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1. theoretical basis description

 The following study aims to deal with housing policies, veried by thetopicality of the subject in Brazil. The major focus will be on the

architecture of this classic type - with, however, the necessity ofurban science attention to be given in a complex issue as such.

n the theoretical stage, the starting point was into a historicalcontext for better understanding of the subject! how housing policies

come up, become priority of governments in some cases - but notalways. This context will be conducting the history of social housing inBrazil and the development of his concept, mutant today. "owever, it

will also relate some parallel experiences around the world which itfound necessary for comparison or illustration of how, architecturally,

the subject is treated in di#erent places.

 Then was conducted a study on three examples of social housing.$irst, will address the housing complex ceberg, in %enmar&, and how

even the collapse of the nancial world in '(() did not cause theproject to lose its architectural *uality. +ext, we deal with the  Jardim

Edite housing roject, in downtown o aulo, that drew attention forits experimental character in the Brazilian context. /nd lastly, the

Projeto Habitação Cidade will be studied, a simulation of 0igglieca 1/ssociates o2ce, as they would - and do - the redenition of social

housing.

/fter studying these examples, the focus will turn to 3ondrina, thendoing an analysis of the housing situation in 3ondrina, legislation in

vogue that permeates and denes why this is a problem in the city -what really caught the attention of the author of this wor& to do such

research - then leaving for the denition of a program and thedenition of a real situation for the roject exercise of the building

which will be presented in order to contribute to the *uestioning ofthe production of not just the most basic architectural type - the

home - of those who can fewer, so to spea& but also the city that isproduced and it wants to produce.

/fter the explanation of social housing and presented the project,arrive at the conclusion that the production that is currently followsunsustainably to the city, to the point of having to increase the urban

edge of the city for people having to dwell. t is noticed a cyclicalmovement in Brazilian history theme, building houses at the

periphery at appropriate times, while the irregular housing is aconstant in Brazilian cities, including young cities such as 3ondrina.

/lso it was noted that such housing projects has rooted in itself

spatial segregation - that occurs with a supposed economic purpose,but which can be overcome if it4s planned to to have a real city

project that is - perhaps - more dense but also with greater diversity

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of uses, most turned to itself, which in accordance, nally, on a

sustainable system.

$inally, cite the poet /ugusto de 5ampos, by remembering that everyabstraction is an idea, and here there is always a minimum of

purpose, to say that we have permanent rights to the failure ofutopia.

2. projectual description

 The project is conceptually grounded in two precepts! This idea was formalized in the project in a s*uare joining the housingand the city, being open to it, and the movement is bounded in a

subliminal way mostly./lso is made reference to the other elements of informal constructionand design decisions to be mentioned below, such as the facade of

ceramic elements arranged in 678. The second aspect that conceptually determined the project is themodern Brazilian architecture of collective housing, which has always

sought architectural *uality in a practical way, yet emotional.9here modulation and large-scale production were not creativeconstraints, but impellers, either the repeating structural using, for

example, a poetry form or overcoming technical di2culties in favor of architectural *uality

n addition to protection from direct sunlight in late afternoon, the

brise soleil denote the housing for those who observe the building

from the downtown area. n the west bloc&, despite the openings,confrom an enclosed, massive volume. The openings are positioned so as not to interfere in the privacy ofthe residents, generating sights in circulation: their position is also in

a way so that they do not create barriers for ventilation - which couldeven cause the need for a reinforcement brace.

 The eastern fa;ade of the east bloc& di#ers from the previous by

being more permeable on aiming inside the assembly in order toensure that anyone using it always be in sight, even within the

building.

a child may thin& that some parts of this brise facade unleashed upits structure and were used to ma&e the ban& around the s*uare next

to the playground, as well as they were running out the pieces to thenorth bloc& The aesthetic continuity - or the share of it - occurred in order to

preserve the denotation of subliminally functions - even not fulllingthe function of protection from the sun, for being a southern facade. /lfredo 0illi, Brazilian concretism painter, were inspirational in the

design of brise soleil-soleil, being contemporary to modern Brazilianarchitecture - sharing, therefore, certain principles. "owever, these

forms in 0olpi4s paintings drew attention for its simplicity and complex

geometric content.