publishing logo uses 60%K, READER GUIDE · 7. Who is the first to die in the story? How does...
Transcript of publishing logo uses 60%K, READER GUIDE · 7. Who is the first to die in the story? How does...
ABOUT THIS GUIDE• Doesapersonrequireaguidetoread?Tolive?
Tobecomeanadult?
• Canonebetaughtsuchlessonswithabook?Orataschool?
Thesearetheexquisitequestionsatthecoreofthisgothicfantasyseries–questionsthatthisguidewillnotsomuchattempttoanswerastoinviteyou,thereader,tobuildupon,toexpandtouniversalform,andtoleadyoutoyourownexcellenceinword-craftandscholar-ship.
TheWaywardChildrennovellasspeaktobothadultandyoungadultreaders.CommonCore-alignedcontentisannotatedforhighschoolstudentsandeducators.Forcollegereaders,thediscussionquestionsandexercisesbelowsupportcourseworkingenrestudies(sciencefic-tion,fantasy,moderngothicnovels)aswellascreativewritingandliteraryanalysis.
TO BEGIN. . .The gothic fantasy novella1
1. FromclassicssuchasCharlesDickens’A Christmas Carol,toiconiccharacterstudiessuchasTrumanCapote’sBreakfast at Tiffany’stomodernmini-mas-terworkssuchasAnnieProulx’sBrokeback Mountain,thenovellaisaformthathasinspiredstunningworksbywritersacrosstheages.
1 Aligned with Common Core State Standards ELA-LITERACY.RL.9-10.10 and RL.11-12.10
READER GUIDE
a. Gotothelibraryoronlinetofindadefinitionoftheliterarytermnovella.
b. AsyoureadSeananMcGuire’swork,notethewaysinwhichthenovellaformisparticularlysuitedtotheplotsandthemessheexplores.
c. Makealistofatleastsixnotablenovellasyouwouldliketoread.
2. OnecouldarguethatthenovellasinSeananMc-Guire’sWayward Childrenseriesaregothicfantasies.
a. Gotothelibraryoronlinetofinddefinitionsfortheterms‘gothic,’‘fantasy’andtheliteraryphrase‘gothicfantasy.’
b. Makealistof4to6tenetsorfeaturesyouex-
optically-adjusted Stubby and Type to be used at small sizes and in web icons.
For print applications where the rocket is larger than 1” wide use the Original Stubby™
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A Common Core–Aligned Guide to
THE WAYWARD CHILDREN SERIES bySEANANMcGUIRE
2 • wayward children series reader guide tor.com
pecttofindinagothicfantasynovella.LookfortheseasyoureadoneormoreWayward Childrenstory.
c. Writeashortessayorimagined‘lettertotheeditor’arguingthatthegothicfantasyisanessentialliterarygenreforteenandyoungadultreaders.Citeexamplesfromliteratureandlife.
3. Fromthetitleofthefirstnovellatothefinalwordofthelast,theword“door”isessential,iconic,mysteri-ousandfarmorecomplexthanareadercouldantici-pate.Beforeyoubeginreading,createadrawingorpainting,imagecollage,brainstormwordlistorpoeminspiredbythisseeminglymundaneword.
COME IN. . .
BOOK 1
EVERY HEART A DOORWAY
• WinneroftheHugoAwardforBestNovella
• WinneroftheNebulaAwardforBestNovella
• WinneroftheLocusAwardforBestNovella
• A2017AlexAwardWinner
• A2017RainbowListTop10Pick
• ALibraryReadsPick(April2016)
Discuss2, Analyze & Write
1. IntheChapter1descriptionofEleanorWest’sHomeforWaywardChildren,whatisimportantaboutthisplacebeingcalleda“home”andnota“school”?Whatisthemeaningofthefinaltwowordsofsub-text,“NoQuests”?
2. WhoisEleanorWest?Whymightshebe“danger-ous”andtowhom?
3. WhatmightbeimportantabouttheorderinwhichNancymeetsdenizensofEleanorWest’shome?
2 Aligned with Common Core State Standards ELA-LITERACY.SL.9-10.1 and SL.11-12.1
4. Writetwo-sentencecharacterdescriptionsofSumi,Christopher,Jill,JackandSeraphina.
5. HowdoesKadehelpLundyandEleanor?HowmightKade’stalentforsewingbeparticularlysignificantintermsofhispathtoEleanorWest,andhisroleattheschool?
