Program YPF Layout 2019 - 0802 Final - V2 · Every February, “concerned” photographers from all...
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©Ko Myo
Transcript of Program YPF Layout 2019 - 0802 Final - V2 · Every February, “concerned” photographers from all...
©Ko
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YANGON PHOTO FESTIVAL 11th EDITION
Every February, “concerned” photographers from all over the region as well as from Europe and the US converge on Yangon to share their latest powerful stories with a large audience in the heart of the city. More than 200 artists works and short photo-documentaries will be shown this year, half of them from Kayah, Chin, Kachin, and Rakhine States, where we recently gave training and organized photo festivals.
Reflecting the urgency of the threats to humankind, the theme of these works is more and more related to environmental issues. The Arctic Ocean is warming at an alarming rate and the whole world is feeling the effects, in particular Myanmar, which is suffering from a long series of droughts, floods, extreme heat, and cyclones. French photographer Francis Latreille brings us the extraordinary story of Tara, a sailboat with a team of scientists on board that was deliberately trapped in pack ice for almost two years.
It drifted for more than 2500 kilometers—a journey undertaken without engine or sail—to study the phenomena related to climate change in high latitudes. According to the latest UN report, we have only twelve years to limit the climate catastrophe.
Another terrifying recent report explains that humanity has wiped out an astonishing 60% of global wildlife since 1970 due to pollution, deforestation, and other manmade factors. Myanmar is still home to one of the largest populations of wild Asian elephants in Southeast Asia, shows Burmese photographer Ko Myo, but they could be wiped out within ten years due to cruel poaching, territorial conflicts with humans, and illegal trade along the border with China.
YPF Team
www.facebook.com/yangonphotofestivalwww.facebook.com/myanstories/videos
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၁၁ ႀကမေျမာက ရနကနဓာတပပြေတာ
ႏစစဥႏစတငး ေဖေဖာဝါရလေရာကသညအခါ ေဒသတြငး ႏငငမား၊ ဥေရာပတကႏင အေမရကတကတ႔မ ဓာတပပညာရငမားသည ရနကနၿမ႕ေတာ၏ ပငမအခကအခာေနရာ၌ ယငးတ႔ ေနာကဆးဖနတးထားသည ထေရာကမႈအားေကာငးလေသာ ဓာတပဇာတလမးမား မေဝရန တစစတစေဝးတညး လာေရာကေတြ႕ဆၾကပါသည။ အႏပညာဖနတးမႈလကရာမားႏင ဓာတပမတတမးတမား စစေပါငး ၂၀၀ ေကာက ယခႏစတြင ျပသသြားမည ျဖစပါသည။ ယငးတ႔အနက ထကဝကခန႔သည ဓာတပသငတနးမားႏင ဓာတပပြေတာမား မၾကာေသးမကာလက ျပလပကငးပခသည ကယားျပညနယ၊ ခငးျပညနယ၊ ကခငျပညနယႏင ရခငျပညနယတ႔မ မတတမးလကရာမား ျဖစပါသည။
လသားမားက ၿခမးေျခာကေနသည ေဘးအႏရယမားက အျမနဆး သတျပမေစရန ရညရြယ၍ သဘာဝပတဝနးကင ျပနာမားဆငရာ မတတမးလကရာမားက ယခႏစအတြက အေလးထားတငျပထားပါသည။ အာတတသမဒၵရာသည ေၾကာကမကဖြယေကာငးလသည ႏႈနးျဖင ပေႏြးလာေနၿပး တစကမာၻလးအတငးအတာတြင ယငး၏ အကးသကေရာကမႈမားက ခစားေနရၿပျဖစပါသည။ အထးသျဖင ျမနမာႏငငတြငလညး ယငး၏ သကေရာကမႈမားေၾကာင မးေခါငေရရားမႈမား၊ ေရႀကးမႈမား၊ အပျပငးထနမႈမားႏင ဆငကလနးမနတငးမားက ထပကာထပကာ ခစားေနၾကရပါသည။ ႏစႏစၾကာ အာတတသမဒၵရာအတြငးရ
ေရခစငႀကးမားအၾကားတြင သပၸပညာရငတစစႏငအတ တာရာ၏ ေလလာေရးရြကလႊငခရးစဥမတတမးက ျပငသစဓာတပပညာရင ဖရနစစလာထရရယက ယခႏစ ပြေတာႀကးတြင တငဆကထားပါသည။ တာရာတ႔အဖြ႔သည လတတြဒအျမငပငးေနရာမား၌ ရာသဥတေျပာငးလမႈျဖစစဥမားက ေလလာရန အငဂငစကမား၊ ရြကတငမားမပါေသာ သေဘာၤတစစးျဖင သမဒၵရာထတြင ကလမတာ ၂,၅၀၀ ေကာ ေမာေနခပါသည။ ရာသဥတကပဆးႀကးက ထနးခပႏငရန လသားမားအတြက ၁၂ ႏစ သာ အခနကနေတာသညဟ ကလသမဂၢ၏ ေနာကဆး အစရငခစာတစေစာငအရ သရရပါသည။
၁၉၇၀ ခႏစကစ၍ ပတဝနးကင ညစညမးမႈမား၊ သစေတာျပနတးမႈမားႏင အျခားလ႔ပေယာဂမားေၾကာင ကမာၻ႔သား႐ငးတရစာၦန ၆၀ % ခန႔ မးသဥးေပာကကြယခရေၾကာငး မၾကာေသးမက ထတျပနေသာ အျခားအစရငခတစေစာငက စးရမဖြယ ေဖာျပထားပါသည။ ျမနမာႏငငသည အေရ႕ေတာငအာရတြင အာရဆငအမားဆး ကနရစေနေသးသည ႏငငအျဖစ ရေနဆျဖစေၾကာငး ျမနမာဓာတပပညာရင ကမးက တငဆကထားပါသည။ သ႔ရာတြင ရကစကၾကမးၾကတလေသာ ဆငသတအစြယခးယျခငးမား၊ လသားႏငဆငမားအၾကား စားကကေျမဆငရာ ပဋပကၡမား၊ တ႐တနယစပတစေလာကရ တရားမဝင ကနသြယမႈမားေၾကာင ျမနမာဆငမားသည လာမညဆယႏစအတြင မးသဥးသြားႏငမည အေျခအေနႏင ၾကေတြ႕ေနရပါသည။
Every February, “concerned” photographers from all over the region as well as from Europe and the US converge on Yangon to share their latest powerful stories with a large audience in the heart of the city. More than 200 artists works and short photo-documentaries will be shown this year, half of them from Kayah, Chin, Kachin, and Rakhine States, where we recently gave training and organized photo festivals.
Reflecting the urgency of the threats to humankind, the theme of these works is more and more related to environmental issues. The Arctic Ocean is warming at an alarming rate and the whole world is feeling the effects, in particular Myanmar, which is suffering from a long series of droughts, floods, extreme heat, and cyclones. French photographer Francis Latreille brings us the extraordinary story of Tara, a sailboat with a team of scientists on board that was deliberately trapped in pack ice for almost two years.
FREE EVENTS
THE PHOTOBOOK SHOWThe photo book is not just a book showcasing a collection of images: it is an art form in itself. With the participation of Pro Helvetia, Guari Galeri, and Lukas Birk. Artists Chloé Tun Tun, Anton Ismael, and Naztia Haryanti exhibit in giant book form.
THURSDAY 21 FEBRUARY
5 P
M
EXHIBITIONS OPENING
PHOTOGRAPHY AS THERAPYby Bay Bay and Wonder
REPRODUCED Rethinking P.A. Klier and D.A. Ahuja, by Lukas Birk & Carmín Berchiolly.
6 P
M
PHOTO-STORIES SCREENINGMEMORY AND THERAPHYStories from around Myanmar and Asia with the participation of curators Gwen Lee (Singapore), Ark Fongsmut (Thailand), Jean Loh (France), Jae-Hyun Seok (South-Korea), Shikhar Bhattarai (Nepal) and Adrian Evans (GB).
7 P
M
ARTISTS TALK Myanmar artists and photographers welcome their friends from the region.
8 P
M
GOETHE VILLA
THE PHOTOBOOK SHOWThe photo book is not just a book showcasing a collection of images: it is an art form in itself. With the participation of Pro Helvetia, Guari Galeri, and Lukas Birk. Artists Chloé Tun Tun, Anton Ismael, and Naztia Haryanti exhibit in giant book form.
THURSDAY 21 FEBRUARY
5 P
M
EXHIBITIONS OPENING
PHOTOGRAPHY AS THERAPYby Bay Bay and Wonder, curated by Mayco Naing
REPRODUCED Rethinking P.A. Klier and D.A. Ahuja, by Lukas Birk & Carmín Berchiolly.
