Private Collections at Auction

Private Collections20 September 2014

Discovering Extraordinary Objects For 85 Years

We are pleased to announce Art+Auction Magazine has named Charlton Hall as one of the Top 250 Auction Houses Worldwide

Explore With Us at www.CharltonHallAuctions.com

CELEBRATING 85 YEARS OF DISCOVERING EXTRAORDINARY OBJECTS

SALE DATE & TIME:Saturday 20 September, beginning at 10am

PREVIEW EXHIBITION:Opening Reception: Saturday 13 September (4pm–7pm) Wednesday 17 September (12noon–8pm)Thursday 18 September (10am–6pm) Friday 19 September (10am–6pm) Saturday 20 September (8am–12noon)and by prior appointment

CHARLTON HALL AUCTIONEERS7 Lexington DriveWest Columbia, South Carolina 29170Tel: (803) 779-5678Fax: (803) [email protected]

Catalogue $30 at gallerySale No. SC273

Always Accepting Quality Consignments

Private Collections at Auction

Property from Florida, Georgia, Illinois, New Hampshire, New York, Pennsylvania, Texas, Virginia and the Carolinas

Auctioneer & Firm LicensesCharlton Hall Galleries, Inc., Firm 1316FRonald D. Long, SCAL No. 509Jeffery C.D. Long, SCAL No. 3942Betsy J. Hackett-Davis, SCAL No. 4229

WWW.CHARLTONHALLAUCTIONS.COM

Ft. Lauderdale, FloridaOldsmar, FloridaSarasota, FloridaTampa, Florida

Vero Beach, FloridaAtlanta, GeorgiaAugusta, GeorgiaEvans, Georgia

Fitzgerald, GeorgiaGrovetown, GeorgiaMartinez, GeorgiaSavannah, GeorgiaChicago, IllinoisNew HampshireNew York City

Asheville, North CarolinaCharlotte, North CarolinaMatthews, North Carolina

Wilmington, North CarolinaZebulon, North Carolina

PennsylvaniaAiken, South CarolinaCamden, South CarolinaCameron, South CarolinaCharleston, South CarolinaEdgefield, South CarolinaColumbia, South CarolinaLexington, South Carolina

Myrtle Beach, South CarolinaOrangeburg, South CarolinaSt. George, South CarolinaSumter, South Carolina

Houston, TexasArlington, VirginiaLynchburg, VirginiaWest Virginia

Featured Collections

1GEORGE NELSON MID-CENTURY MODERN

THIN-EDGE CABINET WITH DESK DRAWER, FORHERMAN MILLERcirca 1955, rectangular case with fallfront opening tofitted interiors and writing surface, above drawers andflanked by cabinet door concealing shelves anddrawers; designed by George Nelson and manufacturedby Herman Miller; H40 3/4” W56” D18 1/2”$1,000-2,000Provenance: Columbia, South Carolina estate

2FINN JUHL MID-CENTURY MODERN LOW

TABLE-BENCH, FOR BOVIRKE(Danish, 1912-1989) rosewood slab top with raisedbrass edge on blackened metal and turned wood legs,no label present, designed 1953 and manufactured byBovirke; H16 1/2” L88 3/4” W17 3/4”$1,500-3,000Provenance: Matthews, North Carolina privatecollection by descentPurchased in 1963 by present owner’s parents fromReese Palley, Atlantic City, New Jersey

3MAHOGANY AND GLASS DINING TABLE, BY TOMWILLIAMSorganic free-form base, with triangular supports andglass top; H29 1/4” W42” L97”$1,000-1,800Provenance: Atlanta, Georgia private collectionOther Notes: Tom H. Williams is a bronze and woodsculptor based in of Atlanta, Georgia. His work hasbeen exhibited and sold throughout the southeast andin Oregon. Currently, he is an instructor at SpruillCenter for the Arts in Atlanta.

4ROCHE BOBOIS BLACK LEATHER ANDLUCITE DESK, WITH ACCOMPANYING CHAIRcurved paneled top on slab sides with pairs ofsmall drawers, together with black leather chairon swivel base with casters; desk H30” W74 3/4” D35”, chair BH35 3/4” SH20”W31” D25” (2pcs)$1,000-2,000Provenance: Atlanta, Georgia privatecollectionOther Notes: Purchased from Roche Boboisin the mid 1980’s by current owner’s family.

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4 WWW.CHARLTONHALLAUCTIONS.COM CELEBRATING 85 YEARS OF DISCOVERING EXTRAORDINARY OBJECTS

5FINN JUHL MID-CENTURY MODERN LOW

TABLE-BENCH, FOR BOVIRKE(Danish, 1912-1989) rosewood slab top with raisedbrass edge on blackened metal and turned wood legs,paper label partly visible: BO-EX 1767, designed1953 and manufactured by Bovirke; H16 1/4” L44 1/8” D17 3/4”$1,000-2,000Provenance: Matthews, North Carolina privatecollection by descentPurchased in 1963 by present owner’s parents fromReese Palley, Atlantic City, New Jersey

6PAIR WARREN PLATNER SIDE TABLES FOR KNOLLcirca 1966, pattern #3710, wire and glass design, H18 1/2” Dia.16” (2pcs)$800-1,400Provenance: Atlanta, Georgia private collection

7ART DECO STYLE ROSEWOOD AND IRON DINING

TABLE, RALPH LAUREN BY HENREDONrectangular square-edge top fitted with one 22” leaf, oniron trestle base with wood plinth; accompanying tablepads; H29 3/4” W50 1/8” L112” open$1,000-2,000Provenance: Atlanta, Georgia private collection

8PAIR MID-CENTURY MODERN FREDRIK KAYSERROSEWOOD ARMCHAIRS(Norwegian, 1924-1968) Model 711 with originalupholstered back and seat, no label present; BH28”SH15” W27 1/2” D22 1/2” (2pcs)$700-1,000Provenance: Matthews, North Carolina privatecollection by descentPurchased in 1963 by present owner’s parents fromReese Palley, Atlantic City, New Jersey

9SET WASSILY STYLE CHAIRSchromed steel & stitched leather; BH28 1/2” W28 1/2” D28 1/2” (4pcs)$500-800Provenance: Deaccessioned from a South Carolinamuseum to benefit the acquisitions fund

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10BLUE PEARL SQUARE-TOPPED GRANITE

COFFEE TABLE20th century; H16” Sq.42”$500-700Provenance: Atlanta, Georgia private collection

11YRJO KUKKAPURO MID-CENTURY MODERN

TWO-SEAT ATELJEE SOFA, FOR HAIMI(Finnish, b. 1933) rosewood with loose cushions,designed by Yrjo Kukkapuro and manufacturedby Haimi, metal label: Suomi, Haimi; H27 1/2”W62” D31”$500-900Provenance: Matthews, North Carolina privatecollection by descentPurchased in 1963 by present owner’s parentsfrom Reese Palley, Atlantic City, New Jersey

12FRENCH ART DECO ARMCHAIRcirca 1930, rounded back and arms flanking looseseat cushion, upholstered in leopard print fabric;BH27” SH151/2” W37” D34”$300-500Provenance: Atlanta, Georgia private collection

13PAIR STEEL OCCASIONAL TABLESlate 20th century, trapezoid form; H21” Sq.13 7/8” (2pcs)$200-300Provenance: Atlanta, Georgia private collection

13APAIR GEORGE KOVACS FEATHER FLOORLAMPSblack finish with adjustable arm, H58” W37”(2pcs)$300-600Provenance: Atlanta, Georgia private collection


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14BOAZ VAADIA(New York, b. 1951)YIG’AL, 1998bronze, bluestone, and boulder, signed & marked on base: BV, APH26” W19 1/2” D19 1/2”$10,000-15,000Provenance: Atlanta, Georgia private collection

15JIM DINE(New York/Ohio, b. 1935)A ROBE IN LOS ANGELES, 1984color lithograph, framed, signed, numbered & dated 41/50sheet size H54” W34”$3,000-5,000Provenance: Atlanta, Georgia private collection

16LEONOR FINI(French, 1908-1996)three works: BOOK ILLUSTRATIONSwatercolor and gouache, unframed, signed lower right, and backingpaper with notations reading: To Chapter XII, page 153, another ToChapter II, page 37; and the last To Chapter II, page 45sheet size H11 1/2” W16 1/4” to H18” W14” (3pcs)$1,000-1,500Provenance: Property of a gentleman

17CLAES THURE OLDENBURG(New York, b. 1929)ROLLING COLLAR AND TIEcolor lithograph, shadowbox frame, signed & numbered 17/52sheet size H37 1/2” W27 1/4”$800-1,200Provenance: Atlanta, Georgia private collection

18PHILIP CAMPBELL CURTIS(Arizona/Michigan, 1907-2000) ABSTRACToil on board, unframed, signed lower rightH4” W3 1/2”$500-1,000Provenance: Arlington, Virginia private collectionOther Notes: Accompanied by 1967 handwritten letter from theartist addressed to Mrs. Margaret Parker.

19BERNARD VILLEMOT ADVERTISING POSTER(French, 1911-1989)BALLY, c 1974lithograph, framed, signed in platesight size H61 3/4” W44”$700-900Provenance: Isle of Palms, South Carolina private collectionOmnibus Gallery, Aspen, Colorado, 1987


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20GLENN GOLDBERG(New York, b. 1953)OP-87pencil, ink, acrylic and enamel onpaper, framed, unsigned, verso withM. Knoedler & Co labelsheet size H31 1/2” W22”$500-800Provenance: Atlanta, Georgiaprivate collection

21HAKAN REHNBERG(Swedish, b. 1953)UNTITLED, 1989oil on concrete, signed & dated on versoH15 3/4” W14” D2 1/2”$500-800Provenance: Atlanta, Georgia private collection

22YAACOV AGAM(Israel, b. 1928)COORDINATION I, c. 1979multicolor kinetic screenprint and gold paper, framed,signed, sheet size H28 1/2” W51”$400-600Provenance: Atlanta, Georgia private collection

23MID-CENTURY MODERN SCULPTURE BY WILLIAM

FRIEDLE(New York, circa 1960s), FISH, copper and glass,signed H25” W25” D10”$400-600Provenance: Atlanta, Georgia private collection

24BABS ARMOUR(American, 20th century)RUSHING BYcolor ektachrome photo montage, framed, signed & titledimage size H33 1/2” W50”$400-600Provenance: Atlanta, Georgia private collection

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25SCOTT HADFIELD(Rhode Island, b. 1953)LAW LIKE LOVE, 1986enamel on wood, signed, dated & titledon versoH48 1/2” W35”$400-600Provenance: Atlanta, Georgia privatecollectionOther Notes: Verso bearing BarbaraKrakow Gallery, Boston MA, gallerylabel, inventory # 2358.

26CUBIST SCHOOL, MID 20TH CENTURYSTILL LIFEoil on canvas, original frame, indiscerniblysigned lower rightH26” W16”$300-500Provenance: Columbia, South Carolinaprivate collection

27QUANTE AND WALCOT ETCHINGSOtto Quante (German, 19th cent.) MARKET SCENEWilliam Walcot (Russian/British, 1874-1943) LOWER BROADWAYframed, image sizes H6 1/4” W5 3/4” andH5 1/2” W4 1/2” (2pcs)$300-500Provenance: Chicago, Illinois privatecollectionArthur Ackermann & Co, Chicago

28JOHN A. OKULICK(California, b. 1947)ROUNDABOUTcarved wood and painted metal construction, signed and marked: onbase, J. Okulick, Roundabout, F6-07-08H38” W16”$300-500Provenance: Atlanta, Georgia privatecollection

29RICHARD LINDNER(New York/German, 1901-1978)PROFILE (from After Noon)color lithograph, framed, matted withno visible signaturesight size H23 1/2” W19 1/2”$200-400Provenance: Atlanta, Georgia privatecollection

30PETER HALLEY(New York, b.1953)FLUKE, 1991lithograph & silkscreen, framed,signed & numbered 42/50image size H24” W34”$200-300Provenance: Atlanta, Georgia privatecollection


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31GEORGIAN STYLE MAHOGANY AND

BRASS-BOUND WINE COOLERlate 19th century, coopered oval form with lion’s-head ring pulls and lead liner, on cabriolelegs with pad feet; H22” W25 1/2” D17 1/2”$800-1,200

32GEORGIAN MAHOGANY BOX19th century, bail handle on hinged lid; H6 1/2”W10” D5 1/2”$300-400Provenance: Charlotte, North Carolina privatecollection

33ENGLISH INLAID MAHOGANY COLLECTOR’SCABINET ON STANDfirst half 19th century, leather-inset molded edge topover reeded frieze and two doors, on stand withchamfered legs joined by pierced molded stretcher.H45” W18 1/2” D10 1/4”$600-800Provenance: Camden, South Carolina collection

34ENGLISH INLAID MAHOGANY BOXcirca 1840, hinged lid with urn inlay, drop-bail handles, on brass ball feet; H7 3/4” W11” D7 1/2”$300-400Provenance: New Hampshire collection

35ENGLISH INLAID MAHOGANY BOX AND TEA CADDY19th century, square caddy, H4 1/2” W3 3/4” D3 1/2”; and chamfered box, H5” (2pcs)$300-400Provenance: Charlotte, North Carolina privatecollection

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36ENGLISH INLAID MAHOGANY DOUBLE TEA CADDY19th century, floral and cartouche designs; H6” W9”D5 1/4”$300-400Provenance: Charlotte, North Carolina privatecollection

37ENGLISH MAHOGANY AND BRASS-BOUND TRAYcirca 1820, oval form with handles and scallopedgallery; H3 7/8” W19 3/4” D13 1/2”$300-400

38GEORGIAN STYLE MAHOGANY CELLARETTE19th century, octagonal hinged lid opening to brass fitted interior, on tapered legs; H27 1/2” W18” D17 1/2”$500-800Provenance: Camden, South Carolina collection

39ENGLISH INLAID MAHOGANY BOX19th century, coffered hinged lid and with brassescutcheon; H7” W12” D5 1/2”$200-400Provenance: Charlotte, North Carolina privatecollection

40CONTINENTAL ENAMELED COPPER TRINKET BOX19th century, hinged lid with port scene of ships atharbor, bowl with floral sprigs; H1 3/4” Dia.5”$200-300Provenance: Camden, South Carolina collection

41MAHOGANY SILVER CHESThinged top inset with brass plaquette engraved withinitials EDG; H10 1/2” W19 1/2” D15”$200-400Provenance: Fitzgerald, Georgia private collection


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42BURLWOOD BOX AND DISH19th century, box, H3” and dish, Dia.5 3/4” (2pcs)$100-200Provenance: Oldsmar, Florida private collection

43VICTORIAN CANE COLLECTION19th century, comprising:horn and silver, L32 1/2”2 metal-bound bamboo, H31 1/2” and 34”faux shell and bamboo, L35 1/2” (4pcs)$200-400Provenance: Charlotte, North Carolina private collection

44GEORGE II PARCEL-GILT MIRRORmid to late 18th century, broken-arch and floral pediment aboveClassical frieze and offset corners, scroll and bellflower frame insetwith looking glass plate; H66” W29 1/2”$2,000-4,000Provenance: Columbia, South Carolina private collection

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45REGENCY GILTWOOD BULL’S-EYE MIRROR18th century, molded circular frame surmountedwith eagle and scrolling acanthus, installed withball accents and enclosing black fillet and convexmirror; H35 1/2” W25”$1,000-2,000Provenance: Atlanta, Georgia private collectionPurchased in Atlanta in 1983

46ADAM STYLE CARVED GILTWOOD LOOKING

GLASSfirst half 19th century, carved pineapple and urnpediment, with leaf swags, gadroon oval frame andgirandoles, molded lower part with bow and drapery decorations; H29 1/4” W11 1/2” D5 1/2”$600-800Provenance: New Hampshire collection

47CHIPPENDALE STYLE MAHOGANY AND PARCEL-GILT MIRROR, COLONIALWILLIAMSBURGscrolling frame surmounted with crest of plumes, enclosing beveled mirror; H47” W28 3/4”$400-600Provenance: Charlotte, North Carolina private collection

48REGENCY STYLE MAHOGANY TRIPLE-PEDESTAL DINING TABLEmid 19th century, crossbanded rounded rectangular top on baluster turned pedestalswith reeded saber legs and brass casters; fitted with two 21-inch leaves; H27 3/4”W48” L142” (open)$4,000-6,000Provenance: Isle of Palms, South Carolina private collection


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49GEORGIAN INLAID MAHOGANY SIDEBOARDcirca 1840, serpentine top over drawers and taperedlegs with spade feet; H36” W60” D29”$1,500-2,500

50CHIPPENDALE STYLE CARVED MAHOGANY DINING

CHAIRS, SET OF TWELVElate 19th century, shaped shell-carved crestrail, scrolling armrests, molded seatrail centering shellmotif, on cabriole legs with ball-and-claw feet; BH41”SH18” W24” D20” (12pcs)$3,000-4,000Provenance: Isle of Palms, South Carolina privatecollection

51GEORGE III INLAID MAHOGANY BOWFRONT

CHEST OF DRAWERScirca 1800, shaped top with boxwood purfling, onconforming case with three short and three long graduated drawers, with shaped apron and splay feet;H39 7/8” W43 3/4” D23 1/8”$800-1,100

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52ENGLISH INLAID MAHOGANY CORNER CABINETlate 19th century, dentil molded crown above divided glazed panel doors; on molded panel door lower part with bracket feet; H88 1/2” W39” D28”$900-1,400Provenance: Isle of Palms, South Carolina private collection

53PAIR REGENCY STYLEMAHOGANY AND CANE

ARMCHAIRSlate 19th century, beaded framewith cane seat panel, turned legsunified by X-stretcher; BH32 1/2” SH17” W21 1/4”D21” (2pcs)$500-800

54HEPPLEWHITE MAHOGANYBREAKFAST TABLE, PROBABLYAMERICANfirst quarter 19th century, hingedD-shaped drop-leaves, fitteddrawer on tapered legs with casters; H28” D40” W22” andopen 40”$500-800

55GEORGE II INLAID WALNUT

CHEST ON CHESTlate 18th century, molded cornicewith canted corners over conforming case with three overthree drawers flanked by stop-fluted corners with lamb’stongues, on waist-molded lowerpart with brushing slide and threelong drawers, on bracket base;H76” W42 1/2” D22 1/2”$3,000-5,000Provenance: Fitzgerald, Georgiaprivate collection


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56GEORGE III MAHOGANY BUREAUcirca 1800, fallboard conceals interior fittedwith drawers and pigeonholes, over four long graduated drawers, on bracket base;H41 3/4” W37 1/4” D19 1/4”$700-1,000

57GEORGE III CARVED MAHOGANY LINEN

PRESS, POSSIBLY IRISHcirca 1800, dentil molded and blind fretworkcrown, molded panel doors, fitted interiors;on lower part with drawer and bracket feet;H73 1/2” W48” D24”$1,500-2,000

58PAIR ADAM STYLE PAINTED SATINWOOD CONSOLE

TABLEScrossbanded ribbon-and-urn painted D-shaped top, on turned fluted legs joined by molded stretchers; H31 3/4” W36 1/2” D15 1/2” (2pcs)$600-900Provenance: Mount Pleasant, South Carolina privatecollection

59ADAM STYLE CARVED PINE MANTEL SURROUNDlate18th/early 19th century, lamb’s-tongue edge overfluted urn-carved frieze, on carved and molded supports; H50 1/2” W61 1/2” D8 1/4” inside H34”W33 3/4”$700-1,000Provenance: Camden, South Carolina collection

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60REGENCY STYLE ROSEWOOD AND BRASS TIERED

CHIFFONIERlate 19th century, superstructure of two shelves withthree-quarter galleries, X-form supports and mirroredback, on cabinet with doors having wire inserts, onplinth; H54 1/2” W42” D16”$800-1,200Provenance: Charleston, South Carolina privatecollection

61ENGLISH CARVED MAHOGANY AND

LEATHER LIBRARY ARMCHAIRtopnailed back and seat flanked byoutscrolled arms terminating in bird’s heads,on cabriole legs with shell-carved knees,scaled legs and ball-and-claw feet; BH39”SH21” W30 3/4” D28”$500-700Provenance: Ft. Lauderdale, Florida privatecollection

Literature: A similar example can be seen inTHE SHORTER DICTIONARY OFENGLISH FURNITURE, p.136, fig.77.

