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QUALITON IMPORTS LTD. 24-02 40th AVENUE, LONG ISLAND CITY, NY 11101 TEL: (718) 937-8515 FAX: (718) 729 - 3239 Web: www.qualiton.com e-mail: qualiton@qualiton.com

NEW RELEASES MAY 2012

SUPRAPHON FL 4064 BIS CD 1886

BONGIOVANNI 2560/1 GLOSSA 920413

DVD NEW RELEASES

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PAVANE DVD 6601 Label Code 488 Price Code F RAMZI MASSA PLAYS CHOPIN Ballade n°1, op23, Scherzo n°3 in C Sharp minor op. 39, Andante Spianato and Grande Polonaise Brillante op.22, Nocturnes op.9, Sonata in B flat minor op.35, 4 Mazurkas op. 24 Recorded at Manial Palace Running time: 80 minutes Color PAL 16:9 All Zones Menu Screen: English ARTISTS: Ramzi Yassa, piano.

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ARS SACD 38108 Label Code 449 Price Code V FRENCH HARP CONCERTOS: FORGOTTEN TREASURES VOL.10 Works by Petrini/Steubelt/Alvimare Martin-Pierre d’Alvimare: Second concerto for harp Op.30

SACD NEW RELEASES / HYBRID

Francesco Petrini: Premiere concerto for harp Op.25 Daniel Steibelt: Grand concerto for harp ARTISTS: Masumi Nagasawa, harp. Kölner Akademie, Michael Alexander Willens, conductor. Who would have thought that more than 30 harp concertos were written during ‘The age of Enlightenment and Romanticism’? The most well known harp concertos today from that period are those by Mozart (for flute and harp) and Boieldieu. People tend to think that these were the only concertos written for the harp at the time. On the contrary, these were many, as well as a vast amount of repertoire for the harp, (all of which are now in libraries), waiting to be discovered. Masumi Nagasawa is one of the few harpists to perform on the modern Grand Harp, the singleaction harp (18th-19th century historical harp), the Irish harp and the kugo or Japanese ancient harp. Toshiba EMI Japan, Etcetera and Channel Classics have released CDs by her.

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ARS SACD 38112

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Label Code 449 Price Code V FRENCH CONNECTION Works for saxophone and piano by Milhaud/Borne/Mayeur François Borne: Fantaisie brilliante sur les Air de Carmen Robert Muczinski: Sonata Op.29 Piet Swerts: Klonos Louis Mayeur: Grande Fantaisie brilliante sur Carneval de Venise Edison Denisov: Sonata Darius Milhaud: Scaramouche ARTISTS: Hayrapet Arakelyan, saxophone. Jang Eun Bae, piano Born in 1991 in Yerevan, Armenia, Hayrapet Arakelyan is the winner of numerous saxophone competitions all across Europe, from Scotland to Russia and has played with several prestigious orchestras in Armenia, Russia and Germany as well as the Julliard School Orchestra. In the concert season of 2009/2010 he was a member of the Alliage Quintet.

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BIS SACD 1883 Label Code 419 Price Code P BEETHOVEN – COMPLETE WORKS FOR SOLO PIANO: VOLUME 12: VARIATIONS (II) Ludwig van Beethoven: Neun Variationen über einen Marsch von Ernst Christoph Dressler, WoO 63; Sechs Variationen über ein Schweizer Lied, WoO 64; Vierundzwanzig Variationen über Venni Amore, WoO 65; Dreizehn Variationen über Es war einmal ein alter Mann, WoO 66; Zwölf Variationen über das Menuett à la Vigano, WoO 68; Neun Variationen über Quant’ è più bello, WoO 69; Sechs Variationen über Nel cor più non mi sento, WoO 70 ARTISTS: Ronald Brautigam, fortepiano. In March 1783, the readers of Cramer’s Magazin der Musik could read about a certain ‘Louis van Betthoven’, a ‘boy … of most promising talent’, whose first published work was being advertised as 'nine variations for the pianoforte, written by him on a march, engraved at Mannheim.’ The piece in question was the Dressler Variations, WoO 63, and it marked not only the beginning of an illustrious career, but also the start of Ludwig van Beethoven's lifelong involvement with variation form, culminating almost forty years later in the monumental Diabelli Variations for solo piano, and – in another field – the third movement of his Ninth symphony. In comparison, WoO 63 and the other works included here are certainly less heavy-weight, even if the so-called Venni Amore Variations, WoO 65, has a duration of more than 20 minutes, and in spite of its early date (1790/91) points forward to a much later period in Beethoven's œuvre. The final set of variations on the disc, the Six variations on Nel cor più non mi sento, WoO 70 were composed in 1795, around the same time as the three piano sonatas Op.2. In this series, Ronald Brautigam has previously recorded early sonatas and sonatinas from the same period as the present works, a disc described by the reviewer on German web site Klassik Heute as ‘providing a touching illustration of those times when the great Beethoven was simply young Ludwig’ through playing which is ‘simultaneously committed to the utmost purity of style and imbued with an immense musical exuberance’. As on the previous instalment in the series, Brautigam has chosen to perform these early variations on a fortepiano after a Walter & Sohn instrument from c.1805.

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BIS SACD 1997 Label Code 419 Price Code P LONDON CALLING George Frideric Handel: Extracts from Amadigi di Gaula, HWV 11 (Sinfonia [Act 1] – Aria: T’amai – Aria: Vado, corro – Aria: O rendetemi – Sinfonia [Act 3] – Aria: Sento la gioia) Extracts from Hercules, HWV 60 (Sinfonia [Act 3] – Recitativo accompagnato: Where shall I fly?) From Theodora, HWV 68 Air: As with rosy steps Arcangelo Corelli: Concerto grosso in D major, Op.6 No.4 Francesco Maria Veracini: Sonata in A major for violin and continuo, Op.2 No.9 Francesco Geminiani: Concerto grosso in D minor, No.12 (‘La Follia’) ARITSTS: Tuva Semmingsen, mezzo-soprano. Barokksolistene, leader: Bjarte Eike As the hub of a fledgling British Empire, London around 1710 was burgeoning with new wealth and offered the perfect setting for operatic entrepreneurs eager to spread the latest Italian fashions. It was thus a city of opportunity for Handel, fresh from spending five years in Italy, but also for many other touring musicians including Arcangelo Corelli, Francesco Maria Veracini and Francesco Geminiani. This recording unveils a portrait of the chameleon Handel, emerging in the panache of his early Italian-styled Amadigi, reaching maturity in the ‘English operatic’ Hercules and arriving finally in the perennial melodic grace of Theodora, his penultimate oratorio. Extracts from these works, in which the young Norwegian mezzo-soprano Tuva Semmingsen displays both vocal agility and a wide-ranging emotional palette, are interspersed with instrumental works by Handel’s Italian contemporaries. Corelli’s Concerto grosso in D major, from the celebrated Opus 6, and Geminiani’s ‘La Follia’ in D minor – incidentally a reworking of Corelli’s famous violin sonata – both illustrate Italian instrumental music at its most sumptuous, in colourful and dynamic performances by the Norwegian period band Barokksolistene. For further variety, the leader and artistic director of the ensemble, Bjarte Eike, also performs a chamber work by Veracini, who visited London regularly during some three decades in the early 18th century. The Sonata in A major was published in England in 1744, and it would be quite tempting to interpret the use in it of a Scottish tune, Tweed’s side, as merely a clever marketing device to charm a local audience, were it not that the tune, and the composition itself, was so attractive.

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ACCENT 24257 Label Code 086 Price Code F SYMPHONIES BY THE BACH SONS Johann Christoph Friedrich Bach: Symphony in E flat major HW I/10 for two horns, two oboes, strings & b.c. - Carl Philipp Emanuel Bach: Symphony in E minor Wq 177-H 652 for strings & b.c. Johann Christian Bach: Symphony in E flat major op.6/3-W C9 for two horns, two oboes, strings & b.c. Johann Christoph Friedrich Bach: Symphony in D minor HW I/3 for strings & b.c. Johann Christian Bach: Symphony in G minor op.6/6-W C12 for two horns, two oboes, strings & b.c. ARTISTS: Ewald Demeyere / Bach Concentus With this recording Bach Concentus under Ewald Demeyere wishes to devote itself to the subject, currently under-exposed, of the beginnings of the symphony as a genre. Whenever the term "early Classical symphony" is used one mostly thinks of the early compositions of Haydn and Mozart. Yet both before and during the time of their musical activity, a whole series of composers were busily engaged in writing symphonies. The Mannheim School had been established by Johann Stamitz (1717-1757), at the Viennese court Georg Christoph Wagenseil (1815-1777) and Florian Leopold Gassmann (1729-1774), among others, received plaudits for their symphonies and, at the same time, Pieter van Maldere (1729-1768) in the Netherlands earned his spurs as a composer of symphonies.

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This recording aims to highlight the significant role the sons of the Thomas Cantor, Johann Sebastian Bach, also played in the development of the symphony. This music does not deserve to be viewed merely as a precursor of the "genuine" Classical symphony or as an intermediate phase between two superior stylistic periods, but should be judged on its own merits, and these are mostly very high.

