Rating Measurement & TV Program Development
-
Upload
amelia-day -
Category
Education
-
view
648 -
download
2
description
Transcript of Rating Measurement & TV Program Development
Manajemen Stasiun Televisi
RATING MEASUREMENT & PROGRAM DEVELOPMENT PROCESS
Amelia DayPertemuan Ke-8
2 November 2010
Minggu Lalu
News Gathering
Agenda SettingInspirationInfluencing
The Circle of Program Invention & Program refresh on Branding (©ADJIE SOERATMADJIE)
Back Mind
Program Idea
Telecast
PositiveNegative
Psychological Talk
TitleContentLook / MannerCommercial
Program
PDBMarket – ( Viewers + Advertising )CompetitorsSlotCommunicationsPresenter / HostR & D
Feasibility Study
Rating & ShareRevenue
Evaluation 2R
Idealism
Refresh
TERESTRIAL – rating & share
- TVR : TV Rating (“Rating”), adalah persentase jumlah penonton dibagi total pemilik TV (Universe)
- TVS : TV Share (“Share”), adalah persentase jumlah penonton dibagi total penonton semua TV yang sedang menonton
Pasar Dua Sisi
Menghitung bisnis TV terestrial:
supply demand
demand supply
Berawal dari‘Media Planning’
Supply Side – “Rating/share” Market
Supply Side – “Advertisement” Market
MEDIA PLANNING
“MEDIA BUYING”
TV productionmarket
Advertisementmarket
“Rating/share”market
AUDIENCE MARKETPLACE
TV Market
• HD Television
• 3D Television
• Web-TV & VoD
• IP-TV & VoD
• Mobile TV
http://www.international-television.org/market-data.html
TV Production Market
Tipe Produksi
• Terestrial? Kabel/pay TV? Corporate video?• Drama? Nondrama?• Spesialisasi drama komedi? Journalisme
bencana? • Teknik satu kamera (singlecam)? Indoor…
outdoor?• Tayang stripped atau strand?
Stripped: tayang di jam sama setiap hari
Strand: beberapa genre program atas tema sama (mis. ultah RCTI di berita, gosip, live show perayaan)
Intinya…
Produksi: Program FAKTUAL?Program HIBURAN?
… atau reality show… docu-drama?
Agenda SettingInspirationInfluencing
The Circle of Program Invention & Program refresh on Branding (©ADJIE SOERATMADJIE)
Program Idea
PositiveNegative
Psychological Talk
TitleContentLook / MannerCommercial
Program
PDBMarket – ( Viewers + Advertising )CompetitorsSlotCommunicationsPresenter / HostR & D
Feasibility Study
Back MindIdealism
The Circle of Program Invention & Program refresh on Branding (©ADJIE SOERATMADJIE)
Telecast
TitleContentLook / MannerCommercial
Program
Rating & ShareRevenue
Evaluation 2R
Refresh
Pra-produksi Lebih Detail…
Pra-Produksi
• Who does what• The role of research• Knowledge attributes and skills of the researcher• Production stages• Originating ideas• Developing ideas• Treatments• Methods of presentation
Kathy Chater, Research for media production, Focal Press, 2002
• Selling the production
Pra-Produksi
• Starting the research: Methods of research, Sources of information, Using the Internet, Collecting information
• Presenting research findings• Contributors: Finding contributors, Selecting and
using contributors, Contacting contributors, Specialist contributor research
• Interviews: Recording interviews, Preparing to interview, Conducting a research interview, Conducting an interview for radio, After the interview
Kathy Chater, Research for media production, Focal Press, 2002
Pra-Produksi
• Vox pops• Using archive material• Film and videotape libraries• Still picture libraries• Formats: Film formats, Videotape formats• Television standards and aspect ratios• Sound• Graphics• Props and models• Locations
Kathy Chater, Research for media production, Focal Press, 2002
Pra-Produksi
• Locations– Filming overseas– Health and safety
• Recording the production• Logging rushes• The editing process• Copyright• The law and ethics
Kathy Chater, Research for media production, Focal Press, 2002
Pra-Produksi
