Renaissance Art
description
Transcript of Renaissance Art
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Rebirth of Shape and Form
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•More simplified design•Proportional relationships•Use of natural space
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Renaissance architects used classical design such as domes, pillars, and arches
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• Individual and humanistic
• Conscious of self, freedom, and dignity
• Exterior of buildings
• Appeal to common man
• Relies on classical form and style
• Realistic and natural
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•Focus on the religious•Stylized figures and objects•Divine nature as opposed to realism
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•Realism: use of natural lighting, perspective, space, and scale•Concentration on human form and lines•Nudes: Purity of the soul•Human experience, emotion, life
Masaccio (1401-28?), Tribute Money
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This painting illustrates secularized art and the subjects , the Duke and Duchess of Urbino were themselves supporters of the
arts
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•Teacher of Leonardo Da Vinci•Emotional appeal•Strength of individual
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•Master of the use of line and shape•Depth of feeling and style, though unrealistic
•Classical subjects, influence of Rome
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•Dutch painter•Superb attention to detail•Extreme control of space and arrangement (furniture is in exact organization for a lay sacrament)
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•Focus on the betrayal of Christ instead of the Eucharist
•Interested in the ideal world instead of the real world
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Leonardo da Vinci (1452-1519): Renaissance Man
The term Renaissance Man refers to a jack of all trades
Leonardo was an architect, inventor, engineer, painter, sculptor scientist, biologist, and musician, though few of his inventions were created in his lifetime
After Leonardo, to be an artist, one must be a master of all things in order to truly understand art
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Interested in perfect forms and nature through drawing and painting
Not a firm believer in either science or GodOne can only believe what one can see
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Mona Lisa (1503-06)
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Michelangelo (1475-1564)Michelangelo was a devout Catholic as
opposed to da Vinci’s skepticismOnly concerned with the human form and the
divine intention God placed in the human form
His only other real interest was poetry, which da Vinci scorned
Believed sculpture was the purest form of artThe process of taking away instead of putting
on
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Michelangelo: David (1498)•Illustrates Michelangelo’s heroic style
•Well muscled instead of boy like
•He stands forever at the alert to dangers that may be presented
•Used as symbol of Florentine readiness to protect their republic
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Pieta (1499)
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Moses (1515)
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Sistine Chapel Ceiling (1508)The chapel is
used for important papal ceremonies and gatherings of the cardinals
Michelangelo commissioned to do the work, but unwillingly
Exemplifies Michelangelo’s vision of a new and grander humanity
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Sistine Ceiling
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Fall of Man (1509)
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Creation of Adam (1511)
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Raphael (1483-1520, Raffaello Sanzio)Raphael gained
immediate success partially because Leonardo and Michelangelo were in such demand and rarely produced finished works
Raphael was not interested in anatomy or perfect forms
Harmony was most important to Raphael
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Disputa (1509): Christian Element
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School of Athens (1510): Classical elements on opposite wall
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•Dutch Painting•Interior lighting•Mixture of secular and religious (marriage)•Naturalistic
Renaissance Outside Italy
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Pieter Bruegel, Dance of the Peasants (1568)
He also had a strong concentration on secular peasant life