62QUEEN ANNE STYLE WALNUT LOWBOYearly 19th century, rectangular molded topover case with three drawers and scallopedskirt, on cabriole legs with pad feet; H29 1/2” W39” D23”$500-800Provenance: Charlotte, North Carolina privatecollection

63ADAM STYLE BOWFRONT CARVED MAHOGANY

CONSOLE TABLElate 19th century, shaped and banded top withguilloche-carved edge, over conforming skirt with central drawer embellished with bellflower drapery, ontapered fluted legs with spade feet; H36” W45” D23 7/8”$800-1,200Provenance: Charleston, South Carolina privatecollection

64ENGLISH INLAID MAHOGANY WINE CABINETlast quarter 19th century, serpentine crossbanded topover configuration of drawers and doors including bottle drawer, on tapered legs with spade feet; H29 3/4” W31 1/2” D21”$700-1,000


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65GEORGE III MAHOGANY PEMBROKE TABLEfirst half 19th century, rectangular top with square-edge drop leaves, with single frieze drawer, onchamfered legs terminating in lamb’s tongues and unified by X-stretcher, on casters; H27 5/8” W41 3/8”open D24”$400-600Provenance: Charlotte, North Carolina privatecollection

66WILLIAM IV MAHOGANY AND NEEDLEWORK

FIRESCREEN19th century, framed panel of hunting party on turnedpole and tripod base; H61 1/2” Dia.18”$300-500Provenance: Fitzgerald, Georgia private collection

67ENGLISH MAHOGANY BOWFRONT CHEST OF

DRAWERSmid 19th century, shaped top and conforming casewith two short and two long drawers, on splay feet;H35 7/8” W35 3/4” D20”$700-900

68VICTORIAN PAPIER-MACHE AND NACRE TEA TABLE

WITH PAIR SIDE CHAIRSearly 20th century, table with scalloped tilt top, baluster pedestal and three shaped legs, decorated withmother-of-pearl, gilt and floral designs, H26” Dia.27 1/2”; accompanied by pair black lacquer sidechairs with cane seats, BH34 1/4” (3pcs)$400-700Provenance: Atlanta, Georgia private collection

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MAHOGANY CORNER

WASHSTANDfirst half 19th century, shapedgallery with shelf, drawer, platform stretcher and splayfeet; H48 1/2” W25” D17”$300-500

70MAHOGANY HANDKERCHIEF

TABLE19th century, square top withtriangular drop leaf on octagonal legs; H28” Sq.34”$300-500Provenance: Charlotte, NorthCarolina private collection

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71VICTORIAN CHINOISERIE

DECORATED TILT-TOP TABLEcirca 1890, figural landscape-decorated quatrefoiltop on pedestal with saber legsand pad feet; H27” W20”D26 1/2”$300-500Provenance: Pennsylvaniaprivate collection

72THOMAS GAINSBOROUGH(CIRCLE OF)(British, 1727-1788)PORTRAIT OF LADY INBLUE SILKoil on canvas, framed, unsignedH50” W40”$3,000-5,000Provenance: New York privatecollection


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73BRITISH SCHOOL, LATE 18TH/EARLY 19TH CENTURYLADY IN BLUE GOWN, circa 1800oil on canvas, framed, unsignedH49” W39 1/2”$1,000-1,500Provenance: New York private collectionChristie’s New YorkColumbus Museum of Art, Ohio, #7.025, gift of Mr. and Mrs. Oppenheimer

76JOSEPH HORLOR(British, 1809-1887)LANDSCAPEoil on canvas, framed, signed lower leftH18” W26”$700-900Provenance: Columbia, South Carolina private collection

77WILLIAM RUSSELL FLINT(Scottish, 1880-1969)SLIPPERY STEPSdrypoint, framed, signed & numbered lower margins, XXIimage size H9 1/2” W6 1/2”$600-900Provenance: Chicago, Illinois private collectionArthur Ackermann & Co, Chicago (D16-65, 6657)

78A. DE BREANSKI(British, late 19th century)EARLY MORNINGoil on canvas, framed, signed: lower left: A. de BreanskiH20” W30”$500-800Provenance: Evans, Georgia private collection


74J. MURDAY(British, 19th century)TARTAR OF HULLoil on canvas, framed, signed & dated lower left 1842H24” W36”$1,500-3,000Provenance: Camden, South Carolina collection

75J. MURDAY(British, 19th century)PRINCE OF SAXE COBURGoil on canvas, framed, signed & dated lower left 1819H24” W36”$1,500-3,000Provenance: Camden, South Carolina collection

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79CHARLES PARSONS KNIGHT(British, 1829-1897)ISLE OF ARRANoil on canvas, framed, signed lower rightH11” W22”$500-800Provenance: Charlotte, North Carolina privatecollection

80BASIL NIGHTINGALE(British, 1864-1940)NOW THEN UNCLE!pencil and watercolor, framed, signed & dated upperright 1908sight size H23 1/2” W29 1/2”$700-1,000Provenance: Pennsylvania private collection

81J. D. MORRIS(British, late 19th century)IN THE HIGHLANDSoil on canvas, framed, signed lower right: J.D. MorrisH20” W30”$500-800Provenance: Evans, Georgia private collection

82JOHN CHARLES MAGGS(British, 1819-1895)FOX HUNToil on canvas, signed & dated lower right with initialsM, 99H9” W12”$400-800Provenance: Pennsylvania private collection

83EQUESTRIAN MEZZOTINTS AFTER EDWARD TROYEREVENUE & ASTEROID from TwentyHand-Colored Prints after Original Paintings ofFamous American Thoroughbreds, published 1932.framed alike, both numbered 100/110sight size H17” W20 1/2” (2pcs)$300-500Provenance: Charlotte, North Carolina privatecollection

84WILLIAM HOGARTH (AFTER)(British, 1697-1764)nineteen works: MARRIAGE A LA MODE, THEFOUR STAGES OF CRUELTY, A HARLOT’SPROGRESS (suite of 6); SARAH MALCOLM,SHRIMPS, and ROYAL SPORT PIT TICKETetchings, unframed, signed & titled lower margin inplateimage sizes H14” W17 1/2”, H14” W11 1/2”, H19 1/4” W25” (19pcs)$400-800Provenance: South Carolina private collection


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85CHARLES EDWARD JOHN LESLIE(British, 1839-1886)MOUNTAIN LAKE, 1868oil on canvas, period frame, signed & dated lower rightH12” W18”$400-600Provenance: Charlotte, North Carolina privatecollection

86BRITISH SCHOOL, 19TH CENTURYMOEL HEBOG, BEDDGELGERT, NORTHWALESoil on canvas, framed, indiscernible monogram lowerright, titled on stretcherH12” W20”$300-500Provenance: Charlotte, North Carolina privatecollection

87BRITISH SCHOOL, 19TH CENTURYCOWS IN STREAMoil on canvas, framed, unsignedH12” W19”$300-500Provenance: Charlotte, North Carolina privatecollection

88ALFRED WILDE(British, late 19th/early 20th century)VIEW OF LAXEY GLEN, ISLE OF MAN, 1901oil on canvas, framed, signed & dated lower rightH12” W18”$300-500Provenance: Charlotte, North Carolina privatecollection

89EDWIN H. BODDINGTON JR.(British, 1836-1905)BY THE SHOREoil on canvas, framed, signed lower rightH14 1/2” W20 3/4”$300-500Provenance: Columbia, South Carolina privatecollection

90ENGLISH SCHOOL, 20TH CENTURYRIVER LANDSCAPEoil on board, framed, signed lower left: R. HallsH9 1/2” W16 1/2”$300-500Provenance: Charlotte, North Carolina privatecollection

91BRITISH SCHOOL, 19TH CENTURYVILLAGEoil on panel, framed, unsignedH10” W14”$300-500Provenance: Charlotte, North Carolina privatecollection

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92ANTHONY JOHN MOORE(British, 1852-1915)CANAL, 1911watercolor, framed, signed & dated lower leftsight size H12 1/2” W17 1/2”$200-300Provenance: Columbia, South Carolina privatecollection

93BRITISH SCHOOL WATERCOLOR OF JAPAN, 19TH CENTURYTEMPLE BY THE WATERwatercolor, elaborate giltwood frame, signed lowerright: F.K.H9 3/4” W13 1/4”$200-400Provenance: Columbia, South Carolina privatecollection

95ART DECO DIAMOND AND PLATINUM BROOCHfirst half 20th century, approx. 0.90ct center diamondand approx. 180 side diamonds 5.5ctw in open geometric design setting, accompanied by Van Cleef &Arpels red leather box; H1 1/2” L2 3/8” and 0.9ozT$2,500-4,500Provenance: Charleston, South Carolina privatecollection

96PLATINUM AND DIAMOND ENGAGEMENT RING2.8ct emerald step-cut diamond, color FG, clarity SI2,surrounded by trapezoidal and round brilliant-cutdiamonds weighing 1.47ctw, color F-H, clarityVVS2-SI2; size 6.75$14,000-18,000Other Notes: Accompanied by UGS gemologicalreport #US910989511D.


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94DIAMOND AND PLATINUM RIVIERA NECKLACE15.5ctw round and baguette-cut diamonds, color I-J,clarity VS; L17”$15,000-20,000


97TANZANITE AND DIAMOND

COCKTAIL RING12.25ct oval tanzanite surrounded by1.75ctw round brilliant-cut diamonds in18K white gold setting; size 6.5$11,000-18,000

98ART DECO JADE, DIAMOND AND

PLATINUM RINGcirca 1940, 20x14mm oval cabochonjade surrounded by approx. 1.7ctwdiamonds in tiered platinum setting;size 7$2,000-3,000Provenance: Chicago, Illinois privatecollection

99NATURAL EMERALD AND DIAMOND

RING7.03ct oval emerald surrounded by1.35ctw diamonds in 18K white goldsetting$9,000-12,000

100ART DECO PLATINUM AND

DIAMOND ENGAGEMENT RING1.25ct round brilliant-cut diamond,color E-F, clarity VS1, in filigree settingwith diamonds and sapphires; size 8.5$8,000-12,000Other Notes: Accompanied by UGSgemological report #US910891104D.

101PINK TOURMALINE AND DIAMOND

RING7X11mm pear-shape tourmaline surrounded by baguette and round diamonds in 18K gold setting, marked:MAG, 18K; size 7.5$1,000-1,500Provenance: Columbia, South Carolinaprivate collection

102DIAMOND SOLITAIRE ENGAGEMENT

RING2.2ct pear-shaped brilliant-cut diamond,color G-H, clarity VS2 in 14K whitegold setting, size 6.25$8,000-12,000Other Notes: Accompanied by UGSgemological report #US911085207D.

103NATURAL BLUE SAPPHIRE ANDDIAMOND FASHION RING4.5ct deep blue oval sapphire surrounded by French-cut sapphires andround brilliant-cut diamonds 1.75ctw in18K white gold setting; size 6$7,000-10,000

104REGENCY INLAID MAHOGANY RENT

TABLEmid 19th century, circular banded topover frieze with four working and fourfaux drawers, on baluster pedestal andquadripartite base with four saber legs,paw feet and casters; H28 3/4” Dia.42 1/2”$3,000-5,000

97 9998

100 101 102 103

105REGENCY LACQUER AND CANE SET OF ARMCHAIRSearly 19th century, bead-and-channel frame with topnailed padded back and cane seat flanking by scrolling arms, on saber legs; BH32 1/2” SH16 1/2”W21 1/4” D23” (4pcs)$2,000-3,000Provenance: Atlanta, Georgia private collection

106GEORGE III MAHOGANY BUTLER’S SECRETARYBOOKCASEcirca 1830, molded crown over divided glazed paneldoors, lower part with desk drawer opening to fittedinteriors, three long drawers, on bracket feet; H96”W48” D24 3/8”$1,800-3,000Provenance: Griffin, Georgia private collection


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107GEORGIAN INLAID WALNUT CHEST OF DRAWERScirca 1800, rectangular crossbanded top with cantedcorners, over conforming case with three short andthree long drawers flanked by fluted pilasters, onbracket base; H41” W40 1/4” D21”$2,000-3,000Provenance: Charlotte, North Carolina privatecollection

108PAIR HEPPLEWHITE INLAID MAHOGANY AND

UPHOLSTERED LOVESEATSarched wingback, on tapered inlaid legs joined bymolded stretchers; BH38 1/2” SH20” W58 1/2”D25”$1,800-2,500Provenance: Atlanta, Georgia private collection

109WILLIAM IV CARVED MAHOGANY DROP-LEAFTABLEcirca 1835, hinged drop leaves above drawers, barley-twist pedestal and reeded saber legs on casters;H29” W21” W35 1/2”$500-700

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110111

110ENGLISH MAHOGANY WRITING DESK ON STANDlate 18th/early 19th century, rectangular slant-front case withfitted interior and brass handles, on associated stand withblind fretwork legs; H42 1/4” W18 1/4” D28 1/2”$800-1,200Provenance: Fitzgerald, Georgia private collection

111GEORGIAN INLAID MAHOGANY SIDEBOARDcirca 1830, breakfront top over drawers and doors, supportedby tapered legs with spade feet; right side fitted with smalldrawers; H37 1/2” W84 1/2” D28 1/2”$1,500-3,000Provenance: Isle of Palms, South Carolina privatecollection

112COUNCILL CRAFTSMANINLAID MAHOGANY DOUBLE

PEDESTAL DINING TABLEcrossbanded top with roundedcorners, fitted with three 22”leaves, on acanthus-carved vasiform pedestals with saberlegs terminating in ball-and-claw feet; H29” W48”L138” open$1,500-2,500Provenance: Fitzgerald,Georgia private collection

113COUNCILL CRAFTSMAN CHIPPENDALE STYLEMAHOGANY DINING CHAIRS, SET OF TENwaved crest and strapwork splat, slip seat in plain rails,on chamfered legs with H-stretcher; BH39” SH20”W20 1/4” D20 1/4” (10pcs)$800-1,200Provenance: Fitzgerald, Georgia private collection

114GEORGIAN INLAID MAHOGANY BOOKCASE ON

CABINETcirca 1810, dentil molded crown, divided glazed paneldoors; on lower part with raised and inlaid paneldoors, fitted sliding shelves, on bracket feet; H87”W48 1/2” D24”$1,500-2,500Provenance: Columbia, South Carolinaestate

115HEPPLEWHITE INLAID AND MIXED

WOOD SEWING TABLEcirca 1790, hinged oval top overconforming frieze with faux drawer andfabric bag, on tapered legs with spade feetunified by shaped undertier; H29 1/2” W21 1/8” D15”$700-900

116PAIR REGENCY STYLE ROSEWOOD SOFA TABLESrectangular molded top over frieze with candleslides,on X-form trestle base unified by scrolling stretcher;H27” W27 1/8” D17 1/8” (2pcs)$1,000-1,500Provenance: New York City private collection


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117PAIR CHIPPENDALE STYLE MAHOGANYFOOTSTOOLSlast half 19th century, slip seat in plain rails withpierced corner blocks, chamfered legs unified by H-stretcher; H18 1/2” W20 3/4” D15 3/4” (2pcs)$600-900

118REGENCY MAHOGANY AND BRASS-MOUNTEDCHIFFONIERcirca 1820, superstructure of scalloped backsplash withbrass rosettes over two tiers with turned supports, overcase with pair of doors with pleated fabric panels, onturned feet; H53 1/2” W30 3/4” D17 1/4”$1,000-1,500


CHEST OF DRAWERScirca 1820, molded edge top, over configuration ofdrawers and bracket feet; H43” W49” D23 1/2”$800-1,200

120GEORGIAN STYLE CARVED MAHOGANY CORNER

CHAIR19th century, continuous arm, crest carved with shelland acanthus, with strapwork splats, slip seat ingadroon rails with ball-and-claw front leg; BH30 7/8”SH17 1/2” W29 1/2” D28”$300-600Provenance: Charlotte, North Carolina private collec-tion


CHEST OF DRAWERScirca 1820, bowed top with boxwood purfling on conforming case with four long drawers and ogee-bracket feet; H39 1/4” W38 1/8” D21 7/8”$800-1,200

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122GEORGE III UPHOLSTERED AND MAHOGANY WING

CHAIRlate 18th century, rectangular back flanked by shapedwings extending to outscrolled arms, with loose boxcushion, on square chamfered legs joined by H-stretcher; BH45” SH20” W33” D32 1/2”$1,000-1,500Provenance: Atlanta, Georgia private collectionPurchased from Alfred Bullard, Philadelphia in 1986

123CHIPPENDALE STYLE MAHOGANY TALL POST BED,KITTENGERpencil posts flanking D-form headboard, frontal flutedposts terminating in ball-and-claw feet, unified byplain rails; with tester and toile hangings; H90” W60”L88”$1,000-2,000Provenance: Charlotte, North Carolina privatecollection

124REGENCY MAHOGANY GAMES TABLEfirst quarter 19th century, D-shaped hinged top onreeded baluster pedestal, saber legs with turned feetand casters; H29 1/2” W36” D18” and 36” open$500-800

125MAHOGANY BREAKFRONT SECRETARY BOOKCASE,BAKER FURNITUREstepped cornice over conforming cabinet with fourthirteen-light doors, on stepped out lower part with fitted secretary drawer over doors, flanked by pairs ofdrawers over doors, on plinth; H80 1/2” W62 1/4”D16”$1,000-1,500Provenance: Charleston, South Carolina privatecollection

126REGENCY CARVEDGILTWOOD

GIRANDOLE

MIRRORfirst half 19th century, eagle-and-leaf pediment abovemolded roundframe supportingscrolling candlearmsfitted with prisms;H35” Dia.18” D8 1/2”$1,000-2,000Provenance: Aiken,South Carolinaprivate collection


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126125

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127PAIR ADAM STYLE GILTWOOD MIRRORSurn issuing foliage and tendrils surmounting beadedand lappett-carved oval frame enclosing beveled looking glass; H48” W25 3/4” (2pcs)$800-1,200Provenance: Charlotte, North Carolina privatecollection

128ADAM STYLE CARVED GILTWOOD CUSHION

MIRRORsurmounted with urn issuing anthemion and leafytendrils, rectangular frame enclosing faceted andbeveled mirror panels; H56” W32”$400-700Provenance: Fitzgerald, Georgia private collection

129CHIPPENDALE STYLE MAHOGANY ANDPARCEL-GILT LOOKING GLASSscrolling frame with phoenix crest and apron with ovalshell inlay, enclosing gilt liner and beveled mirror;H36” W20”$300-500Provenance: Charlotte, North Carolina privatecollection

130FINE ENGLISH PORCELAIN URN19th century, applied floral mask designs on squarevessel flanked by bound intwined handles, unmarked;H9 1/2” W13”$500-900Provenance: Columbia, South Carolina privatecollection

131RARE PAIR DERBY PORCELAIN VASEScirca 1810, rare form with ram’s-head and acanthushandles, enameled and gilt floral, leaf and scroll motifs,marked; H10”$500-900Provenance: Camden, South Carolina collection

Literature: Twitchett, John. DERBY PORCELAIN.Woodbridge, UK: Antique Collector’s Club, 2002.illustrated p.60.

127 129128

130 131

132WEDGWOOD JASPERWARE ARTICLES19th century, tri-color vase, H7”; Portland vase, H8”;and silverplate-mounted biscuit box, H9 1/2”; eachimpressed WEDGWOOD (3pcs)$500-700Provenance: Houston, Texas private collection

133UNUSUAL FULHAM POTTERY SALT-GLAZEDTULIPIERE-COVER CACHEPOTcirca 1890, molded dome cover with removable budson massive jardiniere decorated with foliate fruit andshell motifs; impressed mark on underside HBS, 1877,Fulham; H14”$400-700Provenance: Fitzgerald, Georgia private collection

134LIVERPOOL TRANSFERWARE JAMES LEECHTANKARDmid 19th century, adorned with the Great Seal ofthe United States above JAMES LEECH cartouche opposing floral spray, strap handle anchored withflowerheads, unmarked; H5”$400-700Provenance: New Hampshire collection

135ENGLISH TRANSFERWARE PLATTERS AND PLATES19th century, comprising:5 platters, L11” to 17 1/2”stand, Dia.12 1/2”10 plates, Dia.8 1/2” to 10 1/2” (16pcs)$300-500Provenance: Charlotte, North Carolina privatecollection

136DERBY PORCELAIN VASE AND DISHESImari pattern, comprising:vase, H5 1/2”2 oblong dishes, L11”3 plates, Dia.8” to 9 1/2”2 saucers, Dia.6 1/2” (9pcs)$300-400Provenance: Charlotte, NorthCarolina private collection

137ENGLISH JAPAN OPAQUE PATTERN TUREENcirca 1814-30, probably Ridgway, vibrantly decoratedfloral transfer pattern with gilt accents, marked onunderside; H9 1/2” L13”$300-400Provenance: Camden, South Carolina collection


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138ARMORIAL PORCELAIN COVERED SOUP TUREENlate 19th century, arms of Boume with gilt vineand spearhead design and floral sprays; H10”W13” D10”$400-600Provenance: Camden, South Carolina collection

Literature: Howard, David S. CHINESEARMORIAL PORCELAIN. London: Faber &Faber, 1974. p.425.

Howard, David S. CHINESE ARMORIALPORCELAIN (vol.II). Chippenham, UK:Heirloom & Howard Ltd., 2003. p.177.

Sandon, John. THE DICTIONARY OFWORCESTER PORCELAIN (vol. I). Woodbridge,UK: Antique Collectors’ Club, 1996. p.112.

139ARMORIAL PORCELAIN COVERED WARMING DISHlate 19th century, arms of Boume with gilt vine design;H7 1/2” W16” D11 3/4”$400-600Provenance: Camden, South Carolina collection

Literature: Howard, David S. CHINESEARMORIAL PORCELAIN. London: Faber & Faber,1974. p.425.

Howard, David S. CHINESE ARMORIALPORCELAIN (vol.II). Chippenham, UK: Heirloom& Howard Ltd., 2003. p.177.

Sandon, John. THE DICTIONARY OFWORCESTER PORCELAIN (vol. I). Woodbridge,UK: Antique Collectors’ Club, 1996. p.112.

Other Notes: The original Chinese armorial service(c.1765) was supplemented by a small number of Dr.Wall Worcester replacement pieces, probably withina decade of the original order. Subsequent orderswere placed from China after the initial heraldicdesign. The Boume family name does not exist inpublic records except for the coat of arms, althoughit has been suggested that a Mr. Boome [sic] ofPutney, documented accountant and “writing mas-ter”, might have administered the first order.

140PAIR ARMORIAL PORCELAIN COVERED JARS20th century, arms of Boume with gilt vinedesign and floral sprays; H8” W6 1/4” D6”(2pcs)$300-500Provenance: Camden, South Carolinacollection

Literature: Howard, David S. CHINESEARMORIAL PORCELAIN. London: Faber &Faber, 1974. p.425.

Howard, David S. CHINESE ARMORIALPORCELAIN (vol.II). Chippenham, UK:Heirloom & Howard Ltd., 2003. p.177.

Sandon, John. THE DICTIONARY OFWORCESTER PORCELAIN (vol. I).Woodbridge, UK: Antique Collectors’Club, 1996. p.112.

141ARMORIAL PORCELAIN PLATTERlate 19th century, gilt interlocking leaf bandand floral sprays centering possible impaledarms of Jones; H2” W13 1/4” D11”$300-500Provenance: Camden, South Carolinacollection

Literature: Howard, David S. CHINESEARMORIAL PORCELAIN (vol.II).Chippenham, UK: Heirloom & HowardLtd., 2003. p.477.

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142CHINESE ARMORIAL PORCELAIN PLATEScirca 1780-1800, octagonal soup plate bearing the arms ofMorieux of Suffolk, H1 3/4” Dia.9”; together with American market pseudo-armorial plate, Dia.10”(2pcs)$300-500Provenance: Fitzgerald, Georgia private collection

Literature: Howard, David S. CHINESE ARMORIALPORCELAIN. London: Faber & Faber, 1974. p.657.

Other Notes: The Morieux family were important gentry in the14th century and Sir Thomas Morieux served as a constable ofthe Tower of London. The porcelain service was likely orderedby an 18th century descendant.

