Recent Work
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Transcript of Recent Work
Projects
CommercialXYZ Talent Agency (2010)
Cultural/CivicARTIC High-Speed Rail Station (2011)
Bosque del Apache Nature Center (2006)
MacArthur Park Community Center (2009)
ResidentialPrivate Residence/Observatory (2006)
UCSB Equestrian Student Dormitories (2007)
Urban Design/PlanningShanghai World Expo Redevelopment (2010)
Miscellaneous/CompetitionsSolar Pavilion (2010)
House of Red & White (2010)
XYZ Talent Agency
Fall 2010
This eight week project was to design a combina-tion Talent Agency, Health Club and Night Club on Hollywood’s Sunset Strip. My main interest in this project was the surface, and how one single, continuous building skin could become façade, floor, ceiling, and program.
Perforations in this skin varied depending on pro-grammatic use. For example, private areas such as talent agency offices, had smaller openings, while the night club had the largest. The skin was also broken into two halves. The northern, which faces Sunset Boulevard, was a high-def digital display, showcasing the latest productions involving talent hired by the agency. This pulsat-ing display weaved into the building on the 13th storey to become the floor and ceiling of the nightclub. On the other side, the southern skin was a space frame and green wall. Seen from the city, this caused the building to “disappear” into the landscape of Hollywood Hills... A type of urban camouflage. This green skin weaved in at the 18th floor, becoming the floor and ceiling for the spa/health club. The building was open to the east and west, allowing drivers and pedestri-ans on Sunset Boulevard to get an unobstructed glimpse of the inner workings of each of the programs.
Location:Los Angeles
California
Site Area: 20 000 ft² / 1860 m²
Building Area: 100 000 ft² / 9300 m²
Program:Offices, Screening Room, Health Club, Night Club,
Retail, Public Space
DOWN
UP
UP
DOWN
UPUP
BUILDING LOBBY
RETAIL
OUTDOOR LOBBY/
PLAZA
TO UNDERGROUND
PARKING
Ground Floor/Lobby1/16“ = 1’ - 0”
DOWN
UP
UP
DOWN
UPUP
MEN’S LOCKER
ROOM
WOMEN’S
LOCKER ROOM
POOL
POOL LOBBY
Health Club/Spa1/16“ = 1’ - 0”
ARTIC High-Speed Rail Station
Spring 2011
Part of a new transit plan, the Anaheim Regional Transportation Intermodal Center (ARTIC) is planned to serve as the southern hub for a new high-speed train, connecting cities throughout California. This project was done in collaboration with Jihoon Kim and Hyunsoo Ha, and aimed to explore the concepts of emergent and non-linear design, along with our professors Roland Snooks and Greg Otto.
After studying several space-frame precedents, we started off designing a single component that could aggregate in different ways. This “agent” evolved through many different generations. At the same time, we used a scripting program called Processing as a digital counterpart, allow-ing us to quickly combine many generations of components, and test the results.
After developing a process for aggregating our components, we used it to develop a complete structure for our building. After our site and pro-gram analysis, we decided to raise the high-speed platform up above the rest of the station. This way we could place the concourse in between the Amtrak (below) and high-speed (above) platforms, to allow for easy transitions. We also included a monorail to connect the station to Angel Stadium, the Honda Center, and other at-tractions around Anaheim.
Location:AnaheimCalifornia
Site Area: 50 000 ft² / 4650 m²
Building Area: 80 000 ft² / 7430 m²
Program:High-Speed train platforms, Amtrak platforms, monorail platforms, ticketing, offices,
waiting areas
Regional Connections
Long Distance Connections
Local Connections
Angel Stadium
Existing Station
Honda StadiumLong Distance
Local Distance
Short Distance
Pedestrian & BicycleApproach
Pedestrian Approach
Extend River andCreate Urban Park
Local Approach
Direct Local Distance
Direct Short Distance
Direct Short Distance
Local Approach
Formal Concept Structural Concept Urban Concept
Site Analysis Vehicular Circulation Pedestrian Circulation
Structural ConceptA space frame-like aggregation of different-sized similar components, interlocking to create a skeleton for the concourse, platforms, and skin
Generation 01 Generation 02 Generation 03
PrimaryStructure
SecondaryStructure
Skin
Skin ConceptContrasting skins, including opaque (tensile membrane), filtered (dense aggregations of small components) and transparent (glass walls providing selective views)
Aggregated Skin
Smooth Membrane
Outline Curves Control Curves Aggregation
Main WaitingArea
Main Concourse
HighwayDrop-Off
Monorail Platform
Second Floor - Main ConcourseScale: 1:2000
Bosque del Apache Nature CenterSpring 2007
A nature conservation area located in central New Mexico, Bosque del Apache is an important area for many species of migratory birds. This project focused on creating a visitor center for the area, which would include a small bookstore, ranger station, and viewing platforms.
