Radnika™ is a workhorse typeface.The name Radnika is from the word

Radnik meaning worker.

Radnika Typeface 18 Styles, 6 Weights

Radnika Typeface, ©2016 Hanken Design Co.

STYLES

Radnika LightRadnika RegularRadnika MediumRadnika SemiBoldRadnika BoldRadnika BlackRadnika Light ItalicRadnika ItalicRadnika Medium ItalicRadnika SemiBold ItalicRadnika Bold ItalicRadnika Black Italic

Radnika Light Condensed Radnika Condensed Radnika Medium Condensed Radnika SemiBold CondensedRadnika Bold CondensedRadnika Black Condensed

HANK

EN•DESIGN •CO •TYPEFACE•SH

OP• PREMIUM

R A D N I K A R E G U L A R

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy ZzR A D N I K A I TA L I C

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz

R A D N I K A B O L D C O N D E N S E D

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy ZzR A D N I K A C O N D E N S E D

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz

HankenDesign Co.VenetiansFarmaceutixNorthernFacultyPlacid ArmorGrafik StudioAmbigramCreationsNauticalAdventures

MagismoWebnologiesServeiDeutcheMobDrudgeRulesRengineersNoordhoffCraniofacialInformationItalianation.KodakColometrik

PremierCPA AuditorsThema ArtsSocietyKeiv&RossArchitectsKeepherSeismographTetrabilityStradiskaHeath&Loie28 Symbols

In architecture, a gargoyle is a carved or formed grotesque with a spout designed to convey water from a roof and away from the side of a building, thereby preventing rainwater from running down masonry walls and eroding the mortar between.

When not constructed as a waterspout and only serving an ornamental or artistic function, the correct term for such a sculpture is a grotesque, chimera, or boss. Just as with bosses and chimeras, gargoyles are said to frighten off and protect those that it guards, such as a church, from any evil or harmful spirits.

Many medieval cathedrals included gargoyles and chimeras. The most famous examples are those of Notre Dame de Paris. Although most have grotesque features, the term gargoyle has come to include all types of images. Some gargoyles were depicted as monks, or combinations of real animals and people, many of which were humorous. Unusual animal mixtures, or chimeras, did not act as rainspouts and are more properly called grotesques. They serve more as ornamentation, but are now synonymous with gargoyles.

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TechnicalDesign

SyncroniseMetadata

PragmaticApproach

LogicalReasoning

Level ofDetail

ApertureAdaptation

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Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. The arrangement of type involves selecting typefaces, point size, line length, line-spacing (leading), letter-spacing (tracking), and adjusting the space within letters pairs (kerning). The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as a decorative device, unrelated to communication of information. Typography is the work of typesetters, compositors, typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and now—anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution—from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization opened up typography to new generations of previously unrelated designers and lay users, and David Jury, head of graphic design at Colchester Institute in England, states that “typography is now something everybody does.” As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g. greater legibility with the use of serifs, upper and lower case, contrast, etc.) through understanding the limitations of human vision, typography often encountered may fail to achieve its principal objective, effective communication.

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Antoine de Saint-Exupéry

“Perfection is achieved, not when there is nothing left to add, but when there is nothing left to remove.”

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