+ lockers6 Green area7 Delivery parking8 Car access9 Link to a green or entertainment area10 Link to the lake12 Train track
Building1 floor:Accessing area (train platform)2 floor:Resting areaPlaying area
13 View tower & shelter1 floor:Accessing2 & 3 floor Enjoying nature
1 2 3 4 5
6 7
8
9
10
13
12
FLP STATION
SPATIAL LAYOUT
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FLP STATION
PROPOSED KIT
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129
1306
6
18
87
10
44
ground floor. outdoor areas
top view. second floor
top view. first floor
Key:ParkingStation
CAPPELLA AGNUZZO FLP STATION
KIT APPLICATION
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SUNLIGHT
Michelle Herrera
She graduated in Architecture at Universidad San Francisco de Quito in Ecuador in 2008. She took part in
international workshops in Colombia and with Japanese Architect Hiroshi Hara in Mexico. She collaborated
with Architect Felipe Leal in the urban rehabilitation of Plaza Garibaldi and the design of the Tequila and Mezcal Museum in Mexico City (2009). In Ecuador she has worked in her own studio for the development
of commercial and ofce spaces including Antara Plaza Gourmet (2010), Rocas del Pacico: Showroom and
ofces (2010), and Santa Fe Torre Corporativa (under construction, 2012).
The area of study is stretching along the FLP line,
going from Ponte Tresa to the city of Lugano:
it is 12.5 km long and intersects eight small
settlements. The main activities that are developed
in this area are industry and agriculture. Industrial
and technological factories are located all along
the settlements because of the proximity to
Lugano airport; they form the industrial tissue
of Lugano, stretching on its back. On the other
hand, agriculture and vineyards are developed at
small scale following traditional and vernacular
practices respecting nature and adapting to
territorial topography. Apart from infrastructural
accessibility, what makes this area so attractive
to industries and agriculture is actually the high
quality of sun exposition. The strip going from
Ponte Tresa to Lugano is located in one of the hot
spots in Ticino region. Geographically blessed,
the valley of Agno is strategically placed between
the Alps and the natural border of the lakeshore,
allowing a big exposure towards the southern
sunlight orientation. The aim of the project is
to study the sunlight quality in order to provide
guidelines for the future growth, by using solar
energy in public and private spaces. Agno has
actually two main potential conditions, divided
by a water canal: on one side of the canal, it
is an energy production area, made by water
treatment plants and greenhouses. On the other
side, the energy is supposed to be consumed by
the big industrial area, the airport and the housing
settlements towards the mountains. By identifying
the energetic backbone of the town and adding
alternative types of energy (electricity by PV
panels), new engines for future development are
activated. Firstly, an energy backbone needs to be
built with PV farms and plug into the main needed
infrastructure; secondly, new urban interventions
can be developed using solar panels as common
language at the different urban scales. Thus, solar
energy is reinterpreted from a vernacular tradition
to a new technological use.
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TICINO
SUNLIGHT AND TOPOGRAPHY
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AI PRODUCE
ENERGY WATER FOOD
PV Farms Treatment Plant Greenhouses
B I TRANSFORM Solar Energy DC/AC Energy
CI DISTRIBUTE NETWORK
Continous circulation
DI PLUG IN
Industries Greenhouses Houses Water Treatment Plant
radiator
convertor
regulatorAC
HOW SOLAR ENERGY IS PRODUCED
SYSTEM BUILDING UNIT
FROM VERNACULAR TO TECHNOLOGICAL
50 PLANNING SUNLIGHT
AG O
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CONSUMPTION
PRODUCTION
EQUIPMENT
Industries
Airport
Railway
HOUSES
OFFICES
WATER
ELECTRICITY
FOOD
AGNO
ENERGY PRODUCTION/CONSUMPTION
51
2ND PHASE INCORPORATE AGNO
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2ND PHASE INCORPORATE AGNO
PROCESS MASTERPLAN
52 PLANNING SUNLIGHT
1ST PHASE BUILD THE ENERGETICAL BACKBONE
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1ST PHASE BUILD THE ENERGETICAL BACKBONE
53
ECOLOGICAL CORRIDOR
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ECOLOGICAL CORRIDOR
Bomi Kim
She got her degree in Architecture at South Seoul University in South Korea and then moved to San Francisco
for the Master of Architecture at Academy of Art University. She took part into a competition, Evelo, dealing
with the design of a skyscraper. Her education has been strongly inspired by her father who is an architect too.
