RED BULL TVTECHNICAL SPECIFICATIONS FORTHE DELIVERY OF MOVING IMAGESVERSION 1.11 | JUNE 15th, 2016

RED BULL TVPRODUCTION GUIDELINEVERSION 1.0 | November 19th, 2015

WELCOMETECHNICAL SPECIFICATION MOVING IMAGES

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A PAGE1. GENERAL NOTES 51.1 QUALITY REQUIREMENTS FOR GLOBAL DISTRIBUTION 61.2 RIGHT TO REFUSAL 61.3 TECHNICAL SUPPORT RESOURCES 71.4 PRE-APPROVAL OF FILMING AND DELIVERY FRAME RATE 71.5 RESTRICTIONS ON FRAME RATE MIXING 7

2. DELIVERY 82.1 PROGRAM MASTER 92.2 FAST DELIVERY 122.3 PROMOTION ASSETS 122.4 LOW RESOLUTION PREVIEW 132.5 LIVE PROGRAM 142.6 SOCIAL MEDIA 14

B3. AUDIO 163.1 AUDIO LEVELS 173.2 DOLBY E 17

4. VIDEO 184.1 VIDEO LEVELS, GAMUT AND COLOR SPACE 194.2 SAFE AREAS 194.3 TIME CODE | PROGRAM START AND END 19

5. CLOSED CAPTIONS & SUBTITLES 205.1 DEFINITIONS & TERMINOLOGY 215.2 TECHNICAL REQUIREMENTS 21

6. GRAPHICS 226.1 FRAME RATES 236.2 SCAN TYPES 23

C ANNEX7. CLEAN VERSION 248. AUDIO GLOSSARY 279. CHANGELOG 29

TABLE OF CONTENTS

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1A PART GENERAL NOTES & DELIVERY

RED BULL TVPRODUCTION GUIDELINEVERSION 1.0 | November 19th, 2015

n°1 GENERAL NOTESBASIC INFORMATION

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1. GENERAL NOTES

THE SPECIFICATIONS OUTLINED IN THIS DOCUMENT ARE APPLICABLE TO ALL COMMISSIONED AND IN-HOUSE PRODUCTIONS. ANY DELIVERY IN A FORMAT OR SPECIFICATION NOT EXPLICITLY LISTED IN THIS DOCUMENT

WILL REQUIRE PRIOR WRITTEN APPROVAL BY AN RBTV QUALITY ASSURANCE MANAGER.

1.1 QUALITY REQUIREMENTS FOR GLOBAL DISTRIBUTIONRed Bull TV is a global content producer and distributor, delivering highly compelling programming to broadcast and online audiences all over the world. As a result, all programming produced for and delivered to Red Bull TV from anywhere in the world must meet the highest technical quality standards, both in its original delivery format, as well as after being converted or conformed to other standards and frame rates used in other regions of the world.

This means that even minor imperfections, which might sometimes be acceptable for broadcast and/or distribution in your region, cannot be accepted by Red Bull TV since these minor imperfections are likely to turn into bigger quality problems after frame rate conversions for other regions, making the converted program unsuitable for broadcast and distribution.

1.2 RIGHT TO REFUSALRed Bull TV (RBTV) reserves the right to refuse taking delivery of finished programs in cases where dropped and/or duplicated frames (freeze frames) and/or other serious deficiencies are found, especially when those deficiencies are caused by the improper mixing of source frame rates (i.e., editing without properly conforming or converting sources to the frame rate of the edit and final delivery) or by the improper use of speed adjustments. This also applies to the use of pre-existing footage, even if deficiencies originate in sources obtained from the Red Bull Content Pool.It is the responsibility of the delivering party to ensure that all delivered programs comply with the quality standards and requirements of RBTV.

DEFICIENT PROGRAMS THAT FAIL THE RBTV QUALITY CONTROL PROCESS MAY BE CONSIDERED 'NOT DELIVERED'.

