Redemption Centre
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Transcript of Redemption Centre
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THE REDEMPTION CENTRE
a short screenplay
by
Raphael Levy and Jane Sorensen
FADE IN:
EXT. SMALL EAST COAST TOWN -- MORNING
A quiet seaside tourist town wakes up to an overcast day.
Seagulls' SQUAWKS are heard around us. Several fishing boats
make their way out of the harbor.
EXT. CITY SIDEWALK#1
A tight city street strewn with small shops and eateries
comes alive. Pedestrians meander along, cars WHIZ by.
DEMPSTER, late forties, unshaven, with a matted head of thick
brown hair, sleeps under a thickly woven wool blanket.
He wakes up, his eyes spark open, he rolls out from
underneath his blanket, wearing an old pair of black leather
boots, stained green beret pants and a loose fitting cotton
sweater.
INT. SMALL DINER -- LATER
ROSE, early thirties, sits at a booth across from SEAMUS,
early thirties, wearing a Public Security outfit.
SEAMUS
(gets up)I better not be late on my first day.
ROSE
Okay. Have fun.
Seamus leans over and gives her a kiss. In the background,
Dempster takes a seat in the neighboring booth.
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SEAMUS
What time are we meeting the real
estate agent?
ROSE
For the third time, six thirty.
SEAMUS
Right. Okay, see you later.
Seamus walks off. Curiously, Rose looks towards Dempster.
P.O.V. ROSE
Dempster attempts to perfectly line up his cutlery.
A waitress, JULIANNE, mid-thirties, approaches Rose's table.
JULIANNEGood morning, Dempster.
DEMPSTER
(stutters)
Gggood morning, Julianne.
Julianne stops at Rose's table and sets the check down.
JULIANNE
Here you go.
ROSE
Thank you.
JULIANNE
You're not from around here, are you?
ROSE
(getting up)
No, we just moved in from Maple
Ridge.
JULIANNE
Ontario! Well, welcome to Halifax.
ROSE
Um no, BC actually.
(handing bills)
Here you go. Keep the change.
JULIANNE
Thank you! Come again.
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ROSE
(starts off)
We will. Excuse me, can you tell me
where I can find the art gallery?
JULIANNE
Yeah. Take a left out here, walkthree blocks. You can't miss it.
ROSE
Thank you.
Rose exits. Julianne returns to Dempster's table and sets a
cup of coffee in front of him.
JULIANNE
Here you go. Your eggs'll be ready in
just a couple.
DEMPSTER
Thththank you.
Dempster slides it to his right directly in front of the
spoon. He turns his gaze out toward the waterfront.
P.O.V. DEMPSTER
Boats rock gently against the pier. Sea gulls fly around in
search of a meal.
INT. DINER -- LATER
Dempster eats a cheese omelet with meticulous care. He takes
a sip of his coffee, and sets it back, taking time to ensure
perfect placement relative to the spoon.
EXT. CITY SIDEWALK#2 -- LATER
Seamus stands tall over a frail HOMELESS MAN #1. He hands him
a citation.
SEAMUS
(curtly)
I'm just doing my job.
HOMELESS MAN#1
So am I.
SEAMUS
(walking off)
I don't think this can be classified
as a job.
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HOMELESS MAN#1
(hushed)
Asshole.
CUT TO:
INT. DINER -- CONTINUOUS
Standing with his backpack over his shoulder, Dempster
reaches into his left pocket, pulls out a few loonies and
quarters, and neatly lines them up on the table. He heads
out.
JULIANNE (O.S.)
See you tomorrow Dempster.
DEMPSTER
Bbye.
Dempster exits, the door CHIME sounds.
EXT. BEACH -- LATER
The sun hangs clear above the horizon creating a glitter of
lights across the harbor. Dempster looks out at the
waterfront holding a manual camera. He frames and snaps
several pictures. A frail smile comes over his face.
EXT. BEACH FRONT WALKWAY -- LATER
An older man, BARTHOLOMEW, prepares his news stand for the
day. Dempster approaches.