Although mainly mountainous, Switzerland
is actually composed by a great diversity of
landscapes. According to its topography, Lugano
area has been facing ooding issues. Most of the
urban contexts are on slope land rather than on
at area because its foundation near the lake
have been weak to be built. Starting from these
assumptions, the project is focused on preventing
ooding issues by green living. The site designis located in the oodplain of Lugano Lake area.
The main idea is creating a linear landscaped
park along the river that will be able to propose
a new approach to the oodplain area and make
it accessible from every direction. So, the project
provides not only improvement of specic areas;
it creates a full ensemble in the form of a linear
landscaped park, stretching along the river. This
new model of green park is extended into the
core of Magliaso station through a system of
public spaces connecting the coastline of Lugano
Lake and its natural inner mountains side as an
ecological corridor.
The main backbone is represented by a natural
path for pedestrians and bikers and ensures a
direct contact with the natural surroundings.
The landscape is redened as a network of new
earthworks, waterways and paths that meander
to reach new settings for recreation and public
life, also including a new river center. In orderto improve biodiversity, the park incorporates a
variety of plants and trees, and even small pounds
for aquatic plants; moreover, the riversides are
properly shaped to prevent from future oods.
Seating areas, water basins and indoor cafés,
lifted up from the topography, provide spaces to
relax. They can be enjoyed both during the day
and night. Visitors arriving to the park either by
train, by bike from the mountains, or on foot can
experience the benets of a green welcome carpet,
connecting the landscape with the urban context.
54 PLANNING ECOLOGICAL CORRIDOR
FLP TERRITORY FLOODING ZONES
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PONTE TRESA
CASLANO
MAGLIASO PAESE
SERROCA
BIOGGIO
CAPPELLA AGNUZZO
LAGHETTO
SORENGO
LUGANO
MAGLIASO
AGNO
MOLINAZZO
FLP TERRITORY FLOODING ZONES
55
FLP TERRITORY FLP TERRITORY
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O
COASTLINE VALUE
O
COASTLINE AND FLP LINE
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FLP TERRITORY
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POTENTIAL ECOLOGICAL CORRIDORS
57
TERRITORY - FLP STATIONS - COASTLINE ECOLOGICAL CORRIDOR
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59
CASLANO MAGLIASO ECOLOGICAL CORRIDOR
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60 PLANNING ECOLOGICAL CORRIDOR
CASLANO MAGLIASO ECOLOGICAL LINEAR PARK PLAN
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PLANNING62 ECOLOGICAL CORRIDOR
CASLANO MAGLIASO ECOLOGICAL LINEAR PARK SECTIONS
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+ NEW NATURISED
+ FLOOD PROTECTION
+ NEW MODEL OF GREEN LIVING
+ RECREATIONAL
+ ACTIVITY
+ SUSTAINABLE WATER FRONT
+ LINEAR PARK A-A’
B-B’
C-C’
A-A’
B-B’
C-C’
MAGLIASO
LUGANO GOLFCLUB
LUGANO GOLFCLUB
URBAN CONTEXT
63
CLUSTERIZATION
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The experience of Swiss urbanity is very particular.
Switzerland is a transit territory in between the
European Union. According to the geographical
location it was historically developing as a passage
of interchange between the European countries.
Switzerland represents an idea of fragmented
reality, which has been born in the context of
cultural differentiation and signicant topography.