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1.3 TECHNICAL SUPPORT RESOURCESThe quality requirements of RBTV will be described in detail in the course of the quality assurance process, during which additional documentation will be provided. In addition to the standard RBTV quality control, RBTV Production Partners are required to actively participate in the RBTV quality assurance process prior to final delivery. 1.4 PRE-APPROVAL OF FILMING AND DELIVERY FRAME RATEAcquisition frame rate and scan type, and delivery frame rate, frame size and scan type must be approved in writing prior to the start of filming by an RBTV Quality Assurance Manager. Any footage or programs shot, edited and/or delivered in frame rates not pre-approved in writing by an RBTV Quality Assurance Manager may be subject to rejection by RBTV, and no RBTV-provided funds may be used to cover the cost of unauthorized filming, editing and/or delivery.

1.5 RESTRICTIONS ON FRAME RATE MIXINGThe mixing of shooting frame rates (shooting in 25 and 29.97 fps for the same program, for example) is generally not acceptable, and we also strongly caution against the mixing of frame rates in post-production. Especially if you are planning to use pre-existing footage, it is mandatory that you document in as much detail as possible the format(s) and frame rate(s) and legal clearance potential of the pre-existing footage prior to the start of shooting in order to assist to the best of your ability your RBTV Quality Assurance Manager in determining the shooting and delivery format that will best suit your program.

Any later adjustment(s) of acquisition frame rate and/or scan type, and/or delivery frame rate, frame size and/or scan type can only be made with the prior written approval by an RBTV Quality Assurance Manager.

n°2 DELIVERYPROGRAM MASTER, ASSETS & PREVIEW FILES

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2. DELIVERY

2.1 PROGRAM MASTERApple ProRes 422 (HQ) or, upon prior written approval or request by an RBTV Quality Assurance Manager, Apple ProRes 4444 in .mov QuickTime container are the only acceptable formats/codecs.One copy of each of the following must be delivered:

• Master #1 dirty - including all graphics and text (final program master)• Master #2 dirty w/o subtitles - same as ‚Master #1 dirty‘ but without subtitles (only required if

program contains Forced Narrative Subtitles)• Master #3 clean - without overlay graphics and text; time code and duration identical to dirty version; a detailed definition of 'clean' can be found in 'Annex: Clean Version'

THE FOLLOWING RESOLUTION / FRAME RATE COMBINATIONS ARE ACCEPTABLE:

FRAME SIZE*

FRAME RATE

FIELD RATE

SCAN TYPE

1080i/25 1920x1080 25 50 interlaced

1080i/29.97 1920x1080 29.97 59.94 interlaced

1080p/25 1920x1080 25 n/a progressive

1080p/29.97 1920x1080 29.97 n/a progressive

1080p/50** 1920x1080 50 n/a progressive

1080p/59.94** 1920x1080 59.94 n/a progressive

UHD/25** 3840x2160 25 n/a progressive

UHD/29.97** 3840x2160 29.97 n/a progressive

UHD/50** 3840x2160 50 n/a progressive

UHD/59.94** 3840x2160 59.94 n/a progressive*Aspect Ratio must be 16:9 Full Frame Height (1.78:1) for all resolutions.

**Deliveries in 1080p/50, 1080p/59.94, as well as UHD, 4K, and HDR formats are not yet part of our standard range of delivery formats but may be accepted (or required) upon prior written approval by an RBTV Quality Assurance Manager.

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The audio included in the Dirty and Clean QuickTime files must be delivered as discrete PCM channels at 48 kHz sample rate, in sync with the picture, in phase, and with a depth of 24 bits in the following channel layout.

For further explanations on audio channel naming and contents please refer to the section AUDIO GLOSSARY at the end of this document.