6. Asenseofplace–atruehome–canbeavitalpartofahappychildhoodand,perhaps,ahappyadulthood,too.AsJackexplainstoNancy,“Forus,placeswewentwerehome.Wedidn’tcareiftheyweregoodorevilorneutralorwhat.Wecaredaboutthefactthatforthefirsttime,wedidn’thavetopretendtobesomethingweweren’t.Wejustgottobe.Thatmadeallthedifferenceintheworld”(p.56).Writeyourownparagraphexplainingordefiningatrue“home.”
7. Whoisthefirsttodieinthestory?HowdoesElea-norreacttothishorribleevent?Whatbecomesofthebody?Whatothergruesomeeventsfollow?
8. WhydoyouthinkChapter11istitled“YouCanNeverGoHome”?WhatbecomesclearaboutJill’sidentityasthestoryends?Whatsacrifice(s)doesJackmakeinthechapter?
9. Lushwithevocativelanguage,McGuire’snovellaalsopositsmanyapparentoppositeorcontrastingwordsthatare,intheworldofdoorsandwaywardchildren,notcontrastsatall.Divideasheetofpaperintotwocolumnstofillwithatleastsixpairsof“opposite”wordtensionsinthenovel,suchas“living/dead,”“stillness/motion,”and“real/unreal.”Withfriendsorclassmates,discussthewaythesepairsexistintensioninyourownrealitybuthaveadifferentormorefluidrelationshipintheEvery Heart a Doorway.3
10. Onpage83,Nancyconsidersthewayherparentssortoflove“…wantedtofixher,andrefusedtoseethatshewasn’tbroken.”IsNancybroken,orpossiblyanorexic,inthe“real”world?Citeevidencefromthetexttosupportyourposition.Writea2-to4-page“prequel”chapterdescribingNancy’slifethedaybe-foreshefoundher“door.”Ifdesired,writeasecondshortchapterdescribingthedayshereturnedtoherparents’home.4
3 Aligned with Common Core State Standards ELA-LITERACY.RL.9-10.4 4 Aligned with Common Core State Standards ELA-LITERACY.W.9-10.3
and W.11-12.3
wayward children series reader guide • 3tor.com
LOOK BACK. . .
BOOK 2
DOWN AMONG THE STICKS & BONES
• ALibraryReadsPick(June2017)
“McGuirehasamiraculoustalentforexaminingadolescentdiscontent,weddingthestrangewiththepoignant,thefearsomewiththefasci-nating.”—RT Book Reviews(TopPick!41⁄2stars)
“Beautifullycraftedandsmartlywritten,thisfairy-talenovellaiseverythingthatspeculativefictionreaderslookfor:fantasticalworlds,diversecharacters,andprosethathitshomewithitsemotionaltruths.”—Library Journal(starredreview)
“McGuire’sexquisitelywrittenfairytaleisaboutthechoicesthatcanalterthecourseofalifeforever,lostinnocence,andwhatitistoloveandbeloved.”—Publishers Weekly(starredreview)
Discuss5, Analyze & Write
1. Thisnovellabeginsinaworldsoliteral,sopedantic,thatitalmostfeelsmake-believe.Whydoyouthinktheauthorchosetobeginthestoryinthisway?
2. Gotothelibraryoronlinetofindadefinitionoftheliteraryterm‘originstory.’Althoughmorecommonlyappliedtothecomicbookgenre,couldyouarguethatitisaparticularlyapttermtoapplytothisgoth-icfantasy?Whyorwhynot?
3. WhattechniquesdoestheauthorusetoshowtheevolutionofJacquelineandJillian’ssensesofselfastheyjourneyacrossthemoor?Visitanartmuseumorexploreanonlineartsourcetofindimagesthatevokesimilartransformationalfeelingsasthosewordedbytheauthor.Shareyourfindingswithfriendsorclassmates.
4. Onpage40,theauthornotes,“Onthedayourstory
5 Aligned with Common Core State Standards ELA-LITERACY.SL.9-10.1 and SL.11-12.1
trulystarts…JacquelineandJilliansatintheirroom,ontheirrespectivebeds,andtheroomwassofullofangerandsilencethatitscreamed.”Whatisimport-antaboutthismoment?Howdoesitencapsulatetherelationshipbetweenthetwins?Howdoesitforeshadowelementsoftheworldthetwinsareabouttoenterandthechoicestheymustmake?