6 P
M
PHOTO-STORIES SCREENINGMEMORY AND THERAPYStories from around Myanmar and Asia with the participation of curators Gwen Lee (Singapore), Ark Fongsmut (Thailand), Jean Loh (France), Jae-Hyun Seok (South-Korea), Shikhar Bhattarai (Nepal) and Adrian Evans (GB).
7 P
M
ARTISTS TALK Myanmar artists and photographers welcome their friends from the region.
8 P
M
GOETHE VILLA
8 P
M -
12
AM
3 P
M5 P
M6 P
M9 P
M
FRIDAY 22 FEBRUARY
LES RENDEZ-VOUS #5Come enjoy Yangon vibrant hip-hop scene and be the first to discover John Moore's exhibition!Entrance: 5000 Ks
FRENCH INSTITUTE
SUNDAY 24 FEBRUARY
PANEL DISCUSSIONHow can journalists encourage tolerance inMyanmar?
EXHIBITIONS OPENING: EXODUS
UNDOCUMENTEDby John Moore / Getty images
KACHIN LIMBOby Hkun Lat
DESPERATE JOURNEYby Kevin Frayer / Getty images
YANGON PHOTO NIGHT
Myanmar photographers compete for the Best Photo-Story Awards in front of a jury of Myanmar and international personalities. Prizes include CANON Cameras and a trip to the opening of World Press Photo awards in Amsterdam.
FESTIVAL CLOSING PARTY
8 P
M
12
AM
3 P
M5 P
M6 P
M9 P
M8
PM
- 1
2 A
M3 P
M5 P
M6 P
M9 P
M
FRIDAY 22 FEBRUARY
LES RENDEZ-VOUS #5Come enjoy Yangon vibrant hip-hop scene and be the first to discover John Moore's exhibition!Entrance: 5000 Ks
FRENCH INSTITUTE
SUNDAY 24 FEBRUARY
PANEL DISCUSSIONHow can journalists encourage tolerance inMyanmar?
EXHIBITIONS OPENING: EXODUS
UNDOCUMENTEDby John Moore / Getty images
KACHIN LIMBOby Hkun Lat
DESPERATE JOURNEYby Kevin Frayer / Getty images
YANGON PHOTO NIGHTMyanmar photographers compete for the Best Photo-Story Awards in front of a jury of Myanmar and international personalities.Prizes include CANON Cameras, a trip to the opening of World Press Photo awards in Amsterdam and a residency at famous 75 photography school in Brussels.
FESTIVAL CLOSING PARTY
8 P
M
12
AM
3 P
M5 P
M6 P
M9 P
M
FEBRUARY 22-23-24
EXHIBITIONS
DOLGANS and NENETS: The Last Ice Nomads, by Francis Latreille
TARA’S 500 DAYS OF DRIFTING IN THE ARTIC SEAby Francis Latreille
DROUGHTS, FLOODS and CYCLONES,Myanmar’s Climate changeby AFP, Getty Images, Aung Si Hein, Yan Linn Han & Gloria Chithu
THE LAST ELEPHANTS OF MYANMARby Ko Myo, curated by Minzayar Oo
THE PRICE OF JADEby Minzayar Oo
UNEARTH by by Hkun Lat, Minzayar Oo, Yu Yu Myint Than, Andre Malerba, Matt Grace, Lauren DeCicca, and Suthep Kritsanavarin.
WORLD PRESS PHOTO 6x6 global talent program
U THAN MAUNG, The No.1 Amateur Photographer Curated by Lukas Birk
FRO
M F
EB
RU
AR
Y 1
8 t
o M
AR
CH
4
PHOTO VILLAGECome discover amazing short photo documentaries, enjoy free photo studio and bring your old family photos to be digitalized, printed and exhibited in the park.
2 P
M -
5 P
M
MAHABANDOOLA PARK
FRIDAY 22 & SATURDAY 23 FEBRUARY
SHOW ON GIANT LED SCREENAn exceptional selection of photo-stories on giant LED screen from the all Myanmar States but also the whole region, Europe and America. 5
PM
- 7
PM
ႏစစဥႏစတငး ေဖေဖာဝါရလေရာကသညအခါ ေဒသတြငး ႏငငမား၊ ဥေရာပတကႏင အေမရကတကတ႔မ ဓာတပပညာရငမားသည ရနကနၿမ႕ေတာ၏ ပငမအခကအခာေနရာ၌ ယငးတ႔ ေနာကဆးဖနတးထားသည ထေရာကမႈအားေကာငးလေသာ ဓာတပဇာတလမးမား မေဝရန တစစတစေဝးတညး လာေရာကေတြ႕ဆၾကပါသည။ အႏပညာဖနတးမႈလကရာမားႏင ဓာတပမတတမးတမား စစေပါငး ၂၀၀ ေကာက ယခႏစတြင ျပသသြားမည ျဖစပါသည။ ယငးတ႔အနက ထကဝကခန႔သည ဓာတပသငတနးမားႏင ဓာတပပြေတာမား မၾကာေသးမကာလက ျပလပကငးပခသည ကယားျပညနယ၊ ခငးျပညနယ၊ ကခငျပညနယႏင ရခငျပညနယတ႔မ မတတမးလကရာမား ျဖစပါသည။
လသားမားက ၿခမးေျခာကေနသည ေဘးအႏရယမားက အျမနဆး သတျပမေစရန ရညရြယ၍ သဘာဝပတဝနးကင ျပနာမားဆငရာ မတတမးလကရာမားက ယခႏစအတြက အေလးထားတငျပထားပါသည။ အာတတသမဒၵရာသည ေၾကာကမကဖြယေကာငးလသည ႏႈနးျဖင ပေႏြးလာေနၿပး တစကမာၻလးအတငးအတာတြင ယငး၏ အကးသကေရာကမႈမားက ခစားေနရၿပျဖစပါသည။ အထးသျဖင ျမနမာႏငငတြငလညး ယငး၏ သကေရာကမႈမားေၾကာင မးေခါငေရရားမႈမား၊ ေရႀကးမႈမား၊ အပျပငးထနမႈမားႏင ဆငကလနးမနတငးမားက ထပကာထပကာ ခစားေနၾကရပါသည။ ႏစႏစၾကာ အာတတသမဒၵရာအတြငးရ
ဝငေၾကး အခမ အစအစဥမား
ဓာတပစာအပျပပြဓာတပစာအပဆသညမာ ရပပမားက စစညးထား႐မဟတဘ အႏပညာတစရပ ျဖစပါသည။ ဆြစဇာလနအႏပညာေကာငစ ပရဟယဗတယာ၊ အငဒနရားမ ဂြါတဂါေလရ၊ လးကပဘခႏင ျပညတြငးျပညပ အႏပညာရငမားက စာအပမား၊ ပစတမား၊ ဧရာမစာအပႀကးပစမားျဖင ျပသသြားပါမည။
ေဖေဖာဝါရ ၂၁ (ၾကာသပေတး)
ညေန
၅ န
ာရ
ျပပြမား ဖြငလစျခငး
ဓာတပပညာကထး(ေဘေဘးႏင ဝမးဒါး႐ကကး၍ ေမကႏင တငဆကသည။)
ျပနလညေဖာထတျခငး ပေအကလယာႏင ဒေအအာဟဂာတ႔၏ အမတရဖြယ (လးကပဘခႏင ကာမငးဘာခေယာလ)