CHANNEL DIRTY ENGLISH MASTER

CLEAN DIRTYNON-ENGLISH MASTER

01 Full Mix (English) stereo left Full Mix (original language) stereo left

02 Full Mix (English) stereo right Full Mix (original language) stereo right

03 Full Mix (German) stereo left* Full Mix excl. Voice Over stereo left (undipped)

04 Full Mix (German) stereo right* Full Mix excl. Voice Over stereo right (undipped)

05 Full Mix (French) stereo left* Full Mix (original language) 5.1 Dolby E*

06 Full Mix (French) stereo right* Full Mix (original language) 5.1 Dolby E*

07 Full Mix (Russian) stereo left* Full Mix excl. Voice Over 5.1 Dolby E (undipped)*

08 Full Mix (Russian) stereo right* Full Mix excl. Voice Over 5.1 Dolby E (undipped)*

09 Full Mix excl. Voice Over stereo left (undipped)

Effects stereo left (undipped)

10 Full Mix excl. Voice Over stereo right (undipped)

Effects stereo right (undipped)

11 Full Mix (English) 5.1 Dolby E* SFX stereo left (undipped)

12 Full Mix (English) 5.1 Dolby E* SFX stereo right (undipped)

13 Full Mix (German) 5.1 Dolby E* Music stereo left (undipped)

14 Full Mix (German) 5.1 Dolby E* Music stereo right (undipped)

15 Full Mix (French) 5.1 Dolby E* Interviews | OT stereo left (undipped)

16 Full Mix (French) 5.1 Dolby E* Interviews | OT stereo right (undipped)(optional)*

17 Full Mix (Russian) 5.1 Dolby E* Voice Over | (original language) stereo left (undipped)

18 Full Mix (Russian) 5.1 Dolby E* Voice Over | (original language) stereo left (undipped) (optional)*

19 Full Mix excl. Voice Over 5.1 Dolby E (undipped)*

20 Full Mix excl. Voice Over 5.1 Dolby E (undipped)*

* Please leave those channels empty if they are not applicable to your production.

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Audio Stem Packages must be delivered as separate files in a ZIP archive (one archive per Stem Package). File format: BWAV; Sample rate: 48 kHz; Depth: 24bit. For further explanations on audio channel naming and contents please refer to the section AUDIO GLOSSARY at the end of this document.

AUDIO STEM PACKAGE STEREOundipped

FILE NAME AUDIO STEM PACKAGE STEREOdipped **

FILE NAME

Full Mix (original language) stereo

[VIN_DIRTY]_Full_Mix_OL_STEREO Full Mix (original language) stereo

[VIN_DIRTY]_Full_Mix_OL_STEREO

Full Mix excl. Voice Over stereo (undipped)

[VIN_DIRTY]_Full_Mix_EXCL_VO_STE-REO_UD

Effects stereo [VIN_DIRTY]_EFFECTS_STEREO_DP

Effects stereo (undipped) [VIN_DIRTY]_EFFECTS_STEREO_UD SFX stereo [VIN_DIRTY]_SFX_STEREO_DP

SFX (undipped) [VIN_DIRTY]_SFX_STEREO_UD Music stereo [VIN_DIRTY]_MUSIC_STEREO_DP

Music stereo (undipped) [VIN_DIRTY]_MUSIC_STEREO_UD Interviews | OT VIN_DIRTY]_INTERVIEW_STEREO_DP

Interviews | OT (undipped) [VIN_DIRTY]_INTERVIEW_STEREO_UD Voice Over (original language)

Voice Over (original langua-ge) (undipped)*

[VIN_DIRTY]_VO_OL_STEREO_UD

Voice Over (English) (undipped)*

[VIN_DIRTY]_VO_EN_STEREO_UD

Voice Over (German) (undipped)*

[VIN_DIRTY]_VO_DE_STEREO_UD

Voice Over (French)(undipped)*

[VIN_DIRTY]_VO_FR_STEREO_UD

Voice Over (Russian) (undipped)*

[VIN_DIRTY]_VO_RU_STEREO_UD

* Please leave out those channels if they are not applicable to your production.** Delivery of Audio Stem Package Stereo (dipped) is optional (upon request)

AUDIO STEM PACKAGE 5.1*

FILE NAME

Full Mix Left [VIN_DIRTY]_Full_Mix_51_L_[Language_Code**]

Full Mix Right [VIN_DIRTY]_Full_Mix_51_R_[Language_Code**]