DEMPSTER
G-g-good morning, Bartholomew.
BARTHOLOMEW
Dempster. How was your weekend?
DEMPSTER
Ffine.
Dempster hands a photograph to Bartholomew.
BARTHOLOMEW
(admiring)
Very nice.
Bartholomew swaps pictures on the side wall.
ANGLE ON PICTURE
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a shot overlooking the harbor. An inscription above the
picture "DEMPSTER'S PICK OF THE WEEK".
BARTHOLOMEW (CONT'D)
(handing him
newspaper)You've earned your week again.
DEMPSTER
Th-Thank you.
Dempster walks off.
EXT. CITY SIDEWALK#2 -- CONTINUOUS
Seamus hands a citation to a HOMELESS MAN #2. He turns away,
walks a few steps, and writes up a ticket on a parked car.
CUT TO:
EXT. CITY SIDEWALK#1 -- AFTERNOON
The street bristles with afternoon traffic. Dempster sits on
the sidewalk reading the newspaper. In front of him, a black
cap containing several coins.
Behind him, sits the "REDEMPTION CENTER". People enter
carrying empty six-packs and bags of pop bottles.
ANGLE ON NEWSPAPER
We catch snippets of headlines:
-Employment top priority for Premier
-Fishing stocks in further decline
-Mayor tightens finance grip
Dempster folds up paper carefully and sets it down. He opens
his knapsack and pulls out a thick black photo album and a
white placard sign. He neatly arranges them on the sidewalk.
SEAMUS (O.S.)
Excuse me, sir.
Dempster looks up casually. Seamus stands above him.
DEMPSTER
Yes?
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SEAMUS
You realize pan handling and
loitering on city property are
against the law?
DEMPSTER
I'm raising mmmoney.
SEAMUS
(writes up citation)
Yes, I can see that. It's illegal,
though. I'm going to have to fine
you. Name please?
DEMPSTER
Ddempster. But, I'm trying ttto raise
money ttto save the corals.
SEAMUSYes, I'm sure you are. Last name?
DEMPSTER
Wharf.
SEAMUS
(hands him ticket)
I don't make the rules. You've got
thirty days to settle the fine.
Seamus walks away. Dempster appears flustered.
A cheery couple, CLARA and ALEX, early twenties, approach
Dempster and hunker down on the sidewalk with him.
CLARA
Hi, Dempster!
DEMPSTER
Hhhi Clara.
CLARA
Alex, this is the guy I was telling
you about. Take a look at his
pictures. They're amazing.
ALEX
(looking through
album)
Wow. These ARE nice. You took all
these?
Dempster nods.
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CLARA
Dempster sells them to raise money
for a foundation that aims to save
the Corral.
ALEXCool. How much are they?
DEMPSTER
You dddecide what you ddonate.
ALEX
Five okay for these two?
DEMPSTER
Yes. Ththank you.
Alex hands him the money. Dempster takes it and slips it intohis right pocket, and pulls out the pictures for him.
EXT. SIDEWALK#1 -- LATER
Dempster sits eating a sandwich. Rose kneels down to look at
the photo album.
ROSE
These are nice. What are the
corrals?
DEMPSTER
Corals.
ROSE
Oh. Why do they need saving?
DEMPSTER
I used to fish off Cape Breton.
STOCK FOOTAGE: FISHING BOAT WITH DRAG NET OUT
DEMPSTER (V.O.) (CONT'D)
We used to pull them all up with our
nets.
STOCK FOOTAGE: NET BEING WINCHED IN WITH FISH AND DEBRIS
DEMPSTER (V.O.) (CONT'D)
We dddidn't know they protected the
fish. Then the fishery ccccollapsed,
and we lost our jobs.
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ROSE
And you want your job back, one day.
DEMPSTER
I want tttto fix what I broke.
ROSEWhat you broke? It's not your fault.
DEMPSTER
Wwwe're all responsible.
ROSE looks at him with warm admiring eyes. She moves over
beside him, sits down on the pavement, and takes the album
into her lap.
