Public Engagement: Being In-between Thursday 17 October, 5 – 6.30 Dance Studio St Luke’s Campus...

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Public Engagement: Being In-between Thursday 17 October, 5 – 6.30 Dance Studio St Luke’s Campus Lizzie Swinford and Suzie West with Kerry Chappell CREATE Research Group

Transcript of Public Engagement: Being In-between Thursday 17 October, 5 – 6.30 Dance Studio St Luke’s Campus...

Page 1: Public Engagement: Being In-between Thursday 17 October, 5 – 6.30 Dance Studio St Luke’s Campus Lizzie Swinford and Suzie West with Kerry Chappell CREATE.

Public Engagement: Being In-between

Thursday 17 October, 5 – 6.30 Dance Studio

St Luke’s Campus Lizzie Swinford and Suzie West

withKerry Chappell

CREATE Research Group

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The research (Chappell, Rolfe, Craft and Jobbins, 2011)

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Vital partner

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Public Engagement project

• Lizzie and Suzie doing facilitated action research triggered by the DPC outcomes + their own questions

• Resourced for 3.5 days each• Kerry resourced to carry out an integrated

reflective case study questioning what it means to ‘do public engagement’ in participatory research

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Today

• Lizzie Swinford: ‘Let’s play dancing’Researching the adult’s role when using play in Early Years creative dance

• Suzie West: How do partnerships, approaches and relationships in collaborative projects influence the learning journeys of students at Kingsbridge Community College?

• Kerry Chappell: Public Engagement – being inbetween

• Discussion

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Reflective case study

Where does the public begin and Higher Education end in the field of Education?

What does this mean for how ‘public engagement’ is carried out within ‘Education’?

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Methods

• Reflective logs• Cyclical analysis• Beginning and end interviews with Lizzie and

Suzie• Artefacts from their research as data

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Visual presentation

Where does the public begin and Higher Education end in the field of Education?

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less a case of this…

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…and more a case of this…

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Being part of the same community but with different perspectives and priorities within it/ Having a shared curiosity and passion for issues within dance education

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Having shared responsibility

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Using and doing research in different ways

• Reflective practice driven by theory where possible?

• Theoretical development strongly informed by researching practice?

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Blurred boundaries between professional, personal and creative roles

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What does this mean for how ‘public engagement’ (PE) is carried out within ‘Education’ (participatory research)?

We sometimes think the path to public engagement in participatory research is like this…

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When in fact it can be a bit more like this…

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Hidden tensions

Previous experience showed that trying to access dance knowledge in a University from the outside was “like a climbing a cliff to get in” and could be “scary”

Even here, it was like “climbing a slope”

Participatory research cannot assume ‘easy’ public engagement

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Being ‘in-betweeners’

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Being open to engagement being unpredictable

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Publics beyond publics

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Conclusion

• There is a beginning and end between ‘University’ and ‘public’ but it’s blurry

• Active role ‘inbetween’ the research/University and the researching practitioners

• It’s not a case of ‘free-wheeling through the University gates’

• Hidden tensions in engagement as well as original DPC research

• Remaining open to the unpredictability of the PE process is vital to helping it to succeed

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Living dialogic space for public engagement (Chappell & Craft, 2011)

[Original DPC methodology – flattened hierarchies, listening and actioning]

• Allows for ‘partiality’ and ownership• Fluidity and unpredictability• ‘Bottom up’, spiralling out of individual ideas • Debate and differenceCommon future?

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Questions for group debate

• Is public engagement a legitimate concept for those whose research involves practice?

• Who are your publics? What publics do you think you’re a member of?

• Are there disciplinary differences in PE?• Should we be using a different term to ‘public

engagement’?

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