ညေန
၆ န
ာရ
ဓာတပဇာတလမးျပသမႈမားအမတရဖြယႏင ကထးျမနမာႏငငႏင အာရတကရ ဓာတပဇာတလမးမားတြင စငကာပမ ဂြမလ၊ ထငးမ အနဖြနမြတ၊ ျပငသစမ ရြနးလ႔၊ ေတာငကရးယားမ ေဂးဟြနဆတ၊ နေပါမ စကာဘာထရႏင ၿဗတနမ ေအဒရရနအဗနတ႔ ပါဝငတငဆကထားပါသည။
ည ၇
နာရ
အႏပညာရငမား စကားဝငးျမနမာအႏပညာရငမားႏင ဓာတပပညာရငမားက ေဒသတြငးမတေဆြမားက ႀကဆေတြ႕ဆသြားပါမည။ ည
၈ န
ာရ
ဂေသးဗလာ
ေဖေဖာဝါရ ၂၂၊ ၂၃၊ ၂၄
ျပပြမား
ေဒၚ(လ)ဂနႏင နပေနးလမးစမား - ေနာကဆး ေရၾကညရာျမကႏရာ (ဖရနစစလာထရရယ)
အာတတသမဒၵရာထတြင တာရာ၏ ရက ၅၀၀ ၾကာ ရြကလႊငခရး (ဖရနစစလာထရရယ)
မးေခါငျခငး၊ ေရႀကးျခငးႏင ဆငကလနးမနတငးမား ျမနမာနငင၏ ရာသဥတေျပာငးလမႈ(AFP၊ Getty Images၊ ေအာငစညဟနး၊ ရနလငးဟန ဂလရယာ ခစသ)
ျမနမာနငငရ ေနာကဆးဆငမား(ကမး႐ကကးၿပး မငးေဇယာဦး တငဆကသည။)
ေကာကစမးတနဖး (မငးေဇယာဦး)
ေျမလနျခငး(ခြနလတ၊ မငးေဇယာဦး၊ ယယျမငသနး၊ အနဒေရ မာေလဘာ၊ မတဂေရ႕၊ ေလာရန ဒကဆကာႏင ဆသက(ပ)ကရစဆနနာဗာရင)
ကမာၻ႔စာနယဇငးဓာတပ ၆x၆ ကမာၻ႔ဓာတပထးခၽြနအစအစဥ
ဦးသနးေမာင၊ ျမနမာ ပထမဆး ဓာတပဝါသနာရင (လးကပဘခ စစဥပါသည။)
ေဖေဖ
ာဝါရ
၁၈
မ မတ
၄
ဓာတပရြာ
ရငသပရႈေမာဖြယ ဓာတပမတတမးမား ၾကညရငး အခမစတဒယတြင ႐ကကးႏငပါမည။ ဓာတပေဟာငးမား ယလာပါက ဒစဂစတယနညးျဖင ျပျပငပထတကာ ပါဝငျပသႏငပါမည။ေန
႔လယ
၂ မ
ည
ေန ၅
မဟာဗႏၶလပနးျခ
ေဖေဖာဝါရ ၂၂ (ေသာၾကာ) ႏင ၂၃ (စေန)
LED မကႏာျပငႀကးေပၚတြင ဇာတလမးမား ျပသျခငးျမနမာႏင ေဒသတြငးသာမက ဥေရာပႏင အေမရကတကအပါအဝင ကမာၻတစလႊားရ လကေရြးစင ဓာတပဇာတလမးမားက ျပသသြားပါမည။ ည
ေန ၅
မ ည
၇
ေဖေဖာဝါရ ၂၂ (ေသာၾကာ)
ေလရမဒဗ #၅
ရနကနၿမ႕ရ ျမးျမးကြကြ ဟစေဟာပျမငကြငးမားက ခစားရငး ဂြနမးေရး၏ ဓာတပျပပြက ရႈစားႏငပါမည။ ဝငေၾကး - ၅,၀၀၀ ကပ
ျပငသစယဥေကးမႈဌာန
ေဖေဖာဝါရ ၂၄ (တနဂၤေႏြ)
ေဆြးေႏြးပြစာနယဇငးသမားမားအေနျဖင သညးခမႈတရား တးပြားလာေစရန မညသ႔အားေပးႏငပါမညနညး
ျပပြမား ဖြငလစမႈ - လြတေျမာကရာစာရြကစာတမးမ (ဂြနမးေရး/ Getty Images)
ေသာငမတငေရမက ကခငျပညနယ(ခြနလႏင ခြနလတ)
ခရးၾကမး(ကယဗငဖ႐ငယာ / Getty images)
ရနကနဓာတပညျပညတြငးျပညပ အကျဖတမားေရ႕တြင ျမနမာဓာတပဆရာမားက ဓာတပဇာတလမးမား ယဥၿပငသြားပါမည။ ေပးမညဆမားတြင ကငႏြနကငမရာမား၊ အမစတာဒမၿမ႕၌ ကငးပမည ကမာၻ႔စာနယဇငးဓာတပဖြငပြ တကေရာကခြငႏင ဘရပဆၿမ႕ရ ၇၅ ဓာတပေကာငးတြင ေနထငခြငတ႔ ပါဝငပါသည။
ပြေတာပတပြ ပါတ
ည ၈
မ ၁
၂ နာ
ရေန
႔လယ
၃ည
ေန ၅
နာရ
ည
ေန ၆
နာရ
ည
၉
နာရ
YANGON PHOTO NIGHT
The festival culminates each year during the Yangon Photo Night with the Myanmar photographers – both emerging and professionals- competing for the prestigious Photo-Story Awards. Their works will be screened in the garden of the Institut Français de Birmanie in front of a large public and a jury composed of international photographers and personalities.
Prizes consist of trips to Amsterdam for the World Press Photo Awards ceremony, Canon professional cameras and a residency at famous 75 photography school in Brussels.
ရနကနဓာတပည
ႏစစဥရနကနဓာတပပြေတာ၏ ရငခနစတလပရားဖြယ အေကာငးဆးက႑ျဖစေသာ ရနကနဓာတပညအခမးအနား၌ အရနအဝါႀကးမားလသည ဓာတပဇာတလမးဆမားအတြက ျမနမာဓာတပပညာရငမားႏင တကသစစဓာတပဆရာမား ယဥၿပငၾကမည ျဖစပါသည။ ျပငသစယဥေကးမဌာန ဥယာဥဝငးထ၌ ႏငငတကာဓာတပပညာရငမားႏင ထငရားသည ပဂၢလမားပါဝငေသာ အကျဖတလႀကးမငးမား၊ ပရတသတမား၏ ေရ႕ေမာကတြင ၿပငပြဝငတ႔၏ ဖနတးမႈလကရာမားက ျပသသြားမည ျဖစပါသည။
ေပးအပမည ဆမားတြင အမစတာဒမၿမ႕၌ ကငးပမည ကမာၻ႔စာနယဇငးဓာတပၿပငပြ ဆခးျမငပြအခမးအနားသ႔ တကေရာကခြင၊ ကငႏြနပရဖကရငနယကငမရာမားႏင ဘရပဆၿမ႕ရ ၇၅ ဓာတပေကာငးတြင သြားေရာကေနထငခြငတ႔ ပါဝငမည ျဖစပါသည။
YANGON PHOTO NIGHTSunday 24 February | 6.00 pm | Institut Français de Birmanie
©Ph
otod
oc
PHOTOBOOK SHOW
ဓာတပစာအပျပပြ
ဓာတပစာအပဆသညမာ ရပပမားက စစညးထားသည စာအပတစအပ ျဖစ႐မဟတပ ကမာၻတစလႊားတြင အေရးပါသညထကပါလာေသာ ဓာတပျမငကြငးမားဆငရာ အႏပညာတစရပ ျဖစပါသည။ ဓာတပမားသး၍ ဇာတလမးတငဆကမႈ၏ ေနာကဆးအဆငအေနျဖင အထအေတြ႕ အာ႐ခစားမႈပါ ပပးေပးႏငေသာ ဓာတပစာအပမားက လအမားက အထးအေလးထားမၾကပါသည။
ဆြစဇာလနအႏပညာေကာငစ ပရဟယဗတယာႏင အငဒနရားမ ဂြါတဂါေလရတ႔က ဒါဇငႏငခေသာ စာအပမားက တငဆကသြားပါမည။ မတေဆြမား ေလလာႏငေစရန ဓာတပစာအပ အစမးျပလပျခငးဆငရာ အလပ႐ေဆြးေႏြးပြတစခလညး ပါဝငဦးမည ျဖစပါသည။
အႏပညာရင ကလေရးထြနးထြနး၊ အနတြနအစၥေမးႏင နဇတရာဟရနတတ႔က ဧရာမစာအပႀကးပစတ႔ျဖငလညး ျပသသြားပါမည။
The photo book is not just a book showcasing a collection of images: it is an art form in itself, with growing importance on the international photography scene. In many cases of photographic storytelling, the photo book has become the final narrative to which most attention has been given, and it is turned into an object that represents the story in a tactile form.
Swiss Art Council Pro Helvetia and Guari Galeri from Indonesia will display dozens of books. We will also discover the results of a book-making workshop in the form of dummy books.
Artists Chloé Tun Tun, Anton Ismael, and Naztia Haryanti will exhibit their work in giant book form.