• The script• Scripts for studio productions and commentaries• Writing commentary and voiceovers• Writing questions intros and links• Writing support material
Kathy Chater, Research for media production, Focal Press, 2002
Further…
Live / Live on Tapped / Recorded
• Live: Produksi tayangan langsung• Live on tapped: produksi rekaman di studio
dengan audiens (seakan langsung; contoh: Kick Andy)
• Recorded: murni rekaman beberapa scene berbeda hari, diedit dan dijadikan satu paket tayangan (contoh: tayangan sinetron, dokumenter)
Kathy Chater, Research for media production, Focal Press, 2002
RISIKO RATING/SHARE Tayangan Live / Live on Tapped / Recorded
• Live: biasanya one-time show, bisa pula tayangan reguler – One-time show: tayangan sidang MK kasus
Bibit Chandra dengan rating tinggi high cost, high return… high cost, no return but good image for TV
– Tayangan reguler: tayangan olahraga dengan rating/share statis predictable cost, predictable return (share/rating mungkin buruk, pemasukan iklan telah diprediksi)
Kathy Chater, Research for media production, Focal Press, 2002
RISIKO RATING/SHARE Tayangan Live / Live on Tapped / Recorded
• Live on tapped: produksi rekaman di studio dengan audiens
• Recorded: murni rekaman beberapa scene berbeda hari, diedit dan dijadikan satu paket tayangan (contoh: tayangan sinetron, dokumenter)
Kathy Chater, Research for media production, Focal Press, 2002
Tayangan reguler, rating/share statis predictable cost, predictable return (share/rating mungkin buruk, pemasukan iklan telah diprediksi)
Buku LainIntroduction to the third editionTelevision todayTelevision ProductionThe Production TeamThe Directors RoleTV Camera UnitsA Studio TourProduction ControlThe TVVideo CameraCamera ControlsCamera FacilitiesSupporting the CameraWhat are Tens Angles?Wide Angle LensNarrow Angle LensUsing the Zoom LensWhy Zoom?Defining the ShotChoosing the ShotClose ShotsLong Shots
Kathy Chater, Research for media production, Focal Press, 2002
Moving the CameraMotivated Camera MovementComposing the PictureClarifying the ShotThe Production Switcher Vision ...Choosing Picture TransitionsIntercut ShotsChoosing MicrophonesAudio ControlMethods of Sound PickupPractical Sound PickupPractical Sound ProblemsSceneryThe Aims of LightingLighting ProblemsThe Aims of MakeupClothes on TVThe Need for Production TechniquesProduction TreatmentStyles and FormatsBasic Productional Methods
Buku Lain
Single Camera ProductionMulticamera ProductionChanging Shot Moving PerformerShooting the Moving SubjectProduction FormatsBasic Production StylesDeveloping a TV ProductionPlanning Visual TreatmentShot DevelopmentPictorial VarietyWhat Facilities Are Needed?Is Planning Really Necessary?Production ApproachesOrganizing Production MechanicsPlans and ElevationsDeveloping the Staging Plan
Kathy Chater, Research for media production, Focal Press, 2002
Planning ShotsScripting for TelevisionProduction PaperworkRUNNING OBDCSPrestudio RehearsalStudio RehearsalsThe Floor ManagerGuiding the CrewProduction TimingVisual PaddingHow to Direct Audience AttentionCreating and Controlling InterestInfluencing Audience AttitudeConfusing or Frustrating TechniquesStretching the FacilitiesEconomy ThinkingSound Ideas
Buku Lain
Unorthodox TreatmentContinuityUsing TitlingUsing GraphicsUsing FilmUsing VideotapeElectronic InsertionGuiding the TalentPromptingThe Single Performer
Kathy Chater, Research for media production, Focal Press, 2002
InterviewsTalk ShowsNewscastsNEWSCASTSThe Illustrated TalkDemonstrationsMusic and DanceQuiz and Game ShowsTV DramaThe Studio AudienceReminders on Effective DirectingA Check List of Common ErrorsShooting on LocationColor
Pertemuan Ke-8
November 2Rating Measurement & Program
Development Process