Canton Ticino, located in the south of Switzerland,
is characterized by an urban sprawl of polarizedarchipelagos. Thus, the research is oriented to
read the territory through the perspective of
clusters and urban identities. The FLP line, the
railway connecting Lugano and Ponte Tresa,
is the main interchange among ten clusters:
Ponte Tresa, Caslano, Mal Cantone golf club,
Magliaso, Agno, Bioggio, Lugano airport, Lago
di Muzzano, Sorengo, Lugano train station. The
clusters along FLP line are dened according to
territorial maintenance, natural borders and main
use. An atlas describes the identity and structure
Maria Lezhnina
After having obtained several academic awards in the eld of architecture, Maria Lezhnina graduated
in 2011 from KSUAE in Kazan (RUS) winning during the same year an international prize for her thesis
project. She also worked for AuS - Architecture and Urban Systems (Mendrisio - CH) in 2009 and for
Buromoscow (Moscow - RUS) in 2010. Since 2006 she has been collaborating with different architectural
and design ofces in Kazan (RUS).
of clusters: shape, pattern, structure and use
are xed for each clusters; then their respective
centers are dened as well. By overlapping the
centers and connecting them to FLP stations, the
shape of the city center comes out. Then, the
project is focused on the cluster of Caslano: the
activities are spread and the center doesn’t exist up
today, which is a similar condition to other urban
portions along FLP. Assuming policentrality as
main strategy, the aim of the project is to developspecic interventions for each typology of center
and an overall project of relationship among them
at the same time. The four specic projects for
the historical, infrastructural, train station and
geometrical centers relate to each other to dene a
stable reference in the continuous redevelopment
of the urban territory. They also represent the idea
of locally expanding systems of public spaces, by
connecting those existing with the insertion of new
ones. Thus, by spatially relating the centers the
clusters are redened as well.
64 CLUSTERIZATIONPLANNING
FLP TERRITORY
CLUSTERS
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65
Bioggio
Lugano FLP
Bioggio Molinazzo
SeroccaFLP TERRITORY
CLUSTERS
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Magliaso
Agno
Sorengo
Ponte Tresa
Caslano
Magliaso Paese
Capella-Agnuzzo
66 AGJNAHNOAHNPLANNING CLUSTERIZATION
FLP TERRITORY
ATLAS OF CLUSTERS
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CLUSTER CASLANO
PATTERN OF FUNCTIONS
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CLUSTER CASLANO
MAGNETS OF ACTIVITIES
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l l
CLUSTER CASLANOPROJECT
CLUSTER CASLANO
SPACE FOR DENSIFICATION
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CLUSTER CASLANO
PROJECT CITY CENTER
PLANNING70 CLUSTERIZATION
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CLUSTER CASLANO
PROJECT INFRASTRUCTURAL CENTER
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CLUSTER CASLANO
PROJECT GEOMETRICAL CENTER
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Cluster Caslano
project_geometrical center
Cluster Caslano
project_geometrical centerPLANNING72 CLUSTERIZATION
CLUSTER CASLANO
PROJECT TRAIN STATION
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EDUCATION POLE
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Chao Niu
He graduated in Landscape Design at School of Architecture Harbin Institute of Technology (HIT) in 2009.
He won the Test-Free admission to work for Master’s Degree program in Landscape Architecture in the school
of Architecture (HIT). Since 2008, he has been developing many projects dealing with landscape design,
architecture design and interior design in China.
The research starts from the public facilities around
FLP line: actually, some education institutes are
located around the FLP Line in both primary and
high schools, and universities as well. In fact,
students are one of the major groups using this
train line for everyday activities. As the density
map of the schools shows, the entire territory
can be divided into four areas - Caslano, Agno,
Lugano and Manno - according to the main
scholar activities. While in Caslano, Agno andLugano all the schools are close to the railway, in
Manno students of SUPSI University have to cross
a very long industrial area to get to the nearest
FLP station. Actually, this site has the biggest
developing potential: it boasts a huge green area
and also many void spaces.
The free pattern of the landscape is really inspiring.
Tourists travelling by plane, as well as drivers
passing by on the highway, they both can enjoy the
beauty of the landscape in this location.
To develop the project, the presence of existing
technological departments and factories settled
down there is taken into consideration to develop
the main project strategy. It aims at not only
linking the SUPSI University with the FLP station,
but also creating a new way to lead people into
the green areas and public spaces of this territory.