5. Earlyinthestory,JaquelineandJillian’sgrand-mother,Louise,toldthemthattheywere“…perfectexactlyastheywere,andtheywouldneverneedtochangeforanyone”(p.25).Isthisthecentralcontradiction,crisisorlieofthenovel?Doyouthinkthetwins’doorwouldhaveopenedifLouise,andthemessagesherepresented,hadnotbeensentaway?
6. Inchapter5,JackchoosestogoimmediatelywithDr.Bleakbecause:“Shehadafeelingthatifshelin-gered,shewouldneverleave,andagain,thatwouldgopoorlyforhersister…Jilltrustedtooeasily,andgothurteveneasier’(p.91).IsJack’sinsightsurpris-ing?Isitcorrect?Doyouthinkshemakestherightdecision?
7. Arevampiresandmadscientistsopposites?Answerthisquestionusingquotesfromthenovelorinfor-mationfromothersources.Dovampiresandmadscientistssharesimilarorigins,akintotheparallelchildhoodsofJackandJill?Couldtheobservationthat‘Howquicklytheygrowapart,whenthereissomethingtobesuperiorabout’beappliedtothetwins,totheMasterandDr.Bleak,ortothegirls’parentsandothersintheirsocialandbusinessworlds?Isthisstatementtrueinyourownworld?Explainyouranswer.
8. Gotothelibraryoronlinetofindadefinitionoftheterm“binary.”Listatleastfourwaysthistermappliestothestory,impactstheliterarystructure,oraffectstherulesofmoorvillagewherethetwinsfindthemselvesathome.
9. Describeelementsoftheirmoorworldwhichthetwinsfind“good”orsatisfyingbutseemtothereadertoberatherhorrible.DoesJillianrealignallpossiblenotionsofgoodwithherattackonAlexis?HadyoubeenJack,couldyouhavefoundsomethingtoloveinJillafterthisattack?
10. WhatconfusesChesteraboutthegirlsupontheirreturnonthefinalpageofthenovella?Withfriends
4 • wayward children series reader guide tor.com
orclassmates,discusswhothe“smallboy”refer-encedonthepagecouldbe.Writea2-to3-pagescenethatimmediatelyfollowsthefinalmomentofthestory,takinganomniscientthird-personpointofviewakintothatofSeananMcGuire.6
REAWAKEN. . .
BOOK 3
BENEATH THE SUGAR SKY
• ALibraryReadsPick(January2018)
“We’retoldsomedoorsopenonlyonce,butreaderswillbegMcGuiretokeepthedooropentotheseworldsinperpetuity.Phenomenal.”—Booklist(starredreview)
Discuss7, Analyze & Write
1. Ifyouhavereadthetwopreviousnovelsinthisseries,doyouthinkDown Among the Sticks and BonescanbeviewedasaprequeltoEvery Heart a Door-way?And,ifso,howdoesBeneath the Sugar Skyfitintothistimeline–orchangeyoursenseoftime(orliterarytime)altogether?8
2. Earlyinthenovella,thenarratorsaysthatnoneoftheparentswhodepositedtheirchildrenatherhomecouldhavecalledEleanorWest“akiller.”Whymightthatwordevenbementioned?Whatdoesthenarratorwantreaderstounderstandaboutthe“home”Eleanorprovidesandthechildrenwhostaywithher?
3. WhenCoraarrivesattheschool,shebecomesfastfriendswithNadya.Whatphysicalandemotionalcommonalitiesdothegirlsshare?
6 Aligned with Common Core State Standards ELA-LITERACY.W.9-10.3 and W.11-12.3
7 Aligned with Common Core State Standards ELA-LITERACY.SL.9-10.1 and SL.11-12.1
8 Aligned with Common Core State Standards ELA-LITERACY.RL.9-10.5 and 11-12.5
4. HowisRiniintroducedtotheEleanorWest?ExplainhowRini’spresenceinthestorymakestimeanes-sentialdriveroftheplot.
5. WhoisChristopher?Whatreal-lifetraumafromhislifeisreferencedinthestory?Howdoesthisalignwiththeworldtowhichheseekstoreturn?DoyouthinkChristopherisactuallystill“dying”inthe“real”world?Whyorwhynot?
6. PopularizedbyAmericanmythologistJosephCamp-bell,theconceptofthe“hero’sjourney”or“mono-myth”positsthatallmythictalesfollowauniversalcycleofawakening,journeyfromknowtounknownworld,tests,rewardsandreturntotheknown.Gotothelibraryoronlinetolearnmoreaboutthehero’sjourneyinliterature.DiagramtheplotofBeneath the Sugar Skyusingacircularformatasseeninmanyhero’sjourneygraphicplanners.Doyoufeelthisnovellafitsthehero’sjourneymold?Ifso,howdoesthistypeofanalysisenhanceyourunderstandingofthestory?