A vertical orientation was chosen for the building, in order to give visitors multiple vantage points for viewing birds across the shallow lake, both up close and distant. Two concrete slabs provided the main vertical structure, with cables support-ing the entrance bridge and the viewing bridge. Recycled wood cladding was used for the façade to help it blend into the natural environment from the vantage point of the lake, while the concrete slabs gave it a more solid appearance from the road. With its footprint concentrated to the con-crete slabs, it seems to float over the lake.
Location:Socorro
New Mexico
Site Area: 22 000 ft² / 2050 m²
Building Area: 2000 ft² / 185 m²
Program:Ranger station, visitor center,
bookstore, viewing area
MacArthur Park Community Center
Fall 2009
After an intensive study or Wilshire Boulevard and the various neighborhoods along it, MacAr-thur Park was chosen as the site for a community center and city councilor offices. The program also included a station incorporating Los Ange-les Metro’s BRT (Bus Rapid Transit) Line 720. The primary goal was to create a center for the com-munity to use to the fullest. With this in mind, a large community room was designed (including a kitchenette) that could be used for neighborhood meetings, as well as rented out for other func-tions such as wedding receptions, birthdays, and quiceañeras.
Following those design considerations, I choose a large bus station located below the assembly room, in order to accommodate the large number of people using line 720, the busiest line in Los Angeles. A large ramp takes visitors from the lob-by, past the offices, and up to the auditorium. This gives a sense of ritual and importance, as well as a view of the councilors’ office, creating a sense of responsibility and accountability to those work-ing there.
Location:Los Angeles
California
Site Area: 10 000 ft² / 930 m²
Building Area: 7000 ft² / 650 m²
Program:Community Meeting/Multi-purpose Room,
Offices, Bus Shelter
Photovoltaic Panels
Weather Membrane
Concrete Slab
Metal Deck
I-Beam
Ceiling Frame
HVAC Ductwork
Acoustic Panel
Cor-Ten Panel
C-Channel
Weather Membrane
Rigid Insulation
Backing Plate
Column
Gypsum Board/Interior Finish
Concrete Slab
Metal Deck
I-Beam
Flashing
Cor-Ten Panel
Column
Wall Section1/4“ = 1’ - 0”
Longitudinal Section(through Kitchenette, Auditorium, Main Lobby)
Transverse Section(through Main Lobby)
Longitudinal Section(through Kitchenette, Auditorium Lobby, Ramp, Main Lobby)
Transverse Section(through Ramp, Courtyard, Balcony)
Longitudinal Section(through Auditorium, Courtyard, Offices, Main Lobby, Restrooms)
Transverse Section(through Auditorium Lobby, Auditorium)
Private Residence/ObservatoryFall 2006
Location:Jemez Mountains
New Mexico
Site Area: 11 000 ft² / 1020 m²
Building Area: 3000 ft² / 275 m²
Program:Residence, observatory
This project from my first semester of Undergrad-uate study was to design a private residence for an eccentric astronomer. The site was set in the mountains of New Mexico, far from light pollu-tion, and was strictly constrained to a 30’ x 30’ x 60’ envelope, with two extensions of 5’ x 15’.
The program included a living area, dining area and kitchen, sleeping area, and observatory ar-eas. The main design strategy was to use the two extensions entirely for the stairs, and completely free up the rest of the space. This allowed maxi-mum use of the first floor for the living area, fol-lowed by the dining area, bedroom, and the open observatory on the roof.
The exterior was clad in lightweight concrete pan-els, blocking most light except for several small apertures, arrayed as constellations.
UCSB Equestrian Student Dormitories
Spring 2008
For the “Leading Edge“ competition, Daniel Gon-zales and I collaborated to design a dormitory complex to house the UCSB equestrian team. The building was to be completely off the grid, and use passive heating and cooling techniques.
The layout was based on two conceptual ideas. First, that of a earthquake, that could shape an otherwise orthagonal building. Secondly, the power of a horse, closely related to the unbridled power of a earthquake. Three curved mass walls based on these principles acted as wind scoops to provide passive cooling, as well as vertical louvers facing the west to provide shade. Each dormitory was also provided with a balcony overlooking the ocean, both to provide a view and take advantage of Santa Barbara’s excellent climate.