Full Mix Center [VIN_DIRTY]_Full_Mix_51_C_[Language_Code**]

Full Mix LFE [VIN_DIRTY]_Full_Mix_51_LFE_[Language_Code**]

Full Mix Ls [VIN_DIRTY]_Full_Mix_51_LS_[Language_Code**]

Full Mix Rs [VIN_DIRTY]_Full_Mix_51_RS_[Language_Code**]

Full Mix excl. Voice Over Left (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_L

Full Mix excl. Voice Over Left (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_R

Full Mix excl. Voice Over Center (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_C

Full Mix excl. Voice Over LFE (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_LFE

Full Mix excl. Voice Over Ls (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_LS

Full Mix excl. Voice Over Rs (undipped) [VIN_DIRTY]_Full_Mix_EXCL_VO_51_RS

* For 5.1 audio, a separate stem package for each language version (English, German, French, Russian) is required; 'Full Mix excl. Voice Over' only requires one stem package;** Language codes can be: EN|DE|FR|RU

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2.2 FAST DELIVERYIf due to limited bandwidth a fast delivery of the Program Master is not possible and a fast distribution is necessary, you have to provide a file in the following format. Nevertheless, the Program Master has to be delivered within 14 days (see section 'Program Master' for details).

The following Resolution / Frame Rate combinations are acceptable:

FRAME SIZE* FRAME RATE SCAN TYPE1080p/25 1920x1080 25 progressive

1080p/29.97 1920x1080 29.97 progressive*Aspect Ratio must be 16:9 Full Frame Height (1.78:1) for all resolutions.

VideoCONTAINER | .MOV or .MP4VIDEO CODEC | H.264VIDEO BIT RATE | 10 Mbit/s or higher

AudioCHANNEL CHANNEL NAME01 Full Mix (English) stereo left

02 Full Mix (English) stereo right

AUDIO CODEC | AACAUDIO BIT RATE | 256 kbit/sAUDIO SAMPLE RATE | 48 kHzAUDIO BIT DEPTH | 16 BitAUDIO LOUDNESS COMPLIANCE| -8 dBTP / -23 LUFS (same as Program Master; see section 'Audio Levels' for details)

2.3 PROMOTION ASSETSIn general, the specifications of Program Master deliveries also apply to Promotion Assets. This section explains where Promotion Assets deviate from the Program Master specifications.

Version | Only a clean picture version is required for Promotion Assets. Clean version in this context means: All graphics included except for On Air Packaging.Audio Mix | During the pack shot (= the last 7 seconds of any Promotion Asset) every Full Mix (channels 1–8) must not contain any Voice Over and must be undipped.

The audio included in the Clean QuickTime file must be delivered as discrete PCM channels at 48 kHz sample rate, in sync with the picture, in phase, and with a depth of 24 bits in the following channel layout. An additional Audio Stem Package is not required.

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CHANNEL CLEAN01 Full Mix (English) stereo left

02 Full Mix (English) stereo right

03 Full Mix (German) stereo left*

04 Full Mix (German) stereo right*

05 Full Mix (French) stereo left*

06 Full Mix (French) stereo right*

07 Full Mix (Russian) stereo left*

08 Full Mix (Russian) stereo right*

09 Full Mix excl. Voice Over stereo left (undipped)

10 Full Mix excl. Voice Over stereo right (undipped)* Please leave those channels empty if they are not applicable to your production.Otherwise Promotion Assets must comply with the same specifications as Program Master files.

2.4 LOW RESOLUTION PREVIEWIf requested, a low resolution preview has to be delivered with the following specifications:

CONTAINER | .MOV or .MP4VIDEO CODEC | H.264VIDEO BITRATE | 1 Mbit/sRESOLUTION | 640x360SCAN TYPE | progressive (de-interlaced if master file is interlaced)FRAME RATE | same as Program Master versionTIME CODE | must be burned into the video (attention – drop frame time code is required for 29.97 fps-based frame rates)

AUDIO CODEC | AACAUDIO BITRATE | 128 kbit/sAUDIO SAMPLE RATE | 48 kHz

PROGRAM MASTER AUDIO AND VIDEO LEVEL SPECIFICATIONS ARE NOT MANDATORY FOR LOW RESOLUTION PREVIEW FILES.