Morieux family history courtesy of Heirloom & Howard Ltd.

143ARMORIAL PORCELAIN CHARGER20th century, arms of Boume, gilt interlocking leaf bands and floral sprays; H2 1/2” W14 3/4”$200-400Provenance: Camden, South Carolina collection

Literature: Howard, David S. CHINESE ARMORIALPORCELAIN. London: Faber & Faber, 1974. p.425.

Howard, David S. CHINESE ARMORIAL PORCELAIN(vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003.p.177.

Sandon, John. THE DICTIONARY OF WORCESTERPORCELAIN (vol. I). Woodbridge, UK: Antique Collectors’Club, 1996. p.112.

144CHINESE PORCELAINMASONIC DISH, PROBABLYAMERICAN MARKET18th/19th century, oval vignetteof Masonic device; H1 1/8”Dia.5 3/4”$100-200Provenance: Camden, SouthCarolina collection


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145ANTIQUE PERSIAN SERAPI CARPETcirca 189011’10” x 14’9”$14,000-20,000

146ANTIQUE PERSIAN TABRIZ CARPET7’10” x 11’4”$3,000-5,000

147ANTIQUE INDO TABRIZ CARPET19th/early 20th century10’ x 12’8”$3,000-5,000Provenance: Atlanta, Georgia private collection

148SEMI-ANTIQUE PERSIAN TABRIZ CARPETcirca 193012’6” x 24’2”$8,000-15,000Provenance: West Virginia collection

149TURKISH OUSHAK CARPET8’1” x 9’9”$1,000-2,000

150ANTIQUE PERSIAN HERIZ CARPET9’5” x 12’5”$5,000-7,000

151SEMI-ANTIQUE RUSSIAN TURKMEN CARPET7’3” x 11’1”$700-1,000Provenance: Wilmington, North Carolina privatecollection

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149 150 151

152INDIAN AMRITZAR CARPETcirca 189013’9” x 19’3”$7,000-10,000Provenance: Atlanta, Georgia private collection

153PERSIAN KASHAN CARPET9’5” x 12’10”$500-1,000Provenance: Atlanta, Georgia collection

154SERAPI CARPET12’ x 14’9”$2,000-3,000

155ANTIQUE PERSIAN SAROUK CARPET9’ x 14’8”$4,000-7,000

156ANTIQUE PERSIAN HERIZ CARPET8’6” x 11’6”$2,000-3,000Provenance: Wilmington, North Carolina privatecollection

157SERAPI CARPET9’3” x 11’11”$1,200-1,800


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158GEORGE III MAHOGANY TAMBOUR CYLINDER DESKcirca 1790, domed tambour slides back to reveal writing surface with gilt-tooledolive-black leather panels, with central adjustable easel, having two frieze drawers,on square tapered legs with brass caps and casters; H39 1/2” W36 1/4” D24 1/4”$3,000-5,000Provenance: Atlanta, Georgia private collectionPurchased from Alfred Bullard, Philadelphia in 1988

159REGENCY MAHOGANY SIDE CHAIRS, SET OF EIGHTcirca 1815, curved and beaded backslats, with slip seat on turned legs unified byblock-and-ring turned X-stretcher; BH32 3/4” SH19 1/2” W20 1/4” D19” (8pcs)$1,800-2,800

160ENGLISH MAHOGANY

LINEN PRESSlate 18th/early 19th century,rectangular molded top overpair flat-panel doors beforelinen slides, on bracket base;H43 3/4” W47 3/4” D21 3/4”$800-1,200

158 159

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Rare Georgian Desk

161SHERATON STYLE MAHOGANY GAMES TABLEmid 19th century, scalloped folding top withconforming skirt centered with tablet, on reeded legs;H28 3/4” W36 1/2” D18”$400-700Provenance: Charlotte, North Carolina privatecollection

162GEORGE III MAHOGANY SECRETARY BOOKCASEcirca 1820, dentil-molded crown over divided glazedpanel doors, lower part with slant front before fittedinterior, over three long drawers, on bracket feet. H88”W42” D20 1/2”$2,000-3,000Provenance: Sarasota, Florida collection

163WILLIAM XIV MAHOGANY SEWING STANDfirst half 19th century, hinged drop leaves, above drawer and sewing basket, supported by reeded andturned legs with casters; H29 1/2” W18 3/4” D18 1/4”$700-1,000

164GEORGIAN MAHOGANY BOWFRONT CHEST OF

DRAWERSsecond quarter 19th century, bowfront top over twoshort and three long graduated drawers, on bracketfeet. H42 1/2” W42 1/2” D20 3/4”$900-1,200Provenance: Sarasota, Florida collection

165CHINESE CHIPPENDALE STYLECAMELBACK SOFA, POSSIBLYKITTENGERlate 19th century, serpentine backand outscrolled arms flanking bowedbench seat, on straight legs withblind fretwork unified by stretchers;BH34” D32” L81”$700-1,000Provenance: Charlotte, NorthCarolina private collection


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166ENGLISH LEATHER TOP

WRITING DESKmid 19th century, rectangulartop with inset crimson gilt-tooled leather panel,frieze with two drawers andopposing faux drawers, ontrestle base with brass pawcasters, joined by ring-turnedstretcher; H29” W45 5/8”D21 3/8”$700-1,000Provenance: Charleston,South Carolina privatecollection

167GEORGE III STYLE INLAID MAHOGANY CORNER

CABINETlate 19th century, molded crown with canted corners,upper case with glazed door, lower case with paneleddoor, on bracket base; H78 1/4” W26 1/2” D15”$800-1,200

168GEORGE III MAHOGANY HANGING CORNER

CABINETcirca 1810, molded crown inlaid frieze intricate mullion design with glazed panels; H46” W35” D20 3/8”$500-800

169GEORGIAN STYLE INLAID MAHOGANY CHEST OF

DRAWERSlast half 19th century, molded edge top over configuration of drawers, shaped skirt and bracket feet;H38” W46 1/2” D23”$700-1,000

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170GEORGIAN INLAID MAHOGANY

SERVERcirca 1810, oblong D-shaped topabove frieze with drawer raised ontapered cuffed legs; H32 3/4”W58 1/4” D27”$800-1,200Provenance: Isle of Palms,South Carolina privatecollection

171GEORGE III INLAID MAHOGANY BUREAU

BOOKCASEcirca 1830, molded crown divided glazed panel doors;lower part with fitted desk drawer and long drawers onbracket feet; H86 1/2” W43 1/2” D22”$1,500-2,500

172PAIR HEPPLEWHITE STYLE MARQUETRY INLAIDCONSOLE TABLESscrolling floral D-shaped inlaid top and skirt, ontapered legs; H31” W45” D19” (2pcs)$700-1,000Provenance: Mount Pleasant, South Carolina privatecollection

173GEORGIAN STYLE CARVED OAK CORNER CHAIR19th century, shaped crestrail above two vasiform splatsflanked by ring-turned columns to shaped seatrailretaining slip seat, on turned legs with pad feet; BH33 1/2” SH18” W30” D25”$200-400Provenance: Charleston, South Carolina privatecollection


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174ENGLISH MAHOGANY BOWFRONT CHEST OF

DRAWERSmid 19th century, shaped and molded top over casewith two short and three long drawers, with shapedskirt and splay feet; H41 1/4” W41 1/2” D20 1/2”$800-1,200Provenance: Fitzgerald, Georgia private collection

175WILLIAM IV CIRCULAR MAHOGANY CENTERTABLEmid 19th century, bookmatched top on tulip-formpedestal and trefoil platform base, with turned feet;H29” Dia.50 3/4”$1,200-1,800

176ENGLISH INLAID SATINWOOD AND MAHOGANY

DEMILUNE GAMES TABLEearly 19th century, circular hinged top with green baizeplaying surface, conforming skirt and tapered legs;H28 3/4” Dia.36 3/4”$500-800

177CHINESE CHIPPENDALE STYLE MAHOGANY KETTLESTANDlate 19th century, two tiers with pierced fretwork galleries unified by square legs with blind fretwork;labeled “Carvills, est. 1770”; H29 1/2” Sq.16”$500-700Provenance: Charlotte, North Carolina privatecollection

178GEORGE III MAHOGANY DUMBWAITERcirca 1810, pie-crust tapered revolving tiers, supportedby baluster column and saber legs with snake pad feet;H44 3/4” Dia.26”$700-1,000Provenance: Isle of Palms, South Carolina privatecollection

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179HEPPLEWHITE STYLE PAINTED SATINWOOD

ARMCHAIR19th century, pierced shieldback, sloping armrests, tapered legs with trumpet feet; BH39”SH18” W23” D18 1/2”$300-600Provenance: Camden, South Carolinacollection

180GEORGIAN MAHOGANY PEMBROKE TABLEcirca 1780, rectangular top with square-edgeddrop leaves, on frieze drawer, on tapered legs;H28 1/4” W37 3/7” open D33 3/4”$500-700

181GEORGIAN STYLE MAHOGANY SERVING

TABLElast half 19th century, rectangular top over threedrawers, on molded chamfered legs with bunfeet; H32” W54” D24”$700-900Provenance: Sarasota, Florida collection

182HEPPLEWHITE STYLE INLAID MAHOGANY

CURIO CABINETarched crown, glazed panel doors and sidelights, on tapered legs; H64 1/4” W25 1/4”D14”$400-600Provenance: Columbia, South Carolina estate


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183EMERALD AND DIAMOND FASHION RINGfloral-form design with diamond cluster center andemerald and diamond-set petals, approx. emeralds3.7ctw and diamonds 2.7ctw; in 14K gold triple bandsetting; size 6.5$1,000-1,500Provenance: Oldsmar, Florida private collection

184DIAMOND PENDANT ON CHAIN2.2ct heart-shaped diamond, color JK, clarity VS2 in14K white gold setting and accompanying chain; L16”$7,000-9,000

185ART DECO PLATINUM AND DIAMOND BRACELETapprox. 5.5ctw old European-cut diamonds, color FG,clarity VS; L8”$7,000-10,000

186FANCY COGNAC DIAMOND RINGapprox. 1.0ct round orange/brown color diamond,clarity VS1, flanked by approx. 0.08ct round diamondsin 14K gold setting; marked: MCJ$1,000-1,500Provenance: Oldsmar, Florida private collection

187PAIR DIAMOND CHANDELIER EARRINGS7.5ctw round, marquise and baguette-cut diamonds,color GH, clarity VS-SI, with pierced backs; H2 1/8”(2pcs)$6,000-9,000

188SAPPHIRE AND DIAMOND BRACELET AND RING14K gold free-form link bracelet set with alternating diamonds and blue sapphires in variousfaceted cuts, L6 3/4”; together with 7.9 x 5.9mm ovalsapphire surrounded by diamonds in 18K gold setting;size 5.5 (2pcs)$800-1,200Provenance: Chicago, Illinois private collection

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189PAIR SOUTH SEA PEARL AND DIAMOND EARRINGS12.5mm white pearl surrounded by diamond pave-setround pierced mounts, diamonds approx. 4.5ctw, colorD-E and clarity VS (2pcs)$5,000-7,000

190PAIR DIAMOND, SAPPHIRE AND PLATINUM

EARRINGSapprox. 6.0ctw round and baguette diamonds, G-H color, accented by 4.5ctw deep blue sapphires inplatinum pierced-ear clips; L3/4” (2pcs)$500-1,000Provenance: Chicago, Illinois private collection

191DIAMOND LINE BRACELET5.0ctw round brilliant-cut diamonds, color F-G, clarityVS in 18K white gold; L7”$5,000-7,000

192CULTURED WHITE PEARL NECKLACE9.5-11.5mm graduated pearls ending with diamondand 14K white gold clasp; L19”$500-800Provenance: North Carolina private collection

193MIKIMOTO AND HERITAGE CULTURED PEARL

NECKLACESMikimoto single strand of 5mm white pearls with sterling clasp, L15”; and Heritage single strand of 7mmwhite pearls with 14K white gold clasp, L16 1/4”; withoriginal boxes (2pcs)$400-800Provenance: Mount Pleasant, South Carolina privatecollection


190

191

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192 193 9one of two)


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195

194ENGLISH MAPLE AND MIXED WOOD HORSE-DRAWNBUGGYlate 19th/early 20th century, fully restored, two-seat designwith storage compartment and rack; H69” W60” L145”$1,000-2,000Provenance: Camden, South Carolina private collection

195WALLACE GRAND BAROQUE PATTERN STERLING FLATWARE SERVICEcirca 1941, comprising:11 hollow handle steak knives, L9 1/2”17 hollow handle knives, L8 1/2”15 hollow handle spreaders, L6 1/4”18 forks, L7 1/2”19 forks, L6 1/2”16 round soups, L6”10 iced teaspoons, L7 1/2”25 teaspoons, L6”4 demitasse, L4”sugar spoon, L6 1/4”master butter, L6 1/4”Total 132.0oz Troy weighable (137pcs)$3,000-4,000Provenance: Atlanta, Georgia private collection

196MEXICAN STERLING COFFEE

SERVICE, BY P. LOPEZ G.highly designed set with wood handles,comprising:coffeepot, H9 1/2”creamer, H5 1/2”sugar, H5 1/2”tray, L25”marked: P. LOPEZ G., MADE INMEXICO, STERLING 0.925Total 117.0ozT (4pcs)$2,000-3,000Provenance: Atlanta, Georgia privatecollection

197TUTTLE ONSLOW PATTERN

STERLING FLATWAREcirca 1931, comprising:12 hollow handle knives, L9 1/2”12 hollow handle knives, L8 3/4”12 spreaders, L6”12 forks, L8”12 forks, L7 1/4”12 forks, L6”12 oval soups, L7”12 round soups, L6 1/2”12 iced teaspoons, L7”12 teaspoons, L6”4 serving spoons, L8 1/4”Total 177.0ozT weighable (124pcs)$3,000-4,000Provenance: Griffin, Georgia privatecollection


197

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198

198GORHAM STERLING TEA AND COFFEE SERVICE WITH TRAYdated 1909-1957, Plymouth pattern, comprising:hot water kettle, H14”coffeepot, H9 1/2”teapot, H7”covered sugar, H5 1/2”creamer, H6 1/4”wastebowl, H3 3/4”silverplate waiter, L25 1/2”each marked and engraved initials on kettleTotal 110.0ozT weighable all in (7pcs)$2,000-3,000Provenance: Lynchburg, Virginia private collection

199GEORGIAN STERLING TRAY BY WILLIAM STROUDLondon, dated 1926, gadroon edged oval design; complete hallmarks; L22” W16” and 100.0ozT$1,500-2,000Provenance: Griffin, Georgia private collection

200AMERICAN COIN SILVER CAKE BASKET, WILLIAM GALE & SONNew York, dated 1856, oval on pedestal with rope-twist bands and handle,engraved MN 15TH MAY, 1856; marked on base, H4 1/2” L13 1/4” W8 1/2”,and 18.0ozT$700-1,000Provenance: Charlotte, North Carolina private collection

201VICTORIAN STERLING PEDESTAL PUNCH BOWLLondon, dated 1884, ribbon and reed bowl flanked by ring and mask handles;complete hallmarks and worn maker’s punch; H6 1/4” Dia.12”, and 38.5ozT$600-900Provenance: Savannah, Georgia private collection

202GEORGE III STERLINGTANKARD BY WILLIAM

BURCH OR WALTER

BRINDLondon, dated 1791,domed-hinged cover withplain thumbpiece, scrollhandle and banded flaredbody, complete hallmarks;H5 1/2” and 14.5ozT$600-900Provenance: NewHampshire collection

202


199

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201

203ENGLISH SILVERPLATE CENTERPIECElate19th century, Henry Wilkinson & Co Ltd epergne, H23 1/2” Dia.15”; andwell-matched pair of tazza stands by another maker; H10” Dia.8” (3pcs)$500-900Provenance: Pennsylvania private collection

204COLLECTION STERLING, SILVER AND PLATED PICTURE FRAMESvarious designs, makers and sizes from H3 3/4” W3” to H13” W9 1/2” (32pcs)$1,000-2,000Provenance: Charlotte, North Carolina private collection

205REED & BARTON STERLING BOWL, FLATWARE AND SERVING PIECESReed & Barton bowl, H4” L12 1/2”set of 11 Chambord pattern cocktail forks, L15 1/4”baby cup, H2”infant spoonpair Gorham shakers, H4 1/2”4 sterling napkin ringspair Danish enameled silver salt setsfiligree basket of flowers, H3”3 spoons, L6” and 7”coin silver salt spoon, L3 3/4”hollow handle orange knife and hook, L8 1/2” and 6”silverplate napkin ringTotal 35.0ozT weighable (29pcs)$400-600Provenance: Savannah, Georgia private collection

206GEORGE II STERLING CREAMER AND RARE EARLY PAIR POLISH SILVER SALTScreamer with partially worn marksc. 1755, H3 3/4”;and pair Polish silversalts, dated 1797;H1 1/2” W2 1/8”D2”; total 6.5ozT(3pcs)$300-400Provenance: NewHampshirecollection


204 (part of 32pcs total) 205

206

203


207TIFFANY & CO STERLING INDIVIDUAL COFFEEPOT AND CREAMERNew York, circa 1891-1902, flared form with elongated handle and spoutadorned with acanthus die-rolled band and engraved with initials GHS; marked:Tiffany & Co, 5250/4338, sterling silver, 925-1000, T; and the other5230/3519; coffeepot H5 1/2”, creamer H4”, and 14.0ozT (2pcs)$300-500Provenance: South Carolina collection

208SILVERPLATE CANDLESTICK SET, PROBABLY FRENCH19th/20th century, acanthus design, indistinctly marked; H9 1/4” (4pcs)$300-500Provenance: Charlotte, North Carolina private collection

209GEORGIAN STYLE INLAID MAHOGANY BREAKFRONT BOOKCASEmid 19th century, dentil-molded crown, above divided glazed panel doors, onmolded inlaid lower part with panel doors and bracket feet; H90 1/4” W80”D21”$3,000-6,000Provenance: Isle of Palms, South Carolina private collection

207 208

209

210GEORGIAN MAHOGANY REVOLVING DRUM/RENT TABLEfirst half 19th century, round crossbanded leather-inset top, on turned baluster pedestal, saber legs with brass casters;H28 3/4” Dia.47 1/2”$1,800-2,500Provenance: Sarasota, Florida collection

211ENGLISH INLAID MAHOGANY PEDESTAL BRANDY BOARDcirca 1880, rectangular top with beaded edge over configuration of drawer and doors, on splay feet; H36 1/2” W43 1/2” D19 3/4”$600-900

212PAIR BAKER LIBRARY ARMCHAIRSupholstered carved mahogany frame; BH40” SH18” (2pcs)$600-900Provenance: Camden, South Carolina collection

213HEPPLEWHITE STYLE INLAID MAHOGANY SIDEBOARDlate 19th century, brass gallery above bowfront top and configuration of drawers and doors,tapered legs and spade feet; H48” W54 1/4” D21”$1,000-1,500


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214ENGLISH WALNUT CHEST OF DRAWERSlate 18th century, rectangular molded top over five-drawer case, on base with ogee bracket feet; H34 1/2” W37 1/4” D18 3/4”$1,200-1,800Provenance: Fitzgerald, Georgia private collection

215PAIR GEORGE III MAHOGANY ANDUPHOLSTERED SIDE CHAIRScirca 1770, serpentine crest over strapwork splat,overupholstered seat on tapered legs with H-stretch-er; BH39” SH20” W21 1/2” D20 1/2” (2pcs)$600-900

216REGENCY LEATHERTOP MAHOGANY WRITINGTABLEcirca 1810, rectangular form with gilt-tooled oliveleather writing surface, on tapered legs with boxwoodstringing; H27 1/2” W18 1/8” D28 3/8”$500-700

217HEPPLEWHITE STYLE PAINT-DECORATEDMAHOGANY LINEN PRESScirca 1840, pierced swan’s-neck pediment centeringfinial, over pair of doors decorated with cartouches ofmusical instruments and scrolling ribbons, lower partwith three drawers, with shaped skirt and splay feet;H92” W51 1/2” D23”$1,500-2,000Provenance: Fitzgerald, Georgiaprivate collection

218ADAM STYLE PAINTED SATINWOOD

CABINETbreakfront rectangular top above doorsopening to shelves, adorned with musical trophy vignettes and floralswags; H36” W54” D19”$800-1,200Provenance: Columbia, SouthCarolina private collection

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216218

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219REGENCY STYLE MAHOGANY DROP-LEAFTABLE19th century, rectangular top with canted corners over opposing frieze drawers, on four-column platform base with saber legs,brass caps and casters; H29 3/4” W38 3/4”open D50 1/4”$500-800Provenance: Fitzgerald, Georgia privatecollection

220GEORGE III MAHOGANY SECRETARYBOOKCASElate 18th century, dentil-molded swan’s-neck pediment over pair astragal-glazed doors before adjustableshelves, lower part with fall front concealinginterior fitted with drawers and pigeonholes,central mirrored door flanked by pulloutsfaced with twist half columns, over fourlong graduated drawers, two small upperdrawers supporting lowered fallboard, withbracket base; H92” W45 1/4” D21”$2,000-4,000Provenance: Charlotte, North Carolinaprivate collection

221CHIPPENDALE STYLE CHINOISERIEBLACK LACQUER WRITING DESKlast half 19th century, gadroon gilt edge andleather top over three drawers, on pedestalswith doors and bracket bases; H32” W59” D24 1/2”$600-900Provenance: Camden, South Carolina collection

222GEORGIAN STYLE MAHOGANY BOWFRONT CHEST OF DRAWERSmid 19th century, shaped top over conforming case with two short and three long graduated drawers,on bracket base; H38” W41 3/4” D21”$700-1,000Provenance: Fitzgerald, Georgia private collection


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223ENGLISH MAHOGANY BEAU BRUMMELL/DRESSING TABLEmid 19th century, hinged divided lift top, opening to fitted interior, above drawers,tapered legs with casters; H35” W30” D19”$500-1,000

224SHERATON MAHOGANY BOWFRONT SIDEBOARDcirca 1820, bowfront top over long drawer and two doors, on tapered legs with spadefeet; H39” W54” D25”$1,800-2,500Provenance: Sarasota, Florida collection