Location:Santa Barbara
California
Site Area: 1500 ft² / 140 m²
Building Area: 5000 ft² / 465 m²
Program:Dormitories, Common areas,
Horse Tackrooms
Fragmented Urbanism - Shanghai World Expo
Summer 2010
Each summer, the University of Southern Cali-fornia and Tongji University host the American Academy in China (AAC), a six-week-long stu-dio aimed at providing students with first hand contact with China’s culture and history. The topic of the 2010 studio was to create a master plan for the site of the 2010 World Expo held in Shanghai. The studio included weekly site visits and daily workshops at MADA s.p.a.m. offices, with the purpose of creating an algorithmic tool for master planning the site.
The cross-university team for this project con-sisted of Jared Shier (USC), Shi Bingjie (Central Academy of Fine Arts, Beijing), Johnny Wang (University of Edinburgh), Song Xiaoyu (Tongji University), and myself. Over the course of four weeks, we created a set of algorithms used to determine parcel value, land use, and Floor-to-Area ratio (FAR). The non-linear process we de-veloped could instantly respond to changes and needs on both a local and global system level. This process was then applied to the entire 25 km² Expo site to develop a master plan proposal and presented to the Shanghai Urban Develop-ment Agency at the final review.
Location:Shanghai
China
Site Area: ~10 miles² / 2600 hectares
Program:Housing, Commercial Zones, Green Space, Cultural Centers, Mixed -use neighborhoods, Infill Programming
1.1 Existing block structure
2.1 One Node at Intersection
1
1 1
0
1 00
0 11
1 1 1 11
9
2.4 Node Value in Larger Context
Phase 1
Phase 2
Phase 3
4
3.8
2.34.5
4
1.5
3.3
3.9
4.32.8 4.9
5.4
4.9
4.6
1.3
4.4
5.55.3
3.83.9
2.82.8
2.8
2.8
3.2 4.83.8
2.6
3.3
2.3
2.3
3
2.3
2.8 2.9
35.5
3.33.33.3 2.8
2.7
2.8 2.4 3.33.4 3.4
4.63.8
3.8
3.1
2.8
42.6
2.8
3.4
2.43.3
1.6
3.6
3.6
3.3
6.4
3.4
2.94
4.54
4.9
4.43.8
4.3
3.6
4.6
3.2
2.4
2.42.9
4.42.1 4
4.9
5
4.94
4.4
5.1
3.3
3.84.3
5.9 4.6
7.13.3
4.33.5
3.2
4.1
4.5
2.5
4.3
4.3
3
3.4
3
3
3.5
2.9
4.2
3.9
2.8
4.6
33.6
4.3
4.1
3.5
4.1
2.8
2.7
3.33.4
4.3
4.3
3.3
3
3.54.6
4
6.9 6.6
6.6 4.6 3.2
4.3
2.7 2.2
4.3
5.4
4.5
5.8
3.3
3 4.6 3.4 3.43.4
3.8 4.1
4.4
4.3
44.1
4.6 64
2
2.9
Commercial
Residential
Mixed-Use
FAR = Area / (8 x # Parcels)
3.3 FAR Calculation for Site
1.2 Major Lines 1.3 Minor Lines Offset 1.4 Line Mediation 1.5 Major and Minor Lines
1
1 1
0
2.2 Developed and Open Space Values
Nodes for Entire Site
3.1 Density Map for Site
0
0110001 24 022
39
NODE VALUE = 8
Parcel Value < (# Nodes) x (8) = ResidentialParcel Value ≥ (# Nodes) x (8) = Mixed-useParcel Next to Elevated Walkway = Commercial
# Parcels PercentageTotal
Residential 108 31%Commercial 53 15%Mixed-Use 74 21%Open Space/Monument 117 33%Total 353 100%
Commercial
Residential
Mixed-Use
3.2 Program Use, Based on Space Values FAR (Floor to Area) Equations
FAR =v
q ´ (# Parcels )
#Bldgs =(FAR min )( Asite)
(Abldg)
height=(H floor)(FAR min )( Asite)
(# Bldgs)( Afloor)
Node Value = (1 x 3) + (1 x 3) + (1 x 3) + (0 x 1) = 3 + 3 + 3 = 9
9
1
1 1
0
2.3 Node Value from Adjacent Spaces
Planning Algorithms
Resulting FAR Diagrams
1.6 Elevated Walkway 1.7 Walkway as Major Line 1.8 Final Lines Lines on the Entire Site Developed space, open space, and landmarks
1
1 1
00
1 00
0 11
1 1 1 11
4 9 12 9
6 9 12 10
2.4 Node Values from Surrounding Spaces
28
4 9
6 9Parcel Value = 1 x ( 4 + 6 + 9 + 9 ) = 1 x 28 = 28
2.5 Node Values are Added to Produce Space Values
128 8 128
12 88 12 8 12 8 8 9
0
12
8
12
8
128
6
5
44
55
55
91212
1212
012 8
48
8
88
000
8
4866
86
164
8666
6 8 6 6 25
8
46
6
8
69
49
126
466
44664
66
8 86
69
4 4
4
4 4
5
6
4 14 8
7
16
44
8
8
16
66 6 6
6 6
12
8
8
88
8
88
8
8
8
8
8
6
6
6
6
6
6 6
6
6
10
6
6
4
4
8
8
8 8
8
812
12
12
12 12
12 9
99
9
8
0
0
124
96
6
84
6128
87
00
00
7
84
6
46
6
88
846
46
9
84
88
6
6
6 6
6
8
6
6
0
0
0
0
9 812
812
8
6
68
812
8
9
89
800
0
8
9
6
4
6 8
4 6 6 4 6
46 38
12106
0912
8 4 9
8 8 12 12 6
6 66
8810
4
12 9
8
12 8 8 9
68
88 12 12 1212
128 0 0 0
120 6 6 6
6
11
111
11
1
0
Node Values for Entire Site
444466666666
66666666
44444444
44444444444444444444444444444
4444444444
6666666666666666666666666666666666666666666666666666666666