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2.5 LIVE PROGRAMIf live content is delivered via satellite feed the following audio layout must be used:

CHANNEL CHANNEL NAME01 Full Mix stereo left

02 Full Mix stereo right

03 Full Mix excluding Voice Over stereo left

04 Full Mix excluding Voice Over stereo right

05 Effects stereo left

06 Effects stereo right

07 Voice Over mono

08 Interviews / OT mono

2.6 SOCIAL MEDIAFor content that is intended for Social Media platforms, you have to provide a file in the following format.The following Resolution / Frame Rate combinations are acceptable:

FRAME SIZE* FRAME RATE ASPECT RATIO SCAN TYPE1080p/25 1920x1080 25 16:9 progressive

1080p/29.97 1920x1080 29.97 16:9 progressive

1080p/25 1080x1080 25 1:1 progressive

1080p/29.97 1080x1080 29.97 1:1 progressive

VideoCONTAINER | .MOV or .MP4VIDEO CODEC | H.264VIDEO BIT RATE | 10 Mbit/s or higher

AudioAUDIO CHANNELS | 2 (stereo)AUDIO CODEC | AACAUDIO BIT RATE | 256 kbit/sAUDIO SAMPLE RATE | 48 kHzAUDIO BIT DEPTH | 16 BitAUDIO LOUDNESS COMPLIANCE | max -1 dbFS

ANY FURTHER TECHNICAL DETAILS SPECIFIED IN THE SECTIONS 'VIDEO' AND 'AUDIO' ARE NOT MANDATORY FOR SOCIAL MEDIA DELIVERIES.

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2B PART AUDIO | VIDEO | CLOSED CAPTIONS & SUBTITLES | GRAPHICS

n°3 AUDIOLEVELS & DOLBY E STREAMS

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3. AUDIO

3.1 AUDIO LEVELSProgram true peak levels of each Full Mix must not exceed -8 dBTP (True Peak) with an Integrated Program Loudness of -23 LUFS and a Loudness Range (LRA) of 15 LU or less. Upon written approval, we also accept LRA higher than 15 LU. All measurements must be determined in compliance with the recommendations of EBU R128 (but with maximum true peak levels compliance as stated above).

Upon prior written approval by an RBTV Quality Assurance Manager, programs may be delivered to comply with the legacy recommendation of EBU R68 instead, where program peak levels in the Full Mix (Program Master) must not exceed -9 dBFS and shall not be under -18dBFS.

CONTACT YOUR RBTV QUALITY ASSURANCE MANAGER PRIOR TO DELIVERY SHOULD YOU HAVE ANY QUESTIONS OR CONCERNS.

3.2 DOLBY EDolby E streams must use the following 5.1 channel layout: 01 Left02 Right03 Center04 LFE05 Ls06 Rs07 empty08 empty

DIALNORM | -23SYNC | Dolby E must be encoded in sync with the video.IMPORTANT | Dolby E streams must have the same frame rate as the corresponding master video!

n°4 VIDEOLEVELS | SAFE AREAS | TIME CODE

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4. VIDEO

4.1 VIDEO LEVELS, GAMUT AND COLOR SPACEVideo files have to be delivered in Rec.709 (ITU-R BT.709) color space with studio range levels. Tolerances of video levels (luma, chroma, RGB gamut) must comply with the recommendations of EBU R103-2000, i.e., luminance (Y) must be within -1% and 103% (-7mV and 721 mV), RGB components within -5% and 105% (-35mV and 735mV), with errors being registered if the total out-of-gamut elements exceed 1% of picture area. Videos that meet these requirements are considered 'broadcast safe'. These requirements do not apply to footage deliveries.

Please note that Rec.709 and EBU R103-2000 also apply to the delivery of graphics.

