DESIGN STUDIO PROJECT 2

WUNDERKAMMER

HYUN JAE JUNG

Porcelain

Container

Initial Concept

Pattern and Form

Stick and Pull

Slide

Features

Internal Perspective

Path

Surroundings

External Perspective

Construction

Plan

Elevations

Sections

CONTENTS

Wunmiddotdermiddotkammiddotmerˈvo1049838ondərˌkaumlmərNoun A cabinet or room where a collection of curiosities and rarities is exhibited

Porcelain

Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea

Collections

Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea

Awards

1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany

2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo

Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han

Professor hwang and his students

INTRODUCTION

1

CONTAINER

INSPIRATIONS

ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo

- Yoshio Taniguchi

lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO

lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON

Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object

The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside

Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects

Porcelains are exhibited and gifted in a crafted wood box or a bar

PRECEDENT RESEARCh

2

Object display

Joinery Inspiration The effect of natural light

The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed

Intense lighting on por-celains

Porcelain

Wood Container

Glass Container

INITIAl CONCEPT

3

People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

Porcelain

Container

Initial Concept

Pattern and Form

Stick and Pull

Slide

Features

Internal Perspective

Path

Surroundings

External Perspective

Construction

Plan

Elevations

Sections

CONTENTS

Wunmiddotdermiddotkammiddotmerˈvo1049838ondərˌkaumlmərNoun A cabinet or room where a collection of curiosities and rarities is exhibited

Porcelain

Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea

Collections

Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea

Awards

1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany

2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo

Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han

Professor hwang and his students

INTRODUCTION

1

CONTAINER

INSPIRATIONS

ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo

- Yoshio Taniguchi

lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO

lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON

Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object

The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside

Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects

Porcelains are exhibited and gifted in a crafted wood box or a bar

PRECEDENT RESEARCh

2

Object display

Joinery Inspiration The effect of natural light

The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed

Intense lighting on por-celains

Porcelain

Wood Container

Glass Container

INITIAl CONCEPT

3

People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

Porcelain

Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea

Collections

Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea

Awards

1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany

2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo

Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han

Professor hwang and his students

INTRODUCTION

1

CONTAINER

INSPIRATIONS

ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo

- Yoshio Taniguchi

lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO

lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON

Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object

The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside

Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects

Porcelains are exhibited and gifted in a crafted wood box or a bar

PRECEDENT RESEARCh

2

Object display

Joinery Inspiration The effect of natural light

The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed

Intense lighting on por-celains

Porcelain

Wood Container

Glass Container

INITIAl CONCEPT

3

People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

CONTAINER

INSPIRATIONS

ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo

- Yoshio Taniguchi

lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO

lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON

Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object

The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside

Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects

Porcelains are exhibited and gifted in a crafted wood box or a bar

PRECEDENT RESEARCh

2

Object display

Joinery Inspiration The effect of natural light

The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed

Intense lighting on por-celains

Porcelain

Wood Container

Glass Container

INITIAl CONCEPT

3

People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

Object display

Joinery Inspiration The effect of natural light

The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed

Intense lighting on por-celains

Porcelain

Wood Container

Glass Container

INITIAl CONCEPT

3

People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

The effect of natural light

4

Pattern and form applied on building

PATTERN AND fORM

Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns

Interpretation of patterns

Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo

`

ldquoWhere have they come fromand where are they heading towardsrdquo

- 2010 lsquoSedimentationrsquo

Traditional Korean lsquoMoon Porcelainrsquo

DEVElOPMENT 1

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

5

CG experiment on play of light and shadowsPorcelain display

`STICK AND PUll

ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo

- Le Corbusier

My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed

Movable and detachable shelves

Position shift Combine to create different size Concept sketch

DEVlEOPMENT 2

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

6

`

`

` `

Combination 2

Two walls slide in and join to create Space lsquoBrsquo

Space lsquoCrsquo

Combination 1

Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo

Space lsquoBrsquo Space lsquoCrsquo

The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions

ldquoForm ever follows functionrdquo- Louise Sullivan

`

VIEW

` ``

Combination 3

Two walls slide into create Space lsquoDrsquo

Space lsquoErsquo

Space lsquoFrsquo

Combination 4

Two walls join and slide to one side to create Space lsquoGrsquo

transparent glass wallto allow view on the other side

Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo

Space lsquoGrsquo

SlIDE

DEVlEOPMENT 3VI

EW

VIEW

VIEW

VIEW

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

7

Roof overhang to avoid water penetrationStructure is lifted off the damp ground

Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain

Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation

Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control

Wall joint

fEATURES

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

8

Roof overhang to avoid water penetration

INTERNAl PERSPECTIVE

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

9

DESIGN PROPOSAl

`

PATh

lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure

In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine

My intention is simple to make people to imagine what to expect

ldquoEvery path serves a purposerdquo- Gene Oliver Athelete

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

10

SITE CONSIDERATION

The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath

Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest

`

ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo

- Luis Barragan

SURROUNDINGS

Site surrounded by trees and footpath

Babyrsquos breath garden site

Imagery imposure of structure on site

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

11

Exploded Isometric

Spider fitting system for frameless glass structure

Track-roller system for sliding walls

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

Manufactured timber blocks[ 200 mm X 200 mm various in length ]

Structural glazed laminated glass [ 30mm thickness single sheet ]

- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe

Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]

ExTERNAl PERSPECTIVE

12

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

CONSTRUCTION

Floor construction

Building east wall

Completed south wall Buliding west wall

Lifted up from the ground

Sketch models to develop ideas

13

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

PlAN 1 Timber footpath

- lifted 20cm above the ground 2 Glass pivot door

- 800mm wide

3 Timber floor - installed heating system

4 babyrsquos breath garden

0 1 M

SECTION b

SECTION A

1

2

3

4

13

14

Construction of 120 model was consisted of 7 stages[ from left to right ]

1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

NORTh ElEVATION

15

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

EAST ElEVATION

16

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

SOUTh ElEVATION

17

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

WEST ElEVATION

18

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

SECTION A

1

2

3

1 Glass roof overhang - rafnfall control

2 Ventilaition air gap - 20mm - Natural air circulation ventilation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

4

19

3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed

4 Stone foundation

- 400mm from the ground - covered by babyrsquos breath

SECTION b

5

5 Display shelves - Porcelains displayed

7

8

6

6 Spirder fitting system

- frameless glass

7 Intense light intallation - display light control - used at night

20

8 Stick-Pull display bar - Porcelains displayed