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ACCENT 24268 2 CD SET Label Code 086 Price Code F CANZONI VILLANESCHE: NEAPOLITAN LOVE SONGS OF THE 16TH CENTURY Works by Willaert, Lassus, et al. ARTISTS: Beasley/Kiehr/Cabré Festa/Ensemble Daedalus Beginning in the early decades of the sixteenth century, Naples made a distinct contribution to the Italian musical scene with a genre peculiarly its own, the Canzoni Villanesche alla Napoletana. These often amusing pieces are not to be thought of as "popular" music in any sense, but rather as music for a refined public, much of it poking fun at the madrigal and its mystique. However, the intervention of the villanella repertory of highly accomplished composers such as Willaert and Lassus, both of whom are represented in this well-chosen selection of pieces, had the effect of bringing the genre closer in some of its details to the language of the late sixteenth-century madrigal.

CLASSICAL NEW RELEASES

"The wide variety of styles on this present record is matched by intelligently varied combinations of voices and instruments; percussion and improvised instrumental parts have also been added to some pieces. The results are effective and make for enjoyable listening, [...] Marco Beasley is on superb form here."-Gramophone

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ARCHIPEL 0481 Label Code 393 Price Code M/P BRUCKNER: SYMPHONY NO. 4 Recorded in Milan, Feb. 23, 1962 ARTISTS: Orchestra Sinfonica di Milano della Rai, Lovro von Matacic, conductor.

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ARCHIPEL 0484 Label Code 393 Price Code M/P HAYDN: SYMPHONIES 88, 94, & 104 Recorded live in Buenos Aires, April 14, 1950 ARTISTS: Orchestra of the Teatro Colon, Wilhelm Furtwangler, conductor.

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ARCHIPEL 0485

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Label Code 393 Price Code M/P WAGNER: COMPLETE ACT 2 TRISTAN & ISOLDE Recorded live at Carnegie Hall, NYC 4/16/1939 ARTISTS: RAI Orchestra & Chorus, Sir John Barbirolli, conductor. A unique CD release – the little documented Laholm and the incredible conducting of Barbirolli – a must for each serious collector and another document about the greatness of Sir Barbirolli. This Tristan document shows clearly (live!) that he has to be counted as one of the greatest Wagnerian conductors of all time.

FIRST RELEASE ON ANY FORMAT

BIS CD 1862

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Label Code 001 Price Code P SCHUBERT – OPERATIC OVERTURES Franz Schubert: Der Teufel als Hydraulicus (1811/12); Der Spiegelritter (1811/12); Des Teufels Lustschloss (1814, second version); Der vierjährige Posten (1815); Claudine von Villa Bella (1815); Die Freunde von Salamanka (1815); Die Zwillingsbrüder (1819); Alfonso und Estrella (1821); Die Verschworenen / Der häusliche Krieg (1823); Fierabras (1823) ARTISTS: Haydn Sinfonietta Wien, Manfred Huss, conductor. Although Franz Schubert’s Lieder, his symphonies and his chamber music are staples in concert halls and on disc, his music for the stage is much less well known. He began composing operas in 1811, at the tender age of 13, and it is probable that the tuition he received from Antonio Salieri around that time fuelled his interest for the stage even further. Although he had one of his first public successes with the Singspiel Die Zwillingsbrüder, Schubert later encountered difficulties in getting his operas staged: most of them would remain unperformed for a long time after his death in 1828, and are still rarities in the repertoire. With a few exceptions, the overtures to these works have suffered a similar neglect, even though they display an astonishing abundance of musical ideas, and possess a stirring dramatic character beyond anything found in for instance the symphonic works. The striking originality of the music becomes even more obvious when performed on period instruments, as on the present recording with Manfred Huss and the fifty musicians in the Haydn Sinfonietta Wien, whose previous discs on BIS of works by Haydn has been warmly received by critics worldwide. Their recordings of Schubert's overtures were made in 1997 for release on the Koch/Schwann label, a disc which after its deletion from the catalogue has become a collectors’ item, with rare new copies being offered for as much as USD 200. For the present re-release the original recording has been remastered by BIS Records.

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BIS CD 1886 Label Code 001 Price Code P KALEVI AHO – CHAMBER WORKS Kalevi Aho (b.1949): Quintet for Clarinet and String Quartet (1998); Trio for Clarinet, Viola and Piano (2006); Sonata for Two Accordions (1984/89) ARTISTS: Osmo Vänskä, clarinet; Sarah Kwak & Gina DiBello, violins; Thomas Turner, viola; Anthony Ross, cello; Susan Billmeyer, piano; Veli Kujala & Susanne Kujala accordions. Renowned for his rich production in the field of orchestral music, Kalevi Aho is also a prolific composer for chamber forces. Here three works spanning two decades have been combined, with the Sonata for two accordions originating in 1984 as a Sonata for solo accordion described by the composer in his own liner notes as ‘comparable in aspiration with Liszt’s most virtuosic piano works’. Completed five years later, the duo version exploits to the utmost the unique possibilities offered by the accordion and remains highly virtuosic. It was premièred as late as 2002 by Veli and Susanne Kujala, who also perform it on this recording. At the other end of the time-line described by this disc, the Trio for clarinet, viola and piano was commissioned to be the set chamber music work of the 2006 Tampere Viola Competition. While the single-movement Trio reserves a prominent role for the viola, Aho describes it as ‘a quite short and flamboyant work in which each instrument has something important to say’. Opening the disc is the large-scale Clarinet Quintet, composed in 1998 as one in a series of quintets involving woodwind instruments, begun in 1973 with an Oboe Quintet and completed by the 2006 Wind Quintet. Again a musician from the first performance appears on this disc: better known as a conductor, Osmo Vänskä began his career as principal clarinet in the Helsinki Philharmonic. By 1998 he had already made his mark as a conductor, with seminal recordings of Sibelius’ symphonies with the Lahti Symphony Orchestra. But Vänskä was also – and has remained – a great champion of Kalevi Aho’s music, and was easily persuaded to take on the important clarinet part for the première of the quintet. For this return to the work, Vänskä has gathered members of the Minnesota Orchestra, where he is currently music director.

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BONGIOVANNI 1145 Label Coe3 480 Price Code B GEORGES THILL Works from La Traviata, Rigoletto, Faust, Mefistofele, Paqliacci, Andrea Chénier, Turandot. ARTISTS: Georges Thill, tenor.

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BONGIOVANNI 2560/1 2 CD SET Label Code 002 Price Code C GAETANO DONIZETTI: LUCREZIA BORGIA Libretto by Felice Romani included Recorded live in Teatro delle Muse di Ancona, Feb 10-21 2010 ARTISTS: Mariella Devia, Giuseppe Filianoti, Marianna Pizzolato, Alex Esposito, Gregory Bonfatti, Stefano Rinaldi Miliani, Giacomo Medici, Massimiliano Luciani, Carlo Giacchetta, Roberto Gattei, Gianni Paci. Orchestra Filarmonica Marchigiana, Coro Lirico Marchigiano “V. Bellini”. David Crescenzi, chorus master. Marco Guidarini, director.

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BONGIOVANNI HOC 066/7 2 CD SET Label Code 483 Price Code M/P GEORGES BIZET: CARMEN Recorded live in Verona, August 2nd 1961 ARTISTS: Giulietta Simionato, Franco Corelli, Ettore Bastianini, Renata Scotto, Francesco Molinari Pradelli, Conductor.

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CEMBAL D'AMOUR 166 Label Code 341 Price Code B MORDECAI SHEHORI: THE CELEBRATED NEW YORK CONCERTS, VOL. 6 1. CZERNY: Variations on a Theme by Rode, Op. 33, in E-flat Major, “La Ricordanza” MENDELSSOHN: 3 Songs without Words 2. Op. 38, No. 2 in C Minor 3. Op. 53, No. 3 in G Minor 4. Op. 67, No. 2 in F-sharp Minor BRAHMS: 4 Piano Works Op. 119 5. Intermezzo in B Minor 6. Intermezzo in E Minor 7. Intermezzo in C Major 8. Rhapsodie in E-flat Major 9. DEBUSSY: Valse Romantique in F Minor VLADIMIR HOROWITZ: 3 Works 10. Etude-Caprice “Les Vagues” (The Waves) 11. Waltz in F Minor 12. Dance Excentrique in C Major 13. RAVEL: La Valse (Poéme chorégraphique) Encores: 14. J. S. BACH-SHEHORI: Sicilienne in G Minor (from the Flute Sonata No. 2) 15. DAQUIN: Le Coucou 16. PROKOFIEV: Prelude Op. 12, No. 7, in C Major 17. CONFREY: Humorestless (After Dvorák) Recording information: Tracks: 1, 13, 15, Merkin Concert Hall* 4/20/1983. Tracks: 2-4, 10, 16, 17, Weill Recital Hall, 2/6/1993. Tracks: 5-8, 9, 11, 12, 14, Alice Tully Hall* 6/14/2003. The Celebrated New York Concerts, Vol. 6 ARTISTS: Mordecai Shehori, Piano The CD contains extremely rare performances of Vladimir Horowitz’s original compositions including a first ever live performance (1993) of his Etude-Caprice “Les Vagues” (The Waves), as well as seldom played works by Czerny and Debussy. “Shehori gave a large audience the opportunity to hear some unusually thoughtful and thought-provoking playing.” -The New York Times

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CENTAUR 3144 Label Code 079 Price Code C FLOWERS OF SOUTHERN INDIA: CLASSICAL CARNATIC MUSIC Muthuswamy Dikshitar: Aanandhamruth Karshini - Amrithavarshini - Aadhi Thyagaraja: Mevalla Guna Dosha – Kapi - Khanda Chapu Shyama Sastri: Ninnuvinaga - Purvikalyani - Mishra Chapu Lalgudi Jayaraman: Thillana - Desh - Aadhi ARTISTS: Jayanthi Kumaresh, veena. H.S. Sudhindra, mridangam. Giridhar Udupa, ghatam.

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CENTAUR 3146 Label Code 079 Price Code C THE JOURNEYS OF RUBENS: VIRTUOSO LUTE MUSIC FROM THE COURTS OF EUROPE Pietro Paolo Raimondo: Libro de Sonate Diverse, Como, 1601 Giovanni Girolamo Kapsberger: Libro Primo d’Intavolatura di Lauto del Sig Gio, Arpeggiata John Dowland: Semper Dowland Semper Dolens, Sir John Smith, His Almain, Tarletons Riserrectione Anonymous: A Port, A Scotts Tune, Gipsies Lilt, A Dance, Canario Nicolas Vallet: Malsimmes, Slaep Soete Slaep, Preludio, Pavanne de spagne, Bouree Robert Ballard: 24 Branles de village ARTISTS: Massimo Marchese, lute & theorbo.

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CENTAUR 3178 Label Code 079 Price Code C APRÈS SCARLATTI: CONTEMPORARY PIANO PIECES WRITTEN IN HOMAGE TO DOMENICO SCARLATTI Norman Dello Joio: Salut to Scarlatti Marcel Bitsch: Hommage a Domenico Scarlatti Clifford Crawley: Après Scarlatti Clark Ross: Domenico 1 & 2 Dennis Farrell: Antiche Sonate Marcelle de Manziarly: from Six etudes pour piano Marc-Andre Hamelin: From Twelve Etudes ARTISTS: Kristina Szutor, piano.

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CENTAUR 3179 Label Code 079 Price Code C ALESSANDRO BACCINI, OBOE & ENGLISH HORN W. A. Mozart: Quartet in F major KV 370 for oboe, violin, viola & cello. Adagio in C major KV 580a for English horn, violin, viola & cello Johann Michael Haydn: Divertimento in C major P. 98 for oboe, viola and double bass. Johann Christian Bach: Quartet in B flat major for oboe, violin, viola and cello. ARTISTS: Alessandro Baccini, oboe & English horn. Alessandro Simoncini, violin. Demetrio Comuzzi, viola. Luca Simoncini, cello. Luca Stevanto, doublebass.

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CENTAUR 3180 Label Code 079 Price Code C ORCHESTRAL EQUILIBRIUM Lee T. McQuillan: Concerto for Alto Saxophone and Chamber Orchestra. Equilibrium Armand Qualliotine: Lamentations. Where the Forest Ends. ARTISTS: Dvorak Symphony Orchestra, Julius P. Williams, conductor. Roman Fojticek, alto saxophone.

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CENTAUR 3182 Label Code 079 Price Code C FALLING STILL: MUSIC FOR OBOE BY WOMEN COMPOSERS Madeline Dring: Two Dances Nancy Galbraith: Incantation and Elegy Gwen McLeod Hall: Une Chanson sans Paroles Emily Doolittle: Falling Still for oboe quartet Margaret Griebling-Haigh: Bocadillos Floridianos for oboe & piano Chen Yi: Joy of the Reunion Alyssa Morris: Four Personalities for oboe & piano ARTISTS: Mary Ashley Barret, oboe. Inara Zandmande, piano. Michael Burns, bassoon. Marjorie Bagley, violin. Alexander Ezerman, cello. Scott Rawls, viola.

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CENTAUR 3195

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Label Code 079 Price Code C JEAN BAPTISTE BRÉVAL: SIX SONATAS OP. 12 FOR CELLO OR VIOLIN AND BASSO CONTINUO Sonatas Nos. 1-6 op. 12, Arranged for cello and piano by Fedor Amosov ARTISTS: Fedor Amosov, cello. Alexey Kurbatov, piano.

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CHRISTOPHORUS 77357 Label Code 034 Price Code F BAROQUE SUITES FOR GUITAR Dieterich Buxtehude: Suite in A major BuxWV 238/226 - Suite in D minor BuxWV 241/244 Louis Couperin: Suite in d Johann Jakob Froberger: Suite No.18 in doric g - Tombeau fait à Paris sur la mnport de M. Blancheroche -Suite No.20 in D major Johann Sebastian Bach: Fantasy & Chromatic FGugue BWV 919/906 ARTISTS: Tilman Hoppstock, guitar. All titles are transcriptions for guitar by Tilman Hoppstock. He studied guitar and cello in Darmstadt and Cologne. He has visited over 40 countries on his concert tours as a soloist and with chamber music ensembles. Twenty CDs document his extensive repertoire. In addition to his teaching posts at the Musikhochschule in Mainz (1985-2007) and the Akademie für Tonkunst in Darmstadt (since 1988), he accepted a two-year guest professorship (2004/05) at the University of Piteå (Sweden). Tilman Hoppstock gives regular master classes and specialist seminars and has followed invitations from institutions such as the Royal Academy in London, the Manhattan School of Music in New York and the University of South California in Los Angeles. His intensive devotion to the music of Bach led to the publication of a much acclaimed musical edition of Bach's works for lute ("Bach, his Lute Works and related versions", PRIM 1750-G). 2010 he published the firstbook of a musicological trilogy about "Bach's Lute Works from the Guitarist's Perspective" (Vol. 1, BWV 995 & 996, PRIM 1750-B1).

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CHRISTOPHORUS 77358 Label Code 034 Price Code F THE OTTOMANS AT THE GATES OF VIENNA Johann Kaspar Kerll: Missa In fletu solatium obsidionis Viennensis - Sonata a3 - Ama cor meum a 4 - Triumphate sidera a 18 - Passacaglia in d - Tota pulchra es Maria a 10 - Canzona a 3 - Admiramini fideles a 2 - Angelorum esca a 12 ARTISTS: Arno Paduch/Johann Rosenmüller Ensemble After having conquered Hungary, the Ottomans reached the gates of Vienna on 14 July 1683 to the utter horror of all Christian Europeans. The Ottomans embarked on an intensive campaign of besiegement maintained with immense technical efforts and great expenditure of human resources. The besieged defended themselves as best they could with all possible means, but after several weeks, not only hunger and illness but also fear and terror were rife in the city. It soon became clear that Vienna would not be able to withstand the siege through its own efforts and help was therefore summoned. It took two months for the alliance of numerous Christian armies with a total military manpower of almost 60 000 to end the siege at the Battle of Kahlenberg in which the Ottoman forces were routed and driven away. The composer Johann Kaspar Kerll personally experienced the siege at the gates of Vienna and, overwhelmed by his impressions, wrote a mass which was intended to provide "comfort in the lamentations on the siege of Vienna"; the Missa In fletu solatium obsidiensis Viennensis.

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Johann Kaspar Kerll is by no means unknown among seventeenth-century composers. Modern dictionaries of music all mention him as an out-standing composer of organ works that are available in various new editions and can regularly be heard in concerts. It will therefore probably come as a surprise to most informed music-lovers that Kerll's contemporaries esteemed him above all for his sacred vocal compositions and chamber mu sic. The intention of the present recording is to acquaint a broader audience with this unknown side of Johann Kaspar Kerll.

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COVIELLO 21202 2 CD SET FOR THE PRICE OF ONE Label Code194 Price Code F HENRY PURCELL: ABDELAZER The Double Dealer - Abdelazer - The Gordian Knot Unty’d - Distress’d Innocence- Bonduca ARTISTS: Linard Bardill, German narration/ John Holloway, English Narration/Mathias Kleiböhmer, conductor/ Orchestre Le Phénix. The melody of the “Rondeau” from Abdelazer is one of the best-known tunes today and everyone can sing it. If we try to find out, who is the composer, we come across the name of Benjamin Britten whose symphonic variations from A young person’s guide to the orchestra are world-famous. It is, however, not Britten’s composition: it is Henry Purcell’s. During the last five years of his short life Henry Purcell wrote more than 43 so-called ‘stage musics’ for theatre. In his final year in 1695, he composed the music for the tragedy Abdelazer by Aphra Behn. The tragedy Abdelazer tells the story about a slave who becomes king after many intrigues and murders. Unfortunately, only the first part of Purcell’s flamboyant suite has survived. For their recording Mathias Kleiböhmer and his orchestra Le Phénix join forces with Linard Bardill (German narration) and John Holloway (English narration) and tell the story of Abdelazer, using the surviving pieces of the suite as well as a selection of Purcell’s stage music that was written shortly before Abdelazer.

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rom the collector along with permission to

COVIELLO 21205 Label Code194 Price Code F JOHANN CHRISTIAN BACH; CARL FRIEDRICH ABEL: SONATAS FOR VIOLA DA GAMBA Carl Friedrich Abel: Sonata à Viola di Gamba Solo et Basso in E minor - Solo à Viola di Gamba è Basso in G major Johann Christian Bach: Sonata Cembalo, Viola da Gamba in G major - Sonata a Piano Forte e Viola da Gamba in F major - Sonata di Cembalo e Viola da Gamba obligata in B flat major - Sonata a Piano e Forte (e Viola da Gamba) in F major ARTISTS: Thomas Fritzsche (Viola da Gamba), Shalev Ad-El (Pianoforte/ Harpsichord) Johann Christian Bach and Carl Friedrich Abel presented their popular subscription concerts which were the first of their kind in Europe. The close relationship between the two composers has inevitably raised the question of the whereabouts of Johann Christians Bach's compositions for viola da gamba. On 29 May 1992 a previously unknown collection of manuscription was put up for harpsichord and viola da gamba and two sonatas for pianoforte and viola da gamba by Johann Christian Bach. They were sold to a private collector. Thomas Fritzsche received the composition fperform them. On this recoding Thomas Fritzsche and Shalev Ad-El played them in alternation with Abel's Prussian Sonatas - coming full circle after two and a half centuries. Johann Christians Bach's sonatas are typical of the keyboard sonatas accompanied by flute, violin or as here viola da gamba that became popular during the last quarter of the 18th centuries. In this four sonatas Johann proved to be a modern, innovative composer. On the one hand the two-movement formal structure he has used was ideally suited to the musical taste prevalent in London; on the other hand Bach chose an instrument which was increasingly falling out of fashion

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YBELE CD 960309 rice Code C

9 - JOHANNES FRITSCH: EARLY CHAMBER MUSIC

RTISTS: Track 1: Marlies Giesen (soprano) - Students at the Cologne College of Music - Oskar Aloys

e CD 9 of the feedback CD series dedicated to Johannes Fritsch's early works, chamber music, most of which originated before th are

fter months of collaboration with Karlheinz Stockhausen summarized at the World Expo 1970 in Osaka, the three composers Johannes

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ew Music Magazine (issue 9/2011): ... "His (Fritsch) works from the early 1960s, have lost none of its freshness spontaneous, especially the

CLabel Code 446 PFEEDBACK STUDIO KÖLN VOLUME Booklet Languages: German and English (36 pages with Digipak) AGottlieb Blarr (line) Track 2: Students of Cologne University of Music Track 3: Alfonso Kontarsky, Kontarsky, Bernhard Kontarsky (piano) Track 4: Franz Josef Maier (violin) - Johannes Fritsch (viola) - Siegfried Palm (cello) - Paul Breuer (bass)- Bernhard Kontarsky (piano) Track 5: Lesley Olson (flute) - Susanne Achilles (piano) Track 6: Siegfried Palm (cello) - Aloys Kontarsky ( piano) Th e

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formation of Feedback Studios. The works mark the beginning of Fritsch's artistic career, reflect the rich diversity of his compositions, andat the same time documents of the 1960s. Thus, components of the passing (1962) at random surrealist compositions inspired and Icons (1964) and modulation I (1966) have post-modern techniques symbiosis. AFritsch , Rolf Gehlhaar and David Johnson 's decision to make himself independent. In 1970, she called the Feedback Studio in life: an independent, private electronic studio. A year later founded Fritsch and Gehlhaar the Feedback Studio Verlag publishing the first Germcomposers. Studio and publishing house were located in the Belgian Quarter in Cologne in a rear building, where Fritsch had set up in 1967 under the umbrella of a private studio. Both understood the studio and publishing house is not a commercial than a company, but rather as an artists' cooperative and a center for alternative music. The publisher took up to 300 works by 20 composers. His program included noonly electronic, live electronic, computer music and works for large orchestra and chamber music, as the composer Clarence Barlow , Michael von Biel , Peter Eotvos, Johannes Fritsch , Rolf Gehlhaar , Caspar Johannes Walter and many more. The series feedback papers,magazines and books documenting in news, information, project descriptions, analyzes and essays not only the history of the Feedback studios, but give their own view of the history of modern music, far from the Philharmonic's principal roads and established festivals . After Fritsch's death in 2010 the Feedback Studio Verlag was dissolved. Only in-stock feedback Papers and CDs have been transferrethe fritsch edition john ( www.editionjohannesfritsch.de ). Nimprovisational dialogue with yourself .. is a successful example of integration of technology in the creative imagination "... (Max Nyffeler)

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Label Code 446 Price Code C FEEDBACK STUDIO KÖLN VOLUME 10: JOHANNES FRITSCH: LIVE ELECTRONIC MUSIC Languages: German and English (56 pages with Digipak) Funded by the Arts Foundation NRW ARTISTS: Track 1: Johannes Fritsch (viola) Track 2: Lothar Faber (oboe) Track 3: Patricio Cadiz (violin) - Rhenish Chamber Orchestra - Thomas Baldner (lead) – Johannes Fritsch (Sound Design) Track 4: Johannes Fritsch (viola) - Rolf Gehlhaar (Player 1) - Alfred Alings (Player 2) – Karlheinz Stockhausen (Player 3) Track 5: Dieter Wernecke (Speaker) - Michael Ranta (drums) - Volker Müller (sound) Booklet The Volume10-CD series of the Feedback Fritsch dedicated to live electronic works that were composed for the most part even before the founding of Feedback Studios. At the beginning there is the duet for viola (1961), the Fritsch as his Opus 1 defined. The work grew out of an experimental handling of the viola and established the first of a series of compositions that would integrate Fritsch tape recordings into live performances, and sometimes supplemented by improvisation. Madrigal Triste (1963) also provides an example of Fritsch's interest in translation from text to music: letters and syllables of the eponymous poem by Charles Baudelaire are transformed into oboe tones. An accompanying audiotape changed the sound of the oboe with the means of the electronic studio and leaves "a kind of imaginary space oboe sound" emerge. The complex work Partita (1966) demonstrates Fritsch's description of live-elekronischer music as "a new kind of chamber music, the instruments along with traditional musical instruments includes various electronic components transformation." As a "transition elements" Fritsch uses special contact microphones, filters, regulators, and a delay-and-feedback system that tape recorders, amplifiers and mixer is generated. All five compositions on this CD address the connection between musician and instrument in the new age of electronics. This creates Fritsch previously unheard sounds and timbres.

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CYBELE CD 960311 Label Code 446 Price Code C FEEDBACK VOLUME 11 - JOHANNES FRITSCH: BACK-TRIPTYCH (1992) Booklet languages: German and English (20 pages with Digipak) ARTISTS: Track 1: Akkobasso Trio (Amy K. Goeser, oboe - Heike Storm, accordion - Eberhard Maldfeld, double bass) Track 2: Dieter Wernecke (Speaker), Bernhard Haas (organ) Track 3: Stephen Grant (baritone), Camilla Hoitenga (alto flute ), Jonny Axelsson (drums) The CD 11 of the feedback-CD series dedicated to Fritsch's musical triptych that time (1992), which consists of the three compositions, the bittersweet book, Then and Trio from the end composed. This bittersweet book, a composition for the rare combination oboe, accordion and bass, refers in the title of the history of the bitter-sweet little book of the Apocalypse and forwards in a strange world of sound and harmonics of high tones in the motif of a death. At that time, based on the eponymous play by Samuel Beckett, which revolves around the memories of different stages of life and identity of a dying self. As provided by Beckett, the speaker's voice is heard in three versions (for example in the stereo image on the left - center - right). Fritsch composition combines Beckett's text syllable by syllable with certain pitches that are synchronized from one organ to play with words. The music is subordinate to the text below, the Fritsch of actors, such as talking Dieter Wernecke, left. The trio is composed of excerpts from the end of that time. The melody of the work for bass, alto flute and drums is broadly consistent with the quiet tone of voice. If in that time, the music, the text subordinates modest, it is a trio from the end to an equal partner - "in an effort," said Fritsch, "to feel with words and sounds, the quiet peace of the end."

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GLOSSA 920413 Label Code 119 Price Code F MR DE MACHY - PIECES DE VIOLLE Suites de danses (Paris, 1685) Suite VIII en la majeur - Suite I en ré mineur - Suite IV en sol majeur - Suite V en ré mineur ARTISTS: Paolo Pandolfo, viola da gamba. With his performance of the music of De Machy, Paolo Pandolfo is enriching the recorded survey of solo viola da gamba music with a very special contribution; such as he has done before with his recordings of music by Sainte-Colombe, Abel or of his most warmly-received recording, the Bach Cello Suites in their transcription for viola da gamba. The publication of the Pièces de Violle (Paris, 1685), the first of the literature for the viola da gamba in France, unleashed a veritable polemic or querelle with Jean Rousseau concerning the "true manner of playing the viola", which had been described by De Machy with a wealth of details in the prologue to his work and in which radiates an enormous sense of aplomb and certainty. His advocacy for the viola da gamba as a harmonic (or chordal) as well as a melodic instrument was to go on to have a significant influence on later composers such as Marin Marais and Antoine Forqueray. With his recording and also in his accompanying essay, Paolo Pandolfo places special emphasis on one facet of these pieces which tends to pass unnoticed: their danceable character. Countless sources from the time tell us about the vigorousness of the interest in the dance in the 17th century, a passion practiced in an almost obsessive way not only by the court nobility but by the rural aristocracy and the wealthier bourgeoisie as well. This all makes the vision of a viola da gamba accompanying such dances a very suggestive one indeed.

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GLOSSA 922604 Label Code 119 Price Code F NEAPOLITAN CELLO CONCERTOS Works by Leonardo Leo, Nocola Fiorenza, Giovanni Sollima & Giuseppe de Majo Leonardo Leo: Concerto di violoncello con violini Nicola Fiorenza: Concerto per violoncello ed archi - Sinfonia a 4 violini e basso continuo Giuseppe de Majo: Concerto per violoncello ed archi Giovanni Sollima (*1962): Fesit Neap.17 per vipoloncello, archi e continuo ARTISTS: Giovanni Sollima, cello. I Turchini, Antonio Florio, direction. Giovanni Sollima has been successfully pursuing a twin career as cellist and as a composer and it is in both capacities that the Palermo-born musician appears now on a new recording from Glossa. Sollima teams up with I Turchini of Antonio Florio in a captivating demonstration of virtuoso concerto treasures from Leonardo Leo, Giuseppe de Majo and Nicola Fiorenza. Giovanni Sollima's empathy with the spirit of the 18th century concerto allows him not only to provide - and to play masterfully - elegantly appropriate cadenzas for the works of his forebears but to compose a modern work comfortable and at ease with its Neapolitan past (and entitled "Fecit Neap. 17..", mirroring the frequently found ascription found on manuscripts in the 18th century).

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With a solo cellist in Giovanni Sollima, who is equally at home in the musical worlds of Patti Smith, Claudio Abbado and Philip Glass, and a director in Antonio Florio, who is equipped with his own masterful overview of Neapolitan music from the Baroque onwards, this new disc was recorded in a venue, the old S Anna dei Lombardi monastery complex in the heart of Naples, which serves to point up how powerful a forging ground for cello music Naples was from the end of the 17th century and into the 18th, as well as in our own time.

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HERITAGE 212 Label Code 485 Price Code A REFLECTION: ANTHEMS FROM CLARE COLLEGE CAMBRIDGE ARTISTS: The Choir of Clare College, Timothy Brown Reflection celebrates 500 years of music-making in the English Parish Church and features familiar composers such as Byrd, Tallis, Bach, Mozart and Elgar giving over an hour’s music to soothe the soul. The music is performed by the UK’s finest mixed choir, The Choir of Clare College Cambridge, directed by Timothy Brown.

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HERITAGE 221 Label Code 485 Price Code A BLISS CONDUCTS BLISS: A COLOUR SYMPHONY, MUSIC FOR STRINGS, INTRODUCTION AND ALLEGRO ARTISTS: Sir Arthur Bliss, conductor. Sir Arthur Bliss conducts his most famous work, the 1922 symphony which established his reputation. It is coupled with the Music for Strings, perhaps his best work and the Introduction and Allegro inspired by and dedicated to Stokowski and his Philadelphia Orchestra.

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HERITAGE 224 Label Code 485 Price Code A ENGLISH SONG Works by Ford, Morley, Rosseter, Dowland, Pilkington, Campian, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. ARTISTS: Peter Pears, voice. Julian Bream, guitar. Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campian, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten.

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HERITAGE 226 Label Code 485 Price Code A ORLANDO GIBBONS: TUDOR CHURCH MUSIC ARTISTS: The Choir of King’ s College, Cambridge, Sir David Willcocks, director. The world-renowned choir of King’s College Cambridge and its iconic director, Sir David Willcocks, give performances of the church music of Orlando Gibbons, a composer who had close associations with the Cambridge college. Included are the famous anthems This is the record of John and Hosanna to the Son of David.

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IDI 6643 Label Code 316 Price Code A GLENN GOULD PLAYS BACH VOL. 2 Concerto no.5 in F minor for piano & orchestra BWV 1056 Brandenbourg Concerto no.5 in D major BWV 1050 Live recordings 1955/1960 ARTISTS: Glenn Gould, piano. CBD National Orchestra, Nicolas Goldschmidt, conductor.q Misha Mishakoff Orchestra, Paul Paray, conductor.

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IDI 6644 Label Code 316 Price Code A JASCHA HEIFETZ PLAYS CHAUSSON & FRANCK Ernest Chausson: Concerto for violin, piano& string quartet op. 21, Poeme for violin & orchestra op. 25 Cesar Franck: Quintet in F minor for 2 violins, viola, cello & piano Studio Recordings 1941/1961 ARTISTS: Jascha Heifetz, viollin. I. Baker ,violin 2, W. Primrose ,viola, G. Piatigosky cello and L. Pennario, piano. RCA Symphony Orchestra, Izler Solomon, conductor. Jesus Maria Sanroma, piano. Musical Art Quartet. With the progress of his long career that had made Jascha Heifetz the most acclaimed violist of the first half of the 20th Century, Jascha Heifetz started in performing more and more chamber music, never leaving the virtuosic repertoire that was so strongly connected with his name. He began by recording, with a certain frequency, unusual pages of the chamber repertoire, often in collaboration with the most renowned soloists of the time.

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MUSICA FICTA 8014 Label Code 113 Price Code B MOULINIÉ, BOËSSET: THE ITALIAN AIR IN FRANCE AT THE TIME OF LOUS XIII ARTISTS: Il Festino: Dagmar Saskova, Soprano. Francisco Javier Mañalich, Tenor & Viola Da Gamba. Manuel De Grange, Lute, Guitar & Direction. Ronald Martin Alonso, Viol. Hannelore Devaere, Harp. The collections of airs published in France by Ballard between 1608 and 1643 contain 17 airs on Italian words, of which six are in the polyphonic collections, six are for voice with lute tablature and five for voice with guitar tablature. Taking account of variants and different versions, polyphonic or monodic, of the same pieces, we are left with ten texts – a rather insignificant group amid a repertoire of over 2,000 French airs. The present recording manages to include all these ten texts, thereby presenting almost all the Italian airs published by French composers during Louis XIII’s reign. The musicians of Il Festino have interspersed these airs with a number of instrumental pieces and songs to Spanish texts of the same period. All the Italian airs are by three of the foremost French composers of the time, each of whom moved in court and salon circles.

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MYTO HISTORICAL 00304 2 CD SET Label Code 005 Price Code M/P VERDI: RIGOLETTO Recorded Live at Trieste, 2/3/1961 ARTISTS: Alfredo Kraus, Aldo Protti, Gianni D’Angelo, Giorgio Tadeo, Bruna Roncini, Liliana Hussu, Vito Susca, Claudio Giombi, Raimondo Botteghelli, Eno Mucchiutti, Anna Bianchi, Ophelia Cappelletti. Orchestra e Coro del Teatro Comunale Giuseppe Verdi di Trieste, Alberto Erede, conductor.

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MYTO HISTORICAL 00305 2 CD SET Label Code 005 Price Code M/P MOZART: DIE ENTFÜHRUNG AUS DEM SERAIL Recorded Live in Salzburg 4/8/1961 ARTISTS: Andreas Wold, Ruth-Margret Putz, Renate Holm, Fritz Wunderlich, Ervin Wohlfahrt, Georg Littasy. Chor der Wiener Staasoper Mozarteum-Orchester, Istvan Kertesz, conductor.

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MYTO HISTORICAL 00310 2 CD SET Label Code 005 Price Code M/P VERDI: MACBETH Recorded live Teatro alla Scala, Milan, 1952 ARTISTS: Enzo Mascherini, Italo Tajo, Maria Callas, Stefania Malagu, Gino Penno, Luciano Della Pergola, Dario Caselli, Attilio Barbesi, Mario Tommasini, Ivo Vinco. Orchestra e Coro del Teatro alla Scala di Milano, Vicor de Sabata, conductor.

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NEW PAN 10261 Label Code 250 Price Code F DMITRI SHOSTAKOVICH: PIANO CONCERTO NO 1 & 2, CONCERTINO OP 94 Piano Concerto no 1 in C minor Op 35 (for piano, trumpet and strings) Piano Concerto no 2 in F major Op 102 (for piano mand orchestra) Concertino in A minor Op 94 (for two pianos) ARTISTS: Alexander Toradze, piano. Frankfurt Radio Symphony Orchestra, Paavo Järvi, conductor. The label PAN and the HR (Hessischer Rundfunk) present the first issue of their recently started collaboration with a new recording of Shostakovich's piano concertos op. 35 & op. 102. Dmitri Shostakovich wrote only two piano concertos. He was himself an accomplished concert pianist and had created his First Piano Concerto with a parodist slant to show off his own virtuoso abilities. The work marks the conclusion of Shostakovich the composer's intensive study phase of piano music. The Second Concerto, written for his son Maximilian, is unusually happy and optimistic in nature. The slow movement is arguably one of the most beautiful pieces ever written for the piano, wonderfully romantic but never sentimental, while the outer two movements bubble over with spirited effervescence and optimism. Alexander Toradze is universally recognized as a masterful virtuoso in the grand Romantic tradition. With his unorthodox interpretations, deeply poetic lyricism, and intense emotional excitement, Alexander Toradze lays claim to his own strong place in the lineage of the great Russian pianists. Paavo Järvi has been Chief Conductor of the Frankfurt Radio Symphony Orchestra (hr-Sinfonieorchester) since 2006, enriching it through his work with new and exciting aspects. The Estonian is one of the most successful conductors on the international music scene.