4.2 SAFE AREASAll graphics must fall within the revised high definition 16:9 title safe areas as specified in SMPTE ST 2046-1-2009, with protection of 90% area / 5% margins for titles and 93% area / 3.5% margins for action.

For productions in North America, additional title safe requirements may apply.

4.3 TIME CODE | PROGRAM START AND ENDSTART TIME CODE | 00:00:00:00Continuous time code (drop frame time code in the case of 29.97 fps-based deliveries).

Programs must start with the first frame of action and end with the last frame of action / last frame of end credits etc. Slates, black frames or color bars prior to the first frame of action or following the last frame of action are not permitted.

n°5 CLOSEDCAPTIONS SUBTITLESDEFINITIONS | TERMINOLOGY | REQUIREMENTS

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5. CLOSED CAPTIONS AND SUBTITLES

5.1 DEFINITIONS & TERMINOLOGYClosed Captions | contain speech and non-speech elements for the hard of hearing; can be turned on/off by the user

Subtitles | contain speech elements only; can be turned on/off by the user OR can be burned into the video.

Forced Narrative Subtitles | for certain parts of a program subtitles must be displayed for all viewers (e.g. for inaudible speech or during foreign language parts); this can be achieved through burning the subtitles into the video OR through activating a separate subtitle stream. Forced Narrative Subtitles should always be burned into the video by the production partner! For detailed burn-in subtitle design specifications please refer to the document RBTV_SUBTITLES_USERGUIDE_V4.

5.2 TECHNICAL REQUIREMENTSFor each language RBTV is requesting a separate caption file that adheres to the following specifications:

a) XML file that conforms to the TTML profile EBU-TT-D 1.0 (EBU-Tech 3380)b) Maximum of 37 characters per line, maximum of 2 linesc) Average reading speed | 16 characters per secondd) Start time code | 00:00:00.000e) Begin and end time codes for each subtitle must be in millisecondsf) Allowed positions | centered bottom, centered top; position definition must be done via region elements; region ID must be 'top' or 'bottom'g) Allowed inline text formatting | line break, italic; formatting definitions must be done via style elements (maximum of 2 style elements); first style ID must be 'normal', second stlye ID musst be 'italic'; every style must use tts:wrapOption="noWrap" h) Minimum duration of a subtitle | 1 secondi) Maximum duration of a subtitle | 7 secondsj) Tolerance on scene cuts | Subtitles have to be removed latest 2 frames before a scene cut / inserted earliest 2 frames after a scene cut k) Minimal distance between two subtitles | 4 framesl) Language and country codes | according to EBU-TT-D Spec; english please use 'EN_US' as a default value

FILE NAMING CONVENTION | VIN_LanguageCode_OptionalCountryCode_CCorSubtitle.xml

n°6 GRAPHICSFRAME RATES | SCAN TYPES

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6. GRAPHICS

ALL DELIVERED GRAPHICS (THAT ARE INTENDED TO BE USED WITHIN VIDEO) MUST COMPLY WITH THE SPECIFICATIONS

FOR SAFE AREAS, VIDEO LEVELS, GAMUT AND COLOR SPACE AS STATED IN THIS DOCUMENT.

6.1 FRAME RATESThe base frame rate of graphics projects should always match the frame rate of the corresponding master content (25 fps OR 29.97 fps).For certain productions, RBTV will request graphics projects to be delivered in two frame rates (25 fps AND 29.97 fps).

6.2 SCAN TYPESThe preferred scan type for graphics is progressive (even for otherwise interlaced productions).

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3ANNEX

C PART CLEAN VERSION | AUDIO GLOSSARY | CHANGELOG

n°7 CLEAN VERSIONDEFINITION

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7. CLEAN VERSION

Important | Time code and duration of the Clean version must be identical to the Dirty version.Color Grading | Footage in the Clean version must have the same color grading as in the Dirty version.

