Report in Mapeh

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PHILIPPINE FOLK DANCES WITH ASIAN IN FLUENCE (UNIT IV: REGIONAL AND NATIONAL DANCES WITH ASIAN INFLUENCE)

description

Philippine folk dances with asian influence

Transcript of Report in Mapeh

PHILIPPINE FOLK DANCES WITH ASIAN IN FLUENCE

(UNIT IV: REGIONAL AND NATIONAL DANCES WITH ASIAN INFLUENCE)

INTRODUCTION: Philippine folk dances speak so much

about heartbeat of our people for they tell about our customs, ideas, beliefs, superstitions, and events of daily living in a certain community. Just by looking at the costumes, props, and implements of a certain group or tribe , you can tell the origin of the dance . The kind of music being used readily also tells about the influences brought by our trade and settlement of our neighboring countries such as China, Malaysia, Indonesia, Burma, Cambodia, Thailand , and Japan , to name a few.

Truly evident is the effect of acculturation in the country as manifested by the kinds of costumes, props, music, and dance steps that are used and integrated in some of our regional and national folk dances. The use of gongs, kulingtang, and the incorporation of pentatonic scale to our musical compositions are just concrete proofs of acculturation in the country. These are the reasons why Philippine folk dances contribute to the every rich culture of the country.

BINISLAKAN(Lingayen)

MEANING : With the use of sticksDANCE CULTURE : Christian-lowlandPLACE OF ORIGIN: Lingayen,PangasinanCOUNTRY OF INFLUENCE : ChinaETHNO-LINGUISTIC GROUP: PANGASINENSECLASIFICATION:SOCIAL DANCEBACKGROUND:

Ligayen in Pangasinan maens “having too look backward and upward.” It was derived from Li-King-Tung,a chinese word given to the name Lingayen,the capital of Pangasinan,by the Chinese settlers of this place a long time ago.The barrio folks who lived at Almazin, a small between barrio Pulong and Maniboc,danced this to commemorate the stay of Limahong,a Chinese pirate who built his kingdom here.

The dancers look backward or upward in some of the movements hence , the name Lingayen . They also use two sticks to produce rhythms , imitating the chopsticks used by the Chinese in eating . Thus the dance is also called Banislakan , which in Pangasinan means “with the use of sticks.”

DANCE PROPERTIES:COSTUME:*Female : Siesgo and kimono with loose and long

sleeves and soft panuelo*Male : Camisa de Chino and red pantsMUSIC: 2/4 composed of two parts - A and BCOUNT:one,two,one and two,and one and two andFORMATION:Partners stand about six feet apart .

One or more pairs in a set can take part in the dance , in any formation desired.

SUA-KU-SUA*My Pomelo Tree*Muslim-lowland(coastal)*Jolo,Sulu*China , Malaysia , and Indonesia*Tausug*Courtship danceBACKGROUND: