Red Door No. 2 Gallery (Bristol)
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Transcript of Red Door No. 2 Gallery (Bristol)
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2n u m b e r
r e d d o o r
2
illustrator: LizBuckfield KRave
3We’re an assor tment of ar t lovers who’ve created a gal lery sapace in the hear t of Stokes Croft , Br istol . You may have seen some of our pieces in coffee shops or bars in the local area.
We strongly bel ieve that ar t is for everyone, that ’s why we’ve worked hard to keep every piece within the reach of the major i ty l iv ing in Br istol and the surrounding area. Most of our ar t ists are local , a l though we’ve had the pleasure of introducing some internat ional ar t is ts to the Br istol scene.
I f you are consider ing buying any of the pieces inside this onl ine magazine please contact our team via the ‘Contact Icon’ s i tuated on the top of every ar t ist ’s biography.
Or, purchase on place of display. I f unsure of the whereabouts of a cer tain piece please contact us, we’ l l be happy to emai l you the latest informat ion and ensure safe del ivery.
Jeffery Butterfield
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introduc
ingTo contact us about any of our pieces
please click the link icon located next to the
page number in the top left hand corner.
Where to find us? Please click this link icon
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0 6 b a n k s y1 2 b a s t1 4 b u n g l e2 0 c o p y r i g h t2 4 c h e o2 6 c h i n a m i k e3 0 d o r a3 4 g e m m a c o m p t o n3 6 j a m e s s ta r r4 0 j u l i a n k i m m i n g s4 2 l e e e l l i s4 6 l i z b u c k f i e l d5 6 n ata l i a f a b i a5 8 m at t s m a l6 0 pa u l k e l ly6 4 s y lv i a j i 6 6 r u p u r t m o r l e y6 8 t e r e s a f a r d 7 0 v e r m i n
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A satirical street art and subversive epigrams combine dark humour with graffiti done in a distinctive stencill ing technique. Such artistic works of polit ical and social commentary have been featured on streets, walls, and bridges of cities throughout the world. Banksy’s work was born of the Bristol underground scene which involved collaborations between artists and musicians.Asked about his technique, Banksy said: “I use whatever it takes. Sometimes that just means drawing a moustache on a girl’s face on some billboard, sometimes that means sweating for days over an intricate drawing. Efficiency is the key.”Stencils are traditionally hand drawn or printed onto sheets of acetate or card, before being cut out by hand. Because of the secretive nature of Banksy’s work and identity, it is uncertain what techniques he uses to generate the images in his stencils, though it is assumed he uses computers for some images due to the nature of his work.
b a n k s y
6:1 ‘BOMB LOVE aka
BOMB HUGGER’ 2003
Unsigned edition num-
ber 52 of 600 screen-
print on wove paper.
(70x50cm)
For sale by private
treaty from Red Door
No/2 Gallery
6:2 ‘Tesco Value Petrol
Bomb’ 2011:
Limited Print of 2000
brought at Bristol Anar-
chists Book Fair Ham-
ilton House, Stokes
Croft:
Location: BTP, CR
Framed: £450
6:3 ‘Laugh now’ 2003
Framed ‘Santa’s Grotto’
unsigned limited edition
screen print of 500 on
wove paper. For sale by
private treaty from Red
Door No/2 Gallery
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‘Have a Nice Day’ 2004
Framed‘Santa’s Grotto’
unsigned limited
editions screen-print
of 500 on wove paper.
35cmx 100cm. For sale
by private treaty from
Red Door No/2 Gallery
Estimate: £1200
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Brooklyn-based artist BAST has been an intricate part of the street art scene for the past ten years throughout New York and Europe, where his wheat-pasted images feature prominently across the urban landscape although screen printing is at the heart of most all Bast’s work, although it rarely stops there as he collages iconic images and logo’s, before adding thick, heavy-handed layers of paint. And, for fact fans, he can write his name upside down with either hand. The artists has remained elusive character rarely seen in public and whose very existence is debated. Little is known of his work outside what the public sees in throughout New York’s urban environment. His work has become better known as his images have evolved to gallery-exhibition.
b a s t
‘Micky Mouse’ 2007
56cm x 76cm.
Signed and numbered
limited edition no.15 0f
30. Authenticated by
Pictures on Walls (POW
embossed stamp)
Screen-print and crayon
on ARCHES 88 paper,
100% cotton, and mould-
made sheets with four
deckle edges – 300gsm.
Framed - Conservation
Glass. Location In Store.
For Later Exhibition.
-
£1200
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Studied as a graphic designer in the early 90’s Bungle’s time finnally ran out and reality took hold, he walked away from what he enjoyed so he could get a job doing something else. Bungle sees everything in layers now. Paste-ups, spray painted graffiti, stencils and stickers all became a huge part of his life. His obsession to paint has born an artist who uses acrylics and spray paint with stencil and freehand techniques to make interesting and challenging work he can fine tune and exhibit on any object if for no other reason than to keep his own sanity. Bungle takes the iconic, famous, beautiful, glamorous and the unremarkable and creates an image with meaning either hidden or unashamed as he looks to question things we see in our daily lives.
b u n g l e
14:1 ‘Gold Save The
Queen’
Original 1 of 1 Screen
and spray print on deep
edge canvas, signed
on frame. 100.5 cm by
50.5cm. Multilayer sten-
cil work in Gold, acrylic
& Posca Currently Ex-
hibited in ‘Boston Tea
Party’ Cheltenham Rd
Original: £450
14:2 ‘RevolverR -
emerald’
Original 1 of 1 hand cut,
hand painted stencil and
spray print on deep edge
canvas, signed. 4ftx 3ft
Exhibited in ‘Boston Tea
Party’ Cheltenham Rd
Price: £700
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‘Private Close-Up’ 2011
Original 1 of 1 first test
canvas 50cm x 70cm
MTN94 Spray on deep
set frame. Signed
£370 - SOLD
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14:1
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14:2
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14:3 ‘Bouncer’ 2011
Large original 1 of 1
canvas
Exhibited ‘Upfest – 2011’
Location: Boston Tea
Party, Cheltenham Road
Canvas: £650
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14:4 ‘Son of Cowell -
Blue’ 2011
Original 1 of 1 box can-
vas
50cm x 50cm
Canvas: £350
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Copyright decided to study photography and video production at his local college; it was here he discovered a seemingly limitless supply of art materials he could ‘borrow’ to create his own paintings. It was soon after he had his own eureka moment when he realised he could turn his photographs into stencils. When his source of free supplies finally dried up he turned to the streets as a new free canvas. It was in this very public domain that his work began getting noticed and it wasn’t long before his first showing at a gallery. Many years later with no formal art training or qualifications he is continuously experimenting and pushing his work forward, mixing new materials and techniques with his trademark style with the resulting paintings being as much fine art as street art. Over the last decade Copyright has been invited to show his work worldwide including sell out solo shows in London and Tokyo and most recently his Precious Damage show which saw him sell all 50 works in 3 hours. He was asked to design the cover of Reload Magazine to go alongside a feature about his art, as well as pieces in Harpers Bazaar,
c o p y r i g h t
‘Proserpina’ 2010
Hand Finished Silkscreen
Limited Edition of 50.
This is a 46 x 91cm hand
finished screen-print,
including silver and gold
leaf on Somerset Paper
Signed and numbered
Exhibited: The Social
Framed: £600
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20:2 ‘Revolution’ 2009
screen print, ltd signed
edition of 75
Exhibited ‘Boston Tea
Party Cheltenham Rd’
Framed: £300
20:3 Glory, 2009
screen print, ltd signed
limited edition of 75
Exhibited: ‘The Gift
Shop’
Framed: £300
20:2
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20:3
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Cheo is a Bristol born and raised art ist who has been creat ing art since chi ldhood, having won competit ions on Blue Peter and, 80’s kid’s TV favourite, Get Fresh, at a young age. Drawn to graffit i by an array of influences, including John Pee’s Radio 1 Hip-Hop show, break dancing, his brother’s NYC skyl ine artwork and Barton Hi l l Youth Centre, Cheo’s work developed and he won the Nat ional Graffit i Art Championships in 1987. In 1989 Cheo and Inkie shared second place in the Nat ional Nat ional Graffit i Championships held in Bridl ington. He dropped out of the scene for a while, but is now back and involved in projects with the BBC and Channel 4 as well as producing his own graffit i , canvases and T-shirts. Art has always been a passion for Cheo, as he states on his website “ I wa s born with a pen in my hand (not actual ly, that would be stupid) , from the year dot my mum had to carry paper and pens everywhere instead of a dummy.”
c h e o
‘Dragon Balls’ – 2011
Signed and numbered A3
Giclee edition no 2 of 25,
30cm x 42cm. Carries
CHEO’s embossed
stamp and authenticity
certificate from Upfest
2011
Location: - Boston Tea
Party, Cheltenham Rd
Framed: £80
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c h i n a m i k e
Mike Carr aka, China Mike, is an i l lustrator and painter based in Bristol, England has exhibited his work in gal leries in Glasgow, New York, Los Angeles, London, Guernsey and in various cit ies up and down the country. He has exhibited his work several t imes within Bristol, including a contribut ion of pieces to the Crimes of passion show at the Royal west of England academy. His work is represented in the private col lect ions of numerous art buyers around the world. China Mike l ikes to draw, he also l ike to paint. In fact, drawing a paint ing is what Mike l ikes most. With an eye for detai l and a wil l ingness to have fun with any subject matter, he enjoys walking the broad l ine between fantatsy and real ity and going where ever it takes him.
‘Audrey’ - 2011
Hand Finished Artists
Proof (AP)
Signed and numbered
A2 Giclee edition no. 3
of 10.
Location: -The Gift Shop
Framed - conservation
quality glass: £550
‘26:2 Blue Bird’ – 2011
Signed and numbered
A2 Giclee edition 24 of
60. In store: for Later
Exhibit
Print: £150
‘26:3 Bird in Hand’ – 2011
Signed and numbered A2
Giclee edition 25 of 60
In store: Later Exhibit
Print: £150
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Dora is a female contemporary artist, il lustrator and graffiti painter based in Bristol, UK. Dora brings a fresh feminine style with her distinctive ladies (portraits of her friends) and stylish patterns, encompasses print, graffiti, il lustrative ink, painting and drawing taking on the boy heavy walls and galleries and bringing a refreshing look to contemporary art. Her work is current, though reflecting influences from art nouveau, Japanese prints, burlesque, Greek mythology and 50’s tattoo design its wrapped up and packaged with an up to date edge and firmly stands by itself. Dora is an established international Artist, il lustrator and graffiti painter. She has featured work in Selfridges, ‘Mu-Tate Britain‘ (London), ‘Crimes of Passion‘, (Bristol, UK) with ‘’Puma’’, ‘Line Steppers‘ (Birmingham), Paris, Marseille, New York and the streets of Berlin to name but a few. Dora has rebranded and designed the corporate identity for ‘Lipcote’.Dora has collaborations that include; Rowdy, Paris, Milk, K148, Amour and Hine. Dora is part of the female collective ‘Great Birds of the British Isles’ formed in 2009.
d o r a
‘Girl on a Sofa’ 2008
Screen Print on canvas
Unsigned.
For Later Exhibit
Canvas: £150
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Kimberly – Close’ 2008
Artists Proof (AP)–
single colour and signed
Screen-print on paper
54 x 74 cm – hand
pulled by the artist in
James Starr’s Stokes
Croft studio.
For Later Exhibit
Print: £350
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‘Dawn Awaking’ 2008
Limited edition no. 23 of
25 – signed.
Screen-print on card
54 x 74 cm – hand
pulled in James Starr’s
Stokes Croft studio.
For Later Exhibit
Print: £350
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Gemma Compton is an art ist , i l lustrator and fashion designer working out of both Bristol and London her unique take on classic wildl i fe imagery combined with her strong i l lustrat ive style has made her stand out from her peers and made her one of the leading voices from a new generation of young British artist.
‘Heartbreaker#1’ 2011
From the Upfest Gallery
Exhibition ‘Union’
Exhibited at The Art’s
House - Stokes Croft
Location:- The Gift Shop
Framed: £150**
g e m m a c o m p t o n
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Jim Starr is causing a stir in the contemporary art scene. His work has been exhibited alongside some of the worlds most celebrated contemporary artists and has been exhibited solo at London’s Dalston Superstore and The Coningsby Gallery. He has also shown at The Pall Mall Deposit, London, and at Bristol’s 2 Degrees Gallery and the Wilder Street Gallery. Jim’s use of pop culture and pin-up imagery is guaranteed to inspire anyone who loves the louche and the lowbrow. His work fuels the spirit and strikes a chord in the soul, continuing to resonate long after the first glance. Using a mixture of original screen printed material, his own photography, freehand drawings and collage Jim creates unique and sometimes complex hand pulled prints, with no two turning out the same. His current work reveals his borderline obsession with timeless and universal Icons. These easy-on-the-eye images skilfully offer an entry point into a complex world which offers much more than first appears. Jim’s love of travel and his insatiable appetite.
j a m e s s ta r r
‘36:2 The Curve’ 2011
Original 1 of 1 screen print
on heavy white textured
paper with added spray
paint and ‘Rose’.
(24cm x 30cm)
Framed: £50
‘Radiant Marilyn’ 2010
Limited Edition Screen
Print no. 3 of 10.
in 3 colours with hand
embellishments.
90 x 64 cm
Location: ‘The Gift Shop’
Conservation Glass
Framed: £550
36:3 ‘Hells Angel’ 2010
Commissioned piece
Original 1 of 1 screen
printed and hand
embellished on large
wooden panel
120cm x 240 cm.
Signed and fingerprinted
For sale by private trea-
ty from Red Door No/2
Gallery ‘The Gift Shop’
Framed: £950
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j u l i a n k i m m i n g s
Jul ian Kimmings - A graphic art ist , inspired by ancient folk lore and myth, combined with modern influences: Popular culture, art & design, graffit i and comic books. He Uses stories from the past to bring meaning to his artwork.
‘#21 Mesh’ 2011
Exhibited at ‘Upfest’
Aerosol, acrylic and ink
on reclaimed board
41cm x 62cm
Location – The Social
Original £275
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l e e e l l i s
Faces, figures & furious brush strokes make up Lee’s paint ings. A constant evolut ion of style and technique is evident throughout his work that he has no intent ion of stopping. Lee concentrates primari ly on the human form and creates s deconstructed images of people. The end result is a sl ightly haunt ing image that some may find disturbing
42:2 ‘Frustration’ 2011
Large 50cm x 70cm
Shown in ‘Upfest’
exhibition Oct 2011.
Location: The Gift Shop
Original mixed media on
canvas - £225
‘Broken’ 2011
Large 40cm x 40cm.
‘Upfest’ exhibition 2011.
Location: Boston Tea
Party, Chelt Rd. Original
mixed media on canvas
£200
42:3 ‘Death is Coming’
Small 12.5cm x 12.5cm
Shown in ‘Upfest’ exhibi-
tion Oct 2011
In store: Later Exhibit
Original mixed media
on canvas - £80
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l i z b u c k f i e l d
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‘Drunken Banker’ 2011
Exhibited ‘The Gift Shop’
from ‘the sold out’ Emporium
Exhibition – ‘Ridicule’, Original
Limited Edition
Print Large: £200
Print Small: £30
Twisted. Out of kilter. Distopian; are some of the words used to discribe Bristol’s most promising Urban Artist - Liz Buckfield and her latest exhibit ion ‘Ridicule’ which reflects on the world in which we’ve created. Ridicule is an exhibit ion of painted street signs, canvases and il lustrated documents all combined to create a comically animated backdrop of modern day Britain. The settings by turn dickensian, orwellian, populated by consumed characters rather than consumers. Each pursuing their own road to ruin in a world busy ruining itself.