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NEW PAN 10272 Label Code 250 Price Code F BASSI: TOCCATE, CANZONI, CHIACCONE PER IL VIOLONE E ALTRI BASSI Giovanni Battista Vitali: Ruggiero per la Lettera B / Bergamasca per la Lettera B / Toccata, Chiacona per la Lettera B / Capritio sopra ono figure Girolamo Frescobaldi: Canzona decimasesta detta la Samminiata, a due Bassi / Canzona decimaquarta detta la marina, a due Bassi / Canzona quarta a due Bassi / Canzona settima detta la Superba, a Basso solo / Canzona quintadecima detta la Lieuoratta, a due Bassi Bellerofonte Castaldi: Cromatica Corrente / Tastegio Soave / Fulminante Galliarda Domenico Pellegrini: Courante per la X Diego Ortiz: Recercada Primera sobre Doulce Memoire Bartolomeo de Selma: Fantasia per Basso solo Adam Jarzebski: Köni[g]sberga Francesco Rognoni: Susanna d'Orlando. Modo di passegiar per il violone over trombone alla bastarda Guiseppe Colombi: Chiaccona Giovanni Battista Vitali: Passa Galli per la Lettera Julius de Modena: Recercar X ARTISTS: United Continuo Ensemble In sixteenth and seventeenth century Italy the use of solo bass instruments was becoming ever more popular. Besides Fantasias and Canzonas, dances with ostinato bass figures were particularly favoured: Chaconnes, Passacailles, Bergamascas and Ruggieros were considered hypnotic and seductive. Played on bass instruments, these dances, with their forward-driving ostinatos, even today provide a very special listening experience.

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NEOS 10910 Label Code 273 Price Code F GLAZOUNOV – LEFANU - MEYER: SAXOPHONE CONCERTOS Alexandre Glazounov (1865–1936): Concerto for Alto Saxophone and String Orchestra (1934) Nicola LeFanu (*1947): Concerto for Alto Saxophone and String Orchestra (1989) Krzysztof Meyer (*1943): Concerto for Alto Saxophone and String Orchestra, op. 79 (1993) ARTISTS: John-Edward Kelly, alto saxophone. Netherlands Radio Chamber Philharmonic, John-Edward Kelly & Micha Hamel, conductors. Alexandre Glazounov’s Saxophone Concerto is easily the most famous work ever written for saxophone. It has also become the most frequently performed work of Glazounov, as, sadly, his large œuvre has fallen into neglect. Glazounov was neither a modernist nor a particularly fashionable composer, but rather a devout representative of Russian music in the tradition of Rimsky-Korsakov and – in the noblest sense – an exacting craftsman. Once considered the greatest musical talent of Russia, his remarkable musical abilities were legendary even during his lifetime (there are multiple references to these in Shosta-kovich’ autobiographical “Testament”). The Saxophone Concerto, too, is by no means a “progressive” work, but rather a delightful presentation of an instrument Glazounov obviously loved. He did as much as any other composer to help the saxophone become accepted as a concert instrument, and he has given the saxophone its only truly romantic concerto. Nicola LeFanu (b. 1947) is the daughter of the composer Elizabeth Maconchy, a granddaughter of the legendary Irish Victorian writer Sheridan LeFanu and a former student of the very exceptional Egon Wellesz. Following studies at Oxford, the Royal College of Music, Harvard and Brandeis, she lived in London for many years, where she taught at King’s College together with her husband, Australian composer David Lumsdaine. From 1994–2008 she was Professor of Composition and Head of the Music Department and at the University of York. Her extensive œuvre of more some 100 compositions – including 7 operas – has been performed around the world, yet she continues to see composition as more of an inner passion than a profession. Krzysztof Meyer (b. 1943) is widely respected for his great musical skills and his vast musical knowledge, yet his music remains for the most part an “insider tip”. Despite continuous international performances and a long list of devout supporters – whether renowned instrumentalists or famous composers such as his close friend, the late Witold Lutosławski – his works have been somewhat overshadowed by those of the more renowned representatives of the Polish avant-garde. Undeterred, he has striven tirelessly to further develop his own deeply expressive musical language.

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NEOS 11208 Label Code 273 Price Code F ALEPH GITARRENQUARTETT Works by Georg Friedrich Haas, Beat Furrer, Manuel Hidalgo, Helmut Oehring, Markus Hechtle Georg Friedrich Haas (*1953) [01] Quartet for 4 guitars (2007) 13:54 Beat Furrer (*1954) [02] fragmentos de un libro futuro for soprano and guitar quartet (2007) 08:56 Manuel Hidalgo (*1956) [03] (Kampftanz) for guitar quartet (2000) 06:29 Helmut Oehring (*1961) [04] Mich.Stille. for guitar quartet and pre-recorded performance CD (2000) 10:57 Markus Hechtle (*1967) [05] Linie mit Schraffur for guitar quartet and clarinet (2006) 10:53 ARTISTS: Aleph Gitarrenquartett: Andrés Hernández Alba, guitar/acoustic bass guitar. José Javier Navarro Lucas, guitar. Wolfgang Sehringer, guitar/terz guitar.Tillmann Reinbeck, guitar Petra Hoffmann, soprano. Ernesto Molinari, clarinet.

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NEOS 20903 Label Code 273 Price Code F TRANSCRIPTIONS Works by Johann Sebastian Bach, Claude Debussy, Camille Saint-Saëns, Wolfgang Amadeus Mozart, Richard Wagner, Sergey Rachmaninov, Pyotr Ilyich Tchaikovsky, Maurice Ravel Johann Sebastian Bach (1685–1750) [01] Jesus bleibet meine Freude (Choral from Cantata 147) Transcription for two pianos by Myra Hess Claude Debussy (1862–1918) [02] Prélude à l’après-midi d’un faune Transcription for two pianos by the composer Camille Saint-Saëns (1835–1921) [03] Introduction and Rondo capriccioso, op. 28 Transcription for two pianos by Claude Debussy Wolfgang Amadeus Mozart (1756–1791) [04] Overture to “The Magic Flute” Transcription for two pianos by Ferruccio Busoni Richard Wagner (1813–1883) [05] Prelude from “Tristan and Isolde” Transcription for two pianos by Max Reger Sergey Rachmaninov (1873–1943) [06] Vocalise, op. 34 no. 14 Transcription for two pianos by Victor Babin Pyotr Ilyich Tchaikovsky (1840–1893) [07] Waltz from “Swan Lake” Transcription for two pianos by Victor Babin Maurice Ravel (1875–1935) [08] Boléro Transcription for piano four hands by the composer ARTISTS: GrauSchumacher Piano Duo.

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PAVANE 7543 Label Code 037 Price Code M/P TRIO VIDAS: CLARINET TRIOS Carl Frühling: Trio for clarinet, cello and piano in A minor op. 40 Wilhelm Berger: Trio for clarinet, cello and piano in G minor op. 94 ARTISTS: Trio Vidas, clarinet trio; Philippe Ancion, clarinet. Catherine Lebrun, cello. Maya Traikova, piano.

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REGIS 1387 Label Code 207 Price Code M/P SHOSTAKOVICH: SYMPHONY NO.11 Symphony No. 11 in G minor, Op. 103 ‘The Year 1905’ ARTISTS: Leningrad Philharmonic Orchestra, Yevgeny Mravinsky, conductor. The sheer insight Mravinsky brings to Shostakovich’s music is ever present in this recording of the composer’s flag waving symphony. Available at super budget price.

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REGIS 1388 Label Code 207 Price Code M/P MOZART: PIANO CONCERTOS ARTISTS: Alfred Brendel, Walter Klein, pianos. Piano Concerto No. 17 K453 Piano Concerto No. 10 in E flat major for Two Pianos K365 Sonata in D major for two pianos, K.448 Alfred Brendel and Walter Klein (pianos) Vienna State Opera Orchestra, Paul Angerer (conductor) Brendel’s Mozart credentials are very much in evidence in these performances. The 17th concerto was highly acclaimed when it first appeared on the Vox label in the 1960s and it is arguable that his collaboration with Walter Klein in recording the concerto and sonata for two pianos has never been surpassed. ‘What is at once astonishing and delightful about these performances is that the constant technical problem of ensemble between the two pianos is never allowed to take precedence over the business of music-making. Some of the rival versions of the concerto may in fact keep even more impeccably together, but none presents us with such consistently beautiful—and meaningful— phrasing.’ Gramophone of Concerto for Two Pianos

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REGIS 2092 2 CD SET Label Code 207 Price Code M/P BEETHOVEN: COMPLETE WORKS FOR CELLO & PIANO ARTISTS: Pierre Fournier, cello. Friedrich Gulda, piano. Truly phenomenal performances by two formidable Beethoven interpreters at the top of their game. Fournier’s aristocratic cello playing is beautifully matched by Gulda’s improvisatory approach to the piano line. 2 CDs at super budget price. ‘The combination of French clarity and elegance and Viennese intelligence and humanity in these artists results in interpretations which avoid all self-conscious earnestness and hieratic pose (the bane of all Beethoven performance) but achieve maturity, freshness and subtlety. Rarely have two artists formed a more sensitive team.’ -Gramophone