PHOTOBOOK SHOW
OPENINGFriday 21 February | 5 pm | Goethe Villa
Exhibition from February 21 to March 3 | Goethe Villa
©Ko
Myo
©Ph
ilipp
Ott
endö
rfer
, Zur
ich
SCREENINGS
THURSDAY 21 FEBRUARY7.00 pm | Goethe Institute
The Archive as ConversationCurated by Gwen Leewww.sipf.sg
Everything I Never told you by Tamia Tangwww.instagram.com/tang_tamia
Confrontationsby Bunu Dhungana, Photo Circlewww.photoktm.com/artist/bunu-dhungana
I want to be Meby Khanza Vinawww.facebook.com/galuhh.ginanjar
#MeToo by Maw Oo Myarwww.facebook.com/myanstories
Boxing HIVby Gina Afrianiwww.instagram.com/gina_883
Kuning (Yellow)by Naztia Haryantiwww.instagram.com/naztiaaa
State of Emergencyby Noh Suntagsuntag.net
Imagining Floodsby Miti Ruangkritaya, curated by Ark Fongsmutwww.mi-ti.com
Letter to Miaby Zulfiqar Iqbalzulfikariqbal.wixsite.com/photography
In the City by Nightby Philong Sovanwww.philongsovan.com
Bright Starby Wonderwww.instagram.com/wonder14370
Screening of photo-stories by photographers from Myanmar and Asia.MEMORY & THERAPY
Screening of photo-stories by photographers from Myanmar and Asia.
IN THE CITY BY NIGHT by Philong Sovan
LETTER TO MIA by Zulfiqar Iqbal�EVERYTHING I NEVER TOLD YOU by Tamia Tan
I WANT TO BE ME by Khanza Vina
ACTIVITIES
ဓာတပရြာ | မဟာဗႏၶလပနးျခ
ဓာတပရြာတြင ျမနမာစတရမဂၢဇငးႏငအတ ႏငငတကာေအဂငစမားျဖစေသာ Getty Images၊ AFP ႏင Panos Pictures တ႔ ပါဝငတငဆကသြားမည ျမနမာစတရ ဓာတပမတတမးတမားက ၾကညရႈႏငပါမည။ ခငး၊ ကရင၊ ရမး၊ ကယား၊ ကခငနင ရခငျပညနယမားတြင PhotoDoc က ကငးပခသည ဓါတပပြေတာမား၌ ဆနကာတငစာရငးဝငႏင ဆမားဆြတခးခသည ျမနမာစတရမားလညး ပါဝငပါသည။
ျပငသစဓာတပပညာရင ဖာဗယမြနထရနးကလညး မကလညေသတာႀကးျဖင မတေဆြမားက ဓာတပ႐ကေပးသြားမည ျဖစပါသည။ ၂၀၁၈ ခႏစက ဝနႀကးမား႐းတြင ျပသခသည “ျမနမာဓာတပဆရာမား’’ ျပပြ၏ ေအာငျမငမႈေနာကဆကတြအျဖစ ျမနမာဓာတပေမာကြနးအဖြ႔သည မတေဆြတ႔၏ ဓာတပေဟာငးမားက ဒစဂစတယနညးျဖင ျပျပငပထတေပးကာ ျမနမာႏငငတြင အႀကးမားဆးေသာ ဓာတပစစညးမႈျပပြတြင ပါဝငျပသႏငေအာင စစဥေပးသြားမည ျဖစပါသည။
Discover a program of short photography documentaries presented by Myanmar Stories magazine and the international agencies Getty Images, AFP, and Panos Pictures. Many “Myanmar Stories” have won nominations and awards in photo festivals organized by PhotoDoc in Chin, Karen, Shan, Kayah, Kachin, and Rakhine States. French photographer Flavio Montrone proposes taking your portrait with his magic box. And, following the huge success of its “Burmese Photographers” exhibition at the Secretariat in 2018, the Myanmar Photo Archive is setting up a digitization station. Bring your family photos to be digitized and become part of the biggest photography collection Myanmar has ever had.
PHOTO VILLAGE@Mahabandoola Park
ACTIVITIESFebruary 22 - 23 - 24 | 2 pm - 5 pm | Mahabandoola Park
Afghan box studio at the Photo Village
©Ph
otod
oc
PHOTO VILLAGE SCREENINGSSTORY NAMEIn QueueDancing for Three GemsOrganic manBeyond the TurbanThe color of ignoranceMrauk U Heritage TrashKachin IDP ReceipesIron ManFlowers in the cloudsA little help from my friendsFood, Not BombsStill SmilingMy life my choiceRun Run RunI feel home nowThe Little WomanPau Pau & Suan Suan's WeddingForever?Sound of GunfireMore Than My WifeFlying freeChopping Hpa-anEx-soldier�I prefer eggsMy two sides�Beautiful GirlJolly GoodThe Conservator II370 SiblingsAll the lonely people
PHOTOGRAPHERSu Hlaing Hnin & Khun Than TunTain Moe WaiKhai Khan Tun & Kam PauKhin Khin & Nyae KhaIrna, Dahlia and DwindaMyat Naing Tun, Soe Win Tun & Pu Mg GyiHkun RaMaung Win MyintWai Yan & Nang Sint KawSoe Reh & Ree RehMin ZayarSeng MaiNgo Saan Neam & Pau Lamh Thang�Nang Yamin & Nan Moe LengKhun Tu Tu Lay & Khun I StineTin Aye Hlaing, Shin Thant Hmue & Wai Wai AungPome Kho Mang�Thet Naing OoHkaw BawmSaw Min Pru & Kyaw Thant MgSander Lin�Kyaw Kyaw WinA LinMg Mg Hsam & Khaing Myo MinKam Mun Huai & Hung Saan ThiamKo MyoKo GyiMg Myat Htay & Myo Thant HlaingKyaw Soe Oo & Aung Kyaw MinMahka Roi Tawng�& Lahtaw Gam Mun�
STORY NAMEThe Boy and his Barbie DollsMrauk Happy FillyOur FionaGoners and newcomersUps and downsI feel SafeThe electricianGraduate of No schoolThe Outcasts�I miss schoolMee Nge little girlMy ScrificeA new start?Everything I never told youBuffalo BoyLittle flowersCongo river journey �The old train and his friendsWe are shyTired of runningNay Toe, Nay San Nay MinSpeedy LonelyNever Give upA new familyDon’t be like ImanDreaming of my villageNight and dayHopefully… A Better DayScissors, Brushes, Mice & OrangesThe Elder sister
PHOTOGRAPHERWanyi Luo and Yiqian WeiAung Naing HtaySaw WeeMichael Ngo Suan Pau & Paukhai�CherrySeng MaiTang Gun & Lazum Tu NanOo RehNyi Myo Sett & NoraZaw Myo Oo & San San AyeMu RehThan SoeBawk Ra with Zau Dam, Htang San & Doi NumTamia TangHtet Ye Marn & Khun Tun LwinLu MyarPascal Maitre/PanosSabae Pwint & Khun Kyaw Zayar WinBawk Nu & Mading Hka Tawm�Khu Saw RehHwlan Moe & Min Htet AungMayco NaingSan San MawSai Htin Linn HtetIman PermanaHkawn Mai & Nhkum Seng Ra�Pyae PhyoThan SoeTu Lum & La San NanSai Kham Lin
PHOTO VILLAGE SCREENINGSSTORY NAMEFighting CocksA PunishmentSay hello to each otherSelfportraitA maid in BangkokMy darling little sisterColour of PainThe smell of the dynamiteThe Stomach AcheOn the peace frontlineSheer willLucky me?With Mom On The RoadGone with The RainI am CapableGive him a chance#Me tooSky dancerDon’t Want to be a nunThe last fat BellyWe will go homeBorn this wayAlways HigerThe Drug Plague in Ta'aung Hills Old lady in old churchWill her dream come true?From BirthYangon Garment WorkersGold for whatBring us rain Kay Htoe Boe
PHOTOGRAPHERAung Ko KoMya ThweKhu Ra RehThazinYin Yin HtayTang Gun with Ji Tawng & Kai SengNyan Zay HtetThar NgeTay Za LinnKhu Say RehMaran Aung Li, Naw Latt & Bawk Bawk Pan IreneZhao YangPyay Kyaw MyintSu Su Mon with Tha NoPyay Kyaw AungMaw Oo MyarThar NgeHnin Moe Hlaing & Moe Moe ThanChan Nyeint KoMaji Aung & San Aung�Myat Kyaw Thu MyintBawk Seng with Khawn SaKo MaiKhant Zaw AungHarry PhyoNaing Myo Kyaw & MuhtawCurated by Andrea DiefenbachYei Zaw PhyoAung Si Hein�
STORY NAMEMay you help usBurmese Princessdog BeingOrganic farming in YangonThe Night TapperSad Run, Fun Money, Tough LifeSix days of a ShawlPolygamyChampionSan Zaw Htwe100 000 bricksFree Care For AllFor MotherEndangeredMamaSmoky MountainThe ColonyLife GardenShelter from the StormThe Sunset SmileFighting for my colorHairLashio's James BondBright StarThe blood of the forestDirty MoneyRainbow ChildOld nun, young nunsMettaThe Exorcist
PHOTOGRAPHERPhoe TharLily KhineThar GyiDon PhyoRita Khin & Min ThureinThein Mon Soe (J)Shar Thazin & Kyaw Thant MgLiu LiPhoe Lone KiJa Mai LonePing Non & Aye Aye KhineAung Win HtutLwin Htoo Wai & Khin Htet Htet MyoKo MyoJelita purbaMauk Kham WahPyay Kyaw AungSeng MaiHannah Reyes MoralesBa Gyi AungNoval Auliady & Kanhza VinaNweniThura OoWonderTin Tun OoSu Lay NgoneMin Myo Zaw & Lin Maung ThaKhin Khin Htoo & Thin Thin NaingTun Tun AyeSai Sai Hein
PHOTO SHOW ON GIANT LED SCREEN
FRIDAY 22 FEBRUARY5.00 pm - 7.00 pm | Mahabandoola Park
2018: Retrospective by AFPwww.afpforum.com
DMZby Jongwoo Park, curated by Jae-Hyun Seokparkjongwoo.net
Boabab Trees and Electric Africaby Pascal Maitre/Panospascalmaitre.fr
Singapore express: The Lights went outby Adar Ng Curated by Gwen Leewww.adar.ng
Colors of Painby Nyan Zay Htetwww.instagram.com/nzhtet
Living in the Mist in Nepalby Kishor Sharma, curated by Shikhar Bhattaraikishorksharma.wordpress.com
Our Mother The Mountainby Linh Phamlinh-pham.com
Flying Freeby Sandar Linwww.facebook.com/myanstories
Highlanderby Kieran Dodds/Panoswww.kierandodds.com
Powerful photo-stories by Myanmar and international photographersMYANMAR & INTERNATIONAL STORIES
LIVING IN THE MIST OF NEPAL by Kishor Sharma
SAVE LAT SAY LAKE by Kyaw Kyaw Win/ Thein Win
SCREENINGS
Save Lat Say Lakeby Kyaw Kyaw Win / Thein Winwww.facebook.com/myanstories
Manila City Jailby Hannah Reyes Moraleshannah.ph
Dubai 'Garden of Delight’by Nick Hannes/Panoswww.carlogabuco.com
Lost in Paradiseby Lek Kiatsirikajorn, curated by Ark Fongsmutlekkiatsirikajorn.com
Ring of Fireby Getty Images, edited by Laurence Tanwww.gettyimages.com
Climate Change Photo Competitionby IPAwww.photoawards.com
PHOTO SHOW ON GIANT LED SCREEN
SATURDAY 23 FEBRUARY5.00 pm - 7.00 pm | Mahabandoola Park
2018: Champions by AFPwww.afpforum.com
Icons of courageby Jens Uwe Parkitnywww.lensculture.com/jens-uwe-parkitny
A New Startby Bawk Rawww.facebook.com/myanstories
Plastic surgeryby Lee Seung-Hoon, curated by Seok Jae-Hyun lee-seunghoon.com/OR
Her Dream will come trueby Harry Phyowww.facebook.com/myanstories
Re-Entry by Andrew McConnell/Panoswww.andrewmcconnell.com
I feel Safeby Seng Maiwww.facebook.com/myanstories
The other side of town: Less than humanby Carlo Cabucowww.carlogabuco.com
Little Woman by Wai Wai Aung, Tin Aye Hlaing, Shin Thant Hmuewww.facebook.com/myanstories
Powerful photo-stories by Myanmar and international photographersMYANMAR & INTERNATIONAL STORIES
ON THE EDGE by Miti Ruangkritaya
RE-ENTRY by Andrew McConnell/Panos
SCREENINGS
Hijab Girlsby Dwinda Nur Oceanidwindanuroceani.wordpress.com
Polygamy by Liu Libit.ly/2GczBvE
Yangon Garment Workers Curated by Andrea Diefenbach
Undocumentedby John Moore/Getty Imageswww.gettyimages.com
On the edgeby Miti Ruangkritaya, curated by Ark Fongsmutwww.mi-ti.com
We are still hereby Thinh Nguyenwww.facebook.com/chuyencuathin
Singapore Express: Passingby Aikbeng Chia, curated by Gwen Leewww.aikbengchia.com
FLYING FREE by Sandar LinLOST IN PARADISE by Lek Kiatsirikajorn
MANILA CITY JAIL by Hannah Reyes MoralesCOLORS OF PAIN by Nyan Zay Thet
PLASTIC SURGERY by Lee Seung-Hoon
I FEEL SAFE by Seng MaiRING OF FIRE by Carl Court/Getty Images
A NEW START by Bawk Ra
EXHIBITIONS စာရြကစာတမးမ (ဂၽြနမေရး/ Getty Images က ႐ကကး၍ ေလာရငတန တငဆကပါသည။)
Getty Images ၏ အထးသတငးေထာကျဖစေသာ ဂၽြနမးေရးသည အေထာကအထား စာရြကစာတမး မရသမား အေမရကားသ႔ ေျပာငးေရႊ႕မႈမးကသ႔ ရႈပေထြးလသည ျဖစရပမားက စာနာစတျဖင ၁၀ ႏစၾကာ ဓာတပ႐ကကးခပါသည။ ႐ကကးထားသည ဓာတပမားတြင ဗဟအေမရကတကမ ေရႊ ႔ေျပာငးလာသမား ၾကေတြ႕ေနရသည အႏရယမားေသာ ခရးစဥႏင အေမရကနအစးရက ယငးေရႊ႕ေျပာငးမားအား နယစပတြင ထနးသမးတားျမစထားပတ႔က တငျပထားပါသည။ မေရးသည ေရႊ ႔ေျပာငးလာသမားက ထားရသည အေမရကနရ အကဥးေထာငမားႏင ကေလးသငယမား ထနးသမးေရးစခနးအတြငး ခကခကခခ ဝငေရာက႐ကကးထားမႈမာ ၿပငဘကကငးလပါသည။ ၂၀၁၈ ခႏစက မေရး ရကကးခေသာ “နယစပမာ ငေနေသာမနးကေလး” အမညရ ဓာတပသည ကမာၻတစဝမးတြင ပႏပထတေဝျခငး ခခရၿပးေနာက လကရအေမရကနမဝါဒအေပၚ ေဝဖနမႈမား ျဖစေပၚလာခရပါသည။ မေရး၏ သမာသမတကက ရႈေထာငစမ တငဆကမႈမားသည မလအလပျဖစသည သတငးေထာကတစေယာက အလပထက ေကာလြနကာ လကရာေျမာကလပါသည။
A special correspondent for Getty Images, John Moore has photographed undocumented immigration to the United States for 10 years, always with the intent of humanizing a complex issue. His photos contextualize the migrants’ dangerous journey from Central America and the U.S. government’s attempt to stop them at the border. Moore’s rare access to U.S. immigration prisons, including detention centers for children, is unparalleled. His 2018 photograph “Girl Crying On the Border” was published worldwide, and created an emotional debate over current U.S. policy. His fairness in covering all sides of the story sets his work apart.
UNDOCUMENTEDExhibition by John Moore/Getty Images, curated with Laurence Tan.
OPENINGSunday 24 February | 5.00 pm | Institut français de Birmanie
Exhibition from February 24 to March 4 | Institut français de Birmanie
©Jo
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ကမာၻ႔စာနယဇငးဓာတပ - ၆ x ၆ ကမာၻ႔ဓာတပထးခၽြနအစအစဥ
၆x၆ ကမာၻ႔ဓာတပထးခၽြနအစအစဥသည ရြကပနးသး ဓာတပဇာတလမးရငမားက ကမာၻ႔ေနရာအသးသးမ ပရတသတမားႏင ခတဆကေပးရန ရညရြယပါသည။ ကမာၻေနရာေဒသႀကး ေျခာကခမ ဇာတလမးရင ေျခာကဦးစ၏ ပမားက တငဆကထားပါသည။
အာဖရကတက - Rahima Gambo, Heba Khamis, Gulshan Khan, Manyatsa Monyamane, Zied Ben Romdhane, Sarah Waiswa.ဥေရာပတက - Emile Ducke, Marie Hald, Alvaro Laiz, Ann Sophie Lindstrom, Santi Palacios, Esa Ylijaasko.ေျမာကအေမရကတကႏင ဗဟအေမရက - Tomas Ayuso, Nydia Blas, Mariceu Erthal Garcia, Dylan Hausthor, Yael Velázquez, Ian Willms.ေတာငအေမရကတက - Oscar Castillo, Fabiola Ferrero, Felipe De Carvalho,Tamara Merino,Pablo Ernesto Piovano.အေရ႕ေတာငအာရနင သမဒၵရာမားဇန - Matthew Abbott, Sirachai Arunrugstichai, Elan, Huiying Ore, Yoppy Pieter, Hannah Reyes Morales.