225PAIR CHINESE CHIPPENDALE STYLE MAHOGANY SILVER TABLESfull gallery and piercework frieze, on bundled reeded legs unified by scrolling stretcherscentering finial, on block feet; H26 1/2” W24 1/2” D16 1/2” (2pcs)$800-1,200Provenance: Charleston, South Carolina private collection

226GEORGIAN MAHOGANY DINING CHAIRScirca 1790, assembled set of eight, comprising two sets of four; carved crestrail, piercedsplat, tapered reeded legs joined by molded stretcher; BH34” SH18” W20” D17” (8pcs)$1,500-2,200

223

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225

227CHINESE CHIPPENDALE STYLE MAHOGANYGAMES TABLEcirca 1800, hinged top, molded skirt, carved mold-ed legs; H29” W36” D17 1/2” and 35” open$800-1,200

228LOUIS XVI STYLE BOULLE AND BLACK

LACQUER CARD TABLElate 19th century, hinged top with lobed corners opening to green baize playing surfact, with conforming skirt, on tapered fluted legs with trumpet feet; H30 1/4” W35 1/2” D17 3/4”$700-1,000

229PAIR CHIPPENDALE STYLE LEATHER-UPHOLSTEREDWINGBACK CHAIRS, BY CENTURYserpentine back and seat, on stop-fluted legs; BH44 1/4” SH22” W35” D34” (2pcs)$600-900Provenance: Fitzgerald, Georgia private collection

230WILLIAM & MARY STYLE NEEDLEWORK

UPHOLSTERED WALNUT ARMCHAIRrectangular back with serpentine arms and scroll handrests, on turned supports, overupholstered seat onblock-and-turned legs; BH45 1/2” SH18” W25” D31”$500-800Provenance: Columbia, South Carolina privatecollection

231PAIR LOUIS XVI STYLE GILT-BRONZE CHENETS19th century, garland, leaf and balustrade design; H22” W11 1/2” D27” (2pcs)$1,000-2,000Provenance: Mount Pleasant, South Carolina privatecollection

232PAIR FRENCH GILT-BRONZE MOUNTED MARBLE

URNSlate 19th century, Classical design; H9 1/2” W8 1/2”(2pcs)$300-500Provenance: Fitzgerald, Georgia private collection


228

229 230

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233PAIR AUSTRIAN ORMOLU-MOUNTED BRONZE

FOUR-LIGHT CANDELABRA, STAMPEDfirst half 20th century, decorated in the French taste;stamped: Made in Austrian MRR(?); H22 1/2” Dia.6”(2pcs)$300-500Provenance: Pennsylvania private collection

234LOUIS XVI STYLE GILT-METAL CHENETSlate 19th century, flame-and-urn pedestal with lion’s-mask and swag designs, on adjustable balustradefender; H14” L46” (3pcs)$600-800

235COLLECTION OF IRONWORK AND WEATHERVANEpair andirons, H12” hook, H24”stake, H9”weight, H6”weathervane, H14” W19” (6pcs)$200-400Provenance: St. George, South Carolina privatecollection

236ENGLISH CAST-IRON FIGURAL BOOTSCRAPE19th century, bronze standing horse atop cast-ironstand and scrape; H17” W17” D11”$300-500Provenance: Fitzgerald, Georgia private collection

237PAIR RENAISSANCE REVIVAL CAST-IRON BRACKETS19th century, pierced shelf and back supported bygargoyle mask; H9” W7” D5” (2pcs)$300-500Provenance: Augusta, Georgia private collection

238ENGLISH BRASS JARDINIERES19th century, each similar design with lion’s mask andhairy-paw feet; H6” W10” to H8” L20” (4pcs)$300-500Provenance: Mount Pleasant, South Carolina privatecollection

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239ENGLISH AND CONTINENTAL BRASSCANDLESTICKS, CANDELABRA AND INKWELL19th/20th century, comprising:11 candlesticks, H6” to 12 1/2”3 candelabra, H7” to 12 1/2”inkwell H2 1/2” L9” (15pcs)$300-500Provenance: Mount Pleasant, South Carolina privatecollection

240ENGLISH AND CONTINENTAL BRASS CANDLESTICKCOLLECTION19th century, comprised of six pairs in various pat-terns; H9” to 21” (12pcs)$300-500Provenance: Mount Pleasant, South Carolina privatecollection

241CAST-METAL INKWELL AND CANDLESTICK SETlate 19th century, reeded design with patinated finish;inkwell, H5” and pair candlesticks, H6 1/2” (3pcs)$200-400Provenance: New Hampshire collection

242PAIR CLASSICAL BRONZE-METAL FIGURESH18” and 20” (2pcs)$200-300Provenance: Aiken, South Carolina private collection

243CLASSICAL BRONZE STANDING FIGURElate 19th century, woman with headdress and drapedrobe; H13 1/2”$200-400Provenance: Pennsylvania private collection


240

241242

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244WILLIAM IV INLAID MAHOGANY AND

BRASS BANQUET TABLEcirca 1835, crossbanded rectangular top fittedwith three 25 1/2” leaves, supported by doublepedestal and quatrefoil base on winged pawbrass feet with casters; H28 1/2” W61 1/2”L147” open$4,000-7,000Provenance: Columbia, South Carolinaprivate collectionPurchased in England in the 1980s

244

Extraordinary Dining Table

245GEORGE III INLAID MAHOGANY DINING CHAIRScirca 1800, assembled set of ten, comprising: suite ofsix and four similar; concave crestrail, tapered legsjoined by stretcher; BH35” and 34”, SH19” and 18”(10pcs)$1,500-2,000

246SCOTTISH CARVED MAHOGANY BOWFRONT

SIDEBOARDcirca 1800, superstructure of sliding panels centeringtablet with recessed oval centering relief-carved urnissuing bunches of grapes and vines, on breakfront casewith three drawers flanked by wine drawers with lion’s-head ring pulls, on tapered legs with elongated feet;H42 7/8” W81 1/2” D33”$2,000-4,000


CHEST OF DRAWERSfirst half 19th century, crossbanded top, configurationof drawers, shaped skirt and spade feet; H43” W43”D21”$700-1,000


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249247

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248REGENCY STYLE MAHOGANY BRASS-MOUNTEDCHIFFONIERlate 19th/early 20th century, gallery top with mirroredback and turned brass column supports, over doorswith brass latticework panels, on brass paw feet; H52” W36” D20”$600-900Provenance: Camden, South Carolina collection

249GEORGE III MAHOGANY RENT TABLEfirst quarter 19th century, red leather inset top, overskirt with four short drawers, on turned pedestal onsaber legs with elaborate brass ball-and-claw feet; H29 3/8” Dia.42”$3,500-5,000Provenance: Sarasota, Florida collection

250FOUR CHIPPENDALE STYLE CARVED MAHOGANY

SIDE CHAIRScirca 1790, serpentine crest and latticework splat, withslip seat in plain rails, on straight legs with H-stretcher;BH38” SH19” W21” D19” (4pcs)$1,000-2,000

251ENGLISH INLAID MAHOGANY BOWFRONT CHEST

OF DRAWERSfirst half 19th century, shaped top over conformingcase with four long graduated drawers, on bracket base;H37 1/2” W43 1/2” D24 3/4”$800-1,200Provenance: Charlotte, North Carolina privatecollection

252WILLIAM IV CARVED ROSEWOOD RECAMIERcirca 1835, outturned scrolling headrest and support,molded skirt with rosettes on reeded tapered legs withcasters; H35” W78” D29”$800-1,200

253GEORGIAN STYLE CARVED MAHOGANY BOOKCASEmid 19th century, molded crown over pair of thirteen-light doors, on shaped base carved with acanthus and leafy tendrils, with ball-and-claw feet;H76 1/4” W46 1/2” D15 1/8”$1,200-1,600

250 252

253251

254REGENCY INLAID MAHOGANY BOWFRONT

SIDEBOARDcirca 1800, brass gallery on shaped top, overcorresponding case with central and valanced drawersflanked by curved door and wine drawer, on ring-turned legs; overall H52 1/4” H36 1/2” W60 1/8”D24 1/2”$1,400-1,800Provenance: Ft. Lauderdale, Florida privatecollection

255GEORGE III MAHOGANY DROP-LEAF WAKE TABLEcirca 1800, hinged oval top with thumbnail edge, onsquare beaded legs; H29” W82 1/4” D54” open$1,200-1,600Provenance: Charleston, South Carolina privatecollection

256ENGLISH INLAID MAHOGANY BOWFRONT CHEST

OF DRAWERSmid 19th century, with four graduated drawers onbracket feet; H43 1/2” W37 1/2” D20”$600-900

257CHIPPENDALE STYLE CARVED PINE CHEST ON

CHEST BY CHAPMANbroken-arch pediment over configuration of drawers;on lower part with shell-carved drawers on ogeebracket feet; H91” W4” D21”$1,000-2,000Provenance: Columbia, South Carolina privatecollection


256 257

255254


258ENGLISH CHINOISERIE AND BLACK LACQUER

CORNER CABINET18th/19th century, bowfront, with molded corniceover two doors, decorated with extensive scenes ofeveryday Chinese life; H37 5/8” W24 1/4” D15 3/4”$400-600Provenance: Charlotte, North Carolina privatecollection

259ENGLISH MAHOGANY SERVERlate 19th century, rectangular top with thumbnail edgeover case with three ogee-form drawers, on taperedlegs; H42 3/8” W49” D17”$700-900Provenance: Fitzgerald, Georgia private collection

260HEPPLEWHITE MAHOGANY BREAKFAST TABLEfirst quarter 19th century, hinged leaves over shortdrawer on tapered legs with casters; H28” D39” W21”and 40” open$500-700

261HEPPLEWHITE STYLE INLAID MAHOGANY

SIDEBOARDlast quarter 19th century, crossbanded breakfront topover two drawers and door, on tapered legs; H36 1/2”W54 3/4” D22”$1,400-2,000Provenance: Sarasota, Florida collection

262ENGLISH MAHOGANY BEDSIDE CABINETearly 19th century, tray top with pierced handles, casewith cupboard doors over faux slide-out drawer, onbeaded legs; H29 3/4” W21 1/2” D18 1/2”$300-500Provenance: Charlotte, North Carolina privatecollection

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261260

259 262

263GEORGIAN MAHOGANY COMMODE STANDcirca 1820, top with three-quarter gallery over casewith door concealing chamberpot and two drawers, onsquare legs; H30 1/4” W20 1/2” D20 1/4”$300-500Provenance: Charlotte, North Carolina privatecollection

264HEPPLEWHITE STYLE INLAID MAHOGANY SILVER

CHESThinged top over long drawer opening to fitted linedinterior, on tapered legs with spade feet; H32 1/2”W27 1/2” D12 1/2”$400-600Provenance: Griffin, Georgia private collection

265AFGHAN CARPET6’ x 6’4’’$2,000-3,000

266PERSIAN ISFAHAN CARPET3’6” x 5’$700-1,000Provenance: Columbia, South Carolina private col-lection

267CAUCASIAN KAZAK RUNNERlate 19th century3’8” x 7’2”$1,500-2,500Provenance: Atlanta, Georgia private collection

268ANTIQUE PERSIAN OASHGAI CARPET6’8’’ x 9’11’’$600-900


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269ANTIQUE PERSIAN SULTANABAD CARPET7’1” x 9’10”$2,000-3,000

270PERSIAN HAMEDAN CARPET5’5” x 6’7”$300-500Provenance: Atlanta, Georgia collection

271OUSHAK CARPET6’ x 8’10”$600-900

272KASHAN CARPET6’2” x 9’1”$1,000-1,500

273KAZAK CARPET5’4” x 9’6”$600-800

274CAUCASIAN SHIRVAN RUNNERfirst half 20th century4’3” x 5’10”$300-500Provenance: Atlanta, Georgia private collection

269 271

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275

275STEINWAY & SONS MODEL B GRAND PIANO WITH

PIANO DISC SYSTEMcirca 2003, serial no. 567304, accelerated action hexagrippinblock diaphragmatic soundboard in ebony finish withbench; piano H39” L84” W57 1/2” and bench H19”W24” D16”$15,000-25,000Provenance: Columbia, South Carolina private collection


276SOUTHERN DECORATED STONEWARE STORAGE JAR,THOMAS CHANDLEREdgefield District, South Carolina, circa 1845, wideoutturned rim on ovoid body flanked with wide handles, each side slip-decorated with floral motif;H15”$4,000-6,000Provenance: Sumter, South Carolina privatecollection

277SOUTHERN STONEWARE STORAGE JAR, DAVESIGNED LMSouth Carolina, circa 1840, well-formed rim and neckleading to ovoid body flanked by high handles; incised:LM and opposing side with double slash; H13 1/2”$2,000-3,000Provenance: Edgefield, South Carolina privatecollection

278SOUTHERN STONEWARE STORAGE JAR, ATTRIBUTED TO RHODESSouth Carolina, circa 1830, outturned rim above pronounced shoulder flanked by ear-form handles onovoid body, shoulder with incised numeral 5; H15”$1,000-2,000Provenance: Edgefield, South Carolina privatecollection

279COPPER-GLAZED REDWARE POTTERY JUG, POSSIBLY NORTH CAROLINA MORAVIAN19th century, narrow top over bulbous body and straphandle; H6 1/2”$300-400Provenance: Oldsmar, Florida private collection

280PREHISTORIC MIMBRES POTTERYcirca 950-1150 AD, maize-decorated interior; H5”Dia.10 3/4”$500-800Provenance: Atlanta, Georgia private collection

281SEMINOLE DECORATED STONEWARE VESSELS BY

MIKE DANIELeach signed, H2 1/2” to 5 1/2” (6pcs)$300-500Provenance: Atlanta, Georgia private collection

Other Notes: Mike Daniel’s work can be found in thecollection of the National Museum of the AmericanIndian-Smithsonian Institution, Washington, DC.

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277 280

282CHARLESTON SWEETGRASS BASKETS AND BOWLS2 baskets, H16” and 17”bowl, H3 1/2” Dia.13”centerbowl, H3” Dia.21”vase, H5” Dia.7” (5pcs)$300-600Provenance: Isle of Palms, South Carolina privatecollection

283WILLIAM MELTON HALSEY(South Carolina, 1915-1999)SCREEN, 1984oil & collage on panel, framed, signed lower right,dated, titled & signed versoH40 1/2” W19”$4,000-6,000Provenance: Myrtle Beach, South Carolina privatecollection

284ALICE RAVENEL HUGER SMITH(South Carolina, 1876-1958)CHARLESTON MARSH SCENEwatercolor, framed, signed lower right; AliceR. H. Smithsight size H8 1/2” W11”$2,000-3,000Provenance: Columbia, South Carolinaprivate collection

285ALFRED HUTTY(South Carolina, 1877-1954)ALONG THE HUDSONmonoprint, framed, pencil signed lower rightimage size H8” W10”$800-1,200Provenance: Isle of Palms, South Carolina privatecollectionCarolina Prints, Charleston, South Carolina


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286TOM H. WILLIAMS SCULPTURE(Georgia, 20th century)STANDING NUDE FEMALEcarved mahogany on base, signed: THW 94H70” W26” D19”$500-1,000Provenance: Atlanta, Georgia private collection

Other Notes: Tom H. Williams is a bronze and woodsculptor based in of Atlanta, Georgia. His work hasbeen exhibited and sold throughout the southeast andin Oregon. Currently, he is an instructor at SpruillCenter for the Arts in Atlanta.

287DAVID SILVETTE(Virginia, b, 1909)WORKSHOPoil on board, unframed, signed upper left and verso H22” W28”$400-600Provenance: Arlington, Virginia private collection

288VIRGINIA FOUCHE BOLTON(South Carolina, 1929-2004)SPANISH COURTYARDwatercolor, framed, signed lower rightsight size H20 1/2” W13 1/2”$400-600Provenance: Myrtle Beach, South Carolina privatecollection

289FRANK GALSWORTHY(South Carolina/British, 1863)SPRING GARDEN SCENEwatercolor, framed, signed lower leftsight size H14 1/4” W19 1/4”$600-900Provenance: Vero Beach, Florida private collection

290ALFRED HEBER HUTTY(South Carolina/New York, 1877-1954)SOUTH PINESetching, framed, signed in pencilimage size H8” W7”$600-900Provenance: Vero Beach, Florida private collection

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291ELIZABETH O’NEILL VERNER(South Carolina, 1883-1979)BIT OF LEGARE STREET,CHARLESTONetching, framed, signed & titled in pen-cil lower marginsimage size H5” W3 1/4”$600-900Provenance: Charleston, SouthCarolina private collection

292ELIZABETH O’NEILL VERNER(South Carolina, 1883-1979)THROUGH WINTER BRANCHESetching, framed, signed & titled in pencil lowermarginsimage size H4” W2 1/2”$600-900Provenance: Charleston,South Carolina privatecollection

293ELIZABETH O’NEILL VERNER(South Carolina, 1883-1979)ST PHILIPS GATEWAY,CHARLESTONetching, framed, signed & titled in pen-cil lower marginsimage size H2 1/2” W2”$500-800Provenance: Charleston, SouthCarolina private collection

294JOSEPH WALLACE KINGVINCIATA(North arolina/Washington,DC, 1911-1996)PORTRAIT OF JENNIFERoil on canvas, framed,signed lower leftH30” W40”$400-800Provenance: Atlanta,Georgia private collection

295VIRGINIA FOUCHE BOLTON(South Carolina, 1929-2004)ST. PHILLIPS PORTICO, LOOKINGSOUTHmixed media, framed, signed sight size H17” W12 1/2”$400-600Provenance: Myrtle Beach, SouthCarolina private collection

296JAMES FOWLER COOPER(ATTRIBUTED TO)(South Carolina, 1907-1968)LIVE OAK NEAR PLANTATIONHOUSEetching, framed, unsignedimage size H5” W7 1/2”$400-600Provenance: Columbia, South Carolinaprivate collection


292

294

296

291 293 295

302FEDERAL MAHOGANY CARD TABLEcirca 1800, shaped elliptical top with chevron banding, over conforming skirt onreeded legs headed by flattened ball turnings and leaf-carved flange, with ring-and-ball turned feet upon brass ball caps; tulip poplar and white pine secondary woods; H30 1/4” W36” D37” open$2,000-4,000Provenance: Atlanta, Georgia private collection

Literature: See DUNCAN PHYFE ANDTHE ENGLISH REGENCY,1795-1830, by Nancy McClelland,p.149, pl.129.

Other Notes: The five-leg arrangementis characteristic of New York City, andis seen on card tables made by bothDuncan Phyfe and John Dolan.


297ROBERT MILLS(South Carolina, 1920-1981)GIRL ON BEACHoil on canvas, framed, signedlower leftH20” W24”$300-500Provenance: Columbia, SouthCarolina private collection

298CARSON SUTHERLINDAVENPORT(Virginia, 1908-1972) QUARRY watercolor, unframed, signed & titledlower right and versoH17 3/4” W22 1/4”$300-500Provenance: Arlington, Virginia privatecollection

299CHARLES WILLIAM SMITH(Virginia, 1893-1987)six works: STAIRCASE, SHIP BUILDING, ROWING, FISHING,and ABSTRACT, wood cut, unframed,signed and some titled, sheet sizes H9” W11” to 12 1/2” W9 1/2”together with two Southern scenes byunidentified artist, image sizes H7 1/2” W6” and H6” W6” (8pcs)$300-500Provenance: Arlington, Virginia privatecollection

300MICHAEL BURTON(Georgia, 20th century)UNTITLED, RIVERcolor ektachrome photographicprint on paper, framed, signedlower rightimage size H28” W40”$200-400Provenance: Atlanta, Georgiaprivate collection

301GEORGE DANIEL HOFFMAN(South Carolina/New York, 1915-1999)FLORAL STILL LIFEpastel on paper, unframed, signed lowerrightH25 1/2” W19 1/2”$200-300Provenance: South Carolina collection

298

299 (one of eight)300

301

302

303FEDERAL INLAID MAHOGANY BOWFRONT CHEST

OF DRAWERS, POSSIBLY MARYLAND/EASTERNVIRGINIAearly 19th century, bowfront top over four long graduated drawers, with scalloped skirt and splay feet;H35 3/4” W41” D21 1/2”$1,500-2,500Provenance: New Hampshire collection

304AMERICAN EMPIRE MAHOGANY DROP-LEAFBREAKFAST TABLEcirca 1840, rectangular top with shaped leaves overfrieze with single drawer and opposing faux drawer,with ring-turned column issuing four beaded saber legswith paw feet and casters; H29 1/8” W52 1/4” openD36 1/4”$700-1,000Provenance: New York City private collection

305AMERICAN MAHOGANY LINEN PRESS19th century, molded cornice over pair of paneleddoors, on waist-molded lower part with two short andtwo long drawers, on bracket base; H81” W53 1/2”D22 1/2”$2,000-3,000Provenance: Charleston, South Carolina privatecollection

306FEDERAL INLAID MAHOGANY CARD TABLEcirca 1800, folding elliptical top over conforming skirtcentered with banded tablet, on tapered reeded legsextending to elongated feet with brass caps and casters;cherry and white pine secondary woods; H30 7/8”W36” D36” open$2,000-4,000Provenance: Atlanta, Georgia private collection

Literature: See DUNCAN PHYFE AND THEENGLISH REGENCY, 1795-1830, by NancyMcClelland, p.149, pl.129.

Other Notes: The five-leg arrangement ischaracteristic of New York City, and is seen on cardtables made by both Duncan Phyfe and John Dolan.

307AMERICAN MAHOGANY BOWFRONT CHEST OF

DRAWERS, NEWPORT, RHODE ISLANDearly 19th century, shaped top over conforming casewith four graduated drawers, on valanced skirt withsplayed feet; H38” W41” D22 5/8”$1,500-2,000Provenance: Charleston, South Carolina privatecollection


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308

Lincoln White House Dining Chairs

309AMERICAN MAHOGANY PEMBROKE TABLE, ATTRIBUTED TO GEORGE WOODRUFFcirca 1840, rectangular top with shaped leaves, frieze andopposing faux drawers, tapered reeded legs with anklecollars and casters; H28 1/2” W46 1/2” open D35 7/8”$800-1,200Provenance: New York City private collection

310FEDERAL STYLE MAHOGANY TALL POST BEDheavy beaded and ring-turned posts carved with acanthus and surmounted with finials, flanking archedheadboard and unified by square-edged rails; with testerand additional headboard; H93” W66 1/2” L83 1/2”$1,000-2,000Provenance: Charleston, South Carolina privatecollection

Other Notes: Handcrafted in the Charlton HallGalleries cabinet shop, circa 1970.