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^ ‘Urban Barbados’ 2011
Large original 1 of 1
canvas - Unfinished
46:3 Nine Headed Bitch’
Exhibited ‘Art House’
Stokes Croft. From ‘the
sold out’ Emporium
Exhibition – ‘Ridicule’,
Stokes Croft March 2011
Location: in store
Limited Edition Prints:
£200
46:4 ‘Urban Renewal’
From ‘the sold out’
Emporium Exhibition –
‘Ridicule’, Stokes Croft
March 2011
Location: in Store
Limited Edition Prints:
£200
46:5 ‘Extract from Urban
Play Ground 2’
On Show at Niche –
Stokes Croft
In store for later
exhibition
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46:4
46:5
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‘K Rave’ 2011
From ‘the sold out’
Emporium Exhibition
‘Ridicule’, Stokes Croft
For Later Exhibition
Limited Edition Prints
- £200
‘Urban Play Ground 1’
Large Pen & Paint
colaberation with Gladys
From ‘the sold out’
Emporium Exhibition –
Stokes Croft March 2011
In store: Later Exhibition
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‘For Sale’ 2011: Original
paint and ink on found
corrugated plastic
sheeting of an Estate
Agents advertisement
In store: for later
exhibition. ‘Ridicule’,
Stokes Croft March 2011
Limited Edition Prints
£200
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‘Urban Play Ground 2’
Large Pen & Paint on
found cardboard. Hand
Burnt Embellishments.
From ‘the sold out’
‘Ridicule’ Emporium
Exhibition – Stokes Croft
March 2011
For later exhibition. For
Sale by Private Treaty –
RDNo.2
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‘Covert Capture Claws’
Original paint and ink on
found corrugated plastic
sheeting.
From ‘the sold out’
Emporium Exhibition –
‘Ridicule’, Stokes Croft
March 2011
For Later Exhibition
Limited Edition Prints
£150
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‘One Class Dismissing
Another’ 2011
Commissioned by RED
DOOR N0/2 Gallery
Exhibited ‘The Gift Shop’
Original Canvas in store
Print: £200
‘Urban Mona Liza’ 2011
Commissioned by RED
DOOR N0/2 Gallery
Location: In Store
Original Canvas in store
Limited Edition Print:
£200
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‘STAMP’ 2011
From ‘the sold out’
Emporium Exhibition –
‘Ridicule’, Stokes Croft
March 2011
Location: In Store
Limited Edition Prints:
£200
‘You are What you
Eat’ 2011
Acrylic on canvas
Limited Edition Prints
£200
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n ata l i a fa b i a
Natalia Fabia is of Polish descent and was raised in Southern California where she graduated from Art Center College of Design in Pasadena. Inspired by light, color, punk rock music, hot chicks and sparkles, Fabia is fascinated with ‘hookers’, which fuels her paintings of sultry women. Her work has been featured in numerous gallery exhibitions including Thinkspace Gallery, M Modern and The Shooting Gallery. She has been featured in Angeleno, Juxtapoz, and New York Arts magazine as well as appearances on Miami Ink, Fox 11 News and Indie 103.1.
‘Wet Tea Party’ - 2010
Edition of no xx of 100 –
signed and numbered by
artist 20’ x 26.5’
From ‘The Art from the
New World’ Exhibition
Bristol City Museum &
Art Gallery 2010 – all
sold out at exhibition.
Location: The Social
Framed - conservation
quality glass: £550
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m at t s m a l l
Matt Small graduated from the Royal College of Art and his unique style of portraiture has gained him a huge following and widespread critical acclaim. He was runner up in the BP portrait award and winner of the Villers David prize. His work is in numerous collections worldwide including the Victoria and Albert Museum.
‘Youngstar 1’– 2009
20 Colour Screen-Print
Signed and numbered
no. 97/100 of the sold
out Black Rat print edi-
tion (88 x 75cm on
410gsm Somerset
paper)
Location: The Gift Shop
Print: £600
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James Starr & Paul KellyJim Starr (British, b.1976) and Paul Kelly (British, b.1953) Tesco Warrior, 2011, Acrylic, screen-print and mixed media on wood, signed verso by both artists, Provenance: submitted for sale by the artists. This photograffiti work, image taken by Paul Kelly, screen-print and painted by Jim Starr was produced in Stokes Croft after the infamous Tesco riots.
Paul Kelly, a photographer and artist who was featured in The Crisis - ‘A Positive View’ exhibition has recently been accepted to the Saatchi online gallery as well as the Prince Will iams Royal Photographic Collection.Most of the subjects photographed are in Stokes Croft, Bristol during street events associated with the Bristol Riots of 2011 and some subjects during more pleasent events associated with Bristol Harbor Festival. amoung others.