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REGIS 3013 3 CDS FOR THE PRICE OF 2 Label Code 207 Price Code M/P JOAN SUTHERLAND: A PORTRAIT CD1: Sutherland Sings Handel CD2: Sutherland sings Verdi and Bellini CD3: The Art of the Prima Donna ARTISTS: Joan Sutherland, soprano. Regis presents a tribute to the incomparable soprano Joan Sutherland. Her artistry is showcased in three CDs of varied repertoire. The first displays her Handelian credentials, the second features the arias of Verdi and Bellini which established her reputation and the third presents the principal tracks from her incredibly successful solo albums, The Art of the Prima Donna Vols. 1&2. 3 CDs for the price of 2!! ‘In her own time there was a tendency to take Sutherland for granted, so consistent were her high standards of technique, musicianship and, yes, acting. Her total command of the stage was always formidable.’ -Gramophone

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SIGNUM UK 250 2 CDS FOR THE PRICE OF 1 Label Code 303 Price Code D BRAHMS: SYMPHONY NO. 1 & SYMPHONY NO. 3 ARTISTS: Philharmonia Orchestra, Christoph Von Dohnányi, conductor. This new disc from the Philharmonia completes the collection of Brahms symphonies conducted by Christoph Von Dohnanyi. The Philharmonia Orchestra is widely recognised as the UK’ finest orchestra with an impressive recording legacy. Christoph Von Dohna nyi has been affiliated with the Philharmonia since 1994. He was made Honorary Conductor for life in 2008 after 11 years as principle conductor. "… these live performances are about subtle shading and unexaggerated, probing thoughtfulness, bringing out the Classical rather than the Romantic side of Brahms." -Classic FM Magazine "… a very sensitive interpreter … the slow movement [of the First Symphony] is very lyrical with some effective instrumental dovetailing and plenty of light and shade, and the finale generates an impressive sense of joyous release." -Gramophone

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RUCKNER: SYMPHONY NO. 4 “ROMANTIC”

RTISTS: ARTISTS: Philharmonia Orchestra, Christoph Von Dohnányi, conductor.

w isc Christoph von Dohnányi leads a performance of Bruckner’s Symphony No.4, Romantic.

h as

sound of horns, rejoice and

pair to prayer, before the inevitable hunt and ensuing festivities.

ome d plenty of light and shade, and the finale generates an

of joyous release." ramophone

ATRICK HAWES: LAZARUS REQUIEM

ano (Martha). Exeter Philharmonic Choir, Exeter Cathedral Choir, Royal Scottish National rchestra.

r

um include Song of Songs (SIGCD162) and Fair Albion (SIGCD178 – featuring lian Lloyd Webber).

ved out a niche as a contemporary composer who writes melodic, atmospheric and, frankly, beautiful music.” BC Music Magazine

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SIGNUM UK 256 Label Code 303 Price Code D B A Continuing Signum’s series of live orchestral releases with the Philharmonia Orchestra, on this ned Bruckner stands out from other 19th-century symphonists; his large-scale works demonstrate a unique fusion of conservative and radical elements, notably influenced by composers sucWagner and Beethoven. He appended not only the title ‘Romantic’ but even included a programme for the Fourth Symphony, sometime after composition. Though he later withdrew it, thescenario is a mediaeval Romantic ideal, where knights awaken to there "… a very sensitive interpreter … the slow movement [of the First Symphony] is very lyrical with seffective instrumental dovetailing animpressive sense-G

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SIGNUM UK 282 Label Code 303 Price Code D P ARTISTS: Thomas Walker, tenor (Jesus). Elin Manahan Thomas, soprano (Mary). Rachael Lloyd, mezzo-soprO Patrick Hawes returns to disc on Signum with the premiere recording of his Lazarus Requiem, foChoir, Orchestra and Soloists. Blending the liturgical text of the Requiem Mass with the story of Lazarus from the New Testament, the composer blends a work in which “the mystery of life and death, the pain of grief and the hope of a risen life are held in taut symmetry”. The work begins with an orchestral Elegy for Lazarus. This depicts the dying man and sets the scene for the first tableauwhere we are informed “a certain man was ill”. Mary and Martha, the sisters of Lazarus, send for Jesus and the drama of the miracle unfolds. A former Classic-FM composer in residence, Patrick Hawes’ compositions have a unique depth and sentiment that appeals to many different listeners. Previous discs with SignJu “Patrick Hawes has car-B

SUPRAPHON FL 40 4 6

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oncerto in A minor for violin, strings, & b.c. Lee II-16

1st violin, Jakub Fiser, 2nd violin, Stanislav Svoboda, viola, Lukas Pospisil, cello. avel Klecka, doublebass, Frantisek, Stastny, harpsichord.

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WORLD PREMIERE RECORDING

Label Code 332 Price Code C FRANTISEK BENDA: VIOLIN CONCERTOS Concerto in C major for violin, strings & b.c. Lee II-1 Concerto in B-flat major for violin, strings, & b.c. Lee IIConcerto in D major for violin, strings, & b.c. Lee II-2 C ARTISTS: Ivan Zenaty, violin. Prague Philharmonia, Jan Fiser, P

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vidently

g Czech

arriner, etc. ). On Ivan Zenaty and the excellent rague Philharmonia’s recording, Benda is splendidly melodious and technically brilliant.

8

BWV 1030, Fuga canonica and Canon super thema Regium from

gue; Ph. Kirnberger – Sonata a tre in G minor

erse flute, Lenka Torgersen - Baroque violin, Bertrand uiller - harpsichord, Hana Fleková - cello

The

ween

. u featuring the greatest musicians of the time of King Frederick II.

n invitation to a royal concert at the court of Frederick the Great.

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Mad Piper", songs: dú chlapci, jedú (Boys on Horseback)

a Bittová – Hopáhop tálitá (string quartet)

učková – violin, Radim Sedmidubský – viola, káš Polák – cello), Iva Bittová, Pavel Fischer (vocals)

y

he ostalgia so purely contained in folk music an iota. The common

enominator – the earthy and torrential energy of the musicians.

The most distinguished Czech violinist of the 18th century? The first name that springs to mind is that of Frantisek Benda. His illustrious career led him to the post of concert master of the court orchestra of Frederick II, King of Prussia. He was highly praised by his contemporaries and according to the period sources, when delivering slow movements he often moved the audience to tears. Benda’s influence throughout Germany was comparable with the enormous authority the celebrated Giuseppe Tartini enjoyed in Italy. As a composer, he was einspired by Vivaldi’s concertos, which he was thoroughly familiar with. Yet Benda’s concertos are singular works in their own right, abounding in invention, naturally flowing and extremely forcible melody. At the beginning of the 21st century, Ivan Zenaty is amonviolinists a serious candidate for the title Benda would have been awarded in the 18th century. This, after all, is documented by his collaboration with superlative orchestras and conductors (Baudo, Gergiev, Belohlavek, MP SUPRAPHON FL 40 7 Label Code 332 Price Code C SOLO FOR THE KING / JANA SEMERÁDOVÁ J. S. Bach – Sonata in B minorMusical Offering BWV 1079; F. Benda – Sonata in E minor; C. Ph. E Bach – Duetto in E minor; J. J. Quantz – Sarabande, Minuetto and GiJ. ARTISTS: Jana Semerádová - Baroque transvC Just as France had its Louis XIV, so Germany had Frederick II (1712-1786), whose passionate love of music (to the great annoyance of his father, who wanted him to be a strong monarch and military commander) allowed for the blossoming of many splendid flowers in the Galant style. The desire to learn how to play the flute was awakened in Frederick by his meeting the virtuoso J. J. Quantz.King surrounded himself with renowned musicians of the time, with his orchestra including the harpsichordist C. Ph. E. Bach, the phenomenal Czech violinist F. Benda and J. Ph. Kirnberger, a pupil of J. S. Bach's. The encounter betBach and the King of Prussia subsequently gave rise to the famous collection Musikalisches Opfer (Musical Offering). The fame of thespellbinding "Galant style" of the Baroque flautist Jana Semerádová has long since crossed the borders of the Czech lands: Wilbert Hazelzet’s pupil has performed to great acclaim at prestigious European festivals as a soloist and with her Collegium Marianum ensemble

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Her magical flute invites you to a musical feast at the Potsdam chateaA SUPRAPHON FL 40 2 Label Code 332 Price Code C MORAVIA / PAVEL FISCHER, IVA BITTOVÁ - STRING QUARTETS / ŠKAMPA QUARTET Pavel Fischer – String Quartets No. 1 "Moravia", No. 2 "Wild Mountain Thyme", No. 3 "Brodil Janko koně (Janko Waded Horses), JeIv ARTISTS: Škampa Quartet (Helena Jiříkovská, Daniela SoLu Neither the Škampa Quartet, who have established a firm position among the world's finest chamber ensembles, nor the phenomenal musician Iva Bittová needs any introduction. Both names relate to several groundbreaking projects (including a singular conception of Janáček's Moravian Folk Poetry in Songs, Supraphon SU 3794-2). The genre-bending Škampa Quartet invited Iva Bittová to participate as a composer in their new project. Yet the majority of the pieces have been written by Pavel Fischer, formerly the ensemble's first violin, whoseMoravian musical roots and years with the Škampa Quartet have resulted in remarkable accomplishments. His compositions, inspired bMoravian, as well as Scottish, Balkan and Roma folklore, have earned the quartet enthusiastic responses on stages worldwide. Yet t"artificial form" hasn't reduced the sheer emotion, joy, sorrow and n

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SUPRAPHON MD 4081 2 CD SET Label Code 333 Price Code MP GREAT CZECH CONDUCTORS / KAREL ŠEJNA