311LATE FEDERAL MAHOGANY CHEST OF DRAWERScirca 1825, rectangular top over two short and threelong drawers, with scalloped skirt and turned legs; H42”W37 1/2” D20”$800-1,000Provenance: New Hampshire collection


310

311309

308ABRAHAM LINCOLN RENAISSANCE REVIVALCARVED MAHOGANY CHAIRSAmerican, circa 1860, arched crestrail flanked byrosette and carved drop designs, molded archedbackrest and overupholstered seat, on taperedturned legs; BH38 1/2” SH19” W20” D18”(3pcs)$2,500-3,500Provenance: President Abraham and Mary ToddLincoln, The White HouseRobert Todd Lincoln (1843-1926) Hildene,Manchester, Vermont, sonRobert Todd Lincoln Beckwith (1904-1985),Manchester, Vermont, grandsonOwen Moon, Woodstock, Vermont, purchaseWoodstock Country School, purchaseWhitney’s Antiques, Woodstock, Vermont, bytradePearl Williams Conn, Bethlehem, NewHampshire, 1962 purchaseRoberta M. Carr, Concord, New Hamphire,1976 purchaseto present owner, an Oldsmar, Florida privatecollector

Other Notes: These chairs originally from asuite of fourteen which were used at The WhiteHouse in the formal dining room during theLincoln administration.

Their succession of ownership is documentedby several bills of sale and related papers,copies of which are available to purchaser.

Present owner sold an armchair from this suiteat Christie’s New York.


312ENGLISH NEOCLASSICAL INLAID MAHOGANY

SECRETARY BOOKCASE19th century, broken-arch pediment with inlaid shelloval, above glazed doors before adjustable shelves, onlower part with secretary drawer fitted with drawersand valanced pigeonholes, with shaped skirt havingcorresponding inlay and splayed feet; H93 1/2” W43”D20 3/4”$2,000-3,000Provenance: New Hampshire collection

313FEDERAL INLAID MAHOGANY PEMBROKE TABLE19th century, drop-leaf top, frieze drawer and opposingfaux drawer, on tapered legs with ankle banding, withfan medallions; H28 1/2” W40 3/4” open D32 1/2”$700-1,000Provenance: Fitzgerald, Georgia private collection

314AMERICANCHIPPENDALE STYLECARVED MAHOGANY SIDE

CHAIRlate 18th century, shapedcrestrail, pierced splat,molded seatrail on squarelegs joined by moldedstretchers; BH38” SH18”W22” D18 1/4”$200-300Provenance: Camden,South Carolina collection

315HEPPLEWHITE MAHOGANY SECRETARY BOOKCASE,MASSACHUSETTScirca 1800, upper case with pair thirteen-light doors,on lower part with hinged writing surface over fourlong graduated drawers, with shaped skirt and splayfeet; H74” W41 1/8” D20”$1,000-1,500Provenance: Charleston, South Carolina privatecollection

316REGENCY STYLE CANE AND FRUITWOOD RECAMIERscrolling frame with cane panels, on C-scroll feet, withloose cushion; H34” W30” L73”$700-1,000Provenance: Fitzgerald, Georgia private collection

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315

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313 314

317CLASSICAL MAHOGANY BREAKFAST TABLE, MANNER OFPHYFE-LANNUIERcirca 1835, rectangular top with shaped drop leaves, frieze and opposing fauxdrawer, on urn-form pedestal issuing reeded acanthus-carved legs, with brasspaw feet and casters; H29” W47 1/2” open D38”$800-1,200Provenance: New York City private collectionPurchased at Doyle Auction

318AESTHETIC BRASS-MOUNTED MAHOGANY CABINET, POSSIBLY HERTERBROS. OR COLLINSON & LOCKthird quater 19th century, stepped galleried superstructure with glazed doors,on two-drawer lower part with tapered legs with corner fans, unified by corresponding H-stretcher; H64” W33” D23”$1,000-1,500Provenance: Charleston, South Carolina private collection

Literature: Dubrow, Eileen and Richard Dubrow. AMERICANFURNITURE OF THE 19TH CENTURY, 1840-1880. Atglen, PA:Schiffer Publishing Co.,1983. p.216.

Howe, Katherine S., et al. HERTER BROTHERS: FURNITURE ANDINTERIORS FOR A GILDED AGE. New York: Harry N. Abrams, Inc.,1994. p.223-224.

Other Notes: Escutcheon hardware and mounts appear to be related to theHerter Brothers of New York City.


318 317


319AMERICAN/ENGLISH CARVED GILTWOOD

BULL’S-EYE MIRRORearly 19th century, elaborately carved eagle pedimentover round molded frame, convex mirror and gadroonstarburst-carved lower part; H40” Dia.23”$2,000-3,000Provenance: New Hampshire collection

320AMERICAN CLASSICAL GILTWOOD OVERMANTEL

MIRROR19th century, half columns and corner blocks withrosettes, acanthus molding enclosing divided lookingglass; H25 3/4” W66”$400-600Provenance: Lexington, South Carolina privatecollection

321REGENCY GILTWOOD TRUMEAU MIRROR19th century, architecturally detailed frame withClassical motifs, enclosing looking glass; H45 1/2”W26”$400-600Provenance: Fitzgerald, Georgia private collection

322FEDERAL STYLE CARVED MAHOGANY AND

GILT-DECORATED LOOKING GLASSlate 19th century, gilt eagle-carved pediment overshaped frame with floral decorations; H43 1/2” W21”$400-700Provenance: Aiken, South Carolina private collection

323CHIPPENDALE STYLE MAHOGANY ANDPARCEL-GILT WALL MIRRORarchitectural frame with swan’s-neck pediment,gilt moldings and drapery, enclosing beveled mirroredplate; H50 1/2” W27 3/4”$600-800Provenance: Charlotte, North Carolina privatecollection

319

322 323321

320

324AMERICAN INLAID MAHOGANY

TABLETOP WINE CABINETearly 19th century, rectangular case withsingle door before interior fitted for winebottles, with brass handles, on bracketbase; H17 7/8” W17 3/8” D13”$800-1,200Provenance: Charleston, South Carolinaprivate collection

325AMERICAN WILLOW TREE FIRE MARKPennsylvania, circa 1930, painted cast-iron tree, mounted on shield-shapedbackplate; H4 1/2” W10 1/2”$300-600Provenance: New Hampshire collection

Other Notes: Related to marked examplesold, James D. Julia, August 22, 2013,lot 3241.

326ENGLISH VICTORIAN MAHOGANY CELLARETTElate 19th century, hinged octagonal top with brassknob opening to interior fitted with lead liner, taperingcase with lion’s-mask ring pulls, on brass ball feet;H20” W16 1/4” D14”$800-1,200

327ENGLISH WALNUT COLLECTOR’S/SILVER CABINETON STANDfirst half 19th century, molded top with canted cornerslifts to reveal shallow storage well, with pair of raisedpanel doors before three drawers, on coffered plinth;with associated stand; overall H32 1/2” W24” D20”$600-900Provenance: Charleston, South Carolina privatecollection

328NORTH CAROLINA GOOSE DECOY BY BLANTONSAUNDERS(Poplar Branch, NC, 1910-1982) painted canvas-covered wire and carved wood design, stamped:BLANTON SAUNDERS, POPLAR BRANCH, NC; H9” L24” W10”$300-500Provenance: Orangeburg, South Carolina privatecollection

Other Notes: Accompanied by WILDLIFE INNORTH CAROLINA (Nov. 1981) magazine, whichincludes an autographed article on Blanton Saunders,pp.8-12.


325 326

327324

328


329STAINED GLASS PANELH76” W52”$500-700Provenance: Atlanta, Georgia private collection

330FOUR STAINED GLASS PANELSpair H29” W13 1/2” and pair 39 3/4” W22 1/2”(4pcs)$150-250Provenance: Atlanta, Georgia private collection

331STAINED GLASS PANELearly 20th century, Gothic arch form; H31” W38”$200-300Provenance: Columbia, South Carolina privatecollectionKnoxville, Tennessee church

332NEW YORK CLASSICAL MAHOGANY SIDE CHAIRScirca 1830, serpentine crestrail above lyre-form splatand shaped stiles to serpentine seatrail on serpentinefront legs, sweeping rear legs; BH31 3/4” SH17” W18 1/4” D19” (6pcs)$1,400-2,000Provenance: Aiken, South Carolina private collection

Literature: The serpentine crestrail and leg configu-ration of these chairs closely resembles sets DuncanPhyfe made for his daughter, Eliza Vail as illustratedin: McClelland, Nancy. DUNCAN PHYFE AND THEENGLISH REGENCY 1795-1830. New York:William R. Scott, 1939, p.126.

333CLASSICAL MAHOGANY MARBLETOP PARLOR TABLEcirca 1835, black and beige-veined marble top withclipped corners, over inverted tulip pedestal on quadripartite plinth with scroll feet; H27 1/4” Sq.33 1/2”$700-1,100Provenance: New York City private collection

329

332

330 331

334LATE CLASSICAL MAHOGANY CARD TABLE, MANNER OF DUNCAN PHYFEcirca 1837, D-shaped folding top over shaped friezeand inverted tulip column, on tripartite base withblock feet on casters; H29 3/4” W36” open D36”$500-800Provenance: New York City private collection

335CLASSICAL MAHOGANY TABORET, MANNER OFDUNCAN PHYFEcirca 1837, saddle seat on curule supports joined byturned stretcher; H15 3/4” W20 1/2” D15”$800-1,200Provenance: New York City private collection

Literature: A similar example may be found inDUNCAN PHYFE, MASTER CABINETMAKERIN NEW YORK, p.235, pl.47.

336AMERICAN CLASSICAL MAHOGANY BREAKFASTTABLEcirca 1830, rectangular top with butterfly drop leavesover drawer, on carved turned legs with brass casters;H29” W26” W53 34” open D38”$700-900Provenance: New Hampshire collection

337CLASSICAL INLAID MAHOGANY KLISMOS CHAIRS,SET OF SIX19th century, with carved splat, slip seat and saber legs,BH33 1/4” SH18 1/2” W19” D19” (6pcs)$1,800-2,800Provenance: Ft. Lauderdale, Florida privatecollection


333 335 336

334

337


338CLASSICAL CARVED AND INLAID MAHOGANY CARD

TABLE, NEW YORKcirca 1825, crossbanded D-shaped top over twist-turned standard with brass anthemion collar, onfour acanthus-carved saber legs with paw feet and brass casters; H30 1/2” W36” D36 1/2” open$700-1,000Provenance: New York City private collection

339AMERICAN CLASSICAL MAHOGANY CARD TABLE,ATTRIBUTED TO ANTHONY QUERVELLEcirca 1825-1835, folding D-end top over bolection-molded frieze with rosette corners, on turned acanthus-carved pedestal and quadripartite plinth, with foliatepaw feet; H30” W35 3/4” D17 3/4”$800-1,400Provenance: Aiken, South Carolina private collection

340CLASSICAL ROSEWOOD FIRESCREEN, MANNER OFDUNCAN PHYFEcirca 1837, block-and-ring turned frame with bee fabric banner, on trestle base with casters; H37 3/4”W20 3/4” D15 1/2”$500-700Provenance: New York City private collection

341PAIR AMERICAN RENAISSANCE CARVED WALNUT

SIDE CHAIRS BY POTTIER & STYMUSNew York, circa 1870, shaped and molded backadorned with drapery and scrolled embellishments,overupholstered seat on lappett-carved legs with pawfeet; BH35 1/2” SH19”$1,500-2,500Provenance: Aiken, South Carolina private collection

338

340

339

341

342AMERICAN CLASSICAL CARVED MAHOGANY

SIDEBOARD, ATTRIB. TO ANTHONY QUERVELLEPhiladelphia, circa 1825, anthemion and fruit pierce-carved backsplash supported by pedestal cabinetswith columns centering marble top and mirrored serving slab on long drawer and paneled door, on platform base and hairy-paw feet; H58” L84” D26”$1,500-2,500Provenance: Aiken, South Carolina private collection

Literature: Boor, Allison. PHILADELPHIA EMPIREFURNITURE. Hanover: Univ. Press of NewEngland, 2006. pp.396-400.

343AMERICAN CLASSICAL MAHOGANY CARD TABLE,MANNER OF ANTHONY QUERVELLEcirca 1820, crotch mahogany-veneered and crossbanded folding top, over molded frieze, boldlycarved pedestal with acanthus on incurvate plinth, on foliate-carved paw feet with casters; H29” W36” D18”$800-1,400Provenance: Aiken, South Carolina private collection

344PAIR CLASSICAL MAHOGANY BALLOON-BACKCHAIRS, MANNER OF PHYFE & SONScirca 1837, shaped back with vasiform splat, withoverupholstered seat, on saber legs; BH31 3/4” SH18”W17 1/4” D18 1/2” (2pcs)$500-700Provenance: New York City private collection

345LATE CLASSICAL MAHOGANY DROP-LEAF TABLEcirca 1835, round-cornered top, over skirt with breastplate molding on ring-turned legs with anklecollars; H28 1/4” W49 3/4” D44” open$300-500Provenance: Charleston, South Carolina privatecollection


343 344 345

342

342 carving detail


346AMERICAN CLASSICAL CARVED MAHOGANY GAMES

TABLEcirca 1840, D-shaped hinged top supportedby acanthus-carved pedestal and legs endingin paw feet with brass casters; H28 1/2”W36” D17 3/4”$400-700Provenance: Columbia, South Carolinaprivate collection

347AMERICAN CLASSICAL MAHOGANYKLISMOS CHAIR, MANNER OF DUNCANPHYFEcirca 1835, bead-and-channel frame withcornucopia-carved rail, slip seat on saberlegs; BH33 3/4” SH19 1/2” W18 7/8”D21”$400-600Provenance: New York City privatecollection

348RALPH LAUREN CARVED MAHOGANY

SAFARI POSTER BEDurn finial above leaf-carved and turned postsleading to turned legs and joined by turnedand carved rails; H90” W64 1/2” L85 1/2”$500-1,000Provenance: Matthews, North Carolinaprivate collection

349SOUTHERN WALNUT CHINA CABINET, RANDYMEDFORD, UNION, SOUTH CAROLINAcirca 1987, dentil-molded crown over glazed paneldoors, on bracket feet; H97” W42 1/2” D21”$600-900Provenance: Cameron, South Carolina privatecollection

350OAK REVOLVING BOOKCASEcirca 1900, two tiers joined by slat supports, with casters; H37” W18 1/2” D21”$200-300Provenance: Columbia, South Carolina privatecollection

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349

351

351FEDERAL STYLE INLAIDMAHOGANY DEMILUNE CARD

TABLEhinged shaped top over conformingskirt with central bird’s-eye mapletablet, on tapered legs with boxwoodstringing; H30 1/2” W36” D153/4”$200-400Provenance: Charleston, SouthCarolina private collection

352GEORGE LORING BROWN(Massachussetts, 1814-1889)LAKE OF NEMI, NEAR ROME, 1876/7oil on canvas, antique frame, signed & dated lower left, inscribed verso: “Lake of Nemi” near/Rome,Italy/morning/painted by geo. L. Brown/ 1876-7H28” W48”$3,000-5,000Provenance: Augusta, Georgia private collectionSotheby’s New York, May 27, 1998, lot 42Deaccessed from the Santa Barbara Museum,California, label versoGift of Mrs. Herbert T. King, 1942

353GEORGE HETZEL(German/Pennsylvania, 1826-1899)WOODLAND STREAMoil on canvas laid to board, framed, signed lower rightH14 1/4” W22 3/4”$2,000-3,000Other Notes: Harry Eichleay Art Co, Pittsburgh, PAlabel verso.

354GEORGE LORING BROWN(Massachussetts, 1814-1889)VIEW OF THE TOWN OF TIVOLI AT SUNSET,1848oil on board, antique frame, signed & dated left ofcenter, inscribed verso: View of Tivoli at Sunset/painted from nature by/G.L. Brown 1848H14 3/4” W19 1/4”$1,800-3,000Provenance: Augusta, Georgia private collectionSotheby’s New York, May 27, 1998, lot 15D. Wigmore Fine Art, label versoDeaccessed from the High Museum, Atlanta, Georgia

Exhibitions: TWILIGHT OF ARCADIA, BowdoinCollege Museum of Art, Brunswick, Maine, Apr3-Jul 5, 1987, label verso.

355ALLEN DEAN COCHRAN(New York/ Ohio, 1888-1971)THE FOREST, circa 1911oil on canvas, framed, signed lower right: Allen D.CochranH32” W40”$1,000-2,000Provenance: New York private collection

356JOE FERRARA(Connecticut, 1932-2004)THE GALLOP DOWN MAIN STREEToil on canvas, framed, signed and dated: Ferrara ‘89H9” W12”$1,000-1,500Provenance: New York private collection


352

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357JOAQUIN RAMIREZ(Mexican, 19th century)GALILEO, 1863, after the original by JustusSustermans (1597-1681)oil on canvas, framed, signed & dated lower leftH24 1/2” W19 1/2”$1,000-1,500Provenance: Myrtle Beach, South Carolina privatecollection

358AGAPITO LABIOS(Mexican, 1898-1996) NINA PROVINCIANAoil on canvas, framed, signed lower leftH15 1/2” W12 1/2”$500-800Provenance: Camden, South Carolina collection

359ROBERT WATSON(Arizona/California, 1923-2004)FISHERMAN’S SHACK, 1982oil on board, framed, signed & dated lower rightH16” W24”$800-1,200Provenance: Isle of Palms, South Carolina pri-vate collectionPurchased from Magna Gallery, San Francisco,California

360HUDSON RIVER SCHOOL, 19TH CENTURYLANDSCAPEoil on canvas laid to board, framed, unsignedH24” W32”$700-1,000Provenance: Columbia, South Carolina private col-lection

361JOE FERRARA(Connecticut, 1932-2004)GOLD ON THE ASPENSoil on canvas, framed, signed and dated lower right,Ferrara, 1995H16” W20”$700-900Provenance: New York private collection

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361

362GEORGE RENOUARD(New York, 1885-1954)PAIR OF LANDSCAPESoil on canvasboard, framed alike, one signed lower right & dated: 1954each H12” W16” (2pcs)$600-900Provenance: Martinez, Georgia privatecollection

363AMERICAN SCHOOL, MID 20THCENTURYWILDFLOWER STILL LIFE IN VASEoil on canvas, framed, unsignedH32” W22”$500-800Provenance: New York private collection

364HANKEY, HEINTZELMAN AND TOBIN ETCHINGSWilliam Lee Hankey (British, 1869-1952) AWAKE,drypoint, signedArthur W. Heintzelman (Massachusetts/California,1890-1965) CONVALESCENCE, etching, signed George Timothy Tobin (Vermont, 1864-1956) THESTREAM, etching, signedframed, image sizes H12” W9”, H11” W7 3/4” andH8” W6 3/4” (3pcs)$500-800Provenance: Chicago, Illinois private collectionArthur Ackermann & Co, Chicago

365CHARLES JAMES RYAN(California, 1865-1949)LOG CABIN IN FORESToil on board, framed, signed lower rightH9 1/2” W12 1/2”$500-800


364

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366CHARLES S. DORION(American, 19th/ 20th century)THE MARSHLANDoil on canvas, framed, signed lower left H12” W18”$400-700Provenance: New York private collectionPurchased from Christie’s New York

367MYRON LECHAY(Russian/ New York, 1898-1972)FLORAL STILL LIFEoil on canvas, framed, signed lower leftH36” W24”$400-600Provenance: New York private collection 368

LOIS HOGUE SHAW(Texas, 1897-2001)LONG WINTER’S ROADoil on canvas, framed, signed, inscribed & dated lowerright: Millais and lower left: Lois Hogue, 1924H14” W11”$400-800Provenance: Matthews, North Carolina privatecollection

Other Notes: Verso bearing Houghton Brothers,Temple, Texas, gallery label.

369BIRGER SANDZEN(Kansas/Colorado, 1871-1954)MOUNTAIN ASPENlithograph, unframed, signed & titled lower marginsheet size H25” W19 1/2”$400-600Provenance: Arlington, Virginia private collection

370E. LAWSON(American, 19th century)ROCKY COASToil on canvas, framed, signed lower leftH16” W24”$300-600Provenance: Charlotte, North Carolina privatecollection

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367 370

371AMERICAN SCHOOL, FIRST HALF20TH CENTURYSPRING FLOWERS IN BLUE VASEoil on canvas, framed, signed illegiblylower right H32” W24”$300-500Provenance: New York privatecollection

372COLLECTION AMERICAN 19THCENTURY DEPICTIONS OF CHILDRENLITTLE GIRL IN PLAID & CHILDWITH FLOWER, painted photographsLITTLE GIRL IN BLUE, watercolor,signed & dated: A. Dembinsky, 1853framed sizes ranging from H12” W101/2” to H11” W9” (3pcs)$300-500Provenance: Savannah, Georgia privatecollection

373AMERICAN SCHOOL, 19TH CENTURYPORTRAIT OF TWO CHILDRENoil on canvas, period frame, unsigned,New York canvas stamp versoH30” W25”$300-500Provenance: Savannah, Georgia privatecollection

374AMERICAN SCHOOL PAINTING(early 20th century)SNOWSCAPEoil on canvas, framed, signed lower left:WL PalmerH18” W12”$200-400Provenance: Augusta, Georgia privatecollection

375J. J. MATTERN, JR(American, 20th century)two works: LOOKING UP and VIRGINIA MUSEUM OF FINE ARTetchings, unframed, signed, titled &numbered in lower marginimage sizes H8” W6” and H6” W8”(2pcs)$200-400Provenance: Arlington, Virginia privatecollection

Other Notes: Mattern’s etching can befound in the Smithsonian AmericanArt Museum collection.