Thus, the infrastructural strategy is combined
with the intervention on the landscape. The
existing roads become the trace to dene the rst
shape of the connecting backbone of the project:the crossing points between infrastructure and
buildings are at the highest levels, while the
junctions between infrastructure and green areas
are the lowest. The whole infrastructural system
is divided into four parts, the two closed to SUPSI
are attached with the school building to create a
rainbow corridor for the students in order to pass
through the big industrial zone.
The other two parts, nearby the FLP stop, connect
with the public spaces, people can enjoy getting to
the roof garden.
74 PLANNING EDUCATION POLE
FLP TERRITORY
RELATION BETWEEN SHOOLS AND FLP LINE
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FLP LINE
COMFORT LEVEL OF STATIONS ACCESSIBILITY
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EDUCATION POLEPLANNING76
BIOGGIO MOINAZZO FLP STATION
SPACE ANALYSIS
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BIOGGIO MOINAZZO FLP STATION
PROJECT LAYERS
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78 PLANNING EDUCATION POLE
BIOGGIO MOINAZZO FLP STATION
PROJECT LAYOUT
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BIOGGIO MOINAZZO FLP STATION
SECTIONS AND VIEWS
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80 PLANNING EDUCATION POLE
BIOGGIO MOINAZZO FLP STATION
MASTERPLAN
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BIOGGIO MOINAZZO FLP STATION
BIRD EYE VIEW
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83
CONNECTIONS
Mayya Polivanova
She graduated in Architecture of Public Buildings and Facilities at Kharkov State Technical University of
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She graduated in Architecture of Public Buildings and Facilities at Kharkov State Technical University of
Construction and Architecture in 2011. She took part in several international workshops in Florence headed
by Foundation Romualdo del Bianco. She collaborated with the architect Sergey Chechelnizky for the urban
rehabilitation of the Constitution Square and the design of the History Museum in Kharkov, Ukraine (2011).She has been working in the architectural studio AROF in Kharkov, Ukraine since 2009.
Despite the small population areas of the
agglomerations adjacent to FLP stations, the
existing hotel and restaurant facilities would be
able to receive more visitors and tourists. Most
of them are concentrated along the connections
between the FLP stations and the coastline, passing
through the towns. Assuming that the average
distance between the stations and the nearby
entertainment highlights is about 1 km, that could
be covered in 12 minutes, this can be considered
as an optimal pedestrian accessibility for users of
the FLP line. Thus, a passenger waiting at the FLP
station and having 15 minutes of spare time could
easily use some local service or entertainment.
Another important factor is establishing a
connection between the railway stations and
the coastline, local ports and boathouses. It
would give an opportunity to actively use all the
transportation systems and provide easy travel and
accessibility to this region. Also the actual state of
the infrastructure and public spaces should also be
taken into consideration. The project is focused in
Caslano, one of the settlements located along the
FLP line. Between the station and the port, there
is a walking distance of about 1 km. The main
street connecting them is dotted with few hotels,
many restaurants, bars and some commercial
points. Moreover, a large number of inbuilt plots
can be detected adjacent to these highlights.
The project strategy aims at strengthening the
connection between the FLP station and the
coastline. Primarily, the two opposite magnets, the
station and the port, need to be reorganized: the
rst one is transformed into a multifunctional hall,
equipped with public facilities; along the coast, a
small boat station is established together with a
system of green areas.
In between, the large number of vacant spaces
will be reactivated: eco-farm, vegetables market,
playground, parking and information point for
visitors are some of the suggested activities. In this
way, the level of intensity of use of the space is
supposed to be improved, acting as attractors for
residents and tourists.
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FLP STATIONS
NODES OF ENTERTAINMENT / PEDESTRIAN ACCESSIBILITY
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FLP STATIONS
STRATEGY
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86 PLANNING CONNECTIONS
CASLANO MASTERPLAN
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CASLANO TRAIN STATION
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90 PLANNING CONNECTIONS
CASLANO BOAT STATION
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91
WATER
Anna Terskikh
She graduated from Saint-Petersburg State University of Architecture and Construction in 2008. She worked
in the Russian State Scientic Research and Design Institute of Urban planning and also in the Institute of
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in the Russian State Scientic Research and Design Institute of Urban planning and also in the Institute of
Sport Facilities, for the Olympic Games in Sochi. She took part in several competitions and she got the rst
prize with the project Wings, in the competition Unrealized projects. Residential Interiors.