7. WhoisPonder?Whydoyouthinktheauthorgavehimthisname,andchosea“candy”worldanda“sugary”romancetobethesourceofRini’slife?WhenRiniinsiststhatsheis“important,”whatdoesshereallymean?
8. WhoandwhenistheBaker?Whereisshefrom?Doesherpowermakesense?Whyorwhynot?
9. Kadeaspirestomorefullyunderstandtheworldsofthedoors,andaspirestocreateacompasstoorganizehisknowledge.Usingcluesfromthisandothernovellasintheseries,drawyourowndiagramorganizingthedifferentnames,environments,rulesandtypes–nonsense,logic,etc.–ofworldsandtheirrelationshipsintheWayward Childrenuniverse.
10. Neartheendofthenovel,thenarratorexplainsthatthosewhohadfoundadoor“…hadaneedtrappedsomewhereintheirbones,gnawingconstantly,tryingtogetout”(p.157).Howmightthisbebothaliteralandametaphoricalexplanation?Isfantasyalwaysandunquestionablymake-believe?Createasong,poemorvisualartworktoelucidateyouranswer.
wayward children series reader guide • 5tor.com
FINALLY. . .Review, Consider & Imagine
1. Twotruthsandalie.Inviteyourselfintooneoftheabovenovellas.Inventanewnameforyourselfandchoosethreeessentialcharacterattributes,twoofwhicharetrulyqualitiesyoupossessandonewhichisatalent,quirkorflawofyourimagination.Writeyourselfintoafavoritescene.
2. HowmanycisgenderboyspopulatetheWayward Childrennovellas?Howmightthisseriesbereadasanexplorationofthetensionsbetweengender,physicalselfandpsychological/emotionalidentity?Explainyouranswers.
3. FromHogwartstoEleanorWest’sHome,whydoyouthinkboardingschoolsandsimilarestablish-mentsprovideessentialsettingsforfantasynovels?Citeexamplesfromthisseriesandotherfantasiesyouhavereadtosupportyouranswer.
4. Revisitthenovelstofindexamplesofreimaginedmythologies,suchasvampireandmermaid,andre-interpretedliteraryfantasyworlds,suchWon-derlandandOz.HowdothesecorrelatetospecificworldsintheWaywarduniverse?Howmighttheycorrelatetodifferentwayschildrenaremisunder-stoodintheir“real”worlds?Isareala“four-letterword,”asEleanorWestseemstobelieve?9
9 Aligned with Common Core State Standards ELA-LITERACY.RL.9-10.9 and RL.11-12.7
OR, NOT SO FINALLY. . .1. NeartheendofEvery Heart a Doorway,Nancydis-
coversanotefromSumiwiththewords,“You’reno-body’sdoorwaybutyourown,andtheonlyonewhogetstotellyouhowyourstoryendsisyou”(p.168).InBeneath the Sugar Sky,Nadyatakesadivebeforethefinallines,“Thereiskindnessintheworld,ifweknowhowtolookforit.Ifweneverstartdenyingthedoor”(p.174).Whatiskindness?Whatisa“door”?
2. Isholdingontochildhoodgoodorbad?Canonechoosetoholdontochildhoodatall?Ifso,shoulditbeagoalforadults?Whyorwhynot?
3. SeananMcGuireconcludesheronlineauthorinfor-mationparagraphwiththefollowingsentence:She writes all biographies in the third person, because it’s easier that way. HowmightthisconceptreflectanessentialthemeoftheWaywardChildrenseries?Definethisthemeandexplainyouranswer.10
10 Aligned with Common Core State Standards LITERACY.RL.9-10.2 and RL.11-12.2
About the Author
Seanan McGuire istheauthoroftheOctoberDayeurbanfantasyseries,theInCryptidseries,andotherworks.ShealsowritesdarkerfictionasMiraGrant.
Seanan lives in Seattle with her cats, a vast collection of creepy dolls, and horrormovies,andsufficientbookstoqualifyherasafirehazard.
Shewasthewinnerofthe2010JohnW.CampbellAwardforBestNewWriter,andin2013shebecamethefirstpersonevertoappearfivetimesonthesameHugoballot.