Exhibition from February 18 to March 4 Mahabandoola Park
The World Press Photo Foundation receives support from the Dutch Postcode Lottery and is sponsored worldwide by Canon
The 6x6 Global Talent Program aims to connect visual storytellers, who may not yet be well known outside of their own region, to a global audience. It spotlights 6 visual storytellers from 6 regions. Africa: Rahima Gambo, Heba Khamis, Gulshan Khan, Manyatsa Monyamane, Zied Ben Romdhane, Sarah Waiswa.
Europe: Emile Ducke, Marie Hald, Alvaro Laiz, Ann Sophie Lindstrom, Santi Palacios, Esa Ylijaasko.
North & Central America: Tomas Ayuso, Nydia Blas, Mariceu Erthal Garcia, Dylan Hausthor, Yael Velázquez, Ian Willms.
South America: Oscar Castillo, Fabiola Ferrero, Felipe De Carvalho,Tamara Merino,Pablo Ernesto Piovano.
Southeast Asia & Oceania: Matthew Abbott, Sirachai Arunrugstichai, Elan, Huiying Ore, Yoppy Pieter, Hannah Reyes Morales.
www.worldpressphoto.org/education/6x6-global-talent-program
WORLD PRESS PHOTO6x6 global talent program
©Sa
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Exhibition from February 18 to March 4 Mahabandoola Park
EXHIBITIONS ေဒၚ(လ)ဂနႏင နပေနးလမးစမား ေနာကဆး ေရၾကညရာျမကႏရာ
(ဖရနစစလာထရရယ ႐ကကးၿပး ရြနးလ႔ တငဆကသည။)
ဆကေဘးရးယားနယေျမာကပငးတြင တစစတစစ ေလာနညးလာေနၿပျဖစေသာ ေဒၚ(လ)ဂနနင နပေနးလမးစမား ေနထငၾကပါသည။ ယငးတ႔သည ကမာၻေျမႀကး၏ ရာသဥတေျပာငးလမႈမားက လကေတြ႕ၾကေတြ ႔ရေသာ သမားပငျဖစသည။
ဖရနစစလာထရရယသည ေဒၚ(လ)ဂနလမးစမားက ၁၉၉၇ ခႏစတြင ရာေဖြေတြ႔ရခပါသည။ ေရခမတေအာက ၅၀ ဒဂရစငတဂရတခန႔အထ ကဆငးတတေသာ ေျမာကဝငရးစြနးေရချပငမားရ အလြနျပငးထနသည ရာသဥတေအာကတြင ေဒၚ(လ)ဂနလမးမားသည အမလကျခငး၊ ငါးမားျခငး၊ သမငသားေဖာကေမြးျမျခငးတ႔ ေဆာငရြကရငး ရငသနေနထငၾကပါသည။
ကမာၻႀကးပေႏြးလာမႈေၾကာင တစႏစႏငတစႏစ ေရခစငႀကးမား အရညေပာကလာမႈသည ေဒၚ(လ)ဂနတ႔၏ ရငသနေရးက ႀကးစြာအဟန႔အတား ျဖစေစေသာလညး ေရခစငမားေအာကရ မးသဥးသြားၿပျဖစေသာ အေမႊးရညဆငႀကးမားက ေတြ႕ရမႈအေရအတြက တးလာပါသည။ ၂၀၀၆ ခႏစတြင လာထရရယသည လြနခသည ႏစေပါငး ၄၀,၀၀၀ ေကာကတညးက ေရချပငေအာကေရာကေနေသာ အေမြးရညဆငေပါကေလးတစေကာင၏ အေလာငးက ေတြ႕ရမတတမးတငႏငခပါသည။
In the northernmost point of Siberia lives a dwindling population of ice nomads: the Dolgans and the Nenets. They are the living witnesses of the effects of our planet’s climate change.
Francis Latreille discovered the Dolgans in 1997. In the tundra’s extreme climate, where temperatures can drop below 50°C, the Dolgans survive by hunting, fishing, and breeding reindeer.
The receding of the ice each summer is disturbing the lifestyle of the herders but has also increased discoveries of preserved mammoths; in 2006, Latreille recorded the discovery of a baby mammoth that had resurfaced after lying frozen for 40,000 years.
DOLGANS and NENETS: The Last Ice Nomads by Francis Latreille, curated by Jean Loh.
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EXHIBITIONSတာရာ၏ အာတတသမဒၵရာထတြင ရက ၅၀၀ ၾကာ ရြကလႊငခရး
(ဖရနစစလာထရရယ ႐ကကးၿပး ရြနးလ႔ တငဆကသည။)
အာတတသမဒၵရာသည ကမာၻ႔အျခားေနရာမားထက ပမလငျမနစြာ ပေႏြးလာသညႏငအမ ကမာၻေျမႀကးသည ပငလယေရထ ျမငတကလာမႈ၊ ပမနမဟတေသာ ရာသဥတ ေျပာငးလမႈစသည ဆးကးမားက ရငဆငေနရပါသည။ တာရာ၏ ရြကသေဘၤာေလးသည အာတတသမဒၵရာရ ေရခစငမားအၾကား ရြကလႊငေနခပါသည။ အငဂငစကမားႏင ရြကတငမား မပါသည သေဘၤာေလးျဖင ေရခစငမားအၾကား ကလမတာ ၂၅၀၀ ေကာက ၂ ႏစၾကာ အဘြယသရ ခရးႏငခပါသည။ သေဘၤာေပၚရ သပၸပညာရငမားသည လတတြဒအျမငပငးေနရာမားတြင ရာသဥတေျပာငးလမႈျဖစစဥမားက ေလလာႏငေရးအတြက ဆးရြားၾကမးတမးေသာ အေျခအေနမားတြင အသကရငကနရစရန ႀကးပမးေနထငခရပါသည။
ပငလယေရအနက မတာ ၄၀၀၀ ေကာေသာ အာတတသမဒၵရာထတြင သပၸပညာရငမားသည ေလထအျမငေပ မတာ ၂၀၀၀ ၌ ေလလာမႈမား ေဆာငရြကခၾကပါသည။
The Arctic Ocean is warming faster than any other region on Earth, and the world is already feeling the effects: rising sea levels and severe weather events. The Tara sailboat was deliberately trapped in pack ice in the Arctic Ocean. It emerged almost two years later, after drifting more than 2500 kilometers—an extraordinary journey undertaken without engine or sail.
The scientists on board had to survive in extreme conditions to study the phenomena related to climate change in high latitudes. They conducted studies in the atmosphere up to an altitude of 2000 meters, and in the Arctic Ocean to a depth of more than 4000 meters.
TARA’S 500 DAYS OF DRIFTING IN THE ARTICby Francis Latreille, curated by Jean Loh.
Exhibition from February 18 to March 4 Mahabandoola Park
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EXHIBITIONS မးေခါငျခငး၊ ေရႀကးျခငးႏင ဆငကလနးမနတငးမား ျမနမာနငင၏ ရာသဥတေျပာငးလမႈ(AFP၊ Getty Images၊ ေအာငစညဟနး၊ ရနလငးဟန ဂလရယာ ခစသ) ျမနမာႏငငသည ရာသဥတေျပာငးလမႈေၾကာင ၾကေတြ႕ႏငသည သကေရာကမႈမား၊ အထးသျဖင မးေခါငေရရားျခငး၊ ေရႀကးေရလျခငးႏင ဆငကလနးမနတငးမား အစရသညတ႔က ရငဆငရႏငေျခအရဆးႏငငမားအနက တတယေနရာတြင ရေနပါသည။
ရာသဥတေျပာငးလျခငးတြင အေၾကာငးအရာမား ကယကယျပန႔ျပန႔ ပါဝငေသာလညး မားေသာအားျဖင ေလာငစာဆသးစြရာမ ထြကေပၚလာေသာ မးခးေငြ႕မား ကမာၻ႔ေလထထသ႔ ဝငေရာကသြားျခငးက အဓက လကသညျဖစပါသည။ ဤျဖစစဥတြင အပခနအလြနအမငးျမငတကလာမႈ (ကမာၻႀကးပေႏြးလာမႈ)၊ ဝငရးစြနးေဒသမားတြင ေရခမားအရညေပာလာမႈေၾကာင ပငလယေရထ ျမငတကလာမႈ၊ သစပငပနးမနတ႔၏ သးပြငခန မမနမႈႏင ရာသဥတမား ဆးရြားျပငးထနမႈမားလညး ပါဝငပါသည။
ယငးအေျခအေနမားသည ျမနမာႏငငအတြက ဆးဆးရြားရြား ထခကမႈမား ျဖစေပၚလာေစရပါသည။ အေၾကာငးမာ ျပညသမား၏ အသကေမြးမႈ ၇၅% ခန႔သည စကပးေမြးျမေရးလပငနးမားအေပၚ မခေနရေသာေၾကာင ျဖစပါသည။ ျမနမာစကပးေရးလပငနးမားသည မးေခါငျခငး၊ ေရႀကးျခငးႏင မနတငးမားေၾကာင ထခကပကစးမည အႏရယကေရာကေနရပါသည။
Myanmar is the third-most vulnerable country in the world to the effects of climate change, particularly droughts, floods, and cyclones.