Even though the territory crossed by FLP line
is very close to Lugano Lake, the coastline is
actually separated from the existing railway line.
Despite of this, there are two main ports, one
situated in Ponta Tresa and the other in Caslano,
together with a great amount of small private ports
stretching all along the coastline nearby the FLP
line. Moreover, the green areas and agricultural
elds surrounding the railway represent a great
potential for the project, still not exploited. Also
the existing rivers and waterways could be used asa new transportation system, connecting the FLP
line with not so well developed points along the
coastline. Thus, the basic concept is to connect the
coast with the railway line, by developing a system
of public space, able to enhance a new model of
relationship with such a huge and not fully used
resource as Lugano Lake. In the vicinity of the
stop Agno, a system of public space is planned,
stretching along the channel and ending in the
small existing port. In this way, a direct connection
between the waterway and the FLP line is going
to be achieved: the port is a point for exchanging
uxes coming from the lake and also from FLP
station. The other main goal of the project is to
preserve the existing agriculture elds and make
them a part of the public space: a new sport area
is planned within the system, including pools,
tennis courts and a small mini golf as reection
of the big golf park in Caslano. On the other
side, Caslano already shows a strong relationship
with the existing port. The project also aims atdeveloping the coastal zone nearby the port and
the golf course, to create a new opportunity for
park visitors. The intervention follows the FLP
line trajectory, stitching the coastline with the
railway trace. Thus, the coastline is reinforced with
various portions of public spaces, associated with
the development of the transportation system of
Lugano Lake and its connection with the FLP line.
By this, new opportunities of use for tourists and
residents would arise.
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FLP TERRITORY
EXISTING PORTS
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94 PLANNING WATER
FLP TERRITORY
INTERACTION BETWEEN FLP STATIONS AND PORTS
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CONCENTRATION OF THE PORTS % USING BOATS
EXISTING BOAT ROUTES TIMING
95
FLP LINE
URBAN PORTIONS
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96 PLANNING WATER
FLP STATIONS AND PORTS
AREAS OF INTERVENTION
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FLP STATIONS AND PORTS MASTERPLAN
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98 PLANNING WATER
FLP STATIONS AND PORTS PROJECT PROPOSAL
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FLP STATIONS
TRAFFIC NODES
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PONTE TRESA FLP STATION
EXISTING MOBILITY FLOWS
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PLANNING102 TRAFFIC INTERCHANGE
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PONTE TRESA FLP STATION
PROJECT STRATEGY
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PLANNING104 TRAFFIC INTERCHANGE
PONTE TRESA FLP STATION
PROJECT LAYERS
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PLANNING106 TRAFFIC INTERCHANGE
PONTE TRESA FLP STATION
SHAPING THE LANDSCAPE
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107
LUGANO REGION INSIDE THE NET-CITY:
REFLECTIONS AFTER THE RESEARCH PROJECT
Andrea Vercellotti workshop project leader
Architect, he studied at Politecnico di Milano, where he also took a PhD in Architectural and Urban
Planning Assistant professor at Politecnico di Milano he collaborates with Domus Academy and he is
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METHODOLOGICAL INTRODUCTION
The research project has been oriented toinvestigate the role of infrastructures and their
spatial devices in the regeneration policies of
urbanized territories. The general approach has
not only been focused on the spatial aims related
to the topic, but also in the attempt to understand
the rising new ways of life related to multiscale
mobility networks. The urban region included
between Lugano and Ponte Tresa, armed by the
local infrastructural axis of FLP rail line, has been
the eld of our research. The work of investigation
has followed a zooming-in path organized in
4 main phases: the rst one to produce aninterpretative diagram at the territorial scale,
declining the topic of the scales interlacement; the
second one trying to merge the previous analysis
in a common plan of the infrastructural line; the
third one, based in Switzerland, as a moment of
comparison and dialogue with local actors, to
check and evaluate the efcacy of the previous
phases; the last one to develop punctual projects.