Clean files DO contain:a) the Show or Series Open, if applicable, but with any text elements and numbers removed. Logos, even those containing text, do not need to be removed in most cases. b) Visual Effects, animations and CGI, but with any text elements and numbers removed. Letters or digits that are part of animation textures or background layers (such as strings of zeros and ones as part of a computational animation) do not need to be removed in most cases.c) Visual Effects or animations for opening and end credits, but with any text elements and numbers removed.d) full screen graphics or images that do not overlay any footage

Clean files DO NOT contain:a) lower thirds, including lower third backgroundsb) any text or numbers (to allow for future reversioning in additional languages, including non-Latin type faces such as Chinese, Cyrillic etc.)c) corner bugs, including any show or series packaging graphicsd) any text elements or digits of opening and end creditse) open captions (burned in subtitles)f) bumpers (before and after ad breaks)g) credit rolls

General note | as it may be difficult in certain cases to determine whether or not certain elements should be removed, please consult your RBTV Quality Assurance Manager during the creation of animations and other graphic elements, should you have any questions or concerns.

n°8 AUDIO GLOSSARYFURTHER EXPLANATIONS AUDIO CHANNEL TERMINOLOGY

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8. AUDIO GLOSSARY

EXPLANATIONSThis section provides further explanations and synonyms for our audio channel terminology.

FULL MIX | The final mix of the program that includes all audio channels incl. Voice Over / Narration.Must comply with -23LUFS Integrated Loudness and -8dbTP True Peak levels.

FULL MIX EXCLUDING VOICE OVER| Also known as 'Mix Minus‘ or 'IT‘

EFFECTS | Atmosphere or Ambient sound as recorded on set; also known as Production Sound, Natural Sound, Original Sound or On-location Sound. Additionally includes sound effects related to the footage, e.g., artificial ambient sounds, foley and background sound effects; no SFX, no Music, no Voice Over / Narration, no Interviews.

MUSIC | Any and all music contained in the program, including pre-mixed, recurring elements in a series, e.g. open, close.

SFX | Sound Effects not related to the footage, e.g. sounds complementing graphic overlays, transitions or animations; not to be confused with 'Effects‘.

INTERVIEWS / OT | Also known as Dialog.

VOICE OVER | Also known as Commentary or Narration; abbreviation: VO.

UNDIPPEDany adjustments made to accommodate Voice Over or Interviews / OT should be removed, but cross-fades between different sources as well as any EQ effects should be preserved; For Full Mix excluding Voice Over only adjustments made to accomodate Voice Over should be removed but adjustments for Interviews / OT should remain unchanged.

DIPPEDdipped stems must constitute the full final mix when combined.

n°9 CHANGELOGADDITIONS & CHANGES.

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9. CHANGELOG

VERSION DATE CHANGES1.0 2015-10-23 Initial Release

1.1 2016-06-09 changed in section ‚Audio‘:• added ‚Upon written approval, we also accept LRA higher

than 15 LU.‘changed in section ‚Closed Captions and Subtitles‘:• added maximum of 2 lines• added region ID must be „top“ or „bottom“• added maximum of 2 Style elements; first style ID must be

‚normal‘, second stlye ID musst be ‚italic‘; every style must use tts:wrapOption="noWrap"

• added for english please use 'EN_US' as a default value• removed Title and SeasonEpisode from file naming convention• changed 'separate subtitle file' to 'separate caption file'

added 'Live Program' spec in section 'Delivery'added 'Fast Delivery' spec in section 'Delivery'added 'Social Media' spec in section 'Delivery'

1.11 2016-06-15 changed in section 2.1 ‚Program Master‘:• added ‚Master #2 dirty w/o subtitles‘

changed in section ‚Closed Captions and Subtitles‘:• changed last sentence of Forced Narrative Subtitle definition

to: ‚Forced Narrative Subtitles should always be burned into the video by the production partner! For detailed burn-in subtitle design specifications please refer to the document RBTV_SUBTITLES_USERGUIDE_V3.‘

• removed sentence: ‚If Forced Narrative Subtitles are not burned into the video they must be delivered as an additional separate subtitle file (following the technical requirements listed above).‘

THANK YOU.