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CD1: W. A. Mozart – Symphony No. 38 in D major, "Prague"; Overtures to the operas Le nozze di Figaro and La clemenza di Titto; L. van Beethoven – Symphony No. 6 in F major, "Pastoral", Op. 68 CD2: F. Schubert – Symphony No. 8 in B minor, "Unfinished"; G. Mahler – Symphony No. 4 in G major ARTISTS: Karel Šejna and the Czech Philharmonic. Maria Tauberová – soprano (Mahler). Rarely mentioned in the same breath as his illustrious colleagues Talich, Kubelík and Ančerl, Karel Šejna (1896-1982) was perennially second-in-command, yet despite failing to receive the credit he deserves he too played a crucial role in shaping the history of the Czech Philharmonic. Initially solo double-bass of the orchestra, he began conducting upon Václav Talich's request and in 1939 was officially named its second conductor. And he also remained deputy after the departure of Talich, who was replaced by Rafael Kubelík, as well as after Kubelík’s emigration, when Karel Ančerl was appointed (originally against the orchestra members' will) to the vacant post of chief conductor. Consequently, still playing "second fiddle", Šejna went on to conduct dozens of concerts and make numerous recordings, which today rank among the finest in the SUPRAPHON archives. Period critics branded him a flexible and vivid conductor who always required an understanding of the style and consistently worked with detail. In 1972, Šejna rounded off a half-century of work for the Czech Philharmonic with Mahler’s Symphony No. 4. Šejna’s sensitively remastered recordings from 1950-1962, from the bracing Mozart played "with a light hand" to Mahler's fourth, are now released by SUPRAPHON for the first time on CD.

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SUPRAPHON MD 4094 2 CD SET Label Code 333 Price Code MP RIMSKY-KORSAKOV - SHEHERAZADE, KHACHATURIAN - GAYANE Nikolay Rimsky-Korsakov – Sheherazade. Symphonic Suite, Op. 35 Modest Petrovich Mussorgsky – Night on Bald Mountain. Fantasia for Orchestra Aram Khachaturian – Gayane. Excerpts from Ballet Suites

Newly discovered treasures from the

SUPRAPHON archives, for the first time on CD!

ARTISTS: Czech Philharmonic Orchestra, conductor: Zdeněk Chalabala Owing in large part to their exotic inspiration, Rimsky-Korsakov's Sheherazade and Aram Khachaturian’s Gayane are among the most beautiful and most frequently performed Russian and Soviet works of music. The creator of Sheherazade, who as a young navy officer travelled the oceans, was enchanted by the Oriental collection of stories and folk tales The One Thousand and One Nights. Yet Rimsky-Korsakov’s colourful instrumentation also gave lustre to another work, Mussorgsky's fantasia Night on Bald Mountain, with its dramatic depiction of a wild Sabbath of witches. Khachaturian’s ballet suite Gayane includes Armenian folk melodies, which were the composer's most powerful inspiration and undoubtedly helped to earn the piece global popularity (the celebrated Sabre Dance is one of the most frequently played compositions worldwide). The recordings of all three works were made between 1953 and 1955, the paramount period of Zdeněk Chalabala, the chief conductor of Prague's National Theatre Opera at the time. The great imagination with which he tells stories, combined with the inimitable timbre of the Czech Philharmonic Orchestra, makes these recordings truly remarkable. Yet another treasure appearing on CD for the first time.

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ANIMAL MUSIC 28 Label Code 478 Price Code F STEVE WALSH: DAILY SPECIALS 1. Conjunction Mars (Melvin Sparks) 2. Dirty ´Ole Bossa Nova (Howard Roberts) 3. Funky Dumpling (Steve Walsh) 4. A Little Piece of Tennessee (Steve Walsh) 5. Blue Pepper (Duke Ellington) 6. Hot Chicken (Steve Walsh) 7. Backyard Camping (Steve Walsh) 8. Riding the Blues (Jan Kořínek) 9. Sombrero Sam (Charles Lloyd) ARTISTS: Jan Kořínek, Hammond organ. Tomas Liska, bass. Daniel Soltis, percussion, Steve Walsh, guitar. The American blues-jazz-country-rock guitarist, composer and producer Steve Walsh has recorded a new solo album in the Czech Republic with the participation of local musicians. The album contains Walsh’s own compositions, as well as cover versions and is dominated by the raw sound of his electric guitar supported by the very stylish accompaniment of a Hammond organ a rolling acoustic rhythm.

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LEWIS CANON 002 Label Code 487 Price Code A STEVE LEWIS: SHAKY FLOORS 1. Honey Tree 2. Goin' Down 3. Foo on You 4. 'Lectric Chair 5. Chariot of Fire 6. Ship of Fools 7. Backbiters 8. One Track Mind 9. We Can Kick It 10. Chin Up

RELISTING

RELISTING

JAZZ & ROCK NEW RELEASES

ARTISTS: Steve Lewis, guitars & vocals, Jordan Scannella, bass, John Bettencourt, bass, Taylor Floreth, drums. Yahoteh Kokayi, drums, Jon Ladeau, guitar. Kara Suzanne, vocals. Jesse Selengut, trumpet. Stefan Zeniuk, saxophones. Steve Lewis presents his new album Shaky Floors - a twisted ride through a musical landscape marked by tricksters, bad girls, magical hats, guerrilla revolutionaries, and dirty rock. While straddling the rock, funk, and folk worlds, Steve's many influences converge in a way that is unique and endearing, with flashes of Beck, T. Rex, Pixies, and Tom Waits. “Steve Lewis plays winningly stripped-down guitar pop, pitched somewhere between Elvis Costello and Tom Petty.” -Time Out New York "Shaky Floors is one killer album from a demon songwriter/guitarist exploring an unholy marriage of Southern Rock and Frank Zappa." -Composer Richard Einhorn

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PIROUET 3063 Label Code 234 Price Code C BILL CARROTHERS: FAMILY LIFE 1. Our House 3:25 2. Scarborough Fair/Peg 5:51 3. For Better and for Worse 3:35 4. Bud and Bunny 4:28 5. Northern Lights 4:10 6. Snowbound 2:58 7. On the Sled 3:55 8. Schizophrenic Weather 4:57 9. Forefathers 3:25 10. Good Dog 2:53 11. A Night Out 2:56 12. Harbor Lights 2:58 13. News from Home 7:10 14. Gitchee Gumee 6:58 15. When We’re Old 5:16 ARTISTS: Bill Carrothers, piano. One person finds it’s stressful, another finds it comfortable and cozy; and then there are those who just don’t want to talk about it. Pianist Bill Carrothers makes music out of it – music that is especially introspective: “Family Life”, the new Pirouet Records CD by the 48 year old American pianist. It is a solo CD that expands the listener’s beautiful journey of imagination through the celebration of Bill Carrothers’ wife, children, dog, and the secluded life in a sparsely settled area of Michigan not far from two of the Great Lakes. The internationally celebrated pianist’s last album, the Pirouet double CD recorded live in the legendary New York jazz club the Village Vanguard, made people sit up and take notice. In his newest Pirouet CD, Carrothers captivates with 15 tracks of subtle beauty and unexpected moods. The old English folk song “Scarborough Fair” foreshadows the subtle symbolic-laden direction, and the schmaltzy sea-side romance of “Harbor Lights” – in this case referring to a lighthouse near the family home that Carrothers and his wife especially liked – has a very different sound than those versions by Bing Crosby and Elvis. The music of this introspective jazz virtuoso has many shades within the lights and shadows. As music, “Family Life” gently draws the listener out and into the middle of nature – and soon the listener wishes to be a part of the whole thing. Stress? You’ve got to be joking! This is magical music suffused with inner peace.

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Tel: (718) 937-8515 Fax: (718) 729-3239 e-mail: qualiton@qualiton.com

NEW RELEASES ORDER FORM – May 2012

PAVANE DVD 6601_________________ ARS SACD 38108_________________ 38112_________________ BIS SACD 1883_________________ 1997_________________ Relisting: 1949_________________

ACCENT 24257_________________ 24268_________________ ARCHIPEL 0481_________________ 0484_________________ 0485_________________ BIS CD 1862_________________ 1886_________________ BONGIOVANNI 2560/1_________________ BONGIOVANNI MID 1145___________________ BONGIOVANNI HOC 066/7_________________ CEMBAL D'AMOUR 166_________________ CENTAUR 3144_________________ 3146_________________ 3178_________________ 3179_________________ 3180_________________ 3182_________________ 3195_________________

CHRISTOPHORUS 77357_________________ 77358_________________ COVIELLO 21202_________________ 21205_________________ CYBELE CD 960309_________________ 960310_________________ 960311_________________ GLOSSA 920413_________________ 922604_________________ HERITAGE 212_________________ 221_________________ 224_________________ 226_________________ IDI 6643_________________ 6644_________________

MUSICA FICTA 8014_________________ MYTO HISTORICAL 00304_________________ 00305_________________ 00310_________________ NEW PAN 10261_________________ 10272_________________ NEOS 10910_________________ 11208_________________ 20903_________________ REGIS 1387_________________ 1388_________________ 2092_________________ 3013_________________ SIGNUM UK 250_________________ 256_________________ 282_________________ SUPRAPHON FL 4064_________________ 4087_________________ 4092_________________ SUPRAPHON MD 4081_________________ 4094_________________

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LEWIS CANON 002

ANIMAL MUSIC 28