Following this path, each section has been focused
on a specic design topic, facing in progressive
scales (from the territorial to the architectural
one) the different levels of involvement. Finallythis inter-scalar logic of design has revealed his
property as an instrument of representation of the
urban regions complexity, pointing to the attention
on contemporary projects as a result of complex
social, economical and planning conditions,
uctuating between the globally imposed and
locally specic situations and requirements.
RECOGNIZING A COMMOM CONDITION:
THE NET-CITY
“The railway-begotten giant cities...in all
probability....[are] destined to such a process ofdissection and diffusion as to amount almost to
obliteration ...within a measurable further space
of years. These coming cities...will represent a new
and entirely new phase of human distribution...
The city will diffuse itself until it has taken up
considerable areas and many of the characteristics
of what is now country...
The country will take itself many of the qualities of
the city. The old antithesis will cease, the boundary
lines will altogether disappear 1”.
Planning. Assistant professor at Politecnico di Milano, he collaborates with Domus Academy and he is
involved in research activities with several research groups and institutions, such as New York Institute of
Technology and Escola Tecnica Superior de Arquitectura de Barcelona, on issues related to architecture,
landscape, photography and urban planning.
108 LUGANO REGION INSIDE THE NET-CITYPLANNING
In this utopian description of future human
settlements, the English science-ction writer
George Herber Wells displays a prophetic
consciousness about the transformative potential,
for urban shape and territory, of the technological
evolution of means of transport, especially the
railway. One century later, and especially in a
country like Switzerland, where a consolidate
High-speed rail and air transport are the main
characters of this real revolution in our society.
They both cut journey times and substantially
increase the scope of our daily life, including a
range of opportunities unimaginable a few decades
ago, but at the same time they impose a question
of meaning, on the local project. In the nodes of
the infrastructural nets, the global condition meets
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development of the rail nets is joined to apolycentric urbanism due to a peculiar topography,
the context we have found is the result of these
phenomena. The precise work of description
produced by the research, nally give us a portrait
of Lugano region that perfectly shows the common
conditions we can nd in European territory,
increasingly characterized by widespread and
disjointed forms of urbanization.
GOING BEYOND THE TRADITIONAL BOUNDARIES
BETWEEN CITY AND COUNTRYSIDE, THESE
HETEROGENEOUS ELEMENTS HAVE INVADED THE
TERRITORY AND SCATTERED THE URBAN VALUES IN
A HYBRID ENVIRONMENT WITHOUT IDENTITY.
A new conguration, claimed by the major
infrastructural networks, has imposed a new asset,
within which cities play a different role, competing
each one with its own specicity. The elements
of organization of urban space, reinforced in
centuries of civilization, no longer seem able on
replying to new solicitations. The liquid society of Second Modernity, as some authors call it, has
resulted in fragmented forms. Population and
territory are so linked following new dynamics.
On one side, the extension of transportation nets
has spread human settlements, but on the other
side the network order sets a polarization in the
infrastructural nodes. This new condition, as we
said, is the common contest of the global economy,
which further more imposes its logic to local
communities, plugged-in in a multi-scale system.
the local identity of the place, in a delicate balancebetween access to regional and global ows (such
as possibility of movements) and roots in the
anthropogenic value of building in one place.
FROM NATIONAL NETS TO SECONDARY LINES
Looking at the city and the territory inside
this networks frame, we can describe them as
complex entities, composed by a multiplicity of
different levels. This approach has risen, during
the analytical phase, as the most effective one to
understand the hierarchical structure of territory.
Each level has been represented as a specic layer,
connecting several fragments among them: the city
and the territory turn out to be the composition of
different scale networks interlaced or not.
As in Wells writing, is a change in the mobility
systems that suggests reecting on the impact
of this new conditions inside the urban regions.
In particular, the development of the European
Corridors is the chance for local realities to
rethink their position inside regional and global
nets, propos