INT. HOTEL LOBBY -- LATER
Seamus waits in the hotel lobby. He looks at his watchanxiously. Rose strides through the front door.
SEAMUS
(taps watch)
Where have you been?
ROSE
(peeved)
Did you ticket a homeless man today?
SEAMUS
Sure, I ticketed lots of them. Why?
ROSE
So, it was you.
SEAMUS
What are you talking about?
ROSE
You ticketed this one guy, Dempster.
SEAMUS
Dempster?
ROSE
Yeah, you have to cancel his ticket.
SEAMUS
Whoa. Slow down, Rose. What's going
on?
ROSE
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You have to cancel it. Most of the
money that guy raises goes directly
to the Ecology Action Center for the
corals off Cape Breton.
SEAMUS
Oh. Him. Yeah, I remember him.Downtown by the Redemption center.
You didn't actually believe his
story?
Rose gives him a cold, hard stare.
SEAMUS (CONT'D)
(guilt-ridden)
What do you want me to do? The
ticket's already written. There's
nothing I can do about it now. He'll
have to contest it in court.
ROSE
That's not right.
EXT. CITY SIDEWALK#1 -- CONTINUOUS
Dempster packs up his bag.
EXT. HOTEL -- CONTINUOUS
Rose and Seamus walk out in heated debate. Seamus points to
his watch. The frame is SILENT.
INT. MARITIME MUSEUM OF THE ATLANTIC -- LATER
Dempster enters the museum and approaches the kiosk. DAVE,
the kiosk manager sits relaxed behind the desk.
DEMPSTER
Dave, I have bbbbad news.
DAVE
What is it, Demp?
INT. CAR -- CONTINUOUS
Seamus sits behind the wheel. Rose has a phone to her ear.
ROSE
The Ecology Action Center. Thanks.
(pause)
Hello. Are you open now? Where are
you located?
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(pause)
Thanks you.
(To Seamus)
Maritime Museum of the Atlantic.
Downtown.
INT. MARITIME MUSEUM OF THE ATLANTIC -- LATER
DAVE
I'm sorry to hear that, Dempster. But
I understand, you've got to look out
for yourself, too.
DEMPSTER
As sssoon as I cccan pay it offf.
I'll cccome back.
DAVE
Okay. In the meantime, I'll see aboutgetting you a street charity permit.
I feel bad, I wish I had thought of
that before.
DEMPSTER
It'sss okkay.
Dempster walks off. Seamus and Rose storm in, they walk
right past Dempster and up to the desk.
ROSE
Pardon me, but do you know a homeless
man by the name of Dempster?
SEAMUS
Dempster Wharf.
DAVE
That's him right there. Dempster!
Dempster turns around slowly.
ROSE
Hello Dempster. Remember me?
DEMPSTER
Yyyeah. Rrrose, right?
ROSE
Yes, that's right.
(points to Seamus)
This man, who ticketed you, is my
husband.
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SEAMUS
(sheepish)
Hi. I wanted to apologize.
Dempster remains stoic.
SEAMUS (CONT'D)
Rose explained things and, well, if
you don't mind, I'd like to pay off
your ticket.
Dempster appears dumfounded. A QUIET beat.
DAVE
That's really kind of him. Isn't it,
Dempster?
Dempster smiles. Seamus hands him cash.
DEMPSTER
Th-thank you.
ROSE
You're very welcome, Dempster. We
have to go see about a house, now.
But, when we're all moved in, we'd
like you to come over and take some
pictures. We'll pay you of course.
DEMPSTER
Ssure.
Rose and Seamus exit waving BYE. Dempster, smiling, pulls out
a several small bills and change out of his right pocket and
sets it on the kiosk counter.
DAVE
(smiling)
How long are you going to keep doing
this, Dempster?
DEMPSTER
(raising paper)Until the hheadline ch-changes.
EXT. PIER -- LATER
Dempster snaps pictures of the tranquil harbor. The sun sets
behind him.
FADE TO BLACK:
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THE END