Climate change refers to a broad range of global phenomena mostly created by burning fossil fuels, which add heat-trapping gases to the Earth’s atmosphere. These phenomena include increased temperature trends (global warming) but also encom-pass changes such as sea level rise because of mass loss of ice in the polar regions, shifts in flower/plant blooming, and extreme weather events.
The situation is particularly acute in Myanmar because 75 percent of livelihoods depend on agriculture, which is now threatened by droughts, floods, and storms.
DROUGHTS, FLOODS, and CYCLONES: Climate change in MyanmarAFP, Getty Images, Aung Si Hein, Yan Linn Han& Gloria Chithu
Exhibition from February 18 to March 4 Mahabandoola Park
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FLOODS IN MYANMAR by Ye Aung Thu/AFP PHOTO
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EXHIBITIONSျမနမာနငငရ ေနာကဆးဆငမား(ကမး႐ကကးၿပး မငးေဇယာဦး တငဆကသည။)
၁၉၇၀ ခနစခန႔မစ၍ လသားမားသည ေလထညစညမးမႈမား၊ သစေတာျပနးတးမႈမားႏင အျခားေသာ လ႔ပေယာဂမားေၾကာင ကမာၻတစဝမးရ ၆၀% ေသာ ေတာရငးတရစာၦနမားက မးသဥးေပာကကြယေစခပါသည။ ႏ႔တကသတဝါမား၊ ငကမား၊ ငါးမားႏင တြားသြားသတဝါမား မးသဥးေပာကကြယမႈသည ယေန႔ေခတ လမႈအဖြ႔အစညးက ၿခမးေျခာကေနသည အေရးႀကးကစၥတစရပ ျဖစပါသည။
ျမနမာနငငသည အေရ႕ေတာငအာရတြင အာရေတာရငးဆငအမားဆးရေသာ နငငအျဖစ ရပတညေနဆျဖစသည။ သ႔ရာတြင ဆငသတၿပး ဆငစြယခးယမႈမား၊ လသားႏင ဆငမားအၾကား ပဋပကၡမား၊ တရတနယစပတစေလာကရ တရားမဝငကနသြယမႈမားေၾကာင ျမနမာဆငမားသည လာမည ဆယႏစအတြငး ပကသဥးသြားနငသညဟ ကၽြမးကငသမားက သတေပးလကရသည။ ၂၀၁၅ ခႏစမစ၍ ျမနမာနငငသား ဓာတပဆရာ ကမးသည ျမနမာႏငငက ႀကးပမးေနရသည ဆငကယတငေရးအေၾကာငးမားက မတတမးတငရနအတြက ေဝးလေသာ ေတာေတာငမားထသ႔ အႀကမေပါငးမားစြာ ခရးထြကခပါသည။
Humanity has wiped out an astonishing 60% of global wildlife since 1970 due to pollution, deforestation, and other manmade factors. The annihilation of mammals, birds, fish, and reptiles is now an emergency that threatens civilization.
Myanmar is still home to one of the largest populations of wild Asian elephants in Southeast Asia, but specialists are warning that they could be wiped out within ten years because of poaching, human/elephant conflicts, and illegal trade along the border with China. Since 2015, Burmese photographer Ko Myo has made repeated journeys into remote jungles across the country to document Myanmar's battle to save its elephants.
THE LAST ELEPHANTS OF MYANMARby Ko Myo, curated by Minzayar Oo
Exhibition from February 18 to March 4 Mahabandoola Park
©Ko
Myo
EXHIBITIONS ေကာကစမးတနဖး(မငးေဇယာဦး)
ျမနမာဓာတပဆရာ မငးေဇယာဦးသည ျမနမာနငငရ သြားေရာကေလလာရန ခကခလေသာ ေကာကစမးတြငးမားအေၾကာငး မတတမးတငေနသညမာ နစေပါငးမားစြာ ၾကာခၿပျဖစပါသည။ ကမာၻေပၚတြင အရညအေသြးအေကာငးဆးျဖစသည ေကာကစမး ၉၀% ခန႔သည ကခငျပညနယမ ထြကရျခငးျဖစပါသည။ ယငးေကာကစမးမားက ကနသြယေရာငးခမႈမ ႏစစဥ ေဒၚလာသနးေပါငး ေျမာကျမားစြာ ရရေနေသာလညး နငငတကာေစာငၾကညေလလာသမား၏ ေလလာမႈမားအရ ယငးအကးအျမတမား၏ အနညးအကဥးကသာ ျပညသမား ခစားၾကရသညဟ သရရပါသည။
သဘာဝေဘးအႏရာယမား၊ အကငပကျခစားမႈမား၊ ပဋပကၡမားႏင မးယစေဆးဝါးစြလမးမႈမား အစရသည ျပနာမား၏ လကသညသည “ကနစာသင ရတနာမား”ဟ ဆရေလာကေသာ ယငးေကာကစမးစးပြားေရးေၾကာင ျဖစပါသည။ ယငးေကာကစမးစးပြားေရးသည ျမနမာႏငငအတြက အဓကရငဆငေနရသည ျပနာမားအနက တစခအပါအဝင ျဖစပါသည။ ဤျပပြက သဘာဝသယဇာတအရငးအျမစအဖြ႔အစညးႏင ပးေပါငးတငဆကပါသည။
Myanmar photographer Minzayar Oo has been documenting Myanmar’s hardly accessible jade mines for years. 90% of the world’s highest-quality jade comes from Kachin State. This trade is worth billions of dollars annually, yet, according to studies by international watch groups, only a small fraction of the profits benefit the country’s citizens.
The “cursed treasure” is also responsible for huge environmental damage, corruption, conflict, and drug addiction, and remains one of the most challenging issues that Myanmar faces. This exhibition is presented in collaboration with Natural Resource Governance Institute.
THE PRICE OF JADEBy Minzayar Oo
Exhibition from February 18 to March 4 Mahabandoola Park
©M
inza
yar O
o
EXHIBITIONS
ေျမလနျခငး (ခြနလတ၊ မငးေဇယာဦး၊ ယယျမငသနး၊ အနဒေရ မာေလဘာ၊ မတဂေရ႕၊ ေလာရနဒကဆကာႏင ဆသပကရစဆနနာဗာရင)
ျမနမာနငငသည သဘာဝ သယဇာတအရငးအျမစမား၊ ေရနႏင ဓာတေငြ႔မား၊ သဘာဝေကာကမကရတနာမားႏင ဓာတသတမား၊ ေဒသတြငး အႀကးမားဆး သစေတာဧရယာမားျဖင ေပါမားကြယဝလပါသည။
သ႔ရာတြင စညးမဥးစညးကမးမား မရျခငးႏင ထနးသမးမႈကငးမျခငးတ႔သည အကငပကျခစားမႈႏင ပဋပကၡမားက ဦးတညေစခသည။ ယငးျဖစရပမားက ေဒသချပညသမားႏင သဘာဝပတဝနးကငက ႀကးႀကးမားမား ထခကပကစးေစေနရပါသည။
ေျမလနျခငး (UNEARTH) သည ျမနမာနငင၏ လမႈဘဝအေျခအေနႏင ပတဝနးကငဆငရာ သကေရာကမႈမားက မတတမးတငသည စမကနးျဖစပါသည။ ယငးက ရနကနၿမ ႔ရ ျမနမာဒဌက စမေဆာငရြကၿပး သဘာဝသယဇာတအရငးအျမစအဖြ႔အစညးက ပပးေပးပါသည။
Myanmar’s diverse landscapes contain rich natural resources, from oil and gas reserves to vast gemstone and mineral deposits, along with some of the region’s largest intact forests.