6666666666666666666666666 666666666666666666666666
0
0
0
0
0
0
0
0
030
300
3037
0
0 029
0
00
340
30 34360
3939
032
3632
02026
0
26
28
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32024
200
220
260
332324
029 18
18
25
25
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270
0
0
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026
13
19200
0
037
28 2310 0
0
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0 0
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0
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463050
34
034 36
0
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36 34 0
3726 0 242024 0
12
0 26 26 055
10 0
4440
300
10 24 0 22 39
01919
019
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0000
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0 0 0
4731
00
30
3630
38
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0
031
181818
0
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2416 2034
0
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00222014
22 24026260 26202218
2403632
0280 3830
026
57
32042
037450
26
360
27
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36
42
040
400
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303400
220303802624260 3922 18
2032
0280043
22 16
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0
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31
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300
0
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0
0
0
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0
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000
0000
0
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2225 18 21
2622
24
2421 24
33
33
3434
3131
3439
3734 35
48
17 28
2734
36
37
28 32 32
300
27 19
0
143636
0
1420 30 28
262634
3343
24
2926
3230
26
450 46
260 36
25
31 37 53
0
2236 38
14
55
21
22 24 20 2212
1627 32
2424 30
30 33
34
22 18
1822
6243
0 52 3326 2624
272839 27 26
340
34 40 48
0 0
30
46
0 0 0 0
21
16
3532330 0 0
0
0
00
0 00
0 0 0 0 0 0
0 0 00
000
00
0
27
036 36
32
Parcel Values for Entire Site
Site Density Diagram
Solar Pavilion
2010
Location:Los Angeles
California
Site Area: 800 ft² / 75 m²
Building Area: 800 ft² / 75 m²
Program:Pavilion
The intent of this short, two-week study was to design a pavilion, for an undefined purpose, which would be reactive to the sun, either statically or dynamically. Thinking that a static structure could be more challenging, I chose to do this.
After researching the sun patterns and climate of Los Angeles, I first varied the perforations in the sides and top of the pavilion to give maximum shade during the summer and maximum sunlight during the winter. Rather than changing the number of holes to increase or decrease density, I changed the size of the perforations. This al-lowed some of them to run into each other, creat-ing an interesting space frame out of the wall. I then put lenses into each aperture, which would simultaneously filter the sunlight and create dif-ferent refracted light patterns inside the pavilion depending on the time of year.
House of Red & White Competition (Finalist)
2010
Location:Katyn Forest
Poland
Site Area: Undefined
Building Area: 900 ft² / 85 m²
Program:Memorial
The House of Red and White was a competition done in conjunction with Fenty Muliadi and Lance Hirai. The program was a memorial in Poland to commemorate a massacre in the Katyn Forest during World War II. Our team was a finalist in the competition.
With a sloping site terrain, the memorial becomes partially concealed within the landscape. This al-lows the structure to be slowly uncovered, just as the victims of the massacre.
The undulating wooden surfaces symbolically express the chaos of the massacre. However, order is established through the introduction of the viewing platforms, which provides stability within interior. Confining this balance between chaos and order is the pure geometry of the cube.
The materials chosen for the monument repre-sent the element of time. The exterior steel shell will rust over time, and the wood pieces will eventually rot away, but the plastic pieces with the names of the victims will remain forever, as a monument to their memory.