376THEODORE BALLOU WHITE(Pennsylvania, 1902-1978) three works: WILLIAMSBURG, PORTICO ROW, BRIDGE SCENEwatercolor and other lithographs,unframed, sheet sizes H12” W15”,H12” W19 1/2” and H20 1/2” W15 1/4” (3pcs)$200-400Provenance: Arlington, Virginia privatecollection

377ALFRED A. MATTHEWS(California, fl. 1900)FARMYARD SCENEwatercolor, framed, signed lower rightsight size H12” W21”$200-400Provenance: Camden, South Carolinacollection

378STEPHEN WHITE AND CHIQUILABROYLESStephen White (American, b.1944)LADY HOLDING A BABY, woodcut,unframed, signed & marked lower margin, paper size H26” W17”Chiquila Broyles (American, 20th century)WASH ELEPHANT, print, unframed,signed & marked lower margin, papersize H14” W12 1/8” (2pcs)$150-300Provenance: Michigan privatecollection


372 (part of)

374 377

375 (one of two)

376 (part of)

371

373


379ENGLISH INLAID MAHOGANY TALL CASE CLOCKmid 19th century, broken-arch crown over arched glaze-panel door, lower partwith inlaid molded door, on turned feet; H83” W19” D10”$700-1,000Provenance: San Antonio, Texas private collection

380SOUTHERN CALENDAR CLOCK CO. “FASHION NO. 4” SHELF CLOCKcirca 1880, 8 days, time and strike, double-dial calendar design, gilt text, andornate case; H27 1/2” W16” D6”$1,000-1,500Provenance: Asheville, North Carolina private collection

381AMERICAN GOLD POCKET WATCHES, BENJAMIN FRANKLIN AND

WALTHAMlate 19th century, 14K and 18K gold ornately decorated case with enameleddials; H2 3/4” and 3” (2pcs)$300-600Provenance: Charleston, South Carolina private collection

382BOOK: BARON DOMINIQUE VIVANT DENON’S EGYPTIANSCENESDenon, Dominique Vivant; Baron. VOYAGE DANS LA BASSEET LA HAUTE EGYPTE. First edition, 1802, comprising 59 of110 sheets with various views, scenes and architectural details ofEgypt.$1,000-2,000Provenance: Atlanta, Georgia private collection

Literature: Nowinski, Judith. BARON DOMINIQUE VIVANTDENON (1747-1825); HEDONIST AND SCHOLAR IN APERIOD OF TRANSITION. Rutherford, Fairleigh DickinsonUniversity Press [1970].

Other Notes: When Napoleon Bonaparte and his army embarkedon his Egyptian Campaign in 1798, their ultimate goal was toestablish an alternative route to India and its riches. However, theirdefeat by the British at Abuqir left them stranded in Egypt forthree years. Having brought with them not only soldiers, butscientists and artists as well, they recorded virtually everythingthey encountered. It is thanks to the work of this commission thatancient and modern Egyptian monuments, as well as many aspectsof Egypt’s natural history were recorded in an exacting andhistorically important manner. It took thirty years for these illus-trative records to be prepared and published.

382 379

380

381

383MOSBY’S MEN REUNION BADGE AND

AUTOGRAPHcirca 1895, gold and silver badge reading: Reunion 43rd Battalion Va.Cav. Mosby’s Men, Marshall, VA. (OldSalem) August 14, 1895; framed withautographed illustrated card depictingthe house in which Col. John S. Mosbycaptured Gen. Stoughton, Fairfax,Virginia, signed Yours Truely Jn. S.Mosby; contained within single frame;overall size H14 2/3” W17 1/2”$1,500-2,500Provenance: Tampa, Florida privatecollection

Other Notes: Verso with old labelreading: May 6, 1987, This Mosbyreunion ribbon was owned and wornby Pvt. Ludwell Lake Jr. of the 43rdVA Cav. the command in Marshall, VAin 1895.He presented the ribbon to Mary B.Smith, his niece and Mary gave theribbon to Minnie Gott, the niece ofMary. Minnie gave the ribbon to JohnGott who sold the ribbon to MikeMorton on May 6, 1987.“Mary B. Smith was the daughterof Sarah Lake Smith. Sarah LakeSmith lived at Lakeland and wasthere the night Mosby was shot,”signed Mike Morton.

384ABRAHAM LINCOLN SIGNATURE

AND PHOTOGRAPHsmall note reading: Approved, A.Lincoln, Dec. 10, 1864; andAlexander Gardner, photo ofAbraham Lincoln, signed and datedin pencil, Washington, D.C. Nov.15, 1863, on Herbert George Studiobacking papers, image size H9 1/4”W7” (2pcs)$400-800Provenance: Property of agentleman

385BABE RUTH AUTOGRAPHcirca 1940s, endorsed check cuttingsigned in ink: George H Babe Ruth; H2 1/2” W3”$500-800Provenance: Columbia, South Carolinaprivate collection

Other Notes: Accompanied byAcademy of Manuscript andAutograph, LLC letter ofauthentication, dated 08/15/2013.

386BOOK: THE CONQUEST OFEVEREST, SIGNED FIRST EDITIONHunt, Sir John. THE CONQUEST OFEVEREST. New York: E.P. Dutton &Co., Inc., 1954 with dustjacket, signedby New Zealand mountaineer SirEdmund Hillary , illustrator CharlesEvans, British mountaineer GeorgeLowe, and Times correspondent JamesMorris.$200-300Provenance: Property of a gentleman

387RARE SET OF BOOKS: R. E. LEE, ABIOGRAPHYFreeman, Douglas Southall. PublishedCharles Scribner, New York, 1936. Giltdecorated gray-blue and red leatherbinding. (4vols)$200-300Provenance: Orangeburg, SouthCarolina private collection


384

386

387

383

385


388ANTIQUE PERSIAN SERAPI CARPET8’4” x 11’7”$5,000-7,000

389TURKISH SERAPI CARPETcirca 19409’5” x 12’6”$1,000-2,000

390ANTIQUE PERSIAN LILLIHAN CARPETcirca 19008’6” x 16’10”$4,000-6,000

391ANTIQUE PERSIAN KASHAN CARPETcirca 19307’7” x 9’7”$1,000-1,500Provenance: Charlotte, North Carolinaprivate collection

392ANTIQUE PERSIAN KASHAN CARPET9’3” x 14’9”$4,000-6,000

393AUBUSSON CARPET10’2” x 13’11”$1,000-2,000

394ANTIQUE PERSIANHERIZ SERAPI CARPET9’1” x 12’2”$4,000-5,000

395ANTIQUE KASHANCARPET10’8” x 13’4”$3,000-4,000

388 390389

391 394

395

393

396SERAPI CARPET12’ x 14’9”$2,000-3,000

397ANTIQUE PERSIAN KERMANCARPET9’5” x 12’9”$3,500-4,500

398ANTIQUE PERSIAN MAHAL

CARPET10’9” x 14’2”$1,500-2,500

399KASHMIR HERATI CARPET9’10” x 13’11”$2,000-3,000

400TURKISH OUSHAK CARPET8’11” x 11’11”$1,000-1,500

401TURKISH OUSHAK CARPET9’ x 12’$1,000-2,000

402INDIAN BIDJAR CARPET8’9” x 12’2”$500-1,000Provenance: Atlanta, Georgiacollection


397

398

399 400 401

402396


403MONUMENTAL BRONZE FIVE-LIGHT TORCHEREscrolling arms and central stem terminating inflame-form glass globes, on column bearing figuralsaints, raised on urn with putti and trefoil base,electrified; H95” Dia.40”$2,500-3,500Provenance: Columbia, South Carolina privatecollection

404PAUL CHARLES EMANUEL GALLARD-LEPINAY(French, 1842-1885)SHIPS WITH PIAZZA SAN MARCO INDISTANCE, VENICEoil on canvas, original monumental giltwood frame,signed lower rightH59 1/2” W44”$7,000-10,000Provenance: Property of a Southern collector,Savannah, GeorgiaWhisnant Galleries, New Orleans, purchased 1992

404

403

405PAIR EARLY FRENCH PORTRAITS OF MARQUIS AND

MARQUISE DE COIGNY(18th/19th century)LOUISE MARTHE DE CONFLANS (1758/9-1832)and LOUIS DE CONFLANS, MARQUIS OFARMENTIERES (1711-1774)oil on canvas, molded oval oak frames, unsigned, onewith verso inscribed: Chateau de Coigny and bothstamped: 15 on stretcherH25 1/2” W21 1/2” (2pcs)$4,000-7,000Provenance: Columbia, South Carolina privatecollectionLe Trianon Gallery, San FranciscoOshkosh Museum (accession # 6746-3 and 6746-2)

406ORESTE COSTA(Italian, 1851-1901)HARVEST OF GRAPES ON RUSTIC TABLESTILL LIFEoil on canvas, framed, signed upper right: O. CostaFirenzeH31” W25”$3,000-5,000Provenance: Isle of Palms, South Carolina privatecollection

Other Notes: Closely related to painting sold atChrisie’s New York, 15 June 1999, lot 33.


406

405

Marquis & Marquise de Coigny


407JAN FRANS VAN DAEL(Flemish, 1764-1840)pair works: FLORAL STILL LIFESoil on vellum mounted to panel, framed, signed &dated lower left: J. Vandael, 1795H10 1/2” W8”$2,000-4,000Provenance: Isle of Palms, South Carolina privatecollection

408ATTRIBUTED TO JAN PEETER VERDUSSEN(Flemish, c. 1700-1763)HARVEST TIME oil on canvas, framed, unsignedH17” W21 1/2”$2,000-3,000Provenance: Houston, Texas private collec-tion

Other Notes: Accompanied by sales cata-logue page, purchased at unidentified auc-tion in the first half of the 20th century.

409LEON ESPERANCE BROQUET(French, 1869-1936)LANDSCAPEoil on canvas, original French Impressionist frame,signed lower leftH26” W32”$1,800-2,500Provenance: Columbia, South Carolina private col-lection

410ADOLF BAUMGARTNER, WORKING UNDER THE

PSEUDONYM CONSTANTIN STOILOFF(Bulgarian, 1850-1924)CONVOY OF GOLD, SIBERIAoil on canvas, antique frame, signed lower right, titledon label versoH27” W41 1/2”$2,500-3,500Provenance: Property of a Southern collector,Savannah, Georgia

407

409

408

410

411LOUIS LEOPOLD ROBERT (AFTER)(Swiss, 1794-1835)PILGRIMAGE TO THE MADONNAOF THE ARCHoil on canvas, framed, unsignedH36” W37 1/2”$2,000-3,000Provenance: New York privatecollection

412MARIE LAURENCIN(French, 1885-1956)PORTRAIT OF WOMAN WITHPEARLSwatercolor on paper, signed lower rightsight size H10” W8”$2,000-4,000Provenance: Oldsmar, Florida privatecollection

413EUGENE AUGUSTE FRANCOISDEULLY(French, 1860-1933)SOLDIERoil on canvas laid to board, framed,signed lower centerH36” W24”$1,500-3,000Provenance: Myrtle Beach, SouthCarolina private collection

414PIERRE JOSEPH REDOUTE(French, 1759 -1840)five works from LES LILIACEES, c.1802-16handcolored stipple engraving, framed,marked in marginssight size H19 1/2” W13” (5pcs)$1,500-2,500Provenance: Atlanta, Georgia privatecollection

415HENDRICK SAVRY(Dutch, 1823-1907)CATTLE WATERINGoil on canvas, framed, unsignedH20” W30”$1,000-1,500Provenance: New York privatecollection


412

413

415

411414


416MARIE LAURENCIN (MANNER OF)(French, 1885-1956)LADIESoil on canvas, framed, unsignedH25” W18”$1,000-2,000Provenance: Savannah, Georgia private collection

417ALEX DE ANDREIS(Belgium/British, 1880-1929)PORTRAIT OF CAVALIER IN REDoil on canvas, framed, signed lower rightH32 1/2” W26”$1,000-2,000Provenance: Savannah, Georgia private collection

418ALEX DE ANDREIS(Belgium/British, 1880 -1929)PORTRAIT OF A CAVALIER IN BLUEoil on canvas, framed, signed lower rightH32” W25 1/2”$1,000-2,000Provenance: Grovetown, Georgia private collec-tion

419F. FRANCKER(Continental, 19th century)MEETING THE KINGoil on canvas, framed, signed lower right: F. FranckerH37” W45”$1,000-1,500Provenance: New York private collection

420FORAIN(French, late 19th century)FIGURESwatercolor and gouache on paper, framed, signed lowerright: Forainsight size H7 1/4” W6”$900-1,300Provenance: Oldsmar, Florida private collection

416 418417

419 420

421CONTINENTAL SCHOOL, 19TH CENTURYGRAND CANAL, VENICEoil on canvas, framed, unsignedH27 1/2” W35 1/2”$800-1,200Provenance: New York private col-lection

422ANTON RAUFER-REDWITZ(German, 1871-1965)THE VIOLINISToil on canvas, framed, signed lowerleft: A RauferH32” W19 1/2”$800-1,400Provenance: New York privatecollection 423

CONTINENTAL SCHOOL, FIRST HALF 20THCENTURYSHEPHERDS IN LANDSCAPEoil on canvas, framed, unsignedH28” W40”$800-1,400Provenance: New York private collection

424CONTINENTAL SCHOOL, MID 20TH CENTURYFLOWER ARRANGINGoil on canvas, framed, signed lower right: Luna TobH38” W52”$800-1,200Provenance: New York private collection


422 423

424

421


425FRENCH CARVED GILTWOOD MIRRORmid 19th century, cherub-and-urn pediment and floral festoons aboveintricate arched divided frame centering divided looking glass; H71”W43”$2,000-3,000Provenance: Isle of Palms, South Carolina private collection

426CONTINENTAL CARVED GILTWOOD MIRROR, PROBABLY NORTHERNITALIAN17th/18th century, heavy foliate-and-scroll cartouche-form frameembellished with putti masks and centering looking glass; H23” W22”$600-900Provenance: Pennsylvania private collection

427LOUIS XVI STYLE CARVED WALNUT TRUMEAU MIRROR19th century, molded crown and floral-carved frieze, with fluted pilasterson molded plinths; H67 1/4” W44 1/2”$700-1,000Provenance: Camden, South Carolina collection

425 426

428ITALIAN CARVED WOOD AND PAINT-DECORATEDMIRROR19th century, scrolling frame surmounted with rocaillecresting, with painted floral panels, enclosing lookingglass; H30” W19”$300-600Provenance: Fitzgerald, Georgia private collection

429WATERFORD CRYSTAL TEN-LIGHT CHANDELIERH33” Dia.28”$1,000-2,000Provenance: Charlotte, North Carolina privatecollectionPurchased in Ireland in the mid 1970’s

430LALIQUE DEUX POISSONS SCULPTUREentwined fish, marked: LALIQUE FRANCE; H11”W10”$800-1,000Provenance: Atlanta, Georgia private collection

431 NO LOT

432ST LOUIS TOMMYPATTERN CRYSTAL

STEMS15 stems H7 1/2”, and15 stems H7” (30pcs)$300-500Provenance: Atlanta,Georgia privatecollection

433PAIRWROUGHT-METALAND STAINED GLASS

HALL LANTERNSearly 20th century, hexagonal form with domed topsupporting arched panels; H41” Dia.16” (2pcs)$300-400Provenance: Charleston, South Carolina privatecollection


428 429

432

427

430


434PAIR NAPOLEON III BRONZE-MOUNTED MARQUETRY

INLAID BURL WALNUT SIDE CABINETSthird quarter 19th century, rectangular top above mask and floral frieze, bronze-mounted intricate floral-inlaid panel door,chamfered corners, on plinth base; H44” W33 1/4” D15 3/4”$3,000-5,000Provenance: Pennsylvania private collection

435PAIR BEIDERMEIER BIRCH ARMCHAIRScirca 1840, arched and shaped crest and splat with ebonymedallion, downscrolled arms flanking overupholsted seat, on saber legs; BH36” SH20” W21 1/2” D19” (2pcs)$1,200-1,800Provenance: Atlanta, Georgia private collectionPurchased from York House Antiques, New York in 1986

436RUSSIAN PAINTED AND GILT-DECORATED CARVED WOOD

TABOURETlate 19th/early 20th century, upholstered seat above plainapron and valance of swagged drapery with tassels, tendon-emphasized legs with carved hairy knees and paw-and-claw terminals; H22 3/4” Dia.16”$1,500-2,500Provenance: Atlanta, Georgia privatecollection

Literature: Similar examples can befound in RUSSIAN FURNITURE:THE GOLDEN AGE 1780-1840, byAntoine Cheneviere.Made for the Greek Hall, PavlovskPalace, in imitation of an antiquebronze; carved and gilded. Thedesign is by Voronikhim, thesculpture by the workshop of KarlScheibe, and the gilding by theworkshop of F. Koelner, 1803-1804.p.157, illus.153.

Chair from the Hillwood Museumwith sculpted wood drapery hangingfrom rail, circa 1800. p.178,illus.179.

The painted rails are very similar tothis stool, circa 1810-1825. p.214,illus.228.

436 435

434

437LOUIS XV FAUX-PAINTED MARBLETOP MIXED

WOOD BUFFET18th century, rectangular molded top with roundcorners, over conforming frame-and-panel case withsingle drawer and three doors embellished with C-scrolls, tendrils and rosettes, with shaped skirt andshort cabriole legs; H42” W80 1/4” D19 3/8$1,500-2,500Provenance: Atlanta, Georgia private collection

438PAIR LOUIS XV STYLE CARVED AND PAINTED

ARMCHAIRSarched back, carved armrests, serpentine seatrail, oncabriole legs; BH49” SH18” W28” D23” (2pcs)$900-1,200Provenance: Sarasota, Florida collection

439CONTINENTAL MARQUETRY INLAID WALNUT TABLElate 19th century, figural inlaid octagonal top aboveapron drawer, turned pedestal and saber legs with scrollfeet; H29” Dia.27 3/4”$300-500Provenance: Charlotte, North Carolina privatecollection

440ITALIAN CARVED WALNUT AND TAPESTRY CHAIRS18th/19th century, latticework back with cartouchecresting, slip seat in serpentine rails, cabriole legs withcarved knees and ball-and-claw club feet, all in similardesign; BH40 3/4”, 39 1/2”, and 40 1/2” (3pcs)$600-900Provenance: Columbia, South Carolina privatecollection


438 439 440

437


441FRENCH PROVINCIAL CARVED OAK DESKlate 18th/early 19th century, hinged fallfront lid opening to fitted interiors, above long drawers andpaneled sides and cabriole legs; H44” W48” D21”$1,000-2,000

442DIMINUTIVE PAIR LOUIS XV STYLEPAINT-DECORATED BERGERESlate 19th century, bead-and-channel upholstered framewith loose seat cushion, on cabriole legs with scrolltoes; BH33 1/2” SH19” W27 3/4” D25 1/2” (2pcs)$600-900

443DIRECTIORE MAHOGANY GAME TABLEearly 19th century, hinged rectangular top concealingbaize-lined playing surface upon frieze with false drawer front, back legs slide to reveal drawer, on flutedtapered legs terminating in round brass feet; H28 3/4”W30 3/4” D15 1/4”$700-1,000Provenance: Columbia, South Carolina privatecollectionEstate of the late Francis D. “Skeeter” McNairy,Savannah, Georgia

444NAPOLEON III BRONZE-MOUNTED MAHOGANY

CURIO CABINETlate 19th century, marble top with brass gallery, glazedpanel door and side lights on cabriole legs; H59 1/2”W24 1/2” D12 1/2”$600-900Provenance: Charlotte, North Carolina privatecollection

445PAIR FRENCH DIRECTOIRE STYLE FRUITWOODFAUTEUILScirca 1820, topnailed back panel and padded seat, withdownswept arms, on saber legs; BH37” SH19” W23 1/2” D20 1/2” (2pcs)$800-1,200Provenance: New York City private collection

441

444

443

442 445

446LOUIS XVI STYLE BRONZE-MOUNTED MAHOGANY

SERVING TABLEmid to late 19th century, pierced gallery over marbletop above drawer and concave sides, reeded supportsjoined by platform stretcher base and turned feet withbrass cuffs; H33 1/2” W63 1/2” D20”$800-1,200Provenance: Charlotte, North Carolina privatecollection

447PAIR CONTINENTAL CARVED FRUITWOOD

ARMCHAIRSpierce-carved toprail, caned back with carved ovalmedallion, bowed and upholstered seat, on turned flut-ed legs; BH41” SH20” W25” D21” (2pcs)$300-600Provenance: Mount Pleasant, South Carolina privatecollection

448PORTUGUESE CARVED OAK TRIPLEBACK SETTEElate 18th century, arched and molded crest over threesolid splats, scrolling arms carved with acanthus flank-ing bench seat with corresponding seatrail, on cabriolelegs with paintbrush feet unified by block-and-ringturned stretcher; BH43 1/4” SH20” D25” L65 3/4”$1,500-3,000Provenance: Atlanta, Georgia private collection

449DIMINUNTIVE FRENCH PROVINCIAL CARVEDWALNUT HANGING CUPBOARD19th century, molded carved crown above three tiers,spindled rail and two drawers, on molded base; H331/2” W23 3/4” D7 1/2”$400-600Provenance: Camden, South Carolina collection


447 448

446

449


450PAIR CONTINENTALCARVED OAK SIDE

CABINETS19th century, rectangularmolded top over case withextensively carved drawerover door, flanked by leaf-carved stiles surmountedwith lion’s heads, on bead-and-lozenge stepped plinth;H41” W35 1/2” D20 1/4”(2pcs)$1,400-2,000Provenance: Columbia,South Carolina privatecollection

451DIMINUTIVE CONTINENTAL CARVED WALNUT

SETTEEcirca 1890, carved toprail, scrolling handrests, bowedseatrail and turned legs; BH29” SH15” W38” D24”$300-500Provenance: Charlotte, North Carolina privatecollection

452CONTINENTAL MAHOGANY ANDMARQUETRY-INLAID SIX-DRAWER TALL CHEST19th century, rectangular form with outset corners,case with six long drawers inlaid with putti, shells,flowers and foliage; H60 1/4” W39” D18 1/8”$1,000-2,000Provenance: Charleston, South Carolina privatecollection