Tesco Warrior #2 2011,
Limited Edition Print
1 of 10 signed. exhib-
ited at ‘See no Evil’ and
Dreweatts asking price
- £8000
Location: #1, Jim Starr
Framed: £250
60:4 ‘Clown Girl’ 2010
Street picture of a Clown
girl in Stokes Croft
Exhibited: Boston Tea
Party Cheltenham Rd
Limited Edition Framed
Print: £120
pau l ke l ly
60:2 ‘Black Jesus -
NIKE’
Original 1 0f 1. Mixed
Media image on
translucent silk
£200
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Zombie Bunny’ 2010
Original 1 of 1 Portrait
Street Grab of Stokes
Croft Zombie Fest.
Framed: £80
60:2
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‘Jig Saw Girl 1’ 2011
Limited Edition Print
£60
60:4
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Sylvia Ji is a master of capturing the dark side of the beautiful and the sublime. Macabre ‘Day Of The Dead’ catrinas intermingle with exotic empresses, with a regal elegance. Ji’s imagery is a visual elixir of life and death, combining sacred symbolism with mystical glamour and opulence. Sylvia Ji was born in 1982, and raised in San Francisco, California, where she received her BFA at the Academy of Art University. Upon graduation, she relocated to Los Angeles in 2005 where she currently resides.
s y lv i a j i
‘Warchief’ - 2010
Edition of No xx of 100 –
signed and numbered by
artist 20’ x 26.5’
From ‘The Art from the
New World’ Exhibition
Bristol City Museum &
Art Gallery 2010 – all
sold out at exhibition.
Exhibited - Boston Tea
party, Cheltenham Rd
Framed - conservation
quality glass: £550
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t e re sa fa rd
Studied in North London and then recently finished an MA in fine art at UWE Bristol. Teresa concerns are with space and reflect ing space in either water mirrors or glass bui ldings
‘Untitled’ – 2011
Original mixed media on
canvas – 16in x 20in
£75**
‘Emma’ – 2011
Original mixed media on
canvas - 24In x 36in
£120**
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ru p e rt m o r l e y
‘Oh Dear’ 2012
Signed and numbered
A2 Giclee edition no. 3
of 10.
Exhibited: Boston Tea
Party Cheltenham Rd
Framed Print: £160
Graduating from Falmouth College of Arts in 2005 with a degree in Illustration, Rupert Morley has since lived and worked in Bristol, part time as an Illustrator and part time as a print technician.Rupert’s work explores aspects of urban and rural life. Often starting with random compositions from ink splatters, he then builds the image around what is on the page, getting a sense of the images theme from the way in which it grows. This enables him to work quickly and therefore keep the images energy intact.
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‘Untitled No. 95’ 2011
Signed and numbered
Original 1 of 1 Canvas
No 95 in the ‘101’
Series. Exhibited in the
‘Emporium 101 Show
Stokes Croft 2010
Location: The Gift Shop
Framed: £275
‘Untitled No. 97‘ 2011
Signed and numbered
Original 1 of 1 Canvas
No 97 in the ‘101’
Series. Exhibited in the
‘Emporium 101 Show
Stokes Croft 2010. In
store.
Framed: £275
v e r m i na k a
da l e v n . m a r s h a l l
Dale Marshall (1974, UK) is a contemporary painter who lives and works in the Welsh countryside, at the foothills of Snowdonia National Park.Originally a graffiti writer painting the streets of Bristol and the South West of England, Dale was sectioned in 1999 in one of Britain’s oldest asylums whilst plagued with psychotic episodes and clinical depression. He attributes his mental health to his once volatile relationship with graffiti and drug abuse, forging a profound effect on his later works, and eventual move into fine art where he now fully embraces the role as a modern day, tortured master.Marshall’s work – along with his alter ego Vermin – documents a personal journey through order and chaos, ingraining deep emotional toil with remnants and empirical memento from his time inside the Cornwall County Asylum. Dale has gained much admiration and acclaim for his candid methodology, expanding his collector base internationally, with shows throughout the UK and USA, including the now legendary Room 101 exhibition and an upcoming large-scale UK museum show scheduled for 2014.
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Jefferey Butterfield - Curator
[email protected]@hotmail.co.uk
Paul Kelly - Social Networking, Marketing and front of house management
wwwaifam007.blogspot.co.ukFacebook: reddoorno2
Charlie A.Smith - Editorial Design, Digital imaging and Copyrighting
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