However, lack of regulation or oversight has led to an industry plagued by corruption and conflicts, which continue to have a damaging impact on communities and environments throughout the country.
UNEARTH is a project that documents the social and environmental impacts of Myanmar’s extractives sector. It is managed by Myanmar Deitta in Yangon and supported by the Natural Resource Governance Institute.
UNEARTHby Hkun Lat, Minzayar Oo, Yu Yu Myint Than, Andre Malerba, Matt Grace, Lauren DeCicca, and Suthep Kritsanavarin.
©H
kun
Lat /
NRG
I
Exhibition from February 18 to March 4 Mahabandoola Park
©A
MBE
R by
Hku
n La
t / N
RGI
EXHIBITIONS ဦးသနးေမာင | ပထမဆး ဓာတပဝါသနာရင (ျမနမာဓာတပေမာကြနးမ လးကပဘခ စစဥပါသည။)
ဦးသနးေမာင (၁၉၁၈-၁၉၉၂) သည ျမနမာႏငငဓါတပအသငးက တညေထာငခသမားအနက တစဦးျဖစၿပး အဖြ႔ဝငအမတမာ တစ ျဖစပါသည။
ဦးသနးေမာငသည မမဘဝတစေလာက ေဆာငရြကခေသာ ကစၥရပမားက မးဆကသစမားအတြက မတတမးတငထားလခသည။ သ႔ေသာလညး လြတလပေရးမရမေခတက ဦးသနးေမာင ႐ကကးခသည ပအမားစမာ ကမေကာငးစြာျဖင ေပာကဆးခရပါသည။ ယချပပြႏင တြလကပါ စာအပျပပြတြင ျပသထားေသာ ဓာတပမားသည တစေခတတစခါက ျမနမာျပည၏ ပကစးယယြငးမႈမားအၾကားမ ေမာလငခကမား ထငဟပေနေသာ ပမားပငျဖစသည။
ဦးသနးေမာင၏ မသားစႏင ေဆြမးမားအေပၚထားရသည ေမတာက ယငး႐ကကးထားသည ပမားတြင အထငးသား ေတြ႔ျမငႏငပါသည။ ဓာတပကးအေမာငခနးအတြငး အေရာငကးရာတြငလညး ဦးသနးေမာငသည ထးထးကက အႏပညာေျမာကစြာ ကးတတပါသည။
U Than Maung (1918–1992) was one of the founders of theBurmese Photographic Society (card member No.1) and one ofMyanmar’s most important amateur photographers.
He understood that the events of his lifetime had to be documented for future generations. Sadly, most of his material from before independence has been lost. The images presented in this exhibition and the accompanying book show a devastating and yet hopeful period in Myanmar’s history.
U Than Maung’s love for his family and kinsmen are depicted in many of his wonderful portraits. His craftsmanship in the darkroom, along with his artistic colouring skills, was also remarkable.
U THAN MAUNG, the No.1 Amateur PhotographerCurated by Lukas Birk (Myanmar Photo Archive)
Exhibition from February 18 to March 4 Mahabandoola Park
©U
Tha
n M
aung
EXHIBITIONS
ဓာတပပညာက ကထးအျဖစ အသးျပျခငး(ေဘေဘးႏင ဝမးဒါး႐ကကး၍ ေမကႏင တငဆကသည။)
စမတဖနးမားနင လမႈကြနရကမားေၾကာင ဓာတပရကျခငးသည ကမာၻသးစကား ျဖစလာခပါသည။အခ႕ျဖစရပမားတြင ဓာတပ႐ကျခငးသည ကယတငကငႏငသည ကထးတစရပအျဖစ အကးရလပါသည။
ပထမျပကြကတြင အသက ၂၇ ႏစအရြယရ ျမနမာဓာတပဆရာမ ေဘေဘးတစေယာက အရကစြေရာဂါ ခစားခရစဥက ျမငကြငးမားက ကယတင႐က ဓာတပမားႏင ပနးခမား ေပါငးစပျပသသြားမည ျဖစပါသည။ ေဘေဘး၏ အႏပညာေဆာငရြကမႈမားက အရကႏြထ စးစးျမပ မသြားေစရန ႀကးတစမငအျဖစ ကနေနကာ စးရမပပနမႈမားက ေလာကသြားေစခေၾကာငး ျမငေတြ႕ၾကရပါမည။
ဒတယျပကြကတြင စခြမျပညနယသ ဝမးဒါးက တငဆကသြားပါမည။ ဝမးဒါးသည စတမခမးေျမ ႔ဖြယ မေတာတဆမႈတစခမ ရရခေသာ မကႏာအမာရြတမားက ကယတငေရးပတမားက ျပလပ၍ လကခႏငေစရန ၾကးစားေနရပက ျမငေတြ႔ရၾကရပါမည။
With the advent of smartphones, the practice of photography has become universal; it is an essential part of the new language used on social media. In some cases, it can also be a very effective form of personal therapy.
In our first exhibition, Bay Bay, a 27-year-old Myanmar artist, deals with her alcoholism through self-analytical photo-montages and drawings. Creating acts like a rope to keep her afloat and help counter her anxieties.
The second exhibition is by Wonder, a Sichuanese artist who makes self-portraits with her body in order to deal with the trauma of an accident that left scars on her face.
PHOTOGRAPHY AS THERAPYBy Bay Bay and Wonder, curated by Mayco Naing
OPENINGThursday 21 February | 6.00 pm | Goethe Institute
Exhibition from February 21 to March 4 | Goethe Institute
©Ba
y Ba
y
©W
onde
r
RUMAH (HOME) by Anton Ismael
©An
ton
Ism
ael
EXHIBITIONS
ျပနလညေဖာထတျခငး - ပေအကလယာႏင ဒေအအာဟဂာတ႔၏ အမတရဖြယ
(ျမနမာဓာတပေမာကြနးမ လးကပဘခႏင ကာမငးဘာခေယာလတ႔၏ ဓာတပျပပြႏင စာအပထတေဝမႈ)
ပေအကလယာႏင ဒေအအာဟဂာတ႔သည ျမနမာႏငင၏ ကလနေခတအေစာပငးကာလမားက အေရးပါသည ဓာတပဆရာမား ျဖစပါသည။ ယငးတ႔၏ ဘဝအေၾကာငးက အနညးငယမသာ သၾကရေသာလညး ႏစဦးသားသည ျမနမာယဥေကးမႈမား ထငဟပေနသည ဓာတပမားက ရႈေထာငစက ႐ကကးခၾကပါသည။ ဤပရပမားက ကလနေခတ စးပြားျဖစဓာတပဆရာမားက ရကကးချခငးျဖစၿပး ၾကညရႈသမား အေနျဖင သမငးေၾကာငး ေနာကခတနဖးမားက ျပနလညသးသပကာ ယငးဓာတပမားတြင လြနခေသာ ႏစ ၁၀၀ က ျမနမာႏငငအေၾကာငးမား မညသ႔ ေျပာျပေနပါသနညးဟ ေမးခြနးထတသငပါသည။
Philip Adolphe Klier and D.A. Ahuja were two of the most important image-makers from Myanmar’s early colonial era. They form an integral part of Myanmar’s visual heritage, and their reproductions have been used in many different forms, yet we know very little about their lives. These images were created by commercial photographers during the colonial period, and we must rethink the original historical context that influenced their production. The question we ask in this exhibition is: what do these images really tell us about life in Myanmar 100 years ago?
REPRODUCED Rethinking P.A. Klier and D.A. AhujaExhibition/book launch by Lukas Birk & Carmín
OPENINGThursday 21 February | 6.00 pm | Goethe Institute
Exhibition from February 21 to March 4 | Goethe Institute
©P.
A. K
lier
©D
.A. A
huja
ဒျမနမာစတရလ႔ေခၚတ ဇာတလမးေတြက အညတရသရေကာငးေတြရ႕ဘဝဇာတခ အစစေတြျဖစသလ သတ႔တစဦးခငးစရ႕ဂဏသကၡာ၊ သတန႕တညၾကညမႈေတြကလညး ႏလးသားက
ထရေစပါတယ။ ဒဇာတလမးေတြက ျမနမာနငငတစဝမး လငယဓါတပဆရာေတြက မတတမးဓါတပန ရနကနဓါတပပြေတာ သငတနးကာလမားမာ ရကကးခၾကပါတယ။
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on our Facebook magazine.
@Myanstories
©Sa
n Sa
n M
aw
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