453CONTINENTAL KINGWOOD AND ROSEWOOD

CHEST OF DRAWERSearly 20th century, chamfered-corner rectangular topabove long drawers and shaped legs; H32” W33” D18”$700-1,000Provenance: Charlotte, North Carolina privatecollection

454CONTINENTAL PAINTED CANVAS TWO-PANELSCREENlate 19th/ early 20th century, romantic Renaissancescene of young lovers; H40 3/4” W38 1/2”$300-500Provenance: Fitzgerald, Georgia private collection

450

453

454

451

452

455PAIR LOUIS XV STYLE KINGWOOD PEDESTALSgreen-veined marble trefoil top, cabriole legs, bronzemounts; H34” W14 1/2” D16” (2pcs)$400-600Provenance: Mount Pleasant, South Carolina privatecollection

456KASHMIRI SERAPI RUNNER2’7” x 21’$700-1,000

457ANTIQUE RUSSIAN KARABAUGH RUNNERcirca 19003’4” x 11’5”$700-1,000Provenance: Columbia, South Carolina private col-lection

458BIDJAR RUNNER2’9” x 13’8”$700-1,000

459TABRIZ RUNNER2’6” x 17’7”$500-800

460TRIBAL KAZAK RUNNER3’6” x 10’1”$500-800Provenance: Atlanta, Georgia private collection

461SERAPI CARPET3’11” x 12’2”$300-500

462PERSIAN HAMEDAN CARPET4’6” x 11’4”$200-400Provenance: Atlanta, Georgia collection


456 457 458 459 461

455

462


463ALFRED DUBUCAND(French, 1828-1894)LE RETOUR DE LA CHASSE A COURREbronze cast from model, signed on base: A. DubucandH16 1/2” W21” D13”$4,000-6,000Provenance: Zebulon, North Carolina privatecollection by inheritanceMurrells Inlet, South Carolina estateAcquired in Far Hills, New Jersey in 1969

464ROBERT TAIT MCKENZIE(Pennsylvania, 1867-1938)THE JOY OF EFFORT, 1914gilt bronze, signed & dated, Gorham Foundry mark onedgeDia.18”$2,000-4,000Provenance: Atlanta, Georgia private collection

465CHARLES MARION RUSSELL(Montana/California, 1864-1926) SMOKIN’ UPbronze, signed: C.M. Russell and underside numbered: 15H11 1/2” W8 1/2”$1,000-2,000Provenance: Oldsmar, Florida private collection

466SHERRY SALARI SANDER(Montana, b. 1941)ELEPHANT, 1985patinated bronze on marble and wood base, signed,dated & numbered: 15/80 H18 1/2” W9” D7”$800-1,200Provenance: Columbia, South Carolina privatecollection

463

465

466

464

467LOUIS NAVATEL VIDAL(French, 1831-1892)BULLbronze with dark patina, signed on base: VidalH6 3/4” W10”$500-800Provenance: Fitzgerald, Georgia private collection

468AUGUSTE NICOLAS CAIN(French, 1822-1894)COQ (Rooster)bronze with golden brown patina on marble base,signed and marked: Susse Freres editionH12” W8”$500-900Provenance: Fitzgerald, Georgia private collection

469BRONZE PIQUEUR AU RELAIS SCULPTURE, AFTERMOREAU AND LECOURTIERbearing cast signature; H31”$700-900Provenance: Charleston, South Carolina private col-lection

470LOUIS MOREAU(French, 1855-1919)LADY IN LIBRARYbronze, on slate base, signedoverall H13” W15 1/4” D6”$500-700Provenance: Savannah, Georgia private collection

471CHARLES ANFRIE(French, 1833-1905)GYPSY DANCERcopper patinatedbronze, mounted aslamp, signedH17 1/2”$400-700Provenance: Fitzgerald,Georgia private collec-tion

472LUDWIG EISENBERGER(German, fl. 1895-1920) WARRIOR WITH SHIELDbronze with dark patina, signed on baseH8” W3 1/4”$400-600Provenance: Fitzgerald, Georgia privatecollection


468

472469

470

471

467


473JUAN CLARA(Spanish, 1875-1958)CHILD ON CHAIRbronze, signedH12 1/2”$200-400Provenance: Savannah, Georgia private collection

474AMERICAN SCHOOL CARVED MARBLE RAM’S-HEADSCULPTUREmid 20th century, signed: RITTS 50H12 1/2” W16” D10 1/2”$300-500Provenance: Savannah, Georgia private collection

475RARE PAIR CONTINENTAL CHINOISERIE CARVEDCARYATIDS, PROBABLY ITALIAN19th century, female figures with ornate hairstyles and trophy-adorned breastplates; H35 1/2” W21” D12” (2pcs)$3,000-5,000Provenance: Camden, South Carolina collection

476MINIATURE FRENCH PROVINCIAL OAK ARMOIRE19th century, arched crest above molded doors, opening to reveal shelves and drawers,on scrolling feet; H22” W16” D9 3/4”$400-600Provenance: NewHampshire collection

473

475

474 476

477CHAINMAIL HELMET AND SHIRTpelt and horn helmet, shirt with associated leatherarticles; mail L38” (7pcs)$500-800Provenance: Charleston, South Carolina privatecollection

478ENGLISH CARVED OAK OVERDOOR19th century, lion’s mask centering pierce-carvedribbon, scroll and cornucopia crest, shaped panel insetwith marble plaquette; H16” W51 1/2”$200-400Provenance: Aiken, South Carolina private collection

479FORTUNY PAINTED VELVET DECORATIVE THROW

PILLOWS2 rectangular, L15” and 30”; round, Dia.16 1/2”; and 2 bolsters, L28” (6pcs)$400-600Provenance: Atlanta, Georgia private collection


478

477

480

479

480LOUIS VUITTON DAMIER STEAMER TRUNK, OF SOUTHERN INTERESTcirca 1895, serial no. 125118, iron and wood slat-bound brown and tan checkerboard canvas exterior and red-stripedfabric interior with two trays and paper label; H27 1/2” L43 1/2” D24”$3,000-5,000Provenance: Sumter, South Carolina private collectionGift to the present owner’s mother who worked for theClark family at Millford Plantation for over 38 years

Other Notes: Belonged to Mary Clark Thompson, daughter of New York governor M.H. Clark and wife of F.F.Thompson, co-founder of the First National Bank of New York, now Citicorp. Mrs. Thompson traveled widelyand spent winters away from New York at Millford Plantation in Pinewood, South Carolina.


481CONTINENTAL CARVED GILTWOOD BRACKET MIRRORmid 19th century, pierce-carved crown over seven bracketsand shelf, with reeded supports; H52” W25”$1,500-2,500Provenance: Camden, South Carolina collection

482CONTINENTAL CARVED GILTWOOD MIRROR19th century, scrolling frame carved with putti, shells andleafy foliage, centering circular mirror; H31” W21”$700-1,000Provenance: Charleston, South Carolina private collec-tion

483LOUIS XVI PAINTED AND PARCEL-GILT TRUMEAUMIRRORlate 18th century, rectangular frame with architecturaldetailing and Classical motifs, enclosing looking glass;H59 3/8” W46 3/8”$1,000-1,500Provenance: Fitzgerald, Georgia private collection

484NEOCLASSICAL PAINTED AND PARCEL-GILT TRUMEAUMIRROR19th century, rectangular architectural frame withClassical figures and mounts, enclosing mirrored plate;H83” W54 1/2”$1,500-2,500Provenance: Atlanta, Georgia private collection

485RENAISSANCE STYLE GESSO MIRRORleaf-carved pediment above scrolling floral-and-shelldesign frame centering rectangular looking glass; H471/2” W33 1/2”$500-900Provenance: Property of a gentleman

481

482 483

484485

486DUTCH INLAID WALNUT DISPLAY CABINETearly 19th century, molded crown with canted corners over inlaid frieze, glazed doorsand sidelights, on conforming waist-molded base with doors and panels decoratedwith cartouches of urns issuing flowers, on suppressed bun feet; H79 1/2” W61”D16”$2,000-3,000

487CONTINENTAL CARVED WALNUT SOFA, POSSIBLY VENETIANlate 18th century, shaped and carved crestrail to outscrolled arms above carvedseatrail, on tapered, turned and fluted legs; BH39 3/4” SH19” W76” D24”$1,500-2,500Provenance: Columbia, South Carolina private collection

488ITALIAN CARVED WALNUT CASSONNE18th century, hinged rectangular top overcarved floral-and-cartouche paneled case,on carved feet; H26” W55 1/2” D201/2”$1,800-2,500Provenance: Sarasota, Florida collection

489FRENCH EMPIRE BRONZE-MOUNTEDMAHOGANY ARMCHAIRlate 19th century, square back andbowfront seat with topnailed upholstery,on saber legs, with casters and Classicalmounts; BH36” SH20 1/2” W24” D23”$500-700Provenance: Charleston, South Carolinaprivate collection


486

487

489

488


490LOUIS XV STYLE SATINWOOD MARBLETOP SIDE

CABINETearly 20th century, rouge and beige-veined bowfronttop, over long drawer and doors, with carved legs andscrolling feet; H35” W53 1/4” D21 1/2”$600-900Provenance: Mount Pleasant, South Carolina privatecollection

491CONTINENTAL PAINT-DECORATED SATINWOOD

BERGEREtablet crest and inscrolled arms flanking bowed seat onturned legs, with topnailed upholstery and paintedfloral swags; BH36 3/4” W28” D27”$300-600Provenance: Fitzgerald, Georgia private collection

492LOUIS XV PROVINCIAL CARVED OAK ARMOIRE18th century, arched and molded cornice over casewith conforming glazed doors with brass hinges, scrolling panels and scalloped skirt with volute moldings, on short cabriole legs; H83” W61” D19 1/2”$1,000-2,000Provenance: Charleston, South Carolina privatecollection

493PAIR LOUIS XVI STYLE GILTWOODFAUTEUILS20th century, bowfront bead-and-channelframe with padded back, arms and seat, onstop-fluted legs with elongated ball feet;BH39 3/4” SH19 1/2” W26 1/2” D27 1/2” (2pcs)$500-700Provenance: Atlanta, Georgia privatecollection

494FRENCH PROVINCIAL CHERRY SIDECABINETlate 18th century, rectangular top over twodrawers and two doors, on cabriole legs;H40” W51 1/2” D24 3/8”$900-1,400Provenance: Sarasota, Florida collection 490

494

493

491 492

495CONTINENTAL MAHOGANY SERVING CABINET/BARlast half 19th century, molded edge hinged top withchamfered corners, opening to fitted interiors overmolded panel doors on fluted tapered legs; H38”W46” D21 1/2”$600-900Provenance: Charlotte, North Carolina privatecollection

496PAIR LOUIS XV STYLE SILK BATIK-UPHOLSTEREDARMCHAIRSbead-and-channel frame with cartouche-form back,padded arms and serpentine seat, on shaped skirt andcabriole legs with acanthus carving and scroll toes, silkupholstery printed with koi; BH43” SH19” W26 3/4”D28” (2pcs)$300-500Provenance: Columbia, South Carolina privatecollection

497PAIR LOUIS XVI STYLE CANE AND BEECHWOOD

BERGERESbead-and-channel frame with cane panels, on taperedfluted legs, with bronze molding and mounts;needlepoint seat cushion and armrests; BH37”SH37 1/4” W21” D21” (2pcs)$500-700Provenance: Charlotte, North Carolina privatecollection

498LOUIS XV STYLE KINGWOOD BRONZE-MOUNTEDVITRINEhinged shaped top with beveled glazed panel,conforming skirt with sidelights and bronze mounts,on cabriole legs; H35” W34 1/2” D18 1/2”$400-700Provenance: Mount Pleasant, South Carolina privatecollection

499ITALIAN BLACK LACQUER AND PARCEL-GILTOCCASIONAL TABLEcircular ivory, green and red shaped marble top, overconforming skirt upon scrolling supports issuing fromcachepot, on quadripartite base with scroll feet; H28”Dia.29”$300-500Provenance: Atlanta, Georgia private collection


496

498

499

495 497


500CONTINENTAL PAINT-DECORATED CORNER

CABINETlate 19th century, case with canted corners and singledoor, with floral panels; H55 1/4” W27 1/2” D16 1/2”$400-700Provenance: Fitzgerald, Georgia private collection

501PAIR FRENCH NEEDLEWORK UPHOLSTERED

FRUITWOOD ARMCHAIRSreed-and-ribbon frame with cartouche back and serpentine seat, on cabriole legs with scroll feet;BH38 1/4” (2pcs)$300-500Provenance: Columbia, South Carolina privatecollection

502LOUIS XV STYLE CARVED GILTWOOD ONYXTOP

CENTER TABLElate 19th/early 20th century, serpentine molded topand skirt, on cabriole legs; H29 1/2” W33 1/2” D24 1/2”$400-600Provenance: Mount Pleasant, South Carolina privatecollection

503LOUIS XVI STYLE CARVED GILTWOOD MARQUISEarched backrail and bow front, on turned legs; H31”W33” D21”$300-400Provenance: Mount Pleasant, South Carolina privatecollection

504FRENCH BRONZE AND MARQUETRY-INLAIDMARBLETOP CABINETshaped green marble top over conforming case withdrawer and door on plinth, with marquetry andchevron panels set with bronze moldings and mounts;H34” W24 3/4” D13”$300-500Provenance: Charleston, South Carolina privatecollection

500

502

504

501 503

505SERAPI RUNNER2’7” x 23’7”$800-1,000

506KAZAK RUNNER2’4” x 11’2”$300-600

507ANTIQUE PERSIAN BIDJAR RUNNER2’5” x 16’$800-1,200Provenance: Wilmington, NorthCarolina private collection

508TURKISH OUSHAK RUNNER2’7” x 23’9”$700-1,000

509CAUCASIAN SHIRVAN RUNNERlate 19th century4’11” x 9’3”$600-1,000Provenance: Atlanta, Georgia privatecollection

510SEMI-ANTIQUE PERSIAN HERIZRUNNER3’4” x 9’10”$500-800

511CAUCASIAN KAZAK/AZERBAIJANRUNNERdated 18684’3” x 7’4”$400-700Provenance: Atlanta, Georgia privatecollection

512CAUCASIAN RUNNER2’9” x 10’8”$400-700


505 506 507 508 510 512

513

513PAIR CONTINENTAL PAINTED BISQUE FIGURES, SIGNED VIENNA WORLD

EXPOSITIONcirca 1873, large pair romantic figures in 18th century costume; marked onunderside: EXP DE VIENNE AUTRICHE, 1873; H23 1/2” (2pcs)$1,000-2,000Provenance: Pennsylvania private collection


514GALLE DECORATED FAIENCE CATlate 19th century, seated figure withsmug expression, dressed in a paleblue-ground robe painted withpolychrome flower sprays, black lacebonnet, gilt pendant with portrait ofdog, with applied green glass eyes;signed: E. Galle, Nancy; H13 1/8”W7”$500-900Provenance: Columbia, SouthCarolina private collection

515PAIR DELFT COVERED URNS19th century, floral garland and mask-decoratedhexa-form and insect decorated covers; marked: ADspaced by starburst; H15 1/2” (2pcs)$500-800Provenance: Camden, South Carolina collection

516MEISSEN BLUE ONION PATTERN PORCELAIN

PARTIAL SERVICElate 19th/ early 20th century, comprising:platter, L20”4 oblong serving dishes, L8 3/4” to 13 1/2”3 round serving dishes, Dia. 8 3/4” to 13 1/4”covered serving dish on stand, Dia.8”teapot, H5 1/2”cream pitcher, H5 1/2”4 cups with 4 saucers12 plates, Dia.9 1/4” to 10”6 plates, Dia.6” to 8 1/4”6 salts, H2 1/4”berry bowl, Dia.5” (48pcs)$500-800Provenance: Lexington, South Carolina privatecollection

517MEISSEN BLUE ONION PATTERN PORCELAIN

PARTIAL SERVICEMeissen Oven and Porcelain Manufactory, late19th/20th century, comprising:covered tureen with underplate, H9 1/2” L15”warming dish, L19”3 round serving dishes, Dia.9 1/4” to 12 3/4”square bowl, H3 3/4” L8”triangular dish, L9”covered box, H4”9 cups with 9 saucers7 plates, Dia. 9 1/2” to 10”9 plates, 8 1/4” to 8 1/2”5 soups, Dia.9 3/4” to 10”2 bread & butters, Dia.6 1/4”8 small bowls, Dia.6 1/2”together with well-matched Blue Onion pattern piecesby other manufacturers, comprising:divided dish, L12”2 plates, Dia.9 1/2”11 plates, Dia.5”3 soups, Dia.9” to 9 3/4”10 demitasses with 9 saucers5 egg cups, H2 1/2”individual creamer, H2 1/2”salt dish, L5” (100pcs)$300-500Provenance: Lexington, South Carolina privatecollection

514

516

515 517

518TERRACOTTA FIGURE, PROBABLYUTZSCHNEIDER & CIEcirca 1900, young boy resting beside foliate-cladpedestal; stamped on underside U&C, 620$300-400Provenance: Pennsylvania private collection

519ENGLISH WASHED PINE LINEN PRESS19th century, molded cornice over paneled doors,on waist-molded lower part with two short andtwo long drawers, shaped skirt and bracket feet;H81 1/4” W53 1/2” D23 3/4”$900-1,400

520WILLIAM & MARY STYLE OAK CHEST OF DRAWERSlate 18th/early 19th century, molded top over graduated drawers and bun feet; H35 1/2” W38 1/2”D23”$600-900

521ENGLISH OAK DROP-LEAF GATELEG TABLE18th century, D-shaped drop leaves over short drawer,turned legs joined by molded stretcher; H27” W38 1/8” open L49 1/2”$600-900Provenance: Atlanta, Georgia private collection

522ENGLISH PINE ARMOIRElate 19th century, molded crown over dovetailed cornice, upper and lower cases with paneled doors, onbracket base; H76 1/2” W53 1/2” D23 1/2”$700-900Provenance: Charleston, South Carolina privatecollection

523ENGLISH WASHED PINE BLANKET CHEST18th century, dovetailed case with hinged top overstorage well, two drawers, brass handles and block feet;H26 1/2” W45 1/2” D20 3/4”$600-900


519

522 518

520

523


524FOUR ENGLISH OAK BOBBIN CHAIRScirca 1830, block-and-ring turned frame with plankseat; BH37 1/2” SH19” W19 1/8” D18 1/2” (4pcs)$400-700

525ENGLISH OAK DESK ON FRAMElate 18th century, hinged slant top over storage welland single drawer, on straight chamfered legs;H33 1/2” W29” D20 1/2”$500-700Provenance: Fitzgerald, Georgia private collection

526WILLIAM & MARY OAK FOOTSTOOL18th century, overupholstered seat, on block-and-ringturned frame; H16 1/2” W17” D16”$200-400Provenance: Fitzgerald, Georgia private collection

527PAINTED PINE SEA CHESTearly 19th century, hinged top and strap hinges,decorated with anchor and name “IAN THOMAS”;H17 1/4” W37” D17 1/2”$300-400Provenance: Fitzgerald, Georgia private collection

528CONTINENTAL SCHOOL, POSSIBLY GERMAN, 1885PORTRAIT OF LOVELY YOUNG WOMANoil on canvas, framed, signed and dated illegibly lowerleftH28 1/4” W24 1/4”$800-1,200Provenance: New York private collection

529HELENE GEVERS(Belgian, 19th century)YOUNG GIRL WITH BOUQUET OF FLOWERSoil on canvas, signed and dated lower left, 1880H25” W171/2”$700-900Provenance: New York private collection

524

526

525

527

528 529

530CONTINENTAL SCHOOL (LATE 19TH CENTURY)FLORAL STILL LIFEoil on canvas, framed, signed with indistinct initialsH32” W25 1/2”$500-1,000Provenance: Aiken, South Carolina private collection

531BASILIUS BESLER(German, 1561-1629)five works from HORTUS EYSTETTENSISengravings, framed, marked in marginssight size H20” W16 1/2” (5pcs)$1,500-2,500Provenance: Atlanta, Georgia private collection

532CONTINENTAL OR BRITISH SCHOOL, MID 20TH CENTURYPORTRAIT OF BLUE EYED GIRLoil on canvas, framed, signedH31 1/2” W23 1/2”$600-800Provenance: New York private collection

533OLD MASTER SCHOOL RELIGIOUS PAINTINGNATIVITY SCENEoil on canvas, framed, unsignedH40” W40”$600-800Provenance: New York private collection

534CONTINENTAL SCHOOL, MID 20TH CENTURYPORTRAIT OF A VIOLINISToil on canvas, framed, unsigned, H33 1/2” W47 1/2”$600-900Provenance: New York private collection

535CONTINENTAL SCHOOL, 19TH CENTURYSHOREoil on canvas, framed, indiscernible signature lower leftH20” W42”$500-800Provenance: Charlotte, North Carolina privatecollection


531

533

535

534

530

532


536CONTINENTAL SCHOOL, 19TH CENTURYLOST LOVEoil on canvas, framed, unsigned H37 1/2” W27”$500-800Provenance: New York privatecollection

537HUNGARIAN SCHOOL, LATE19TH/EARLY 20TH CENTURYIMPRESSIONIST INTERIOR WITHWOMAN READINGoil on canvas, framed, signed lower rightillegiblyH39 1/2” W33”$500-800Provenance: New York privatecollection

538K. HORDE(Italian, 19th century)FLIRTATION BY THE HARBORoil on canvas, framed, signed and datedlower right: K. Horde, Firenze, 1889H37 1/2” W22 1/2”$500-700Provenance: New York privatecollection

539CONTINENTAL SCHOOL(LATE 19TH CENTURY)ICE SKATING IN THE PARKoil on board, framed, unsigned H14” W18”$500-700Provenance: New York privatecollection

540GYORGY HORVATH(Hungarian, mid 20thcentury)RECLINING NUDEoil on panel, framed,signed and dated lowerright: JFJ. HorvathGyrorgy, 1958H24” W39 1/2”$500-700Provenance: New Yorkprivate collection

541THORVALD LONDAL(Danish, 1891-1957)MILKING STALL BY HAVERINGoil on canvas, framed, signed and dated:Th. C. L. 1941H29 1/2” W37 1/2”$400-800Provenance: New York privatecollection

536

538

539

537

541

540

542CONTINENTAL SCHOOL, LATE 19TH CENTURYPORTRAIT OF EXOTIC BEAUTYoil on canvas, framed, unsigned H27 3/4” W22 1/2”$400-700Provenance: New York private collection

543CONTINENTAL SCHOOL, POSSIBLY ITALIAN, 1902BABY IN CORAL NECKLACEoil on canvas, framed, signed lower left: BonaPini 1902H24” W31 3/4”$400-600Provenance: New York private collection

544ISTVAN TAKACS(Hungarian, 1901-1985)PASSING ON TRADITIONSoil on canvas, framed, signed lowerleftH32” W26”$400-600Provenance: New York privatecollection

545CONTINENTAL SCHOOL, 19THCENTURYUNE FEMME A SA TOILETTEoil on canvas, framed, signed illegiblylower leftH30” W40”$400-700Provenance: New York private col-lection

546CONTINENTAL SCHOOL, EARLY20TH CENTURYPORTRAIT OF MANoil on canvas, signed lower right: F.DomanH20” W16”$300-500Provenance: New York private collection

Other Notes: Verso bearing old label from J.W.Burger Co. and metal tag from Darlington House,Toledo, OH 1249.


543 545 546

542

544


547CONTINENTAL SCHOOL, EARLY 20TH CENTURYPORTRAIT OF CHRISToil on canvas, framed, unsignedH27” W21 1/2”$300-500Provenance: New York privatecollection

548CONTINENTAL SCHOOL, 19THCENTURYTHE SCOLDINGoil on canvas, framed, unsigned &dated: 1865 H15 3/4” W12”$300-500Provenance: New York privatecollection

549CONTINENTAL SCHOOL, LATE 19THCENTURYTHE APPLE PICKERSoil on panel, framed, signed: WolfeH16” W12”$300-500Provenance: New York privatecollection

550CONTINENTAL SCHOOL, 19THCENTURYTHE MANDOLIN PLAYERoil on canvas, framed, signed and datedlower left illegiblyH15” W10”$300-500Provenance: New York privatecollection

551ITALIAN SCHOOL, LATE 19THCENTURYPORTRAIT OF BEAUTYoil on canvas, framed, signed lowerright: Casanova H24” W20”$300-400Provenance: New York privatecollection

552J. A. KRUSEMAN(Continental, early 20th century)COASTAL SCENEoil on board, framed, signedH18 1/2” W22 1/2”$200-400Provenance: Charlotte, North Carolinaprivate collection

547

550

548549

551

552

553PAIR CHINESE PORCELAIN PALACE VASESRepublic period or later, ruffled rim and elongatedbody decorated with central harbor scene flanked byfloral and bird vignettes on field of flowers and waveson black ground; unmarked; H72” (2pcs)$800-1,200Provenance: West Columbia, South Carolina privatecollection

554PAIR CHINESE BLUE-AND-WHITE PORCELAINCOVERED JARSQing or Republic period, hexagonal form decoratedwith extensive scene and text; H12”$500-900Provenance: Camden, South Carolina collection

555FINE SATSUMA EARTHENWARE VASES, PROBABLYKYOTO SCHOOLMeiji period, unusual pair molded vases with finelydetailed expansive scenes, H6 1/2”; and pictorialvignette on brocade ground, H6” (3pcs)$500-800Provenance: Houston, Texas private collection

556CHINESE PORCELAIN AND CINNABAR SNUFF

BOTTLE COLLECTION AND CURIO CABINETQing and Republic periods, various designs and somemarked, H2” to 3”; accompanied by carved hardwoodhanging curio cabinet, H33” W20” D3 1/4” (35pcs)$500-800Provenance: Charlotte, North Carolina privatecollection

557CHINESE BLUE-AND-WHITE PORCELAIN VASE,KANGXI SIX-CHARACTER MARKQing dynasty, plum blossom and bird design, underglaze-blue six-character mark within double ring;H18 1/2”$500-900Provenance: Charlotte, North Carolina privatecollection


554 555 556

553

557


558CHINESE MANDARIN PORCELAIN BOWLQing dynasty, scenic panels in vibrant coloration; H4 1/2” Dia.11”$400-600Provenance: Charlotte, North Carolina privatecollection

559CHINESE BLUE-AND-WHITE PORCELAIN MOON

FLASK AND COVERED JAR, SIGNEDQing dynasty, moon flask with four-character mark,H8”; and covered jar with six-character mark, H9”(2pcs)$400-600Provenance: Charlotte, North Carolina privatecollection

560CHINESE FAMILLE ROSE PORCELAIN BOWLQing dynasty, unusual band design; H5” Dia.11 1/4”$400-600Provenance: Charlotte, North Carolina privatecollection

561CHINESE CERAMIC, STONE AND BRASS FIGURESQing or Republic periods, Sancai glaze shishi, H7”;stone Buddha, H6”; and brass Buddha on wood stand,H3 1/2” (3pcs)$300-500Provenance: Charlotte, North Carolina privatecollection

562IMARI PORCELAIN CHARGERlate 19th century, floral and butterfly designs; Dia.18 1/2”$300-500Provenance: Columbia, South Carolina privatecollection

563CHINESE PORCELAIN CHARGERRepublic period, decorated with dragon motif; Dia.18 1/2”$300-500Provenance: Columbia, South Carolina privatecollection

558 560559

561562 563

564ANCIENT THAI BAN CHIANG POTTERY VESSELcirca 100-200 AD, red continuous swirl design; H16 1/2”$300-500Provenance: Atlanta, Georgia private collection

565IMARI PATTERN PORCELAIN VASES CONVERTED TO

LAMPSelectrified; vase sizes H12”, 13” and 14” (3pcs)$300-600Provenance: Charlotte, North Carolina privatecollection

566CHINESE FAMILLE VERTE PORCELAIN PICTORIAL

VASEQing dynasty, vignette of children playing and anotherwith gaming scene; H13 1/2”$300-600Provenance: Charlotte, North Carolina privatecollection

567JAPANES IMARI PORCELAIN CHARGER, BOWLS ANDDISHESMeiji period, comprising:4 chargers, Dia.12 1/4”4 shallow bowls, Dia.5 1/2” to 10”plate, Dia.8 1/2”3 shaped dishes, L7 1/8” to 9 1/2”saucer, Dia.4 1/8” (13pcs)$300-400Provenance: Charlotte, North Carolina privatecollection

568PAIR JAPANESE IMARI PORCELAIN VASESCONVERTED TO LAMPSMeiji period, electrified; H13” (2pcs)$300-500Provenance: Charlotte, North Carolina privatecollection


565 566 568

564

567


569CHINESE METAL-MOUNTED BLUE-AND-WHITEPORCELAIN OIL LAMPQing dynasty, dragon motif and Persian inspired metalmounts, signed on base, H5 1/2”$200-300Provenance: Charleston, South Carolina privatecollection

570CHINESE JADE PENDANTcarved floral and bird ruyi-head white, green andlavender mottled stone; H2 3/4” W3 1/8”$100-200Provenance: Columbia, South Carolina privatecollection

571CHINESE EMBROIDERED SILK PANELS, FRAMEDQing dynasty, pair depicting figures in garden andanother pair with flowers and insects; framed sizesH31” W16 1/2” and H18” W18” (4pcs)$400-600Provenance: Charlotte, North Carolina privatecollection

572MASSIVE CHINESE CLOISONNE PALACE URNfloral designs on vibrant blue ground; H47”$300-500Provenance: Pennsylvania private collection

573BURMESE CARVED GILTWOOD BUDDHAprobably British Colonial period, standing figure inrobe with extended hands, adorned with smallmirrored beads; H63”$200-400Provenance: Irmo, South Carolina private collection

574INDIAN PAINTED PANELlate 18th/early 19th century; H24” W16 1/2”$200-400Provenance: Fitzgerald, Georgia private collection

570569 574

571 572

575CHINESE PICTORIAL LACQUERED TRAY19th century, oblong tray decorated with court scene;W19” L24”$200-400Provenance: Columbia, South Carolina privatecollection

576CHINESE EXPORT GILT-DECORATED BLACK

LACQUER CURIO CABINETlate 19th century, pagoda inspired design with glazedpanel doors and sidelights, above cabinet and bracketfeet; H76” W38” D15”$1,000-1,500Provenance: Columbia, South Carolina privatecollection

577CHINESE CARVED STOOLQing dynasty, possibly huanghualior elm, square molded seat, carvedcloud-design skirt on cylinder legs;H13” W12 1/2” D12 1/2”$600-1,000Provenance: Atlanta, Georgiaprivate collection

578CHINOISERIE-DECORATEDSIX-PANEL SCREENgold and silver-gilt landscapes onred ground; H89” W120”$700-900Provenance: Charleston, SouthCarolina private collection

579CHINESE EXPORT GILT-DECORATED BLACK

LACQUER WRITING DESK19th century, broken arch crown and shaped pediment, above paneled doors, opening to fitted interiors of drawers, doors and pigeonholes, front withdouble hinged top concealing fitted interiors, on standwith cabriole legs; H66” W22 3/4” D22 3/4”$900-1,400Provenance: Charleston, South Carolina privatecollection


576 577579

578


580CHINESE RED LACQUER AND GLASS DISPLAY

CABINETcirca 1880, rectangular form with glazed doors andsidelights, over configuration of five drawers and pairpaneled doors, decorated overall with scrolling ten-drils, floral motifs and figures in gardens; H70 1/4” W35” D18”$800-1,200Provenance: Charlotte, North Carolina privatecollection

581CHINESE CARVED WOOD

MARRIAGE BEDQing Dynasty, latticeworkcanopy above two compartments fitted with doorsand drawers, carved and spindle-turned side panels withmarquetry-inlaid scenes, onhighly carved scrolling feet;H92” W82”, exterior D82” and interior D66”$800-1,200Provenance: Atlanta, Georgiaprivate collection

582CHINESE EIGHT-PANEL COROMANDEL LACQUERAND ENAMEL SCREENlate 19th century, decorated with village scenes, floraand fauna; H97” L140”$1,000-2,000Provenance: Charlotte, North Carolina privatecollection

583CHINESE BLACK LACQUER AND GILT-DECORATEDSHRINE ON STAND19th century, cabinet with doors opening to fitted interiors, on stand with pierced skirt, carved legs withball-and-claw feet; H47 1/2” W27 1/2” D18”$400-600Provenance: Camden, South Carolina collection

580

583

582

581

584CHINESE HARDWOODCONSOLE TABLE19th century, rectangular top overdrawers, carved moldedlegs, joined by latticework platformbase; H32 1/2” W47 1/2” D26 1/2”$400-700Provenance:Charleston, SouthCarolina privatecollection

585CHINESE CARVED HARDWOOD AND MARBLETOP

PEDESTALlate 19th century, octagonal top over pierce-carvedskirt, cabriole legs joined by molded stretcher; H351/2” Dia.13 1/2”$300-600Provenance: Mount Pleasant, South Carolina privatecollection

586CHINESE CARVED HARDWOOD CENTER TABLEQing Dynasty, square molded-edge top over carvedpierced skirt on square legs; H34 1/2” W28 1/4” D28 1/4”$300-400Provenance:Columbia, SouthCarolina privatecollection

587CHINESE CARVEDGILTWOOD PANEL19th century, elaborately carvedChinese figures in garden scenes, gilt onred lacquer ground;H18 1/2” W35 1/4”$200-400Provenance: NewHampshire collection

588TSUKIOKA YOSHITOSHI(Japanese, 1839-1892)two triptych scenes: CHRONICLE OF BOLD PUNISHMENT and BATTLE SCENEcolor woodcut, each framed as triptych, marked andstampedsight size, each H14” W9 1/2” and framed size H22”W37” (2pcs framed)$800-1,200Provenance: Atlanta, Georgia private collection


585 586 587

584

588


589UTAGAWA YOSHITORA AND UTAGAWA SADAHIDE(Japanese, fl. 1850-1880 and 1807-1873) TWO UNTITLEDTRIPTYCHS, color woodcut, framed as one, markedeach sheet size H14” W9 1/2” and H14” W9 1/2”, and framedsizes H36 1/2” W21” and H22 1/2” W37 1/2” (2pcs framed)$500-800Provenance: Atlanta, Georgia private collection

590UTAGAWA YOSHITORA AND UTAGAWA SADAHIDE(Japanese, fl. 1850-1880 and 1807-1873) TWO UNTITLEDTRIPTYCHS, color woodcut, framed as one, markedeach sheet size H13 1/2” W9 1/2” and H13 3/4” W9 1/4”, andframed size H20” W34 1/2” (2pcs framed)$500-800Provenance: Atlanta, Georgia private collection

591UTAGAWA KUNIHISA(Japanese, 1832-1891)HUNTING THE NINE-TAILED FOX TRIPTYCHcolor woodcut, framed as one, markedeach H14 1/2” W9 1/2” and framed H21” W36 1/2”$500-800Provenance: Atlanta, Georgia private collection

589

590

591

592PAIR CHINESE GOUACHE PAINTINGSlate Qing or Republic periodPAIR SCENIC LANDSCAPESgouache, framed, unsignedsight size H35” W25 1/2” (2pcs)$500-800Provenance: Camden, South Carolina collection

593KIYOSHI SAITO(Japanese, 1907-1997)two works: AUTUMN IN AIZU and CAT, colorwoodcuts, unframedsheet sizes H11 1/2” W16” and H16” W11 1/2” (2pcs)$300-500Provenance: Arlington, Virginia private collection

594CHINESE WATERCOLOR PAINTINGSQing or Republic periodPAIR OF HORSESwatercolor on paper, unframed, signedoverall H15 3/4” W12 1/8” (2pcs)$200-300Provenance: Camden, South Carolina collection


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Terms & Conditions of Sale

REGISTRATION FOR BIDDING. All prospective bidders must have an activeCharlton Hall Account in good standing, sign Registration Form and provide governmentissued photo ID for each sale.*If you would like to establish an account with our firm, please complete Account SetupForm and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required toprovide a deposit against bids.1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”,

“WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot.

2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or pre-approved US bank drawn check. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer.

3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined theproperty as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluationleave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc.

4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale.

5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller.

6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions.

7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot.

8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is

met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license.

9. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding writtenreports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed.

10. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these AbsenteeBid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions.

11. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via ArtFact. Online bidders will pay a Buyer’s Premium of 23% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the event of a tie bid, the floor bidder will be the winning bidder of record.

12. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchasedat auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delaysin pick up, and release of your purchases.

13. EXPORT LICENSES AND PERMITS: Certain property sold at auction maybe made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several


countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale.

14. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc.makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased atauction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots.

15. While Charlton Hall Galleries, Inc., their employees and representatives, makeevery effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and Abbreviations” printed in each catalog or available upon request.

16. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina.By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system.

17. In addition to the other remedies available to us by law, we reserve the right toimpose a late charge of 2% per month of the total purchase price if payment isnot made in accordance with the conditions set forth herein.

18. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total

purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, andwe may apply against such obligations all monies held or received by us for theaccount of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have confirmed their authenticity.

19. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge aminimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale.

20. If property is uncollected within 60-days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds.

21. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property bid on from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions priorto placing any bids.

22. The use of a live internet bidding service will subject your bid to an additionalbuyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding.

23. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer.

24. Bid increments: Bidding generally opens at half the low estimate and generallyadvances in the following increments:

Bid Range Increment $0-99 $10$100-499 $25$500-999 $50$1,000-2,999 $100$3,000-4,999 $200$5,000-9,999 $500$10,000-19,999 $1,000$20,000-49,999 $2,000$50,000-99,999 $5,000 $100,000-199,999 $10,000$200,000 Auctioneer’s discretion


BID FORM - SALE 273BID DEADLINE

FRIDAY 19 SEPTEMBER AT 12NOON

First Name Last Name

Company Name (Only if you are purchasing for a business)

Billing Address

Country

Primary Phone Secondary Phone

Fax

My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.

Email

City Postal CodeState

Client ID#

Signature

Valid Credit Card Number Expiration Date

Date

CV Code

Important Information

•Please complete this form to ensure that your bids areaccepted.

•Bid forms are to be accompanied by a copy of yourGovernment Issued photo ID and credit card.

•Please fax bids to 803-733-1701.

•All bids are processed in the order in which they arereceived and are bid competitively during the sale.

•Email Confirmation will be sent to the email address onthis form, usually within a few hours.

•All bids must be placed following the increments listed below.

Bid Range Increment $0-99 $10$100-499 $25$500-999 $50$1,000-2,999 $100$3,000-4,999 $200$5,000-9,999 $500$10,000-19,999 $1,000$20,000-49,999 $2,000$50,000-99,999 $5,000 $100,000-199,999 $10,000over $200,000 Auctioneer’s discretion

WE DO NOT ACCEPT BIDS THAT ARE LESSTHAN HALF THE LOW ESTIMATE

CHARLTON HALLDiscovering Extraordinary Objects Since 1929

Lot NumberAbsentee Bid

(Top Limit, not includingpremium)

Back-Up Bid(Required for all phone bids)

PhoneBid

(Please Check)

Lot Description


Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you toconsult with one of our staff members to discuss how the process works.

Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue formore complete information.

Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide government-issued photo ID for each sale.

First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present agovernment-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit againstbids.

Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printeddates and by appointment.

Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, andas stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior tobidding.

Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make priorarrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged byour auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error,there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, thesale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale.

Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes.All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment.

Pickup & Shippings: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide alist of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notificationof a scheduled pickup appointment. Pickup Hours: Monday-Friday (10:00 to 11:30am and 1:00 to 4:30pm)

UPS Store 803-254-1601 Plycon 336-854-1832 (or) 954-978-2000Artex 800-652-7839 Richard Wright Ltd. 800-247-9744Atelier 4 305-685-9797 US Art, Inc. 800-872-7826Alexander Services 888-656-6838 Westbrook Deliveries 404-877-2870 (or) 843-991-6738

Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678

Guide for Prospective Buyers


ac: Active

after: This work is a later copy of one of the artist’s works.

after the antique: A later facsimile.

attributed to: This work is probably by the named artist. Technically, this work is ofthe period and may be wholly or even partly by this artist.

b:Date of birth

BH: Back height

circa: Approximate date of object.

circle of:This work is of the correct period, and exhibits the stylistic influence of thenamed artist.

ct: Carat (single gemstone weight)

ctw: Carats (total gemstone weight)

D:Depth

d:Date of death

dates: All dates are approximate. The absence of a date for any item indicates thatthe item is either modern or we are uncertain of the age.

Dia: Diameter

DJ:Dust jacket

fl: Flourished

follower of:This work is executed in the artist’s style, but is not necessarily by oneof his students.

g:Grams

H:Height

K: Karat, the fineness of gold.

L: Length

manner of: Although this work is in the appropriate manner or style of the artist, itis probably of a later period.

note: Additional information we are able to provide about any particular item.

oz Troy: Unit of measuring precious metals.

period:Works will be followed by a date, which means that the object is, in ouropinion, the date indicated, and made in the time frame.

provenance:History of ownership, or additional information which we haveobtained.

studio of:This work is of the correct period, and may have been made under theartist’s supervision.

school of:This work is of the general style of the artist, and may possibly even be bya student of the artist, even if from a slightly later, but not too distant period.

SH: Seat height

sizes: All sizes, weights and other measurements are approximate; we are not respon-sible for mis-measurements or typographical errors.

Sq: Square

style:The inclusion of the word “style” in the heading indicates that, in our opinion,the object was made as an intentional reproduction of an earlier form.

W:Width

wk:Worked

**: Property approved for de-accession

Commonly Used Terms and Abbreviations

EDGEWATEREdgewater, built in 1825 on the

Hudson River in upstate New York,combines classical architecture

with a dramatic setting to createone of the Hudson Valley’s most

charming river residences.

AYR MOUNTAyr Mount, a Federal-style

plantation house built in 1815 justoutside historic Hillsborough, N.C. was home to William Kirkland and

four generations of the Kirklandfamily for the next 170 years.

MILLFORDPLANTATION

Built between 1839-41, MillfordPlantation is one of the finest

examples of Greek Revivalarchitecture in America and stillretains most of its documented

Duncan Phyfe furniture.

ROPER HOUSERoper House, built in 1838 on therecently completed High Battery,commands a sweeping view of the

Charleston, South Carolina harbor.

ESTATE CANE GARDENLocated on a high hilltop in

St. Croix, U.S. Virgin Islands, Cane Garden is a classic example

of a small Palladian villa, circa1784, featuring expansive

Caribbean views.

GEORGE F. BAKERHOUSES

The George F. Baker Housescomprise a block of adjoining

residences owned by the Baker Familyon the corner of Park Avenue and

East 93rd Street in New York City,dating from 1917-1932.

Classical American Homes Preservation Trust69 East 93rd Street, New York, NY 10128

Phone (212) 369-4460 • Fax (212) 369-4462www.classicalamericanhomes.org

Classical American Homes Preservation Trust, founded by Richard Hampton Jenrette,seeks to preserve, protect and open to the public examples of classical American residential

architecture as well as fine and decorative arts of the first half of the 19th century.

Visit Our HousesTo schedule a tour, please go to:

www.classicalamericanhomes.org

EDGEWATER

AYR MOUNT

ROPER HOUSE

BAKER HOUSES

MILLFORD PLANTATION

ESTATE CANE GARDEN


Accepting Quality ConsignmentsForthcoming Auction Schedule

For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau

803-779-5678 or [email protected]

Americana at Auction March 2015Consignment Deadline: January 2

Style + DesignJanuary 2015Consignment Deadline: October 1

Important CollectionsDecember 2015Consignment Deadline: October 1

Style + DesignJanuary 2016Consignment Deadline: October 1

Americana at Auction March 2016Consignment Deadline: January 2

Important CollectionsJune 2015Consignment Deadline: April 1

Magnificent Antiques September 2015Consignment Deadline: July 1

Sd

SDStyle + DesignJuly 2015Consignment Deadline: April 1S

7 Lexington Drive • West Columbia, South Carolina 29170Tel: 803.779.5678 Fax: 803.733.1701

www.CharltonHallAuctions.com

CHARLTON HALLCelebrating Our 85th Year

Private Collections at Auction

Documents

Transcript of Private Collections at Auction